Difference between revisions of "Social media"
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==Publications, Resources== | ==Publications, Resources== | ||
| − | * ''[https://monoskop.org/log/?p=7496 Unlike Us Reader: Social Media Monopolies and Their Alternatives]'', eds. [[Geert Lovink]] and Miriam Rasch, Amsterdam: Institute of Network Cultures (INC Reader #3), | + | * ''[https://monoskop.org/log/?p=7496 Unlike Us Reader: Social Media Monopolies and Their Alternatives]'', eds. [[Geert Lovink]] and Miriam Rasch, Amsterdam: Institute of Network Cultures (INC Reader #3), Feb 2013, 386 pp. |
* [https://labs.rs/en/invisible-infrastructures-mobile-permissions/ "Invisible Infrastructures: Mobile permissions"], ''Share Lab'', 2 Mar 2015. On terms of services in apps. | * [https://labs.rs/en/invisible-infrastructures-mobile-permissions/ "Invisible Infrastructures: Mobile permissions"], ''Share Lab'', 2 Mar 2015. On terms of services in apps. | ||
* ''[http://ilu.servus.at Immaterial Labour Union]'', eds. Lídia Pereira and Δεριζαματζορ Προμπλεμ ιναυστραλια, Rotterdam, since 2015. Magazine. | * ''[http://ilu.servus.at Immaterial Labour Union]'', eds. Lídia Pereira and Δεριζαματζορ Προμπλεμ ιναυστραλια, Rotterdam, since 2015. Magazine. | ||
Latest revision as of 16:15, 8 February 2025
Keywords[edit]
web 2.0, social web, YouTube, Facebook, Flickr, participation, collectivism, creativity, collaboration, privacy
Pages[edit]
Publications, Resources[edit]
- Unlike Us Reader: Social Media Monopolies and Their Alternatives, eds. Geert Lovink and Miriam Rasch, Amsterdam: Institute of Network Cultures (INC Reader #3), Feb 2013, 386 pp.
- "Invisible Infrastructures: Mobile permissions", Share Lab, 2 Mar 2015. On terms of services in apps.
- Immaterial Labour Union, eds. Lídia Pereira and Δεριζαματζορ Προμπλεμ ιναυστραλια, Rotterdam, since 2015. Magazine.
- Judy Malloy (ed.), Social Media Archeology and Poetics, MIT Press (Leonardo), 2016, 488 pp. Focusing on early social media in the arts and humanities and on the core role of creative computer scientists, artists, and scholars in shaping the pre-web social media landscape, 'Social Media Archeology and Poetics' documents social media lineage, beginning in the 1970s with collaborative ARPANET research, Community Memory, PLATO, Minitel, and ARTEX and continuing into the 1980s and beyond with the Electronic Café, Art Com Electronic Network, Arts Wire, The THING, and many more.
- "Facebook Algorithmic Factory", parts 1-3, Share Lab, 19-21 Aug 2016.
- Wolfie Christl, Sarah Spiekermann, Networks of Control: A Report on Corporate Surveillance, Digital Tracking, Big Data & Privacy, Vienna: Facultas, Oct 2016, 165 pp.
- "The Human Fabric of the Facebook Pyramid", Share Lab, 3 May 2017.
- Facebook Files dossier, The Guardian, May 2017. Analysis of leaked documents on how Facebook handles violence, abuse, hate speech, terrorist content, Holocaust denial, etc.
- Wolfie Christl, Corporate Surveillance in Everyday Life. How Companies Collect, Combine, Analyze, Trade, and Use Personal Data on Billions. A Report by Cracked Labs, Vienna: Cracked Labs, Jun 2017, 93 pp, PDF. [1]
- Object-Oriented Subject, a research blog by Lucia Dossin and Lídia Pereira, Rotterdam, 2017ff.
- Social Media, On Screen, a list of films that articulate a deeper understanding of the consequences of the proliferation of social media in popular culture; by Claire Davidson, 2022.
- more from Share Lab.
- Publications on social media on Monoskop Log
