Difference between revisions of "Computer art"

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* ''[http://monoskop.org/log/?p=3854 Computer Graphics]'', ed. Jiří Valoch, Brno: Dům umění města Brna, 1968, 16 pp. {{cz}}
 
* ''[http://monoskop.org/log/?p=3854 Computer Graphics]'', ed. Jiří Valoch, Brno: Dům umění města Brna, 1968, 16 pp. {{cz}}
 
* ''[http://monoskop.org/log/?p=388 Cybernetic Serendipidity: The Computer and the Arts]'', ed. Jasia Reichardt, London: Studio International, Jul 1968; 2nd ed., rev., Sep 1968.
 
* ''[http://monoskop.org/log/?p=388 Cybernetic Serendipidity: The Computer and the Arts]'', ed. Jasia Reichardt, London: Studio International, Jul 1968; 2nd ed., rev., Sep 1968.
 +
* ''Impulse Computerkunst: Graphik, Plastik, Musik, Film'', ed. Herbert W. Franke, Munich: Kunstverein München, 1970, 62 pp. Exh. held at Karl-Ernst-Osthaus Museum, Hagen, Feb 1970; Kunstverein München, Munich, 8 May-7 Jun 1970; Kunsthaus Hamburg, 12 Jun-12 Jul 1970; afterwards at Goethe-Institut internationally (Brussels, Oslo, Madrid, Zürich, Rome, Amsterdam, Lisbon, and elsewhere), 1971-1972. {{de}}
 
* ''Tendencije 4: Zagreb, 1968-1969'', ed. Božo Bek, Zagreb, 1970, 146 pp. [http://www.anonimagroup.org/index.php?/writings/1970-new-tendencies-4-zagreb/]
 
* ''Tendencije 4: Zagreb, 1968-1969'', ed. Božo Bek, Zagreb, 1970, 146 pp. [http://www.anonimagroup.org/index.php?/writings/1970-new-tendencies-4-zagreb/]
 
* ''[http://monoskop.org/log/?p=2453 Interactive Sound and Visual Systems]'', ed. Charles A. Csuri, College of the Arts, Ohio State University, 1970, 31 pp.
 
* ''[http://monoskop.org/log/?p=2453 Interactive Sound and Visual Systems]'', ed. Charles A. Csuri, College of the Arts, Ohio State University, 1970, 31 pp.

Revision as of 11:46, 17 August 2017

'Computer art' is the generation of aesthetic objects with the aid of software on a digital computer. Its history started in 1965. Three exhibitions took place that year, which are acknowledged as first public presentations of digital art: Georg Nees at the Studiengalerie of the University of Stuttgart (5-19 February 1965); A. Michael Noll and Bela Julesz at Howard Wise Gallery, New York (6-24 April 1965); Frieder Nake and Georg Nees at Galerie Wendelin Niedlich, Stuttgart (5-26 November 1965)... The picture changes slightly, when we closely look at the time when these researcher-artists started their experiments in algorithmic art: Noll in 1962, Nake in 1963, Nees in 1964. All these dates refer to "digital" art and computers. Ben F. Laposky had started to work with analogue equipment in 1952. Herbert W. Franke followed in Austria in 1959, and Kurd Alsleben in Hamburg around 1960."
– Frieder Nake

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