Difference between revisions of "Free software"

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Fediposter_Jan_2020.png|link=Federated networks|[[Federated networks|Federated networks, Fediverse]]
 
Fediposter_Jan_2020.png|link=Federated networks|[[Federated networks|Federated networks, Fediverse]]
  
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Constant_arton1-2bd55.png|link=Constant|[[Constant]], artist-run nonprofit for copyleft and feminisms, [[Brussels]]
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Constant_arton1-2bd55.png|link=Constant|[[Constant]], artist-run non-profit for copyleft and feminisms, [[Brussels]]
  
 
Bibliotecha_Stuff_Youll_need.jpg|link=Varia|[[Varia]], cooperative for everyday technology, [[Rotterdam]]
 
Bibliotecha_Stuff_Youll_need.jpg|link=Varia|[[Varia]], cooperative for everyday technology, [[Rotterdam]]
  
 
AMRO20.png|link=Art Meets Radical Openness|[[Art Meets Radical Openness]], festival for art, hacktivism and open cultures, [[Linz]]
 
AMRO20.png|link=Art Meets Radical Openness|[[Art Meets Radical Openness]], festival for art, hacktivism and open cultures, [[Linz]]
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Etc-punch.jpg|link=Eclectic Tech Carnival|[[Eclectic Tech Carnival]], feminist gatherings around free software and open hardware
  
 
Piksel.png|link=Piksel|[[Piksel]], festival for kunst og fri teknologi, [[Bergen]]
 
Piksel.png|link=Piksel|[[Piksel]], festival for kunst og fri teknologi, [[Bergen]]
  
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Art_Servers_Unlimited_1998.jpg|link=Art servers|[[Art servers]]
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Art_Servers_Unlimited_1998.jpg|link=Community servers|[[Community servers]]
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Bibliotecha.jpg|link=Shadow_libraries|[[Shadow libraries]]
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Runme.org_2024_detail.png|link=Runme.org|[https://runme.org runme.org], software art repository
  
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Bibliotecha.jpg|link=Shadow_libraries|[[Shadow libraries|Self-hosted / Shadow Libraries]]
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Pure_Data_screenshot.png|link=Pure Data|[[Pure Data]], visual programming for media
  
 
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category            = Free software
 
category            = Free software
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==Events==
 
==Events==
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; FLOSS arts festivals and events
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<div class=threecol>
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* [[Eclectic Tech Carnival]], int., *2002
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* [[Piksel]], Bergen, *2003
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* [[Verbindingen / Jonctions]], Brussels, [2000] 2004-2013
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* [[HAIP]], Ljubljana, 2004-2012
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* [[OpenLab]], London, 2005-2012
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* [[Make Art]], Poitiers, 2006-2010
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* [[Libre Graphics Meeting]], int., *2006
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* [[Art Meets Radical Openness]] (formerly LiWoLi), Linz, *2008
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* [[Flossie]], London, 2012-2013
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* [https://piksel.no/transpiksel TransPiksel], int., *2016
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</div>
  
 
; Conferences and summits
 
; Conferences and summits
  
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* [http://www.oscon.com/oscon2014/public/content/about OSCON], Portland, *1999
 
* [http://www.oscon.com/oscon2014/public/content/about OSCON], Portland, *1999
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* [http://koppelting.org/en/archive FabFuse], Amersfoort, 2012-2015
 
* [http://koppelting.org/en/archive FabFuse], Amersfoort, 2012-2015
 
* [http://koppelting.org Koppelting], Amersfoort, *2016
 
* [http://koppelting.org Koppelting], Amersfoort, *2016
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* [https://ps.zoethical.org/c/engagement/offdem/129 OFFDEM], Brussels, *2020
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* [https://ps.zoethical.org/c/engagement/offdem/129 OFFDEM], Brussels, *2020, [https://ps.zoethical.org/pub/offdem-ozone-cfp]
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; FLOSS arts festivals and events
 
  
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* ''Event listings'': [https://foss.events/ foss.events] (Europe & online, *2019).
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* [[Eclectic Tech Carnival]], int., *2002
 
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* [[Piksel]], Bergen, *2003
 
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* [[Verbindingen / Jonctions]], Brussels, [2000] 2004-2013
 
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* [[HAIP]], Ljubljana, 2004-2012
 
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* [[OpenLab]], London, 2005-2012
 
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* [[Make Art]], Poitiers, 2006-2010
 
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* [[Libre Graphics Meeting]], int., *2006
 
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* [[Art Meets Radical Openness]] (formerly LiWoLi), Linz, *2008
 
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* [[Flossie]], London, 2012-2013
 
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* [https://piksel.no/transpiksel TransPiksel], int., *2016
 
  
 
</div>
 
</div>
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* Chun Lee, ''[https://eprints.mdx.ac.uk/4963/ Art Unlimited: An Investigation into Contemporary Digital Arts and the Free Software Movement]'', London: Middlesex University, 2008, 166 pp. PhD dissertation.
 
* Chun Lee, ''[https://eprints.mdx.ac.uk/4963/ Art Unlimited: An Investigation into Contemporary Digital Arts and the Free Software Movement]'', London: Middlesex University, 2008, 166 pp. PhD dissertation.
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* Christopher M. Kelty, ''[https://monoskop.org/log/?p=239 Two Bits: The Cultural Significance of Free Software]'', Durham, NC: Duke University Press, 2008, xvi+378 pp, [[Media:Kelty_Christopher_M_Two_Bits_The_Cultural_Significance_of_Free_Software_2008.pdf|PDF]].
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** ''[https://monoskop.org/log/?p=239 Two Bits: la trascendencia cultural del software libre]'', ed. Florencio Cabello, Barcelona: Icaria, 2019, 455 pp, [[Media:Kelty_Christopher_M_Two_Bits_la_trascendencia_cultural_del_software_libre_2019.pdf|PDF]]. {{es}}
  
 
* Marloes de Valk, [https://bleu255.com/~marloes/txts/Tools_to_Fight_Boredom/ "Tools to Fight Boredom: FLOSS and GNU/Linux for Artists Working in the Field of Generative Music and Software Art"], ''Contemporary Music Review'' 28(1): "Generative Music", eds. Nick Collins and Andrew R. Brown, 2009, pp 89-101, [[Media:de Valk Marloes 2009 Tools to Fight Boredom FLOSS and GNU Linux for Artists Working in the Field of Generative Music and Software Art.pdf|PDF]]. [https://doi.org/10.1080/07494460802664056]
 
* Marloes de Valk, [https://bleu255.com/~marloes/txts/Tools_to_Fight_Boredom/ "Tools to Fight Boredom: FLOSS and GNU/Linux for Artists Working in the Field of Generative Music and Software Art"], ''Contemporary Music Review'' 28(1): "Generative Music", eds. Nick Collins and Andrew R. Brown, 2009, pp 89-101, [[Media:de Valk Marloes 2009 Tools to Fight Boredom FLOSS and GNU Linux for Artists Working in the Field of Generative Music and Software Art.pdf|PDF]]. [https://doi.org/10.1080/07494460802664056]
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* Paula Roush, [https://www.furtherfield.org/towards-a-free-libre-open-source-university/ "Towards a Free/ Libre/ Open/ Source/ University"], ''Furtherfield'', Feb 2013.
 
* Paula Roush, [https://www.furtherfield.org/towards-a-free-libre-open-source-university/ "Towards a Free/ Libre/ Open/ Source/ University"], ''Furtherfield'', Feb 2013.
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* [http://peerproduction.net/issues/issue-3-free-software-epistemics/ ''Journal of Peer Production'' 3: "The Critical Power of Free Software"], Jul 2013.
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** Christopher Kelty, [http://peerproduction.net/issues/issue-3-free-software-epistemics/debate/there-is-no-free-software/ "There Is No Free Software"].
  
 
* Aymeric Mansoux, [http://hz-journal.org/n19/mansoux.html "My Lawyer is an Artist"], ''Hz #19'', ed. Sashiko Hayashi, Fylkingen, 2014.
 
* Aymeric Mansoux, [http://hz-journal.org/n19/mansoux.html "My Lawyer is an Artist"], ''Hz #19'', ed. Sashiko Hayashi, Fylkingen, 2014.
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* ''[https://monoskop.org/log/?p=13943 I Think That Conversations Are the Best, Biggest Thing That Software Has to Offer its User]'', Brussels: Constant, 2015, 351 pp. {{en}}
  
 
* Aymeric Mansoux, ''[https://monoskop.org/log/?p=18777 Sandbox Culture: A Study of the Application of Free and Open Source Software Licensing Ideas to Art and Cultural Production]'', London: Goldsmiths University of London, 2017, xxxviii+486 pp. PhD dissertation.
 
* Aymeric Mansoux, ''[https://monoskop.org/log/?p=18777 Sandbox Culture: A Study of the Application of Free and Open Source Software Licensing Ideas to Art and Cultural Production]'', London: Goldsmiths University of London, 2017, xxxviii+486 pp. PhD dissertation.
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* ''[https://thx.zoethical.org/pub/presence-solidaire THX - Présence Solidaire. Pænser Ensemble: le Collectif et le Soin Radical]'', Brussels: petites singularités, 2021, 168 pp. {{fr}},{{en}},{{es}}
 
* ''[https://thx.zoethical.org/pub/presence-solidaire THX - Présence Solidaire. Pænser Ensemble: le Collectif et le Soin Radical]'', Brussels: petites singularités, 2021, 168 pp. {{fr}},{{en}},{{es}}
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* ''[https://www.spacesandcities-toolkit.com/ Toolkit for Homes of Commons]'', European Cultural Foundation, 2021.
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* [https://march.international/feature/publishing-as-protocol/ ''MARCH'': "Publishing as Protocol"], eds. Constant and Vessel, 2021-2023. [https://monoskop.org/log/?p=23411]
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* Johan Söderberg, Maxigas, ''[https://doi.org/10.7551/mitpress/13466.001.0001 Resistance to the Current: The Dialectics of Hacking]'', forew. Richard Barbrook, MIT Press, Nov 2022, 264 pp, [[Media:Soederberg Johan_Maxigas_Resistance_to_The_Current_The_Dialectics_of_Hacking 2022.pdf|PDF]]. [https://mitpress.mit.edu/9780262544566/ Publisher].
  
 
* [https://monoskop.org/log/?tag=floss Publications on FLOSS on Monoskop/log]
 
* [https://monoskop.org/log/?tag=floss Publications on FLOSS on Monoskop/log]
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==Resources==
 
==Resources==
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* [http://redecentralize.github.io/alternative-internet/ Alternative Internet], a collection of  networks, tools and devices aiming at decentralisation.
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* [http://www.a-s-c.org/ Anti-Subscription Catalogue], a catalogue of non-subscription, free, open-source, and one-time fee software.
  
 
* [http://cecpublic.pbworks.com/w/page/13063884/OpensourcePeople Open Source People and Community]
 
* [http://cecpublic.pbworks.com/w/page/13063884/OpensourcePeople Open Source People and Community]
  
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* [http://redecentralize.github.io/alternative-internet/ Alternative Internet], a collection of networks, tools and devices aiming at decentralisation.
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* [http://web.archive.org/web/20200120000944/http://eightycolumn.net/ Eightycolumn] (80c; archived), a network of free culture aware educators in art, music and design education.
  
 
==See also==
 
==See also==
  
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[[Federated networks]], [[Hacker culture]], [[Copyright activism]], [[Commons]], [[Data activism]], [[Art servers]], [[Pure Data]], [[SuperCollider]], [[Live coding]], [[Libre graphics]]
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[[Commons]], [[Community servers]], [[Copyright activism]], [[Data activism]], [[Federated networks]], [[Hacker culture]], [[Libre graphics]], [[Live coding]], [[Pure Data]], [[Shadow libraries]], [[Software art]], [[SuperCollider]]
  
  

Revision as of 20:36, 20 April 2024

For free, libre and open-source software, culture and the arts

Events

FLOSS arts festivals and events
Conferences and summits

Publications

  • Armin Medosch, "Roots Culture: Free Software Vibrations Inna Babylon", in How Open is the Future? Economic, Social & Cultural Scenarios Inspired by Free and Open Source Software, eds. Marleen Wynants and Jan Cornelis, Brussels: VUB Brussels University Press, 2005, pp 135-162; upd. in Engineering Culture: On 'The Author as (Digital) Producer' , eds. Geoff Cox and Joasia Krysa, New York: Autonomedia, 2005, pp 177-201; repr. in Sarai Reader 2005: Bare Acts, New Delhi: Sarai, 2005, pp 222-239. Draft.
  • Aymeric Mansoux, Marloes de Valk (eds.), FLOSS+Art, Poitiers: Goto10, and London: Mute, 2008, 320 pp.
  • Aymeric Mansoux, "How Deep is Your Source", in Digital Art Conservation, Preservation of Digital Art: Theory and Practice, ed. Bernhard Serexhe, Karlsruhe: ZKM, 2012.

Documentary films

  • Art Meets Radical Openness, 2009, 26 min. Documentary of the 2009 festival edition. Film conceived by Annalisa Cannito, Chui Yong Jian, Santiago Bence.

Resources

  • Eightycolumn (80c; archived), a network of free culture aware educators in art, music and design education.

See also

Commons, Community servers, Copyright activism, Data activism, Federated networks, Hacker culture, Libre graphics, Live coding, Pure Data, Shadow libraries, Software art, SuperCollider



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