Difference between revisions of "Net art"

From Monoskop
Jump to navigation Jump to search
Line 21: Line 21:
 
* [http://netart.org.uy/latino/ netart_latino database], a database of Latin-American net artists. Edited by [[Brian Mackern]].
 
* [http://netart.org.uy/latino/ netart_latino database], a database of Latin-American net artists. Edited by [[Brian Mackern]].
 
* [https://art.colorado.edu/hiaff/ Histories of Internet Art: Fictions and Factions], an online-only exhibition of the early history of Internet art; produced by students of digital art at the University of Colorado's Art and Art History Department, in conjunction with the Alt-X Online Network, ATLAS and blurr.
 
* [https://art.colorado.edu/hiaff/ Histories of Internet Art: Fictions and Factions], an online-only exhibition of the early history of Internet art; produced by students of digital art at the University of Colorado's Art and Art History Department, in conjunction with the Alt-X Online Network, ATLAS and blurr.
−
* [http://netspecific.net/en Net.Specific], internet art exhibition platform of the Museum of Contemporary Art in Roskilde, Denmark. Launched Oct 2012.
+
* [http://netspecific.net/en Net.Specific], an online exhibition space for net art, Museum of Contemporary Art, Roskilde, Denmark. Launched Oct 2012.
 
* [http://net.artdatabase.org/ net.artdatabase], documentation of selected internet-based artworks by recording users in front of their screens as they interact with the work.
 
* [http://net.artdatabase.org/ net.artdatabase], documentation of selected internet-based artworks by recording users in front of their screens as they interact with the work.
 
* [http://netartnet.net/ netartnet.net], an online-gallery listing and directory. The archive contains current and past exhibitions with dates, links, and press releases.
 
* [http://netartnet.net/ netartnet.net], an online-gallery listing and directory. The archive contains current and past exhibitions with dates, links, and press releases.
Line 82: Line 82:
 
** ''[http://domenicoquaranta.com/public/pdf/GIA.zip Internet Art]'', n.d. {{it}}
 
** ''[http://domenicoquaranta.com/public/pdf/GIA.zip Internet Art]'', n.d. {{it}}
 
* Joanne Richardson (ed.), ''[http://monoskop.org/log/?p=539 An@rchitexts: Voices from the Global Digital Resistance]'', New York: Autonomedia, 2005.
 
* Joanne Richardson (ed.), ''[http://monoskop.org/log/?p=539 An@rchitexts: Voices from the Global Digital Resistance]'', New York: Autonomedia, 2005.
 +
* Annmarie Chandler, Norie Neumark (eds.), ''[https://monoskop.org/log/?p=68 At a Distance: Precursors to Art and Activism on the Internet]'', MIT Press, 2005, xiv+486 pp.
 
* Tatiana Bazzichelli, ''[http://monoskop.org/log/?p=37 Networking. La rete come arte]'', pref. Derrick de Kerckhove, Milan: Costa & Nolan, 2006, 333 pp. {{it}}
 
* Tatiana Bazzichelli, ''[http://monoskop.org/log/?p=37 Networking. La rete come arte]'', pref. Derrick de Kerckhove, Milan: Costa & Nolan, 2006, 333 pp. {{it}}
 
** ''[http://monoskop.org/log/?p=37 Networking: The Net as Artwork]'', Aarhus: Aarhus University, 2008, 336 pp.
 
** ''[http://monoskop.org/log/?p=37 Networking: The Net as Artwork]'', Aarhus: Aarhus University, 2008, 336 pp.
Line 106: Line 107:
 
* ''WJ-SPOTS 2: Les artistes s’emparent du réseau / Artists take over the network'', ed. Anne Roquigny, 2011, 132 pp. [http://www.digitalmcd.com/pack-special-net-art-wj-spots-1-2/] {{fr}}/{{en}}
 
* ''WJ-SPOTS 2: Les artistes s’emparent du réseau / Artists take over the network'', ed. Anne Roquigny, 2011, 132 pp. [http://www.digitalmcd.com/pack-special-net-art-wj-spots-1-2/] {{fr}}/{{en}}
 
* ''frieze d/e'' 14: "Missing Links: '90s Berlin Net Art", May 2014. Focuses on the 1990s Net art scene in Berlin. [https://shopcc.frieze.com/products/frieze-d-e-issue-14] [https://www.e-flux.com/announcements/31199/issue-14-looks-back-to-the-1990s-net-art-scene-in-berlin/] {{de}}/{{en}}
 
* ''frieze d/e'' 14: "Missing Links: '90s Berlin Net Art", May 2014. Focuses on the 1990s Net art scene in Berlin. [https://shopcc.frieze.com/products/frieze-d-e-issue-14] [https://www.e-flux.com/announcements/31199/issue-14-looks-back-to-the-1990s-net-art-scene-in-berlin/] {{de}}/{{en}}
 +
* ''Springerin'' 1: "Kritische Netzpraxis", Vienna, Jan 2015. [https://www.springerin.at/2015/1/ Editorial & TOC]. [https://www.springerin.at/2015/1/einsatz-der-vernetzung/ Roundtable]. [https://world-information.net/critical-netpractice-past-and-future/ Report from launch debate]. {{de}}
  
 
===Book chapters, articles, theses, talks, discussions===
 
===Book chapters, articles, theses, talks, discussions===
Line 124: Line 126:
 
* Julian Stallabrass, [http://beausievers.com/bhqfu/computer_art/readings/stallabrass-aesthetics_of_net.art.pdf "Aesthetics of Net.Art"], Oct 2003; repr. in ''Qui Parle'' 14:1 (Fall/Winter 2003). A plenary lecture given to the American Society for Aesthetics, Annual Meeting, San Francisco, Oct 2003.
 
* Julian Stallabrass, [http://beausievers.com/bhqfu/computer_art/readings/stallabrass-aesthetics_of_net.art.pdf "Aesthetics of Net.Art"], Oct 2003; repr. in ''Qui Parle'' 14:1 (Fall/Winter 2003). A plenary lecture given to the American Society for Aesthetics, Annual Meeting, San Francisco, Oct 2003.
 
* Julian Stallabrass, [https://blogs.brown.edu/hiaa-0820-s01-2017-fall/files/2017/09/Stallabrass.pdf "The Aesthetics of Net.Art"], ''Qui Parle'' 14:1, Fall/Winter 2003, pp 49-72.
 
* Julian Stallabrass, [https://blogs.brown.edu/hiaa-0820-s01-2017-fall/files/2017/09/Stallabrass.pdf "The Aesthetics of Net.Art"], ''Qui Parle'' 14:1, Fall/Winter 2003, pp 49-72.
−
* Christine Paul, [http://www.ciufo.org/classes/artstech_fl08/readings/paul_internet.pdf "Internet Art and Nomadic Networks"], in Paul, ''Digital Art'', London: Thames & Hudson, 2003, pp 111-124.
+
* Christine Paul, [[Media:Paul_Christiane 2003 Internet Art and Nomadic Networks.pdf|"Internet Art and Nomadic Networks"]], in Paul, ''Digital Art'', London: Thames & Hudson, 2003, pp 111-124; repr., upd., as "Internet Art and Networked Art", in Paul, ''[http://gen.lib.rus.ec/book/index.php?md5=F133F37F4F8902A298087A95ECEB83E9 Digital Art]'', 3rd ed., 2015.
 
* Steve Dietz, [http://web.archive.org/web/20160322154543/http://www.walkerart.org/collections/artworks/ada-web "äda’web"], in ''Bits & Pieces Put Together to Present a Semblance of a Whole: Walker Art Center Collections'', eds. Joan Rothfuss and Elizabeth Carpenter, Minneapolis, MN: Walker Art Center, 2005.
 
* Steve Dietz, [http://web.archive.org/web/20160322154543/http://www.walkerart.org/collections/artworks/ada-web "äda’web"], in ''Bits & Pieces Put Together to Present a Semblance of a Whole: Walker Art Center Collections'', eds. Joan Rothfuss and Elizabeth Carpenter, Minneapolis, MN: Walker Art Center, 2005.
 
* Inge Hinterwaldner, [https://archiv.eikones.ch/fileadmin/documents/ext/publication/447/447_large.pdf "When Windows Attack... Doors Won't Help. Zur Hinterfragung von Bildlichkeit und Interaktivität in der Netzkunst"], in ''Kulturen des Bildes'', eds. Birgit Mersmann and Martin Schulz, Munich: Fink, 2006, pp 355-374. {{de}}  
 
* Inge Hinterwaldner, [https://archiv.eikones.ch/fileadmin/documents/ext/publication/447/447_large.pdf "When Windows Attack... Doors Won't Help. Zur Hinterfragung von Bildlichkeit und Interaktivität in der Netzkunst"], in ''Kulturen des Bildes'', eds. Birgit Mersmann and Martin Schulz, Munich: Fink, 2006, pp 355-374. {{de}}  
−
* Karen A. Verschooren, ''[https://cmsw.mit.edu/wp/wp-content/uploads/2016/10/146381115-Karen-Verschooren-art-Situating-Internet-Art-in-the-Traditional-Institution-for-Contemporary-Art.pdf .art: Situating Internet Art in the Traditional Institution for Contemporary Art]'', Massachussetts Institute of Technology, 2007, 202 pp. Master thesis.
+
* Karen Verschooren, [http://three.org/ippolito/writing/ippolito_verschooren_interview.html "Internet art, net art, and networked art in relation: Interview with Jon Ippolito"], 26 Oct 2006.
−
* Steve Dietz, "Curating Net Art", in ''New Media in the White Cube and Beyond: Curatorial Models for Digital Art'', ed. Christiane Paul, University of California Press, 2008.
+
* Karen A. Verschooren, ''[https://cmsw.mit.edu/wp/wp-content/uploads/2016/10/146381115-Karen-Verschooren-art-Situating-Internet-Art-in-the-Traditional-Institution-for-Contemporary-Art.pdf .art: Situating Internet Art in the Traditional Institution for Contemporary Art]'', Massachussetts Institute of Technology, 2007, 202 pp. Master thesis.  
−
* "Net Art", in ''Digital Art'', ed. Wolf Lieser, Potsdam: Ullmann, 2009.
+
* Steve Dietz, "Curating Net Art", in ''New Media in the White Cube and Beyond: Curatorial Models for Digital Art'', ed. Christiane Paul, University of California Press, 2008. [https://www.ucpress.edu/op/9780520243972/new-media-in-the-white-cube-and-beyond]
 +
* "Net Art", in Wolf Lieser, ''Digital Art'', Potsdam: Ullmann, 2009; repr. as ''The World of Digital Art'', Potsdam: Ullmann, 2010.
 
* Tina Mariane Krogh Madsen, ''Keeping Ephemerality Alive: Preserving the Dynamic Materiality of Net Art'', Aarhus: University of Aarhus, 2010. Master's thesis. [http://tmkm.dk/theoretical/keeping-ephemerality-alive.html]
 
* Tina Mariane Krogh Madsen, ''Keeping Ephemerality Alive: Preserving the Dynamic Materiality of Net Art'', Aarhus: University of Aarhus, 2010. Master's thesis. [http://tmkm.dk/theoretical/keeping-ephemerality-alive.html]
 +
* Mary Flanagan, "Play, Participation, and Art: Blurring the Edges", in ''[http://gen.lib.rus.ec/book/index.php?md5=DAA07AFB91D4C6781567B26B6F1B3EB7 Context Providers: Conditions of Meaning in Media Arts]'', eds. Margot Lovejoy, Victoria Vesna, and Christiane Paul, Intellect, 2011, pp 89-100.
 
* Thomas Dreher, [http://iasl.uni-muenchen.de/links/GCA-VI.3.html "VI.3 Netzkunst im Web"], in Dreher, ''Geschichte der Computerkunst'', Munich, 2011-2012. {{de}}
 
* Thomas Dreher, [http://iasl.uni-muenchen.de/links/GCA-VI.3.html "VI.3 Netzkunst im Web"], in Dreher, ''Geschichte der Computerkunst'', Munich, 2011-2012. {{de}}
 
** [http://iasl.uni-muenchen.de/links/GCA-VI.3e.html "VI.3 Net Art in the Web"], in Dreher, ''History of Computer Art'', Munich, 2011-2012.
 
** [http://iasl.uni-muenchen.de/links/GCA-VI.3e.html "VI.3 Net Art in the Web"], in Dreher, ''History of Computer Art'', Munich, 2011-2012.
 
* Jennifer Chan, [https://www.academia.edu/2541835/ "From Browser to Gallery (and Back): The Commodification of Net Art 1990-2010"], 2012.
 
* Jennifer Chan, [https://www.academia.edu/2541835/ "From Browser to Gallery (and Back): The Commodification of Net Art 1990-2010"], 2012.
 
* Michael Connor, [http://rhizome.org/editorial/2013/nov/01/postinternet/ "What's Postinternet Got to Do with Net Art"], ''Rhizome'', 1 Nov 2013.  
 
* Michael Connor, [http://rhizome.org/editorial/2013/nov/01/postinternet/ "What's Postinternet Got to Do with Net Art"], ''Rhizome'', 1 Nov 2013.  
−
* [[Media:Paulsen_Kris_2014_Ill_Communication_Anxiety_and_Identity_in_1990s_Net_Art.pdf|"Ill Communication: Anxiety and Identity in 1990s Net Art"]], in ''Come As You Are: Art of the 1990s'', University of California Press & Montclair Museum of Art, 2014, pp 65-72.
+
* Kris Paulsen, [[Media:Paulsen_Kris_2014_Ill_Communication_Anxiety_and_Identity_in_1990s_Net_Art.pdf|"Ill Communication: Anxiety and Identity in 1990s Net Art"]], in ''Come As You Are: Art of the 1990s'', University of California Press & Montclair Museum of Art, 2014, pp 65-72.
 
* Dragan Espenschied, [http://web.archive.org/web/20180209071250/https://rhizome.org/editorial/2014/oct/22/big-data-little-narration/ "Big Data, Little Narration"], ''Rhizome'', 22 Oct 2014.
 
* Dragan Espenschied, [http://web.archive.org/web/20180209071250/https://rhizome.org/editorial/2014/oct/22/big-data-little-narration/ "Big Data, Little Narration"], ''Rhizome'', 22 Oct 2014.
 
* Sarah Cook, Marialaura Ghidini, [[Media:Cook Sarah Ghidini Marialaura 2015 Internet_Art_Net_Art.pdf|"Internet Art (Net Art)"]], in ''Oxford Art Online'', 22 Sep 2015. [https://doi.org/10.1093/gao/9781884446054.article.T2287852]
 
* Sarah Cook, Marialaura Ghidini, [[Media:Cook Sarah Ghidini Marialaura 2015 Internet_Art_Net_Art.pdf|"Internet Art (Net Art)"]], in ''Oxford Art Online'', 22 Sep 2015. [https://doi.org/10.1093/gao/9781884446054.article.T2287852]
Line 143: Line 147:
 
* Karin De Wild, et al., [https://www.jiscmail.ac.uk/cgi-bin/webadmin?A1=ind1611&L=new-media-curating "Methods for studying the (after)lives of Internet art"] [https://www.jiscmail.ac.uk/cgi-bin/webadmin?A1=ind1612&L=new-media-curating (cont.)], list discussion, ''CRUMB'', 14 Nov-31 Dec 2016. [http://www.mauvaiscontact.info/projects/CRUMB_theme.pdf Introduction].
 
* Karin De Wild, et al., [https://www.jiscmail.ac.uk/cgi-bin/webadmin?A1=ind1611&L=new-media-curating "Methods for studying the (after)lives of Internet art"] [https://www.jiscmail.ac.uk/cgi-bin/webadmin?A1=ind1612&L=new-media-curating (cont.)], list discussion, ''CRUMB'', 14 Nov-31 Dec 2016. [http://www.mauvaiscontact.info/projects/CRUMB_theme.pdf Introduction].
 
* Megan Driscoll, [http://sci-hub.tw/10.1080/00064246.2017.1330110 "Color Coded: Mendi + Keith Obadike’s ''Black.Net.Art Actions'' and the Language of Computer Networks"], ''The Black Scholar'' 47(3): "Black Code", 2017, pp 56-67.
 
* Megan Driscoll, [http://sci-hub.tw/10.1080/00064246.2017.1330110 "Color Coded: Mendi + Keith Obadike’s ''Black.Net.Art Actions'' and the Language of Computer Networks"], ''The Black Scholar'' 47(3): "Black Code", 2017, pp 56-67.
−
* Emmanuel Guez, Morgane Stricot, Lionel Broye, Stéphane Bizet, [https://www.tandfonline.com/doi/pdf/10.1080/19455224.2017.1320299 "The Afterlives of Network-Based Artworks"], ''Journal of the Institute of Conservation'' 40:2, 2017, pp 105-120.
+
* Emmanuel Guez, Morgane Stricot, Lionel Broye, Stéphane Bizet, [https://doi.org/10.1080/19455224.2017.1320299 "The Afterlives of Network-Based Artworks"], ''Journal of the Institute of Conservation'' 40:2, 2017, pp 105-120.
 
* Gloria Sutton, Zachary Kaplan, [http://journal.voca.network/a-performance-of-code/ "A Performance of Code: Rhizome and the Rise of Internet Art"], ''VoCA Journal'', 30 June 2017. Interview.
 
* Gloria Sutton, Zachary Kaplan, [http://journal.voca.network/a-performance-of-code/ "A Performance of Code: Rhizome and the Rise of Internet Art"], ''VoCA Journal'', 30 June 2017. Interview.
 
* Lia Carreira, ''[https://liascarreira.files.wordpress.com/2017/10/experimental-curating_strategies-and-platforms-for-onlinebased-art_lia-carreira-2017.pdf Experimental Curating in Times of the Perpetual Beta: Strategies and Platforms for Online-based Art]'', Krems: Danube University Krems, 2017, 138 pp. Master thesis.
 
* Lia Carreira, ''[https://liascarreira.files.wordpress.com/2017/10/experimental-curating_strategies-and-platforms-for-onlinebased-art_lia-carreira-2017.pdf Experimental Curating in Times of the Perpetual Beta: Strategies and Platforms for Online-based Art]'', Krems: Danube University Krems, 2017, 138 pp. Master thesis.

Revision as of 12:40, 22 November 2019

Artists

Works

Online exhibitions and databases

  • net-art.org, an online-only exhibition of the early (and continuous) history of Internet art.
  • Turbulence.org, a premiere web site for net art. From 1996-2016, Turbulence.org commissioned over 220 original net, web and hybrid art works and hosted over 20 real-time, multi-location performances.
  • Rhizome ArtBase, founded 1999. Catalog.
  • Net Art Anthology. Presented by Rhizome, 2016-2019. Retelling the history of Net Art from the 1980s through the present day by restaging and contextualizing one key net art project per week. [1]
  • netart-Datenbank, est. 2000, active through c.2005. Team: Nina Kahnwald, Anna Kohler, Tilman Linden, Thomas Noesler, Sakrowski.
  • project.Arnolfini, curated by Geoff Cox, 2010.
  • netpioneers.info: contextualizing early net-based art, research project realized at the Ludwig Boltzmann Institute Media.Art.Research., Linz, 2007–2009. Book published.
  • Artport. Whitney Museum's portal to Internet art and an online gallery space for commissions of net art and new media art. Originally launched in 2002, Artport provides access to original art works commissioned specifically for artport by the Whitney; documentation of net art and new media art exhibitions at the Whitney; and new media art in the Museum's collection.
  • Tate Intermedia Art, contains the archive of Tate's net art projects from 2000-2011.
  • netart_latino database, a database of Latin-American net artists. Edited by Brian Mackern.
  • Histories of Internet Art: Fictions and Factions, an online-only exhibition of the early history of Internet art; produced by students of digital art at the University of Colorado's Art and Art History Department, in conjunction with the Alt-X Online Network, ATLAS and blurr.
  • Net.Specific, an online exhibition space for net art, Museum of Contemporary Art, Roskilde, Denmark. Launched Oct 2012.
  • net.artdatabase, documentation of selected internet-based artworks by recording users in front of their screens as they interact with the work.
  • netartnet.net, an online-gallery listing and directory. The archive contains current and past exhibitions with dates, links, and press releases.
  • Why Not Sneeze, eds. Michael Gibbs and Brigitte van der Sande, 1996-1998.
  • Overview of network art projects and events, compiled by Dušan Barok, 2008.
  • Digital Canon, 20 works from the Netherlands, 1960-2000, launched 2019. Compiled by LIMA.
  • Links to net art, compiled by Jim Andrews (VISPO).
  • The Wrong, digital art biennale, online & worldwide, since 2013. Incl. Very Large Works online show, 2019-2020.

Selected recent works

2007 subvertr by Les Liens Invisibles. 2008 fuckflikr by Theo Watson, Jamie Wilkinson, and Greg Leuch; China Channel by Aram Bartholl, Evan Roth and tbx (fffff.at); Pirates of the Amazon by tbx and Timo Klok. 2009 Web 2.0 Suicide Machine by moddr; Seppukoo by Les Liens Invisibles; Give Me My Data by Owen Mundy. 2010 Repetitionr by Les Liens Invisibles; Firesheep by Eric Butler; FaceLeaks by Dušan Barok. 2011 Newstweek by Julian Oliver and Danja Vasilev; Piratebox by David Darts; motivo astratto by &; Love Machine by Julien Deswaef.

Catalogues

  • Net_condition: Art and Global Media, eds. Timothy Druckrey and Peter Weibel, MIT Press, 2000, 398 pp. Exh. held at ZKM Karlsruhe, 23 Sep 1999-27 Feb 2000. [2]
    • Net_Condition. Kunst / Politik im Online-Universum, Karlsruhe: ZKM, 1999, 42 pp. Exh. brochure. [3] (German)
  • Connessioni leggendarie: net.art 1995-2005, ed. Luca Lampo, Milan: ready-made, 2005, 117 pp. (Italian)
  • Net art 0.1: desmontajes, Badajoz: Consejería de Cultura y Turismo/Junta de Extremadura, 2009, 154 pp. Exh. held at MEIAC, Museo Extremeño e Iberoamericano de Arte Contemporáneo, Badajoz, 21 Nov-28 Feb 2009. (Spanish)/(English)
  • Virtual Normality. Der weibliche Blick im Zeitalter des Internets, ed. Alfred Weidinger, VfmK, 2018, 208 pp. [4] (German)/(English)
  • Art in the Age of the Internet, 1989 to Today, ed. Eva Respini, New Haven: Yale University Press, 2018, 316 pp. Exh. held at ICA Boston, 7 Feb-20 May 2018. Review: Federici (CAA).
  • The Art Happens Here: Net Art Anthology, eds. Michael Connor, Aria Dean, and Dragan Espenschied, New York: Rhizome, 2019, 400 pp. Essays by manuel arturo abreu, Josephine Bosma, Megan Driscoll, Ceci Moss, Lila Pagola, Paul Soulellis, Elvia Wilk. [5] [6]

Events

Literature

Books

Journal issues

  • kritische berichte 26(1): "Netzkunst", eds. Christoph Danelzik-Brüggemann, Annette Dorgerloh, Brigitte Schoch-Joswig, and Michael Scholz-Hänsel, 1998. TOC, [21]. (German)
  • AI & Society 14(1): "Database Aesthetics: Issues of Organization and Category in Online Art", ed. Victoria Vesna, 2000.
  • terminal 101: "Net art, technologie ou création?", Paris: Harmattan, May 2008, 176 pp. [22] (French)
  • WJ-SPOTS 1: 15 ans de création artistique sur internet / 15 years of web creation, ed. Anne Roquigny, 2011, 132 pp. [23] (French)/(English)
  • WJ-SPOTS 2: Les artistes s’emparent du réseau / Artists take over the network, ed. Anne Roquigny, 2011, 132 pp. [24] (French)/(English)
  • frieze d/e 14: "Missing Links: '90s Berlin Net Art", May 2014. Focuses on the 1990s Net art scene in Berlin. [25] [26] (German)/(English)
  • Springerin 1: "Kritische Netzpraxis", Vienna, Jan 2015. Editorial & TOC. Roundtable. Report from launch debate. (German)

Book chapters, articles, theses, talks, discussions

More


Retrieved from "https://monoskop.org/index.php?title=Net_art&oldid=95531"