Difference between revisions of "Net art"
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− | + | [[Image:OBN_Venice_2001.jpg|thumb|350px|obn@venice,<br>venice, june 8, 2001.<br><br>at the opening of the slovenian pavillion, several members of the [[Old Boys Network]] congratulated [[Vuk Cosic]] and handed over a huge bouquet of flowers to him. amongst Tadej Pogacar and [[0100101110101101.org]], Vuk Cosic is the representative of the republic of slovenia in the solvenian pavillion at the 49th biennale of art in venice. following is the speech which has been delivered by OBN at this occasion:<br><br>"On behalf of the Old Boys Network, an international autonomous cyberfeminist networking organisation, we offer this acknowledgement to Vuk Cosic. We congratulate Vuk on his success on bringing net.art to the venice biennale, which definitely is one of the pinnacles in his career. additionally he has curated the first temporary autonomous pavillion ever at a biennale. we honour Vuk in using his powerful position not just to represent slovenia and bring his personal net.art position to this prestigious international event, but also to show the positions of his net.art colleagues. we wish him well in his future responsibilities to the net art community.“<br><br>Photo: Herbert Hossmann, CC BY-NC-SA. ]] | |
− | ==Artists== | + | [[Image:Flowers_in_Oslo_2003.jpg|thumb|350px|A bouquet of flowers given to [[Vuk Cosic]] by the [[Old Boys Network]] during the 2001 Venice Biennale. Exhibited as part of the exhibition ''[[#Skrevetistein|Written in Stone: A Net.Art Archaeology]]'' at the National Museum of Contemporary Art, Oslo, 2003. Photo: Cornelia Sollfrank.]] |
− | <div class= | + | |
+ | <div class="lede"> | ||
+ | Living resource on net art, internet art, net-based art, net-based installations, web art, web-based art. | ||
+ | </div> | ||
+ | |||
+ | {{TOC limit|3}} | ||
+ | |||
+ | ==Artists, writers, organisations, events== | ||
+ | <div class=threecol> | ||
<DynamicPageList> | <DynamicPageList> | ||
category = Net art | category = Net art | ||
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</div> | </div> | ||
− | == | + | ==Events== |
− | ===Online exhibitions and databases=== | + | |
+ | * Net.art per se, conference, Trieste, 1996. | ||
+ | |||
+ | * [http://www.irational.org/cybercafe/backspace/ Secret Net.Art Conf], Backspace, London, 29 Jan 1997. Organised by [[Heath Bunting]]. Part of [[Anti with E]] lecture series. | ||
+ | |||
+ | * [[Hybrid Workspace]], part of ''documenta X'' exhibition, Museum Fridericianum, Kassel, 21 Jun-28 Sep 1997. | ||
+ | |||
+ | * [[net_condition|net_condition: Art and Global Media]], exhibition, ZKM Karlsruhe, 23 Sep 1999-27 Feb 2000. | ||
+ | |||
+ | * [http://www.walkerart.org/archive/E/A153E129363082E4616F.htm Envy: Can the Center Hold? (net.art per se)], panel as part of ''Sins of Change: Media Arts in Transition, Again'' symposium, Walker Art Center, Minneapolis, 8 Apr 2000. | ||
+ | |||
+ | * [[Liquid Hacking Laboratory]], Albrecht Dürer Gesellschaft Kunstverein, Nürnberg, 22 Sep-22 Oct 2000. [https://obn.org/LHL/imgs.html Images]. | ||
+ | |||
+ | * [[Media:Art_and_Money_Online_Tate_2001.pdf|Art and Money Online]], exhibition, Tate Modern, London, 6 Mar-3 Jun 2001. Curated by Julian Stallabrass. | ||
+ | |||
+ | * [http://absoluteone.ljudmila.org Absolute One], Slovenian Pavilion, Venice Biennale, 6 Jun-30 Sep 2001. | ||
+ | |||
+ | * [https://www.ntticc.or.jp/en/feature/2002/Art_Bit_Collection/ Art.Bit Collection], exhibition and symposia, InterCommunication Center, Tokyo, 21 Jun-11 Aug 2002. Curated by Masaki Fujihata and Kouichirou Eto. [https://www.ntticc.or.jp/en/exhibitions/2002/art-bit-collection/] | ||
+ | |||
+ | * [http://web.archive.org/web/20040809212351/http://www.ambulantscience.org/legacy_projects/art_for_networks/artfornetworks/index.shtml Art for Networks], exhibition, Chapter Gallery, Cardiff, Sep 2002. Curated by [[Simon Pope]]. [https://danielandujar.org/2002/09/27/art-for-networks/] [http://1995-2015.undo.net/it/mostra/10919] | ||
+ | |||
+ | *{{a|Skrevetistein}}[http://www.perplatou.net/net.art/ Skrevet i stein. En net.art arkeologi / Written in Stone: A Net.Art Archaeology], National Museum for Contemporary Art, Oslo, 22 Mar-25 May 2003. Curated by [[Per Platou]] with [[Anne Lise Wullum]] and [[Grethe Melby]]. Catalogue published. | ||
+ | |||
+ | * [http://web.archive.org/web/20060624213355/http://www.connessionileggendarie.it/ Connessioni Leggendarie: Net.Art 1995-2005], exhibition, Mediateca di Santa Teresa, Via della Moscova, Milan, 20 Oct-10 Nov 2005. Curated by Domenico Quaranta. [http://digicult.it/digimag/issue-009/connessioni-leggendarie-interview-to-netart/ Interview with curator] (Digicult). | ||
+ | |||
+ | * [[Tele-Internet]], Ars Electronica, Linz, 2010. Curated by Aram Bartholl. | ||
+ | |||
+ | * [http://www.wj-s.org/WJ-SPOTS-MAL-AU-PIXEL-FESTIVAL WJ-Spots / Mal au Pixel Festival], conference on the history and the future of the internet, Paris, Jun 2011. | ||
+ | |||
+ | * [https://www.ntticc.or.jp/en/feature/2012/Internet_Art_Future/index.html Internet Art Future: Reality in Post Internet Era], exhibition and symposium, InterCommunication Center, Tokyo, 28 Jan-18 Mar 2012. [https://www.ntticc.or.jp/en/exhibitions/2012/internet-art-future-reality-in-post-internet-era/] [https://www.ntticc.or.jp/en/feature/2011/InternetReality/index.html] | ||
+ | |||
+ | * [http://aoys.zkm.de/ ArtOnYourScreen], online exhibition platform, ZKM, 14 May 2014-31 Dec 2016. [https://zkm.de/en/exhibition/2014/05/artonyourscreen] | ||
+ | |||
+ | * [http://web.archive.org/web/20170330035822if_/http://net.art.mgml.si/ net.art Painters and Poets], exhibition, City Art Gallery, Ljubljana, Jun-Aug 2014. Curated by [[Vuk Ćosić]] and [[Alenka Gregorič]]. | ||
+ | |||
+ | * [http://www.whitechapelgallery.org/exhibitions/electronicsuperhighway/ Electronic Superhighway (2016-1966): From Experiments in Art and Technology to Art After the Internet], exhibition, Whitechapel Gallery, London, 29 Jan-15 May 2016. Curated by Omar Kholeif. Reviews: [http://www.metamute.org/editorial/articles/eleven-pro-tips-art-plus-internet Fuller] (Mute), [[Media:Meixnerova Marie 2016 Do dejin internetoveho umeni.pdf|Meixnerová]] (Iluminace, CZ). | ||
+ | |||
+ | * [http://onlineart.kiasma.fi/en/ ARS17 Hello World! Taide internetin jälkeen / Art After the Internet], exhibition, Kiasma, Helsinki, 31 Mar 2017-14 Jan 2018. [https://kiasma.fi/en/exhibitions/ars-17/] [http://web.archive.org/web/20190527023001/https://onlineart.kiasma.fi/en/] | ||
+ | |||
+ | * [https://mdbk.de/en/exhibitions/netzkuenstlerinnen-2.0/ Virtual Normality: Female Net Artists 2.0], exhibition, Museum der bildenden Künste Leipzig, 12 Jan-8 Apr 2018. Curated by Sabrina Steinek and Anika Meier. Review: [https://www.springerin.at/2018/2/technofeminism/ Weier] (Springerin). | ||
+ | |||
+ | * [https://www.icaboston.org/exhibitions/art-age-internet-1989-today Art in the Age of the Internet], 1989 to Today exhibition, ICA Boston, 7 Feb-20 May 2018. Curated by Eva Respini and Jeffrey De Blois. | ||
+ | |||
+ | * [https://netzkunst.berlin/bzdnduh/ Berlin, Zentrum der Netzkunst - damals und heute], exhibition, panke.gallery, Berlin, 4 Oct-23 Nov 2018. Curated by [[Robert Sakrowski]] and Tabea Rossol. Organised by [https://netzkunst.berlin/ Zentrum für Netzkunst]. [https://www.panke.gallery/exhibition/zentrum-netzkunst/] | ||
+ | |||
+ | * [https://www.newmuseum.org/exhibitions/view/the-art-happens-here-net-art-s-archival-poetics The Art Happens Here: Net Art's Archival Poetics], exhibition, New Museum, New York, 22 Jan-26 May 2019. Based on Rhizome's Net Art Anthology programme. Curated by Michael Connor with Aria Dean. [https://rhizome.org/editorial/2018/oct/12/early-warning-the-art-happens-here-rhizome-exhibition/]. Review: [https://ocula.com/magazine/reports/the-art-happens-here-net-arts-archival-poetic/ Huang] (Ocula). | ||
+ | |||
+ | * [https://opencoil.show/ Opencoil], exhibition, Haus der Statistik, Berlin, 16 Oct-1 Nov 2020. Organised by [https://netzkunst.berlin/ Zentrum für Netzkunst]. [https://netzkunst.berlin/stm/] | ||
+ | |||
+ | * [https://netzkunst.berlin/cc/ Calculating Control: (Netz)kunst und Kybernetik], exhibition, symposium and (un)conference, Haus der Statistik & panke.gallery, Berlin, 30 Apr-31 Oct 2021. Organised by [https://netzkunst.berlin/ Zentrum für Netzkunst]. | ||
+ | |||
+ | * [https://collegium.ethz.ch/veranstaltungen/?event=14031&cat=upcoming Docu & Demo: Exhibition on Archiving Programmed Media Art], exhibition and workshop, Collegium Helveticum, Zürich, 15-29 Feb 2024. Organised by Inge Hinterwaldner. | ||
+ | |||
+ | * [https://netzkunst.berlin/metaphors/ From Net, City, World to Cloud, Market, Sea: Following the Metaphor], /rosa, Berlin, 21 Feb-27 Mar 2024. Curatorial concept: Tereza Havlíková, Julia Kochanek, Anneliese Ostertag. [https://www.instagram.com/netzkunst.berlin/p/C3Pt1Hlor7h/] | ||
+ | |||
+ | ==Catalogues== | ||
+ | |||
+ | * ''[[Media:Net Condition Art and Global Media 2000.pdf|Net_Condition: Art and Global Media]]'', eds. [[Timothy Druckrey]] and [[Peter Weibel]], MIT Press, 2000, 398 pp, [https://archive.org/details/netconditionartg0000unse/ IA]. [[net_condition|Exh.]] held at ZKM Karlsruhe, 23 Sep 1999-27 Feb 2000. [https://zkm.de/en/publication/netcondition Publisher]. | ||
+ | ** ''Net_Condition. Kunst / Politik im Online-Universum'', Karlsruhe: ZKM, 1999, 42 pp. Exh. brochure. [https://zkm.de/en/publication/netcondition-kunst-politik-im-online-universum Publisher]. {{de}} | ||
+ | |||
+ | * ''Art for Networks'', eds. Hannah Firth and [[Simon Pope]], Cardiff: Chapter, 2002, 44 pp. | ||
+ | |||
+ | * ''[http://www.perplatou.net/net.art/index3.htm Skrevet i stein. En net.art arkeologi / Written in Stone: A Net.Art Archaeology]'', ed. [[Per Platou]], Oslo: National Museum for Contemporary Art, 2003. [[#Skrevetistein|Exh.]] held 22 Mar-25 May 2003. {{no}}/{{en}} | ||
+ | |||
+ | * ''[[Media:Connessioni leggendarie net.art 1995-2005 2005.pdf|Connessioni leggendarie: net.art 1995-2005]]'', ed. Luca Lampo, Milan: ready-made, 2005, 117 pp. [http://web.archive.org/web/20060509072904/http://www.connessionileggendarie.it/home.htm] {{it}} | ||
+ | |||
+ | * ''[[Media:Net art 0.1 desmontajes 2008.pdf|Net art 0.1: desmontajes]]'', Badajoz: Consejería de Cultura y Turismo/Junta de Extremadura, 2009, 154 pp. Exh. held at MEIAC, Museo Extremeño e Iberoamericano de Arte Contemporáneo, Badajoz, 21 Nov-28 Feb 2009. {{es}}/{{en}} | ||
+ | |||
+ | * ''Powered by Ljudmila'', eds. [[Alenka Gregorič]] and Keiko Suzuki, Ljubljana: Museum and Galleries of Ljubljana / City Art Gallery Ljubljana, 2011, 96 pp. [https://mgml.si/en/city-art-gallery/publications/63/powered-by-ljudmila/] [https://wiki.ljudmila.org/Powered_by_Ljudmila] [https://wiki.ljudmila.org/Powered_by_Ljudmila/Napisi] {{sl}}/{{en}} | ||
+ | |||
+ | * ''Virtual Normality. Der weibliche Blick im Zeitalter des Internets'', ed. Alfred Weidinger, VfmK, 2018, 208 pp. [https://vfmk.org/de/shop/virtual-normality] {{de}}/{{en}} | ||
+ | |||
+ | * ''Art in the Age of the Internet, 1989 to Today'', ed. Eva Respini, New Haven: Yale University Press, 2018, 316 pp. Exh. held at ICA Boston, 7 Feb-20 May 2018. Review: [http://www.caareviews.org/reviews/3465 Federici] (CAA). | ||
+ | |||
+ | * ''The Art Happens Here: Net Art Anthology'', eds. [[Michael Connor]], [[Aria Dean]], and [[Dragan Espenschied]], forew. Zachary Kaplan, intro. Michael Connor, New York: Rhizome, 2019, 444 pp. Essays by manuel arturo abreu, Josephine Bosma, Megan Driscoll, Ceci Moss, Lila Pagola, Paul Soulellis, Elvia Wilk. [https://worldcat.org/oclc/1061091298 TOC]. [https://www.newmuseum.org/calendar/view/1477/all-our-visited-links] [https://rhizomedotorg.myshopify.com/products/the-art-happens-here-net-art-anthology]. Reviews: [http://www.beyondnewmedia.art/texts/net-art-anthology/ Quaranta] (Camera Austria), [https://brooklynrail.org/2019/04/art_books/The-Art-Happens-Here-Net-Art-Anthology-Rhizome-2019 Weisburg] (Brooklyn Rail). | ||
+ | |||
+ | ==Online exhibitions and databases== | ||
+ | |||
+ | <div class=twocol> | ||
+ | |||
* [http://turbulence.org/ Turbulence.org], a premiere web site for net art. From 1996-2016, Turbulence.org commissioned over 220 original net, web and hybrid art works and hosted over 20 real-time, multi-location performances. | * [http://turbulence.org/ Turbulence.org], a premiere web site for net art. From 1996-2016, Turbulence.org commissioned over 220 original net, web and hybrid art works and hosted over 20 real-time, multi-location performances. | ||
+ | |||
+ | * [http://adaweb.walkerart.org/ äda 'web], platform for online artworks, experimental literature, publishing, and exhibitions. Run by Benjamin Weil and collaborators, 1994-1998. [https://anthology.rhizome.org/aeda-web äda 'web in Net Art Anthology] (2019). | ||
+ | |||
* [http://www.net-art.org/ net-art.org], an online-only exhibition of the early (and continuous) history of Internet art. Initiated 1998 by Andrew Forbes. [https://nettime.org/Lists-Archives/nettime-bold-0102/msg00296.html Interview, 2001]. [https://twitter.com/net_artdotorg Twitter]. [https://www.facebook.com/netartdotorg/ FB]. | * [http://www.net-art.org/ net-art.org], an online-only exhibition of the early (and continuous) history of Internet art. Initiated 1998 by Andrew Forbes. [https://nettime.org/Lists-Archives/nettime-bold-0102/msg00296.html Interview, 2001]. [https://twitter.com/net_artdotorg Twitter]. [https://www.facebook.com/netartdotorg/ FB]. | ||
− | * [https://rhizome.org | + | |
+ | * [https://artbase.rhizome.org Rhizome ArtBase], archive of digital art, freely accessible to the public online. Founded 1999. [http://catalog.rhizome.org/ Catalog]. [https://rhizome.org/editorial/2021/apr/07/announcing-from-black-boxes-to-open-systems/ Relaunch events] (2021). [https://rhizome.org/editorial/2021/apr/26/the-artbase-relaunches-welcome-to-linked-open-data/ Relaunch announcement]. [https://rhizome.org/art/artbase/ Original website] (until 2021). | ||
+ | |||
* [https://anthology.rhizome.org/ Net Art Anthology]. Presented by [[Rhizome]], 2016-2019. Retelling the history of Net Art from the 1980s through the present day by restaging and contextualizing one key net art project per week. [https://www.artsy.net/article/artsy-editorial-10-artistic-masterpieces-meant-experienced-online] | * [https://anthology.rhizome.org/ Net Art Anthology]. Presented by [[Rhizome]], 2016-2019. Retelling the history of Net Art from the 1980s through the present day by restaging and contextualizing one key net art project per week. [https://www.artsy.net/article/artsy-editorial-10-artistic-masterpieces-meant-experienced-online] | ||
+ | |||
+ | * [https://newblackportraitures.rhizome.org/ New Black Portraitures], browser-based exhibition, 2017. Curated by Aria Dean as part of Rhizome's Net Art Anthology. [https://www.newmuseum.org/exhibitions/view/new-black-portraitures] [https://i-d.vice.com/en_uk/article/mbp8wv/online-black-art-is-moving-from-instagram-to-bitmapping] | ||
+ | |||
* [http://netart-datenbank.org/ netart-Datenbank], est. 2000, active through c.2005. Team: Nina Kahnwald, Anna Kohler, Tilman Linden, Thomas Noesler, [[Sakrowski]]. | * [http://netart-datenbank.org/ netart-Datenbank], est. 2000, active through c.2005. Team: Nina Kahnwald, Anna Kohler, Tilman Linden, Thomas Noesler, [[Sakrowski]]. | ||
+ | |||
* [http://www.year01.com/archive/plunder/ Pixel Plunder©], online exhibition on notions of authorship and copyright, curated by Michael Alstad and Michelle Kasprzak, 2001. [https://interaccess.org/exhibition/pixel-plunder%C2%A9] [http://wro03.wrocenter.pl/specials/stealing_to_subvert-en.html#pixelplunder] | * [http://www.year01.com/archive/plunder/ Pixel Plunder©], online exhibition on notions of authorship and copyright, curated by Michael Alstad and Michelle Kasprzak, 2001. [https://interaccess.org/exhibition/pixel-plunder%C2%A9] [http://wro03.wrocenter.pl/specials/stealing_to_subvert-en.html#pixelplunder] | ||
+ | |||
* [http://project.arnolfini.org.uk/?t=5 project.Arnolfini], curated by [[Geoff Cox]], 2010. | * [http://project.arnolfini.org.uk/?t=5 project.Arnolfini], curated by [[Geoff Cox]], 2010. | ||
+ | |||
* [http://web.archive.org/web/20140517163630/http://netpioneers.info/ netpioneers.info: contextualizing early net-based art], research project realized at the Ludwig Boltzmann Institute Media.Art.Research., Linz, 2007-2009. (archived). [https://monoskop.org/log/?p=1327 Book published]. | * [http://web.archive.org/web/20140517163630/http://netpioneers.info/ netpioneers.info: contextualizing early net-based art], research project realized at the Ludwig Boltzmann Institute Media.Art.Research., Linz, 2007-2009. (archived). [https://monoskop.org/log/?p=1327 Book published]. | ||
+ | |||
* [http://gallery9.walkerart.org/ Gallery 9], Walker Art Center's online exhibition space. Between 1997 and 2003, under the direction of [[Steve Dietz]], Gallery 9 presented the work of more than 100 artists. | * [http://gallery9.walkerart.org/ Gallery 9], Walker Art Center's online exhibition space. Between 1997 and 2003, under the direction of [[Steve Dietz]], Gallery 9 presented the work of more than 100 artists. | ||
+ | |||
* [http://web.archive.org/web/20140911075148/http://www.guggenheim.org/new-york/press-room/releases/press-release-archive/2002/668-february-18-internet-art-commissions Net art commissioned by Guggenheim Museum], 1996-c.2002. (archived) | * [http://web.archive.org/web/20140911075148/http://www.guggenheim.org/new-york/press-room/releases/press-release-archive/2002/668-february-18-internet-art-commissions Net art commissioned by Guggenheim Museum], 1996-c.2002. (archived) | ||
+ | |||
* [http://web.archive.org/web/20080215025649/http://www.sfmoma.org/espace/espace_overview.html E.space], online projects commissioned by SFMOMA. Launched 2000. Created by Benjamin Weil with Joseph Rosa. [https://www.sfmoma.org/press/release/sfmoma-unveils-redesigned-online-gallery-espace-w/] (archived) | * [http://web.archive.org/web/20080215025649/http://www.sfmoma.org/espace/espace_overview.html E.space], online projects commissioned by SFMOMA. Launched 2000. Created by Benjamin Weil with Joseph Rosa. [https://www.sfmoma.org/press/release/sfmoma-unveils-redesigned-online-gallery-espace-w/] (archived) | ||
+ | |||
* [https://artport.whitney.org/gatepages/index.shtml Artport]. Whitney Museum's portal to Internet art and an online gallery space for commissions of net art and new media art. Originally launched in 2001, Artport provides access to original art works commissioned specifically for artport by the Whitney; documentation of net art and new media art exhibitions at the Whitney; and new media art in the Museum's collection. Created and curated by [[Christiane Paul]]. [https://rhizome.org/editorial/2015/aug/10/artport-interview-christiane-paul/ Made an official part of the Whitney Museum collection in 2015]. [https://whitney.org/artport] | * [https://artport.whitney.org/gatepages/index.shtml Artport]. Whitney Museum's portal to Internet art and an online gallery space for commissions of net art and new media art. Originally launched in 2001, Artport provides access to original art works commissioned specifically for artport by the Whitney; documentation of net art and new media art exhibitions at the Whitney; and new media art in the Museum's collection. Created and curated by [[Christiane Paul]]. [https://rhizome.org/editorial/2015/aug/10/artport-interview-christiane-paul/ Made an official part of the Whitney Museum collection in 2015]. [https://whitney.org/artport] | ||
+ | |||
* [http://www2.tate.org.uk/intermediaart/ Tate Intermedia Art], contains the archive of Tate's net art projects from 2000-2011. [http://web.archive.org/web/20050308071550/http://www.tate.org.uk/netart/default.htm] | * [http://www2.tate.org.uk/intermediaart/ Tate Intermedia Art], contains the archive of Tate's net art projects from 2000-2011. [http://web.archive.org/web/20050308071550/http://www.tate.org.uk/netart/default.htm] | ||
+ | |||
* [http://web.archive.org/web/20140712074042/http://openmuseum.berkeley.edu/ BAM/PFA NetArtchive], online exhibition. Presented [http://web.archive.org/web/20140427074721/http://openmuseum.berkeley.edu/media/view/media/sources works by four artists]. (archived) | * [http://web.archive.org/web/20140712074042/http://openmuseum.berkeley.edu/ BAM/PFA NetArtchive], online exhibition. Presented [http://web.archive.org/web/20140427074721/http://openmuseum.berkeley.edu/media/view/media/sources works by four artists]. (archived) | ||
+ | |||
* [http://netspecific.net/en Net.Specific], an online exhibition space for net art, Museum of Contemporary Art, Roskilde, Denmark. Launched Oct 2012. | * [http://netspecific.net/en Net.Specific], an online exhibition space for net art, Museum of Contemporary Art, Roskilde, Denmark. Launched Oct 2012. | ||
+ | |||
* [http://netart.org.uy/latino/ netart_latino database], a database of Latin-American net artists. Edited by [[Brian Mackern]]. | * [http://netart.org.uy/latino/ netart_latino database], a database of Latin-American net artists. Edited by [[Brian Mackern]]. | ||
+ | |||
* [https://art.colorado.edu/hiaff/ Histories of Internet Art: Fictions and Factions], an online-only exhibition of the early history of Internet art; produced by students of digital art at the University of Colorado's Art and Art History Department, in conjunction with the Alt-X Online Network, ATLAS and blurr. | * [https://art.colorado.edu/hiaff/ Histories of Internet Art: Fictions and Factions], an online-only exhibition of the early history of Internet art; produced by students of digital art at the University of Colorado's Art and Art History Department, in conjunction with the Alt-X Online Network, ATLAS and blurr. | ||
− | * [http://net.artdatabase.org/ net.artdatabase], documentation of selected internet-based artworks by recording users in front of their screens as they interact with the work. | + | |
+ | * [http://net.artdatabase.org/ net.artdatabase.org], documentation of selected internet-based artworks by recording users in front of their screens as they interact with the work. | ||
+ | |||
* [http://netartnet.net/ netartnet.net], an online-gallery listing and directory. The archive contains current and past exhibitions with dates, links, and press releases. | * [http://netartnet.net/ netartnet.net], an online-gallery listing and directory. The archive contains current and past exhibitions with dates, links, and press releases. | ||
+ | |||
+ | * [http://netarts.org/ Netarts.org], 1995-2014. | ||
+ | |||
* [https://nondes.home.xs4all.nl/sneeze/ Why Not Sneeze], eds. Michael Gibbs and Brigitte van der Sande, 1996-1998. | * [https://nondes.home.xs4all.nl/sneeze/ Why Not Sneeze], eds. Michael Gibbs and Brigitte van der Sande, 1996-1998. | ||
+ | |||
* [http://web.archive.org/web/20110827131226/http://societyofalgorithm.org/networktime/ Overview of network art projects and events], compiled by Dušan Barok, 2008. | * [http://web.archive.org/web/20110827131226/http://societyofalgorithm.org/networktime/ Overview of network art projects and events], compiled by Dušan Barok, 2008. | ||
+ | |||
+ | * [http://netescopio.meiac.es/ NETescopio: net art viewer of the MEIAC museum], on-line archive in continual development dedicated to the conservation of works of art generated for the web, est. 2008. | ||
+ | |||
+ | * [https://whitney.org/artport/commissions/sunrise-sunset Sunrise/Sunset], series of Internet art projects commissioned by Whitney Museum, since 2009 | ||
+ | |||
* [https://www.digitalcanon.nl/ Digital Canon], 20 works from the Netherlands, 1960-2000, launched 2019. Compiled by [[LIMA]]. | * [https://www.digitalcanon.nl/ Digital Canon], 20 works from the Netherlands, 1960-2000, launched 2019. Compiled by [[LIMA]]. | ||
− | + | ||
* [https://thewrong.org/ The Wrong], digital art biennale, online & worldwide, since 2013. Incl. [http://verylarge.works/ Very Large Works] online show, 2019-2020. | * [https://thewrong.org/ The Wrong], digital art biennale, online & worldwide, since 2013. Incl. [http://verylarge.works/ Very Large Works] online show, 2019-2020. | ||
− | * [http:// | + | |
− | * [ | + | * [http://we-link.chronusartcenter.org/teneasypieces/ We=Link: Ten Easy Pieces], Chronus Art Center Special Online Exhibition, since 30 Mar 2020. Curated by Ga Zhang. [http://www.chronusartcenter.org/en/welink-ten-easy-pieces/] |
+ | |||
+ | * [https://www.conflictinmyoutlook.online/ Conflict in My Outlook: We Met Online], online exhibition, University of Queensland Art Museum, 21 Aug 2020-1 Mar 2022. Curated by Anna Briers. | ||
+ | |||
+ | * [http://we-link.chronusartcenter.org/sideways/ We=Link: Sideways], A Chronus Art Center (CAC) exhibition, Shanghai, 21 Nov 2020-23 Mar 2021. Curated by Ga Zhang. [http://www.chronusartcenter.org/en/cac-%c2%b7-exhibition-announcement-welinksideways/] | ||
+ | |||
+ | * [http://www.netart.today/ Gallery 404], exhibits net.art as it appears today - exclusively specializing in broken artworks, launched Nov 2020, run by [[David Schmudde]]. [https://schmud.de/posts/2020-30-11-gallery-404.html] | ||
+ | |||
* [http://web.archive.org/web/20160304190833/http://netzspannung.org/index_en_static.html netzspannung.org], 2001-?. | * [http://web.archive.org/web/20160304190833/http://netzspannung.org/index_en_static.html netzspannung.org], 2001-?. | ||
− | + | * [http://www.medienkunstnetz.de/search/category:internet Internet-related works in Media Art Net]. | |
− | + | ||
− | [ | + | * [https://garage.digital/en/projects Garage Digital], online program for born-digital artworks and research projects created in collaboration with Garage Museum of Contemporary Art, Moscow, 2019-. [https://www.artnews.com/art-news/news/garage-museum-digital-platform-1202670950/] |
− | + | ||
− | [http:// | + | * [https://www.upstreamgallery.nl/exhibitions/185/2020-do-not-link 2020 Do Not Link], group exhibition, Upstream Gallery, 12-28 Jun 2020. Curated by Dirk Paesmans and Bob Bicknell-Knight. |
− | [http:// | + | |
− | [http://pirates-of-the-amazon.com Pirates of the Amazon] | + | * [https://openar.art/ openAR], platform for AR art, featuring online exhibitions. Founded 2021 by Sakrowski and Jeremy Bailey. |
− | + | ||
− | [http://suicidemachine.org/ Web 2.0 Suicide Machine] | + | * selection of works from 2007-2011 : [[Les Liens Invisibles]], [http://www.subvertr.com subvertr], 2007 ; [[Theo Watson]], [[Jamie Wilkinson]], and [[Greg Leuch]], [http://fffff.at/fuckflickr/ fuckflikr], 2008 ; [[Aram Bartholl]], [[Evan Roth]], [[tbx]] ([[fffff.at]]), [http://chinachannel.hk/ China Channel] , 2008 ; [[tbx]] and [[Timo Klok]], [http://pirates-of-the-amazon.com Pirates of the Amazon], 2008 ; [[moddr]], [http://suicidemachine.org/ Web 2.0 Suicide Machine], 2009; [[Les Liens Invisibles]], [http://seppukoo.com Seppukoo], 2009; [[Owen Mundy]], [http://givememydata.com Give Me My Data] , 2009 ; [[Les Liens Invisibles]], [http://www.repetitionr.com/ Repetitionr], 2010; [[Eric Butler]], [http://codebutler.com/firesheep Firesheep], 2010; [[Dušan Barok]], [http://faceleaks.info FaceLeaks], 2010 ; [[Julian Oliver]], [[Danja Vasilev]], [http://newstweak.com Newstweek] , 2011; [[David Darts]], [http://wiki.daviddarts.com/PirateBox Piratebox] , 2011 ; &, [http://barboratrnkova.tomasjavurek.cz/motivo-astratto/ motivo astratto], 2011 ; [[Julien Deswaef]], [http://w.xuv.be/projects/love_machine Love Machine], 2011. |
− | [http://seppukoo.com Seppukoo] | + | |
− | [http://givememydata.com Give Me My Data] | + | * [http://vispo.com/misc/links.htm Links to net art], compiled by Jim Andrews (VISPO). |
− | |||
− | [http://www.repetitionr.com/ Repetitionr] | ||
− | [http://codebutler.com/firesheep Firesheep] | ||
− | [http://faceleaks.info FaceLeaks] | ||
− | |||
− | [http://newstweak.com Newstweek] | ||
− | [http://wiki.daviddarts.com/PirateBox Piratebox] | ||
− | [http://barboratrnkova.tomasjavurek.cz/motivo-astratto/ motivo astratto] | ||
− | [http://w.xuv.be/projects/love_machine Love Machine] | ||
− | + | * [https://artport.whitney.org/resources/index.shtml more], [https://artport.whitney.org/resources/netartexhibitions.shtml more] | |
− | + | </div> | |
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− | == | + | ==Books== |
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* Tilman Baumgärtel, ''net.art. Materialien zur Netzkunst'', Nürnberg: Verlag für moderne Kunst, 1999, 179 pp. [http://www.perlentaucher.de/buch/tilman-baumgaertel/net-art.html] {{de}} | * Tilman Baumgärtel, ''net.art. Materialien zur Netzkunst'', Nürnberg: Verlag für moderne Kunst, 1999, 179 pp. [http://www.perlentaucher.de/buch/tilman-baumgaertel/net-art.html] {{de}} | ||
** ''Tīkla māksla'', trans. Ilva Skulte, Riga: Petergailis, 2001, 168 pp. {{lv}} | ** ''Tīkla māksla'', trans. Ilva Skulte, Riga: Petergailis, 2001, 168 pp. {{lv}} | ||
− | ** '' Net.art: võrgukunsti materjalid'', trans. Medea Jerser, Tallinn: Eesti Kunstiakad, 2006, 367 pp. {{ee}} | + | ** ''Net.art: võrgukunsti materjalid'', trans. Medea Jerser, Tallinn: Eesti Kunstiakad, 2006, 367 pp. {{ee}} |
− | * Margarete Jahrmann | + | |
− | * Tilman Baumgärtel, ''net.art 2.0. Neue Materialien zur Netzkunst / New Materials on Art on the Internet'', Nürnberg: Verlag für moderne Kunst, 2001, 263 pp. {{de}}/{{en}} | + | * Institut für moderne Kunst Nürnberg, Verena Kuni (eds.), ''netz.kunst. Jahrbuch des Institutes für Moderne Kunst Nürnberg '98/'99'', Nürnberg: Verlag für moderne Kunst, 1999, 272 pp. [http://www.kuni.org/v/publications/data/578] {{de}} |
− | * Julian Stallabrass, ''Internet Art: The Online Clash Between Culture and Commerce'', London: Tate Publishing, 2003, 168 pp. Reviews: [http://stimson.people.uic.edu/stimson/The%20Crowd%20in%20the%20Machine.pdf Stimson] (NLR), [http://sci-hub. | + | |
+ | * Margarete Jahrmann (ed.), ''Art_Server: Stargate to Netculture. Texte und Positionen zu Netz-Kunst, -Kontext und -Kultur / Positions on structural aspects of net art, content and culture launching Art_Servers'', Vienna: Triton, and Linz: O.K. Centrum für Gegenwartskunst, 2000, 76 pp. With contributions by Konrad Becker, Andy Best, Eric Davis, [http://feuerstein.myzel.net/texte/artserver.html Thomas Feuerstein], Marina Grzinic, [http://www.katharinagsoellpointner.at/downloads/Art-Server.pdf Katharina Gsöllpointner], Margarete Jahrmann, Gabi Kepplinger/Thomas Lehner, Kristin Lucas, Martin Sturm, and James Wallbank. [https://swbplus.bsz-bw.de/cgi-bin/result_katan.pl?item=bsz094657068inh.htm TOC]. [https://nettime.org/Lists-Archives/rohrpost-0005/msg00148.html Symposium]. [https://www.ok-centrum.at/en/shop/art_server-stargate-to-netculture/] {{de}}/{{en}} | ||
+ | |||
+ | * Hans-Jörg Bullinger, Thomas Renner, Anette Weisbecker (eds.), ''Net Art Guide'', Stuttgart: Fraunhofer IRB, 2000, 288 pp. [https://www.stefan-federspiel.de/print_design/beispielseiten_guide.pdf Excerpt]. [https://publica.fraunhofer.de/entities/publication/9d6da1da-cea5-43b5-ad4c-82928202b80d/details Publisher]. [https://tldr.nettime.org/@intima/110128496792962847] {{en}}/{{de}} | ||
+ | |||
+ | * Tilman Baumgärtel, ''[https://monoskop.org/log/?p=22424 net.art 2.0. Neue Materialien zur Netzkunst / New Materials on Art on the Internet]'', trans. David Hudson, Nürnberg: Verlag für moderne Kunst, 2001, 263 pp. [http://web.archive.org/web/20140601192911/http://www.thing.de/tilman/buecher.html Author]. {{de}}/{{en}} | ||
+ | |||
+ | * Julian Stallabrass, ''Internet Art: The Online Clash Between Culture and Commerce'', London: Tate Publishing, 2003, 168 pp. Reviews: [http://stimson.people.uic.edu/stimson/The%20Crowd%20in%20the%20Machine.pdf Stimson] (NLR), [http://sci-hub.st/10.1111/j.1467-8357.2004.00446.x Gere] (Art Book). | ||
+ | |||
* Marco Deseriis, Giuseppe Marano, ''[[Media:Deseriis_Marco_Marano_Giuseppe_Net_art_L_arte_della_connessione.pdf|Net.art. L'arte della connessione]]'', Milan: ShaKe, 2003, 218 pp. [http://files.dyne.org/books/net.art.pdf] {{it}} | * Marco Deseriis, Giuseppe Marano, ''[[Media:Deseriis_Marco_Marano_Giuseppe_Net_art_L_arte_della_connessione.pdf|Net.art. L'arte della connessione]]'', Milan: ShaKe, 2003, 218 pp. [http://files.dyne.org/books/net.art.pdf] {{it}} | ||
+ | |||
+ | * ''[[Media:NTNTNT_2003.pdf|NTNTNT]]'', ed. Jason Brown, Valencia, CA: California Institute of the Arts, School of Art, 2003, 339 pp, [https://archive.org/details/ntntnt0000unse/ IA]. | ||
+ | |||
+ | * Domenico Quaranta, ''Net art 1994-1998. La vicenda di Ada'web'', Milan: Vita e Pensiero, 2004, 192 pp. [https://books.google.com/books?id=nSFHubbn6MsC&printsec=frontcover] [https://www.vitaepensiero.it/scheda-libro/domenico-quaranta/net-art-1994-1998-9788834319710-141458.html] {{it}} | ||
+ | |||
* Rachel Greene, ''[https://aaaaarg.fail/thing/5df967029ff37c04bd2e81bf Internet Art]'', London: Thames & Hudson, 2004, 224 pp. [http://www.thamesandhudson.com/Internet_Art/9780500203767] | * Rachel Greene, ''[https://aaaaarg.fail/thing/5df967029ff37c04bd2e81bf Internet Art]'', London: Thames & Hudson, 2004, 224 pp. [http://www.thamesandhudson.com/Internet_Art/9780500203767] | ||
** ''[http://domenicoquaranta.com/public/pdf/GIA.zip Internet Art]'', n.d. {{it}} | ** ''[http://domenicoquaranta.com/public/pdf/GIA.zip Internet Art]'', n.d. {{it}} | ||
+ | |||
+ | * Simon Yuill, Kerstin Mey (eds.), ''[[Media:Yuill Simon Mey Kerstin eds Cross-Wired Communication Interface Locality 2004.pdf|Cross-Wired: Communication, Interface, Locality]]'', Dundee: University of Dundee, and Manchester: University of Manchester, 2004, 143 pp, [https://archive.org/details/crosswiredcommun0000unse IA]. | ||
+ | |||
* Joanne Richardson (ed.), ''[http://monoskop.org/log/?p=539 An@rchitexts: Voices from the Global Digital Resistance]'', New York: Autonomedia, 2005. | * Joanne Richardson (ed.), ''[http://monoskop.org/log/?p=539 An@rchitexts: Voices from the Global Digital Resistance]'', New York: Autonomedia, 2005. | ||
+ | |||
* Annmarie Chandler, Norie Neumark (eds.), ''[https://monoskop.org/log/?p=68 At a Distance: Precursors to Art and Activism on the Internet]'', MIT Press, 2005, xiv+486 pp. | * Annmarie Chandler, Norie Neumark (eds.), ''[https://monoskop.org/log/?p=68 At a Distance: Precursors to Art and Activism on the Internet]'', MIT Press, 2005, xiv+486 pp. | ||
+ | |||
* Tatiana Bazzichelli, ''[http://monoskop.org/log/?p=37 Networking. La rete come arte]'', pref. Derrick de Kerckhove, Milan: Costa & Nolan, 2006, 333 pp. {{it}} | * Tatiana Bazzichelli, ''[http://monoskop.org/log/?p=37 Networking. La rete come arte]'', pref. Derrick de Kerckhove, Milan: Costa & Nolan, 2006, 333 pp. {{it}} | ||
** ''[http://monoskop.org/log/?p=37 Networking: The Net as Artwork]'', Aarhus: Aarhus University, 2008, 336 pp. | ** ''[http://monoskop.org/log/?p=37 Networking: The Net as Artwork]'', Aarhus: Aarhus University, 2008, 336 pp. | ||
− | * Tom Corby (ed.), ''Network Art: Practices and Positions'', London: Routledge, 2006, xiv+206 pp. [https://www.academia.edu/14690946/ Introduction]. [https://www.taylorfrancis.com/books/9781136578052]. Review: [http://sci-hub. | + | |
+ | * Tom Corby (ed.), ''[[Media:Corby Tom_ed_Network_Art_Practices_and_Positions_2006.pdf|Network Art: Practices and Positions]]'', London: Routledge, 2006, xiv+206 pp. [https://www.academia.edu/14690946/ Introduction]. [https://www.taylorfrancis.com/books/9781136578052]. Review: [http://sci-hub.st/10.1177/17468477080030020702 Dieter] (Animation). | ||
+ | |||
* ''[http://monoskop.org/log/?p=1185 Inclusiva-net]'', 3 vols., Madrid: Medialab Prado, 2007-2009. Proceedings. {{en}}/{{es}} | * ''[http://monoskop.org/log/?p=1185 Inclusiva-net]'', 3 vols., Madrid: Medialab Prado, 2007-2009. Proceedings. {{en}}/{{es}} | ||
− | * Artnode | + | |
+ | * Artnode (Jacob Lillemose, Nikolaj Recke) (eds.), ''[[Media:Vi elsker din computer En antologi om netkunst 2008.pdf|Vi elsker din computer. En antologi om netkunst]]'', trans. Andreas Brøgger, Copenhagen: Det Kongelige Danske Kunstakademis Billedkunstskoler, 2008, 429 pp. An anthology of writings on net art. [http://web.archive.org/web/20180328121536/http://www.artnode.org/projects/vedc/indhold.html TOC]. [http://www.artnode.org/projekt/corona/] [http://www.artnode.org/projects/vedc/info.html] [http://web.archive.org/web/20140104122919/http://vielskerdincomputer.dk/] {{da}} | ||
+ | |||
* Dieter Daniels, Gunther Reisinger (eds.), ''[http://monoskop.org/log/?p=1327 Net Pioneers 1.0: Contextualizing Early Net-Based Art]'', Berlin/New York: Sternberg Press, 2010, 240 pp. | * Dieter Daniels, Gunther Reisinger (eds.), ''[http://monoskop.org/log/?p=1327 Net Pioneers 1.0: Contextualizing Early Net-Based Art]'', Berlin/New York: Sternberg Press, 2010, 240 pp. | ||
− | * Josephine Bosma, ''Nettitudes: Let's Talk Net Art'', Rotterdam: NAi Publishers, and Amsterdam: Institute of Network Cultures, 2011, 270 pp. [http://www.josephinebosma.com/web/node/79 Introduction], [http://archive.neural.it/init/default/show/1588 TOC], [https://www.naibooksellers.nl/nettitudes-let-s-talk-net-art-josephine-bosma.html]. Review: [https://www.onlineopen.org/download.php?id=337 Kluitenberg] (Open!), [http://neural.it/2011/08/josephine-bosma-nettitudes-lets-talk-net-art/ Ciociola] (Neural), [http://digicult.it/digimag/issue-064/josephine-bosma-nettitudes-lets-talk-net-art/ Cippitelli] (Digicult). | + | |
+ | * Josephine Bosma, ''[[Media:Bosma_Josephine_Nettitudes_Lets_Talk_Net_Art_2011.pdf|Nettitudes: Let's Talk Net Art]]'', Rotterdam: NAi Publishers, and Amsterdam: Institute of Network Cultures, 2011, 270 pp, [https://archive.org/details/nettitudesletsta0000bosm IA]. [http://www.josephinebosma.com/web/node/79 Introduction], [http://archive.neural.it/init/default/show/1588 TOC], [https://www.naibooksellers.nl/nettitudes-let-s-talk-net-art-josephine-bosma.html]. Review: [https://www.onlineopen.org/download.php?id=337 Kluitenberg] (Open!), [http://neural.it/2011/08/josephine-bosma-nettitudes-lets-talk-net-art/ Ciociola] (Neural), [http://digicult.it/digimag/issue-064/josephine-bosma-nettitudes-lets-talk-net-art/ Cippitelli] (Digicult). | ||
+ | |||
+ | * Anne Laforet, ''Le net art au musée. Stratégies de conservation des œuvres en ligne'', Paris: Questions théoriques, 2011, 180 pp. [http://www.questions-theoriques.com/extract/show/9 Excerpt]. Based on 2009 dissertation. [http://questions-theoriques.com/produit/5/9782917131046/Le%20Net%20Art%20au%20musee] [http://www.sakasama.net/conservationnetart/livre.html] {{fr}} | ||
+ | |||
* Markus Schwander, Reinhard Storz (eds.), ''[http://www.ooart.ch/publikation/02.php?m=1&m2=2&lang=e Owning Online Art: Selling and Collecting Netbased Artworks]'', Basel: FHNW, 2010. | * Markus Schwander, Reinhard Storz (eds.), ''[http://www.ooart.ch/publikation/02.php?m=1&m2=2&lang=e Owning Online Art: Selling and Collecting Netbased Artworks]'', Basel: FHNW, 2010. | ||
+ | |||
* Rasa Smite, ''[http://monoskop.org/log/?p=5828 Creative Networks: In the Rearview Mirror of Eastern European History]'', Amsterdam: Institute of Network Cultures, Amsterdam, 2012. First published in Latvian, 2011. | * Rasa Smite, ''[http://monoskop.org/log/?p=5828 Creative Networks: In the Rearview Mirror of Eastern European History]'', Amsterdam: Institute of Network Cultures, Amsterdam, 2012. First published in Latvian, 2011. | ||
− | * xtine burrough (ed.), ''[http:// | + | |
+ | * xtine burrough (ed.), ''[http://libgen.rs/book/index.php?md5=9CA69DFC331C00F820260F3036B23F34 Net Works: Case Studies in Web Art and Design]'', Routledge, 2012, xx+242 pp. | ||
+ | |||
* Juan Martín Prada, ''Prácticas artísticas e internet en la época de las redes sociales'', Madrid: Akal, 2012, 248 pp; 2nd ed., 2015, 271 pp. {{es}} | * Juan Martín Prada, ''Prácticas artísticas e internet en la época de las redes sociales'', Madrid: Akal, 2012, 248 pp; 2nd ed., 2015, 271 pp. {{es}} | ||
+ | |||
* Phoebe Adler, Leanne Hayman, Arrate Hidalgo, Dana Saey, Phoebe Stubbs, Nick Warner (eds.), ''Art and the Internet'', London: Black Dog, 2013, 240 pp. [http://worldcat.org/oclc/807025141 TOC]. [http://blackdogonline.com/art/art-and-the-internet.html] | * Phoebe Adler, Leanne Hayman, Arrate Hidalgo, Dana Saey, Phoebe Stubbs, Nick Warner (eds.), ''Art and the Internet'', London: Black Dog, 2013, 240 pp. [http://worldcat.org/oclc/807025141 TOC]. [http://blackdogonline.com/art/art-and-the-internet.html] | ||
+ | |||
* Marina Zerbarini, et al., ''Radiografía del Net Art latino: vitalidad creativa en riesgo de extinción'', Buenos Aires: Dunken, 2014. [https://books.google.com/books?id=CnplBAAAQBAJ&printsec=frontcover] [https://www.scribd.com/document/412163785/] [https://www.academia.edu/7839772/] {{es}} | * Marina Zerbarini, et al., ''Radiografía del Net Art latino: vitalidad creativa en riesgo de extinción'', Buenos Aires: Dunken, 2014. [https://books.google.com/books?id=CnplBAAAQBAJ&printsec=frontcover] [https://www.scribd.com/document/412163785/] [https://www.academia.edu/7839772/] {{es}} | ||
+ | |||
* Omar Kholeif (ed.), ''[https://aaaaarg.fail/thing/5486e768334fe05b4da8e094 You Are Here: Art After the Internet]'', Manchester: Cornerhouse Books, and London: SPACE, 2014, 256 pp. [http://www.cornerhousepublications.org/bookstore/product/you-are-here-art-after-the-internet Publisher], [http://homemcr.org/article/cornerhouse-and-space-release-major-publication-exploring-art-after-the-internet/ Co-publisher]. Reviews: [http://www.aqnb.com/2014/05/07/you-are-here-art-after-the-internet-reviewed/ Swift] (AQNB), [http://artreview.com/reviews/september_2014_book_review_you_are_here/ Sumpter] (ArtReview), [http://www.academia.edu/14898581/ Mutlu] (J Curatorial Studies). | * Omar Kholeif (ed.), ''[https://aaaaarg.fail/thing/5486e768334fe05b4da8e094 You Are Here: Art After the Internet]'', Manchester: Cornerhouse Books, and London: SPACE, 2014, 256 pp. [http://www.cornerhousepublications.org/bookstore/product/you-are-here-art-after-the-internet Publisher], [http://homemcr.org/article/cornerhouse-and-space-release-major-publication-exploring-art-after-the-internet/ Co-publisher]. Reviews: [http://www.aqnb.com/2014/05/07/you-are-here-art-after-the-internet-reviewed/ Swift] (AQNB), [http://artreview.com/reviews/september_2014_book_review_you_are_here/ Sumpter] (ArtReview), [http://www.academia.edu/14898581/ Mutlu] (J Curatorial Studies). | ||
+ | |||
* Melanie Bühler (ed.), ''No Internet, No Art: A Lunch Bytes Anthology'', Eindhoven: Onomatopee, 2015, 351+[63] pp; 2nd ed., 2018. [https://www.onomatopee.net/project/no-internet-no-art/#publication Publisher], [http://www.lunch-bytes.com/publication/ Editor]. [http://booksfromthefuture.tumblr.com/post/132529385132/no-internet-no-art-a-lunch-bytes-anthology]. Reviews: [https://www.aqnb.com/2016/03/10/a-lunch-bytes-anthology-no-internet-no-art-reviewed/ Kay] (AQNB), [http://networkcultures.org/postdigital/2015/12/10/no-internet-no-art/ Roestenburg] (INC). | * Melanie Bühler (ed.), ''No Internet, No Art: A Lunch Bytes Anthology'', Eindhoven: Onomatopee, 2015, 351+[63] pp; 2nd ed., 2018. [https://www.onomatopee.net/project/no-internet-no-art/#publication Publisher], [http://www.lunch-bytes.com/publication/ Editor]. [http://booksfromthefuture.tumblr.com/post/132529385132/no-internet-no-art-a-lunch-bytes-anthology]. Reviews: [https://www.aqnb.com/2016/03/10/a-lunch-bytes-anthology-no-internet-no-art-reviewed/ Kay] (AQNB), [http://networkcultures.org/postdigital/2015/12/10/no-internet-no-art/ Roestenburg] (INC). | ||
+ | |||
+ | * Marie Meixnerová (ed.), ''[[Media:Meixnerova Marie ed mm net art internetove umeni ve virtualnim a fyzickem prostoru prezentace 2014.pdf|#mm net art: internetové umění ve virtuálním a fyzickém prostoru prezentace]]'', Olomouc: Pastiche Filmz (PAF Edition), 2014, 232 pp. Anthology. [http://www.pifpaf.cz/cs/mm-net-art Publisher], [http://www.pifpaf.cz/cs/paf-home-1]. [http://www.facebook.com/PAFEdition.net.art Facebook]. {{cz}} | ||
+ | ** ''[[Media:Meixnerova_Mary_ed_mm_netart_2019.pdf|#mm Net Art: Internet Art in the Virtual and Physical Space of Its Presentation]]'', Brescia: Link Editions, and Olomouc: PAF, 2019, 218 pp. [https://linkeditions.tumblr.com/mm_netart] | ||
+ | |||
* Lauren Cornell, Ed Halter (eds.), ''[http://library.memoryoftheworld.org/#/book/13527226-da7e-4ca1-93e2-7bf834c3dcbc Mass Effect: Art and the Internet in the Twenty-First Century]'', MIT Press, 2015, 528 pp. Anthology. [http://mitpress.mit.edu/books/mass-effect Publisher]. Review: [https://www.leonardo.info/review/2016/12/review-of-mass-effect-art-and-the-internet-in-the-twenty-first-century Galati] (Leonardo). | * Lauren Cornell, Ed Halter (eds.), ''[http://library.memoryoftheworld.org/#/book/13527226-da7e-4ca1-93e2-7bf834c3dcbc Mass Effect: Art and the Internet in the Twenty-First Century]'', MIT Press, 2015, 528 pp. Anthology. [http://mitpress.mit.edu/books/mass-effect Publisher]. Review: [https://www.leonardo.info/review/2016/12/review-of-mass-effect-art-and-the-internet-in-the-twenty-first-century Galati] (Leonardo). | ||
− | + | ||
− | |||
* Annet Dekker, ''[https://monoskop.org/log/?p=20110 Collecting and Conserving Net Art: Moving beyond Conventional Methods]'', New York: Routledge, 2018, x+192 pp. | * Annet Dekker, ''[https://monoskop.org/log/?p=20110 Collecting and Conserving Net Art: Moving beyond Conventional Methods]'', New York: Routledge, 2018, x+192 pp. | ||
+ | |||
* Ceci Moss, ''[http://library.memoryoftheworld.org/#/book/39f5451b-0dff-42f1-8519-7ad5f9ef73ea Expanded Internet Art: Twenty-First Century Artistic Practice and the Informational Milieu]'', Bloomsbury Academic, 2019, 160 pp. [https://www.bloomsburycollections.com/book/expanded-internet-art-twenty-first-century-artistic-practice-and-the-informational-milieu/] | * Ceci Moss, ''[http://library.memoryoftheworld.org/#/book/39f5451b-0dff-42f1-8519-7ad5f9ef73ea Expanded Internet Art: Twenty-First Century Artistic Practice and the Informational Milieu]'', Bloomsbury Academic, 2019, 160 pp. [https://www.bloomsburycollections.com/book/expanded-internet-art-twenty-first-century-artistic-practice-and-the-informational-milieu/] | ||
− | + | ==Journal issues== | |
+ | |||
* ''kritische berichte'' 26(1): "Netzkunst", eds. Christoph Danelzik-Brüggemann, Annette Dorgerloh, Brigitte Schoch-Joswig, and Michael Scholz-Hänsel, 1998. [https://journals.ub.uni-heidelberg.de/index.php/kb/article/viewFile/10616/4468 TOC], [http://ulmer-verein.de/?page_id=13676]. {{de}} | * ''kritische berichte'' 26(1): "Netzkunst", eds. Christoph Danelzik-Brüggemann, Annette Dorgerloh, Brigitte Schoch-Joswig, and Michael Scholz-Hänsel, 1998. [https://journals.ub.uni-heidelberg.de/index.php/kb/article/viewFile/10616/4468 TOC], [http://ulmer-verein.de/?page_id=13676]. {{de}} | ||
+ | |||
* [http://time.arts.ucla.edu/AI_Society/ ''AI & Society'' 14(1): "Database Aesthetics: Issues of Organization and Category in Online Art"], ed. Victoria Vesna, 2000. | * [http://time.arts.ucla.edu/AI_Society/ ''AI & Society'' 14(1): "Database Aesthetics: Issues of Organization and Category in Online Art"], ed. Victoria Vesna, 2000. | ||
+ | |||
+ | * ''Brumaria'' 6: "Net.art. Prácticas estéticas y políticas en red", eds. Laura Baigorri and Lourdes Cilleruelo, Madrid, Spring 2006. [http://web.archive.org/web/20101207181648/http://www.brumaria.net/erzio/publicacion/6.html TOC]. [http://web.archive.org/web/20060524224512/http://www.brumaria.net/publicacionbru6.htm TOC]. {{es}} | ||
+ | |||
* ''terminal'' 101: "Net art, technologie ou création?", Paris: Harmattan, May 2008, 176 pp. [http://www.editions-harmattan.fr/index.asp?navig=catalogue&obj=livre&isbn=9782296197039] {{fr}} | * ''terminal'' 101: "Net art, technologie ou création?", Paris: Harmattan, May 2008, 176 pp. [http://www.editions-harmattan.fr/index.asp?navig=catalogue&obj=livre&isbn=9782296197039] {{fr}} | ||
+ | |||
* ''WJ-SPOTS 1: 15 ans de création artistique sur internet / 15 years of web creation'', ed. Anne Roquigny, 2011, 132 pp. [http://www.digitalmcd.com/pack-special-net-art-wj-spots-1-2/] {{fr}}/{{en}} | * ''WJ-SPOTS 1: 15 ans de création artistique sur internet / 15 years of web creation'', ed. Anne Roquigny, 2011, 132 pp. [http://www.digitalmcd.com/pack-special-net-art-wj-spots-1-2/] {{fr}}/{{en}} | ||
+ | |||
* ''WJ-SPOTS 2: Les artistes s’emparent du réseau / Artists take over the network'', ed. Anne Roquigny, 2011, 132 pp. [http://www.digitalmcd.com/pack-special-net-art-wj-spots-1-2/] {{fr}}/{{en}} | * ''WJ-SPOTS 2: Les artistes s’emparent du réseau / Artists take over the network'', ed. Anne Roquigny, 2011, 132 pp. [http://www.digitalmcd.com/pack-special-net-art-wj-spots-1-2/] {{fr}}/{{en}} | ||
+ | |||
* ''frieze d/e'' 14: "Missing Links: '90s Berlin Net Art", May 2014. Focuses on the 1990s Net art scene in Berlin. [https://shopcc.frieze.com/products/frieze-d-e-issue-14] [https://www.e-flux.com/announcements/31199/issue-14-looks-back-to-the-1990s-net-art-scene-in-berlin/] {{de}}/{{en}} | * ''frieze d/e'' 14: "Missing Links: '90s Berlin Net Art", May 2014. Focuses on the 1990s Net art scene in Berlin. [https://shopcc.frieze.com/products/frieze-d-e-issue-14] [https://www.e-flux.com/announcements/31199/issue-14-looks-back-to-the-1990s-net-art-scene-in-berlin/] {{de}}/{{en}} | ||
+ | |||
* ''Springerin'' 1: "Kritische Netzpraxis", Vienna, Jan 2015. [https://www.springerin.at/2015/1/ Editorial & TOC]. [https://www.springerin.at/2015/1/einsatz-der-vernetzung/ Roundtable]. [https://world-information.net/critical-netpractice-past-and-future/ Report from launch debate]. {{de}} | * ''Springerin'' 1: "Kritische Netzpraxis", Vienna, Jan 2015. [https://www.springerin.at/2015/1/ Editorial & TOC]. [https://www.springerin.at/2015/1/einsatz-der-vernetzung/ Roundtable]. [https://world-information.net/critical-netpractice-past-and-future/ Report from launch debate]. {{de}} | ||
− | + | ==Book chapters, articles, theses, talks, discussions== | |
− | * Joachim Blank, [http://www.irational.org/cern/netart.txt "Netart"], 1996. | + | |
− | * Tilman Baumgärtel, [https://www.heise.de/tp/features/Netzkunst-bei-der-Dia-Art-Foundation-3441087.html "Netzkunst bei der Dia Art Foundation"], ''Telepolis'', 15 May 1997. {{de}} | + | * [[Joachim Blank]], [http://www.irational.org/cern/netart.txt "Netart"], 1996. |
− | * Tilman Baumgärtel, [https://www.heise.de/tp/features/Immaterialien-3446013.html "Immaterialien. Aus der Vor- und Frühgeschichte der Netzkunst"], ''Telepolis'' 3, Sep 1997, pp 135-151. {{de}} | + | |
+ | * [http://www.ljudmila.org/nettime/zkp4/toc.htm "Net art"], section in ''[http://www.ljudmila.org/nettime/zkp4/ The Beauty and the East (ZKP4)]'', eds. Pit Schultz, Diana McCarty, Geert Lovink, and Vuk Cosic, Ljubljana, May 1997. | ||
+ | |||
+ | * [[Tilman Baumgärtel]], [https://www.heise.de/tp/features/Netzkunst-bei-der-Dia-Art-Foundation-3441087.html "Netzkunst bei der Dia Art Foundation"], ''Telepolis'', 15 May 1997. {{de}} | ||
+ | |||
+ | * [[Sandra Fauconnier]], ''[http://www.spinster.be/web-specific-art/fauconnier_wsa.pdf Web-specific art: het World Wide Web als artistiek medium]'', Ghent: Universiteit Gent, 1997, 132 pp. Thesis. [http://www.spinster.be/web-specific-art/] {{nl}} | ||
+ | |||
+ | * [[Tilman Baumgärtel]], [https://www.heise.de/tp/features/Immaterialien-3446013.html "Immaterialien. Aus der Vor- und Frühgeschichte der Netzkunst"], ''Telepolis'' 3, Sep 1997, pp 135-151. {{de}} | ||
+ | |||
+ | * [[Ryszard W. Kluszczynski]], [http://web.archive.org/web/19970529020917/http://csw.art.pl/warsztaty/rwk_p.html "Internet – nowe terytorium ekspresji"], CSW Zamek Ujazdowski, c.1997. {{pl}} | ||
+ | |||
* Steve Dietz, [https://www.museumsandtheweb.com/mw98/papers/dietz/dietz_curatingtheweb.html "Curating (on) the Web"], ''Museums and the Web'', Mar 1998. | * Steve Dietz, [https://www.museumsandtheweb.com/mw98/papers/dietz/dietz_curatingtheweb.html "Curating (on) the Web"], ''Museums and the Web'', Mar 1998. | ||
+ | |||
* Benjamin Weil, [http://web.archive.org/web/20160322154543/http://www.walkerart.org/collections/artworks/ada-web "Untitled (ÄDA’WEB): A Brief History of äda'web"], Minneapolis, MN: Gallery 9/Walker Art Center, 1998. | * Benjamin Weil, [http://web.archive.org/web/20160322154543/http://www.walkerart.org/collections/artworks/ada-web "Untitled (ÄDA’WEB): A Brief History of äda'web"], Minneapolis, MN: Gallery 9/Walker Art Center, 1998. | ||
+ | |||
* Robert Atkins, [http://web.archive.org/web/20160322154543/http://www.walkerart.org/collections/artworks/ada-web "What is äda'web?"], Minneapolis, MN: Gallery 9/Walker Art Center, Sep 1998. | * Robert Atkins, [http://web.archive.org/web/20160322154543/http://www.walkerart.org/collections/artworks/ada-web "What is äda'web?"], Minneapolis, MN: Gallery 9/Walker Art Center, Sep 1998. | ||
+ | |||
* Andrea Scott, [http://web.archive.org/web/20160322154543/http://www.walkerart.org/collections/artworks/ada-web "äda through the Looking Glass"], Minneapolis, MN: Gallery 9/Walker Art Center, Sep 1998. | * Andrea Scott, [http://web.archive.org/web/20160322154543/http://www.walkerart.org/collections/artworks/ada-web "äda through the Looking Glass"], Minneapolis, MN: Gallery 9/Walker Art Center, Sep 1998. | ||
+ | |||
* Vivian Selbo, [http://web.archive.org/web/20160322154543/http://www.walkerart.org/collections/artworks/ada-web "ah, ‘da Process” ... Questions? Some Answers ..."], Minneapolis, MN: Gallery 9/Walker Art Center, Sep 1998. | * Vivian Selbo, [http://web.archive.org/web/20160322154543/http://www.walkerart.org/collections/artworks/ada-web "ah, ‘da Process” ... Questions? Some Answers ..."], Minneapolis, MN: Gallery 9/Walker Art Center, Sep 1998. | ||
− | * Tilman Baumgärtel, [https://duplox.wzb.eu/texte/tb/ "Das imaginäre Museum. Zu einigen Motiven der Netzkunst"], Berlin: Wissenschaftszentrum Berlin für Sozialforschung, Oct 1998, 47 pp, [http://www.kareneliot.de/downloads/Baumgaertel_Das%20Internet%20als%20imaginares%20Museum.pdf PDF]. Discussion paper. {{de}} | + | |
+ | * [[Tilman Baumgärtel]], [https://duplox.wzb.eu/texte/tb/ "Das imaginäre Museum. Zu einigen Motiven der Netzkunst"], Berlin: Wissenschaftszentrum Berlin für Sozialforschung, Oct 1998, 47 pp, [http://www.kareneliot.de/downloads/Baumgaertel_Das%20Internet%20als%20imaginares%20Museum.pdf PDF]. Discussion paper. {{de}} | ||
+ | |||
* [http://web.archive.org/web/20150107012813/http://www.medialounge.net/lounge/workspace/nettime/DOCS/zkp5/pdf/art.pdf "Art"], section in ''[http://monoskop.org/log/?p=1233 Read Me! ASCII Culture & The Revenge of Knowledge. Filtered by Nettime]'', New York: Autonomedia, 1999, pp 211-273. | * [http://web.archive.org/web/20150107012813/http://www.medialounge.net/lounge/workspace/nettime/DOCS/zkp5/pdf/art.pdf "Art"], section in ''[http://monoskop.org/log/?p=1233 Read Me! ASCII Culture & The Revenge of Knowledge. Filtered by Nettime]'', New York: Autonomedia, 1999, pp 211-273. | ||
+ | |||
+ | * Mindaugas Gapsevicius, [http://www.o-o.lt/agon/v_n.a/ "Vanishing Net Art: Introduction to Net Art Restoration"], 1999. | ||
+ | |||
* Steve Dietz, [http://www.voyd.com/ttlg/textual/dietzessay.htm "Why Have There Been No Great Net Artists?"], 1999. | * Steve Dietz, [http://www.voyd.com/ttlg/textual/dietzessay.htm "Why Have There Been No Great Net Artists?"], 1999. | ||
− | * Natalie Bookchin, [http://web.archive.org/web/20050305045216/https://www.calarts.edu/~line/history.html "A Story of Net Art"], 2000. Timeline, 1994-2000. | + | |
− | * Matthew Fuller, [http://web.archive.org/web/20050308093531/http://www.tate.org.uk/netart/mat1.htm "Art meet Net, Net meet Art"], ''Tate Online'', London, 2000. | + | * [[Natalie Bookchin]], [http://web.archive.org/web/20050305045216/https://www.calarts.edu/~line/history.html "A Story of Net Art"], 2000. Timeline, 1994-2000. |
− | * Josephine Berry, [http://web.archive.org/web/20050306130100/http://www.tate.org.uk/netart/humanposthuman.htm "Human, all too Posthuman? Net Art and Its Critics"], ''Tate Online'', London, 2000. | + | |
+ | * [[Matthew Fuller]], [http://web.archive.org/web/20050308093531/http://www.tate.org.uk/netart/mat1.htm "Art meet Net, Net meet Art"], ''Tate Online'', London, 2000. | ||
+ | |||
+ | * [[Josephine Berry]], [http://web.archive.org/web/20050306130100/http://www.tate.org.uk/netart/humanposthuman.htm "Human, all too Posthuman? Net Art and Its Critics"], ''Tate Online'', London, 2000. | ||
+ | |||
* Rachel Greene, [[Media:Greene_Rachel_2000_Web_Work_A_History_of_Internet_Art.pdf|"Web Work: A History of Internet Art"]], ''Artforum'', May 2000, pp 162-167 & 190. [http://inside.bard.edu/~halter/WebWork.pdf] [https://www.artforum.com/inprint/issue=200005&id=465] | * Rachel Greene, [[Media:Greene_Rachel_2000_Web_Work_A_History_of_Internet_Art.pdf|"Web Work: A History of Internet Art"]], ''Artforum'', May 2000, pp 162-167 & 190. [http://inside.bard.edu/~halter/WebWork.pdf] [https://www.artforum.com/inprint/issue=200005&id=465] | ||
− | * | + | |
− | * Verena Kuni, [https://www.obn.org/reading_room/writings/html/vk_wnk_02.pdf "'Was ist ein Netzkünstler?' Nutzen und Nachteil der Legende vom Künstler im Zeitalter ihrer techno-logischen Reproduzierbarkeit"], in ''Borderline. Strategien und Taktiken für Kunst und soziale Praxis'', ed. BBK Wiesbaden, Wiesbaden, 2002, pp 87-108. [http://hansbernhard.com/publications/talks/1999_2002/2002_11_WIESBADEN/borderline_intro.html] {{de}} | + | * [[Dušan Barok]], [https://34.sk/archiv/text.php?text=3-11 "Net.art. Internet ako umelecké médium"], ''3/4'' magazine 1, Bratislava: Atrakt Art, 2001. {{sk}} |
− | * Julian Stallabrass, [http://sci-hub. | + | |
− | * Christine Paul, [[Media:Paul_Christiane 2003 Internet Art and Nomadic Networks.pdf|"Internet Art and Nomadic Networks"]], in Paul, ''Digital Art'', London: Thames & Hudson, 2003, pp 111-124; repr., upd., as "Internet Art and Networked Art", in Paul, ''[http:// | + | * [[Josephine Berry]], ''[[Media:Berry Josephine The Thematics of Site-Specific Art on the Net 2001.pdf|The Thematics of Site-Specific Art on the Net]]'', Manchester: University of Manchester, 2001, 304 pp. PhD thesis. [http://www.metamute.org/sites/www.metamute.org/files/thesis_final_0.doc] |
− | * Steve Dietz, [http://web.archive.org/web/20160322154543/http://www.walkerart.org/collections/artworks/ada-web "äda’web"], in ''Bits & Pieces Put Together to Present a Semblance of a Whole: Walker Art Center Collections'', eds. Joan Rothfuss and Elizabeth Carpenter, Minneapolis, MN: Walker Art Center, 2005. | + | |
+ | * [[Verena Kuni]], [https://www.obn.org/reading_room/writings/html/vk_wnk_02.pdf "'Was ist ein Netzkünstler?' Nutzen und Nachteil der Legende vom Künstler im Zeitalter ihrer techno-logischen Reproduzierbarkeit"], in ''Borderline. Strategien und Taktiken für Kunst und soziale Praxis'', ed. BBK Wiesbaden, Wiesbaden, 2002, pp 87-108. [http://hansbernhard.com/publications/talks/1999_2002/2002_11_WIESBADEN/borderline_intro.html] {{de}} | ||
+ | |||
+ | * Bartłomiej Gutowski, [https://monoskop.org/images/c/c1/Artifex_4_2002.pdf#page=25 "Sztuka sieci, czyli net art"]], ''Artifex'' 4, May 2002, pp 25-29. {{pl}} | ||
+ | |||
+ | * Julian Stallabrass, [http://sci-hub.st/http://www.jstor.org/stable/20686165 "The Aesthetics of Net.Art"], ''Qui Parle'' 14:1, Fall/Winter 2003, pp 49-72. A plenary lecture given to the American Society for Aesthetics, Annual Meeting, San Francisco, Oct 2003, [http://beausievers.com/bhqfu/computer_art/readings/stallabrass-aesthetics_of_net.art.pdf (talk)]. | ||
+ | |||
+ | * Christine Paul, [[Media:Paul_Christiane 2003 Internet Art and Nomadic Networks.pdf|"Internet Art and Nomadic Networks"]], in Paul, ''Digital Art'', London: Thames & Hudson, 2003, pp 111-124; repr., upd., as "Internet Art and Networked Art", in Paul, ''[http://libgen.rs/book/index.php?md5=F133F37F4F8902A298087A95ECEB83E9 Digital Art]'', 3rd ed., 2015. | ||
+ | |||
+ | * [[Steve Dietz]], [http://web.archive.org/web/20160322154543/http://www.walkerart.org/collections/artworks/ada-web "äda’web"], in ''Bits & Pieces Put Together to Present a Semblance of a Whole: Walker Art Center Collections'', eds. Joan Rothfuss and Elizabeth Carpenter, Minneapolis, MN: Walker Art Center, 2005. | ||
+ | |||
+ | * [[Josephine Berry Slater]], [https://monoskop.org/images/5/50/Cox_Geoff_Krysa_Joasia_eds_Engineering_Culture_On_The_Author_as_Digital_Producer_2005.pdf#page=123 "Bare Code: Net Art and the Free Software Movement"], in ''Engineering Culture'', eds. Geoff Cox and Joasia Krysa, New York: Autonomedia, 2005, pp 133-149. | ||
+ | |||
* Inge Hinterwaldner, [https://archiv.eikones.ch/fileadmin/documents/ext/publication/447/447_large.pdf "When Windows Attack... Doors Won't Help. Zur Hinterfragung von Bildlichkeit und Interaktivität in der Netzkunst"], in ''Kulturen des Bildes'', eds. Birgit Mersmann and Martin Schulz, Munich: Fink, 2006, pp 355-374. {{de}} | * Inge Hinterwaldner, [https://archiv.eikones.ch/fileadmin/documents/ext/publication/447/447_large.pdf "When Windows Attack... Doors Won't Help. Zur Hinterfragung von Bildlichkeit und Interaktivität in der Netzkunst"], in ''Kulturen des Bildes'', eds. Birgit Mersmann and Martin Schulz, Munich: Fink, 2006, pp 355-374. {{de}} | ||
+ | |||
* Karen Verschooren, [http://three.org/ippolito/writing/ippolito_verschooren_interview.html "Internet art, net art, and networked art in relation: Interview with Jon Ippolito"], 26 Oct 2006. | * Karen Verschooren, [http://three.org/ippolito/writing/ippolito_verschooren_interview.html "Internet art, net art, and networked art in relation: Interview with Jon Ippolito"], 26 Oct 2006. | ||
+ | |||
* Karen A. Verschooren, ''[https://cmsw.mit.edu/wp/wp-content/uploads/2016/10/146381115-Karen-Verschooren-art-Situating-Internet-Art-in-the-Traditional-Institution-for-Contemporary-Art.pdf .art: Situating Internet Art in the Traditional Institution for Contemporary Art]'', Massachussetts Institute of Technology, 2007, 202 pp. Master thesis. | * Karen A. Verschooren, ''[https://cmsw.mit.edu/wp/wp-content/uploads/2016/10/146381115-Karen-Verschooren-art-Situating-Internet-Art-in-the-Traditional-Institution-for-Contemporary-Art.pdf .art: Situating Internet Art in the Traditional Institution for Contemporary Art]'', Massachussetts Institute of Technology, 2007, 202 pp. Master thesis. | ||
+ | |||
* Steve Dietz, "Curating Net Art", in ''New Media in the White Cube and Beyond: Curatorial Models for Digital Art'', ed. Christiane Paul, University of California Press, 2008. [https://www.ucpress.edu/op/9780520243972/new-media-in-the-white-cube-and-beyond] | * Steve Dietz, "Curating Net Art", in ''New Media in the White Cube and Beyond: Curatorial Models for Digital Art'', ed. Christiane Paul, University of California Press, 2008. [https://www.ucpress.edu/op/9780520243972/new-media-in-the-white-cube-and-beyond] | ||
+ | |||
* "Net Art", in Wolf Lieser, ''Digital Art'', Potsdam: Ullmann, 2009; repr. as ''The World of Digital Art'', Potsdam: Ullmann, 2010. | * "Net Art", in Wolf Lieser, ''Digital Art'', Potsdam: Ullmann, 2009; repr. as ''The World of Digital Art'', Potsdam: Ullmann, 2010. | ||
+ | |||
+ | * [[Anne Laforet]], ''[https://monoskop.org/log/?p=3229 La conservation du net art au musée. Les stratégies à l’œuvre]'', Avignon: University of Avignon, 2009. Published as book in 2011. {{fr}} | ||
+ | |||
* Tina Mariane Krogh Madsen, ''Keeping Ephemerality Alive: Preserving the Dynamic Materiality of Net Art'', Aarhus: University of Aarhus, 2010. Master's thesis. [http://tmkm.dk/theoretical/keeping-ephemerality-alive.html] | * Tina Mariane Krogh Madsen, ''Keeping Ephemerality Alive: Preserving the Dynamic Materiality of Net Art'', Aarhus: University of Aarhus, 2010. Master's thesis. [http://tmkm.dk/theoretical/keeping-ephemerality-alive.html] | ||
+ | |||
* Cassandra Meers, ''[http://unsworks.unsw.edu.au/fapi/datastream/unsworks:8346/SOURCE02 Assembling Networked Art: A Study of the US, UK and Australia]'', Sydney: University of New South Wales, 2010, 264 pp. PhD dissertation. | * Cassandra Meers, ''[http://unsworks.unsw.edu.au/fapi/datastream/unsworks:8346/SOURCE02 Assembling Networked Art: A Study of the US, UK and Australia]'', Sydney: University of New South Wales, 2010, 264 pp. PhD dissertation. | ||
− | * Mary Flanagan, "Play, Participation, and Art: Blurring the Edges", in ''[http:// | + | |
− | * Thomas Dreher, [http://iasl.uni-muenchen.de/links/GCA-VI.3.html "VI.3 Netzkunst im Web"], in Dreher, ''Geschichte der Computerkunst'', Munich, 2011-2012. {{de}} | + | * Mary Flanagan, "Play, Participation, and Art: Blurring the Edges", in ''[http://libgen.rs/book/index.php?md5=DAA07AFB91D4C6781567B26B6F1B3EB7 Context Providers: Conditions of Meaning in Media Arts]'', eds. Margot Lovejoy, Victoria Vesna, and Christiane Paul, Intellect, 2011, pp 89-100. |
+ | |||
+ | * [[Thomas Dreher]], [http://iasl.uni-muenchen.de/links/GCA-VI.3.html "VI.3 Netzkunst im Web"], in Dreher, ''Geschichte der Computerkunst'', Munich, 2011-2012. {{de}} | ||
** [http://iasl.uni-muenchen.de/links/GCA-VI.3e.html "VI.3 Net Art in the Web"], in Dreher, ''History of Computer Art'', Munich, 2011-2012. | ** [http://iasl.uni-muenchen.de/links/GCA-VI.3e.html "VI.3 Net Art in the Web"], in Dreher, ''History of Computer Art'', Munich, 2011-2012. | ||
+ | |||
* Jennifer Chan, [https://www.academia.edu/2541835/ "From Browser to Gallery (and Back): The Commodification of Net Art 1990-2010"], 2012. | * Jennifer Chan, [https://www.academia.edu/2541835/ "From Browser to Gallery (and Back): The Commodification of Net Art 1990-2010"], 2012. | ||
+ | |||
* Michael Connor, [http://rhizome.org/editorial/2013/nov/01/postinternet/ "What's Postinternet Got to Do with Net Art"], ''Rhizome'', 1 Nov 2013. | * Michael Connor, [http://rhizome.org/editorial/2013/nov/01/postinternet/ "What's Postinternet Got to Do with Net Art"], ''Rhizome'', 1 Nov 2013. | ||
+ | |||
* Kris Paulsen, [[Media:Paulsen_Kris_2014_Ill_Communication_Anxiety_and_Identity_in_1990s_Net_Art.pdf|"Ill Communication: Anxiety and Identity in 1990s Net Art"]], in ''Come As You Are: Art of the 1990s'', University of California Press & Montclair Museum of Art, 2014, pp 65-72. | * Kris Paulsen, [[Media:Paulsen_Kris_2014_Ill_Communication_Anxiety_and_Identity_in_1990s_Net_Art.pdf|"Ill Communication: Anxiety and Identity in 1990s Net Art"]], in ''Come As You Are: Art of the 1990s'', University of California Press & Montclair Museum of Art, 2014, pp 65-72. | ||
− | * Dragan Espenschied, [http://web.archive.org/web/20180209071250/https://rhizome.org/editorial/2014/oct/22/big-data-little-narration/ "Big Data, Little Narration"], ''Rhizome'', 22 Oct 2014. | + | |
+ | * [[Annet Dekker]], ''[http://research.gold.ac.uk/11155/1/CCS_thesis_DekkerA2014.pdf Enabling the Future, or How to Survive FOREVER: A study of networks, processes and ambiguity in net art and the need for an expanded practice of conservation]'', London: Goldsmiths University, 2014. PhD dissertation. Published as a book in 2018. | ||
+ | |||
+ | * [[Dragan Espenschied]], [http://web.archive.org/web/20180209071250/https://rhizome.org/editorial/2014/oct/22/big-data-little-narration/ "Big Data, Little Narration"], ''Rhizome'', 22 Oct 2014. | ||
+ | |||
* Sarah Cook, Marialaura Ghidini, [[Media:Cook Sarah Ghidini Marialaura 2015 Internet_Art_Net_Art.pdf|"Internet Art (Net Art)"]], in ''Oxford Art Online'', 22 Sep 2015. [https://doi.org/10.1093/gao/9781884446054.article.T2287852] | * Sarah Cook, Marialaura Ghidini, [[Media:Cook Sarah Ghidini Marialaura 2015 Internet_Art_Net_Art.pdf|"Internet Art (Net Art)"]], in ''Oxford Art Online'', 22 Sep 2015. [https://doi.org/10.1093/gao/9781884446054.article.T2287852] | ||
− | * Konrad Becker, Josephine Berry Slater, Felix Stalder, Pauline van Mourik Broekman, [https://www.springerin.at/2015/1/einsatz-der-vernetzung/ "Einsatz der Vernetzung. Ein Roundtable zu 20 Jahren Netzkultur"], trans. Thomas Raab, ''Springerin'' 1: "Kritische Netzpraxis", 2015; [https://www.eurozine.com/einsatz-der-vernetzung/ reposted on] ''Eurozine'', 11 Feb 2015. {{de}} | + | |
+ | * [[Konrad Becker]], [[Josephine Berry Slater]], [[Felix Stalder]], [[Pauline van Mourik Broekman]], [https://www.springerin.at/2015/1/einsatz-der-vernetzung/ "Einsatz der Vernetzung. Ein Roundtable zu 20 Jahren Netzkultur"], trans. Thomas Raab, ''Springerin'' 1: "Kritische Netzpraxis", 2015; [https://www.eurozine.com/einsatz-der-vernetzung/ reposted on] ''Eurozine'', 11 Feb 2015. {{de}} | ||
** [https://www.springerin.at/en/2015/1/einsatz-der-vernetzung/ "Mission Interconnectedness: A Roundtable on 20 Years of Net Culture"], ''Springerin online'', 2015; [http://www.eurozine.com/mission-interconnectedness/ reposted on] ''Eurozine'', 17 Mar 2015, [[Media:Becker Slater Stalder Broekman 2015 Mission Interconnectedness.pdf|PDF]]. | ** [https://www.springerin.at/en/2015/1/einsatz-der-vernetzung/ "Mission Interconnectedness: A Roundtable on 20 Years of Net Culture"], ''Springerin online'', 2015; [http://www.eurozine.com/mission-interconnectedness/ reposted on] ''Eurozine'', 17 Mar 2015, [[Media:Becker Slater Stalder Broekman 2015 Mission Interconnectedness.pdf|PDF]]. | ||
+ | |||
* Marialaura Ghidini, ''[[Media:Ghidini Marialaura Curating Web-based Art Exhibitions 2015.pdf|Curating Web-based Art Exhibitions: Mapping their Migration and Integration with Offline Formats of Production]]'', University of Sunderland, 2015, 294 pp. PhD dissertation. | * Marialaura Ghidini, ''[[Media:Ghidini Marialaura Curating Web-based Art Exhibitions 2015.pdf|Curating Web-based Art Exhibitions: Mapping their Migration and Integration with Offline Formats of Production]]'', University of Sunderland, 2015, 294 pp. PhD dissertation. | ||
+ | |||
* Karin De Wild, et al., [https://www.jiscmail.ac.uk/cgi-bin/webadmin?A1=ind1611&L=new-media-curating "Methods for studying the (after)lives of Internet art"] [https://www.jiscmail.ac.uk/cgi-bin/webadmin?A1=ind1612&L=new-media-curating (cont.)], list discussion, ''CRUMB'', 14 Nov-31 Dec 2016. [http://www.mauvaiscontact.info/projects/CRUMB_theme.pdf Introduction]. | * Karin De Wild, et al., [https://www.jiscmail.ac.uk/cgi-bin/webadmin?A1=ind1611&L=new-media-curating "Methods for studying the (after)lives of Internet art"] [https://www.jiscmail.ac.uk/cgi-bin/webadmin?A1=ind1612&L=new-media-curating (cont.)], list discussion, ''CRUMB'', 14 Nov-31 Dec 2016. [http://www.mauvaiscontact.info/projects/CRUMB_theme.pdf Introduction]. | ||
− | * Megan Driscoll, [http://sci-hub. | + | |
− | * Emmanuel Guez, Morgane Stricot, Lionel Broye, Stéphane Bizet, [https://doi.org/10.1080/19455224.2017.1320299 "The Afterlives of Network-Based Artworks"], ''Journal of the Institute of Conservation'' 40:2, 2017, pp 105-120. | + | * Megan Driscoll, [http://sci-hub.st/10.1080/00064246.2017.1330110 "Color Coded: Mendi + Keith Obadike’s ''Black.Net.Art Actions'' and the Language of Computer Networks"], ''The Black Scholar'' 47(3): "Black Code", 2017, pp 56-67. |
+ | |||
+ | * Emmanuel Guez, [[Morgane Stricot]], Lionel Broye, Stéphane Bizet, [https://doi.org/10.1080/19455224.2017.1320299 "The Afterlives of Network-Based Artworks"], ''Journal of the Institute of Conservation'' 40:2, 2017, pp 105-120. | ||
+ | |||
* Gloria Sutton, Zachary Kaplan, [http://journal.voca.network/a-performance-of-code/ "A Performance of Code: Rhizome and the Rise of Internet Art"], ''VoCA Journal'', 30 June 2017. Interview. | * Gloria Sutton, Zachary Kaplan, [http://journal.voca.network/a-performance-of-code/ "A Performance of Code: Rhizome and the Rise of Internet Art"], ''VoCA Journal'', 30 June 2017. Interview. | ||
+ | |||
* Lia Carreira, ''[https://liascarreira.files.wordpress.com/2017/10/experimental-curating_strategies-and-platforms-for-onlinebased-art_lia-carreira-2017.pdf Experimental Curating in Times of the Perpetual Beta: Strategies and Platforms for Online-based Art]'', Krems: Danube University Krems, 2017, 138 pp. Master thesis. | * Lia Carreira, ''[https://liascarreira.files.wordpress.com/2017/10/experimental-curating_strategies-and-platforms-for-onlinebased-art_lia-carreira-2017.pdf Experimental Curating in Times of the Perpetual Beta: Strategies and Platforms for Online-based Art]'', Krems: Danube University Krems, 2017, 138 pp. Master thesis. | ||
+ | |||
+ | * Aino Nurmesjärvi, [https://research.fng.fi/2018/01/25/beyond-human-understanding-creating-new-language-and-visuals-on-the-web-commissioned-online-artworks-by-jenna-sutela-and-tuomo-rainio/ "Beyond Human Understanding: Creating New Language and Visuals on the Web. Commissioned Online Artworks by Jenna Sutela and Tuomo Rainio"], ''FNG Research'' 1, Jan 2018. | ||
+ | |||
* Karin De Wild, ''[https://discovery.dundee.ac.uk/en/studentTheses/internet-art-and-agency Internet Art and Agency: The Social Lives of Online Artworks]'', Dundee: University of Dundee, 2018, xvi+206 pp. PhD dissertation. | * Karin De Wild, ''[https://discovery.dundee.ac.uk/en/studentTheses/internet-art-and-agency Internet Art and Agency: The Social Lives of Online Artworks]'', Dundee: University of Dundee, 2018, xvi+206 pp. PhD dissertation. | ||
− | * Andreas Gajdošík, [http://artalk.cz/2018/12/19/konec-pruzkumu-internetove-umeni-v-prechodu-ke-spolecnosti/ "Konec průzkumu. Internetové umění v přechodu ke společnosti"], ''Artalk.cz'', Prague, 19 Dec 2018. {{cz}} | + | |
+ | * [[Andreas Gajdošík]], [http://artalk.cz/2018/12/19/konec-pruzkumu-internetove-umeni-v-prechodu-ke-spolecnosti/ "Konec průzkumu. Internetové umění v přechodu ke společnosti"], ''Artalk.cz'', Prague, 19 Dec 2018. {{cz}} | ||
+ | |||
* Marialaura Ghidini, [https://doi.org/10.3390/arts8030078 "Curating on the Web: The Evolution of Platforms as Spaces for Producing and Disseminating Web-Based Art"], ''Arts'' 8:3. [[Media:Ghidini Marialaura 2019 Curating on the Web The Evolution of Platforms as Spaces for Producing and Disseminating Web-Based Art.pdf|PDF]]. | * Marialaura Ghidini, [https://doi.org/10.3390/arts8030078 "Curating on the Web: The Evolution of Platforms as Spaces for Producing and Disseminating Web-Based Art"], ''Arts'' 8:3. [[Media:Ghidini Marialaura 2019 Curating on the Web The Evolution of Platforms as Spaces for Producing and Disseminating Web-Based Art.pdf|PDF]]. | ||
+ | |||
* Olivia Brum, ''[http://about.mouchette.org/wp-content/uploads/2020/02/Brum-OC-thesis-2019-06-20-Revised.pdf The Lives of Internet Artworks in Institutions: How to Begin to Construct a Long-term Conservation Strategy]'', Amsterdam: University of Amsterdam, 2019, 100 pp. Master's thesis. | * Olivia Brum, ''[http://about.mouchette.org/wp-content/uploads/2020/02/Brum-OC-thesis-2019-06-20-Revised.pdf The Lives of Internet Artworks in Institutions: How to Begin to Construct a Long-term Conservation Strategy]'', Amsterdam: University of Amsterdam, 2019, 100 pp. Master's thesis. | ||
− | ===More=== | + | * Aude Launay, [https://www.zerodeux.fr/en/essays-en/the-polyphonic-history-of-net-art-an-eternal-network-%EF%BB%BF/ "The Polyphonic History of Net Art, An Eternal Network?"], ''Zerodeux'' 89, 2019. |
+ | |||
+ | * Nina Mihaljinac, Vera Mevorah, [https://sci-hub.st/10.1177/0163443719831177 "Broken promises of Internet and democracy: Internet art in Serbia, 1996–2014"], ''Media, Culture & Society'' 41:6, 2019. | ||
+ | |||
+ | * [[Flóra Barkóczi]], [[Media:Barkoczi Flora 2020 A vilaghalo utopiaja.pdf|"A világháló utópiája. Internet és képzőművészet viszonya a rendszerváltást követő időszakban"]] [The Utopia of the World Wide Web. Art and Internet in Hungary after the Change of the Regime], ''Enigma'' 99, 2020, pp 78-91. [https://www.academia.edu/44629253/] {{hu}} | ||
+ | |||
+ | * [[Flóra Barkóczi]], [[Media:Barkoczi Flora 2020 Felszallopalya A magyarorszagi internetes muveszet gyokerei.pdf|"Felszállópálya. A magyarországi internetes művészet gyökerei"]] [Airstrip. The Roots of Internet Based Art Practices in Hungary], ''Café Bábel'' 81, 2020, pp 54-67. [https://www.academia.edu/44629262/] {{hu}} | ||
+ | |||
+ | * [[Flóra Barkóczi]], [[Media:Barkoczi Flora 2021 Kepzomuveszet es kollektivitas a korai magyar interneten.pdf|"Képzőművészet és kollektivitás a korai magyar interneten. Az Artpool, a C3 és az Éjjeli Őrjárat 1990-es évekbeli weblapja és tevékenysége"]] [Art and Collectivity on the Early Hungarian Internet], in ''A magyar internet történetei'', ed. Tamás Tófalvy, Budapest: Typotex, 2021, pp 161-173. [https://www.academia.edu/50958230/] [https://www.typotex.hu/book/11725/tofalvy_tamas_a_magyar_internet_tortenetei] {{hu}} | ||
+ | |||
+ | * James Hannan, [https://studenttheses.uu.nl/handle/20.500.12932/476 "Exhibiting net-based art IRL: On the presentational challenges net-based art presents, and the solutions to be found in past exhibitions of cybernetic, conceptual, and net-based artworks"], Utrecht: Utrecht University, 2022, 69 pp. Master thesis. | ||
+ | |||
+ | * [[Flóra Barkóczi]], "A multimédia eufóriája. Válaszok az internet megjelenésére a kilencvenes évek magyarországi képzőművészetében", in ''TechnoCool. Új irányok a kilencvenes évek magyar képzőművészetében (1989-2001)'', ed. Zsolt Petrányi, Budapest: Szépművészeti Múzeum–Magyar Nemzeti Galéria, 2023, pp 46-53. {{hu}} | ||
+ | ** [[Media:Barkoczi Flora 2023 The Euphoria of Multimedia Responses to the Emergence of the Internet in the Hungarian Art of the 1990s.pdf|"The Euphoria of Multimedia: Responses to the Emergence of the Internet in the Hungarian Art of the 1990s"]], in ''TechnoCool: The Birth of the Techno Era in Hungarian Art (1989-2001)'', ed. Zsolt Petrányi, Budapest: Szépművészeti Múzeum–Magyar Nemzeti Galéria, 2023, pp 46-53. [https://www.academia.edu/109117344/] {{en}} | ||
+ | |||
+ | * Francisca Sousa, [https://doi.org/10.1080/00393630.2024.2325839 "Collaborating for Sustainable Access to Digital Art: A Project Overview"], ''Studies in Conservation'', Mar 2024. | ||
+ | |||
+ | [https://www.netzliteratur.net/netzkunst_theorie.php more] | ||
+ | |||
+ | ==Museum collections== | ||
+ | |||
+ | {| class="wikitable sortable" style="font-size: .9em" | ||
+ | |- | ||
+ | ! style="width:100px;"|Artist !! b. !! Title, Link !! Year !! class="unsortable"|Coll. !! Acq. !! class="unsortable"|Coll. no. !! class="unsortable"|Coll. URL !! Medium !! Dept / Type / Tags !! class="unsortable"|Info | ||
+ | |- | ||
+ | | data-sort-value="Davis"|Douglas Davis || US || data-sort-value="Worlds First"|[https://artport.whitney.org/collection/DouglasDavis/live/ The World's First Collaborative Sentence] || 1994- || Whitney || 1995 || 95.253 || [https://whitney.org/collection/works/10237] || Website (HTML) || New Media || [https://whitney.org/artport/douglas-davis] [https://artport.whitney.org/collection/index.shtml] [https://www.nytimes.com/2013/06/10/arts/design/whitney-saves-douglas-daviss-first-collaborative-sentence.html] [https://rhizome.org/editorial/2013/jun/12/restoring-douglas-davis-collaborative-sentence/] [http://www.medienkunstnetz.de/works/the-worlds-first-collaborative-sentence/] | ||
+ | |- | ||
+ | | data-sort-value="Michel"|Jean-Baptiste Michel || US || I WISH I could be exactly what you’re looking for || 2013 || Whitney || 2014 || 2014.96 || [https://whitney.org/collection/works/45206] || Twitter API, LCD screen, spray painted mat board, and glass || New Media || [http://www.jeanbaptistemichel.com/i-wish-i-could-be-exactly-what-youre-looking-for-2013/psqz188twajnb1k6k3vlgzqfgo276h] | ||
+ | |- | ||
+ | | data-sort-value="Versteeg"|Siebren Versteeg || US || New York Double Hung || 2008 || Whitney || 2017 || 2017.241 || [https://whitney.org/collection/works/58056] || Digital collage, output from Internet-connected computer program, with two touch screens || New Media || [http://web.archive.org/web/20190829203203/https://bitforms.art/archives/versteeg/new-york-double-hung] | ||
+ | |- | ||
+ | | data-sort-value="Plewe"|Daniela Alina Plewe || DE || Muser's Service || 1994 || ZKM || || || [https://zkm.de/en/artwork/musers-service] || Waterbed, electric heating, pillow, red LED clock module, computer (PC Client), operating system (Linux Ubuntu), custom software with internet access, modified keyboard, computer (PC Server), operating system (Linux Ubuntu), custom software with internet access, TFT monitor, text-to-speech converter (Infovox 700), speaker, amplifier, projector || installation, computer-based, Net Art, Computer-based installation || [http://www.medienkunstnetz.de/works/musers-service/] [https://v2.nl/archive/works/musers-service] [https://www.digitalartarchive.at/database/general/work/museraposs-service.html] | ||
+ | |- | ||
+ | | data-sort-value="Cruijsen"|Walter van der Cruijsen, Jill Scott || NL, AU || Salon Digital || 1995 || ZKM || || || [https://zkm.de/en/artwork/salon-digital] || Custom-made table, three TFT monitors with speakers, glass pane, turnable ring with infrared keyboard and track ball, computer (PC), operating system (Windows) || computer-based, Net Art, Net-based sculpture || | ||
+ | |- | ||
+ | | data-sort-value="Huemer"|Markus Huemer || AT || The Rules Are No Game || 1997 || ZKM || || || [https://zkm.de/en/artwork/the-rules-are-no-game] || Two computers (PC, operating system: Linux, custom software with internet access), video camera, projector, floor plates with screenprint || installation, computer-based, Net Art, Computer-based installation || | ||
+ | |- | ||
+ | | data-sort-value="Sollfrank"|Cornelia Sollfrank || DE || [http://net.art-generator.com/nags.html Net Art Generator] || 1999 || ZKM || || || [https://zkm.de/en/artwork/net-art-generator] || interactive net-based installation; computer workstation (table, chair, computer) and wooden box with server, projection screen; technical equipment: computer (server): PC with graphics and two network cards, operating system: Linux, software: custom software with Internet access, computer (workstation): PC, software: Internet browser; other technical devices: panel and electronics of a TFT monitor, projector, color printer (optional) || computer-based, Net-based sculpture || [http://mkn.zkm.de/works/net-art-generator/] | ||
+ | |- | ||
+ | | data-sort-value="Cooper"|Shane Cooper || US || Remote Control || 1999 || ZKM || || || [https://zkm.de/en/artwork/remote-control] || computer (Silicon Graphics O2, operating system: IRIX, custom software), keyboard, mouse, audio effects unit, computer screen, TV screen, custom-made remote control system, TV cabinet, coffee table, sofa, floor lamp, pedestal || computer-based, installation, video, Net-based installation, Computer-based installation || [http://www.shanecooper.com/RemoteControl/] [http://at.zkm.de/node/496] [http://www.medienkunstnetz.de/works/remote-control/] | ||
+ | |- | ||
+ | | data-sort-value="Link"|David Link || DE || Poetry Machine || 2001 || ZKM || || || [https://zkm.de/en/artwork/poetry-machine] || interactive, net-based installation; room with projection screen, technological equipment: computer: 3 PCs, operating system: Linux, software: Icustom software with Internet access, other devices: modified keyboard on stand, custom electronics, ultrasonic distance sensor, network distributor, 1 plasma monitor, projector, amplifier, 2 passive speakers, mixer || installation, computer-based, Net Art, Net-based installation, Computer-based installation || [http://www.alpha60.de/art/poetry_machine/] [http://www.medienkunstnetz.de/works/poetry-machine-1-0/] | ||
+ | |- | ||
+ | | Transmute Collective || AU || Intimate Transactions || 2005 || ZKM || || || [https://zkm.de/en/artwork/intimate-transactions] || Two supporting structures for one person each (aluminum, steel, plastic), four computers (Power Max G5), operating system (OSX), custom software, four computers (PC), operating system (Windows), custom software, laptop, operating system (Windows), custom software with internet access, two sound cards (MOTU 828 Mk2), two AD/DA converters (Behringer ADA8000), two custom-made electronic units, two MIDI controllers (Midiman 2x2), four body sensors, two video cameras, two RGB mixers, 16 speakers (active), two subwoofers, two projectors, two projection screens, seven TFT monitors, pedestal, monitor, CF card player, speakers (active) || video, computer-based, installation, Sound installation, Video installation, Net-based installation, Computer-based installation || | ||
+ | |- | ||
+ | | data-sort-value="Lee"|Marc Lee || CH || Breaking the News || 2007 || ZKM || || || [https://zkm.de/en/artwork/breaking-the-news] || computer (PC), operating system (Windows XP), custom software with internet access, 3 or 4 projectors, 3 or 4 speakers (active) || installation, computer-based, Net-based installation, Computer-based installation, Video installation || [http://marclee.io/en/breaking-the-news-be-a-news-jockey/] | ||
+ | |- | ||
+ | | data-sort-value="Bowen"|David Bowen || US || tele-present water || 2011 || ZKM || || || [https://zkm.de/en/artwork/tele-present-water] || Aluminium, wooden sticks, nylon threads, 17 servo motors (Futaba S3004), computer (Macmini, operating system: Mac OSX, software: Max/MSP); wave from National Oceanic and Atmospheric Administration data buoy station 51003 || installation, computer-based, Kinetic installation, Computer-based installation, Net-based installation || [https://www.dwbowen.com/telepresentwater] | ||
+ | |- | ||
+ | | data-sort-value="Amerika"|Mark Amerika || US || [http://aoys.zkm.de/crapshoot/ Crapshoot] || 2013- 2014 || ZKM || || || [https://zkm.de/en/artwork/crapshoot] || website; languages: HTML, CSS, JavaScript || computer-based, Net Art || [http://aoys.zkm.de/amerika.php] [http://markamerika.com/news/craphoot-live-at-zkm] [http://markamerika.com/crapshoot2/] | ||
+ | |- | ||
+ | | data-sort-value="Neddam"|Martine Neddam || NL || [http://www.mydesktoplife.org/ My DesktopLife] || 2014 || ZKM || || || [https://www.zkm.de/en/artwork/my-desktoplife] || net-based artwork; website, languages: HTML, CSS, JavaScript, Python || computer-based, Net Art || [http://aoys.zkm.de/neddam.php] | ||
+ | |- | ||
+ | | data-sort-value="Rozendaal"|Rafaël Rozendaal || NL || [http://aoys.zkm.de/neogeocity/ Neo Geo City] || 2014 || ZKM || || || [https://zkm.de/en/artwork/neo-geo-city] || website, languages: HTML, CSS, JavaScript, Python || computer-based, Net Art || [http://aoys.zkm.de/rafaelrozendaal.php] [https://www.newrafael.com/new-website-neo-geo-city-com-supported-by-zkm-karlsruhe/] | ||
+ | |- | ||
+ | | data-sort-value="Wenger"|Alex Wenger, Max-Gerd Retzlaff || DE || Daten|Spuren || 2015 || ZKM || || || [https://zkm.de/en/artwork/datenspuren] || 1 Computer, 2 Microcontroller, Webserver, 1 Monitor, Software, 1 Sockel || computer-based, Net-based installation || [http://www.retzlaff-wenger.com/DatenSpuren/] | ||
+ | |- | ||
+ | | data-sort-value="Krohn"|Leena Krohn || FI || [http://www.kaapeli.fi/krohn/sphinx/ Sphinx or Robot] || 1997 || Kiasma || 1997 || N-1997-86 || [https://www.kansallisgalleria.fi/en/object/607934] || || Media Art, Online Art || | ||
+ | |- | ||
+ | | data-sort-value="Ingen"|Juha van Ingen || FI || [http://onlineart.kiasma.fi/en/juha-van-ingen/web-safe/ Web-Safe] || 1999- 2000 || Kiasma || 2016 || N-2016-32 || [https://www.kansallisgalleria.fi/en/object/420566] || Text, Silent || Media Art, Online Art || [https://www.juhavaningen.com/pages/websafe.html] [http://web.archive.org/web/20190527032422/http://onlineart.kiasma.fi/en/juha-van-ingen-web-safe/] [https://www.kansallisgalleria.fi/en/object/396218] | ||
+ | |- | ||
+ | | data-sort-value="Rasanen"|Jarkko Räsänen || FI || [http://odo.kiasma.fi/ Ordered Dance] || 2016 || Kiasma || 2016 || N-2016-44 || [https://www.kansallisgalleria.fi/en/object/423761] || || Media Art, Online Art || [http://onlineart.kiasma.fi/en/jarkko-rasanen/] | ||
+ | |- | ||
+ | | data-sort-value="Rainio"|Tuomo Rainio || FI || [http://onlineart.kiasma.fi/en/tuomo-rainio/untitled-gravitational-waves/ Untitled (Gravitational waves)] || 2016 || Kiasma || 2016 || N-2016-45 || [https://www.kansallisgalleria.fi/en/object/425558] || Text || Media Art, Online Art || [http://onlineart.kiasma.fi/en/tuomo-rainio/] | ||
+ | |- | ||
+ | | Pink Twins || FI || [https://pinktwinsinfinity.com/ Infinity] || 2016 || Kiasma || 2016 || N-2016-48 || [https://www.kansallisgalleria.fi/en/object/414511] || || Media Art, Online Art || [http://onlineart.kiasma.fi/en/pink-twins/] | ||
+ | |- | ||
+ | | data-sort-value="Plessas"|Angelo Plessas || GR || [http://quantumproofofknowledge.com/ Homo Cybersphericus] || 2017 || Kiasma || 2016 || N-2016-50 || [https://www.kansallisgalleria.fi/en/object/425815] || Text, website || Media Art, Online Art || [http://onlineart.kiasma.fi/en/angelo-plessas/] | ||
+ | |- | ||
+ | | data-sort-value="Sutela"|Jenna Sutela || FI || [http://onlineart.kiasma.fi/en/jenna-sutela/gut-machine-poetry/ Gut-Machine Poetry] || 2017 || Kiasma || 2016 || N-2016-796 || [https://www.kansallisgalleria.fi/en/object/424190] || Text, website || Media Art, Online Art || [http://onlineart.kiasma.fi/en/jenna-sutela/] | ||
+ | |- | ||
+ | | data-sort-value="Merilainen"|Reija Meriläinen || FI || [http://survivor.kiasma.fi/ Survivor] || 2017 || Kiasma || 2017 || N-2017-205 || [https://www.kansallisgalleria.fi/en/object/1734674] || || Media Art || [http://onlineart.kiasma.fi/en/reija-merilainen/] | ||
+ | |- | ||
+ | | data-sort-value="Narkus"|Robertas Narkus || LT || [http://onlineart.kiasma.fi/en/robertas-narkus/prospect-revenge/ Prospect Revenge] || 2019 || Kiasma || 2019 || N-2019-63 || [https://www.kansallisgalleria.fi/en/object/1734674] || || || [http://onlineart.kiasma.fi/en/robertas-narkus/] | ||
+ | |- | ||
+ | | data-sort-value="Simon"|John F. Simon Jr. || US || [http://unfoldingobject.guggenheim.org/ Unfolding Object] || 2002 || Guggenheim || 2002 || 2002.16 || [https://www.guggenheim.org/artwork/10702] || Interactive networked code (Java applet with server database and servlets) || Internet Art || [https://www.guggenheim.org/blogs/checklist/the-guggenheim-restores-john-f-simon-jr-early-web-artwork-unfolding-object] [http://web.archive.org/web/20140911075148/http://www.guggenheim.org/new-york/press-room/releases/press-release-archive/2002/668-february-18-internet-art-commissions] | ||
+ | |- | ||
+ | | data-sort-value="Napier"|Mark Napier || US || [http://netflag.guggenheim.org/ net.flag] || 2002 || Guggenheim || 2002 || 2002.17 || [https://www.guggenheim.org/artwork/10703] || Interactive networked code (Java applet with server database) || Internet Art || [https://www.guggenheim.org/blogs/checklist/restoring-mark-napiers-online-work-net-flag-for-a-changing-world] [http://web.archive.org/web/20140911075148/http://www.guggenheim.org/new-york/press-room/releases/press-release-archive/2002/668-february-18-internet-art-commissions] | ||
+ | |- | ||
+ | | data-sort-value="Cheang"|Shu Lea Cheang || TW || [http://brandon.guggenheim.org/ Brandon] || 1998- 1999 || Guggenheim || 2005 || 2005.44 || [https://www.guggenheim.org/artwork/15337] || Interactive networked code (html, Java, Javascript and server database) || Internet Art || [https://www.guggenheim.org/blogs/checklist/restoring-brandon-shu-lea-cheangs-early-web-artwork] [https://discovery.dundee.ac.uk/en/studentTheses/internet-art-and-agency] | ||
+ | |- | ||
+ | | data-sort-value="Leeson"|Lynn Hershman Leeson || US || [http://agentruby.sfmoma.org/ Agent Ruby] || 1999- 2002 || SFMOMA || 2008 || 2008.230 || [https://www.sfmoma.org/artwork/2008.230/] || web project || digital media || [https://www.youtube.com/watch?v=O5ZGlWB36J8] [https://openspace.sfmoma.org/2013/05/moira-roth-talks-to-agent-ruby/] [https://www.sfmoma.org/exhibition/lynn-hershman-leeson/] [https://www.sfmoma.org/press/release/lynn-hershman-leeson-the-agent-ruby-files/] [https://www.li-ma.nl/lima/sites/default/files/TDA2020bookletWeb.pdf#page=8] [https://discovery.dundee.ac.uk/en/studentTheses/internet-art-and-agency] [http://web.archive.org/web/20070504160029/http://www.sfmoma.org/espace/artist_overview.html?id=7] | ||
+ | |- | ||
+ | | data-sort-value="Scher"|Julia Scher || US || Predictive Engineering<sup>2</sup> || 1998 || SFMOMA || 2008 || 2008.231 || [https://www.sfmoma.org/artwork/2008.231/] || web project || digital media || [http://web.archive.org/web/20080215025649/http://www.sfmoma.org/espace/espace_overview.html] | ||
+ | |- | ||
+ | | data-sort-value="Fletcher"|Harrell Fletcher and Miranda July, Harrell Fletcher, Miranda July, Yuri Ono || US || [http://www.learningtoloveyoumore.com/ Learning to Love You More] || 2002- 2009 || SFMOMA || 2010 || 2010.45 || [https://www.sfmoma.org/artwork/2010.45.a-eeeeeeee/] || web project (www.learningtoloveyoumore.com) and archive || digital media || | ||
+ | |- | ||
+ | | data-sort-value="Gamarra"|Sandra Gamarra || PE || LiMac Museum Shop || 2005 || Tate || 2009 || T15217 || [https://www.tate.org.uk/art/artworks/gamarra-limac-museum-shop-t15217] || Software, networked, internet, colour, laptop; plywood, paint, oil paintings on canvas, coat hangers, t-shirts, mugs, canvas bags, wooden yo-yos, mouse mats, pin badges, printed papers and other materials || || | ||
+ | |- | ||
+ | | data-sort-value="Lee"|Marc Lee || CH || [http://marclee.io/tvbot/ TV Bot 2.0] || 2010 || HEK || 2012 || S0001 || [https://www.hek.ch/en/collection/collection-single/collection/tv-bot-20.html] || 16:9 flat screen, speaker boxes, computer, Internet browser with flash plug-in, Internet connection, router, cable || Internet Artwork || [http://marclee.io/en/tv-bot-world-news-as-soon-as-it-happens/] [http://www.digitalartconservation.org/index.php/en/exhibitions/zkm-exhibition/nnnnnmarc-lee.html] [https://www.hek.ch/en/program/events-en/event/collecting-the-preservation-of-digital-art-as-exemplified-by-marc-lees-tv-bot.html] | ||
+ | |- | ||
+ | | data-sort-value="Wachter"|Christoph Wachter, Mathias Jud || CH || [http://www.new-nations.net/ New Nations] || 2009- 2011 || HEK || 2012 || S0003 || [https://www.hek.ch/en/collection/collection-single/collection/new-nations.html] || Router: TL-WR841ND (with handmade aluminum box), operating system OpenWRT Attitude Adjustment 12.09, wooden box, folded leaflet, book || Internet Community Project || | ||
+ | |- | ||
+ | | UBERMORGEN || AT || [http://www.sound-of-ebay.com/ Sound of Ebay] || 2008/ 2009 || HEK || 2012 || S0004 || [https://www.hek.ch/en/collection/collection-single/collection/sound-of-ebay.html] || EBay user data; computer with Internet connection; possibly a screen with a projector || Internet Artwork || | ||
+ | |- | ||
+ | | Jodi || NL, BE || [http://x20xx.com/div_property.html div. (property)] || 2013 || HEK || 2013 || S0013 || [https://www.hek.ch/en/collection/collection-single/collection/div-property.html] || Source code: HTML, CSS, Javascript; computer, other output devices (projector, screen) || Internet Artwork || | ||
+ | |- | ||
+ | | data-sort-value="Brogle"|Beat Brogle, Philippe Zimmermann || CH || [https://owm.hek.ch/ onewordmovie] || 2003/ 2018 || HEK || 2016 || S0014 || [https://www.hek.ch/en/collection/collection-single/collection/onewordmovie.html] || Program code, source code (HTML 5), database, emulator || Internet Artwork || | ||
+ | |- | ||
+ | | data-sort-value="Studer"|Monica Studer, Christoph van den Berg || CH || filter: four letter words || 1997- 1998 || HEK || 2016 || S0015 || [https://www.hek.ch/en/collection/collection-single/collection/filter-four-letter-words.html] || For the original version: 726 HTML files and 726 GIF files; for the 2016 version: 726 HTML files, 726 GIF files and 1 CSS file Screen: 640 x 480 px – 1920 x 1080 px; desktop computer, e.g., Netscape 2.0 / Windows 98; HTML 5 or CCS 3 browser, e.g., Firefox 47.0 / Windows XP || Internet Artwork || | ||
+ | |- | ||
+ | | data-sort-value="Studer"|Monica Studer, Christoph van den Berg || CH || filter: mille miglia || 1997- 1998 || HEK || 2016 || S0016 || [https://www.hek.ch/en/collection/collection-single/collection/filter-mille-miglia.html] || For the original version: 5 HTML files; for the 2008 version: 5 HTML files; for the 2016 version: 2 HTML files (1 x iframe, 1 x openWindow): Screen: 780 x 280 px; desktop computer, e.g., Netscape 4 / Windows 98; HTML 5 or CCS 3 browser, e.g., Firefox 47.0 / Windows XP || Internet Artwork || | ||
+ | |- | ||
+ | | data-sort-value="Studer"|Monica Studer, Christoph van den Berg || CH || filter: mixed double || 1997- 1998 || HEK || 2016 || S0017 || [https://www.hek.ch/en/collection/collection-single/collection/filter-mixed-double.html] || For the original version: 726 HTML files and 726 GIF files; for the 2016 version: 726 HTML files, 726 GIF files and 1 CSS file Screen: 640 x 480 px – 1920 x 1080 px; desktop computer, e.g., Netscape 2.0 / Windows 98; HTML 5 or CCS 3 browser, e.g., Firefox 47.0 / Windows XP || Internet Artwork || | ||
+ | |- | ||
+ | | data-sort-value="Studer"|Monica Studer, Christoph van den Berg || CH || [http://www.digital-art-collection.net/collection/_arbeiten/stvb.html travelogue] || 2005 || HEK || 2017 || S0038 || [https://www.hek.ch/en/collection/collection-single/collection/travelogue.html] || Web game: Flash-File and HTML pages for Online and Offline use; film of the game: 736 x 506 px, 33’, MP4, AV || Web Game || [http://www.digital-art-collection.net/collection/collection.html] | ||
+ | |- | ||
+ | | data-sort-value="Studer"|Monica Studer, Christoph van den Berg || CH || [http://www.vuedesalpes.com/ Hotel Vue des Alpes] || 2000- || HEK || 2017 || S0044 || [https://www.hek.ch/en/collection/collection-single/collection/hotel-vue-des-alpes.html] || Pentium III, 3-D programs, website with room-reservation system, HTML, PHP, compatible with flash and SQL, vda player || Internet Artwork || | ||
+ | |- | ||
+ | | data-sort-value="Gusberti"|Maia Gusberti, Michael Aschauer, Nik Thoenen, Sepp Deinhofer || CH || [http://www.logicaland.net/ LOGICALAND V0.1] || 2002 || HEK || 2016 || S0018 || [https://www.hek.ch/en/collection/collection-single/collection/logicaland-v01.html] || Web application with Java applet (and HTML/CSS) as front end, and a PHP/MySQL as backend. Current version: 0.11. Used – last tested software: PHP Version 4.3.6, MYSQL 3.23.39 || Web Game || | ||
+ | |- | ||
+ | | data-sort-value="Mediengruppe Bitnik"|!Mediengruppe Bitnik || CH || [https://www.download-finished.com/ Download Finished] || 2006 || HEK || 2016 || S0020 || [https://www.hek.ch/en/collection/collection-single/collection/download-finished.html] || 3 films in PAL MPEG-2, 720 x 576 px format. Website consists of 1420 static pages and 1409 films in HTML5. Web server (Nginx, Apache) with PHP5 enabled; server space: ca. 140 GB || Web Archive, Digital Video || | ||
+ | |- | ||
+ | | knowbotic research || DE, CH || [http://krcf.knowbotiq.net/unitedhome/ny minds of concern (New York version)] || 2002 || HEK || 2016 || S0024 || [https://www.hek.ch/en/collection/collection-single/collection/minds-of-concern-new-york-version.html] || Server: apache, mysql, python script, python cgi scripts; Client: HTMIL, flash (gnash) plugin; unitedwehack.ath.cx || Internet Artwork, Interactive Installation || | ||
+ | |- | ||
+ | | knowbotic research || DE, CH || [http://knowbotiq.net/macghillie/ macghillie_just a void] || 2008- 2012 || HEK || 2016 || S0025 || [https://www.hek.ch/en/collection/collection-single/collection/macghillie-just-a-void.html] || Wordpress Blog, Camouflage-Anzug || Blog, Urban Intervention || | ||
+ | |- | ||
+ | | data-sort-value="Kempker"|Birgit Kempker || DE, CH || [http://www.digital-art-collection.net/collection/_arbeiten/bk.html Sphinx] || 2004- || HEK || 2017 || S0035 || [https://www.hek.ch/en/collection/collection-single/collection/sphinx.html] || || Internet Artwork || [http://www.digital-art-collection.net/collection/collection.html] | ||
+ | |- | ||
+ | | data-sort-value="Lee"|Marc Lee || CH || [http://www.digital-art-collection.net/collection/_mm/lee/tvbot1/ml.html TV Bot 1.0] || 2004/ 2005 || HEK || 2017 || S0036 || [https://www.hek.ch/en/collection/collection-single/collection/tv-bot-10.html] || Original (2004): Data stream from the Internet, 16:9 flat screen, speakers, computer, Internet browser with flash plugin, Internet connection including router, cable. Videos (2005): flash, MP4 || Internet Artwork || [http://marclee.io/en/tv-bot-world-news-as-soon-as-it-happens/] [http://www.digitalartconservation.org/index.php/en/exhibitions/zkm-exhibition/nnnnnmarc-lee.html] [https://www.hek.ch/en/program/events-en/event/collecting-the-preservation-of-digital-art-as-exemplified-by-marc-lees-tv-bot.html] [http://www.digital-art-collection.net/collection/collection.html] | ||
+ | |- | ||
+ | | data-sort-value="Simon"|John F. Simon, Jr. || US || [http://www.numeral.com/projects/web/everyIcon/everyIcon.php Every Icon] || 1997 || HEK || 2017 || S0037 || [https://www.hek.ch/en/collection/collection-single/collection/every-icon.html] || Software, Java Applet || Internet Artwork || [http://www.digital-art-collection.net/collection/collection.html] | ||
+ | |- | ||
+ | | LAN || CH || [http://www.anninaruest.com/a/tracenoizer/ TraceNoizer – Disinformation On Demand] || 2001 || HEK || 2017 || S0047 || [https://www.hek.ch/en/collection/collection-single/collection/tracenoizer-disinformation-on-demand.html] || || Internet Artwork || | ||
+ | |- | ||
+ | | data-sort-value="Aubry"|Gilles Aubry, Stéphane Montavon || DE, CH || [http://www.cairotalkingheads.blogspot.com/ Cairo Talking Heads] || 2006/ 2017 || HEK || 2017 || S0061 || [https://www.hek.ch/en/collection/collection-single/collection/cairo-talking-heads.html] || software, website, audio || Blog, Internet Artwork || | ||
+ | |- | ||
+ | | data-sort-value="Neddam"|Martine Neddam || NL || [http://mouchette.org/ Mouchette] || 1996- || Stedelijk & MOTI Breda || 2016 || || [https://www.sfmoma.org/artwork/2008.230/] || || || [https://www.digitalcanon.nl/#464] [http://about.mouchette.org/category/acquisition-stedelijk/] [https://www.li-ma.nl/lima/sites/default/files/TDA2020bookletWeb.pdf#page=10] [https://www.li-ma.nl/lima/news/cultural-matter-martine-neddam-conversation-elvia-wilk-pti] [https://discovery.dundee.ac.uk/en/studentTheses/internet-art-and-agency] [http://about.mouchette.org/wp-content/uploads/2020/02/Brum-OC-thesis-2019-06-20-Revised.pdf] | ||
+ | |} | ||
+ | |||
+ | See also the works commissioned by [http://www2.tate.org.uk/intermediaart/archive/net_art_date.shtm Tate] (2000-2011), [http://web.archive.org/web/20080215025649/http://www.sfmoma.org/espace/espace_overview.html SFMOMA] (2000-) and [https://whitney.org/artport/commissions Whitney] (2001-), and the works in [https://rhizome.org/art/artbase/ Rhizome ArtBase], [https://anthology.rhizome.org/ Net Art Anthology] and [https://www.digitalcanon.nl Digital Canon]. | ||
+ | |||
+ | ==More== | ||
+ | |||
* [http://monoskop.org/log/?tag=net-art Publications on net art at Monoskop Log] | * [http://monoskop.org/log/?tag=net-art Publications on net art at Monoskop Log] | ||
{{Art}} | {{Art}} | ||
− | + | [[Series:Net culture]] | |
+ | {{DISPLAYTITLE:net art}} |
Latest revision as of 12:04, 23 July 2024
![](/images/thumb/9/9a/OBN_Venice_2001.jpg/350px-OBN_Venice_2001.jpg)
obn@venice,
venice, june 8, 2001.
at the opening of the slovenian pavillion, several members of the Old Boys Network congratulated Vuk Cosic and handed over a huge bouquet of flowers to him. amongst Tadej Pogacar and 0100101110101101.org, Vuk Cosic is the representative of the republic of slovenia in the solvenian pavillion at the 49th biennale of art in venice. following is the speech which has been delivered by OBN at this occasion:
"On behalf of the Old Boys Network, an international autonomous cyberfeminist networking organisation, we offer this acknowledgement to Vuk Cosic. We congratulate Vuk on his success on bringing net.art to the venice biennale, which definitely is one of the pinnacles in his career. additionally he has curated the first temporary autonomous pavillion ever at a biennale. we honour Vuk in using his powerful position not just to represent slovenia and bring his personal net.art position to this prestigious international event, but also to show the positions of his net.art colleagues. we wish him well in his future responsibilities to the net art community.“
Photo: Herbert Hossmann, CC BY-NC-SA.
venice, june 8, 2001.
at the opening of the slovenian pavillion, several members of the Old Boys Network congratulated Vuk Cosic and handed over a huge bouquet of flowers to him. amongst Tadej Pogacar and 0100101110101101.org, Vuk Cosic is the representative of the republic of slovenia in the solvenian pavillion at the 49th biennale of art in venice. following is the speech which has been delivered by OBN at this occasion:
"On behalf of the Old Boys Network, an international autonomous cyberfeminist networking organisation, we offer this acknowledgement to Vuk Cosic. We congratulate Vuk on his success on bringing net.art to the venice biennale, which definitely is one of the pinnacles in his career. additionally he has curated the first temporary autonomous pavillion ever at a biennale. we honour Vuk in using his powerful position not just to represent slovenia and bring his personal net.art position to this prestigious international event, but also to show the positions of his net.art colleagues. we wish him well in his future responsibilities to the net art community.“
Photo: Herbert Hossmann, CC BY-NC-SA.
![](/images/thumb/d/d0/Flowers_in_Oslo_2003.jpg/350px-Flowers_in_Oslo_2003.jpg)
A bouquet of flowers given to Vuk Cosic by the Old Boys Network during the 2001 Venice Biennale. Exhibited as part of the exhibition Written in Stone: A Net.Art Archaeology at the National Museum of Contemporary Art, Oslo, 2003. Photo: Cornelia Sollfrank.
Living resource on net art, internet art, net-based art, net-based installations, web art, web-based art.
Artists, writers, organisations, events[edit]
- 0100101110101101.org
- Annie Abrahams
- Mark America
- Artnode
- Aram Bartholl
- Tilman Baumgärtel
- Joachim Blank
- Natalie Bookchin
- Mez Breeze
- Heath Bunting
- Eric Butler
- Jennifer Chan
- Young-Hae Chang Heavy Industries
- Vuk Ćosić
- Annet Dekker
- Julien Deswaef
- Eleonora Oreggia
- Entropy8Zuper!
- Dragan Espenschied
- Etoy
- Fffff.at
- Luka Frelih
- Auriea Harvey
- Irational.org
- Karl Heinz Jeron
- Lisa Jevbratt
- Jodi
- Jodi.org
- Yael Kanarek
- Chris King
- Konsum
- Tobias Leingruber
- Les Liens Invisibles
- Olia Lialina
- LIMA
- Jonas Lund
- Frédéric Madre
- Nancy Mauro-Flude
- !Mediengruppe Bitnik
- Moddr
- Mark Napier
- Net condition
- Nettime
- Panke.gallery
- Jacques Perconte
- Rhizome
- RTMark
- Sakrowski
- Alexei Shulgin
- Cornelia Sollfrank
- Thomson & Craighead
- Turbulence
- UBERMORGEN
- Zentrum für Netzkunst
Events[edit]
- Net.art per se, conference, Trieste, 1996.
- Secret Net.Art Conf, Backspace, London, 29 Jan 1997. Organised by Heath Bunting. Part of Anti with E lecture series.
- Hybrid Workspace, part of documenta X exhibition, Museum Fridericianum, Kassel, 21 Jun-28 Sep 1997.
- net_condition: Art and Global Media, exhibition, ZKM Karlsruhe, 23 Sep 1999-27 Feb 2000.
- Envy: Can the Center Hold? (net.art per se), panel as part of Sins of Change: Media Arts in Transition, Again symposium, Walker Art Center, Minneapolis, 8 Apr 2000.
- Liquid Hacking Laboratory, Albrecht Dürer Gesellschaft Kunstverein, Nürnberg, 22 Sep-22 Oct 2000. Images.
- Art and Money Online, exhibition, Tate Modern, London, 6 Mar-3 Jun 2001. Curated by Julian Stallabrass.
- Absolute One, Slovenian Pavilion, Venice Biennale, 6 Jun-30 Sep 2001.
- Art.Bit Collection, exhibition and symposia, InterCommunication Center, Tokyo, 21 Jun-11 Aug 2002. Curated by Masaki Fujihata and Kouichirou Eto. [1]
- Art for Networks, exhibition, Chapter Gallery, Cardiff, Sep 2002. Curated by Simon Pope. [2] [3]
- Skrevet i stein. En net.art arkeologi / Written in Stone: A Net.Art Archaeology, National Museum for Contemporary Art, Oslo, 22 Mar-25 May 2003. Curated by Per Platou with Anne Lise Wullum and Grethe Melby. Catalogue published.
- Connessioni Leggendarie: Net.Art 1995-2005, exhibition, Mediateca di Santa Teresa, Via della Moscova, Milan, 20 Oct-10 Nov 2005. Curated by Domenico Quaranta. Interview with curator (Digicult).
- Tele-Internet, Ars Electronica, Linz, 2010. Curated by Aram Bartholl.
- WJ-Spots / Mal au Pixel Festival, conference on the history and the future of the internet, Paris, Jun 2011.
- Internet Art Future: Reality in Post Internet Era, exhibition and symposium, InterCommunication Center, Tokyo, 28 Jan-18 Mar 2012. [4] [5]
- ArtOnYourScreen, online exhibition platform, ZKM, 14 May 2014-31 Dec 2016. [6]
- net.art Painters and Poets, exhibition, City Art Gallery, Ljubljana, Jun-Aug 2014. Curated by Vuk Ćosić and Alenka Gregorič.
- Electronic Superhighway (2016-1966): From Experiments in Art and Technology to Art After the Internet, exhibition, Whitechapel Gallery, London, 29 Jan-15 May 2016. Curated by Omar Kholeif. Reviews: Fuller (Mute), Meixnerová (Iluminace, CZ).
- ARS17 Hello World! Taide internetin jälkeen / Art After the Internet, exhibition, Kiasma, Helsinki, 31 Mar 2017-14 Jan 2018. [7] [8]
- Virtual Normality: Female Net Artists 2.0, exhibition, Museum der bildenden Künste Leipzig, 12 Jan-8 Apr 2018. Curated by Sabrina Steinek and Anika Meier. Review: Weier (Springerin).
- Art in the Age of the Internet, 1989 to Today exhibition, ICA Boston, 7 Feb-20 May 2018. Curated by Eva Respini and Jeffrey De Blois.
- Berlin, Zentrum der Netzkunst - damals und heute, exhibition, panke.gallery, Berlin, 4 Oct-23 Nov 2018. Curated by Robert Sakrowski and Tabea Rossol. Organised by Zentrum für Netzkunst. [9]
- The Art Happens Here: Net Art's Archival Poetics, exhibition, New Museum, New York, 22 Jan-26 May 2019. Based on Rhizome's Net Art Anthology programme. Curated by Michael Connor with Aria Dean. [10]. Review: Huang (Ocula).
- Opencoil, exhibition, Haus der Statistik, Berlin, 16 Oct-1 Nov 2020. Organised by Zentrum für Netzkunst. [11]
- Calculating Control: (Netz)kunst und Kybernetik, exhibition, symposium and (un)conference, Haus der Statistik & panke.gallery, Berlin, 30 Apr-31 Oct 2021. Organised by Zentrum für Netzkunst.
- Docu & Demo: Exhibition on Archiving Programmed Media Art, exhibition and workshop, Collegium Helveticum, Zürich, 15-29 Feb 2024. Organised by Inge Hinterwaldner.
- From Net, City, World to Cloud, Market, Sea: Following the Metaphor, /rosa, Berlin, 21 Feb-27 Mar 2024. Curatorial concept: Tereza Havlíková, Julia Kochanek, Anneliese Ostertag. [12]
Catalogues[edit]
- Net_Condition: Art and Global Media, eds. Timothy Druckrey and Peter Weibel, MIT Press, 2000, 398 pp, IA. Exh. held at ZKM Karlsruhe, 23 Sep 1999-27 Feb 2000. Publisher.
- Net_Condition. Kunst / Politik im Online-Universum, Karlsruhe: ZKM, 1999, 42 pp. Exh. brochure. Publisher. (German)
- Art for Networks, eds. Hannah Firth and Simon Pope, Cardiff: Chapter, 2002, 44 pp.
- Skrevet i stein. En net.art arkeologi / Written in Stone: A Net.Art Archaeology, ed. Per Platou, Oslo: National Museum for Contemporary Art, 2003. Exh. held 22 Mar-25 May 2003. (Norwegian)/(English)
- Connessioni leggendarie: net.art 1995-2005, ed. Luca Lampo, Milan: ready-made, 2005, 117 pp. [13] (Italian)
- Net art 0.1: desmontajes, Badajoz: Consejería de Cultura y Turismo/Junta de Extremadura, 2009, 154 pp. Exh. held at MEIAC, Museo Extremeño e Iberoamericano de Arte Contemporáneo, Badajoz, 21 Nov-28 Feb 2009. (Spanish)/(English)
- Powered by Ljudmila, eds. Alenka Gregorič and Keiko Suzuki, Ljubljana: Museum and Galleries of Ljubljana / City Art Gallery Ljubljana, 2011, 96 pp. [14] [15] [16] (Slovenian)/(English)
- Virtual Normality. Der weibliche Blick im Zeitalter des Internets, ed. Alfred Weidinger, VfmK, 2018, 208 pp. [17] (German)/(English)
- Art in the Age of the Internet, 1989 to Today, ed. Eva Respini, New Haven: Yale University Press, 2018, 316 pp. Exh. held at ICA Boston, 7 Feb-20 May 2018. Review: Federici (CAA).
- The Art Happens Here: Net Art Anthology, eds. Michael Connor, Aria Dean, and Dragan Espenschied, forew. Zachary Kaplan, intro. Michael Connor, New York: Rhizome, 2019, 444 pp. Essays by manuel arturo abreu, Josephine Bosma, Megan Driscoll, Ceci Moss, Lila Pagola, Paul Soulellis, Elvia Wilk. TOC. [18] [19]. Reviews: Quaranta (Camera Austria), Weisburg (Brooklyn Rail).
Online exhibitions and databases[edit]
- Turbulence.org, a premiere web site for net art. From 1996-2016, Turbulence.org commissioned over 220 original net, web and hybrid art works and hosted over 20 real-time, multi-location performances.
- äda 'web, platform for online artworks, experimental literature, publishing, and exhibitions. Run by Benjamin Weil and collaborators, 1994-1998. äda 'web in Net Art Anthology (2019).
- net-art.org, an online-only exhibition of the early (and continuous) history of Internet art. Initiated 1998 by Andrew Forbes. Interview, 2001. Twitter. FB.
- Rhizome ArtBase, archive of digital art, freely accessible to the public online. Founded 1999. Catalog. Relaunch events (2021). Relaunch announcement. Original website (until 2021).
- Net Art Anthology. Presented by Rhizome, 2016-2019. Retelling the history of Net Art from the 1980s through the present day by restaging and contextualizing one key net art project per week. [20]
- New Black Portraitures, browser-based exhibition, 2017. Curated by Aria Dean as part of Rhizome's Net Art Anthology. [21] [22]
- netart-Datenbank, est. 2000, active through c.2005. Team: Nina Kahnwald, Anna Kohler, Tilman Linden, Thomas Noesler, Sakrowski.
- Pixel Plunder©, online exhibition on notions of authorship and copyright, curated by Michael Alstad and Michelle Kasprzak, 2001. [23] [24]
- project.Arnolfini, curated by Geoff Cox, 2010.
- netpioneers.info: contextualizing early net-based art, research project realized at the Ludwig Boltzmann Institute Media.Art.Research., Linz, 2007-2009. (archived). Book published.
- Gallery 9, Walker Art Center's online exhibition space. Between 1997 and 2003, under the direction of Steve Dietz, Gallery 9 presented the work of more than 100 artists.
- Net art commissioned by Guggenheim Museum, 1996-c.2002. (archived)
- E.space, online projects commissioned by SFMOMA. Launched 2000. Created by Benjamin Weil with Joseph Rosa. [25] (archived)
- Artport. Whitney Museum's portal to Internet art and an online gallery space for commissions of net art and new media art. Originally launched in 2001, Artport provides access to original art works commissioned specifically for artport by the Whitney; documentation of net art and new media art exhibitions at the Whitney; and new media art in the Museum's collection. Created and curated by Christiane Paul. Made an official part of the Whitney Museum collection in 2015. [26]
- Tate Intermedia Art, contains the archive of Tate's net art projects from 2000-2011. [27]
- BAM/PFA NetArtchive, online exhibition. Presented works by four artists. (archived)
- Net.Specific, an online exhibition space for net art, Museum of Contemporary Art, Roskilde, Denmark. Launched Oct 2012.
- netart_latino database, a database of Latin-American net artists. Edited by Brian Mackern.
- Histories of Internet Art: Fictions and Factions, an online-only exhibition of the early history of Internet art; produced by students of digital art at the University of Colorado's Art and Art History Department, in conjunction with the Alt-X Online Network, ATLAS and blurr.
- net.artdatabase.org, documentation of selected internet-based artworks by recording users in front of their screens as they interact with the work.
- netartnet.net, an online-gallery listing and directory. The archive contains current and past exhibitions with dates, links, and press releases.
- Netarts.org, 1995-2014.
- Why Not Sneeze, eds. Michael Gibbs and Brigitte van der Sande, 1996-1998.
- Overview of network art projects and events, compiled by Dušan Barok, 2008.
- NETescopio: net art viewer of the MEIAC museum, on-line archive in continual development dedicated to the conservation of works of art generated for the web, est. 2008.
- Sunrise/Sunset, series of Internet art projects commissioned by Whitney Museum, since 2009
- Digital Canon, 20 works from the Netherlands, 1960-2000, launched 2019. Compiled by LIMA.
- The Wrong, digital art biennale, online & worldwide, since 2013. Incl. Very Large Works online show, 2019-2020.
- We=Link: Ten Easy Pieces, Chronus Art Center Special Online Exhibition, since 30 Mar 2020. Curated by Ga Zhang. [28]
- Conflict in My Outlook: We Met Online, online exhibition, University of Queensland Art Museum, 21 Aug 2020-1 Mar 2022. Curated by Anna Briers.
- We=Link: Sideways, A Chronus Art Center (CAC) exhibition, Shanghai, 21 Nov 2020-23 Mar 2021. Curated by Ga Zhang. [29]
- Gallery 404, exhibits net.art as it appears today - exclusively specializing in broken artworks, launched Nov 2020, run by David Schmudde. [30]
- netzspannung.org, 2001-?.
- Garage Digital, online program for born-digital artworks and research projects created in collaboration with Garage Museum of Contemporary Art, Moscow, 2019-. [31]
- 2020 Do Not Link, group exhibition, Upstream Gallery, 12-28 Jun 2020. Curated by Dirk Paesmans and Bob Bicknell-Knight.
- openAR, platform for AR art, featuring online exhibitions. Founded 2021 by Sakrowski and Jeremy Bailey.
- selection of works from 2007-2011 : Les Liens Invisibles, subvertr, 2007 ; Theo Watson, Jamie Wilkinson, and Greg Leuch, fuckflikr, 2008 ; Aram Bartholl, Evan Roth, tbx (fffff.at), China Channel , 2008 ; tbx and Timo Klok, Pirates of the Amazon, 2008 ; moddr, Web 2.0 Suicide Machine, 2009; Les Liens Invisibles, Seppukoo, 2009; Owen Mundy, Give Me My Data , 2009 ; Les Liens Invisibles, Repetitionr, 2010; Eric Butler, Firesheep, 2010; Dušan Barok, FaceLeaks, 2010 ; Julian Oliver, Danja Vasilev, Newstweek , 2011; David Darts, Piratebox , 2011 ; &, motivo astratto, 2011 ; Julien Deswaef, Love Machine, 2011.
- Links to net art, compiled by Jim Andrews (VISPO).
Books[edit]
- Tilman Baumgärtel, net.art. Materialien zur Netzkunst, Nürnberg: Verlag für moderne Kunst, 1999, 179 pp. [32] (German)
- Tīkla māksla, trans. Ilva Skulte, Riga: Petergailis, 2001, 168 pp. (Latvian)
- Net.art: võrgukunsti materjalid, trans. Medea Jerser, Tallinn: Eesti Kunstiakad, 2006, 367 pp. (Estonian)
- Institut für moderne Kunst Nürnberg, Verena Kuni (eds.), netz.kunst. Jahrbuch des Institutes für Moderne Kunst Nürnberg '98/'99, Nürnberg: Verlag für moderne Kunst, 1999, 272 pp. [33] (German)
- Margarete Jahrmann (ed.), Art_Server: Stargate to Netculture. Texte und Positionen zu Netz-Kunst, -Kontext und -Kultur / Positions on structural aspects of net art, content and culture launching Art_Servers, Vienna: Triton, and Linz: O.K. Centrum für Gegenwartskunst, 2000, 76 pp. With contributions by Konrad Becker, Andy Best, Eric Davis, Thomas Feuerstein, Marina Grzinic, Katharina Gsöllpointner, Margarete Jahrmann, Gabi Kepplinger/Thomas Lehner, Kristin Lucas, Martin Sturm, and James Wallbank. TOC. Symposium. [34] (German)/(English)
- Hans-Jörg Bullinger, Thomas Renner, Anette Weisbecker (eds.), Net Art Guide, Stuttgart: Fraunhofer IRB, 2000, 288 pp. Excerpt. Publisher. [35] (English)/(German)
- Tilman Baumgärtel, net.art 2.0. Neue Materialien zur Netzkunst / New Materials on Art on the Internet, trans. David Hudson, Nürnberg: Verlag für moderne Kunst, 2001, 263 pp. Author. (German)/(English)
- Julian Stallabrass, Internet Art: The Online Clash Between Culture and Commerce, London: Tate Publishing, 2003, 168 pp. Reviews: Stimson (NLR), Gere (Art Book).
- Marco Deseriis, Giuseppe Marano, Net.art. L'arte della connessione, Milan: ShaKe, 2003, 218 pp. [36] (Italian)
- NTNTNT, ed. Jason Brown, Valencia, CA: California Institute of the Arts, School of Art, 2003, 339 pp, IA.
- Domenico Quaranta, Net art 1994-1998. La vicenda di Ada'web, Milan: Vita e Pensiero, 2004, 192 pp. [37] [38] (Italian)
- Rachel Greene, Internet Art, London: Thames & Hudson, 2004, 224 pp. [39]
- Internet Art, n.d. (Italian)
- Simon Yuill, Kerstin Mey (eds.), Cross-Wired: Communication, Interface, Locality, Dundee: University of Dundee, and Manchester: University of Manchester, 2004, 143 pp, IA.
- Joanne Richardson (ed.), An@rchitexts: Voices from the Global Digital Resistance, New York: Autonomedia, 2005.
- Annmarie Chandler, Norie Neumark (eds.), At a Distance: Precursors to Art and Activism on the Internet, MIT Press, 2005, xiv+486 pp.
- Tatiana Bazzichelli, Networking. La rete come arte, pref. Derrick de Kerckhove, Milan: Costa & Nolan, 2006, 333 pp. (Italian)
- Networking: The Net as Artwork, Aarhus: Aarhus University, 2008, 336 pp.
- Tom Corby (ed.), Network Art: Practices and Positions, London: Routledge, 2006, xiv+206 pp. Introduction. [40]. Review: Dieter (Animation).
- Inclusiva-net, 3 vols., Madrid: Medialab Prado, 2007-2009. Proceedings. (English)/(Spanish)
- Artnode (Jacob Lillemose, Nikolaj Recke) (eds.), Vi elsker din computer. En antologi om netkunst, trans. Andreas Brøgger, Copenhagen: Det Kongelige Danske Kunstakademis Billedkunstskoler, 2008, 429 pp. An anthology of writings on net art. TOC. [41] [42] [43] (Danish)
- Dieter Daniels, Gunther Reisinger (eds.), Net Pioneers 1.0: Contextualizing Early Net-Based Art, Berlin/New York: Sternberg Press, 2010, 240 pp.
- Josephine Bosma, Nettitudes: Let's Talk Net Art, Rotterdam: NAi Publishers, and Amsterdam: Institute of Network Cultures, 2011, 270 pp, IA. Introduction, TOC, [44]. Review: Kluitenberg (Open!), Ciociola (Neural), Cippitelli (Digicult).
- Anne Laforet, Le net art au musée. Stratégies de conservation des œuvres en ligne, Paris: Questions théoriques, 2011, 180 pp. Excerpt. Based on 2009 dissertation. [45] [46] (French)
- Markus Schwander, Reinhard Storz (eds.), Owning Online Art: Selling and Collecting Netbased Artworks, Basel: FHNW, 2010.
- Rasa Smite, Creative Networks: In the Rearview Mirror of Eastern European History, Amsterdam: Institute of Network Cultures, Amsterdam, 2012. First published in Latvian, 2011.
- xtine burrough (ed.), Net Works: Case Studies in Web Art and Design, Routledge, 2012, xx+242 pp.
- Juan Martín Prada, Prácticas artísticas e internet en la época de las redes sociales, Madrid: Akal, 2012, 248 pp; 2nd ed., 2015, 271 pp. (Spanish)
- Phoebe Adler, Leanne Hayman, Arrate Hidalgo, Dana Saey, Phoebe Stubbs, Nick Warner (eds.), Art and the Internet, London: Black Dog, 2013, 240 pp. TOC. [47]
- Marina Zerbarini, et al., Radiografía del Net Art latino: vitalidad creativa en riesgo de extinción, Buenos Aires: Dunken, 2014. [48] [49] [50] (Spanish)
- Omar Kholeif (ed.), You Are Here: Art After the Internet, Manchester: Cornerhouse Books, and London: SPACE, 2014, 256 pp. Publisher, Co-publisher. Reviews: Swift (AQNB), Sumpter (ArtReview), Mutlu (J Curatorial Studies).
- Melanie Bühler (ed.), No Internet, No Art: A Lunch Bytes Anthology, Eindhoven: Onomatopee, 2015, 351+[63] pp; 2nd ed., 2018. Publisher, Editor. [51]. Reviews: Kay (AQNB), Roestenburg (INC).
- Marie Meixnerová (ed.), #mm net art: internetové umění ve virtuálním a fyzickém prostoru prezentace, Olomouc: Pastiche Filmz (PAF Edition), 2014, 232 pp. Anthology. Publisher, [52]. Facebook. (Czech)
- #mm Net Art: Internet Art in the Virtual and Physical Space of Its Presentation, Brescia: Link Editions, and Olomouc: PAF, 2019, 218 pp. [53]
- Lauren Cornell, Ed Halter (eds.), Mass Effect: Art and the Internet in the Twenty-First Century, MIT Press, 2015, 528 pp. Anthology. Publisher. Review: Galati (Leonardo).
- Annet Dekker, Collecting and Conserving Net Art: Moving beyond Conventional Methods, New York: Routledge, 2018, x+192 pp.
- Ceci Moss, Expanded Internet Art: Twenty-First Century Artistic Practice and the Informational Milieu, Bloomsbury Academic, 2019, 160 pp. [54]
Journal issues[edit]
- kritische berichte 26(1): "Netzkunst", eds. Christoph Danelzik-Brüggemann, Annette Dorgerloh, Brigitte Schoch-Joswig, and Michael Scholz-Hänsel, 1998. TOC, [55]. (German)
- AI & Society 14(1): "Database Aesthetics: Issues of Organization and Category in Online Art", ed. Victoria Vesna, 2000.
- Brumaria 6: "Net.art. Prácticas estéticas y políticas en red", eds. Laura Baigorri and Lourdes Cilleruelo, Madrid, Spring 2006. TOC. TOC. (Spanish)
- terminal 101: "Net art, technologie ou création?", Paris: Harmattan, May 2008, 176 pp. [56] (French)
- WJ-SPOTS 1: 15 ans de création artistique sur internet / 15 years of web creation, ed. Anne Roquigny, 2011, 132 pp. [57] (French)/(English)
- WJ-SPOTS 2: Les artistes s’emparent du réseau / Artists take over the network, ed. Anne Roquigny, 2011, 132 pp. [58] (French)/(English)
- frieze d/e 14: "Missing Links: '90s Berlin Net Art", May 2014. Focuses on the 1990s Net art scene in Berlin. [59] [60] (German)/(English)
- Springerin 1: "Kritische Netzpraxis", Vienna, Jan 2015. Editorial & TOC. Roundtable. Report from launch debate. (German)
Book chapters, articles, theses, talks, discussions[edit]
- Joachim Blank, "Netart", 1996.
- "Net art", section in The Beauty and the East (ZKP4), eds. Pit Schultz, Diana McCarty, Geert Lovink, and Vuk Cosic, Ljubljana, May 1997.
- Tilman Baumgärtel, "Netzkunst bei der Dia Art Foundation", Telepolis, 15 May 1997. (German)
- Sandra Fauconnier, Web-specific art: het World Wide Web als artistiek medium, Ghent: Universiteit Gent, 1997, 132 pp. Thesis. [61] (Dutch)
- Tilman Baumgärtel, "Immaterialien. Aus der Vor- und Frühgeschichte der Netzkunst", Telepolis 3, Sep 1997, pp 135-151. (German)
- Ryszard W. Kluszczynski, "Internet – nowe terytorium ekspresji", CSW Zamek Ujazdowski, c.1997. (Polish)
- Steve Dietz, "Curating (on) the Web", Museums and the Web, Mar 1998.
- Benjamin Weil, "Untitled (ÄDA’WEB): A Brief History of äda'web", Minneapolis, MN: Gallery 9/Walker Art Center, 1998.
- Robert Atkins, "What is äda'web?", Minneapolis, MN: Gallery 9/Walker Art Center, Sep 1998.
- Andrea Scott, "äda through the Looking Glass", Minneapolis, MN: Gallery 9/Walker Art Center, Sep 1998.
- Vivian Selbo, "ah, ‘da Process” ... Questions? Some Answers ...", Minneapolis, MN: Gallery 9/Walker Art Center, Sep 1998.
- Tilman Baumgärtel, "Das imaginäre Museum. Zu einigen Motiven der Netzkunst", Berlin: Wissenschaftszentrum Berlin für Sozialforschung, Oct 1998, 47 pp, PDF. Discussion paper. (German)
- "Art", section in Read Me! ASCII Culture & The Revenge of Knowledge. Filtered by Nettime, New York: Autonomedia, 1999, pp 211-273.
- Mindaugas Gapsevicius, "Vanishing Net Art: Introduction to Net Art Restoration", 1999.
- Steve Dietz, "Why Have There Been No Great Net Artists?", 1999.
- Natalie Bookchin, "A Story of Net Art", 2000. Timeline, 1994-2000.
- Matthew Fuller, "Art meet Net, Net meet Art", Tate Online, London, 2000.
- Josephine Berry, "Human, all too Posthuman? Net Art and Its Critics", Tate Online, London, 2000.
- Rachel Greene, "Web Work: A History of Internet Art", Artforum, May 2000, pp 162-167 & 190. [62] [63]
- Dušan Barok, "Net.art. Internet ako umelecké médium", 3/4 magazine 1, Bratislava: Atrakt Art, 2001. (Slovak)
- Josephine Berry, The Thematics of Site-Specific Art on the Net, Manchester: University of Manchester, 2001, 304 pp. PhD thesis. [64]
- Verena Kuni, "'Was ist ein Netzkünstler?' Nutzen und Nachteil der Legende vom Künstler im Zeitalter ihrer techno-logischen Reproduzierbarkeit", in Borderline. Strategien und Taktiken für Kunst und soziale Praxis, ed. BBK Wiesbaden, Wiesbaden, 2002, pp 87-108. [65] (German)
- Bartłomiej Gutowski, "Sztuka sieci, czyli net art"], Artifex 4, May 2002, pp 25-29. (Polish)
- Julian Stallabrass, "The Aesthetics of Net.Art", Qui Parle 14:1, Fall/Winter 2003, pp 49-72. A plenary lecture given to the American Society for Aesthetics, Annual Meeting, San Francisco, Oct 2003, (talk).
- Christine Paul, "Internet Art and Nomadic Networks", in Paul, Digital Art, London: Thames & Hudson, 2003, pp 111-124; repr., upd., as "Internet Art and Networked Art", in Paul, Digital Art, 3rd ed., 2015.
- Steve Dietz, "äda’web", in Bits & Pieces Put Together to Present a Semblance of a Whole: Walker Art Center Collections, eds. Joan Rothfuss and Elizabeth Carpenter, Minneapolis, MN: Walker Art Center, 2005.
- Josephine Berry Slater, "Bare Code: Net Art and the Free Software Movement", in Engineering Culture, eds. Geoff Cox and Joasia Krysa, New York: Autonomedia, 2005, pp 133-149.
- Inge Hinterwaldner, "When Windows Attack... Doors Won't Help. Zur Hinterfragung von Bildlichkeit und Interaktivität in der Netzkunst", in Kulturen des Bildes, eds. Birgit Mersmann and Martin Schulz, Munich: Fink, 2006, pp 355-374. (German)
- Karen Verschooren, "Internet art, net art, and networked art in relation: Interview with Jon Ippolito", 26 Oct 2006.
- Karen A. Verschooren, .art: Situating Internet Art in the Traditional Institution for Contemporary Art, Massachussetts Institute of Technology, 2007, 202 pp. Master thesis.
- Steve Dietz, "Curating Net Art", in New Media in the White Cube and Beyond: Curatorial Models for Digital Art, ed. Christiane Paul, University of California Press, 2008. [66]
- "Net Art", in Wolf Lieser, Digital Art, Potsdam: Ullmann, 2009; repr. as The World of Digital Art, Potsdam: Ullmann, 2010.
- Anne Laforet, La conservation du net art au musée. Les stratégies à l’œuvre, Avignon: University of Avignon, 2009. Published as book in 2011. (French)
- Tina Mariane Krogh Madsen, Keeping Ephemerality Alive: Preserving the Dynamic Materiality of Net Art, Aarhus: University of Aarhus, 2010. Master's thesis. [67]
- Cassandra Meers, Assembling Networked Art: A Study of the US, UK and Australia, Sydney: University of New South Wales, 2010, 264 pp. PhD dissertation.
- Mary Flanagan, "Play, Participation, and Art: Blurring the Edges", in Context Providers: Conditions of Meaning in Media Arts, eds. Margot Lovejoy, Victoria Vesna, and Christiane Paul, Intellect, 2011, pp 89-100.
- Thomas Dreher, "VI.3 Netzkunst im Web", in Dreher, Geschichte der Computerkunst, Munich, 2011-2012. (German)
- "VI.3 Net Art in the Web", in Dreher, History of Computer Art, Munich, 2011-2012.
- Jennifer Chan, "From Browser to Gallery (and Back): The Commodification of Net Art 1990-2010", 2012.
- Michael Connor, "What's Postinternet Got to Do with Net Art", Rhizome, 1 Nov 2013.
- Kris Paulsen, "Ill Communication: Anxiety and Identity in 1990s Net Art", in Come As You Are: Art of the 1990s, University of California Press & Montclair Museum of Art, 2014, pp 65-72.
- Annet Dekker, Enabling the Future, or How to Survive FOREVER: A study of networks, processes and ambiguity in net art and the need for an expanded practice of conservation, London: Goldsmiths University, 2014. PhD dissertation. Published as a book in 2018.
- Dragan Espenschied, "Big Data, Little Narration", Rhizome, 22 Oct 2014.
- Sarah Cook, Marialaura Ghidini, "Internet Art (Net Art)", in Oxford Art Online, 22 Sep 2015. [68]
- Konrad Becker, Josephine Berry Slater, Felix Stalder, Pauline van Mourik Broekman, "Einsatz der Vernetzung. Ein Roundtable zu 20 Jahren Netzkultur", trans. Thomas Raab, Springerin 1: "Kritische Netzpraxis", 2015; reposted on Eurozine, 11 Feb 2015. (German)
- "Mission Interconnectedness: A Roundtable on 20 Years of Net Culture", Springerin online, 2015; reposted on Eurozine, 17 Mar 2015, PDF.
- Marialaura Ghidini, Curating Web-based Art Exhibitions: Mapping their Migration and Integration with Offline Formats of Production, University of Sunderland, 2015, 294 pp. PhD dissertation.
- Karin De Wild, et al., "Methods for studying the (after)lives of Internet art" (cont.), list discussion, CRUMB, 14 Nov-31 Dec 2016. Introduction.
- Megan Driscoll, "Color Coded: Mendi + Keith Obadike’s Black.Net.Art Actions and the Language of Computer Networks", The Black Scholar 47(3): "Black Code", 2017, pp 56-67.
- Emmanuel Guez, Morgane Stricot, Lionel Broye, Stéphane Bizet, "The Afterlives of Network-Based Artworks", Journal of the Institute of Conservation 40:2, 2017, pp 105-120.
- Gloria Sutton, Zachary Kaplan, "A Performance of Code: Rhizome and the Rise of Internet Art", VoCA Journal, 30 June 2017. Interview.
- Lia Carreira, Experimental Curating in Times of the Perpetual Beta: Strategies and Platforms for Online-based Art, Krems: Danube University Krems, 2017, 138 pp. Master thesis.
- Aino Nurmesjärvi, "Beyond Human Understanding: Creating New Language and Visuals on the Web. Commissioned Online Artworks by Jenna Sutela and Tuomo Rainio", FNG Research 1, Jan 2018.
- Karin De Wild, Internet Art and Agency: The Social Lives of Online Artworks, Dundee: University of Dundee, 2018, xvi+206 pp. PhD dissertation.
- Andreas Gajdošík, "Konec průzkumu. Internetové umění v přechodu ke společnosti", Artalk.cz, Prague, 19 Dec 2018. (Czech)
- Marialaura Ghidini, "Curating on the Web: The Evolution of Platforms as Spaces for Producing and Disseminating Web-Based Art", Arts 8:3. PDF.
- Olivia Brum, The Lives of Internet Artworks in Institutions: How to Begin to Construct a Long-term Conservation Strategy, Amsterdam: University of Amsterdam, 2019, 100 pp. Master's thesis.
- Aude Launay, "The Polyphonic History of Net Art, An Eternal Network?", Zerodeux 89, 2019.
- Nina Mihaljinac, Vera Mevorah, "Broken promises of Internet and democracy: Internet art in Serbia, 1996–2014", Media, Culture & Society 41:6, 2019.
- Flóra Barkóczi, "A világháló utópiája. Internet és képzőművészet viszonya a rendszerváltást követő időszakban" [The Utopia of the World Wide Web. Art and Internet in Hungary after the Change of the Regime], Enigma 99, 2020, pp 78-91. [69] (Hungarian)
- Flóra Barkóczi, "Felszállópálya. A magyarországi internetes művészet gyökerei" [Airstrip. The Roots of Internet Based Art Practices in Hungary], Café Bábel 81, 2020, pp 54-67. [70] (Hungarian)
- Flóra Barkóczi, "Képzőművészet és kollektivitás a korai magyar interneten. Az Artpool, a C3 és az Éjjeli Őrjárat 1990-es évekbeli weblapja és tevékenysége" [Art and Collectivity on the Early Hungarian Internet], in A magyar internet történetei, ed. Tamás Tófalvy, Budapest: Typotex, 2021, pp 161-173. [71] [72] (Hungarian)
- James Hannan, "Exhibiting net-based art IRL: On the presentational challenges net-based art presents, and the solutions to be found in past exhibitions of cybernetic, conceptual, and net-based artworks", Utrecht: Utrecht University, 2022, 69 pp. Master thesis.
- Flóra Barkóczi, "A multimédia eufóriája. Válaszok az internet megjelenésére a kilencvenes évek magyarországi képzőművészetében", in TechnoCool. Új irányok a kilencvenes évek magyar képzőművészetében (1989-2001), ed. Zsolt Petrányi, Budapest: Szépművészeti Múzeum–Magyar Nemzeti Galéria, 2023, pp 46-53. (Hungarian)
- "The Euphoria of Multimedia: Responses to the Emergence of the Internet in the Hungarian Art of the 1990s", in TechnoCool: The Birth of the Techno Era in Hungarian Art (1989-2001), ed. Zsolt Petrányi, Budapest: Szépművészeti Múzeum–Magyar Nemzeti Galéria, 2023, pp 46-53. [73] (English)
- Francisca Sousa, "Collaborating for Sustainable Access to Digital Art: A Project Overview", Studies in Conservation, Mar 2024.
Museum collections[edit]
Artist | b. | Title, Link | Year | Coll. | Acq. | Coll. no. | Coll. URL | Medium | Dept / Type / Tags | Info |
---|---|---|---|---|---|---|---|---|---|---|
Douglas Davis | US | The World's First Collaborative Sentence | 1994- | Whitney | 1995 | 95.253 | [74] | Website (HTML) | New Media | [75] [76] [77] [78] [79] |
Jean-Baptiste Michel | US | I WISH I could be exactly what you’re looking for | 2013 | Whitney | 2014 | 2014.96 | [80] | Twitter API, LCD screen, spray painted mat board, and glass | New Media | [81] |
Siebren Versteeg | US | New York Double Hung | 2008 | Whitney | 2017 | 2017.241 | [82] | Digital collage, output from Internet-connected computer program, with two touch screens | New Media | [83] |
Daniela Alina Plewe | DE | Muser's Service | 1994 | ZKM | [84] | Waterbed, electric heating, pillow, red LED clock module, computer (PC Client), operating system (Linux Ubuntu), custom software with internet access, modified keyboard, computer (PC Server), operating system (Linux Ubuntu), custom software with internet access, TFT monitor, text-to-speech converter (Infovox 700), speaker, amplifier, projector | installation, computer-based, Net Art, Computer-based installation | [85] [86] [87] | ||
Walter van der Cruijsen, Jill Scott | NL, AU | Salon Digital | 1995 | ZKM | [88] | Custom-made table, three TFT monitors with speakers, glass pane, turnable ring with infrared keyboard and track ball, computer (PC), operating system (Windows) | computer-based, Net Art, Net-based sculpture | |||
Markus Huemer | AT | The Rules Are No Game | 1997 | ZKM | [89] | Two computers (PC, operating system: Linux, custom software with internet access), video camera, projector, floor plates with screenprint | installation, computer-based, Net Art, Computer-based installation | |||
Cornelia Sollfrank | DE | Net Art Generator | 1999 | ZKM | [90] | interactive net-based installation; computer workstation (table, chair, computer) and wooden box with server, projection screen; technical equipment: computer (server): PC with graphics and two network cards, operating system: Linux, software: custom software with Internet access, computer (workstation): PC, software: Internet browser; other technical devices: panel and electronics of a TFT monitor, projector, color printer (optional) | computer-based, Net-based sculpture | [91] | ||
Shane Cooper | US | Remote Control | 1999 | ZKM | [92] | computer (Silicon Graphics O2, operating system: IRIX, custom software), keyboard, mouse, audio effects unit, computer screen, TV screen, custom-made remote control system, TV cabinet, coffee table, sofa, floor lamp, pedestal | computer-based, installation, video, Net-based installation, Computer-based installation | [93] [94] [95] | ||
David Link | DE | Poetry Machine | 2001 | ZKM | [96] | interactive, net-based installation; room with projection screen, technological equipment: computer: 3 PCs, operating system: Linux, software: Icustom software with Internet access, other devices: modified keyboard on stand, custom electronics, ultrasonic distance sensor, network distributor, 1 plasma monitor, projector, amplifier, 2 passive speakers, mixer | installation, computer-based, Net Art, Net-based installation, Computer-based installation | [97] [98] | ||
Transmute Collective | AU | Intimate Transactions | 2005 | ZKM | [99] | Two supporting structures for one person each (aluminum, steel, plastic), four computers (Power Max G5), operating system (OSX), custom software, four computers (PC), operating system (Windows), custom software, laptop, operating system (Windows), custom software with internet access, two sound cards (MOTU 828 Mk2), two AD/DA converters (Behringer ADA8000), two custom-made electronic units, two MIDI controllers (Midiman 2x2), four body sensors, two video cameras, two RGB mixers, 16 speakers (active), two subwoofers, two projectors, two projection screens, seven TFT monitors, pedestal, monitor, CF card player, speakers (active) | video, computer-based, installation, Sound installation, Video installation, Net-based installation, Computer-based installation | |||
Marc Lee | CH | Breaking the News | 2007 | ZKM | [100] | computer (PC), operating system (Windows XP), custom software with internet access, 3 or 4 projectors, 3 or 4 speakers (active) | installation, computer-based, Net-based installation, Computer-based installation, Video installation | [101] | ||
David Bowen | US | tele-present water | 2011 | ZKM | [102] | Aluminium, wooden sticks, nylon threads, 17 servo motors (Futaba S3004), computer (Macmini, operating system: Mac OSX, software: Max/MSP); wave from National Oceanic and Atmospheric Administration data buoy station 51003 | installation, computer-based, Kinetic installation, Computer-based installation, Net-based installation | [103] | ||
Mark Amerika | US | Crapshoot | 2013- 2014 | ZKM | [104] | website; languages: HTML, CSS, JavaScript | computer-based, Net Art | [105] [106] [107] | ||
Martine Neddam | NL | My DesktopLife | 2014 | ZKM | [108] | net-based artwork; website, languages: HTML, CSS, JavaScript, Python | computer-based, Net Art | [109] | ||
Rafaël Rozendaal | NL | Neo Geo City | 2014 | ZKM | [110] | website, languages: HTML, CSS, JavaScript, Python | computer-based, Net Art | [111] [112] | ||
Alex Wenger, Max-Gerd Retzlaff | DE | Spuren | 2015 | ZKM | [113] | 1 Computer, 2 Microcontroller, Webserver, 1 Monitor, Software, 1 Sockel | computer-based, Net-based installation | [114] | ||
Leena Krohn | FI | Sphinx or Robot | 1997 | Kiasma | 1997 | N-1997-86 | [115] | Media Art, Online Art | ||
Juha van Ingen | FI | Web-Safe | 1999- 2000 | Kiasma | 2016 | N-2016-32 | [116] | Text, Silent | Media Art, Online Art | [117] [118] [119] |
Jarkko Räsänen | FI | Ordered Dance | 2016 | Kiasma | 2016 | N-2016-44 | [120] | Media Art, Online Art | [121] | |
Tuomo Rainio | FI | Untitled (Gravitational waves) | 2016 | Kiasma | 2016 | N-2016-45 | [122] | Text | Media Art, Online Art | [123] |
Pink Twins | FI | Infinity | 2016 | Kiasma | 2016 | N-2016-48 | [124] | Media Art, Online Art | [125] | |
Angelo Plessas | GR | Homo Cybersphericus | 2017 | Kiasma | 2016 | N-2016-50 | [126] | Text, website | Media Art, Online Art | [127] |
Jenna Sutela | FI | Gut-Machine Poetry | 2017 | Kiasma | 2016 | N-2016-796 | [128] | Text, website | Media Art, Online Art | [129] |
Reija Meriläinen | FI | Survivor | 2017 | Kiasma | 2017 | N-2017-205 | [130] | Media Art | [131] | |
Robertas Narkus | LT | Prospect Revenge | 2019 | Kiasma | 2019 | N-2019-63 | [132] | [133] | ||
John F. Simon Jr. | US | Unfolding Object | 2002 | Guggenheim | 2002 | 2002.16 | [134] | Interactive networked code (Java applet with server database and servlets) | Internet Art | [135] [136] |
Mark Napier | US | net.flag | 2002 | Guggenheim | 2002 | 2002.17 | [137] | Interactive networked code (Java applet with server database) | Internet Art | [138] [139] |
Shu Lea Cheang | TW | Brandon | 1998- 1999 | Guggenheim | 2005 | 2005.44 | [140] | Interactive networked code (html, Java, Javascript and server database) | Internet Art | [141] [142] |
Lynn Hershman Leeson | US | Agent Ruby | 1999- 2002 | SFMOMA | 2008 | 2008.230 | [143] | web project | digital media | [144] [145] [146] [147] [148] [149] [150] |
Julia Scher | US | Predictive Engineering2 | 1998 | SFMOMA | 2008 | 2008.231 | [151] | web project | digital media | [152] |
Harrell Fletcher and Miranda July, Harrell Fletcher, Miranda July, Yuri Ono | US | Learning to Love You More | 2002- 2009 | SFMOMA | 2010 | 2010.45 | [153] | web project (www.learningtoloveyoumore.com) and archive | digital media | |
Sandra Gamarra | PE | LiMac Museum Shop | 2005 | Tate | 2009 | T15217 | [154] | Software, networked, internet, colour, laptop; plywood, paint, oil paintings on canvas, coat hangers, t-shirts, mugs, canvas bags, wooden yo-yos, mouse mats, pin badges, printed papers and other materials | ||
Marc Lee | CH | TV Bot 2.0 | 2010 | HEK | 2012 | S0001 | [155] | 16:9 flat screen, speaker boxes, computer, Internet browser with flash plug-in, Internet connection, router, cable | Internet Artwork | [156] [157] [158] |
Christoph Wachter, Mathias Jud | CH | New Nations | 2009- 2011 | HEK | 2012 | S0003 | [159] | Router: TL-WR841ND (with handmade aluminum box), operating system OpenWRT Attitude Adjustment 12.09, wooden box, folded leaflet, book | Internet Community Project | |
UBERMORGEN | AT | Sound of Ebay | 2008/ 2009 | HEK | 2012 | S0004 | [160] | EBay user data; computer with Internet connection; possibly a screen with a projector | Internet Artwork | |
Jodi | NL, BE | div. (property) | 2013 | HEK | 2013 | S0013 | [161] | Source code: HTML, CSS, Javascript; computer, other output devices (projector, screen) | Internet Artwork | |
Beat Brogle, Philippe Zimmermann | CH | onewordmovie | 2003/ 2018 | HEK | 2016 | S0014 | [162] | Program code, source code (HTML 5), database, emulator | Internet Artwork | |
Monica Studer, Christoph van den Berg | CH | filter: four letter words | 1997- 1998 | HEK | 2016 | S0015 | [163] | For the original version: 726 HTML files and 726 GIF files; for the 2016 version: 726 HTML files, 726 GIF files and 1 CSS file Screen: 640 x 480 px – 1920 x 1080 px; desktop computer, e.g., Netscape 2.0 / Windows 98; HTML 5 or CCS 3 browser, e.g., Firefox 47.0 / Windows XP | Internet Artwork | |
Monica Studer, Christoph van den Berg | CH | filter: mille miglia | 1997- 1998 | HEK | 2016 | S0016 | [164] | For the original version: 5 HTML files; for the 2008 version: 5 HTML files; for the 2016 version: 2 HTML files (1 x iframe, 1 x openWindow): Screen: 780 x 280 px; desktop computer, e.g., Netscape 4 / Windows 98; HTML 5 or CCS 3 browser, e.g., Firefox 47.0 / Windows XP | Internet Artwork | |
Monica Studer, Christoph van den Berg | CH | filter: mixed double | 1997- 1998 | HEK | 2016 | S0017 | [165] | For the original version: 726 HTML files and 726 GIF files; for the 2016 version: 726 HTML files, 726 GIF files and 1 CSS file Screen: 640 x 480 px – 1920 x 1080 px; desktop computer, e.g., Netscape 2.0 / Windows 98; HTML 5 or CCS 3 browser, e.g., Firefox 47.0 / Windows XP | Internet Artwork | |
Monica Studer, Christoph van den Berg | CH | travelogue | 2005 | HEK | 2017 | S0038 | [166] | Web game: Flash-File and HTML pages for Online and Offline use; film of the game: 736 x 506 px, 33’, MP4, AV | Web Game | [167] |
Monica Studer, Christoph van den Berg | CH | Hotel Vue des Alpes | 2000- | HEK | 2017 | S0044 | [168] | Pentium III, 3-D programs, website with room-reservation system, HTML, PHP, compatible with flash and SQL, vda player | Internet Artwork | |
Maia Gusberti, Michael Aschauer, Nik Thoenen, Sepp Deinhofer | CH | LOGICALAND V0.1 | 2002 | HEK | 2016 | S0018 | [169] | Web application with Java applet (and HTML/CSS) as front end, and a PHP/MySQL as backend. Current version: 0.11. Used – last tested software: PHP Version 4.3.6, MYSQL 3.23.39 | Web Game | |
!Mediengruppe Bitnik | CH | Download Finished | 2006 | HEK | 2016 | S0020 | [170] | 3 films in PAL MPEG-2, 720 x 576 px format. Website consists of 1420 static pages and 1409 films in HTML5. Web server (Nginx, Apache) with PHP5 enabled; server space: ca. 140 GB | Web Archive, Digital Video | |
knowbotic research | DE, CH | minds of concern (New York version) | 2002 | HEK | 2016 | S0024 | [171] | Server: apache, mysql, python script, python cgi scripts; Client: HTMIL, flash (gnash) plugin; unitedwehack.ath.cx | Internet Artwork, Interactive Installation | |
knowbotic research | DE, CH | macghillie_just a void | 2008- 2012 | HEK | 2016 | S0025 | [172] | Wordpress Blog, Camouflage-Anzug | Blog, Urban Intervention | |
Birgit Kempker | DE, CH | Sphinx | 2004- | HEK | 2017 | S0035 | [173] | Internet Artwork | [174] | |
Marc Lee | CH | TV Bot 1.0 | 2004/ 2005 | HEK | 2017 | S0036 | [175] | Original (2004): Data stream from the Internet, 16:9 flat screen, speakers, computer, Internet browser with flash plugin, Internet connection including router, cable. Videos (2005): flash, MP4 | Internet Artwork | [176] [177] [178] [179] |
John F. Simon, Jr. | US | Every Icon | 1997 | HEK | 2017 | S0037 | [180] | Software, Java Applet | Internet Artwork | [181] |
LAN | CH | TraceNoizer – Disinformation On Demand | 2001 | HEK | 2017 | S0047 | [182] | Internet Artwork | ||
Gilles Aubry, Stéphane Montavon | DE, CH | Cairo Talking Heads | 2006/ 2017 | HEK | 2017 | S0061 | [183] | software, website, audio | Blog, Internet Artwork | |
Martine Neddam | NL | Mouchette | 1996- | Stedelijk & MOTI Breda | 2016 | [184] | [185] [186] [187] [188] [189] [190] |
See also the works commissioned by Tate (2000-2011), SFMOMA (2000-) and Whitney (2001-), and the works in Rhizome ArtBase, Net Art Anthology and Digital Canon.
More[edit]
Visual art | ||
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Movements – 1990s – East Central Europe – Writers – Historians – Care – Museums – References. |