Difference between revisions of "Video activism"
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* Deidre Boyle, ''[http://monoskop.org/log/?p=406 Subject to Change: Guerrilla Television Revisited]'', Oxford University Press, 1997. | * Deidre Boyle, ''[http://monoskop.org/log/?p=406 Subject to Change: Guerrilla Television Revisited]'', Oxford University Press, 1997. | ||
* Nancy Cain, ''Video Days and What We Saw Through the Viewfinder'', Palm Springs: Event Horizon Press, 2011. | * Nancy Cain, ''Video Days and What We Saw Through the Viewfinder'', Palm Springs: Event Horizon Press, 2011. | ||
− | * Ege Berensel, [http://www.goethe.de/ins/tr/lp/prj/art/med/str/en9835055.htm "From Guerilla Television to Video-Activism, from Witness Video to Media-Activism: How to Resist Using Video"], ''Goethe.de'', 2012 | + | * Ege Berensel, [http://www.goethe.de/ins/tr/lp/prj/art/med/str/en9835055.htm "From Guerilla Television to Video-Activism, from Witness Video to Media-Activism: How to Resist Using Video"], ''Goethe.de'', 2012. |
==See also== | ==See also== | ||
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Revision as of 10:05, 30 August 2014
Artists, collectives
Literature
- Michael Shamberg, Raindance Corporation, Guerrilla Television, New York, Chicago, San Francisco: Holt Rinehart and Winstin, 1971. [1]
- Deidre Boyle, Subject to Change: Guerrilla Television Revisited, Oxford University Press, 1997.
- Nancy Cain, Video Days and What We Saw Through the Viewfinder, Palm Springs: Event Horizon Press, 2011.
- Ege Berensel, "From Guerilla Television to Video-Activism, from Witness Video to Media-Activism: How to Resist Using Video", Goethe.de, 2012.
See also