Difference between revisions of "Berlin"

From Monoskop
Jump to navigation Jump to search
Line 451: Line 451:
  
 
* [https://archiv.ngbk.de/projekte/formate-des-wir/ Formate des WIR. Aktuelle Perspektiven auf künstlerische Formationen, kollektive Aktivitäten und Arbeitsansätze seit den 1960er Jahren in Berlin], research project, nGbK Berlin, 2013. [http://web.archive.org/web/20210120002310/http://formatedeswir.net/ Project website] (archived).
 
* [https://archiv.ngbk.de/projekte/formate-des-wir/ Formate des WIR. Aktuelle Perspektiven auf künstlerische Formationen, kollektive Aktivitäten und Arbeitsansätze seit den 1960er Jahren in Berlin], research project, nGbK Berlin, 2013. [http://web.archive.org/web/20210120002310/http://formatedeswir.net/ Project website] (archived).
 +
 +
* Robert Defcon, [https://www.electronicbeats.net/tag/berlin-experiment/ "Berlin Experiment"], series of articles, ''electronic beats'', May 2014-Nov 2015.
  
 
* Kati Krause, Ole Schulz, [https://medium.com/matter/our-own-private-germany-6ce44ac93a7b "Our Own Private Germany"], ''Matter'', 8 Nov 2014. On squatting in 1990s Berlin.
 
* Kati Krause, Ole Schulz, [https://medium.com/matter/our-own-private-germany-6ce44ac93a7b "Our Own Private Germany"], ''Matter'', 8 Nov 2014. On squatting in 1990s Berlin.

Revision as of 21:05, 27 September 2023

Initiatives

Venues
Art museums and centres
Past venues

-able (gallery, -2014), Altes Finanzamt (Neukölln, -2015), Antje Øklesund (audiovisual laboratory, -2017), A Public Library (Kreuzberg, 2015), Automaten (club, 2001-2004), Echo Bücher (space for contemporary music, sound and club culture, Gesundbrunnen, 2013-2018), Enblanco Projektraum (project space, Kreuzberg, 2009-2013), Fischbüro (cultural club, 1986-1989), Galerie René Block (1964-1979), gelbe MUSIK (1981-2014), General Public (sound art gallery, 2005-2015), Intersoup (music venue, Prenzlauer Berg), Kunstfabrik (culture space, 2002-2008), LEAP (Mitte, 2011-2015), M12, Maria am Ostbahnhof (club), Media Arts Lab Künstlerhaus Bethanien, NK (2009-2015), Or Gallery Berlin (2010-2015), Pflüger68 (exhibition space, 2007-2015), pickledfeet (Mitte, -2008), Pirate Cinema Berlin, Podewil centre (1992-2004), Quiet Cue (2009-2016), Raum (Wedding, 2006-2007) Raum18 (Neukölln, 2009-2010), Ruine der Künste Berlin (1985-2005), Singuhr Hoergalerie (sound art gallery, 1996-2014), Spektrum (art & science community space with makerlab, 2014-2019) [4], Stattbad (culture centre, Wedding, 2001-2015), Stralau 68, Tesla (media art lab, 2005-2007), tmp (artistic project spaces, 2007-2011), Underground Zero (club, *2007), White Rabbit (gallery & music venue, -2012), Zentrale-Randlage (2005-2007).

Initiatives with no permanent event venue

Events

Past events

Art workers

Publications

  • Diedrich Diederichsen, Der lange Weg nach Mitte. Der Sound und die Stadt, Cologne: Kiepenheuer und Witsch, 1999; repr., Kiwi, 2018, 312 pp. Publisher. (German)
  • Children of Berlin. Cultural Developments 1989-1999, Berlin: Kunst-Werke, 1999, 96 pp. Catalogue. Exhibition held at P.S.1 Contemporary Art Center, New York, 7 Nov 1999-2 Jan 2000. Curated by Alanna Heiss and Klaus Biesenbach. Exh. reviews: Holland Cotter (NYT), Daryl Chin (PAJ).
  • Constructing New Berlin: Contemporary Art Made in Berlin, ed. Brady M. Roberts, Phoenix Art Museum, Bass Museum Of Art, and Munich: Prestel, 2006, 150 pp. Catalogue. [11]
  • Théo Lessour, Berlin sampler, Paris: Ollendorff & Desseins, 2009, 354+[11] pp. (French)
    • Berlin Sampler: From Cabaret to Techno: 1904-2012, A Century Of Berlin Music, trans. Sean Kearney, Berlin: Ollendorff, 2012, 365 pp.
  • Burkhard Beins, Christian Kesten, Gisela Nauck, Andrea Neumann (eds.), Echtzeitmusik Berlin: Selbstbestimmung einer Szene / Self-Defining a Scene, Hofheim am Taunus: Wolke, 2011, 416 pp. Excerpt. Publisher. Review: Williams (Crit Stud Impro). (German)/(English)
  • Ulrich Gutmair, Die ersten Tage von Berlin. Der Sound der Wende, Stuttgart: Klett-Cotta, 2013, 256 pp. Publisher. (German)
    • The First Days of Berlin: The Sound of Change, trans. Simon Pare, Polity, 2022, 200 pp. Publisher. Review: Shull (LA Review of Books).
  • Stefanie Seidl, Wolfgang Farkas, Heiko Zwirner (eds.), Nachtleben in Berlin: 1974 bis Heute, Metrolit, 2013. (German)
  • Sven Marquardt, Die Nacht ist Leben: Autobiographie, Ullstein, 2014, 224 pp. [13] (German)
  • Berliner Hefte zu Geschichte und Gegenwart der Stadt [Berlin Journals—On the History and Present State of the City], 11 vols., 2016-2022 ff. Project. Publisher. (German)
  • Peter Cusack, Berlin Sonic Places: A Brief Guide, ed. DAAD Artists-in-Berlin Program, Hofheim am Taunus: Wolke, 2017, 96 pp. Audio recordings. [14]
  • Annette Maechtel, Das Temporäre politisch denken. Raumproduktion im Berlin der frühen 1990er Jahre, Berlin: b_books, 2020, 450 pp. Publisher. Review: Conrads (TAZ). (German)
  • Birgit Eusterschulte, et al., Neuverhandlungen von Kunst. Diskurse und Praktiken seit 1990 am Beispiel Berlin, Bielefeld: transcript, 2020, 148 pp. TOC, Introduction. Publisher. (German)
  • Knut Ebeling, Annette Maechtel, Heimo Lattner (eds.), Never Mind the Nineties. Eine Medienarchäologie des Kunststandorts Berlin, Hamburg: adocs, and Berlin: Eeclectic, 2021, 146 pp. Excerpt. Publisher. Publisher. Research project. (German)


Cities
alternative base

Amsterdam, Athens, Bergen, Berlin, Bratislava, Brussels, Budapest, Copenhagen, Kyiv, Ljubljana, London, New York, Oslo, Paris, Prague, Rotterdam, Seoul, Stockholm, Tokyo, Vienna, Warsaw, Zagreb