Difference between revisions of "Free software"

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* [[Art Meets Radical Openness]] (formerly LiWoLi), Linz, *2008
 
* [[Art Meets Radical Openness]] (formerly LiWoLi), Linz, *2008
 
* [[Flossie]], London, 2012-2013
 
* [[Flossie]], London, 2012-2013
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* [https://sister0.hotglue.me/ Networked Art Forms and Tactical Magick Faerie Circuits], *2014
 
* [https://piksel.no/transpiksel TransPiksel], int., *2016
 
* [https://piksel.no/transpiksel TransPiksel], int., *2016
* [https://sister0.hotglue.me/ Networked Art Forms and Tactical Magick Faerie Circuits], *2014
 
 
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* Aymeric Mansoux, Marloes de Valk (eds.), ''[https://monoskop.org/log/?p=31 FLOSS+Art]'', Poitiers: Goto10, and London: Mute, 2008, 320 pp.  
 
* Aymeric Mansoux, Marloes de Valk (eds.), ''[https://monoskop.org/log/?p=31 FLOSS+Art]'', Poitiers: Goto10, and London: Mute, 2008, 320 pp.  
 
* Nancy Mauro-Flude, ''[https://dpi.studioxx.org/en/no/22-free-culture/circe%E2%80%99s-new-equipment-and-sister0s-p-r-p-h-e-r-n-l-i P A R A P H E R N A L I A]'', dpi. Feminist Journal of Art and Digital Culture: Montreal, 2011.
 
 
*Nancy Mauro-Flude, ''[https://monoskop.org/log/?p=31 FLOSS+Art Linux for Theatre Makers: Embodiment & Nix Modus Operandi]'', FLOSS+Art, Poitiers: Goto10, and London: Mute, 2008.
 
 
*Kendall Grady, ''[https://mastersofmedia.hum.uva.nl/2011/10/you-will-_know-how_-an-interview-with-nancy-mauro-flude/ you will _KNOW how_ : interview with Nancy Mauro-Flude]'', Masters of Media Amsterdam October 31, 2011.
 
  
 
* Chun Lee, ''[https://eprints.mdx.ac.uk/4963/ Art Unlimited: An Investigation into Contemporary Digital Arts and the Free Software Movement]'', London: Middlesex University, 2008, 166 pp. PhD dissertation.
 
* Chun Lee, ''[https://eprints.mdx.ac.uk/4963/ Art Unlimited: An Investigation into Contemporary Digital Arts and the Free Software Movement]'', London: Middlesex University, 2008, 166 pp. PhD dissertation.
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* Ruth Catlow, Marc Garrett (eds.), [http://p2pfoundation.net/World_of_Free_and_Open_Source_Art ''Collaboration and Freedom – The World of Free and Open Source Art''], 2011.  
 
* Ruth Catlow, Marc Garrett (eds.), [http://p2pfoundation.net/World_of_Free_and_Open_Source_Art ''Collaboration and Freedom – The World of Free and Open Source Art''], 2011.  
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* Nancy Mauro-Flude, [https://dpi.studioxx.org/en/no/22-free-culture/circe%E2%80%99s-new-equipment-and-sister0s-p-r-p-h-e-r-n-l-i "Circe’s New Equipment and sister0's P A R A P H E R N A L I A"], ''dpi. Feminist Journal of Art and Digital Culture'', Montreal, 2011.
  
 
* Aymeric Mansoux, [http://web.archive.org/web/20160304044517/http://texts.bleu255.com/how-deep-is-your-source/ "How Deep is Your Source"], in ''Digital Art Conservation, Preservation of Digital Art: Theory and Practice'', ed. Bernhard Serexhe, Karlsruhe: ZKM, 2012.
 
* Aymeric Mansoux, [http://web.archive.org/web/20160304044517/http://texts.bleu255.com/how-deep-is-your-source/ "How Deep is Your Source"], in ''Digital Art Conservation, Preservation of Digital Art: Theory and Practice'', ed. Bernhard Serexhe, Karlsruhe: ZKM, 2012.

Revision as of 07:13, 24 July 2025

For free, libre and open-source software, culture and the arts

Events

FLOSS arts festivals and events
Conferences and summits

Publications

  • Armin Medosch, "Roots Culture: Free Software Vibrations Inna Babylon", in How Open is the Future? Economic, Social & Cultural Scenarios Inspired by Free and Open Source Software, eds. Marleen Wynants and Jan Cornelis, Brussels: VUB Brussels University Press, 2005, pp 135-162; upd. in Engineering Culture: On 'The Author as (Digital) Producer' , eds. Geoff Cox and Joasia Krysa, New York: Autonomedia, 2005, pp 177-201; repr. in Sarai Reader 2005: Bare Acts, New Delhi: Sarai, 2005, pp 222-239. Draft.
  • Aymeric Mansoux, Marloes de Valk (eds.), FLOSS+Art, Poitiers: Goto10, and London: Mute, 2008, 320 pp.
  • Aymeric Mansoux, "How Deep is Your Source", in Digital Art Conservation, Preservation of Digital Art: Theory and Practice, ed. Bernhard Serexhe, Karlsruhe: ZKM, 2012.
  • Manetta Berends, Femke Snelting, "Tools shape practice shapes tools...", Teknokultura. Journal of Digital Culture and Social Movements, Madrid: UCM, Nov 2024, PDF. A history of two decades of doing graphic design with free, libre and open-source tools.

Documentary films

  • Art Meets Radical Openness, 2009, 26 min. Documentary of the 2009 festival edition. Film conceived by Annalisa Cannito, Chui Yong Jian, Santiago Bence.

Resources

  • Eightycolumn (80c; archived), a network of free culture aware educators in art, music and design education.

See also

Commons, Community servers, Copyleft activism, Data activism, Federated networks, Hacker culture, Libre graphics, Live coding, Pure Data, Shadow libraries, Software art, SuperCollider