Difference between revisions of "Video art"
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[[Image:Dunn_David_ed_Pioneers_of_Electronic_Art.jpg|thumb|200px|David Dunn (ed.), ''Eigenwelt Der Apparatewelt: Pioneers of Electronic Art'', 1992, [http://monoskop.org/log/?p=43 Log].]] | [[Image:Dunn_David_ed_Pioneers_of_Electronic_Art.jpg|thumb|200px|David Dunn (ed.), ''Eigenwelt Der Apparatewelt: Pioneers of Electronic Art'', 1992, [http://monoskop.org/log/?p=43 Log].]] | ||
==Publications== | ==Publications== | ||
| + | ===Catalogues=== | ||
| + | * ''[[Media:TV_as_a_Creative_Medium_1969.pdf|TV as a Creative Medium]]'', New York: Howard Wise Gallery, 1969, [8] pp. Commentary: [http://www.vasulka.org/archive/Publications/FormattedPublications/HowardAll.pdf Sturken] (Afterimage 1984). | ||
| + | * ''[[Media:Video_and_Language_Video_as_Language_1986.pdf|Video and Language. Video as Language]]'', 1986, [6] pp. | ||
| + | * ''Resolutions: A Critique of Video Art'', ed. Patti Podesta, Los Angeles: LACE, 1986. | ||
| + | |||
===Artists' writings=== | ===Artists' writings=== | ||
; Magazines | ; Magazines | ||
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* Hollis Frampton, ''[http://monoskop.org/log/?p=766 Circles of Confusion: Film/Photography/Video Texts 1968-1981]'', foreword Annette Michelson, Visual Studies Workshop Press, 1983, 200 pp. | * Hollis Frampton, ''[http://monoskop.org/log/?p=766 Circles of Confusion: Film/Photography/Video Texts 1968-1981]'', foreword Annette Michelson, Visual Studies Workshop Press, 1983, 200 pp. | ||
* ''[http://monoskop.org/log/?p=11024 On the Camera Arts and Consecutive Matters: The Writings of Hollis Frampton]'', ed. Bruce Jenkins, MIT Press, 2009, 360 pp. | * ''[http://monoskop.org/log/?p=11024 On the Camera Arts and Consecutive Matters: The Writings of Hollis Frampton]'', ed. Bruce Jenkins, MIT Press, 2009, 360 pp. | ||
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===Art history and theory=== | ===Art history and theory=== | ||
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* Jonathan Price, ''Video Visions: A Medium Discovers Itself'', New York: New American Library, 1977. | * Jonathan Price, ''Video Visions: A Medium Discovers Itself'', New York: New American Library, 1977. | ||
* Gregory Battcock (ed.), ''New Artists Video: A Critical Anthology'', New York: E.P.Dutton, 1978, xxii+198 pp. [http://vufind-devel.carli.illinois.edu/all/vf-hrt/Record/265229/TOC] | * Gregory Battcock (ed.), ''New Artists Video: A Critical Anthology'', New York: E.P.Dutton, 1978, xxii+198 pp. [http://vufind-devel.carli.illinois.edu/all/vf-hrt/Record/265229/TOC] | ||
| − | * John Hanhardt (ed.), ''Video Culture: A Critical Investigation'', Layton, UT: Peregrine Smith Books, and Rochester, NY: Visual Studies Workshop Press, 1986. | + | * John Hanhardt (ed.), ''Video Culture: A Critical Investigation'', Layton, UT: Peregrine Smith Books, and Rochester, NY: Visual Studies Workshop Press, 1986, [http://openlibrary.org/books/OL24755064M OL]. |
* Lori Zippay (ed.), ''Artists' Video: An International Guide'', New York: Cross River Press, 1991, 272 pp. | * Lori Zippay (ed.), ''Artists' Video: An International Guide'', New York: Cross River Press, 1991, 272 pp. | ||
* Doug Hall, Sally Jo Fifer (eds.), ''Illuminating Video: An Essential Guide to Video Art'', New York: Aperture Press, 1991. | * Doug Hall, Sally Jo Fifer (eds.), ''Illuminating Video: An Essential Guide to Video Art'', New York: Aperture Press, 1991. | ||
* David Dunn (ed.), ''[http://monoskop.org/log/?p=43 Eigenwelt Der Apparatewelt: Pioneers of Electronic Art]'', Santa Fe: The Vasulkas, 1992, 240 pp. | * David Dunn (ed.), ''[http://monoskop.org/log/?p=43 Eigenwelt Der Apparatewelt: Pioneers of Electronic Art]'', Santa Fe: The Vasulkas, 1992, 240 pp. | ||
| + | * Michael Renov, Erika Suderburg (eds.), ''Resolutions: Contemporary Video Practices'', University of Minnesota Press, 1996. | ||
* Deidre Boyle, ''[http://monoskop.org/log/?p=406 Subject to Change: Guerrilla Television Revisited]'', Oxford University Press, 1997. | * Deidre Boyle, ''[http://monoskop.org/log/?p=406 Subject to Change: Guerrilla Television Revisited]'', Oxford University Press, 1997. | ||
* Yvonne Speilmann, ''Video: das reflexive Medium'', Frankfurt am Main: Suhrkamp, 2005. {{de}} | * Yvonne Speilmann, ''Video: das reflexive Medium'', Frankfurt am Main: Suhrkamp, 2005. {{de}} | ||
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; Book chapters, Papers, Articles | ; Book chapters, Papers, Articles | ||
* Douglas Davis, "The New Audience: Television and Videotape", in Davis, ''Art and the Future'', New York and Washington: Praeger, 1973, pp 84-91. | * Douglas Davis, "The New Audience: Television and Videotape", in Davis, ''Art and the Future'', New York and Washington: Praeger, 1973, pp 84-91. | ||
| + | * Rosalind Krauss, [http://jonahsusskind.com/essays/Krauss_VideoNarcissism.pdf "Video: The Aesthetics of Narcissism"], ''October'' 1 (Spring 1976), pp 50-64. | ||
* Paul Ryan, [http://beausievers.com/bhqfu/computer_art/readings/ryan-genealogy_of_video.pdf "A Genealogy of Video"], ''Leonardo'' 21:1 (1988), pp 39-44. | * Paul Ryan, [http://beausievers.com/bhqfu/computer_art/readings/ryan-genealogy_of_video.pdf "A Genealogy of Video"], ''Leonardo'' 21:1 (1988), pp 39-44. | ||
* Kate Horsfield, [http://www.vdb.org/sites/default/files/Kate%20Horsfield%20-%20Busting%20the%20Tube;%20A%20Brief%20History%20of%20Video%20Art.pdf "Busting the Tube: A Brief History of Video Art"], in ''Feedback: The Video Data Bank Catalog of Video Art and Artist Interviews'', 2006. | * Kate Horsfield, [http://www.vdb.org/sites/default/files/Kate%20Horsfield%20-%20Busting%20the%20Tube;%20A%20Brief%20History%20of%20Video%20Art.pdf "Busting the Tube: A Brief History of Video Art"], in ''Feedback: The Video Data Bank Catalog of Video Art and Artist Interviews'', 2006. | ||
Revision as of 12:50, 18 February 2016
Contents
Artists, collectives, events
- File:Brown Trisha Watermotor 1978.mkv
- File:Ihnatowicz Edward 1970 - The Senster.webm
- File:Moholy-Nagy Laszlo 1930 Lightplay Black-White-Grey.webm
- File:Rybczynski Zbigniew 1972 - Kwadrat Square.webm
- File:Rybczynski Zbigniew 1980 - Media.webm
- File:Vavra Otakar 1931 The Light Penetrates the Dark Svetlo pronika tmou.webm
- File:Walter Benjamin Mondrian 63-96 1986.mp4
Artists (cont.)
Peggy Ahwesh, Francis Alÿs, Atlas Group, John Baldessari, Yael Bartana, Lynda Benglis, Guy Ben Ner, Sadie Benning, Dara Birnbaum, Colin Campbell, Peter Campus, Aleesa Cohene, Phil Collins, Omer Fast, Fischli & Weiss, General Idea, Douglas Gordon, Dan Graham, Halflifers, David Hall, Gary Hill, Nancy Holt, Joan Jonas, Mike Kelley, Michael Klier, Sharon Lockhart, Deirdre Logue, Paul McCarthy, Karen Mirza & Brad Butler, Robert Morris, Muntadas, Annabel Nicholson, Dennis Oppenheim, Charlemagne Palestine, Paper Tiger Television, Lis Rhodes, Christoph Schlingensief, John Smith, Lisa Steele, Surveillance Camera Players, Aldo Tambellini, Sam Taylor-Wood, Ryan Trecartin, Vasulkas, Hannah Wilke, Artur Żmijewski.
TV as a Creative Medium, 1969, PDF. Catalogue.
David Dunn (ed.), Eigenwelt Der Apparatewelt: Pioneers of Electronic Art, 1992, Log.
Publications
Catalogues
- TV as a Creative Medium, New York: Howard Wise Gallery, 1969, [8] pp. Commentary: Sturken (Afterimage 1984).
- Video and Language. Video as Language, 1986, [6] pp.
- Resolutions: A Critique of Video Art, ed. Patti Podesta, Los Angeles: LACE, 1986.
Artists' writings
- Magazines
- Radical Software magazine, 11 issues, 1970-74, Log, PDFs.
- Avalanche 9: "Video Performance", ed. Liza Bear, New York: Kineticism Press, May-Jun 1974, 29 pp. [1]
- Books
- Hollis Frampton, Circles of Confusion: Film/Photography/Video Texts 1968-1981, foreword Annette Michelson, Visual Studies Workshop Press, 1983, 200 pp.
- On the Camera Arts and Consecutive Matters: The Writings of Hollis Frampton, ed. Bruce Jenkins, MIT Press, 2009, 360 pp.
Art history and theory
- Books
- Gene Youngblood, Expanded Cinema, intro. R. Buckminster Fuller, New York: Dutton, 1970, 432 pp.
- Michael Shamberg, Raindance Corporation, Guerrilla Television, New York, Chicago, San Francisco: Holt Rinehart and Winstin, 1971. [2]
- Paul Ryan, Birth And Death And Cybernation: Cybernetics of the Sacred, New York: Gordon & Breach, 1973.
- Ira Schneider, Beryl Korot (eds.), Video Art: An Anthology, New York: Harcourt Brace Jovanovich, 1976. Contributions from 70 video artists.
- Peggy Gale (ed.), Video by Artists, Toronto: Art Metropole, 1976. [3]
- Johanna Gill, Video: State of the Art, Rockefeller Foundation, 1976, 56 pp, HTML.
- Jonathan Price, Video Visions: A Medium Discovers Itself, New York: New American Library, 1977.
- Gregory Battcock (ed.), New Artists Video: A Critical Anthology, New York: E.P.Dutton, 1978, xxii+198 pp. [4]
- John Hanhardt (ed.), Video Culture: A Critical Investigation, Layton, UT: Peregrine Smith Books, and Rochester, NY: Visual Studies Workshop Press, 1986, OL.
- Lori Zippay (ed.), Artists' Video: An International Guide, New York: Cross River Press, 1991, 272 pp.
- Doug Hall, Sally Jo Fifer (eds.), Illuminating Video: An Essential Guide to Video Art, New York: Aperture Press, 1991.
- David Dunn (ed.), Eigenwelt Der Apparatewelt: Pioneers of Electronic Art, Santa Fe: The Vasulkas, 1992, 240 pp.
- Michael Renov, Erika Suderburg (eds.), Resolutions: Contemporary Video Practices, University of Minnesota Press, 1996.
- Deidre Boyle, Subject to Change: Guerrilla Television Revisited, Oxford University Press, 1997.
- Yvonne Speilmann, Video: das reflexive Medium, Frankfurt am Main: Suhrkamp, 2005. (German)
- Nancy Cain, Video Days and What We Saw Through the Viewfinder, Palm Springs: Event Horizon Press, 2011.
- Helen Westgeest, Video Art Theory: A Comparative Approach, Wiley-Blackwell, 2015.
- Journal issues
- Art Journal 45(3): "Video: The Reflexive Medium", ed. Sara Hornbacher, Fall 1985, 93 pp.
- Art Journal 65(3): "Forty Years of Video Art", ed. Yvonne Spielmann, Fall 2006.
- Book chapters, Papers, Articles
- Douglas Davis, "The New Audience: Television and Videotape", in Davis, Art and the Future, New York and Washington: Praeger, 1973, pp 84-91.
- Rosalind Krauss, "Video: The Aesthetics of Narcissism", October 1 (Spring 1976), pp 50-64.
- Paul Ryan, "A Genealogy of Video", Leonardo 21:1 (1988), pp 39-44.
- Kate Horsfield, "Busting the Tube: A Brief History of Video Art", in Feedback: The Video Data Bank Catalog of Video Art and Artist Interviews, 2006.
- Ege Berensel, "Video Art from ’Monitor-Sculpture‘ to ’Video-Sculpture", Goethe.de, 2012.
- Bibliography and Chronology
- "Video Rewind: A Seminar on Early Video History", c1983, 12 pp. With a bibliography and U.S. chronology.
- Barbara London, "Video: A Selected Chronology, 1963-1983", Art Journal 45(3): "Video: The Reflexive Medium" (Autumn 1985), pp 249-262.
- Dissertations
- James A. Nadeau, The Medium is the Medium: The Convergence of Video, Art and Television at WGBH (1969), Massachusetts Institute of Technology, Dept. of Comparative Media Studies, 2006. [6]
More
- Publications on video at Monoskop Log
- Publications on video art at Monoskop Log
- Texts collected by Experimental TV Center
Resources
- The Early Video Project by Davidson Gigliotti.
- Experimental Television Center: Video History Project
- Video as Urban Condition
- Video Circuits, blog for and about electronic video artists.
See also
- Video activism, VJing
- Video in CEE (bibliography), Hungary, Poland, Czech Republic, Slovakia (2), Croatia, Serbia, Slovenia, Romania, Bulgaria, Estonia, Lithuania.
