Difference between revisions of "Net art"

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Resource on net art, internet art, net-based art, net-based installations, web art, web-based art.
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==Artists==
 
==Artists==
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category            = Net art
 
category            = Net art
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==Works==
 
==Works==
 
===Online exhibitions and databases===
 
===Online exhibitions and databases===
* [http://www.net-art.org/ net-art.org], an online-only exhibition of the early (and continuous) history of Internet art.  
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* [http://turbulence.org/ Turbulence.org], a premiere web site for net art. From 1996-2016, Turbulence.org commissioned over 220 original net, web and hybrid art works and hosted over 20 real-time, multi-location performances.  
 
* [http://turbulence.org/ Turbulence.org], a premiere web site for net art. From 1996-2016, Turbulence.org commissioned over 220 original net, web and hybrid art works and hosted over 20 real-time, multi-location performances.  
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* [http://www.net-art.org/ net-art.org], an online-only exhibition of the early (and continuous) history of Internet art. Initiated 1998 by Andrew Forbes. [https://nettime.org/Lists-Archives/nettime-bold-0102/msg00296.html Interview, 2001]. [https://twitter.com/net_artdotorg Twitter]. [https://www.facebook.com/netartdotorg/ FB].
 
* [https://rhizome.org/art/artbase/ Rhizome ArtBase], archive of digital art, freely accessible to the public online. Founded 1999. [http://catalog.rhizome.org/ Catalog].
 
* [https://rhizome.org/art/artbase/ Rhizome ArtBase], archive of digital art, freely accessible to the public online. Founded 1999. [http://catalog.rhizome.org/ Catalog].
 
* [https://anthology.rhizome.org/ Net Art Anthology]. Presented by [[Rhizome]], 2016-2019. Retelling the history of Net Art from the 1980s through the present day by restaging and contextualizing one key net art project per week. [https://www.artsy.net/article/artsy-editorial-10-artistic-masterpieces-meant-experienced-online]
 
* [https://anthology.rhizome.org/ Net Art Anthology]. Presented by [[Rhizome]], 2016-2019. Retelling the history of Net Art from the 1980s through the present day by restaging and contextualizing one key net art project per week. [https://www.artsy.net/article/artsy-editorial-10-artistic-masterpieces-meant-experienced-online]
 
* [http://netart-datenbank.org/ netart-Datenbank], est. 2000, active through c.2005. Team: Nina Kahnwald, Anna Kohler, Tilman Linden, Thomas Noesler, [[Sakrowski]].
 
* [http://netart-datenbank.org/ netart-Datenbank], est. 2000, active through c.2005. Team: Nina Kahnwald, Anna Kohler, Tilman Linden, Thomas Noesler, [[Sakrowski]].
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* [http://www.year01.com/archive/plunder/ Pixel Plunder©], online exhibition on notions of authorship and copyright, curated by Michael Alstad and Michelle Kasprzak, 2001. [https://interaccess.org/exhibition/pixel-plunder%C2%A9] [http://wro03.wrocenter.pl/specials/stealing_to_subvert-en.html#pixelplunder]
 
* [http://project.arnolfini.org.uk/?t=5 project.Arnolfini], curated by [[Geoff Cox]], 2010.
 
* [http://project.arnolfini.org.uk/?t=5 project.Arnolfini], curated by [[Geoff Cox]], 2010.
 
* [http://web.archive.org/web/20140517163630/http://netpioneers.info/ netpioneers.info: contextualizing early net-based art], research project realized at the Ludwig Boltzmann Institute Media.Art.Research., Linz, 2007-2009. (archived). [https://monoskop.org/log/?p=1327 Book published].
 
* [http://web.archive.org/web/20140517163630/http://netpioneers.info/ netpioneers.info: contextualizing early net-based art], research project realized at the Ludwig Boltzmann Institute Media.Art.Research., Linz, 2007-2009. (archived). [https://monoskop.org/log/?p=1327 Book published].
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* [http://netarts.org/ Netarts.org], 1995-2014.
 
* [http://netarts.org/ Netarts.org], 1995-2014.
 
* [https://artport.whitney.org/resources/index.shtml more], [https://artport.whitney.org/resources/netartexhibitions.shtml more]
 
* [https://artport.whitney.org/resources/index.shtml more], [https://artport.whitney.org/resources/netartexhibitions.shtml more]
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* [http://web.archive.org/web/20160304190833/http://netzspannung.org/index_en_static.html netzspannung.org], 2001-?.
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* [http://www.medienkunstnetz.de/search/category:internet Internet-related works in Media Art Net].
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===Selected recent works===
 
===Selected recent works===
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[http://barboratrnkova.tomasjavurek.cz/motivo-astratto/ motivo astratto] by [[&]];
 
[http://barboratrnkova.tomasjavurek.cz/motivo-astratto/ motivo astratto] by [[&]];
 
[http://w.xuv.be/projects/love_machine Love Machine] by [[Julien Deswaef]].
 
[http://w.xuv.be/projects/love_machine Love Machine] by [[Julien Deswaef]].
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===Works in museum collections===
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{| class="wikitable sortable" style="font-size: .9em"
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|-
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! style="width:100px;"|Artist !! b. !! Title, Link !! Year !! class="unsortable"|Coll. !! Acq. !! class="unsortable"|Coll. no. !! class="unsortable"|Coll. URL !! Medium !! Dept / Type / Tags !! class="unsortable"|Info
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|-
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| data-sort-value="Davis"|Douglas Davis || US || data-sort-value="Worlds First"|[https://artport.whitney.org/collection/DouglasDavis/live/ The World's First Collaborative Sentence] || 1994- || Whitney || 1995 || 95.253 || [https://whitney.org/collection/works/10237] || Website (HTML) || New Media || [https://whitney.org/artport/douglas-davis] [https://artport.whitney.org/collection/index.shtml] [https://www.nytimes.com/2013/06/10/arts/design/whitney-saves-douglas-daviss-first-collaborative-sentence.html] [https://rhizome.org/editorial/2013/jun/12/restoring-douglas-davis-collaborative-sentence/] [http://www.medienkunstnetz.de/works/the-worlds-first-collaborative-sentence/]
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| data-sort-value="Michel"|Jean-Baptiste Michel || US || I WISH I could be exactly what you’re looking for || 2013 || Whitney || 2014 || 2014.96 || [https://whitney.org/collection/works/45206] || Twitter API, LCD screen, spray painted mat board, and glass || New Media || [http://www.jeanbaptistemichel.com/i-wish-i-could-be-exactly-what-youre-looking-for-2013/psqz188twajnb1k6k3vlgzqfgo276h]
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|-
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| data-sort-value="Versteeg"|Siebren Versteeg || US || New York Double Hung || 2008 || Whitney || 2017 || 2017.241 || [https://whitney.org/collection/works/58056] || Digital collage, output from Internet-connected computer program, with two touch screens || New Media || [http://web.archive.org/web/20190829203203/https://bitforms.art/archives/versteeg/new-york-double-hung]
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| data-sort-value="Plewe"|Daniela Alina Plewe || DE || Muser's Service || 1994 || ZKM ||  ||  || [https://zkm.de/en/artwork/musers-service] || Waterbed, electric heating, pillow, red LED clock module, computer (PC Client), operating system (Linux Ubuntu), custom software with internet access, modified keyboard, computer (PC Server), operating system (Linux Ubuntu), custom software with internet access, TFT monitor, text-to-speech converter (Infovox 700), speaker, amplifier, projector || installation, computer-based, Net Art, Computer-based installation || [http://www.medienkunstnetz.de/works/musers-service/] [https://v2.nl/archive/works/musers-service] [https://www.digitalartarchive.at/database/general/work/museraposs-service.html]
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| data-sort-value="Cruijsen"|Walter van der Cruijsen, Jill Scott || NL, AU || Salon Digital || 1995 || ZKM ||  ||  || [https://zkm.de/en/artwork/salon-digital] || Custom-made table, three TFT monitors with speakers, glass pane, turnable ring with infrared keyboard and track ball, computer (PC), operating system (Windows) || computer-based, Net Art, Net-based sculpture ||
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| data-sort-value="Huemer"|Markus Huemer || AT || The Rules Are No Game || 1997 || ZKM ||  ||  || [https://zkm.de/en/artwork/the-rules-are-no-game] || Two computers (PC, operating system: Linux, custom software with internet access), video camera, projector, floor plates with screenprint || installation, computer-based, Net Art, Computer-based installation ||
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| data-sort-value="Sollfrank"|Cornelia Sollfrank || DE || [http://net.art-generator.com/nags.html Net Art Generator] || 1999 || ZKM ||  ||  || [https://zkm.de/en/artwork/net-art-generator] || interactive net-based installation; computer workstation (table, chair, computer) and wooden box with server, projection screen; technical equipment: computer (server): PC with graphics and two network cards, operating system: Linux, software: custom software with Internet access, computer (workstation): PC, software: Internet browser; other technical devices: panel and electronics of a TFT monitor, projector, color printer (optional) || computer-based, Net-based sculpture || [http://mkn.zkm.de/works/net-art-generator/]
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| data-sort-value="Cooper"|Shane Cooper || US || Remote Control || 1999 || ZKM ||  ||  || [https://zkm.de/en/artwork/remote-control] || computer (Silicon Graphics O2, operating system: IRIX, custom software), keyboard, mouse, audio effects unit, computer screen, TV screen, custom-made remote control system, TV cabinet, coffee table, sofa, floor lamp, pedestal || computer-based, installation, video, Net-based installation, Computer-based installation || [http://www.shanecooper.com/RemoteControl/] [http://at.zkm.de/node/496] [http://www.medienkunstnetz.de/works/remote-control/]
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| data-sort-value="Link"|David Link || DE || Poetry Machine || 2001 || ZKM ||  ||  || [https://zkm.de/en/artwork/poetry-machine] || interactive, net-based installation; room with projection screen, technological equipment: computer: 3 PCs, operating system: Linux, software: Icustom software with Internet access, other devices: modified keyboard on stand, custom electronics, ultrasonic distance sensor, network distributor, 1 plasma monitor, projector, amplifier, 2 passive speakers, mixer || installation, computer-based, Net Art, Net-based installation, Computer-based installation || [http://www.alpha60.de/art/poetry_machine/] [http://www.medienkunstnetz.de/works/poetry-machine-1-0/]
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| Transmute Collective || AU || Intimate Transactions || 2005 || ZKM ||  ||  || [https://zkm.de/en/artwork/intimate-transactions] || Two supporting structures for one person each (aluminum, steel, plastic), four computers (Power Max G5), operating system (OSX), custom software, four computers (PC), operating system (Windows), custom software, laptop, operating system (Windows), custom software with internet access, two sound cards (MOTU 828 Mk2), two AD/DA converters (Behringer ADA8000), two custom-made electronic units, two MIDI controllers (Midiman 2x2), four body sensors, two video cameras, two RGB mixers, 16 speakers (active), two subwoofers, two projectors, two projection screens, seven TFT monitors, pedestal, monitor, CF card player, speakers (active) || video, computer-based, installation, Sound installation, Video installation, Net-based installation, Computer-based installation ||
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| data-sort-value="Lee"|Marc Lee || CH || Breaking the News || 2007 || ZKM ||  ||  || [https://zkm.de/en/artwork/breaking-the-news] || computer (PC), operating system (Windows XP), custom software with internet access, 3 or 4 projectors, 3 or 4 speakers (active) || installation, computer-based, Net-based installation, Computer-based installation, Video installation || [http://marclee.io/en/breaking-the-news-be-a-news-jockey/]
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| data-sort-value="Bowen"|David Bowen || US || tele-present water || 2011 || ZKM ||  ||  || [https://zkm.de/en/artwork/tele-present-water] || Aluminium, wooden sticks, nylon threads, 17 servo motors (Futaba S3004), computer (Macmini, operating system: Mac OSX, software: Max/MSP); wave from National Oceanic and Atmospheric Administration data buoy station 51003 || installation, computer-based, Kinetic installation, Computer-based installation, Net-based installation || [https://www.dwbowen.com/telepresentwater]
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| data-sort-value="Amerika"|Mark Amerika || US || [http://aoys.zkm.de/crapshoot/ Crapshoot] || 2013- 2014 || ZKM ||  ||  || [https://zkm.de/en/artwork/crapshoot] || website; languages: HTML, CSS, JavaScript || computer-based, Net Art || [http://aoys.zkm.de/amerika.php] [http://markamerika.com/news/craphoot-live-at-zkm] [http://markamerika.com/crapshoot2/]
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| data-sort-value="Neddam"|Martine Neddam || NL || [http://www.mydesktoplife.org/ My DesktopLife] || 2014 || ZKM ||  ||  || [https://www.zkm.de/en/artwork/my-desktoplife] || net-based artwork; website, languages: HTML, CSS, JavaScript, Python || computer-based, Net Art || [http://aoys.zkm.de/neddam.php]
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| data-sort-value="Rozendaal"|Rafaël Rozendaal || NL || [http://aoys.zkm.de/neogeocity/ Neo Geo City] || 2014 || ZKM ||  ||  || [https://zkm.de/en/artwork/neo-geo-city] || website, languages: HTML, CSS, JavaScript, Python || computer-based, Net Art || [http://aoys.zkm.de/rafaelrozendaal.php] [https://www.newrafael.com/new-website-neo-geo-city-com-supported-by-zkm-karlsruhe/]
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| data-sort-value="Wenger"|Alex Wenger, Max-Gerd Retzlaff || DE || Daten|Spuren || 2015 || ZKM ||  ||  || [https://zkm.de/en/artwork/datenspuren] || 1 Computer, 2 Microcontroller, Webserver, 1 Monitor, Software, 1 Sockel || computer-based, Net-based installation || [http://www.retzlaff-wenger.com/DatenSpuren/]
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| data-sort-value="Krohn"|Leena Krohn || FI || [http://www.kaapeli.fi/krohn/sphinx/ Sphinx or Robot] || 1997 || Kiasma || 1997 || N-1997-86 || [https://www.kansallisgalleria.fi/en/object/607934] || || Media Art, Online Art ||
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| data-sort-value="Ingen"|Juha van Ingen || FI || [http://onlineart.kiasma.fi/en/juha-van-ingen/web-safe/ Web-Safe] || 1999- 2000 || Kiasma || 2016 || N-2016-32 || [https://www.kansallisgalleria.fi/en/object/420566] || Text, Silent || Media Art, Online Art || [https://www.juhavaningen.com/pages/websafe.html] [http://web.archive.org/web/20190527032422/http://onlineart.kiasma.fi/en/juha-van-ingen-web-safe/] [https://www.kansallisgalleria.fi/en/object/396218]
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| data-sort-value="Rasanen"|Jarkko Räsänen || FI || [http://odo.kiasma.fi/ Ordered Dance] || 2016 || Kiasma || 2016 || N-2016-44 || [https://www.kansallisgalleria.fi/en/object/423761] || || Media Art, Online Art || [http://onlineart.kiasma.fi/en/jarkko-rasanen/]
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| data-sort-value="Rainio"|Tuomo Rainio || FI || [http://onlineart.kiasma.fi/en/tuomo-rainio/untitled-gravitational-waves/ Untitled (Gravitational waves)] || 2016 || Kiasma || 2016 || N-2016-45 || [https://www.kansallisgalleria.fi/en/object/425558] || Text || Media Art, Online Art || [http://onlineart.kiasma.fi/en/tuomo-rainio/]
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| Pink Twins || FI || [https://pinktwinsinfinity.com/ Infinity] || 2016 || Kiasma || 2016 || N-2016-48 || [https://www.kansallisgalleria.fi/en/object/414511] || || Media Art, Online Art || [http://onlineart.kiasma.fi/en/pink-twins/]
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| data-sort-value="Plessas"|Angelo Plessas || GR || [http://quantumproofofknowledge.com/ Homo Cybersphericus] || 2017 || Kiasma || 2016 || N-2016-50 || [https://www.kansallisgalleria.fi/en/object/425815] || Text, website || Media Art, Online Art || [http://onlineart.kiasma.fi/en/angelo-plessas/]
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| data-sort-value="Sutela"|Jenna Sutela || FI || [http://onlineart.kiasma.fi/en/jenna-sutela/gut-machine-poetry/ Gut-Machine Poetry] || 2017 || Kiasma || 2016 || N-2016-796 || [https://www.kansallisgalleria.fi/en/object/424190] || Text, website || Media Art, Online Art || [http://onlineart.kiasma.fi/en/jenna-sutela/]
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| data-sort-value="Merilainen"|Reija Meriläinen || FI || [http://survivor.kiasma.fi/ Survivor] || 2017 || Kiasma || 2017 || N-2017-205 || [https://www.kansallisgalleria.fi/en/object/1734674] || || Media Art || [http://onlineart.kiasma.fi/en/reija-merilainen/]
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| data-sort-value="Narkus"|Robertas Narkus || LT || [http://onlineart.kiasma.fi/en/robertas-narkus/prospect-revenge/ Prospect Revenge] || 2019 || Kiasma || 2019 || N-2019-63 || [https://www.kansallisgalleria.fi/en/object/1734674] || ||  || [http://onlineart.kiasma.fi/en/robertas-narkus/]
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| data-sort-value="Simon"|John F. Simon Jr. || US || [http://unfoldingobject.guggenheim.org/ Unfolding Object] || 2002 || Guggenheim || 2002 || 2002.16 || [https://www.guggenheim.org/artwork/10702] || Interactive networked code (Java applet with server database and servlets) || Internet Art || [https://www.guggenheim.org/blogs/checklist/the-guggenheim-restores-john-f-simon-jr-early-web-artwork-unfolding-object] [http://web.archive.org/web/20140911075148/http://www.guggenheim.org/new-york/press-room/releases/press-release-archive/2002/668-february-18-internet-art-commissions]
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| data-sort-value="Napier"|Mark Napier || US || [http://netflag.guggenheim.org/ net.flag] || 2002 || Guggenheim || 2002 || 2002.17 || [https://www.guggenheim.org/artwork/10703] || Interactive networked code (Java applet with server database) || Internet Art || [https://www.guggenheim.org/blogs/checklist/restoring-mark-napiers-online-work-net-flag-for-a-changing-world] [http://web.archive.org/web/20140911075148/http://www.guggenheim.org/new-york/press-room/releases/press-release-archive/2002/668-february-18-internet-art-commissions]
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| data-sort-value="Cheang"|Shu Lea Cheang || TW || [http://brandon.guggenheim.org/ Brandon] || 1998- 1999 || Guggenheim || 2005 || 2005.44 || [https://www.guggenheim.org/artwork/15337] || Interactive networked code (html, Java, Javascript and server database) || Internet Art || [https://www.guggenheim.org/blogs/checklist/restoring-brandon-shu-lea-cheangs-early-web-artwork] [https://discovery.dundee.ac.uk/en/studentTheses/internet-art-and-agency]
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| data-sort-value="Leeson"|Lynn Hershman Leeson || US || [http://agentruby.sfmoma.org/ Agent Ruby] || 1999- 2002 || SFMOMA || 2008 || 2008.230 || [https://www.sfmoma.org/artwork/2008.230/] || web project || digital media || [https://www.youtube.com/watch?v=O5ZGlWB36J8] [https://openspace.sfmoma.org/2013/05/moira-roth-talks-to-agent-ruby/] [https://www.sfmoma.org/exhibition/lynn-hershman-leeson/] [https://www.sfmoma.org/press/release/lynn-hershman-leeson-the-agent-ruby-files/] [https://www.li-ma.nl/lima/sites/default/files/TDA2020bookletWeb.pdf#page=8] [https://discovery.dundee.ac.uk/en/studentTheses/internet-art-and-agency] [http://web.archive.org/web/20070504160029/http://www.sfmoma.org/espace/artist_overview.html?id=7]
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| data-sort-value="Scher"|Julia Scher || US || Predictive Engineering<sup>2</sup> || 1998 || SFMOMA || 2008 || 2008.231 || [https://www.sfmoma.org/artwork/2008.231/] || web project || digital media || [http://web.archive.org/web/20080215025649/http://www.sfmoma.org/espace/espace_overview.html]
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| data-sort-value="Fletcher"|Harrell Fletcher and Miranda July, Harrell Fletcher, Miranda July, Yuri Ono || US || [http://www.learningtoloveyoumore.com/ Learning to Love You More] || 2002- 2009 || SFMOMA || 2010 || 2010.45 || [https://www.sfmoma.org/artwork/2010.45.a-eeeeeeee/] || web project (www.learningtoloveyoumore.com) and archive || digital media ||
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| data-sort-value="Gamarra"|Sandra Gamarra || PE || LiMac Museum Shop || 2005 || Tate || 2009 || T15217 || [https://www.tate.org.uk/art/artworks/gamarra-limac-museum-shop-t15217] || Software, networked, internet, colour, laptop; plywood, paint, oil paintings on canvas, coat hangers, t-shirts, mugs, canvas bags, wooden yo-yos, mouse mats, pin badges, printed papers and other materials ||  ||
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| data-sort-value="Lee"|Marc Lee || CH || [http://marclee.io/tvbot/ TV Bot 2.0] || 2010 || HEK || 2012 || S0001 || [https://www.hek.ch/en/collection/collection-single/collection/tv-bot-20.html] || 16:9 flat screen, speaker boxes, computer, Internet browser with flash plug-in, Internet connection, router, cable || Internet Artwork || [http://marclee.io/en/tv-bot-world-news-as-soon-as-it-happens/] [http://www.digitalartconservation.org/index.php/en/exhibitions/zkm-exhibition/nnnnnmarc-lee.html] [https://www.hek.ch/en/program/events-en/event/collecting-the-preservation-of-digital-art-as-exemplified-by-marc-lees-tv-bot.html]
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| data-sort-value="Wachter"|Christoph Wachter, Mathias Jud || CH || [http://www.new-nations.net/ New Nations] || 2009- 2011 || HEK || 2012 || S0003 || [https://www.hek.ch/en/collection/collection-single/collection/new-nations.html] || Router: TL-WR841ND (with handmade aluminum box), operating system OpenWRT Attitude Adjustment 12.09, wooden box, folded leaflet, book || Internet Community Project ||
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| UBERMORGEN || AT || [http://www.sound-of-ebay.com/ Sound of Ebay] || 2008/ 2009 || HEK || 2012 || S0004 || [https://www.hek.ch/en/collection/collection-single/collection/sound-of-ebay.html] || EBay user data; computer with Internet connection; possibly a screen with a projector || Internet Artwork ||
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| Jodi || NL, BE || [http://x20xx.com/div_property.html div. (property)] || 2013 || HEK || 2013 || S0013 || [https://www.hek.ch/en/collection/collection-single/collection/div-property.html] || Source code: HTML, CSS, Javascript; computer, other output devices (projector, screen) || Internet Artwork ||
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| data-sort-value="Brogle"|Beat Brogle, Philippe Zimmermann || CH || [https://owm.hek.ch/ onewordmovie] || 2003/ 2018 || HEK || 2016 || S0014 || [https://www.hek.ch/en/collection/collection-single/collection/onewordmovie.html] || Program code, source code (HTML 5), database, emulator || Internet Artwork ||
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| data-sort-value="Studer"|Monica Studer, Christoph van den Berg || CH || filter: four letter words || 1997- 1998 || HEK || 2016 || S0015 || [https://www.hek.ch/en/collection/collection-single/collection/filter-four-letter-words.html] || For the original version: 726 HTML files and 726 GIF files; for the 2016 version: 726 HTML files, 726 GIF files and 1 CSS file Screen: 640 x 480 px – 1920 x 1080 px; desktop computer, e.g., Netscape 2.0 / Windows 98; HTML 5 or CCS 3 browser, e.g., Firefox 47.0 / Windows XP || Internet Artwork ||
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| data-sort-value="Studer"|Monica Studer, Christoph van den Berg || CH || filter: mille miglia || 1997- 1998 || HEK || 2016 || S0016 || [https://www.hek.ch/en/collection/collection-single/collection/filter-mille-miglia.html] || For the original version: 5 HTML files; for the 2008 version: 5 HTML files; for the 2016 version: 2 HTML files (1 x iframe, 1 x openWindow): Screen: 780 x 280 px; desktop computer, e.g., Netscape 4 / Windows 98; HTML 5 or CCS 3 browser, e.g., Firefox 47.0 / Windows XP || Internet Artwork ||
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| data-sort-value="Studer"|Monica Studer, Christoph van den Berg || CH || filter: mixed double || 1997- 1998 || HEK || 2016 || S0017 || [https://www.hek.ch/en/collection/collection-single/collection/filter-mixed-double.html] || For the original version: 726 HTML files and 726 GIF files; for the 2016 version: 726 HTML files, 726 GIF files and 1 CSS file Screen: 640 x 480 px – 1920 x 1080 px; desktop computer, e.g., Netscape 2.0 / Windows 98; HTML 5 or CCS 3 browser, e.g., Firefox 47.0 / Windows XP || Internet Artwork ||
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|-
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| data-sort-value="Studer"|Monica Studer, Christoph van den Berg || CH || [http://www.digital-art-collection.net/collection/_arbeiten/stvb.html travelogue] || 2005 || HEK || 2017 || S0038 || [https://www.hek.ch/en/collection/collection-single/collection/travelogue.html] || Web game: Flash-File and HTML pages for Online and Offline use; film of the game: 736 x 506 px, 33’, MP4, AV || Web Game || [http://www.digital-art-collection.net/collection/collection.html]
 +
|-
 +
| data-sort-value="Studer"|Monica Studer, Christoph van den Berg || CH || [http://www.vuedesalpes.com/ Hotel Vue des Alpes] || 2000- || HEK || 2017 || S0044 || [https://www.hek.ch/en/collection/collection-single/collection/hotel-vue-des-alpes.html] || Pentium III, 3-D programs, website with room-reservation system, HTML, PHP, compatible with flash and SQL, vda player || Internet Artwork ||
 +
|-
 +
| data-sort-value="Gusberti"|Maia Gusberti, Michael Aschauer, Nik Thoenen, Sepp Deinhofer || CH || [http://www.logicaland.net/ LOGICALAND V0.1] || 2002 || HEK || 2016 || S0018 || [https://www.hek.ch/en/collection/collection-single/collection/logicaland-v01.html] || Web application with Java applet (and HTML/CSS) as front end, and a PHP/MySQL as backend. Current version: 0.11. Used – last tested software: PHP Version 4.3.6, MYSQL 3.23.39 || Web Game ||
 +
|-
 +
| data-sort-value="Mediengruppe Bitnik"|!Mediengruppe Bitnik || CH || [https://www.download-finished.com/ Download Finished] || 2006 || HEK || 2016 || S0020 || [https://www.hek.ch/en/collection/collection-single/collection/download-finished.html] || 3 films in PAL MPEG-2, 720 x 576 px format. Website consists of 1420 static pages and 1409 films in HTML5. Web server (Nginx, Apache) with PHP5 enabled; server space: ca. 140 GB || Web Archive, Digital Video ||
 +
|-
 +
| knowbotic research || DE, CH || [http://krcf.knowbotiq.net/unitedhome/ny minds of concern (New York version)] || 2002 || HEK || 2016 || S0024 || [https://www.hek.ch/en/collection/collection-single/collection/minds-of-concern-new-york-version.html] || Server: apache, mysql, python script, python cgi scripts; Client: HTMIL, flash (gnash) plugin; unitedwehack.ath.cx  || Internet Artwork, Interactive Installation  ||
 +
|-
 +
| knowbotic research || DE, CH || [http://knowbotiq.net/macghillie/ macghillie_just a void] || 2008- 2012 || HEK || 2016 || S0025 || [https://www.hek.ch/en/collection/collection-single/collection/macghillie-just-a-void.html] || Wordpress Blog, Camouflage-Anzug || Blog, Urban Intervention ||
 +
|-
 +
| data-sort-value="Kempker"|Birgit Kempker || DE, CH || [http://www.digital-art-collection.net/collection/_arbeiten/bk.html Sphinx] || 2004- || HEK || 2017 || S0035 || [https://www.hek.ch/en/collection/collection-single/collection/sphinx.html] ||  || Internet Artwork || [http://www.digital-art-collection.net/collection/collection.html]
 +
|-
 +
| data-sort-value="Lee"|Marc Lee || CH || [http://www.digital-art-collection.net/collection/_mm/lee/tvbot1/ml.html TV Bot 1.0] || 2004/ 2005 || HEK || 2017 || S0036 || [https://www.hek.ch/en/collection/collection-single/collection/tv-bot-10.html] || Original (2004): Data stream from the Internet, 16:9 flat screen, speakers, computer, Internet browser with flash plugin, Internet connection including router, cable. Videos (2005): flash, MP4 || Internet Artwork || [http://marclee.io/en/tv-bot-world-news-as-soon-as-it-happens/] [http://www.digitalartconservation.org/index.php/en/exhibitions/zkm-exhibition/nnnnnmarc-lee.html] [https://www.hek.ch/en/program/events-en/event/collecting-the-preservation-of-digital-art-as-exemplified-by-marc-lees-tv-bot.html] [http://www.digital-art-collection.net/collection/collection.html]
 +
|-
 +
| data-sort-value="Simon"|John F. Simon, Jr. || US || [http://www.numeral.com/projects/web/everyIcon/everyIcon.php Every Icon] || 1997 || HEK || 2017 || S0037 || [https://www.hek.ch/en/collection/collection-single/collection/every-icon.html] || Software, Java Applet || Internet Artwork || [http://www.digital-art-collection.net/collection/collection.html]
 +
|-
 +
| LAN || CH || [http://www.anninaruest.com/a/tracenoizer/ TraceNoizer – Disinformation On Demand] || 2001 || HEK || 2017 || S0047 || [https://www.hek.ch/en/collection/collection-single/collection/tracenoizer-disinformation-on-demand.html] || || Internet Artwork ||
 +
|-
 +
| data-sort-value="Aubry"|Gilles Aubry, Stéphane Montavon || DE, CH || [http://www.cairotalkingheads.blogspot.com/ Cairo Talking Heads] || 2006/ 2017 || HEK || 2017 || S0061 || [https://www.hek.ch/en/collection/collection-single/collection/cairo-talking-heads.html] || software, website, audio || Blog, Internet Artwork ||
 +
|-
 +
| data-sort-value="Neddam"|Martine Neddam || NL || [http://mouchette.org/ Mouchette] || 1996- || Stedelijk & MOTI Breda || 2016 ||  || [https://www.sfmoma.org/artwork/2008.230/] ||  ||  || [https://www.digitalcanon.nl/#464] [http://about.mouchette.org/category/acquisition-stedelijk/] [https://www.li-ma.nl/lima/sites/default/files/TDA2020bookletWeb.pdf#page=10] [https://www.li-ma.nl/lima/news/cultural-matter-martine-neddam-conversation-elvia-wilk-pti] [https://discovery.dundee.ac.uk/en/studentTheses/internet-art-and-agency] [http://about.mouchette.org/wp-content/uploads/2020/02/Brum-OC-thesis-2019-06-20-Revised.pdf]
 +
|}
 +
 +
See also the works commissioned by [http://www2.tate.org.uk/intermediaart/archive/net_art_date.shtm Tate] (2000-2011), [http://web.archive.org/web/20080215025649/http://www.sfmoma.org/espace/espace_overview.html SFMOMA] (2000-) and [https://whitney.org/artport/commissions Whitney] (2001-), and the works in [https://rhizome.org/art/artbase/ Rhizome ArtBase].
  
 
==Catalogues==
 
==Catalogues==
Line 72: Line 194:
 
* [https://zkm.de/en/exhibition/1999/09/netcondition Net_condition: Art and Global Media] exhibition, ZKM Karlsruhe, 23 Sep 1999-27 Feb 2000. [http://web.archive.org/web/20040302150409/https://zkm.de/netcondition Archived exhibition website].
 
* [https://zkm.de/en/exhibition/1999/09/netcondition Net_condition: Art and Global Media] exhibition, ZKM Karlsruhe, 23 Sep 1999-27 Feb 2000. [http://web.archive.org/web/20040302150409/https://zkm.de/netcondition Archived exhibition website].
 
* [http://www.walkerart.org/archive/E/A153E129363082E4616F.htm Envy: Can the Center Hold? (net.art per se)], panel as part of ''Sins of Change: Media Arts in Transition, Again'' symposium, Walker Art Center, Minneapolis, 8 Apr 2000.
 
* [http://www.walkerart.org/archive/E/A153E129363082E4616F.htm Envy: Can the Center Hold? (net.art per se)], panel as part of ''Sins of Change: Media Arts in Transition, Again'' symposium, Walker Art Center, Minneapolis, 8 Apr 2000.
 +
* [https://www.ntticc.or.jp/en/feature/2002/Art_Bit_Collection/ Art.Bit Collection], exhibition and symposia, InterCommunication Center, Tokyo, 21 Jun-11 Aug 2002. Curated by Masaki Fujihata and Kouichirou Eto. [https://www.ntticc.or.jp/en/exhibitions/2002/art-bit-collection/]
 
* [http://web.archive.org/web/20060624213355/http://www.connessionileggendarie.it/ Connessioni Leggendarie: Net.Art 1995-2005], exhibition, Mediateca di Santa Teresa, Via della Moscova, Milan, 20 Oct-10 Nov 2005. Curated by Domenico Quaranta. [http://digicult.it/digimag/issue-009/connessioni-leggendarie-interview-to-netart/ Interview with curator] (Digicult).
 
* [http://web.archive.org/web/20060624213355/http://www.connessionileggendarie.it/ Connessioni Leggendarie: Net.Art 1995-2005], exhibition, Mediateca di Santa Teresa, Via della Moscova, Milan, 20 Oct-10 Nov 2005. Curated by Domenico Quaranta. [http://digicult.it/digimag/issue-009/connessioni-leggendarie-interview-to-netart/ Interview with curator] (Digicult).
 
* [[Tele-Internet]], Ars Electronica, Linz, 2010. Curated by Aram Bartholl.
 
* [[Tele-Internet]], Ars Electronica, Linz, 2010. Curated by Aram Bartholl.
 
* [http://www.wj-s.org/WJ-SPOTS-MAL-AU-PIXEL-FESTIVAL WJ-Spots / Mal au Pixel Festival], conference on the history and the future of the internet, Paris, Jun 2011.
 
* [http://www.wj-s.org/WJ-SPOTS-MAL-AU-PIXEL-FESTIVAL WJ-Spots / Mal au Pixel Festival], conference on the history and the future of the internet, Paris, Jun 2011.
 +
* [https://www.ntticc.or.jp/en/feature/2012/Internet_Art_Future/index.html Internet Art Future: Reality in Post Internet Era], exhibition and symposium, InterCommunication Center, Tokyo, 28 Jan-18 Mar 2012. [https://www.ntticc.or.jp/en/exhibitions/2012/internet-art-future-reality-in-post-internet-era/] [https://www.ntticc.or.jp/en/feature/2011/InternetReality/index.html]
 +
* [http://aoys.zkm.de/ ArtOnYourScreen], online exhibition platform, ZKM, 14 May 2014-31 Dec 2016. [https://zkm.de/en/exhibition/2014/05/artonyourscreen]
 
* [http://net.art.mgml.si/ net.art Painters and Poets], exhibition, City Art Gallery, Ljubljana, Jun-Aug 2014. Curated by [[Vuk Ćosić]] and Alenka Gregorić.
 
* [http://net.art.mgml.si/ net.art Painters and Poets], exhibition, City Art Gallery, Ljubljana, Jun-Aug 2014. Curated by [[Vuk Ćosić]] and Alenka Gregorić.
 
* [http://www.whitechapelgallery.org/exhibitions/electronicsuperhighway/ Electronic Superhighway (2016-1966): From Experiments in Art and Technology to Art After the Internet], exhibition, Whitechapel Gallery, London, 29 Jan-15 May 2016. Curated by Omar Kholeif. Reviews: [http://www.metamute.org/editorial/articles/eleven-pro-tips-art-plus-internet Fuller] (Mute), [[Media:Meixnerova Marie 2016 Do dejin internetoveho umeni.pdf|Meixnerová]] (Iluminace, CZ).
 
* [http://www.whitechapelgallery.org/exhibitions/electronicsuperhighway/ Electronic Superhighway (2016-1966): From Experiments in Art and Technology to Art After the Internet], exhibition, Whitechapel Gallery, London, 29 Jan-15 May 2016. Curated by Omar Kholeif. Reviews: [http://www.metamute.org/editorial/articles/eleven-pro-tips-art-plus-internet Fuller] (Mute), [[Media:Meixnerova Marie 2016 Do dejin internetoveho umeni.pdf|Meixnerová]] (Iluminace, CZ).
 +
* [http://onlineart.kiasma.fi/en/ ARS17 Hello World! Taide internetin jälkeen / Art After the Internet], exhibition, Kiasma, Helsinki, 31 Mar 2017-14 Jan 2018. [https://kiasma.fi/en/exhibitions/ars-17/] [http://web.archive.org/web/20190527023001/https://onlineart.kiasma.fi/en/]
 
* [https://mdbk.de/en/exhibitions/netzkuenstlerinnen-2.0/ Virtual Normality: Female Net Artists 2.0], exhibition, Museum der bildenden Künste Leipzig, 12 Jan-8 Apr 2018. Curated by Sabrina Steinek and Anika Meier. Review: [https://www.springerin.at/2018/2/technofeminism/ Weier] (Springerin).
 
* [https://mdbk.de/en/exhibitions/netzkuenstlerinnen-2.0/ Virtual Normality: Female Net Artists 2.0], exhibition, Museum der bildenden Künste Leipzig, 12 Jan-8 Apr 2018. Curated by Sabrina Steinek and Anika Meier. Review: [https://www.springerin.at/2018/2/technofeminism/ Weier] (Springerin).
 
* [https://www.icaboston.org/exhibitions/art-age-internet-1989-today Art in the Age of the Internet], 1989 to Today exhibition, ICA Boston, 7 Feb-20 May 2018. Curated by Eva Respini and Jeffrey De Blois.
 
* [https://www.icaboston.org/exhibitions/art-age-internet-1989-today Art in the Age of the Internet], 1989 to Today exhibition, ICA Boston, 7 Feb-20 May 2018. Curated by Eva Respini and Jeffrey De Blois.
* [https://netzkunst.berlin/ Berlin, Zentrum der Netzkunst - damals und heute], exhibition, panke.gallery, Berlin, 4 Oct-23 Nov 2018. Curated by Robert Sakrowski and Tabea Rossol.
+
* [https://netzkunst.berlin/ Berlin, Zentrum der Netzkunst - damals und heute], exhibition, panke.gallery, Berlin, 4 Oct-23 Nov 2018. Curated by [[Robert Sakrowski]] and Tabea Rossol.
 
* [https://www.newmuseum.org/exhibitions/view/the-art-happens-here-net-art-s-archival-poetics The Art Happens Here: Net Art's Archival Poetics], exhibition, New Museum, New York, 22 Jan-26 May 2019. Based on Rhizome's Net Art Anthology programme. Curated by Michael Connor with Aria Dean. [https://rhizome.org/editorial/2018/oct/12/early-warning-the-art-happens-here-rhizome-exhibition/]
 
* [https://www.newmuseum.org/exhibitions/view/the-art-happens-here-net-art-s-archival-poetics The Art Happens Here: Net Art's Archival Poetics], exhibition, New Museum, New York, 22 Jan-26 May 2019. Based on Rhizome's Net Art Anthology programme. Curated by Michael Connor with Aria Dean. [https://rhizome.org/editorial/2018/oct/12/early-warning-the-art-happens-here-rhizome-exhibition/]
  
Line 102: Line 228:
 
* Dieter Daniels, Gunther Reisinger (eds.), ''[http://monoskop.org/log/?p=1327 Net Pioneers 1.0: Contextualizing Early Net-Based Art]'', Berlin/New York: Sternberg Press, 2010, 240 pp.
 
* Dieter Daniels, Gunther Reisinger (eds.), ''[http://monoskop.org/log/?p=1327 Net Pioneers 1.0: Contextualizing Early Net-Based Art]'', Berlin/New York: Sternberg Press, 2010, 240 pp.
 
* Josephine Bosma, ''Nettitudes: Let's Talk Net Art'', Rotterdam: NAi Publishers, and Amsterdam: Institute of Network Cultures, 2011, 270 pp. [http://www.josephinebosma.com/web/node/79 Introduction], [http://archive.neural.it/init/default/show/1588 TOC], [https://www.naibooksellers.nl/nettitudes-let-s-talk-net-art-josephine-bosma.html]. Review: [https://www.onlineopen.org/download.php?id=337 Kluitenberg] (Open!), [http://neural.it/2011/08/josephine-bosma-nettitudes-lets-talk-net-art/ Ciociola] (Neural), [http://digicult.it/digimag/issue-064/josephine-bosma-nettitudes-lets-talk-net-art/ Cippitelli] (Digicult).
 
* Josephine Bosma, ''Nettitudes: Let's Talk Net Art'', Rotterdam: NAi Publishers, and Amsterdam: Institute of Network Cultures, 2011, 270 pp. [http://www.josephinebosma.com/web/node/79 Introduction], [http://archive.neural.it/init/default/show/1588 TOC], [https://www.naibooksellers.nl/nettitudes-let-s-talk-net-art-josephine-bosma.html]. Review: [https://www.onlineopen.org/download.php?id=337 Kluitenberg] (Open!), [http://neural.it/2011/08/josephine-bosma-nettitudes-lets-talk-net-art/ Ciociola] (Neural), [http://digicult.it/digimag/issue-064/josephine-bosma-nettitudes-lets-talk-net-art/ Cippitelli] (Digicult).
 +
* Anne Laforet, ''Le net art au musée. Stratégies de conservation des œuvres en ligne'', Paris: Questions théoriques, 2011, 180 pp. [http://www.questions-theoriques.com/extract/show/9 Excerpt]. Based on 2009 dissertation. [http://questions-theoriques.com/produit/5/9782917131046/Le%20Net%20Art%20au%20musee] [http://www.sakasama.net/conservationnetart/livre.html] {{fr}}
 
* Markus Schwander, Reinhard Storz (eds.), ''[http://www.ooart.ch/publikation/02.php?m=1&m2=2&lang=e Owning Online Art: Selling and Collecting Netbased Artworks]'', Basel: FHNW, 2010.  
 
* Markus Schwander, Reinhard Storz (eds.), ''[http://www.ooart.ch/publikation/02.php?m=1&m2=2&lang=e Owning Online Art: Selling and Collecting Netbased Artworks]'', Basel: FHNW, 2010.  
 
* Rasa Smite, ''[http://monoskop.org/log/?p=5828 Creative Networks: In the Rearview Mirror of Eastern European History]'', Amsterdam: Institute of Network Cultures, Amsterdam, 2012. First published in Latvian, 2011.
 
* Rasa Smite, ''[http://monoskop.org/log/?p=5828 Creative Networks: In the Rearview Mirror of Eastern European History]'', Amsterdam: Institute of Network Cultures, Amsterdam, 2012. First published in Latvian, 2011.
Line 136: Line 263:
 
* Tilman Baumgärtel, [https://duplox.wzb.eu/texte/tb/ "Das imaginäre Museum. Zu einigen Motiven der Netzkunst"], Berlin: Wissenschaftszentrum Berlin für Sozialforschung, Oct 1998, 47 pp, [http://www.kareneliot.de/downloads/Baumgaertel_Das%20Internet%20als%20imaginares%20Museum.pdf PDF]. Discussion paper. {{de}}
 
* Tilman Baumgärtel, [https://duplox.wzb.eu/texte/tb/ "Das imaginäre Museum. Zu einigen Motiven der Netzkunst"], Berlin: Wissenschaftszentrum Berlin für Sozialforschung, Oct 1998, 47 pp, [http://www.kareneliot.de/downloads/Baumgaertel_Das%20Internet%20als%20imaginares%20Museum.pdf PDF]. Discussion paper. {{de}}
 
* [http://web.archive.org/web/20150107012813/http://www.medialounge.net/lounge/workspace/nettime/DOCS/zkp5/pdf/art.pdf "Art"], section in ''[http://monoskop.org/log/?p=1233 Read Me! ASCII Culture & The Revenge of Knowledge. Filtered by Nettime]'', New York: Autonomedia, 1999, pp 211-273.
 
* [http://web.archive.org/web/20150107012813/http://www.medialounge.net/lounge/workspace/nettime/DOCS/zkp5/pdf/art.pdf "Art"], section in ''[http://monoskop.org/log/?p=1233 Read Me! ASCII Culture & The Revenge of Knowledge. Filtered by Nettime]'', New York: Autonomedia, 1999, pp 211-273.
 +
* Mindaugas Gapsevicius, [http://www.o-o.lt/agon/v_n.a/ "Vanishing Net Art: Introduction to Net Art Restoration"], 1999.
 
* Steve Dietz, [http://www.voyd.com/ttlg/textual/dietzessay.htm "Why Have There Been No Great Net Artists?"], 1999.
 
* Steve Dietz, [http://www.voyd.com/ttlg/textual/dietzessay.htm "Why Have There Been No Great Net Artists?"], 1999.
 +
* Natalie Bookchin, [http://web.archive.org/web/20050305045216/https://www.calarts.edu/~line/history.html "A Story of Net Art"], 2000. Timeline, 1994-2000.
 
* Matthew Fuller, [http://web.archive.org/web/20050308093531/http://www.tate.org.uk/netart/mat1.htm "Art meet Net, Net meet Art"], ''Tate Online'', London, 2000.
 
* Matthew Fuller, [http://web.archive.org/web/20050308093531/http://www.tate.org.uk/netart/mat1.htm "Art meet Net, Net meet Art"], ''Tate Online'', London, 2000.
 
* Josephine Berry, [http://web.archive.org/web/20050306130100/http://www.tate.org.uk/netart/humanposthuman.htm "Human, all too Posthuman? Net Art and Its Critics"], ''Tate Online'', London, 2000.
 
* Josephine Berry, [http://web.archive.org/web/20050306130100/http://www.tate.org.uk/netart/humanposthuman.htm "Human, all too Posthuman? Net Art and Its Critics"], ''Tate Online'', London, 2000.
Line 150: Line 279:
 
* Steve Dietz, "Curating Net Art", in ''New Media in the White Cube and Beyond: Curatorial Models for Digital Art'', ed. Christiane Paul, University of California Press, 2008. [https://www.ucpress.edu/op/9780520243972/new-media-in-the-white-cube-and-beyond]
 
* Steve Dietz, "Curating Net Art", in ''New Media in the White Cube and Beyond: Curatorial Models for Digital Art'', ed. Christiane Paul, University of California Press, 2008. [https://www.ucpress.edu/op/9780520243972/new-media-in-the-white-cube-and-beyond]
 
* "Net Art", in Wolf Lieser, ''Digital Art'', Potsdam: Ullmann, 2009; repr. as ''The World of Digital Art'', Potsdam: Ullmann, 2010.
 
* "Net Art", in Wolf Lieser, ''Digital Art'', Potsdam: Ullmann, 2009; repr. as ''The World of Digital Art'', Potsdam: Ullmann, 2010.
 +
* Anne Laforet, ''[https://monoskop.org/log/?p=3229 La conservation du net art au musée. Les stratégies à l’œuvre]'', Avignon: University of Avignon, 2009. Published as book in 2011. {{fr}}
 
* Tina Mariane Krogh Madsen, ''Keeping Ephemerality Alive: Preserving the Dynamic Materiality of Net Art'', Aarhus: University of Aarhus, 2010. Master's thesis. [http://tmkm.dk/theoretical/keeping-ephemerality-alive.html]
 
* Tina Mariane Krogh Madsen, ''Keeping Ephemerality Alive: Preserving the Dynamic Materiality of Net Art'', Aarhus: University of Aarhus, 2010. Master's thesis. [http://tmkm.dk/theoretical/keeping-ephemerality-alive.html]
 
* Cassandra Meers, ''[http://unsworks.unsw.edu.au/fapi/datastream/unsworks:8346/SOURCE02 Assembling Networked Art: A Study of the US, UK and Australia]'', Sydney: University of New South Wales, 2010, 264 pp. PhD dissertation.
 
* Cassandra Meers, ''[http://unsworks.unsw.edu.au/fapi/datastream/unsworks:8346/SOURCE02 Assembling Networked Art: A Study of the US, UK and Australia]'', Sydney: University of New South Wales, 2010, 264 pp. PhD dissertation.
Line 158: Line 288:
 
* Michael Connor, [http://rhizome.org/editorial/2013/nov/01/postinternet/ "What's Postinternet Got to Do with Net Art"], ''Rhizome'', 1 Nov 2013.  
 
* Michael Connor, [http://rhizome.org/editorial/2013/nov/01/postinternet/ "What's Postinternet Got to Do with Net Art"], ''Rhizome'', 1 Nov 2013.  
 
* Kris Paulsen, [[Media:Paulsen_Kris_2014_Ill_Communication_Anxiety_and_Identity_in_1990s_Net_Art.pdf|"Ill Communication: Anxiety and Identity in 1990s Net Art"]], in ''Come As You Are: Art of the 1990s'', University of California Press & Montclair Museum of Art, 2014, pp 65-72.
 
* Kris Paulsen, [[Media:Paulsen_Kris_2014_Ill_Communication_Anxiety_and_Identity_in_1990s_Net_Art.pdf|"Ill Communication: Anxiety and Identity in 1990s Net Art"]], in ''Come As You Are: Art of the 1990s'', University of California Press & Montclair Museum of Art, 2014, pp 65-72.
 +
* Antoinette Dekker, ''[http://research.gold.ac.uk/11155/1/CCS_thesis_DekkerA2014.pdf Enabling the Future, or How to Survive FOREVER: A study of networks, processes and ambiguity in net art and the need for an expanded practice of conservation]'', London: Goldsmiths University, 2014. PhD dissertation. Published as a book in 2018.
 
* Dragan Espenschied, [http://web.archive.org/web/20180209071250/https://rhizome.org/editorial/2014/oct/22/big-data-little-narration/ "Big Data, Little Narration"], ''Rhizome'', 22 Oct 2014.
 
* Dragan Espenschied, [http://web.archive.org/web/20180209071250/https://rhizome.org/editorial/2014/oct/22/big-data-little-narration/ "Big Data, Little Narration"], ''Rhizome'', 22 Oct 2014.
 
* Sarah Cook, Marialaura Ghidini, [[Media:Cook Sarah Ghidini Marialaura 2015 Internet_Art_Net_Art.pdf|"Internet Art (Net Art)"]], in ''Oxford Art Online'', 22 Sep 2015. [https://doi.org/10.1093/gao/9781884446054.article.T2287852]
 
* Sarah Cook, Marialaura Ghidini, [[Media:Cook Sarah Ghidini Marialaura 2015 Internet_Art_Net_Art.pdf|"Internet Art (Net Art)"]], in ''Oxford Art Online'', 22 Sep 2015. [https://doi.org/10.1093/gao/9781884446054.article.T2287852]
Line 168: Line 299:
 
* Gloria Sutton, Zachary Kaplan, [http://journal.voca.network/a-performance-of-code/ "A Performance of Code: Rhizome and the Rise of Internet Art"], ''VoCA Journal'', 30 June 2017. Interview.
 
* Gloria Sutton, Zachary Kaplan, [http://journal.voca.network/a-performance-of-code/ "A Performance of Code: Rhizome and the Rise of Internet Art"], ''VoCA Journal'', 30 June 2017. Interview.
 
* Lia Carreira, ''[https://liascarreira.files.wordpress.com/2017/10/experimental-curating_strategies-and-platforms-for-onlinebased-art_lia-carreira-2017.pdf Experimental Curating in Times of the Perpetual Beta: Strategies and Platforms for Online-based Art]'', Krems: Danube University Krems, 2017, 138 pp. Master thesis.
 
* Lia Carreira, ''[https://liascarreira.files.wordpress.com/2017/10/experimental-curating_strategies-and-platforms-for-onlinebased-art_lia-carreira-2017.pdf Experimental Curating in Times of the Perpetual Beta: Strategies and Platforms for Online-based Art]'', Krems: Danube University Krems, 2017, 138 pp. Master thesis.
 +
* Karin De Wild, ''[https://discovery.dundee.ac.uk/en/studentTheses/internet-art-and-agency Internet Art and Agency: The Social Lives of Online Artworks]'', Dundee: University of Dundee, 2018, xvi+206 pp. PhD dissertation.
 
* Andreas Gajdošík, [http://artalk.cz/2018/12/19/konec-pruzkumu-internetove-umeni-v-prechodu-ke-spolecnosti/ "Konec průzkumu. Internetové umění v přechodu ke společnosti"], ''Artalk.cz'', Prague, 19 Dec 2018. {{cz}}
 
* Andreas Gajdošík, [http://artalk.cz/2018/12/19/konec-pruzkumu-internetove-umeni-v-prechodu-ke-spolecnosti/ "Konec průzkumu. Internetové umění v přechodu ke společnosti"], ''Artalk.cz'', Prague, 19 Dec 2018. {{cz}}
 
* Marialaura Ghidini, [https://doi.org/10.3390/arts8030078 "Curating on the Web: The Evolution of Platforms as Spaces for Producing and Disseminating Web-Based Art"], ''Arts'' 8:3. [[Media:Ghidini Marialaura 2019 Curating on the Web The Evolution of Platforms as Spaces for Producing and Disseminating Web-Based Art.pdf|PDF]].
 
* Marialaura Ghidini, [https://doi.org/10.3390/arts8030078 "Curating on the Web: The Evolution of Platforms as Spaces for Producing and Disseminating Web-Based Art"], ''Arts'' 8:3. [[Media:Ghidini Marialaura 2019 Curating on the Web The Evolution of Platforms as Spaces for Producing and Disseminating Web-Based Art.pdf|PDF]].
 +
* Olivia Brum, ''[http://about.mouchette.org/wp-content/uploads/2020/02/Brum-OC-thesis-2019-06-20-Revised.pdf The Lives of Internet Artworks in Institutions: How to Begin to Construct a Long-term Conservation Strategy]'', Amsterdam: University of Amsterdam, 2019, 100 pp. Master's thesis.
 +
* Aude Launay, [https://www.zerodeux.fr/en/essays-en/the-polyphonic-history-of-net-art-an-eternal-network-%EF%BB%BF/ "The Polyphonic History of Net Art, An Eternal Network?"], ''Zerodeux'' 89, 2019.
  
 
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Latest revision as of 10:22, 16 March 2020

Resource on net art, internet art, net-based art, net-based installations, web art, web-based art.

Artists[edit]

Works[edit]

Online exhibitions and databases[edit]

Selected recent works[edit]

2007 subvertr by Les Liens Invisibles. 2008 fuckflikr by Theo Watson, Jamie Wilkinson, and Greg Leuch; China Channel by Aram Bartholl, Evan Roth and tbx (fffff.at); Pirates of the Amazon by tbx and Timo Klok. 2009 Web 2.0 Suicide Machine by moddr; Seppukoo by Les Liens Invisibles; Give Me My Data by Owen Mundy. 2010 Repetitionr by Les Liens Invisibles; Firesheep by Eric Butler; FaceLeaks by Dušan Barok. 2011 Newstweek by Julian Oliver and Danja Vasilev; Piratebox by David Darts; motivo astratto by &; Love Machine by Julien Deswaef.

Works in museum collections[edit]

Artist b. Title, Link Year Coll. Acq. Coll. no. Coll. URL Medium Dept / Type / Tags Info
Douglas Davis US The World's First Collaborative Sentence 1994- Whitney 1995 95.253 [7] Website (HTML) New Media [8] [9] [10] [11] [12]
Jean-Baptiste Michel US I WISH I could be exactly what you’re looking for 2013 Whitney 2014 2014.96 [13] Twitter API, LCD screen, spray painted mat board, and glass New Media [14]
Siebren Versteeg US New York Double Hung 2008 Whitney 2017 2017.241 [15] Digital collage, output from Internet-connected computer program, with two touch screens New Media [16]
Daniela Alina Plewe DE Muser's Service 1994 ZKM [17] Waterbed, electric heating, pillow, red LED clock module, computer (PC Client), operating system (Linux Ubuntu), custom software with internet access, modified keyboard, computer (PC Server), operating system (Linux Ubuntu), custom software with internet access, TFT monitor, text-to-speech converter (Infovox 700), speaker, amplifier, projector installation, computer-based, Net Art, Computer-based installation [18] [19] [20]
Walter van der Cruijsen, Jill Scott NL, AU Salon Digital 1995 ZKM [21] Custom-made table, three TFT monitors with speakers, glass pane, turnable ring with infrared keyboard and track ball, computer (PC), operating system (Windows) computer-based, Net Art, Net-based sculpture
Markus Huemer AT The Rules Are No Game 1997 ZKM [22] Two computers (PC, operating system: Linux, custom software with internet access), video camera, projector, floor plates with screenprint installation, computer-based, Net Art, Computer-based installation
Cornelia Sollfrank DE Net Art Generator 1999 ZKM [23] interactive net-based installation; computer workstation (table, chair, computer) and wooden box with server, projection screen; technical equipment: computer (server): PC with graphics and two network cards, operating system: Linux, software: custom software with Internet access, computer (workstation): PC, software: Internet browser; other technical devices: panel and electronics of a TFT monitor, projector, color printer (optional) computer-based, Net-based sculpture [24]
Shane Cooper US Remote Control 1999 ZKM [25] computer (Silicon Graphics O2, operating system: IRIX, custom software), keyboard, mouse, audio effects unit, computer screen, TV screen, custom-made remote control system, TV cabinet, coffee table, sofa, floor lamp, pedestal computer-based, installation, video, Net-based installation, Computer-based installation [26] [27] [28]
David Link DE Poetry Machine 2001 ZKM [29] interactive, net-based installation; room with projection screen, technological equipment: computer: 3 PCs, operating system: Linux, software: Icustom software with Internet access, other devices: modified keyboard on stand, custom electronics, ultrasonic distance sensor, network distributor, 1 plasma monitor, projector, amplifier, 2 passive speakers, mixer installation, computer-based, Net Art, Net-based installation, Computer-based installation [30] [31]
Transmute Collective AU Intimate Transactions 2005 ZKM [32] Two supporting structures for one person each (aluminum, steel, plastic), four computers (Power Max G5), operating system (OSX), custom software, four computers (PC), operating system (Windows), custom software, laptop, operating system (Windows), custom software with internet access, two sound cards (MOTU 828 Mk2), two AD/DA converters (Behringer ADA8000), two custom-made electronic units, two MIDI controllers (Midiman 2x2), four body sensors, two video cameras, two RGB mixers, 16 speakers (active), two subwoofers, two projectors, two projection screens, seven TFT monitors, pedestal, monitor, CF card player, speakers (active) video, computer-based, installation, Sound installation, Video installation, Net-based installation, Computer-based installation
Marc Lee CH Breaking the News 2007 ZKM [33] computer (PC), operating system (Windows XP), custom software with internet access, 3 or 4 projectors, 3 or 4 speakers (active) installation, computer-based, Net-based installation, Computer-based installation, Video installation [34]
David Bowen US tele-present water 2011 ZKM [35] Aluminium, wooden sticks, nylon threads, 17 servo motors (Futaba S3004), computer (Macmini, operating system: Mac OSX, software: Max/MSP); wave from National Oceanic and Atmospheric Administration data buoy station 51003 installation, computer-based, Kinetic installation, Computer-based installation, Net-based installation [36]
Mark Amerika US Crapshoot 2013- 2014 ZKM [37] website; languages: HTML, CSS, JavaScript computer-based, Net Art [38] [39] [40]
Martine Neddam NL My DesktopLife 2014 ZKM [41] net-based artwork; website, languages: HTML, CSS, JavaScript, Python computer-based, Net Art [42]
Rafaël Rozendaal NL Neo Geo City 2014 ZKM [43] website, languages: HTML, CSS, JavaScript, Python computer-based, Net Art [44] [45]
Alex Wenger, Max-Gerd Retzlaff DE Spuren 2015 ZKM [46] 1 Computer, 2 Microcontroller, Webserver, 1 Monitor, Software, 1 Sockel computer-based, Net-based installation [47]
Leena Krohn FI Sphinx or Robot 1997 Kiasma 1997 N-1997-86 [48] Media Art, Online Art
Juha van Ingen FI Web-Safe 1999- 2000 Kiasma 2016 N-2016-32 [49] Text, Silent Media Art, Online Art [50] [51] [52]
Jarkko Räsänen FI Ordered Dance 2016 Kiasma 2016 N-2016-44 [53] Media Art, Online Art [54]
Tuomo Rainio FI Untitled (Gravitational waves) 2016 Kiasma 2016 N-2016-45 [55] Text Media Art, Online Art [56]
Pink Twins FI Infinity 2016 Kiasma 2016 N-2016-48 [57] Media Art, Online Art [58]
Angelo Plessas GR Homo Cybersphericus 2017 Kiasma 2016 N-2016-50 [59] Text, website Media Art, Online Art [60]
Jenna Sutela FI Gut-Machine Poetry 2017 Kiasma 2016 N-2016-796 [61] Text, website Media Art, Online Art [62]
Reija Meriläinen FI Survivor 2017 Kiasma 2017 N-2017-205 [63] Media Art [64]
Robertas Narkus LT Prospect Revenge 2019 Kiasma 2019 N-2019-63 [65] [66]
John F. Simon Jr. US Unfolding Object 2002 Guggenheim 2002 2002.16 [67] Interactive networked code (Java applet with server database and servlets) Internet Art [68] [69]
Mark Napier US net.flag 2002 Guggenheim 2002 2002.17 [70] Interactive networked code (Java applet with server database) Internet Art [71] [72]
Shu Lea Cheang TW Brandon 1998- 1999 Guggenheim 2005 2005.44 [73] Interactive networked code (html, Java, Javascript and server database) Internet Art [74] [75]
Lynn Hershman Leeson US Agent Ruby 1999- 2002 SFMOMA 2008 2008.230 [76] web project digital media [77] [78] [79] [80] [81] [82] [83]
Julia Scher US Predictive Engineering2 1998 SFMOMA 2008 2008.231 [84] web project digital media [85]
Harrell Fletcher and Miranda July, Harrell Fletcher, Miranda July, Yuri Ono US Learning to Love You More 2002- 2009 SFMOMA 2010 2010.45 [86] web project (www.learningtoloveyoumore.com) and archive digital media
Sandra Gamarra PE LiMac Museum Shop 2005 Tate 2009 T15217 [87] Software, networked, internet, colour, laptop; plywood, paint, oil paintings on canvas, coat hangers, t-shirts, mugs, canvas bags, wooden yo-yos, mouse mats, pin badges, printed papers and other materials
Marc Lee CH TV Bot 2.0 2010 HEK 2012 S0001 [88] 16:9 flat screen, speaker boxes, computer, Internet browser with flash plug-in, Internet connection, router, cable Internet Artwork [89] [90] [91]
Christoph Wachter, Mathias Jud CH New Nations 2009- 2011 HEK 2012 S0003 [92] Router: TL-WR841ND (with handmade aluminum box), operating system OpenWRT Attitude Adjustment 12.09, wooden box, folded leaflet, book Internet Community Project
UBERMORGEN AT Sound of Ebay 2008/ 2009 HEK 2012 S0004 [93] EBay user data; computer with Internet connection; possibly a screen with a projector Internet Artwork
Jodi NL, BE div. (property) 2013 HEK 2013 S0013 [94] Source code: HTML, CSS, Javascript; computer, other output devices (projector, screen) Internet Artwork
Beat Brogle, Philippe Zimmermann CH onewordmovie 2003/ 2018 HEK 2016 S0014 [95] Program code, source code (HTML 5), database, emulator Internet Artwork
Monica Studer, Christoph van den Berg CH filter: four letter words 1997- 1998 HEK 2016 S0015 [96] For the original version: 726 HTML files and 726 GIF files; for the 2016 version: 726 HTML files, 726 GIF files and 1 CSS file Screen: 640 x 480 px – 1920 x 1080 px; desktop computer, e.g., Netscape 2.0 / Windows 98; HTML 5 or CCS 3 browser, e.g., Firefox 47.0 / Windows XP Internet Artwork
Monica Studer, Christoph van den Berg CH filter: mille miglia 1997- 1998 HEK 2016 S0016 [97] For the original version: 5 HTML files; for the 2008 version: 5 HTML files; for the 2016 version: 2 HTML files (1 x iframe, 1 x openWindow): Screen: 780 x 280 px; desktop computer, e.g., Netscape 4 / Windows 98; HTML 5 or CCS 3 browser, e.g., Firefox 47.0 / Windows XP Internet Artwork
Monica Studer, Christoph van den Berg CH filter: mixed double 1997- 1998 HEK 2016 S0017 [98] For the original version: 726 HTML files and 726 GIF files; for the 2016 version: 726 HTML files, 726 GIF files and 1 CSS file Screen: 640 x 480 px – 1920 x 1080 px; desktop computer, e.g., Netscape 2.0 / Windows 98; HTML 5 or CCS 3 browser, e.g., Firefox 47.0 / Windows XP Internet Artwork
Monica Studer, Christoph van den Berg CH travelogue 2005 HEK 2017 S0038 [99] Web game: Flash-File and HTML pages for Online and Offline use; film of the game: 736 x 506 px, 33’, MP4, AV Web Game [100]
Monica Studer, Christoph van den Berg CH Hotel Vue des Alpes 2000- HEK 2017 S0044 [101] Pentium III, 3-D programs, website with room-reservation system, HTML, PHP, compatible with flash and SQL, vda player Internet Artwork
Maia Gusberti, Michael Aschauer, Nik Thoenen, Sepp Deinhofer CH LOGICALAND V0.1 2002 HEK 2016 S0018 [102] Web application with Java applet (and HTML/CSS) as front end, and a PHP/MySQL as backend. Current version: 0.11. Used – last tested software: PHP Version 4.3.6, MYSQL 3.23.39 Web Game
!Mediengruppe Bitnik CH Download Finished 2006 HEK 2016 S0020 [103] 3 films in PAL MPEG-2, 720 x 576 px format. Website consists of 1420 static pages and 1409 films in HTML5. Web server (Nginx, Apache) with PHP5 enabled; server space: ca. 140 GB Web Archive, Digital Video
knowbotic research DE, CH minds of concern (New York version) 2002 HEK 2016 S0024 [104] Server: apache, mysql, python script, python cgi scripts; Client: HTMIL, flash (gnash) plugin; unitedwehack.ath.cx Internet Artwork, Interactive Installation
knowbotic research DE, CH macghillie_just a void 2008- 2012 HEK 2016 S0025 [105] Wordpress Blog, Camouflage-Anzug Blog, Urban Intervention
Birgit Kempker DE, CH Sphinx 2004- HEK 2017 S0035 [106] Internet Artwork [107]
Marc Lee CH TV Bot 1.0 2004/ 2005 HEK 2017 S0036 [108] Original (2004): Data stream from the Internet, 16:9 flat screen, speakers, computer, Internet browser with flash plugin, Internet connection including router, cable. Videos (2005): flash, MP4 Internet Artwork [109] [110] [111] [112]
John F. Simon, Jr. US Every Icon 1997 HEK 2017 S0037 [113] Software, Java Applet Internet Artwork [114]
LAN CH TraceNoizer – Disinformation On Demand 2001 HEK 2017 S0047 [115] Internet Artwork
Gilles Aubry, Stéphane Montavon DE, CH Cairo Talking Heads 2006/ 2017 HEK 2017 S0061 [116] software, website, audio Blog, Internet Artwork
Martine Neddam NL Mouchette 1996- Stedelijk & MOTI Breda 2016 [117] [118] [119] [120] [121] [122] [123]

See also the works commissioned by Tate (2000-2011), SFMOMA (2000-) and Whitney (2001-), and the works in Rhizome ArtBase.

Catalogues[edit]

  • Net_condition: Art and Global Media, eds. Timothy Druckrey and Peter Weibel, MIT Press, 2000, 398 pp. Exh. held at ZKM Karlsruhe, 23 Sep 1999-27 Feb 2000. [124]
    • Net_Condition. Kunst / Politik im Online-Universum, Karlsruhe: ZKM, 1999, 42 pp. Exh. brochure. [125] (German)
  • Connessioni leggendarie: net.art 1995-2005, ed. Luca Lampo, Milan: ready-made, 2005, 117 pp. [126] (Italian)
  • Net art 0.1: desmontajes, Badajoz: Consejería de Cultura y Turismo/Junta de Extremadura, 2009, 154 pp. Exh. held at MEIAC, Museo Extremeño e Iberoamericano de Arte Contemporáneo, Badajoz, 21 Nov-28 Feb 2009. (Spanish)/(English)
  • Powered by Ljudmila, eds. Alenka Gregorič and Keiko Suzuki, Ljubljana: Museum and Galleries of Ljubljana / City Art Gallery Ljubljana, 2011, 96 pp. [127] [128] [129] (Slovenian)/(English)
  • Virtual Normality. Der weibliche Blick im Zeitalter des Internets, ed. Alfred Weidinger, VfmK, 2018, 208 pp. [130] (German)/(English)
  • Art in the Age of the Internet, 1989 to Today, ed. Eva Respini, New Haven: Yale University Press, 2018, 316 pp. Exh. held at ICA Boston, 7 Feb-20 May 2018. Review: Federici (CAA).
  • The Art Happens Here: Net Art Anthology, eds. Michael Connor, Aria Dean, and Dragan Espenschied, New York: Rhizome, 2019, 400 pp. Essays by manuel arturo abreu, Josephine Bosma, Megan Driscoll, Ceci Moss, Lila Pagola, Paul Soulellis, Elvia Wilk. [131] [132]

Events[edit]

Literature[edit]

Books[edit]

Journal issues[edit]

  • kritische berichte 26(1): "Netzkunst", eds. Christoph Danelzik-Brüggemann, Annette Dorgerloh, Brigitte Schoch-Joswig, and Michael Scholz-Hänsel, 1998. TOC, [157]. (German)
  • AI & Society 14(1): "Database Aesthetics: Issues of Organization and Category in Online Art", ed. Victoria Vesna, 2000.
  • terminal 101: "Net art, technologie ou création?", Paris: Harmattan, May 2008, 176 pp. [158] (French)
  • WJ-SPOTS 1: 15 ans de création artistique sur internet / 15 years of web creation, ed. Anne Roquigny, 2011, 132 pp. [159] (French)/(English)
  • WJ-SPOTS 2: Les artistes s’emparent du réseau / Artists take over the network, ed. Anne Roquigny, 2011, 132 pp. [160] (French)/(English)
  • frieze d/e 14: "Missing Links: '90s Berlin Net Art", May 2014. Focuses on the 1990s Net art scene in Berlin. [161] [162] (German)/(English)
  • Springerin 1: "Kritische Netzpraxis", Vienna, Jan 2015. Editorial & TOC. Roundtable. Report from launch debate. (German)

Book chapters, articles, theses, talks, discussions[edit]

More[edit]


Art

Styles and movementsCollectionsHistorians and criticsPreservation and conservationReference works