Difference between revisions of "Series:Computer art"

From Monoskop
Jump to navigation Jump to search
Line 1: Line 1:
 
''"Computer art", here, is the generation of aesthetic objects with the aid of software on a digital computer. Its history started in 1965. Three exhibitions took place that year, which are acknowledged as first public presentations of digital art: [[Georg Nees]] at the Studiengalerie of the University of Stuttgart (5-19 February 1965); [[A. Michael Noll]] and [[Bela Julesz]] at Howard Wise Gallery, New York (6-24 April 1965); [[Frieder Nake]] and [[Georg Nees]] at Galerie Wendelin Niedlich, Stuttgart (5-26 November 1965)... The picture changes slightly, when we closely look at the time when these researcher-artists started their experiments in algorithmic art: Noll in 1962, Nake in 1963, Nees in 1964. All these dates refer to "digital" art and computers. [[Ben F. Laposky]] had started to work with analogue equipment in 1952. [[Herbert W. Franke]] followed in Austria in 1959, and Kurd Alsleben in Hamburg around 1960.''  
 
''"Computer art", here, is the generation of aesthetic objects with the aid of software on a digital computer. Its history started in 1965. Three exhibitions took place that year, which are acknowledged as first public presentations of digital art: [[Georg Nees]] at the Studiengalerie of the University of Stuttgart (5-19 February 1965); [[A. Michael Noll]] and [[Bela Julesz]] at Howard Wise Gallery, New York (6-24 April 1965); [[Frieder Nake]] and [[Georg Nees]] at Galerie Wendelin Niedlich, Stuttgart (5-26 November 1965)... The picture changes slightly, when we closely look at the time when these researcher-artists started their experiments in algorithmic art: Noll in 1962, Nake in 1963, Nees in 1964. All these dates refer to "digital" art and computers. [[Ben F. Laposky]] had started to work with analogue equipment in 1952. [[Herbert W. Franke]] followed in Austria in 1959, and Kurd Alsleben in Hamburg around 1960.''  
−
Frieder Nake. http://leoalmanac.org/journal/Vol_13/lea_v13_n05.txt
+
Frieder Nake. [http://leoalmanac.org/journal/Vol_13/lea_v13_n05.txt]
 +
 
 +
==Resources==
 +
* [dada.compart-bremen.de Database of Digital Art], founded by [[Frieder Nake]]
 +
* [http://www.computerkunst.org/ Early beginnings of (digital) computer art], maintained by [[Christoph Klütsch]]
  
 
==Literature==
 
==Literature==

Revision as of 18:33, 14 March 2012

"Computer art", here, is the generation of aesthetic objects with the aid of software on a digital computer. Its history started in 1965. Three exhibitions took place that year, which are acknowledged as first public presentations of digital art: Georg Nees at the Studiengalerie of the University of Stuttgart (5-19 February 1965); A. Michael Noll and Bela Julesz at Howard Wise Gallery, New York (6-24 April 1965); Frieder Nake and Georg Nees at Galerie Wendelin Niedlich, Stuttgart (5-26 November 1965)... The picture changes slightly, when we closely look at the time when these researcher-artists started their experiments in algorithmic art: Noll in 1962, Nake in 1963, Nees in 1964. All these dates refer to "digital" art and computers. Ben F. Laposky had started to work with analogue equipment in 1952. Herbert W. Franke followed in Austria in 1959, and Kurd Alsleben in Hamburg around 1960. Frieder Nake. [1]

Resources

Literature

See also

Computer art in CEE, Czech Republic, Slovakia, Hungary, Poland, Croatia, Slovenia, Serbia, Romania, Bulgaria. Further bibliography.


  1. REDIRECT Template:Art and culture

Pages in series "Computer art"

The following 88 pages are in this series, out of 88 total.

A

B

C

D

E

F

G

H

I

J

K

L

M

N

P

R

S

T

V

W

X

Z

Retrieved from "https://monoskop.org/index.php?title=Series:Computer_art&oldid=22023"