Difference between revisions of "Central and Eastern Europe Bibliography"

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A multilingual bibliography of writings on avant-gardes in east-central Europe. For literature on individual authors see their respective pages.
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==Light-music synthesis==
 
==Light-music synthesis==
 
===East-Central Europe===
 
===East-Central Europe===
 
<onlyinclude>{{#ifeq:{{{transcludesection|lightmusic-cee}}}|lightmusic-cee|
 
<onlyinclude>{{#ifeq:{{{transcludesection|lightmusic-cee}}}|lightmusic-cee|
−
* Sandor Laszlo, ''Die Farblichtmusik'' [Color Light Music], Leipzig, 1925.
+
* Alexander László, ''Die Farblichtmusik'', Leipzig: Breitkopf & Härtel, 1925, xii+71 pp.
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* Hans Scheugl and Ernst Schmidt, "Lichtkunst", in ''Eine Subgeschichte des Films: Lexikon d. Avantgarde-, Experimental- u. Undergroundfilms'', 2 vol, Frankfurt am Main, 1974.
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* Hans Scheugl, Ernst Schmidt, "Lichtkunst", in ''Eine Subgeschichte des Films: Lexikon d. Avantgarde-, Experimental- u. Undergroundfilms, 2'', Frankfurt am Main, 1974. {{de}}
−
* Jörg Jewanski, "Color Organs", [http://www.see-this-sound.at/compendium/abstract/69]
+
* Teun Lucassen, [http://www.teunlucassen.nl/docs/Color_Organs.pdf "Color Organs"], n.d.
−
* Teun Lucassen, "Color Organs", [http://www.teunlucassen.nl/docs/Color_Organs.pdf]
+
* Cornelia Lund, Holger Lund (eds.), ''Audio.Visual - On Visual Music and Related Media'', 2009, 320 pp. Book with DVD. [http://www.fluctuating-images.de/de/node/336] {{en}}/{{de}}
−
* Cornelia Lund, Holger Lund (eds.), ''Audio.Visual - On Visual Music and Related Media'' (English/German), book with DVD, 320 pp, 2009. [http://www.fluctuating-images.de/de/node/336]
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* ''[http://monoskop.org/log/?p=11712 See This Sound: Versprechungen von Bild und Ton / Promises in Sound and Vision]'', eds. Cosima Rainer, Stella Rollig, Dieter Daniels and Manuela Ammer, Cologne: Walther König, 2010, 320 pp. {{de}}/{{en}}
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* ''[http://monoskop.org/log/?p=11712 See This Sound: Versprechungen von Bild und Ton / Promises in Sound and Vision]'', Cologne: Walther König, 2010. (in German/English)
+
* Jörg Jewanski, [http://www.see-this-sound.at/compendium/abstract/69 "Color Organs"], ''See This Sound Compendium'', c2010.
−
* ''Audiovisualogie'', Vol. 1 and 2
+
* Jan Schneider, Lenka Krausová (eds.), ''[http://is.muni.cz/el/1421/jaro2012/IMK015/um/Intermedialita.pdf Intermedialita: Slovo-Obraz-Zvuk: Sborník příspěvku ze sympozia]'', Olomouc: Univerzita Palackého v Olomouci, 2008, 336 pp. {{cz}}
−
* Jan Schneider, Lenka Krausová (eds.), ''[http://is.muni.cz/el/1421/jaro2012/IMK015/um/Intermedialita.pdf Intermedialita: Slovo-Obraz-Zvuk: Sborník příspěvku ze sympozia]'', Olomouc: Univerzita Palackého v Olomouci, 2008, 336 pp. (Czech)
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* Kateřina Drajsajtlová, [[Media:Drajsajtlova_Katerina_(Bc)_-_Svetelny_klavir_v_umeleckem_dile_Skrjabina_a_Pesanka_(Czech).pdf|''Světelný klavír v uměleckém díle Alexandera Nikolajeviče Skrjabina a Zdeňka Pešánka'']], Brno: Masaryk University, 2012. Bc thesis. [http://is.muni.cz/th/65026/ff_b/] {{cz}}
−
* Kateřina Drajsajtlová, [[Media:Drajsajtlova_Katerina_(Bc)_-_Svetelny_klavir_v_umeleckem_dile_Skrjabina_a_Pesanka_(Czech).pdf|''Světelný klavír v uměleckém díle Alexandera Nikolajeviče Skrjabina a Zdeňka Pešánka'']], Bc thesis, 2012 (Czech)
+
 
−
* "Bibliography: Synesthesia in Art and Science", compiled by Crétien van Campen (editor), Greta Berman, Anton V. Sidoroff-Dorso and Bulat Galeyev, ''Leonardo''. [http://www.leonardo.info/isast/spec.projects/synesthesiabib.html]
+
; Bibliography
 +
* [http://www.leonardo.info/isast/spec.projects/synesthesiabib.html "Bibliography: Synesthesia in Art and Science"], comp. Crétien van Campen (editor), Greta Berman, Anton V. Sidoroff-Dorso and Bulat Galeyev, ''Leonardo'', 2012.  
 
}}</onlyinclude>
 
}}</onlyinclude>
  
 
===Czech Republic===
 
===Czech Republic===
 
<onlyinclude>{{#ifeq:{{{transcludesection|lightmusic-cz}}}|lightmusic-cz|
 
<onlyinclude>{{#ifeq:{{{transcludesection|lightmusic-cz}}}|lightmusic-cz|
−
* Zdeněk Pěšánek, ''Kinetismus'', Prague 1941.
+
* Zdeněk Pěšánek, ''[[Media:Pesanek_Zdenek_Kinetismus_Kinetika_ve_vytvarnictvi_barevna_hudba.jpg|Kinetismus: Kinetika ve výtvarnictví – barevná hudba]]'', intro. František Kalivoda, Prague: Česká grafická Unie, 1941, 144 pp; repr., Prague: Akademie múzických umění, 2013. {{cz}}
 +
* Kateřina Drajsajtlová, [[Media:Drajsajtlova_Katerina_(Bc)_-_Svetelny_klavir_v_umeleckem_dile_Skrjabina_a_Pesanka_(Czech).pdf|''Světelný klavír v uměleckém díle Alexandera Nikolajeviče Skrjabina a Zdeňka Pešánka'']], Brno: Masaryk University, 2012. Bc thesis. [http://is.muni.cz/th/65026/ff_b/] {{cz}}
 
}}</onlyinclude>
 
}}</onlyinclude>
  
 
===Lithuania===
 
===Lithuania===
 
<onlyinclude>{{#ifeq:{{{transcludesection|lightmusic-lv}}}|lightmusic-lv|
 
<onlyinclude>{{#ifeq:{{{transcludesection|lightmusic-lv}}}|lightmusic-lv|
−
* Viacheslav Ivanov, "Churlianis i problema sinteza iskusstv" [Čiurlionis and the problem of the synthesis of the arts]. ''Apollon'', no. 3 (March 1914), pp 5-21. For an English translation, see "Ciurlonis and the problem of the synthesis of arts", ''Lituanus'' 7, no. 2 (June 1961), pp 45-57.
+
* Viacheslav Ivanov, "Churlianis i problema sinteza iskusstv" [Čiurlionis and the problem of the synthesis of the arts]. ''Apollon'' 3 (Mar 1914), pp 5-21. {{lv}}
 +
** "Ciurlonis and the problem of the synthesis of arts", ''Lituanus'' 7:2 (Jun 1961), pp 45-57. {{en}}
 
}}</onlyinclude>
 
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===East-Central Europe===
 
===East-Central Europe===
 
<onlyinclude>{{#ifeq:{{{transcludesection|avantgarde-cee}}}|avantgarde-cee|
 
<onlyinclude>{{#ifeq:{{{transcludesection|avantgarde-cee}}}|avantgarde-cee|
−
* Douglas Macagy, "[http://www.ubu.com/aspen/aspen5and6/russian.html The Russian Desert: A Note on our State of Knowledge]", ''Aspen'' 5+6 (1967).
+
; Catalogues
−
* George Rickey, ''Constructivism: Origins and Evolution'', New York: G. Braziller, 1967, xi+306 pp; rev.ed., 1995, xi+306 pp.
+
* ''Europa, Europa. Das Jahrhundert der Avantgarde in Mittel- und Osteuropa'', eds. Ryszard Stanislawski and Christoph Brockhaus, Bonn, 1994. Contributions from c150 authors. Four volumes: Vol I (five introductory essays followed by 73 short texts on the work of specific artists) 479 pp. incl. 247 col. pls. and 116 b&w ills.; Vol II (36 essays on aspects of architecture, literature, theatre, film and music) 239 pp. incl. 251 b&w ills.; Vol III, compiled by Hubertus Gassner (354 short texts of the period 1894-1994 by artists, critics etc., in German translation), 367 pp.; Vol IV (biographies; selected bibliography; list of exhibited works; index) 99 pp. [http://www.formerwest.org/ResearchLibrary/EuropaEuropaDasJahrhundertderAvantgardeinMittelundOsteuropa] [http://www.hatjecantz.de/controller.php?cmd=detail&titzif=00010623] {{de}}
−
* ''[[Media:Constructivismo.pdf|Constructivismo]]'', trans. F. Fernández Buey, Madrid: Alberto Corazón, 1973, 374 pp. (Spanish)
+
* ''Central European Avant Gardes: Exchange and Transformation, 1910–1930'', ed. Timothy O. Benson, forew. Péter Nádas, Los Angeles: Los Angeles County Museum of Art and Cambridge, MA: MIT Press, 2002, 447 pp. Review: [http://www.jstor.org/stable/20058281 Zusi] (SEEJ 2005). [http://mitpress.mit.edu/books/central-european-avant-gardes] {{en}}
−
* Stephen Bann (ed.), ''[http://monoskop.org/log/?p=3970 The Tradition of Constructivism]'', New York: Viking Press, 1974, 334 pp. Review: [http://www.jstor.org.sci-hub.club/stable/2495641 Compton] (Slavic Review 1975).
+
* ''Von Kandinsky bis Tatlin: Konstruktivismus in Europa/From Kandinsky to Tatlin: Constructivism in Europe'', Schwerin: Staatliches Museum; and Bonn: Kunstmuseum, 2006. {{de}}/{{en}}
−
* Folke Dietzsch, "Zu einigen Aspekten der Internationalität des Bauhauses und seiner Studentenschaft", ''Wissenschaftliche Zeitschrift / A // Hochschule für Architektur und Bauwesen'', Jg. 33, 1987, H. 4/6. (in German) [http://e-pub.uni-weimar.de/frontdoor.php?source_opus=1068&la=de]
+
* ''Vzplanutí. Expresionistické tendence ve Střední Evropě 1903-1936'', ed. Ladislav Daněk, Olomouc: Muzeum umění Olomouc, 2008, 200 pp. [http://issuu.com/muzeumumeniolomouc/docs/vzplanuti] {{cz}}
−
* Kristina Passuth, ''Les avant-gardes de l’Europe Centrale 1907–1927'', Flammarion, 1988, 327 pp.  (in French) [http://www.amazon.com/avant-gardes-lEurope-centrale-1907-1927-French/dp/2080120344]
+
 
−
* ''Art Journal'' Vol. 49, No. 1 (Spring 1990), Special Issue: "From Leningrad to Ljubljana: The Suppressed Avant-Gardes of East-Central and Eastern Europe during the Early Twentieth Century". [http://www.jstor.org/stable/i231693]
+
; Anthologies
−
* Ryszard Stanislawski and Christoph Brockhaus (eds.), ''Europa, Europa. Das Jahrhundert der Avantgarde in Mittel- und Osteuropa'', exhibition catalogue, Bonn, 1994. Contributions from ca 150 authors. Four volumes: Vol I (five introductory essays followed by 73 short texts on the work of specific artists) 479 pp. incl. 247 col. pls. and 116 b&w ills.; Vol II (36 essays on aspects of architecture, literature, theatre, film and music) 239 pp. incl. 251 b&w ills.; Vol III, compiled by Hubertus Gassner (354 short texts of the period 1894-1994 by artists, critics etc., in German translation), 367 pp.; Vol IV (biographies; selected bibliography; list of exhibited works; index) 99 pp. ISBN 978-3-89322-623-8. [http://www.formerwest.org/ResearchLibrary/EuropaEuropaDasJahrhundertderAvantgardeinMittelundOsteuropa] [http://www.hatjecantz.de/controller.php?cmd=detail&titzif=00010623]
+
* ''[http://monoskop.org/log/?p=3970 The Tradition of Constructivism]'', ed. & intro. Stephen Bann, New York: Viking Press, 1974, xlix+334 pp, [[Media:Bann_Stephen_ed_The_Tradition_of_Constructivism.pdf|PDF]]. Fifty-one texts from 1920-65 in 7 sections. Review: [http://www.jstor.org.sci-hub.club/stable/2495641 Compton] (SR 1975).  {{en}}
−
* Timothy O. Benson, Éva Forgács (eds.), ''Between Worlds: A Sourcebook of Central European Avant-Gardes, 1910-1930'', Los Angeles County Museum of Art, 2002. [http://artmargins.com/index.php?option=com_content&view=article&id=87:behind-the-obscurity-of-the-central-european-avant%20gardes&catid=112:book-reviews&Itemid=104]
+
* ''Between Worlds: A Sourcebook of Central European Avant-Gardes, 1910-1930'', eds. Timothy O. Benson and Éva Forgács, Los Angeles: Los Angeles County Museum of Art and Cambridge, MA: MIT Press, 2002, 736 pp. Review: [http://www.jstor.org/stable/20058281 Zusi] (SEEJ 2005). [http://artmargins.com/index.php?option=com_content&view=article&id=87:behind-the-obscurity-of-the-central-european-avant%20gardes&catid=112:book-reviews&Itemid=104] {{en}}
−
* ''Central European Avant Gardes'', Los Angeles and Cambridge, MA: Los Angeles County Museum of Art and MIT Press, 2002.
+
 
−
* Esther Levinger, "The Second Narrative, Constructivism in East-Central Europe", colloquium talk, Clark Art Institute, Williamstown, Mass, 2002.
+
; Books
−
* ''Centropa'' journal, Vol 3, No 1 (January 2003), Special Issue: "Central European Architectural Students at the Bauhaus". [http://www.artworlds.org/Centropa3-1.htm]
+
* George Rickey, ''Constructivism: Origins and Evolution'', New York: G. Braziller, 1967, xi+306 pp; rev.ed., 1995, xi+306 pp.  {{en}}
−
* Dubravka Đurić, Miško Šuvaković (eds.), ''Impossible Histories: Historic Avant-Gardes, Neo-Avant-Gardes, and Post-Avant-Gardes in Yugoslavia, 1918-1991'', MIT Press, 2003. [http://mitpress.mit.edu/catalog/item/default.asp?ttype=2&tid=9567]
+
* Willy Rotzler, ''Konstruktive Konzepte: eine Geschichte der konstruktiven Kunst vom Kubismus bis heute'', Zurich: ABC, 1977, 299 pp; new ed., 1988, 332 pp; 3rd ed., 1995, 332 pp. {{de}}
−
* Kristina Passuth, ''Treffpunkte der Avantgarden: Ostmitteleuropa 1907–1930'', Verlag der Kunst Dresden, 2003. (in German) [http://www.amazon.de/Treffpunkte-Avantgarden-Ostmitteleuropa-1907-1930-Krisztina/dp/3364006059]
+
* Kristina Passuth, ''Les avant-gardes de l'Europe Centrale, 1907-1927'', Paris: Flammarion, 1988, 327 pp.  {{fr}}
−
* ''Von Kandinsky bis Tatlin: Konstruktivismus in Europa/From Kandinsky to Tatlin: Constructivism in Europe'', Schwerin: Staatliches Museum; and Bonn: Kunstmuseum, 2006. (in German/English)
+
** ''Avantgarde kapcsolatok Prágától Bukarestig 1907-1930'', Budapest: Balassi, 1998, 381 pp. {{hu}}
−
* Vojtěch Lahoda (ed.), ''Local Strategies, International Ambitions: Modern Art and Central Europe 1918-1968'', Prague: Artefactum, 2006, 243 pp. Papers from the International conference, Prague, 11-14 June 2003. [http://www.udu.cas.cz/data/user/docs/Local_Strategies_obsah.pdf Contents]. Papers: [http://www.artworlds.org/ab/resources/CV/Brzyski003.pdf Anna Brzynski], [http://www.academia.edu/498990/The_Central_European_Avant-Garde_of_the_1920s_The_Battleground_for_Futurist_Identity_ Maria Elena Versari]. [http://www.udu.cas.cz/en/artefactum-publishing-house/] [http://books.google.com/books/about/Local_strategies_international_ambitions.html?id=gzqhGQAACAAJ]
+
* Lothar Lang, ''Konstruktivismus und Buchkunst'', Leipzig: Edition Leipzig, 1990, 208 pp. [http://tocs.ulb.tu-darmstadt.de/16197305.pdf TOC]. {{de}}
−
* Ladislav Daněk (ed.), ''Vzplanutí. Expresionistické tendence ve Střední Evropě 1903-1936'', Olomouc: Muzeum umění Olomouc, 2008, 200 pp. Catalogue. (in Czech) [http://issuu.com/muzeumumeniolomouc/docs/vzplanuti]
+
* Dubravka Đurić, Miško Šuvaković (eds.), ''Impossible Histories: Historic Avant-Gardes, Neo-Avant-Gardes, and Post-Avant-Gardes in Yugoslavia, 1918-1991'', MIT Press, 2003, 520 pp. [http://mitpress.mit.edu/books/impossible-histories] {{en}}
−
* Günter Berghaus (ed.), ''[http://gen.lib.rus.ec/book/index.php?md5=f0a80cee2b684e3b3ea2cc3e34b270f6 International Yearbook of Futurism Studies, 1: Futurism in Eastern and Central Europe]'', De Gruyter, 2011.
+
* Kristina Passuth, ''Treffpunkte der Avantgarden: Ostmitteleuropa 1907–1930'' [1988], trans. Aniko Harmath, Dresden: Verlag der Kunst, 2003, 337 pp. Review: [http://www.hsozkult.de/publicationreview/id/rezbuecher-4877 Dmitrieva-Einhorn] (H-Soz-Kult 2006). {{de}}
−
** Sonia de Puineuf, "Quicksands of Typography: The Futurist Experience in Central Europe during the 1920s", pp 61-84.
+
* Vojtěch Lahoda (ed.), ''Local Strategies, International Ambitions: Modern Art and Central Europe 1918-1968'', Prague: Artefactum, 2006, 243 pp. Papers from the international conference, Prague, 11-14 Jun 2003. [http://www.udu.cas.cz/data/user/docs/Local_Strategies_obsah.pdf TOC]. Papers: [http://www.artworlds.org/ab/resources/CV/Brzyski003.pdf Anna Brzynski], [http://www.academia.edu/498990/ Maria Elena Versari]. [http://www.udu.cas.cz/en/artefactum-publishing-house/] [http://books.google.com/books/about/Local_strategies_international_ambitions.html?id=gzqhGQAACAAJ]
 +
* Günter Berghaus (ed.), ''[http://gen.lib.rus.ec/book/index.php?md5=f0a80cee2b684e3b3ea2cc3e34b270f6 Futurism in Eastern and Central Europe]'', De Gruyter (International Yearbook of Futurism Studies 1), 2011.  
 
* Sarah Posman, Anne Reverseau, David Ayers, Sascha Bru, Benedikt Hjartarson (eds.), ''The Aesthetics of Matter. Modernism, the Avant-Garde and Material Exchange'', De Gruyter, 2013.
 
* Sarah Posman, Anne Reverseau, David Ayers, Sascha Bru, Benedikt Hjartarson (eds.), ''The Aesthetics of Matter. Modernism, the Avant-Garde and Material Exchange'', De Gruyter, 2013.
 +
 +
; Journal issues
 +
* ''Art Journal'' 49(1): "From Leningrad to Ljubljana: The Suppressed Avant-Gardes of East-Central and Eastern Europe during the Early Twentieth Century" (Spring 1990). [http://www.jstor.org/stable/i231693] {{en}}
 +
* ''Centropa'' 3(1): "Central European Architectural Students at the Bauhaus" (Jan 2003). [http://www.artworlds.org/Centropa3-1.htm] {{en}}
 +
 +
; Articles, talks
 +
* Folke Dietzsch, [http://e-pub.uni-weimar.de/opus4/frontdoor/index/index/docId/1003 "Zu einigen Aspekten der Internationalität des Bauhauses und seiner Studentenschaft"], ''Wissenschaftliche Zeitschrift / A // Hochschule für Architektur und Bauwesen'' 33:4/6 (1987). {{de}}
 +
* Esther Levinger, "The Second Narrative, Constructivism in East-Central Europe", Clark Art Institute, Williamstown, Mass, 2002. Colloquium talk. {{en}}
 
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* ''[[ReD|ReD: měsíčník pro moderní kulturu]]'', 30 numbers, ed. Karel Teige, Prague: Devětsil, 1927-31.
 
* ''[[ReD|ReD: měsíčník pro moderní kulturu]]'', 30 numbers, ed. Karel Teige, Prague: Devětsil, 1927-31.
 
* ''[[Horizont|Horizont: revue současné kultury v Československu]]'', 38 numbers, eds. Jiří Kroha and Jaroslav B. Svrček, Brno: Václav Roštlapil, 1927-32.
 
* ''[[Horizont|Horizont: revue současné kultury v Československu]]'', 38 numbers, eds. Jiří Kroha and Jaroslav B. Svrček, Brno: Václav Roštlapil, 1927-32.
 +
* ''[[Index|Index: leták kulturní informace]]'', monthly, ed. Bedřich Václavek, Brno: Spolek Index, 1929-39.
 
* ''[[Zvěrokruh|Zvěrokruh: měsíčník soudobého umění]]'', 2 issues, ed. Vítězslav Nezval, Prague: Studentské knihkupectví, 1930.
 
* ''[[Zvěrokruh|Zvěrokruh: měsíčník soudobého umění]]'', 2 issues, ed. Vítězslav Nezval, Prague: Studentské knihkupectví, 1930.
 
* ''[[Levá fronta]]'', weekly, ed. Stanislav Neumann, et al., Prague: Odeon and Průlom, 1930-33.
 
* ''[[Levá fronta]]'', weekly, ed. Stanislav Neumann, et al., Prague: Odeon and Průlom, 1930-33.
 
* ''[[Kvart|Kvart: sborník poezie a vědy]]'', bimonthly, ed. Vít Obrtel, Prague, 1930-37, 1945-49.
 
* ''[[Kvart|Kvart: sborník poezie a vědy]]'', bimonthly, ed. Vít Obrtel, Prague, 1930-37, 1945-49.
 
* ''[[Ekran|Ekran: měsíčník pro moderní film a fotografii]]'', 1 issue, ed. František Kalivoda, Brno: Vladislav Binder, 1934.
 
* ''[[Ekran|Ekran: měsíčník pro moderní film a fotografii]]'', 1 issue, ed. František Kalivoda, Brno: Vladislav Binder, 1934.
−
* ''[[Telehor|Telehor: The International Review New Vision]]'' (Mezinárodní časopis pro visuální kulturu / Internationale Zeitschrift für visuelle Kultur / Revue internationale pour la culture visuelle) 1:1-2: Special Issue on László Moholy-Nagy, ed. František Kalivoda, Brno: Fr. Kalivoda, 1936, 138 pp. (in English/Czech/German/French)
+
* ''[[Telehor|Telehor: The International Review New Vision]]'' (Mezinárodní časopis pro visuální kulturu / Internationale Zeitschrift für visuelle Kultur / Revue internationale pour la culture visuelle) 1:1-2: Special Issue on László Moholy-Nagy, ed. František Kalivoda, Brno: Fr. Kalivoda, 1936, 138 pp. {{en}}/{{cz}}/{{de}}/{{fr}}
 
* ''[[aka|aka: časopis pro průmyslové umění]]'', 2 issues, ed. František Kalivoda, Brno: Klub průmyslového umění, 1937-38.
 
* ''[[aka|aka: časopis pro průmyslové umění]]'', 2 issues, ed. František Kalivoda, Brno: Klub průmyslového umění, 1937-38.
  
 
; Almanacs
 
; Almanacs
−
* Jaroslav Seifert, Karel Teige (eds.), ''[[Media:Seifert_Jaroslav_Teige_Karel_eds_Devetsil_Revolucni_sbornik.pdf|Devětsil: Revoluční sborník]]'', Prague, 1922, 208 pp.  
+
* ''[[Media:Seifert_Jaroslav_Teige_Karel_eds_Devetsil_Revolucni_sbornik.pdf|Devětsil: Revoluční sborník]]'', eds. Jaroslav Seifert and Karel Teige, Prague, 1922, 208 pp. {{cz}}
−
* Jaromír Krejcar (ed.), ''[http://bibliothequekandinsky.centrepompidou.fr/imagesbk/RP216%5C002/M5050_X0031_PER_P02161922002.pdf Život: výtvarný sborník, 2]'', Prague, 1922.
+
* ''[http://bibliothequekandinsky.centrepompidou.fr/imagesbk/RP216%5C002/M5050_X0031_PER_P02161922002.pdf Život: výtvarný sborník, 2]'', ed. Jaromír Krejcar, Prague, 1922. {{cz}}
−
* Halas, Průša, Rossmann, Václavek (eds.), ''[http://bibliothequekandinsky.centrepompidou.fr/imagesbk/FondsDestribatsP258/001/M5050_X0031_DES_P02581927001.pdf Fronta: mezinárodní sborník soudobé aktivity]'', Brno, 1927, 203 pp.
+
* ''[http://bibliothequekandinsky.centrepompidou.fr/imagesbk/FondsDestribatsP258/001/M5050_X0031_DES_P02581927001.pdf Fronta: mezinárodní sborník soudobé aktivity]'', eds. Halas, Průša, Rossmann and Václavek, Brno, 1927, 203 pp. {{cz}}
  
 
; Manifestos
 
; Manifestos
−
* Karel Teige, [http://modernistarchitecture.wordpress.com/2010/10/21/karel-teige%e2%80%99s-%e2%80%9cpoetism%e2%80%9d-1924/ "Poetismus"], ''Host'' 3:9-10 (Jul 1924).  
+
* Karel Teige, [http://modernistarchitecture.wordpress.com/2010/10/21/karel-teige%e2%80%99s-%e2%80%9cpoetism%e2%80%9d-1924/ "Poetismus"], ''Host'' 3:9-10 (Jul 1924). {{cz}}
−
* Toyen, Jindřich Štyrský, [[Media:Toyen_Styrsky_1927_Artificielisme_manifesto.pdf|"Artificielisme"]], ''ReD'' 1:1 (1927).
+
* Toyen, Jindřich Štyrský, [[Media:Toyen_Styrsky_1927_Artificielisme_manifesto.pdf|"Artificielisme"]], ''ReD'' 1:1 (1927). {{cz}}
−
* Karel Teige, [[Media:Teige_Karel_1928_Manifest_Poetismu.pdf|"Manifest Poetismu"]], ''ReD'' 1:9 (1928). [http://modernistarchitecture.wordpress.com/2010/10/21/excerpts-from-karel-teige%e2%80%99s-%e2%80%9cpoetism-manifesto%e2%80%9d-1928/]
+
* Karel Teige, [[Media:Teige_Karel_1928_Manifest_Poetismu.pdf|"Manifest Poetismu"]], ''ReD'' 1:9 (1928). [http://modernistarchitecture.wordpress.com/2010/10/21/excerpts-from-karel-teige%e2%80%99s-%e2%80%9cpoetism-manifesto%e2%80%9d-1928/] {{cz}}
−
* [[Media:Leva_fronta_1929_Founding_manifesto.pdf|"Levá fronta"]] ''ReD'' 3:2 (1929). [http://modernistarchitecture.wordpress.com/2010/10/21/the-left-front%E2%80%99s-%E2%80%9Cfounding-manifesto%E2%80%9D-1929/]
+
* [[Media:Leva_fronta_1929_Founding_manifesto.pdf|"Levá fronta"]] ''ReD'' 3:2 (1929). [http://modernistarchitecture.wordpress.com/2010/10/21/the-left-front%E2%80%99s-%E2%80%9Cfounding-manifesto%E2%80%9D-1929/] {{cz}}
  
 
; Anthologies
 
; Anthologies
−
* Stěpán Vlašín (ed.), ''[http://www.ucl.cas.cz/edicee/index.php?expand=/antologie/avantgarda/AVA2 Avantgarda známá a neznámá, 3: Vrchol a krize poetismu 1925-1928]'', Prague: Svoboda, 1972.
+
* ''[http://www.ucl.cas.cz/edicee/index.php?expand=/antologie/avantgarda/AVA2 Avantgarda známá a neznámá, 3: Vrchol a krize poetismu 1925-1928]'', ed. Stěpán Vlašín, Prague: Svoboda, 1972. {{cz}}
 
}}</onlyinclude>
 
}}</onlyinclude>
  
 
====Literature====
 
====Literature====
 
<onlyinclude>{{#ifeq:{{{transcludesection|avantgarde-cz}}}|avantgarde-cz|
 
<onlyinclude>{{#ifeq:{{{transcludesection|avantgarde-cz}}}|avantgarde-cz|
−
* Karel Honzík, ''Ze života avantgardy: zážitky architektovy'', Prague: Československý spisovatel, 1963, 240 pp. (in Czech). [http://digilib.phil.muni.cz/bitstream/handle/11222.digilib/108657/D_ScientiaeLitterarum_11-1964-1_29.pdf Review].
+
; Catalogues
−
* Alfred French, ''The Poets of Prague: Czech Poetry Between the Wars'', Oxford University Press, 1969, 129 pp.  
+
* ''Tschechische Avantgarde 1922-1940. Reflexe europäischer Kunst und Fotographie in der Buchgestaltung'', ed. Zdenek Primus, Hamburg: Kunstverein, 1990, 207 pp. Catalogue of an exhibition held at the Kunstverein in Hamburg, June 1-July 15, 1990 and the Museum Bochum, Dec. 15, 1990-Jan. 27, 1991. {{de}}
−
* Zdeněk Kudělka, [http://digilib.phil.muni.cz/bitstream/handle/11222.digilib/126220/SpisyFF_186-1973-1_16.pdf "Brněnská architektonická avantgarda"], in ''Padesát vítězných let: sborník prací z vědecké konference filosofické fakulty University J. E. Purkyně k 50. výročí vzniku Komunistické strany Československa'', ed. Bedřich Čerešňák, Brno: Universita J.E. Purkyně, 1973, pp 145-149. (in Czech)
+
* ''Das Bauhaus im Osten: Slowakische und tschechische Avantgarde 1928-1939'', ed. Susanne Anna, Ostfildern-Ruit: Hatje Cantz, et al., 1997, 339 pp. [http://www.hatjecantz.de/controller.php?cmd=detail&titzif=00000729&lang=en] [http://www.gbv.de/dms/hebis-darmstadt/toc/55816851.pdf TOC], [http://books.google.com/books/about/Das_Bauhaus_im_Osten.html?id=4sjpAAAAMAAJ]. Review: [http://www.jstor.org/stable/40662746 Long] (SDA 2000 EN). {{de}}
 +
 
 +
; Books
 +
* Karel Honzík, ''Ze života avantgardy: zážitky architektovy'', Prague: Československý spisovatel, 1963, 240 pp. Review: [http://digilib.phil.muni.cz/bitstream/handle/11222.digilib/108657/D_ScientiaeLitterarum_11-1964-1_29.pdf Závodský] (1964). {{cz}}
 +
* Alfred French, ''The Poets of Prague: Czech Poetry Between the Wars'', Oxford University Press, 1969, 129 pp. {{en}}
 
* Vladimir Müller, ''[http://digi20.digitale-sammlungen.de/en/fs1/object/display/bsb00057002_00001.html Der Poetismus: das Programm und die Hauptverfahren der tschechischen literarischen Avantgarde der Zwanziger Jahre]'', Munich: Sagner, 1978, 223 pp. {{de}}
 
* Vladimir Müller, ''[http://digi20.digitale-sammlungen.de/en/fs1/object/display/bsb00057002_00001.html Der Poetismus: das Programm und die Hauptverfahren der tschechischen literarischen Avantgarde der Zwanziger Jahre]'', Munich: Sagner, 1978, 223 pp. {{de}}
−
* Simone Hain, [http://e-pub.uni-weimar.de/opus4/files/911/Simone_Hain.pdf "Bauhaus und tschechische architektonische Avantgarde"], ''Wissenschaftliche Zeitschrift'' 26:4/5 (1979), Hochschule für Architektur und Bauwesen. (in German) [http://e-pub.uni-weimar.de/opus4/frontdoor/index/index/docId/911]
+
* Vladimír Birgus, ''Česká fotografická avantgarda 1918–1948'', Prague: Kant, 1999. {{cz}}
−
* Vladimír Šlapeta, [http://e-pub.uni-weimar.de/opus4/files/909/Vladimir_Slapeta_1.pdf "Zum Einfluß des Bauhauses auf die tschechische moderne Architektur"], ''Wissenschaftliche Zeitschrift'' 26:4/5 (1979), Hochschule für Architektur und Bauwesen. (in German) [http://e-pub.uni-weimar.de/opus4/frontdoor/index/index/docId/909]
+
** Vladimír Birgus, ''Tschechische Avantgarde - Fotografie 1918-1948'', Stuttgart: Arnoldsche, 1999. {{de}}
−
* Alena Adlerová, [http://e-pub.uni-weimar.de/opus4/files/907/Alena_Adlerova.pdf "Krásná jizba und Bauhaus: zur Produktgestaltung in der ČSR 1928-1938"], ''Wissenschaftliche Zeitschrift'' 26:4/5 (1979), Hochschule für Architektur und Bauwesen. (in German) [http://e-pub.uni-weimar.de/opus4/frontdoor/index/index/docId/907]
 
−
* Vladimír Šlapeta, [http://e-pub.uni-weimar.de/opus4/files/1017/Vladimir_Slapeta.pdf "Brno/Brünn, die Stadt der modernen Architektur, die Stadt der Villa Tugendhat"], ''Wissenschaftliche Zeitschrift / A'' 33:4/6 (1987), Hochschule für Architektur und Bauwesen. (in German) [http://e-pub.uni-weimar.de/opus4/frontdoor/index/index/docId/1017]
 
−
* Tomáš Vlček, "Art between Social Crisis and Utopia: The Czech Contribution to the Development of the Avant-Garde Movement in East-Central Europe, 1910-30", ''Art Journal'' 49:1 (Spring 1990), pp 28-35. [http://www.jstor.org/stable/777177]
 
−
* ''Tschechische Avantgarde 1922-1940. Reflexe europäischer Kunst und Fotographie in der Buchgestaltung'', ed. Zdenek Primus, Hamburg: Kunstverein, 1990, 207 pp. Catalogue of an exhibition held at the Kunstverein in Hamburg, June 1-July 15, 1990 and the Museum Bochum, Dec. 15, 1990-Jan. 27, 1991. {{de}}
 
−
* Susanne Anna (ed.), ''Das Bauhaus im Osten: Slowakische und tschechische Avantgarde 1928-1939'', Ostfildern-Ruit: Hatje Cantz, et al., 1997, 339 pp. (in German) [http://www.hatjecantz.de/controller.php?cmd=detail&titzif=00000729&lang=en] [http://www.gbv.de/dms/hebis-darmstadt/toc/55816851.pdf Contents], [http://books.google.com/books/about/Das_Bauhaus_im_Osten.html?id=4sjpAAAAMAAJ], [http://www.jstor.org/stable/40662746 Review].
 
−
* Vladimír Birgus, ''Česká fotografická avantgarda 1918–1948'', Prague: Kant, 1999. (in Czech)
 
−
** Vladimír Birgus, ''Tschechische Avantgarde - Fotografie 1918-1948'', Stuttgart: Arnoldsche, 1999. (in German)
 
 
** Vladimír Birgus, ''Czech Photographic Avant-Garde, 1918-1948'', MIT Press, 2002, 311 pp. [http://mitpress.mit.edu/books/czech-photographic-avant-garde-1918%E2%80%931948]
 
** Vladimír Birgus, ''Czech Photographic Avant-Garde, 1918-1948'', MIT Press, 2002, 311 pp. [http://mitpress.mit.edu/books/czech-photographic-avant-garde-1918%E2%80%931948]
 +
* Jaroslav Anděl, ''Nová vize (Avantgardní architektura v avantgardní fotografii: Československo 1918-1938)'', Bratislava: Slovart, 2005. {{cz}}
 +
* Danuše Kšicová, ''[http://digilib.phil.muni.cz/handle/11222.digilib/103677 Od moderny k avantgardě. Rusko-české paralely]'', Brno: Masarykova univerzita, 2007, 467+48 pp. Review: [http://journals.muni.cz/universitas/article/view/265/257 Krystynkova] (Universitas 2011). {{cz}}
 +
* Thomas G. Winner, ''[http://www.thomasgwinnerczechavantgarde.com/uploads/5/8/4/3/5843028/tgwinnerczechavantgardedec2010.pdf The Czech Avant-Garde Literary Movement Between the Two World Wars]'', c2010, 206 pp. {{en}}
 +
* Jana Horáková, ''Robot jako robot'', Prague: KLP, 2010, 238 pp. [http://www.muni.cz/phil/research/publications/928936] {{cz}}
 +
* Josef Vojvodík, Jan Wiendl (eds.), ''Heslář české avantgardy. Estetické koncepty a proměny uměleckých postupů v letech 1908-1958'', Prague: Univerzita Karlova & Togga, 2011, 477 pp. [http://www.ff.cuni.cz/FF-354-version1-recenze_heslar_avantgardy_das_.pdf Review]. {{cz}}
 +
** ''A Glossary of Catchwords of the Czech Avant-Garde: Conceptions of Aesthetics and the Changing Faces of Art 1908-1958'', Prague: Togga, 2012, 511 pp. [http://www.eshop.togga.cz/cs/80-a-glossary-of-catchwords-of-the-czech-avant-garde-9788073083.html] {{en}}
 +
* Jeanette Fabian, ''Poetismus. Ästhetische Theorie und künstlerische Praxis der tschechischen Avantgarde'', Munich: Sagner, 2013. [http://www.kubon-sagner.com/opac.html?record=7784E] {{de}}
 +
 +
; Articles, dissertations
 +
* Zdeněk Kudělka, [http://digilib.phil.muni.cz/bitstream/handle/11222.digilib/126220/SpisyFF_186-1973-1_16.pdf "Brněnská architektonická avantgarda"], in ''Padesát vítězných let: sborník prací z vědecké konference filosofické fakulty University J. E. Purkyně k 50. výročí vzniku Komunistické strany Československa'', ed. Bedřich Čerešňák, Brno: Universita J.E. Purkyně, 1973, pp 145-149. {{cz}}
 +
* Simone Hain, [http://e-pub.uni-weimar.de/opus4/files/911/Simone_Hain.pdf "Bauhaus und tschechische architektonische Avantgarde"], ''Wissenschaftliche Zeitschrift'' 26:4/5 (1979), Hochschule für Architektur und Bauwesen. [http://e-pub.uni-weimar.de/opus4/frontdoor/index/index/docId/911] {{de}}
 +
* Vladimír Šlapeta, [http://e-pub.uni-weimar.de/opus4/files/909/Vladimir_Slapeta_1.pdf "Zum Einfluß des Bauhauses auf die tschechische moderne Architektur"], ''Wissenschaftliche Zeitschrift'' 26:4/5 (1979), Hochschule für Architektur und Bauwesen. {{de}} [http://e-pub.uni-weimar.de/opus4/frontdoor/index/index/docId/909]
 +
* Alena Adlerová, [http://e-pub.uni-weimar.de/opus4/files/907/Alena_Adlerova.pdf "Krásná jizba und Bauhaus: zur Produktgestaltung in der ČSR 1928-1938"], ''Wissenschaftliche Zeitschrift'' 26:4/5 (1979), Hochschule für Architektur und Bauwesen. [http://e-pub.uni-weimar.de/opus4/frontdoor/index/index/docId/907] {{de}}
 +
* Leo Kohut, "Bauhaus. Ungarn-Tschechoslowakei. Zur Bauhaus-Rezeption in Ost-europa", in ''Bauhaus-Archiv, Museum. Sammlungs-Katalog, (Auswahl), Architektur, Design, Malerei, Graphik, Kunstpädagogik'', Berlin: Gebr. Mann, 1981, pp 283-287. {{de}}
 +
* Vladimír Šlapeta, [http://e-pub.uni-weimar.de/opus4/files/1017/Vladimir_Slapeta.pdf "Brno/Brünn, die Stadt der modernen Architektur, die Stadt der Villa Tugendhat"], ''Wissenschaftliche Zeitschrift / A'' 33:4/6 (1987), Hochschule für Architektur und Bauwesen. [http://e-pub.uni-weimar.de/opus4/frontdoor/index/index/docId/1017] {{de}}
 +
* Tomáš Vlček, "Art between Social Crisis and Utopia: The Czech Contribution to the Development of the Avant-Garde Movement in East-Central Europe, 1910-30", ''Art Journal'' 49:1 (Spring 1990), pp 28-35. [http://www.jstor.org/stable/777177] {{en}}
 
* Vladimír Birgus, [http://web.archive.org/web/20070901163209/http://www.fotofo.sk/imago/no9/collecting.htm "The New Objectivity and Constructivism in Czech Inter-War Photography"], ''Imago'' 9 (Winter 2000).  
 
* Vladimír Birgus, [http://web.archive.org/web/20070901163209/http://www.fotofo.sk/imago/no9/collecting.htm "The New Objectivity and Constructivism in Czech Inter-War Photography"], ''Imago'' 9 (Winter 2000).  
−
* Nicholas Sawicki, "[http://www.academia.edu/2626356/_Czechoslovakia_Bauhaus_Students_and_Associates._In_Centropa_3_1_2003_27-40 Czechoslovakia: Bauhaus Students and Associates: Zdenek Rossmann, Josef Hausenblas, Otto Eisler, Ladislav Foltyn, Antonin Urban, Vladimir Nemecek, Václav Zraly, Karel Teige, Peter Bücking]", ''Centropa'' 3:1 (2003), pp 27-40.
+
* Nicholas Sawicki, [http://academia.edu/2626356/ "Czechoslovakia: Bauhaus Students and Associates: Zdenek Rossmann, Josef Hausenblas, Otto Eisler, Ladislav Foltyn, Antonin Urban, Vladimir Nemecek, Václav Zraly, Karel Teige, Peter Bücking"], ''Centropa'' 3:1 (2003), pp 27-40. {{en}}
−
* Naomi Hume, ''[http://202.28.199.34/multim/3125617.pdf Contested Cubisms: Transformations of the Czech Avant-Garde, 1910-1914]'', University of Chicago, 2004, 485 pp. Ph.D. Dissertation. [http://ebook.thailis.or.th/irweb/cgi-bin/irweb.exe?op=dsp&opt=crd&bid=3260&kid=0&lang=0&db=irmain&pat=Education,+Curriculum+and+Instruction.&cat=aut&skin=j&lpp=50&catop&scid=zzz]
+
* Nicholas Sawicki, [http://www.academia.edu/3466296/ "Writing the History of the ‘Czechoslovak Official Modern’: Karel Teige as Historian of the 'Cubist' Generation"], ''Centropa'' 5:1 (2005), pp 4-15.  
−
* Nicholas Sawicki, "[http://www.academia.edu/3466296/ Writing the History of the ‘Czechoslovak Official Modern’: Karel Teige as Historian of the 'Cubist' Generation]", ''Centropa'' 5:1 (2005), pp 4-15.  
+
* Vladimír Birgus, [http://www.photorevue.com/phprs/view.php?cisloclanku=2005010403 "Czech and German Avant-Garde Photography"], ''Photo Revue'', 2005. {{en}}
−
* Jaroslav Anděl, ''Nová vize (Avantgardní architektura v avantgardní fotografii: Československo 1918-1938)'', Bratislava: Slovart, 2005. (in Czech)
+
* Iva Gajdošíková, [http://digilib.phil.muni.cz/bitstream/handle/11222.digilib/114188/O_Cinematologica_02-2005-1_6.pdf "Avantgarda jako kritika, akce a politika : politická orientace brněnské avantgardy - její projevy a důsledky"], in ''Sborník prací Filozofické fakulty brněnské univerzity'' 2:O2, 2005, pp 95-126. {{cz}}
−
* Vladimír Birgus, [http://www.photorevue.com/phprs/view.php?cisloclanku=2005010403 "Czech and German Avant-Garde Photography"], ''Photo Revue'', 2005.  
+
* Markéta Svobodová, "Studentky z Československa na Bauhausu 1919-1933: Výmar – Desava – Berlin", in: ''Žena-umělkyně na přelomu 19. a 20. století. Sborník příspěvků z mezinárodní odborné konference ve Středočeském muzeu v Roztokách u Prahy ve dnech 11. a 12. října 2005'', Roztoky u Prahy 2005, pp 333-344. {{cz}}
−
* Iva Gajdošíková, [http://digilib.phil.muni.cz/bitstream/handle/11222.digilib/114188/O_Cinematologica_02-2005-1_6.pdf "Avantgarda jako kritika, akce a politika : politická orientace brněnské avantgardy - její projevy a důsledky"], in ''Sborník prací Filozofické fakulty brněnské univerzity'' 2:O2, 2005, pp 95-126. (in Czech)
 
−
* Markéta Svobodová, "Studentky z Československa na Bauhausu 1919-1933: Výmar – Desava – Berlin", in: ''Žena-umělkyně na přelomu 19. a 20. století. Sborník příspěvků z mezinárodní odborné konference ve Středočeském muzeu v Roztokách u Prahy ve dnech 11. a 12. října 2005'', Roztoky u Prahy 2005, pp 333-344. (in Czech)
 
 
* Markéta Svobodová, "Českoslovenští studenti architektury na Bauhausu", ''Umění/Art'' LIV:5 (2006), pp 406-432. [http://cejsh.icm.edu.pl/cejsh/cgi-bin/getdoc.cgi?07CZAAAA01884034] [http://www.umeni-art.cz/cz/cisla/LIV_2006_5.html]
 
* Markéta Svobodová, "Českoslovenští studenti architektury na Bauhausu", ''Umění/Art'' LIV:5 (2006), pp 406-432. [http://cejsh.icm.edu.pl/cejsh/cgi-bin/getdoc.cgi?07CZAAAA01884034] [http://www.umeni-art.cz/cz/cisla/LIV_2006_5.html]
−
* Pavlína Vogelová, [http://is.muni.cz/th/128252/ff_b/ ''Brněnská meziválečná fotografie: Křižovatka v kulturním spektru města''], Brno: Masaryk University, 2006. Bachelor's thesis. (in Czech)
 
−
* Danuše Kšicová, ''[http://digilib.phil.muni.cz/handle/11222.digilib/103677 Od moderny k avantgardě. Rusko-české paralely]'', Brno: Masarykova univerzita, 2007, 467+48 pp. Review: [http://journals.muni.cz/universitas/article/view/265/257 Krystynkova] (Universitas 2011). {{cz}}
 
−
* Markéta Svobodová, "Bauhaus a kultura v Československu v 1919-1939", Olomouc, 2007. Dissertation. (in Czech)
 
 
* Ludvík Kundera, [http://www.pwf.cz/rubriky/dalsi-projekty/dada-east/ludvik-kundera-dada-v-cechach-a-na-morave_3246.html "DADA v Čechách a na Moravě"], 19 May 2007. [http://www.pwf.cz/rubriky/dalsi-projekty/dada-east/] {{cz}}
 
* Ludvík Kundera, [http://www.pwf.cz/rubriky/dalsi-projekty/dada-east/ludvik-kundera-dada-v-cechach-a-na-morave_3246.html "DADA v Čechách a na Moravě"], 19 May 2007. [http://www.pwf.cz/rubriky/dalsi-projekty/dada-east/] {{cz}}
−
* Petr Haas, ''[http://is.muni.cz/th/215418/ff_b/HaasBakalarMezivalCZAvantgarda.pdf Česká meziválečná hudební avantgarda, pojem "avantgarda" v české hudbě]'', Brno: Masaryk University, 2009. Bachelor's thesis. (in Czech)
+
* Petr Haas, [http://www.karel-ancerl.com/uploads/Haas_Czavantgarde_CMQ0410.pdf "The Czech Interwar Avant-Garde as a Revolution of Return, Civilism, the Microtonal System and the Atonal Style"], ''Czech Music'' 4 (2010), pp 34-45. {{en}}
−
* Thomas G. Winner, ''[http://www.thomasgwinnerczechavantgarde.com/uploads/5/8/4/3/5843028/tgwinnerczechavantgardedec2010.pdf The Czech Avant-Garde Literary Movement Between the Two World Wars]'', c2010, 206 pp.
 
−
* Petr Haas, [http://www.karel-ancerl.com/uploads/Haas_Czavantgarde_CMQ0410.pdf "The Czech Interwar Avant-Garde as a Revolution of Return, Civilism, the Microtonal System and the Atonal Style"], ''Czech Music'' 4 (2010), pp 34-45.
 
−
* Jana Horáková, ''Robot jako robot'', Prague: KLP, 2010, 238 pp. (in Czech) [http://www.muni.cz/phil/research/publications/928936]
 
 
* Ilona Gwóźdź-Szewczenko, [http://sci-hub.org/10.1515/9783110237771.154 "Futurism: The Hidden Face of the Czech Avant-garde"], in ''International Yearbook of Futurism Studies, 1'', ed. Günter Berghaus, De Gruyter, 2011, pp 154-174. {{en}}
 
* Ilona Gwóźdź-Szewczenko, [http://sci-hub.org/10.1515/9783110237771.154 "Futurism: The Hidden Face of the Czech Avant-garde"], in ''International Yearbook of Futurism Studies, 1'', ed. Günter Berghaus, De Gruyter, 2011, pp 154-174. {{en}}
−
* Josef Vojvodík, Jan Wiendl (eds.), ''Heslář české avantgardy. Estetické koncepty a proměny uměleckých postupů v letech 1908-1958'', Prague: Univerzita Karlova & Togga, 2011, 477 pp. (in Czech). [http://www.ff.cuni.cz/FF-354-version1-recenze_heslar_avantgardy_das_.pdf Review].
+
* Nicholas Sawicki, "The View From Prague: ''Moderní revue'' (1894-1925); ''Volné směry'' (1896-1949); ''Umělecký měsíčník'' (1911-14); ''Revoluční sborník Devětsil'' (1922); ''Život'' (1922); ''Disk'' (1923-5); ''Pásmo'' (1924-6); and ''ReD'' (1927-31)", in ''The Oxford Critical and Cultural History of Modernist Magazines, Volume III, Europe 1880-1940'', eds. Brooker, Bru, Thacker, and Weikop, Oxford University Press, 2013, pp 1074-1098. [http://www.academia.edu/2626318/] [http://books.google.com/books?id=bvsfioiQ8k8C&pg=PA1075] {{en}}
−
** ''A Glossary of Catchwords of the Czech Avant-Garde: Conceptions of Aesthetics and the Changing Faces of Art 1908-1958'', Prague: Togga, 2012, 511 pp. [http://www.eshop.togga.cz/cs/80-a-glossary-of-catchwords-of-the-czech-avant-garde-9788073083.html]
+
 
−
* Lucie Pavlíková, ''[http://is.muni.cz/th/217323/ff_m_b1/Magisterska_prace_EVU.pdf Bauhaus a jeho vliv na českou avantgardu]'', Brno: Masaryk University, 2012. Master's thesis. (Czech)
+
; Dissertations
−
* Nicholas Sawicki, "The View From Prague: ''Moderní revue'' (1894-1925); ''Volné směry'' (1896-1949); ''Umělecký měsíčník'' (1911-14); ''Revoluční sborník Devětsil'' (1922); ''Život'' (1922); ''Disk'' (1923-5); ''Pásmo'' (1924-6); and ''ReD'' (1927-31)", in ''The Oxford Critical and Cultural History of Modernist Magazines, Volume III, Europe 1880-1940'', eds. Brooker, Bru, Thacker, and Weikop, Oxford University Press, 2013, pp 1074-1098. [http://www.academia.edu/2626318/] [http://books.google.com/books?id=bvsfioiQ8k8C&pg=PA1075]
+
* Naomi Hume, ''[http://202.28.199.34/multim/3125617.pdf Contested Cubisms: Transformations of the Czech Avant-Garde, 1910-1914]'', University of Chicago, 2004, 485 pp. Ph.D. Dissertation. [http://ebook.thailis.or.th/irweb/cgi-bin/irweb.exe?op=dsp&opt=crd&bid=3260&kid=0&lang=0&db=irmain&pat=Education,+Curriculum+and+Instruction.&cat=aut&skin=j&lpp=50&catop&scid=zzz] {{en}}
−
* Jeanette Fabian, ''Poetismus. Ästhetische Theorie und künstlerische Praxis der tschechischen Avantgarde'', Munich: Sagner, 2013. [http://www.kubon-sagner.com/opac.html?record=7784E] {{de}}
+
* Pavlína Vogelová, [http://is.muni.cz/th/128252/ff_b/ ''Brněnská meziválečná fotografie: Křižovatka v kulturním spektru města''], Brno: Masaryk University, 2006. Bachelor's thesis. {{cz}}
 +
* Markéta Svobodová, ''Bauhaus a kultura v Československu v 1919-1939'', Olomouc, 2007. Dissertation. {{cz}}
 +
* Petr Haas, ''[http://is.muni.cz/th/215418/ff_b/HaasBakalarMezivalCZAvantgarda.pdf Česká meziválečná hudební avantgarda, pojem "avantgarda" v české hudbě]'', Brno: Masaryk University, 2009. Bachelor's thesis. {{cz}}
 +
* Lucie Pavlíková, ''[http://is.muni.cz/th/217323/ff_m_b1/Magisterska_prace_EVU.pdf Bauhaus a jeho vliv na českou avantgardu]'', Brno: Masaryk University, 2012. Master's thesis. {{cz}}
 
}}</onlyinclude>
 
}}</onlyinclude>
  
 
===Slovakia===
 
===Slovakia===
 
<onlyinclude>{{#ifeq:{{{transcludesection|avantgarde-sk}}}|avantgarde-sk|
 
<onlyinclude>{{#ifeq:{{{transcludesection|avantgarde-sk}}}|avantgarde-sk|
−
''For literature about the [[School_of_Arts_and_Crafts,_Bratislava#Literature|School of Arts and Crafts]] and individual authors see their respective pages.''
+
''For literature about the [[School_of_Arts_and_Crafts,_Bratislava#Literature|School of Arts and Crafts]] see its dedicated page.''
−
* ''Ars'' 3:2 "Výtvarné avantgardy a dnešok", Bratislava: Slovak Academy of Sciences, 1969. (in Slovak). Proceedings from an international conference held at Smolenice, 12-14 June 1968. Papers by Irena Blühová, Júlia Horová, Iva Mojžišová, František Reichenthal, Tomáš Štrauss, Eduard Toran, Marian Váross, Hans Maria Wingler, et al. [http://www.dejum.sav.sk/?language=sk&section=magazine&id=83]
+
; Catalogues
−
* Iva Mojžišová, "A Slovak Contribution to Avant-garde Movements", ''Actes du XXIIe Congres International d'Histoire de l'Art, 2'', Budapest: Hungarian Academy of Sciences, 1969, pp 347-349.
+
* ''Das Bauhaus im Osten: Slowakische und tschechische Avantgarde 1928-1939'', ed. Susanne Anna, Ostfildern-Ruit: Hatje Cantz, et al., 1997, 339 pp. [http://www.hatjecantz.de/controller.php?cmd=detail&titzif=00000729&lang=en] [http://www.gbv.de/dms/hebis-darmstadt/toc/55816851.pdf TOC], [http://books.google.com/books/about/Das_Bauhaus_im_Osten.html?id=4sjpAAAAMAAJ]. Review: [http://www.jstor.org/stable/40662746 Long] (SDA 2000 EN). {{de}}
−
* Peter Havaš, "Die slowakische Architektur in der Zwischenkriegszeit als fortschrittliches Erbe der modernen Bewegung", ''Wissenschaftliche Zeitschrift / A'', Hochschule für Architektur und Bauwesen; Jg. 33, 1987, H. 4/6. [http://e-pub.uni-weimar.de/frontdoor.php?source_opus=1084&la=de]
+
 
−
* Dana Borutová, "Architektonische Entwicklungstendenzen der zwanziger Jahre in der Slowakei", in ''The Art of the 1920s in Poland, Bohemia, Slovakia, and Hungary'', ed. Lech Kalinowski, Cracow: The International Cultural Centre, 1991, pp 33-40. (in German)
+
; Books, journal issues
−
* Iva Mojžišová, "The First Wave of Avant-garde: Bratislava 1930", in ''The Art of the 1920s in Poland, Bohemia, Slovakia, and Hungary'', ed. Lech Kalinowski, Cracow: The International Cultural Centre, 1991, pp 47-51.
+
* ''Ars'' 3:2 "Výtvarné avantgardy a dnešok", Bratislava: Slovak Academy of Sciences, 1969. Proceedings from an international conference held at Smolenice, 12-14 June 1968. Papers by Irena Blühová, Júlia Horová, Iva Mojžišová, František Reichenthal, Tomáš Štrauss, Eduard Toran, Marian Váross, Hans Maria Wingler, et al. [http://www.dejum.sav.sk/?language=sk&section=magazine&id=83] {{sk}}
−
* František Foltýn, ''Slowakische Architektur und die tschechische Avantgarde. 1918-1939'', Dresden: Verlag der Kunst, 1991, pp 90-94. (in German)
+
* František Foltýn, ''Slowakische Architektur und die tschechische Avantgarde. 1918-1939'', Dresden: Verlag der Kunst, 1991, pp 90-94. {{de}}
 
* Klára Kubičková (ed.), ''Moderné hnutie na Slovensku: Avantgarda medzivojnového obdobia / Modern Movement in Slovakia: Avantgarde of the Interwar Period'', Bratislava: Spolok architektov Slovenska, 1996, 86 pp. Catalogue for the exhibition in Slovak National Museum, held on 17.9.-27.10.1996, organized on the occasion of the Fourth International Conference DOCOMOMO in Slovakia. (in Slovak/English)
 
* Klára Kubičková (ed.), ''Moderné hnutie na Slovensku: Avantgarda medzivojnového obdobia / Modern Movement in Slovakia: Avantgarde of the Interwar Period'', Bratislava: Spolok architektov Slovenska, 1996, 86 pp. Catalogue for the exhibition in Slovak National Museum, held on 17.9.-27.10.1996, organized on the occasion of the Fourth International Conference DOCOMOMO in Slovakia. (in Slovak/English)
−
* Susanne Anna (ed.), ''Das Bauhaus im Osten: Slowakische und tschechische Avantgarde 1928-1939'', Ostfildern-Ruit: Hatje Cantz, et al., 1997, 339 pp. (in German) [http://www.hatjecantz.de/controller.php?cmd=detail&titzif=00000729&lang=en] [http://www.gbv.de/dms/hebis-darmstadt/toc/55816851.pdf Contents], [http://books.google.com/books/about/Das_Bauhaus_im_Osten.html?id=4sjpAAAAMAAJ], [http://www.jstor.org/stable/40662746 Review].
+
* Ľubomír Longauer, ''Modernity of Tradition / Modernosť tradície'', Bratislava: Slovart, 2012, 354 pp. [http://www.youtube.com/watch?v=-rHhcHlD-Bw Video discussion]. {{en}}/{{sk}}
−
* Iva Mojžišová, [http://www.mobil-madi.org/index.php?option=com_content&view=article&id=209:iva-mojzisova-kontrsukcia-pohyb-svetlo&catid=29:slovak&Itemid=74 "Podnety a predchodcovia kinetizmu na Slovensku (1929-1939)"], ''MADI ap'' 4 (Mar 2002). (in Slovak/Hungarian) [http://www.mobil-madi.org/index.php?option=com_content&view=article&id=70:konstrukcio-mozgas-feny&catid=23:madi-art-periodical-no4&Itemid=79]
+
 
−
* Mira Keratová, ''Slovenská avantgardná typografia v medzivojnovom období so zameraním na grafickú úpravu časopisov'', Bratislava: Comenius University, 2005. Master's thesis. (in Slovak)
+
; Articles
−
* Markéta Svobodová, "Studentky z Československa na Bauhausu 1919-1933: Výmar – Desava – Berlin", in ''Žena-umělkyně na přelomu 19. a 20. století. Sborník příspěvků z mezinárodní odborné konference ve Středočeském muzeu v Roztokách u Prahy ve dnech 11. a 12. října 2005'', Roztoky u Prahy, 2005, pp 333-344. (in Czech)
+
* Iva Mojžišová, "A Slovak Contribution to Avant-garde Movements", ''Actes du XXIIe Congres International d'Histoire de l'Art, 2'', Budapest: Hungarian Academy of Sciences, 1969, pp 347-349. {{en}}
−
* Markéta Svobodová, "Českoslovenští studenti architektury na Bauhausu", ''Umění/Art'' LIV:5 (2006), pp 406-432. (in Czech) [http://cejsh.icm.edu.pl/cejsh/cgi-bin/getdoc.cgi?07CZAAAA01884034] [http://www.umeni-art.cz/cz/cisla/LIV_2006_5.html]
+
* Peter Havaš, [http://e-pub.uni-weimar.de/opus4/frontdoor/index/index/docId/1019 "Die slowakische Architektur in der Zwischenkriegszeit als fortschrittliches Erbe der modernen Bewegung"], ''Wissenschaftliche Zeitschrift / A'' 33:4/6, Hochschule für Architektur und Bauwesen, 1987. {{de}}
−
* Markéta Svobodová, ''Bauhaus a kultura v Československu v 1919-1939'', Olomouc, 2007. Dissertation. (in Czech)
+
* Leo Kohut, "Bauhaus. Ungarn-Tschechoslowakei. Zur Bauhaus-Rezeption in Ost-europa", in ''Bauhaus-Archiv, Museum. Sammlungs-Katalog, (Auswahl), Architektur, Design, Malerei, Graphik, Kunstpädagogik'', Berlin: Gebr. Mann, 1981, pp 283-287. {{de}}
−
* Sonia de Puineuf, [http://www.academia.edu/6015668 "A Dot on the Map: Some Remarks on the Magazine 'Nová Bratislava'"], ''The Journal of Modern Periodical Studies'' 1:1 (2010).  
+
* Dana Borutová, "Architektonische Entwicklungstendenzen der zwanziger Jahre in der Slowakei", in ''The Art of the 1920s in Poland, Bohemia, Slovakia, and Hungary'', ed. Lech Kalinowski, Cracow: International Cultural Centre, 1991, pp 33-40. {{de}}
−
* Richard Kitta, "(Ne)existujúce paralely: Umenie akcie, multimediálne a interaktívne umenie v kultúrno-historickom vývoji umenia 1. pol. 20. storočia na Slovensku", ''Rovart'', Mar 2010. (in Slovak) [http://www.rovart.com/sk/archiv.php?id=1307] [http://www.rovart.com/sk/archiv.php?id=1308]
+
* Iva Mojžišová, "The First Wave of Avant-garde: Bratislava 1930", in ''The Art of the 1920s in Poland, Bohemia, Slovakia, and Hungary'', ed. Lech Kalinowski, Cracow: International Cultural Centre, 1991, pp 47-51. {{en}}
−
* Peter Biľak, [http://www.typotheque.com/blog/forgotten_history "Forgotten History"], ''Typotheque'' blog, April 2012.
+
* Iva Mojžišová, [http://www.mobil-madi.org/index.php?option=com_content&view=article&id=209:iva-mojzisova-kontrsukcia-pohyb-svetlo&catid=29:slovak&Itemid=74 "Podnety a predchodcovia kinetizmu na Slovensku (1929-1939)"], ''MADI ap'' 4 (Mar 2002). [http://www.mobil-madi.org/index.php?option=com_content&view=article&id=70:konstrukcio-mozgas-feny&catid=23:madi-art-periodical-no4&Itemid=79] {{sk}}/{{hu}}
−
* Ľubomír Longauer, ''Modernity of Tradition / Modernosť tradície'', Bratislava: Slovart, 2012, 354 pp. (in English/Slovak) [http://www.youtube.com/watch?v=-rHhcHlD-Bw Video discussion]
+
* Markéta Svobodová, "Studentky z Československa na Bauhausu 1919-1933: Výmar – Desava – Berlin", in ''Žena-umělkyně na přelomu 19. a 20. století. Sborník příspěvků z mezinárodní odborné konference ve Středočeském muzeu v Roztokách u Prahy ve dnech 11. a 12. října 2005'', Roztoky u Prahy, 2005, pp 333-344. {{cz}}
 +
* Markéta Svobodová, "Českoslovenští studenti architektury na Bauhausu", ''Umění/Art'' LIV:5 (2006), pp 406-432. {{cz}} [http://cejsh.icm.edu.pl/cejsh/cgi-bin/getdoc.cgi?07CZAAAA01884034] [http://www.umeni-art.cz/cz/cisla/LIV_2006_5.html]
 +
* Sonia de Puineuf, [http://www.academia.edu/6015668 "A Dot on the Map: Some Remarks on the Magazine 'Nová Bratislava'"], ''The Journal of Modern Periodical Studies'' 1:1 (2010). {{en}}
 +
* Richard Kitta, "(Ne)existujúce paralely: Umenie akcie, multimediálne a interaktívne umenie v kultúrno-historickom vývoji umenia 1. pol. 20. storočia na Slovensku", ''Rovart'', Mar 2010. [http://www.rovart.com/sk/archiv.php?id=1307] [http://www.rovart.com/sk/archiv.php?id=1308] {{sk}}
 +
* Peter Biľak, [http://www.typotheque.com/blog/forgotten_history "Forgotten History"], ''Typotheque'' blog, April 2012. {{en}}
 +
 
 +
; Dissertations
 +
* Mira Keratová, ''Slovenská avantgardná typografia v medzivojnovom období so zameraním na grafickú úpravu časopisov'', Bratislava: Comenius University, 2005. Master's thesis. {{sk}}
 +
* Markéta Svobodová, ''Bauhaus a kultura v Československu v 1919-1939'', Olomouc, 2007. Dissertation. {{cz}}
 
}}</onlyinclude>
 
}}</onlyinclude>
  
 
===Hungary===
 
===Hungary===
 
<onlyinclude>{{#ifeq:{{{transcludesection|avantgarde-hu}}}|avantgarde-hu|
 
<onlyinclude>{{#ifeq:{{{transcludesection|avantgarde-hu}}}|avantgarde-hu|
−
* Tomáš Štrauss, ''Kassák. Ungarischer Beitrag zum Konstruktivizmus'' (German), 1975.
+
; Catalogues
−
* Edith Horváth, "Ungarn und das Bauhaus", ''Wissenschaftliche Zeitschrift'', Hochschule für Architektur und Bauwesen, Jg. 23, 1976, H. 5/6. [http://e-pub.uni-weimar.de/frontdoor.php?source_opus=950&la=de]
+
* ''WechselWirkungen. Ungarische Avantgarde in der Weimarer Republik'', ed. Hubertus Gassner, Marburg: Jonas, 1986, 589 pp. Catalog of an exhibition held at the Neue Galerie, Kassel, Nov. 9, 1986-Jan. 1, 1987, and at the Museum Bochum, Jan. 10-Feb. 15, 1987. {{de}}
−
* Gyula Pap, "Bauhauserziehung in Ungarn: 'Nagy Balogh' - Volkskollegium und Malerschule in Nagymaros 1948-1949", ''Wissenschaftliche Zeitschrift'', Hochschule für Architektur und Bauwesen, Jg. 26, 1979, H. 4/5. [http://e-pub.uni-weimar.de/frontdoor.php?source_opus=979&la=de]
+
* ''The Hungarian Avant-Garde 1914-1933'', ed. John Kish, William Benton Museum of Art, University of Connecticut, 1987. {{en}}
−
* Leo Kohut, "Bauhaus. Ungarn - Tschechoslowakei. Zur Bauhaus-Rezeption in Ost-europa", ''Bauhaus'', catalogue, Berlin, 1981, pp 283-287.
+
* ''Von Kunst zu Leben. Die Ungarn am Bauhaus'', ed. Éva Bajkay, Pécs: Janus Pannonius Múzeum & Hungarofest, 2010, 413 pp. [http://www.kubon-sagner.de/opac.html?record=u8929] {{de}}
 +
 
 +
; Books, journal issues
 +
* [http://epa.oszk.hu/00000/00010/00018/pdf/ ''Hungarian Studies Review'' 15(1): "The Early Twentieth Century Hungarian Avantgarde"], ed. Oliver A.I. Botár, Spring 1988.
 +
 
 +
; Articles
 +
* Edith Horváth, [http://e-pub.uni-weimar.de/opus4/frontdoor/index/index/docId/890 "Ungarn und das Bauhaus"], ''Wissenschaftliche Zeitschrift'' 23:5/6, Hochschule für Architektur und Bauwesen, 1976. {{de}}
 +
* Gyula Pap, [http://e-pub.uni-weimar.de/opus4/frontdoor/index/index/docId/919 "Bauhauserziehung in Ungarn: 'Nagy Balogh' - Volkskollegium und Malerschule in Nagymaros 1948-1949"], ''Wissenschaftliche Zeitschrift'' 26:4/5, Hochschule für Architektur und Bauwesen, 1979. {{de}}
 +
* Leo Kohut, "Bauhaus. Ungarn-Tschechoslowakei. Zur Bauhaus-Rezeption in Ost-europa", in ''Bauhaus-Archiv, Museum. Sammlungs-Katalog, (Auswahl), Architektur, Design, Malerei, Graphik, Kunstpädagogik'', Berlin: Gebr. Mann, 1981, pp 283-287. {{de}}
 
* Miklos von Bartha, "Carl Laszlo. Der Sturm. Die ungarischen Kunstler am Sturm, Berlin, 1931-32", Basel Galerie von Bartha, 1983.
 
* Miklos von Bartha, "Carl Laszlo. Der Sturm. Die ungarischen Kunstler am Sturm, Berlin, 1931-32", Basel Galerie von Bartha, 1983.
 
* E.H. Sipos, [http://webcache.googleusercontent.com/search?q=cache:www.pp.bme.hu/ar/article/view/2303/1408 "Hungarian Relations with Bauhaus and their Influence in Hungary"], 1985.
 
* E.H. Sipos, [http://webcache.googleusercontent.com/search?q=cache:www.pp.bme.hu/ar/article/view/2303/1408 "Hungarian Relations with Bauhaus and their Influence in Hungary"], 1985.
−
* Hubertus Gassner, "'Ersehnte Einheit' oder 'erpresste Versohnung': Zur Kontinuitat und Diskontinuitat ungarischer Konstruktivismus-Konzeption" in ''WechselWirkungen. Ungarische Avantgarde in der Weimarer Republik'', ed. Gassner, 1986, pp 183-220.
+
* Hubertus Gassner, "'Ersehnte Einheit' oder 'erpresste Versohnung': Zur Kontinuitat und Diskontinuitat ungarischer Konstruktivismus-Konzeption" in ''WechselWirkungen. Ungarische Avantgarde in der Weimarer Republik'', ed. Gassner, 1986, pp 183-220. {{de}}
−
* Esther Levinger, "Lajos Kassak, MA and the New Artist: 1916-1925", ''The Structurist'' 25/26, 1986, pp 78-87.
+
* Esther Levinger, "Lajos Kassak, MA and the New Artist: 1916-1925", ''The Structurist'' 25/26, 1986, pp 78-87. {{en}}
−
* Esther Levinger, "The Theory of Hungarian Constructivism", ''The Art Bulletin'' Vol. 69, No. 3 (Sep., 1987), pp. 455-466. [http://www.jstor.org/stable/3051066]
+
* Esther Levinger, "The Theory of Hungarian Constructivism", ''The Art Bulletin'' 69:3 (Sep 1987), pp. 455-466. [http://www.jstor.org/stable/3051066] {{en}}
−
* Eva Bajkay-Rosch, "Gruppenbildung in Weimar: Beiträge der unbekannten ungarischen Bauhäusler", ''Wissenschaftliche Zeitschrift / A // Hochschule für Architektur und Bauwesen'', Jg. 33, 1987, H. 4/6. [http://e-pub.uni-weimar.de/frontdoor.php?source_opus=1066&la=de]
+
* Eva Bajkay-Rosch, [https://e-pub.uni-weimar.de/opus4/frontdoor/index/index/docId/1001 "Gruppenbildung in Weimar: Beiträge der unbekannten ungarischen Bauhäusler"], ''Wissenschaftliche Zeitschrift / A'' 33:4/6, Hochschule für Architektur und Bauwesen, 1987. {{de}}
−
* ''The Hungarian Avant-Garde 1914-1933'', The William Benton Museum of Art, University of Connecticut, 1987. Catalogue.
+
* Oliver A.I. Botar, "Constructivism, International Constructivism, and the Hungarian Emigration", in ''The Hungarian Avant-Garde 1914-1933'', William Benton Museum of Art, 1987, pp 90-98. {{en}}
−
** Oliver A.I. Botar, "Constructivism, International Constructivism, and the Hungarian Emigration", pp 90-98.
+
* Esther Levinger, "Hungarian Constructivist Typography and Posters", in ''The Hungarian Avant-Garde 1914-1933'', William Benton Museum of Art, 1987, pp 112-122. {{en}}
−
** Esther Levinger, "Hungarian Constructivist Typography and Posters", pp 112-122.
+
* S. A. Mansbach, "Confrontation and Accommodation in the Hungarian Avant-Garde", ''Art Journal'' 49:1 (Spring 1990), pp 9-20. [http://www.jstor.org/stable/777175] {{en}}
−
* Oliver A. I. Botár (ed.), [http://epa.oszk.hu/00000/00010/00018/pdf/ ''Hungarian Studies Review'', Special Issue: "The Early Twentieth Century Hungarian Avantgarde"], Vol 15, No 1, Spring 1988.
+
* Oliver A.I. Botar, [[Media:Botar_Oliver_AI_1993_From_the_Avant-Garde_to_Proletarian_Art.pdf|"From the Avant-Garde to 'Proletarian Art'. The Émigré Hungarian Journals ''Egység'' and ''Akasztott Ember'', 1922-23"]], ''Art Journal'' 52(1): "Political Journals and Art, 1910-40", College Art Association, Spring 1993, pp 34-45; exp.version as "From Avant-Garde to 'Proletkult' in Hungarian Émigré Politico-Cultural Journals, 1922-1924", in ''Art and Journals on the Political Front 1910-1940'', ed. Virginia Hagelstein Marquardt, University Press of Florida, 1997, pp 100-141. {{en}}
−
* S. A. Mansbach, "Confrontation and Accommodation in the Hungarian Avant-Garde", ''Art Journal'' Vol. 49, No. 1, From Leningrad to Ljubljana: The Suppressed Avant-Gardes of East-Central and Eastern Europe during the Early Twentieth Century (Spring, 1990), pp. 9-20. [http://www.jstor.org/stable/777175]
+
* Eva Forgacs, "Between Cultures: Hungarian Concepts of Constructivism", in ''Central European Avant-Gardes: Exchange and Transformation, 1910-1930'', ed. Timothy O. Benson, MIT Press/Los Angeles: Los Angeles County Museum of Art, 2002, pp 146-164. {{en}}
−
* Oliver A. I. Botar, "From the Avant-Garde to 'Proletarian Art'. The Emigre Hungarian Journals Egység and Akasztott Ember', 1922-23", 1993. [http://www.jstor.org/pss/777300]
+
* András Ferkai, "Hungary: Marcel Breuer, Farkas Molnár, Pál Forgó, Ernó Lichtenthal, Laszló Szabó, Tibor Weiner, Alfréd Forbát, István Sebök, Mühely, Atelier Müvészerti Tervezö, Mühelyiskola / András Ferkai", ''Centropa'' 3 (2003) 1, pp 13-26. {{en}}
−
* Emőke G. Komoróczy, ''Kassák és a magyar avantgárd mozgalom'' (Hungarian), 1995, 137 pp. [http://mek.oszk.hu/01300/01372/01372.pdf]
+
* Peter Weibel, "Viennese Kineticism and Hungarian Constructivism", in ''[http://monoskop.org/log/?p=699 Beyond Art: A Third Culture]'', Springer, 2005, pp 46-56. {{en}}
−
* András Ferkai, "Hungary: Marcel Breuer, Farkas Molnár, Pál Forgó, Ernó Lichtenthal, Laszló Szabó, Tibor Weiner, Alfréd Forbát, István Sebök, Mühely, Atelier Müvészerti Tervezö, Mühelyiskola / András Ferkai", ''Centropa'' 3 (2003) 1, pp 13-26
+
* Peter Weibel, "On the Origins of Hungarian Constructivism in Vienna: MA 1920-25. The Only Instance of Modernism Between the Wars", in ''[http://monoskop.org/log/?p=699 Beyond Art: A Third Culture]'', Springer, 2005, pp 57-71. {{en}}
−
* Peter Weibel, "Viennese Kineticism and Hungarian Constructivism", in: ''Beyond Art: A Third Culture'', 2005, pp 46-56. [http://www.peter-weibel.at/images/stories/pdf/2005/0865_BEYOND_ART.pdf] [http://books.google.com/books?id=xkk6U42Zl_sC&pg=PA46]
+
* Peter Konok, "Lajos Kassák and the Hungarian Left: Radical Milieu (1926–1934)", in ''Regimes and Transformations. Hungary in the Twentieth Century'', eds. István Feitl and Balázs Sipos, Budapest: Napvilág, 2005, pp 177-194. [http://www.polhist.hu/index.php?option=com_phocadownload&view=category&download=270:lajos-kassak-and-the-hungarian-left-radical-milieu-1926-1934&id=13:publications&Itemid=] {{en}}
−
* Peter Weibel, "On the Origins of Hungarian Constructivism in Vienna: MA 1920-25. The Only Instance of Modernism Between the Wars", in: ''Beyond Art: A Third Culture'', 2005, pp 57-71. [http://www.peter-weibel.at/images/stories/pdf/2005/0866_BEYOND_ART.pdf] [http://books.google.com/books?id=xkk6U42Zl_sC&pg=PA57]
+
* Éva Forgács, "'You Feed Us So that We Can Fight Against You'. Concepts of the Art and State in the Hungarian Avant-Garde", ''Arcadia'' 41:2 (2006), pp 260-274. {{en}}
−
* Peter Konok, "Lajos Kassák and the Hungarian Left: Radical Milieu (1926–1934)", In: ''Regimes and Transformations. Hungary in the Twentieth Century'', edited by István Feitl and Balázs Sipos. Napvilág, Budapest, 2005, pp 177-194 [http://www.polhist.hu/index.php?option=com_phocadownload&view=category&download=270:lajos-kassak-and-the-hungarian-left-radical-milieu-1926-1934&id=13:publications&Itemid=]
+
* Krisztina Passuth, [https://web.archive.org/web/20120204160954/http://www.hungarianquarterly.com/no200/13.shtml "Hungarians at the Bauhaus"], ''Hungarian Quarterly'' 200 (Winter 2010). {{en}}
−
* Éva Forgács, "'You Feed Us So that We Can Fight Against You'. Concepts of the Art and State in the Hungarian Avant-Garde", ''Arcadia'' 41.2, 2006, pp 260-274.
+
* Éva Forgács, Tyrus Miller, "The Avant-Garde in Budapest and in Exile in Vienna: ''A Tett'' (1915-6), ''Ma'' (Budapest 1916-9; Vienna 1920-6), ''Egység'' (1922-4), ''Akasztott Ember'' (1922), ''2x2'' (1922), ''Ék'' (1923-4), ''Is'' (1924), ''365'' (1925), ''Dokumentum'' (1926-7), and ''Munka'' (1928-39)", in ''The Oxford Critical and Cultural History of Modernist Magazines, Vol. 3: Europe, 1880-1940'', Oxford University Press, 2013, pp 1128-1156. [http://books.google.com/books?id=bvsfioiQ8k8C&pg=PA1141] {{en}}
−
* Éva Bajkay (ed.), ''From Art to Life: Hungarians at the Bauhaus'' / ''Von Kunst zu Leben. Die Ungarn am Bauhaus'', catalogues in Hungarian and in German. Pécs: Janus Pannonius Múzeum & Hungarofest, 2010, 419 pp.
 
−
* Krisztina Passuth, "Hungarians at the Bauhaus", ''Hungarian Quarterly'' 200, Winter 2010 [http://www.hungarianquarterly.com/no200/13.shtml]
 
−
* Éva Forgács and Tyrus Miller, "The Avant-Garde in Budapest and in Exile in Vienna", in ''The Oxford Critical and Cultural History of Modernist Magazines, vol. 3 (Europe, 1880-1940)'', New York: Oxford University Press, 2013, pp 1128-1156. [http://books.google.com/books?id=bvsfioiQ8k8C&pg=PA1128]
 
 
}}</onlyinclude>
 
}}</onlyinclude>
  
 
===Poland===
 
===Poland===
 
<onlyinclude>{{#ifeq:{{{transcludesection|avantgarde-pl}}}|avantgarde-pl|
 
<onlyinclude>{{#ifeq:{{{transcludesection|avantgarde-pl}}}|avantgarde-pl|
−
* Bogdana Carpenter, ''The Poetic Avant-Garde in Poland: 1918-1939'', University of Washington Press, 1983, 300 pp.
+
''For writings on futurism, formism and constructivism specifically, see sections below.''
−
* Lech Kalinowski (ed.), ''The Art of the 1920s in Poland, Bohemia, Slovakia, and Hungary'', Cracow: The International Cultural Centre, 1991. Proceedings from the ''Niedzica Seminars VI'', 19-22 Oct 1989. [http://swbplus.bsz-bw.de/bsz046832734inh.pdf Contents].
+
 
−
* Piotr Piotrowski, [http://repozytorium.amu.edu.pl/jspui/bitstream/10593/9586/1/03_Piotr_Piotrowski_ART%20AND%20INDEPENDENCE_POLISH%20ART%20IN%20THE%201920S_31-37.pdf "Art and Independence. Polish Art in the 1920s"], 1993.
+
; Catalogues
−
* Irena Kossowska, [http://web.archive.org/web/20090415044428/http://www.culture.pl/pl/culture/artykuly/es_miedzy_tradycja_i_awangarda "Między tradycją i awangardą. Polska sztuka lat 1920 i 1930"], ''Culture.pl'', 2004. (Polish)
+
* Jaroslaw Lubiak, Malgorzata Ludwisiak, ''Korespondencje: Sztuka nowoczesna i uniwersalizm/Correspondences: Modern Art and Universalism'', Lodz: Muzeum Sztuki, 2012. Catalogue of a retrospective exhibition of the collection of Muzeum Sztuki and Kunstmuseum, Bern.
−
* Alina Kowalczykowa, [[Media:Kowalczykova_Alina_2004_The_Interwar_Years_1918-1939.pdf|"The Interwar Years – 1918-1939"]], in ''Ten Centuries of Polish Literature'', Warsaw: Wydawnictwo IBL PAN, 2004, pp 202-227. [http://f.polska.pl/files/117/254/143/The_Interwar_Years_1918_1939.pdf]
+
 
 +
; Books
 +
* Helena Zaworska, ''O nową sztukę. Polskie programy artystyczne lat 1917-1922'', PIW, 1963. {{pl}}
 +
* Andrzej Lam, ''Polska awangarda poetycka. Programy lat 1917-1923'', Cracow: Wydawnictwo Literackie, 1969. {{pl}}
 +
* Wiesław Szymański, ''Z dziejów czasopism literackich w dwudziestoleciu międzywojennym'', Warsaw: Wydawnictwo Literackie, 1970, 386 pp. {{pl}}
 +
* Tadeusz Kłak, ''Czasopisma awangardy'', 2 vols., (1919-1931 & 1931-1939), Wroclaw: Ossolineum, 1978 & 1979, 244 & 219 pp. {{pl}}
 +
* Bogdana Carpenter, ''The Poetic Avant-Garde in Poland: 1918-1939'', University of Washington Press, 1983, xviii+234 pp. Review: [http://www.jstor.org/stable/25778082 Baranczak] (PR 1984). {{en}}
 +
* Lech Kalinowski (ed.), ''The Art of the 1920s in Poland, Bohemia, Slovakia, and Hungary'', Cracow: International Cultural Centre, 1991. Proceedings from the ''Niedzica Seminars VI'', 19-22 Oct 1989. [http://swbplus.bsz-bw.de/bsz046832734inh.pdf TOC].
 +
* Andrzej Turowski, ''Budowniczowie świata. Z dziejów radykalnego modernizmu'', Cracow: Universitas, 2000, 416 pp. {{pl}}
 
* Marek Bartelik, ''Early Polish Modern Art: Unity in Multiplicity'', Manchester University Press, 2005. [http://books.google.com/books?id=-UrRTzxe2SAC]
 
* Marek Bartelik, ''Early Polish Modern Art: Unity in Multiplicity'', Manchester University Press, 2005. [http://books.google.com/books?id=-UrRTzxe2SAC]
 
* Marci Shore, ''[http://monoskop.org/log/?p=10661 Caviar and Ashes: A Warsaw Generation's Life and Death in Marxism, 1918-1968]'', Yale University Press, 2006, 457 pp.
 
* Marci Shore, ''[http://monoskop.org/log/?p=10661 Caviar and Ashes: A Warsaw Generation's Life and Death in Marxism, 1918-1968]'', Yale University Press, 2006, 457 pp.
−
* I. Gwóźdź-Szewczenko, ''Futuryzm w czeskim pejzażu literackim'', Wrocław, 2009. (Polish)
 
−
* Jeannette Słaby, [http://repozytorium.amu.edu.pl/jspui/bitstream/10593/695/1/Jeannette%20S%C5%82aby%20Hominem%20imitantia.pdf Hominem imitantia. Modernistyczna antropologia podmiotu w polskiej prozie międzywojennej], Poznan, 2010. Ph.D. Dissertation. (Polish)
 
 
* Piotr Rypson, ''Against All Odds. Polish Graphic Design 1919-1949'', Karakter, 2011. [http://www.ksiegarnia.karakter.pl/produkty/against-all-odds-polish-graphic-design-1919-1949.html]
 
* Piotr Rypson, ''Against All Odds. Polish Graphic Design 1919-1949'', Karakter, 2011. [http://www.ksiegarnia.karakter.pl/produkty/against-all-odds-polish-graphic-design-1919-1949.html]
−
* E. Ranocchi, "Miłość maszyn. Antynomie maszyny w polskim modernizmie", ''Studi Slavistici'' VIII (2011), pp 137-160. (Polish)
+
 
−
* Jaroslaw Lubiak, Malgorzata Ludwisiak, ''Korespondencje: Sztuka nowoczesna i uniwersalizm/Correspondences: Modern Art and Universalism'', Lodz: Muzeum Sztuki, 2012. Catalogue of a retrospective exhibition of the collection of Muzeum Sztuki and Kunstmuseum, Bern.
+
; Articles
 +
* Piotr Piotrowski, [http://repozytorium.amu.edu.pl/jspui/bitstream/10593/9586/1/03_Piotr_Piotrowski_ART%20AND%20INDEPENDENCE_POLISH%20ART%20IN%20THE%201920S_31-37.pdf "Art and Independence. Polish Art in the 1920s"], 1993. {{en}}
 +
* Irena Kossowska, [http://web.archive.org/web/20090415044428/http://www.culture.pl/pl/culture/artykuly/es_miedzy_tradycja_i_awangarda "Między tradycją i awangardą. Polska sztuka lat 1920 i 1930"], ''Culture.pl'', 2004. {{pl}}
 +
* Alina Kowalczykowa, [[Media:Kowalczykova_Alina_2004_The_Interwar_Years_1918-1939.pdf|"The Interwar Years – 1918-1939"]], in ''Ten Centuries of Polish Literature'', Warsaw: Wydawnictwo IBL PAN, 2004, pp 202-227. [http://f.polska.pl/files/117/254/143/The_Interwar_Years_1918_1939.pdf]
 +
* E. Ranocchi, "Miłość maszyn. Antynomie maszyny w polskim modernizmie", ''Studi Slavistici'' VIII (2011), pp 137-160. {{pl}}
 
* Przemysław Strożek, "Cracow and Warsaw: Becoming the Avant-Garde. ''Formiści'' (1919-1921), ''Nowa Sztuka'' (1921-1922), ''Zwrotnica'' (first series 1922-1923), ''Blok'' (1924-1926)", in ''The Oxford Critical and Cultural History of Modernist Magazines, vol. 3 (Europe, 1880-1940)'', New York: Oxford University Press, 2013, pp 1184-1207. [http://books.google.com/books?id=bvsfioiQ8k8C&pg=PA1184]
 
* Przemysław Strożek, "Cracow and Warsaw: Becoming the Avant-Garde. ''Formiści'' (1919-1921), ''Nowa Sztuka'' (1921-1922), ''Zwrotnica'' (first series 1922-1923), ''Blok'' (1924-1926)", in ''The Oxford Critical and Cultural History of Modernist Magazines, vol. 3 (Europe, 1880-1940)'', New York: Oxford University Press, 2013, pp 1184-1207. [http://books.google.com/books?id=bvsfioiQ8k8C&pg=PA1184]
 
* Lidia Gluchowska, "Poznan and Lodz: National Modernism and the International Avant-Garde", in ''The Oxford Critical and Cultural History of Modernist Magazines, vol. 3 (Europe, 1880-1940)'', New York: Oxford University Press, 2013, pp 1208-1233. [http://books.google.com/books?id=bvsfioiQ8k8C&pg=PA1208]
 
* Lidia Gluchowska, "Poznan and Lodz: National Modernism and the International Avant-Garde", in ''The Oxford Critical and Cultural History of Modernist Magazines, vol. 3 (Europe, 1880-1940)'', New York: Oxford University Press, 2013, pp 1208-1233. [http://books.google.com/books?id=bvsfioiQ8k8C&pg=PA1208]
 +
 +
; Dissertations
 +
* Jeannette Słaby, [http://repozytorium.amu.edu.pl/jspui/bitstream/10593/695/1/Jeannette%20S%C5%82aby%20Hominem%20imitantia.pdf ''Hominem imitantia. Modernistyczna antropologia podmiotu w polskiej prozie międzywojennej''], Poznan, 2010. Ph.D. Dissertation. {{pl}}
 
}}</onlyinclude>
 
}}</onlyinclude>
  
 
====Futurists====
 
====Futurists====
 
<onlyinclude>{{#ifeq:{{{transcludesection|avantgarde-pl-fut}}}|avantgarde-pl-fut|
 
<onlyinclude>{{#ifeq:{{{transcludesection|avantgarde-pl-fut}}}|avantgarde-pl-fut|
−
* Nina Kolesnikoff, [[Media:Kolesnikoff_Nina_1976_Polish_Futurism_Its_Origin_and_the_Aesthetic_Program.pdf|"Polish Futurism. Its Origin and the Aesthetic Program"]], ''Canadian Slavonic Papers'' 18:3 (Sep 1976), pp 301-311.
+
* Nina Kolesnikoff, [[Media:Kolesnikoff_Nina_1976_Polish_Futurism_Its_Origin_and_the_Aesthetic_Program.pdf|"Polish Futurism. Its Origin and the Aesthetic Program"]], ''Canadian Slavonic Papers'' 18:3 (Sep 1976), pp 301-311. {{en}}
−
* Beata Sniecikowska, ''Nuz w uhu Koncepcje dzwieku w poezji polskiego futuryzmu'', Wydawnictwo Uniwersytetu Wroclawskiego, 2008. [http://www.amazon.co.uk/Koncepcje-dzwieku-poezji-polskiego-futuryzmu/dp/8322929153]
+
* Beata Sniecikowska, ''Nuz w uhu Koncepcje dzwieku w poezji polskiego futuryzmu'', Wroclaw: Wydawnictwo Uniwersytetu Wroclawskiego, 2008. [http://www.amazon.co.uk/Koncepcje-dzwieku-poezji-polskiego-futuryzmu/dp/8322929153] {{pl}}
−
* Przemysław Strożek, [http://academia.edu/3649623 "'Marinetti is foreign to us': Polish Responses to Italian Futurism, 1917-1923"], in ''International Yearbook of Futurism Studies'', Vol. 1., ed. G. Berghaus, Berlin and New York: Walter De Gruyter, 2011, pp 84-108.
+
* I. Gwóźdź-Szewczenko, ''Futuryzm w czeskim pejzażu literackim'', Wrocław, 2009. {{pl}}
−
* Przemysław Strożek, "Poland", in ''International Futurism 1945-2009. A Bibliographic Reference Shelf'', ed. G. Berghaus, Berlin-New York: De Gruyter, 2012.
+
* Przemysław Strożek, [http://academia.edu/3649623 "'Marinetti is foreign to us': Polish Responses to Italian Futurism, 1917-1923"], in ''International Yearbook of Futurism Studies'', Vol. 1., ed. G. Berghaus, Berlin and New York: Walter De Gruyter, 2011, pp 84-108. {{en}}
−
* Przemysław Strożek, ''Marinetti i futuryzm w Polsce 1909-1939: obecność, kontakty, wydarzenia'', Warsaw: Instytut Sztuki Polskiej Akademii Nauk, 2012, 383 pp.
+
* Przemysław Strożek, "Poland", in ''International Futurism 1945-2009. A Bibliographic Reference Shelf'', ed. G. Berghaus, Berlin-New York: De Gruyter, 2012. {{en}}
 +
* Przemysław Strożek, ''Marinetti i futuryzm w Polsce 1909-1939: obecność, kontakty, wydarzenia'', Warsaw: Instytut Sztuki Polskiej Akademii Nauk, 2012, 383 pp. {{pl}}
 
}}</onlyinclude>
 
}}</onlyinclude>
  
 
====Formists====
 
====Formists====
−
; Writings and manifestos
+
; Writings and manifestos (selection)
 
<onlyinclude>{{#ifeq:{{{transcludesection|avantgarde-pl-form-writings}}}|avantgarde-pl-form-writings|
 
<onlyinclude>{{#ifeq:{{{transcludesection|avantgarde-pl-form-writings}}}|avantgarde-pl-form-writings|
−
* Leon Chwistek, "Wielość rzeczywistości w sztuce"  [The Plurality of Realities in Art], ''Maski'' 1-4 (1918); repr. in ''Przeglad Wspolczesny'' 9 (April-June 1924); repr. in ''Wielość rzeczywistości w sztuce i inne szkice literackie'', 1960, pp 24-50; repr. in ''Wybór pism estetycznych'', 2004, pp 3-20. (in Polish). Chwistek proposed the theory of the "plurality of realities in art" as a reaction against the dualistic model of the avant-garde. Later on, in various interdisciplinary discussions about art, mathematics, poetry, architecture and politics, he argued against agitprop and the missionary stance of the avant-garde, in favour of an open, modern and transnational society.
+
* Leon Chwistek, "Wielość rzeczywistości w sztuce"  [The Plurality of Realities in Art], ''Maski'' 1-4 (1918); repr. in ''Przeglad Wspolczesny'' 9 (April-June 1924); repr. in ''Wielość rzeczywistości w sztuce i inne szkice literackie'', 1960, pp 24-50; repr. in ''Wybór pism estetycznych'', 2004, pp 3-20. Proposes the theory of the "plurality of realities in art" as a reaction against the dualistic model of the avant-garde. Later on, in various interdisciplinary discussions about art, mathematics, poetry, architecture and politics, he argued against agitprop and the missionary stance of the avant-garde, in favour of an open, modern and transnational society. {{pl}}
−
* Stanisław Ignacy Witkiewicz, "Nowe formy w malarstwie i wynikające stąd nieporozumienia", 1919. Formulated the principles of Pure Form.
+
* Stanisław Ignacy Witkiewicz, "Nowe formy w malarstwie i wynikające stąd nieporozumienia", 1919. Formulates the principles of Pure Form. {{pl}}
−
* Stanisław Ignacy Witkiewicz, ''Szkice estetyczne'' [Aesthetic Sketches], 1922.
+
* Stanisław Ignacy Witkiewicz, ''Szkice estetyczne'' [Aesthetic Sketches], 1922. {{pl}}
−
* Leon Chwistek, 1922. He promulgated the 'mathematical' art theory of Strefism [Strefizm], according to which a graphic surface is constructed by means of colours and shapes arranged in contrasting zones.
+
* ''Wielość rzeczywistości'' [The Plurality of Realities], Kraków-Jasło, 1921; repr. in ''Pisma filozoficzne i logiczne'', 1961, pp 30-105. {{pl}}
−
* ''Wielość rzeczywistości'' [The Plurality of Realities], Kraków-Jasło, 1921; repr. in ''Pisma filozoficzne i logiczne'', 1961, pp 30-105. (in Polish)
 
  
 
; Literature
 
; Literature
−
* Ondřej Kolarczyk, ''[http://is.muni.cz/th/147107/ff_b/Konecna_verze.pdf Vzpoura proti tradicím a minulosti (Polský futurismus ve světle vývoje tohoto uměleckého směru v Evropě)]'', Brno: Masaryk University, 2007. Bachelor's thesis. (in Czech)
+
* Ondřej Kolarczyk, ''[http://is.muni.cz/th/147107/ff_b/Konecna_verze.pdf Vzpoura proti tradicím a minulosti (Polský futurismus ve světle vývoje tohoto uměleckého směru v Evropě)]'', Brno: Masaryk University, 2007. Bachelor's thesis. {{cz}}
−
* Małgorzata Geron, [http://repozytorium.umk.pl/handle/item/1796 "Formiści. Pomiędzy tradycją a awangardą"], 2012. (in Polish)
+
* Małgorzata Geron, [http://repozytorium.umk.pl/handle/item/1796 "Formiści. Pomiędzy tradycją a awangardą"], 2012. {{pl}}
−
* Ines R. Artola, [http://e-revistas.uc3m.es/index.php/SEM/article/download/1936/927 "Qué fue el formismo polaco (1917-1922) segun los formistas?"], ''Semiosfera'' 2:2 (Mar 2014), pp 82-108. (in Spanish)
+
* Ines R. Artola, [http://e-revistas.uc3m.es/index.php/SEM/article/download/1936/927 "Qué fue el formismo polaco (1917-1922) segun los formistas?"], ''Semiosfera'' 2:2 (Mar 2014), pp 82-108. {{es}}
 
}}</onlyinclude>
 
}}</onlyinclude>
  
 
====Constructivists====
 
====Constructivists====
−
; Writings and manifestos
+
; Writings and manifestos (selection)
 
<onlyinclude>{{#ifeq:{{{transcludesection|avantgarde-pl-constr-writings}}}|avantgarde-pl-constr-writings|
 
<onlyinclude>{{#ifeq:{{{transcludesection|avantgarde-pl-constr-writings}}}|avantgarde-pl-constr-writings|
 
* Tadeusz Peiper, [http://www.kulturologia.uw.edu.pl/page.php?page=tekst&haslo=peiper "Metropolis. Mass. Machine."] [Miasto. Masa. Maszyna.], ''Zwrotnica'' 2, 1922. Manifesto, initial inspiration for Awangarda Krakowska literary group.  
 
* Tadeusz Peiper, [http://www.kulturologia.uw.edu.pl/page.php?page=tekst&haslo=peiper "Metropolis. Mass. Machine."] [Miasto. Masa. Maszyna.], ''Zwrotnica'' 2, 1922. Manifesto, initial inspiration for Awangarda Krakowska literary group.  
Line 224: Line 273:
 
* Julian Przyboś, [http://www.kulturologia.uw.edu.pl/page.php?page=tekst&haslo=przybos "Człowiek w rzeczach"; "Człowiek nad przyrodą"], ''Zwrotnica'', 1926.  
 
* Julian Przyboś, [http://www.kulturologia.uw.edu.pl/page.php?page=tekst&haslo=przybos "Człowiek w rzeczach"; "Człowiek nad przyrodą"], ''Zwrotnica'', 1926.  
 
* Władysław Strzemiński, ''Unizm w malarstwie'' [Unism in Painting], Biblioteka Praesens, no. 3, Warsaw, 1928.
 
* Władysław Strzemiński, ''Unizm w malarstwie'' [Unism in Painting], Biblioteka Praesens, no. 3, Warsaw, 1928.
−
* Wtadysław Strzemiński, et. al., [http://modernistarchitecture.wordpress.com/2010/10/22/wtadyslaw-strzeminski-et-al-%E2%80%99s-%E2%80%9Ccommunique-of-the-group-%E2%80%98a-r-%E2%80%99%E2%80%9D/ "Komunikat Grupy 'a.r.'"] [Communiqué of the Group ‘a.r.’], ''Europa'', no. 9, 1930.  
+
* Wtadysław Strzemiński, et al., [http://modernistarchitecture.wordpress.com/2010/10/22/wtadyslaw-strzeminski-et-al-%E2%80%99s-%E2%80%9Ccommunique-of-the-group-%E2%80%98a-r-%E2%80%99%E2%80%9D/ "Komunikat Grupy 'a.r.'"] [Communiqué of the Group ‘a.r.’], ''Europa'', no. 9, 1930.  
 
* more: [http://modernistarchitecture.wordpress.com/2010/10/23/mieczystaw-szczuka%E2%80%99s-%E2%80%9Can-attempt-to-explain-the-misunderstanding-related-to-the-public%E2%80%99s-attitude-to-new-art%E2%80%9D-1924/], [http://modernistarchitecture.wordpress.com/2010/10/23/henryk-stazewski%E2%80%99s-%E2%80%9Cuntitled-statements-on-suprematism-and-painting%E2%80%9D-1924/], [http://modernistarchitecture.wordpress.com/2010/10/23/the-editors-of-blok%E2%80%99s-%E2%80%9Ceditorial-statement%E2%80%9D-1924/], [http://modernistarchitecture.wordpress.com/2010/10/23/henryk-berlewi%E2%80%99s-%E2%80%9Cthe-arts-abroad%E2%80%9D-1922-23/], [http://modernistarchitecture.wordpress.com/2010/10/22/henryk-berlewi%e2%80%99s-%e2%80%9cthe-international-exhibition-in-dusseldorf%e2%80%9d-1922/], [http://modernistarchitecture.wordpress.com/2010/10/22/mieczyslaw-szczuka%e2%80%99s-%e2%80%9cfuneral-of-suprematism%e2%80%9d-1927/], [http://modernistarchitecture.wordpress.com/2010/10/22/mieczyslaw-szczuka%e2%80%99s-%e2%80%9cart-and-reality%e2%80%9d-1927/], [http://modernistarchitecture.wordpress.com/tag/tadeusz-peiper/]
 
* more: [http://modernistarchitecture.wordpress.com/2010/10/23/mieczystaw-szczuka%E2%80%99s-%E2%80%9Can-attempt-to-explain-the-misunderstanding-related-to-the-public%E2%80%99s-attitude-to-new-art%E2%80%9D-1924/], [http://modernistarchitecture.wordpress.com/2010/10/23/henryk-stazewski%E2%80%99s-%E2%80%9Cuntitled-statements-on-suprematism-and-painting%E2%80%9D-1924/], [http://modernistarchitecture.wordpress.com/2010/10/23/the-editors-of-blok%E2%80%99s-%E2%80%9Ceditorial-statement%E2%80%9D-1924/], [http://modernistarchitecture.wordpress.com/2010/10/23/henryk-berlewi%E2%80%99s-%E2%80%9Cthe-arts-abroad%E2%80%9D-1922-23/], [http://modernistarchitecture.wordpress.com/2010/10/22/henryk-berlewi%e2%80%99s-%e2%80%9cthe-international-exhibition-in-dusseldorf%e2%80%9d-1922/], [http://modernistarchitecture.wordpress.com/2010/10/22/mieczyslaw-szczuka%e2%80%99s-%e2%80%9cfuneral-of-suprematism%e2%80%9d-1927/], [http://modernistarchitecture.wordpress.com/2010/10/22/mieczyslaw-szczuka%e2%80%99s-%e2%80%9cart-and-reality%e2%80%9d-1927/], [http://modernistarchitecture.wordpress.com/tag/tadeusz-peiper/]
 
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<onlyinclude>{{#ifeq:{{{transcludesection|avantgarde-pl-constr}}}|avantgarde-pl-constr|
 
<onlyinclude>{{#ifeq:{{{transcludesection|avantgarde-pl-constr}}}|avantgarde-pl-constr|
 
* ''Constructivism in Poland 1923-1936: BLOK, Praesens, a.r.'', Lodz: Muzeum Sztuki, 1973, 208 pp. Catalogue. [http://page-spread.com/constructivism-in-poland-1923-1936-blok-praesens-a-r/] Review: [http://www.negroartist.com/writings/The%20Afro-American%20Artist.pdf Werner]. {{en}},{{nl}},{{de}}
 
* ''Constructivism in Poland 1923-1936: BLOK, Praesens, a.r.'', Lodz: Muzeum Sztuki, 1973, 208 pp. Catalogue. [http://page-spread.com/constructivism-in-poland-1923-1936-blok-praesens-a-r/] Review: [http://www.negroartist.com/writings/The%20Afro-American%20Artist.pdf Werner]. {{en}},{{nl}},{{de}}
−
* Aleksander Wojciechowski (ed.), ''Polskie życie artystyczne w latach 1915-1939'' [The Polish artistic life in years 1915-1939], Wrocław: Zakład Narodowy im. Ossolińskich, 1974. (Polish)
+
* Aleksander Wojciechowski (ed.), ''Polskie życie artystyczne w latach 1915-1939'' [The Polish artistic life in years 1915-1939], Wrocław: Zakład Narodowy im. Ossolińskich, 1974. {{pl}}
−
* Z. Baranowicz, ''Polska awangarda artystyczna 1918-1927'', Warsaw, 1975. (Polish)
+
* Z. Baranowicz, ''Polska awangarda artystyczna 1918-1927'', Warsaw, 1975. {{pl}}
−
* Vladimír Šlapeta, [http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:gbv:wim2-20111215-9152 "Die Architektur an der Akademie für Kunst und Kunstgewerbe in Breslau"], ''Wissenschaftliche Zeitschrift'' 26:4/5, Hochschule für Architektur und Bauwesen, 1979. (German)
+
* Vladimír Šlapeta, [http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:gbv:wim2-20111215-9152 "Die Architektur an der Akademie für Kunst und Kunstgewerbe in Breslau"], ''Wissenschaftliche Zeitschrift'' 26:4/5, Hochschule für Architektur und Bauwesen, 1979. {{de}}
−
* Andrzej Turowski, ''W kręgu konstruktiwizmu'', Warsaw: Wydawnictwa Artystyczne i Filmowe, 1979, 288 pp. (Polish)
+
* Andrzej Turowski, ''W kręgu konstruktiwizmu'', Warsaw: Wydawnictwa Artystyczne i Filmowe, 1979, 288 pp. {{pl}}
−
* Andrzej Turowski, ''Konstruktywizm polski: próba rekonstrukcji nurtu, 1921-1934'', Wroclaw: Zakład Narodowy im. Ossolińskich, 1981, 360 pp. Review: [http://digi.ub.uni-heidelberg.de/diglit/fha1985/0181 Gryglewicz] (FHA 1985). (Polish)
+
* Andrzej Turowski, ''Konstruktywizm polski: próba rekonstrukcji nurtu, 1921-1934'', Wroclaw: Zakład Narodowy im. Ossolińskich, 1981, 360 pp. Review: [http://digi.ub.uni-heidelberg.de/diglit/fha1985/0181 Gryglewicz] (FHA 1985). {{pl}}
−
* David Crowley, [http://books.google.com/books?id=DHy7AAAAIAAJ&pg=PA54 "The Cracow School and the Second Republic"], in ''National Style and Nation-state: Design in Poland. From the Vernacular Revival to the International Style'', Manchester University Press, 1992, pp 54-79.  
+
* David Crowley, [http://books.google.com/books?id=DHy7AAAAIAAJ&pg=PA54 "The Cracow School and the Second Republic"], in ''National Style and Nation-state: Design in Poland. From the Vernacular Revival to the International Style'', Manchester University Press, 1992, pp 54-79. {{en}}
−
* David Crowley, [http://books.google.com/books?id=DHy7AAAAIAAJ&pg=PA80 "Questioning Parochialism"], in ''National Style and Nation-state: Design in Poland. From the Vernacular Revival to the International Style'', Manchester University Press, 1992, pp 80-101.  
+
* David Crowley, [http://books.google.com/books?id=DHy7AAAAIAAJ&pg=PA80 "Questioning Parochialism"], in ''National Style and Nation-state: Design in Poland. From the Vernacular Revival to the International Style'', Manchester University Press, 1992, pp 80-101. {{en}}
−
* Andrzej Turowski, ''Budowniczowie świata. Z dziejów radykalnego modernizmu'' [Builders of the world. From the history of radical modernism], Kraków, 2000. (Polish)
 
−
* Esther Levinger, [http://sci-hub.org/10.1111/1467-8365.t01-1-00251 "Return to Figuration: Władisław Strzemiński and the Move from Idealism"], ''Art History'' 24:1 (2001), pp 101-131.
 
 
* Samuel Albert, "Poland. Bauhaus Students: Max Sinowjewitsch Krajewski, Arieh Sharon, Munio Weinreb (Gitai), Edgar Hecht (Hed), Isaac Weinfeld, Shlomo Bernstein, Schmuel Mestechkin", ''Centropa'' 3:1 (2003). [http://www.artworlds.org/centropa/page5/page13/page13.html]
 
* Samuel Albert, "Poland. Bauhaus Students: Max Sinowjewitsch Krajewski, Arieh Sharon, Munio Weinreb (Gitai), Edgar Hecht (Hed), Isaac Weinfeld, Shlomo Bernstein, Schmuel Mestechkin", ''Centropa'' 3:1 (2003). [http://www.artworlds.org/centropa/page5/page13/page13.html]
−
* Barbara Iwona DeBoer, ''[http://drum.lib.umd.edu/bitstream/1903/2625/1/umi-umd-2528.pdf Four Arts Redefined. Władysław Strzemiński's Theory of Unism]'', University of Maryland, 2005. Master's thesis.
+
* Ilana Löwy, [http://sci-hub.org/10.1016/j.shpsa.2008.06.009 "Ways of Seeing: Ludwik Fleck and Polish Debates on the Perception of Reality, 1890–1947"], ''Studies In History and Philosophy of Science'' 39:3 (Sep 2008), pp 375-383. {{en}}
−
* Marek Bartelik, ''Early Polish modern art: unity in multiplicity'', Manchester University Press, 2005. [http://www.manchesteruniversitypress.co.uk/cgi-bin/indexer?product=9780719063527]
+
* Magdalena Ziółkowska, [http://www.artalways.org/wp-content/uploads/2009/03/archiwum-no21.pdf#page=66 "The Laboratory of Constructivism / Laboratorium konstruktywizmu"], in ''Archywum 2'', Łódź: Museum of Art, 2009, pp 66-77. {{en}}/{{pl}}
−
* Ilana Löwy, [http://sci-hub.org/10.1016/j.shpsa.2008.06.009 "Ways of Seeing: Ludwik Fleck and Polish debates on the perception of reality, 1890–1947"], ''Studies In History and Philosophy of Science'' 39:3 (Sep 2008), pp 375-383.
 
−
* Magdalena Frankowska and Artur Frankowski, ''Berlewi'', Czysty Warsztat, 2009. [http://scans.hebis.de/22/46/57/22465743_toc.pdf TOC]. [http://www.czystywarsztat.pl/ksiazka.php?id_ksiazki=22]
 
−
* Magdalena Ziółkowska, [http://www.artalways.org/wp-content/uploads/2009/03/archiwum-no21.pdf#page=66 "The Laboratory of Constructivism / Laboratorium konstruktywizmu"], in ''Archywum 2'', Łódź: Museum of Art, 2009, pp 66-77. (English/Polish)
 
 
}}</onlyinclude>
 
}}</onlyinclude>
  
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* Esther Levinger, "The Avant-Garde in Yugoslavia", ''The Structurist'' 29/30, 1990, pp 66-72.
 
* Esther Levinger, "The Avant-Garde in Yugoslavia", ''The Structurist'' 29/30, 1990, pp 66-72.
 
* Irina Subotić, "Concerning Art and Politics in Yugoslavia during the 1930s", ''Art Journal'' Vol. 52, No. 1, Political Journals and Art, 1910-40 (Spring, 1993), pp. 69-71. [http://www.jstor.org/stable/777304]
 
* Irina Subotić, "Concerning Art and Politics in Yugoslavia during the 1930s", ''Art Journal'' Vol. 52, No. 1, Political Journals and Art, 1910-40 (Spring, 1993), pp. 69-71. [http://www.jstor.org/stable/777304]
−
* Ivan Dorovský, [http://digilib.phil.muni.cz/bitstream/handle/11222.digilib/126247/SpisyFF_311-1997-1_16.pdf "Některé zvláštnosti balkánské avantgardy"], in Dorovský, ''Balkán a Mediterán: literárně historické a teoretické studie'', Brno: Masarykova univerzita, 1997, pp 193-201. (in Czech)
+
* Ivan Dorovský, [http://digilib.phil.muni.cz/bitstream/handle/11222.digilib/126247/SpisyFF_311-1997-1_16.pdf "Některé zvláštnosti balkánské avantgardy"], in Dorovský, ''Balkán a Mediterán: literárně historické a teoretické studie'', Brno: Masarykova univerzita, 1997, pp 193-201. {{cz}}
 
* Esther Levinger, "Ljubomir Micic and the Zenitist Utopia", in ''Exchange and Transformation: The Central European Avant-Garde, 1910-1930'', exh. cat. Los Angeles County Museum of Art, Los Angeles, Cal. 2002, pp. 260-278.
 
* Esther Levinger, "Ljubomir Micic and the Zenitist Utopia", in ''Exchange and Transformation: The Central European Avant-Garde, 1910-1930'', exh. cat. Los Angeles County Museum of Art, Los Angeles, Cal. 2002, pp. 260-278.
 
* [[Dubravka Đurić]] and [[Miško Šuvaković]] (eds.), ''Impossible Histories: Historic Avant-Gardes, Neo-Avant-Gardes, and Post-Avant-Gardes in Yugoslavia, 1918-1991'', MIT Press, 2003. [http://mitpress.mit.edu/catalog/item/default.asp?ttype=2&tid=9567]
 
* [[Dubravka Đurić]] and [[Miško Šuvaković]] (eds.), ''Impossible Histories: Historic Avant-Gardes, Neo-Avant-Gardes, and Post-Avant-Gardes in Yugoslavia, 1918-1991'', MIT Press, 2003. [http://mitpress.mit.edu/catalog/item/default.asp?ttype=2&tid=9567]
Line 265: Line 309:
  
 
===Croatia===
 
===Croatia===
−
; Writings
+
; Writings (selection)
 
<onlyinclude>{{#ifeq:{{{transcludesection|avantgarde-cr-writings}}}|avantgarde-cr-writings|
 
<onlyinclude>{{#ifeq:{{{transcludesection|avantgarde-cr-writings}}}|avantgarde-cr-writings|
 
* Ljubomir Micić, Ivan Goll and Bosko Tokin, "Manifest Zenitizma" [Zenithist Manifesto], ''Zenit'' no. 1, Zagreb, 1921. [http://books.google.com/books?id=c8ZbINFYdVoC&pg=PA525]
 
* Ljubomir Micić, Ivan Goll and Bosko Tokin, "Manifest Zenitizma" [Zenithist Manifesto], ''Zenit'' no. 1, Zagreb, 1921. [http://books.google.com/books?id=c8ZbINFYdVoC&pg=PA525]
Line 281: Line 325:
 
; Literature
 
; Literature
 
<onlyinclude>{{#ifeq:{{{transcludesection|avantgarde-cr}}}|avantgarde-cr|
 
<onlyinclude>{{#ifeq:{{{transcludesection|avantgarde-cr}}}|avantgarde-cr|
−
* Jadranka Vinterhalter (ed.), ''Prodori avangarde u hrvatskoj umjetnosti prve polovice 20.stoljeca / Flashes od avant-garde in the croatian art of the first half of the 20th century''. Zagreb: MSU, 2007. [http://www.msu.hr/#/en/18015/]
+
* Jadranka Vinterhalter (ed.), ''Prodori avangarde u hrvatskoj umjetnosti prve polovice 20.stoljeca / Flashes od avant-garde in the croatian art of the first half of the 20th century'', Zagreb: MSU, 2007. [http://www.msu.hr/#/en/18015/]
−
* Darko Šimičić, "Strategije u borbi za novu umjetnost. Zenitizam i dada u srednjoeuropskom kontekstu", in ''[http://www.ipu.hr/uploads/documents/1687.pdf Moderna umjetnost u Hrvatskoj, 1898.-1975.]'', Zagreb: Institut za povijest umjetnosti, 2012, pp 40-65. (in Croatian)
+
* Darko Šimičić, "Strategije u borbi za novu umjetnost. Zenitizam i dada u srednjoeuropskom kontekstu", in ''[http://www.ipu.hr/uploads/documents/1687.pdf Moderna umjetnost u Hrvatskoj, 1898.-1975.]'', Zagreb: Institut za povijest umjetnosti, 2012, pp 40-65. {{cr}}
−
* Daina Glavočić, "D’Annunzio i riječki futurizam", in ''[http://www.ipu.hr/uploads/documents/1687.pdf Moderna umjetnost u Hrvatskoj, 1898.-1975.]'', Zagreb: Institut za povijest umjetnosti, 2012, pp 66-89. (in Croatian)
+
* Daina Glavočić, "D’Annunzio i riječki futurizam", in ''[http://www.ipu.hr/uploads/documents/1687.pdf Moderna umjetnost u Hrvatskoj, 1898.-1975.]'', Zagreb: Institut za povijest umjetnosti, 2012, pp 66-89. {{cr}}
 
}}</onlyinclude>
 
}}</onlyinclude>
  
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===Slovenia===
 
===Slovenia===
−
; Writings
+
; Writings (selection)
 
<onlyinclude>{{#ifeq:{{{transcludesection|avantgarde-sl-writings}}}|avantgarde-sl-writings|
 
<onlyinclude>{{#ifeq:{{{transcludesection|avantgarde-sl-writings}}}|avantgarde-sl-writings|
 
* 1920, poet [[Anton Podbevšek]] develops his program along anarchist [[proletcult]] lines for the journal ''Rdeči pilot''.
 
* 1920, poet [[Anton Podbevšek]] develops his program along anarchist [[proletcult]] lines for the journal ''Rdeči pilot''.
Line 303: Line 347:
 
* Avgust Černigoj, "The Constructivist Group in Trieste", ''tank'', 1927.
 
* Avgust Černigoj, "The Constructivist Group in Trieste", ''tank'', 1927.
 
}}</onlyinclude>
 
}}</onlyinclude>
 +
 
; Literature
 
; Literature
 
<onlyinclude>{{#ifeq:{{{transcludesection|avantgarde-sl}}}|avantgarde-sl|
 
<onlyinclude>{{#ifeq:{{{transcludesection|avantgarde-sl}}}|avantgarde-sl|
Line 316: Line 361:
  
 
===Romania===
 
===Romania===
−
; Writings
+
; Writings (selection)
 
<onlyinclude>{{#ifeq:{{{transcludesection|avantgarde-ro-writings}}}|avantgarde-ro-writings|
 
<onlyinclude>{{#ifeq:{{{transcludesection|avantgarde-ro-writings}}}|avantgarde-ro-writings|
 
* Marinetti’s Futurist Manifesto published in Romanian in Craiova in a local newspaper, on the same day (20 February 1909) as in the Parisian Le Figaro.
 
* Marinetti’s Futurist Manifesto published in Romanian in Craiova in a local newspaper, on the same day (20 February 1909) as in the Parisian Le Figaro.
Line 346: Line 391:
 
* more: [http://modernistarchitecture.wordpress.com/2010/10/21/marcel-janco%E2%80%99s-%E2%80%9Creflections-of-cubism%E2%80%9D-1928/], [http://sites.google.com/site/juliansemilian/translations Julian Semilian, translator]
 
* more: [http://modernistarchitecture.wordpress.com/2010/10/21/marcel-janco%E2%80%99s-%E2%80%9Creflections-of-cubism%E2%80%9D-1928/], [http://sites.google.com/site/juliansemilian/translations Julian Semilian, translator]
 
}}</onlyinclude>
 
}}</onlyinclude>
 +
 
; Literature
 
; Literature
 
<onlyinclude>{{#ifeq:{{{transcludesection|avantgarde-ro}}}|avantgarde-ro|
 
<onlyinclude>{{#ifeq:{{{transcludesection|avantgarde-ro}}}|avantgarde-ro|
Line 358: Line 404:
 
* ''Contimporanul. Istoria unei reviste de avangarda?'', Institutul Cultural Roman, Bucuresti 2007
 
* ''Contimporanul. Istoria unei reviste de avangarda?'', Institutul Cultural Roman, Bucuresti 2007
 
* Irina Carabas, "Can Aesthetics Overcome Politics? The Romanian Avant-garde and its Political Subtexts", lecture for 'New Histories of Politics' a conference at Central European University, Budapest (18-20 May 2007). [http://www.hist.ceu.hu/conferences/graceh/abstracts/carabas_irina.pdf]
 
* Irina Carabas, "Can Aesthetics Overcome Politics? The Romanian Avant-garde and its Political Subtexts", lecture for 'New Histories of Politics' a conference at Central European University, Budapest (18-20 May 2007). [http://www.hist.ceu.hu/conferences/graceh/abstracts/carabas_irina.pdf]
−
* Roland Prügel, ''Im Zeichen der Stadt. Avantgarde in Rumänien 1920–1938'', Cologne/Weimar/Vienna: Böhlau, 2008, 270 pp. (in German). [http://www.boehlau-verlag.com/978-3-412-16406-5.html], [http://edoc.hu-berlin.de/kunsttexte/2010-1/fabritius-heinke-6/PDF/fabritius.pdf Review].
+
* Roland Prügel, ''Im Zeichen der Stadt. Avantgarde in Rumänien 1920–1938'', Cologne/Weimar/Vienna: Böhlau, 2008, 270 pp. {{de}}. [http://www.boehlau-verlag.com/978-3-412-16406-5.html], [http://edoc.hu-berlin.de/kunsttexte/2010-1/fabritius-heinke-6/PDF/fabritius.pdf Review].
 
* Irina Livezeanu, [[Media:Livezeanu_Irina_2013_Romania_Windows_toward_the_West_New_Forms_and_the_Poetry_of_True_Life.pdf|"Romania: 'Windows toward the West': New Forms and the 'Poetry of True Life'. ''Revista celor l'alti'' (1908); ''Insula'' (1912); ''Chemarea'' (1912); ''Contimporanul'' (1922-32); ''75 HP'' (1924); ''Punct'' (1924-5); ''Integral'' (1925-8); ''Urmuz'' (1925); and ''unu'' (1928-33)"]], in ''The Oxford Critical and Cultural History of Modernist Magazines. Volume III, Europe 1880-1940'', eds. Brooker, Bru, Thacker, and Weikop, Oxford University Press, 2013, pp 1157-1183.
 
* Irina Livezeanu, [[Media:Livezeanu_Irina_2013_Romania_Windows_toward_the_West_New_Forms_and_the_Poetry_of_True_Life.pdf|"Romania: 'Windows toward the West': New Forms and the 'Poetry of True Life'. ''Revista celor l'alti'' (1908); ''Insula'' (1912); ''Chemarea'' (1912); ''Contimporanul'' (1922-32); ''75 HP'' (1924); ''Punct'' (1924-5); ''Integral'' (1925-8); ''Urmuz'' (1925); and ''unu'' (1928-33)"]], in ''The Oxford Critical and Cultural History of Modernist Magazines. Volume III, Europe 1880-1940'', eds. Brooker, Bru, Thacker, and Weikop, Oxford University Press, 2013, pp 1157-1183.
  
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===Czech Republic===
 
===Czech Republic===
 
<onlyinclude>{{#ifeq:{{{transcludesection|expfilm-cz}}}|expfilm-cz|
 
<onlyinclude>{{#ifeq:{{{transcludesection|expfilm-cz}}}|expfilm-cz|
−
* Viktoria Hradská, ''Česká avantgarda a film'', Prague: Čs. filmový ústav, 1976. (Czech)
+
* Viktoria Hradská, ''Česká avantgarda a film'', Prague: Čs. filmový ústav, 1976. {{cz}}
−
* Jaroslav Anděl, "Česká meziválečná filmová avantgarda", ''Program Pražského filmového klubu'' (January 1982), Prague, pp 6-15; repr. ''Film a doba'' 46:2 (2000), pp 65-68. (Czech)
+
* Jaroslav Anděl, "Česká meziválečná filmová avantgarda", ''Program Pražského filmového klubu'' (January 1982), Prague, pp 6-15; repr. ''Film a doba'' 46:2 (2000), pp 65-68. {{cz}}
 
* Andrew J Horton, [http://www.ce-review.org/kinoeye/kinoeye2old.html "Avant-garde Film and Video in the Czech Republic"], ''Central European Review'' (October 1998).
 
* Andrew J Horton, [http://www.ce-review.org/kinoeye/kinoeye2old.html "Avant-garde Film and Video in the Czech Republic"], ''Central European Review'' (October 1998).
−
* Arthur Cantrill, [http://www.cinepur.cz/article.php?article=21 "Profil: Dušan Marek"], ''Cinepur'' 23-24 (2002). (Czech)
+
* Arthur Cantrill, [http://www.cinepur.cz/article.php?article=21 "Profil: Dušan Marek"], ''Cinepur'' 23-24 (2002). {{cz}}
 
* Michael Bielický, "Prague–A Place of Illusionists" in: ''Future Cinema. The cinematic Imaginary after Film'', edited by Jeffrey Shaw and Peter Weibel, exhib. cat., The MIT Press, Cambridge, MA/London, 2003.
 
* Michael Bielický, "Prague–A Place of Illusionists" in: ''Future Cinema. The cinematic Imaginary after Film'', edited by Jeffrey Shaw and Peter Weibel, exhib. cat., The MIT Press, Cambridge, MA/London, 2003.
−
* Iva Gajdošíková, [http://digilib.phil.muni.cz/bitstream/handle/11222.digilib/114188/O_Cinematologica_02-2005-1_6.pdf "Avantgarda jako kritika, akce a politika : politická orientace brněnské avantgardy - její projevy a důsledky"], ''Sborník prací Filozofické fakulty brněnské univerzity. O, Řada filmologická'' 2:2, 2005, pp 95-126. (Czech)
+
* Iva Gajdošíková, [http://digilib.phil.muni.cz/bitstream/handle/11222.digilib/114188/O_Cinematologica_02-2005-1_6.pdf "Avantgarda jako kritika, akce a politika : politická orientace brněnské avantgardy - její projevy a důsledky"], ''Sborník prací Filozofické fakulty brněnské univerzity. O, Řada filmologická'' 2:2, 2005, pp 95-126. {{cz}}
−
* Milan Čihák, [http://www.famu.cz/docs/CihakAmaterskyFilm.rtf "Český amatérský film"], undated. (Czech).  
+
* Milan Čihák, [http://www.famu.cz/docs/CihakAmaterskyFilm.rtf "Český amatérský film"], undated. {{cz}}.  
 
* Alice Lovejoy, ''Army Film and the Avant Garde: Cinema and Experiment in the Czechoslovak Military'', Indiana University Press. (Forthcoming 2014) [http://www.iupress.indiana.edu/product_info.php?products_id=807358]
 
* Alice Lovejoy, ''Army Film and the Avant Garde: Cinema and Experiment in the Czechoslovak Military'', Indiana University Press. (Forthcoming 2014) [http://www.iupress.indiana.edu/product_info.php?products_id=807358]
 
}}</onlyinclude>
 
}}</onlyinclude>
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<onlyinclude>{{#ifeq:{{{transcludesection|expfilm-sk}}}|expfilm-sk|
 
<onlyinclude>{{#ifeq:{{{transcludesection|expfilm-sk}}}|expfilm-sk|
 
* Andrew J Horton, [http://www.ce-review.org/kinoeye/kinoeye3old.html "Avant-garde Film and Video in Slovakia"], ''Central European Review'', October 1998. (English)
 
* Andrew J Horton, [http://www.ce-review.org/kinoeye/kinoeye3old.html "Avant-garde Film and Video in Slovakia"], ''Central European Review'', October 1998. (English)
−
* Ivana Gašpieriková, "Experimentálny film I. Pokus o vymedzenie", ''Trištvrte revue'' 5-6 (2000). (Slovak)
+
* Ivana Gašpieriková, "Experimentálny film I. Pokus o vymedzenie", ''Trištvrte revue'' 5-6 (2000). {{sk}}
−
* Jozef Macko, "Slovenský alternatívny a experimentálny film", in [[Media:Hrabusicky_Aurel_ed_Slovenske_vizualne_umenie_1970-1985.pdf|''Slovenské vizuálne umenie 1970-1985'']], edited by Aurel Hrabušický, Bratislava: Slovak National Gallery, 2002. (Slovak)
+
* Jozef Macko, "Slovenský alternatívny a experimentálny film", in [[Media:Hrabusicky_Aurel_ed_Slovenske_vizualne_umenie_1970-1985.pdf|''Slovenské vizuálne umenie 1970-1985'']], edited by Aurel Hrabušický, Bratislava: Slovak National Gallery, 2002. {{sk}}
−
* Katarína Rusnáková, "Rozšírený film v digitálnych kontextoch", ''Profil'' 2 (2003), pp 76-85. (Slovak)
+
* Katarína Rusnáková, "Rozšírený film v digitálnych kontextoch", ''Profil'' 2 (2003), pp 76-85. {{sk}}
 
* Ján Adamove, ''[[Media:Adamove_Jan_Svet_je_obraz_a_zvuk_Rozpravanie_o_rozpravani_experimentalneho_filmu.pdf|Svet je obraz a zvuk (rozprávanie o rozprávaní experimentálneho filmu)]]''.  
 
* Ján Adamove, ''[[Media:Adamove_Jan_Svet_je_obraz_a_zvuk_Rozpravanie_o_rozpravani_experimentalneho_filmu.pdf|Svet je obraz a zvuk (rozprávanie o rozprávaní experimentálneho filmu)]]''.  
 
* Ján Adamove, ''[[Media:Adamove_Jan_Experiment_a_stylizacia_reality_v_audiovizualnej_kulture_na_Slovensku.pdf|Ó súcit majte, dovoľte mi byť iným: Experiment a štylizácia reality v audiovizuálnej kultúre na Slovensku'']].  
 
* Ján Adamove, ''[[Media:Adamove_Jan_Experiment_a_stylizacia_reality_v_audiovizualnej_kulture_na_Slovensku.pdf|Ó súcit majte, dovoľte mi byť iným: Experiment a štylizácia reality v audiovizuálnej kultúre na Slovensku'']].  
−
* Peter Konečný, "Amatérsky film na Slovensku", ''Kinema'', 2005. [http://www.kinema.sk/clanok/20423/amatersky-film-na-slovensku-i.htm] [http://www.kinema.sk/clanok/20536/amatersky-film-na-slovensku-ii.htm] [http://www.kinema.sk/clanok/20611/amatersky-film-na-slovensku-iii.htm] [http://www.kinema.sk/clanok/20695/amatersky-film-na-slovensku-iv.htm] (Slovak)
+
* Peter Konečný, "Amatérsky film na Slovensku", ''Kinema'', 2005. [http://www.kinema.sk/clanok/20423/amatersky-film-na-slovensku-i.htm] [http://www.kinema.sk/clanok/20536/amatersky-film-na-slovensku-ii.htm] [http://www.kinema.sk/clanok/20611/amatersky-film-na-slovensku-iii.htm] [http://www.kinema.sk/clanok/20695/amatersky-film-na-slovensku-iv.htm] {{sk}}
−
* Eva Michalková, [http://www.filmsk.sk/show_article.php?id=5452 "Amatérsky film v slovenských podmienkach"], ''Film.sk'' 10, 2007. (Slovak)
+
* Eva Michalková, [http://www.filmsk.sk/show_article.php?id=5452 "Amatérsky film v slovenských podmienkach"], ''Film.sk'' 10, 2007. {{sk}}
  
 
; Documentary film
 
; Documentary film
Line 435: Line 481:
 
===Poland===
 
===Poland===
 
<onlyinclude>{{#ifeq:{{{transcludesection|expfilm-pl}}}|expfilm-pl|
 
<onlyinclude>{{#ifeq:{{{transcludesection|expfilm-pl}}}|expfilm-pl|
−
* Karol Irzykowski, ''Dziesiąta Muza. Zagadnienia estetyczne kina'' [The Tenth Muse], Krakow, 1924. (Polish)
+
* Karol Irzykowski, ''Dziesiąta Muza. Zagadnienia estetyczne kina'' [The Tenth Muse], Krakow, 1924. {{pl}}
 
* f.a. (art film), *1937, journal of [[SAF]] co-operative, edited by Franciszka and Stefan Themerson
 
* f.a. (art film), *1937, journal of [[SAF]] co-operative, edited by Franciszka and Stefan Themerson
−
* Marcin Giżycki, ''Walka o film artystyczny w miedzynarodowej Polsce'' [A Battle for Artistic Film in Poland Between the Wars]. Państwowe Wydawnictwo Naukowe, Warsaw, 1989. (Polish)
+
* Marcin Giżycki, ''Walka o film artystyczny w miedzynarodowej Polsce'' [A Battle for Artistic Film in Poland Between the Wars]. Państwowe Wydawnictwo Naukowe, Warsaw, 1989. {{pl}}
 
* Marcin Giżycki, ''Awangarda wobec kina. Film w kręgu polskiej awangardy artystycznej dwudziestolecia międzywojennego'' [Avant-Garde and Cinema: Film in Polish Avant-Garde Circles Between the Wars], Wydawnictwo male, Warsaw, 1996. [http://www.polishfilms.org/RecMovies/Awangarda/History.htm] [http://www.polishculture-nyc.org/printIndex.cfm?itemId=432&eventId=691]
 
* Marcin Giżycki, ''Awangarda wobec kina. Film w kręgu polskiej awangardy artystycznej dwudziestolecia międzywojennego'' [Avant-Garde and Cinema: Film in Polish Avant-Garde Circles Between the Wars], Wydawnictwo male, Warsaw, 1996. [http://www.polishfilms.org/RecMovies/Awangarda/History.htm] [http://www.polishculture-nyc.org/printIndex.cfm?itemId=432&eventId=691]
 
* Andrew J Horton, [http://www.ce-review.org/kinoeye/kinoeye7old.html "Avant-garde Film and Video in Poland"], ''Central European Review'', November 1998.
 
* Andrew J Horton, [http://www.ce-review.org/kinoeye/kinoeye7old.html "Avant-garde Film and Video in Poland"], ''Central European Review'', November 1998.
Line 458: Line 504:
 
<onlyinclude>{{#ifeq:{{{transcludesection|expfilm-cr}}}|expfilm-cr|
 
<onlyinclude>{{#ifeq:{{{transcludesection|expfilm-cr}}}|expfilm-cr|
 
* Hvorje Turkovic, "Croatian Avant-Garde Scene", Zagreb, 1993. [http://www.mediascape.info/ms_zagreb/DATEN/public_html/1995/turkovic.html]
 
* Hvorje Turkovic, "Croatian Avant-Garde Scene", Zagreb, 1993. [http://www.mediascape.info/ms_zagreb/DATEN/public_html/1995/turkovic.html]
−
* [[Heiko Daxl]], "Film and Video-art in Croatia. Fragmentary Sketches of a History and a Description of the Status Quo", August 1993. [http://www.mediascape.info/ms_zagreb/DATEN/public_html/1994/crovideo.html (English)], [http://web.archive.org/web/20030310175657/http://sero.org/handshake/D/ostranenie/EEVideo/Kroatien.html (German)]
+
* [[Heiko Daxl]], "Film and Video-art in Croatia. Fragmentary Sketches of a History and a Description of the Status Quo", August 1993. [http://www.mediascape.info/ms_zagreb/DATEN/public_html/1994/crovideo.html (English)], [http://web.archive.org/web/20030310175657/http://sero.org/handshake/D/ostranenie/EEVideo/Kroatien.html {{de}}]
 
* Andrew J Horton, "Avant-garde Film and Video in Croatia" ''Central European Review'' (November 1998) [http://www.ce-review.org/kinoeye/kinoeye6old.html] (English)
 
* Andrew J Horton, "Avant-garde Film and Video in Croatia" ''Central European Review'' (November 1998) [http://www.ce-review.org/kinoeye/kinoeye6old.html] (English)
 
* "Uncharted Serbia: The Avant-Garde of the Kino Clubs", film selection with an introduction, 2009. [http://tiff.filmfestival.gr/default.aspx?lang=en-US&page=832&SectionID=106&mode=1#tab1]
 
* "Uncharted Serbia: The Avant-Garde of the Kino Clubs", film selection with an introduction, 2009. [http://tiff.filmfestival.gr/default.aspx?lang=en-US&page=832&SectionID=106&mode=1#tab1]
Line 513: Line 559:
 
<onlyinclude>{{#ifeq:{{{transcludesection|visualresearch-cz}}}|visualresearch-cz|
 
<onlyinclude>{{#ifeq:{{{transcludesection|visualresearch-cz}}}|visualresearch-cz|
 
* Giovanna Barbero (ed.), ''Movement as a message. Ediz. inglese, italiana e ceca'', Verso l'Arte Edizioni, 2008, catalogue. [http://books.google.com/books?id=0tjrAZhajbYC]
 
* Giovanna Barbero (ed.), ''Movement as a message. Ediz. inglese, italiana e ceca'', Verso l'Arte Edizioni, 2008, catalogue. [http://books.google.com/books?id=0tjrAZhajbYC]
−
* Andrea Sloupová , ''Syntéza po syntéze: české kinetické umění 60. let a pozdější tvůrčí postupy jeho protagoniostů'', Prague: Charles University, 2009. Master thesis. (Czech) [http://is.cuni.cz/webapps/zzp/detail/68814/]
+
* Andrea Sloupová , ''Syntéza po syntéze: české kinetické umění 60. let a pozdější tvůrčí postupy jeho protagoniostů'', Prague: Charles University, 2009. Master thesis. {{cz}} [http://is.cuni.cz/webapps/zzp/detail/68814/]
−
* Veronika Böhmová, [http://is.muni.cz/th/145598/ff_m_b1/ "Projevy op-artu v českém umění v 60. a 70. letech minulého století"], Master thesis, Brno: Masaryk University, 2012. (Czech)
+
* Veronika Böhmová, [http://is.muni.cz/th/145598/ff_m_b1/ "Projevy op-artu v českém umění v 60. a 70. letech minulého století"], Master thesis, Brno: Masaryk University, 2012. {{cz}}
 
}}</onlyinclude>
 
}}</onlyinclude>
  
 
===Slovakia===
 
===Slovakia===
 
<onlyinclude>{{#ifeq:{{{transcludesection|visualresearch-sk}}}|visualresearch-sk|
 
<onlyinclude>{{#ifeq:{{{transcludesection|visualresearch-sk}}}|visualresearch-sk|
−
* Dušan Konečný, ''Kinetizmus'', Bratislava: Pallas, 1971, 88 pp. ISBN 9406870. (Slovak)
+
* Dušan Konečný, ''Kinetizmus'', Bratislava: Pallas, 1971, 88 pp. ISBN 9406870. {{sk}}
 
* Ľuba Belohradská, "Konštruktívne tendencie v zrkadle slovenskej umenovedy", ''MADI ap'' 4, March 2002. (Slovak/Hungarian) [http://www.mobil-madi.org/index.php?option=com_content&view=article&catid=29%3Aslovak&id=213%3Aluba-belohradska-konstruktivne-tendencie-v-zrkadle-slovenskej-umenovedy&Itemid=74] [http://www.mobil-madi.org/index.php?option=com_content&view=article&id=214:luba-belohradska-konstruktiv-iranyzatok-szlovakiaban&catid=23:madi-art-periodical-no4&Itemid=79]
 
* Ľuba Belohradská, "Konštruktívne tendencie v zrkadle slovenskej umenovedy", ''MADI ap'' 4, March 2002. (Slovak/Hungarian) [http://www.mobil-madi.org/index.php?option=com_content&view=article&catid=29%3Aslovak&id=213%3Aluba-belohradska-konstruktivne-tendencie-v-zrkadle-slovenskej-umenovedy&Itemid=74] [http://www.mobil-madi.org/index.php?option=com_content&view=article&id=214:luba-belohradska-konstruktiv-iranyzatok-szlovakiaban&catid=23:madi-art-periodical-no4&Itemid=79]
 
* [[Ľuba Belohradská]] and [[Eva Trojanová]] (eds.), ''Hranice geometrie / Borders of Geometry'' (Slovak/English), Petum, 2009, 429 pp. [http://www.artforum.sk/catalog/belohradska-luba-trojanova-eva:hranice-geometrie---borders-of-geometry/?mod=catalog&detail=32543]
 
* [[Ľuba Belohradská]] and [[Eva Trojanová]] (eds.), ''Hranice geometrie / Borders of Geometry'' (Slovak/English), Petum, 2009, 429 pp. [http://www.artforum.sk/catalog/belohradska-luba-trojanova-eva:hranice-geometrie---borders-of-geometry/?mod=catalog&detail=32543]
Line 546: Line 592:
 
* Jozef Cseres, "O SNEH-ových prehánkach i prestávkach, skrátka kalamitách". In Michal Murin (ed.), ''AVALANCHES 1990 - 1995 : Zborník spoločnosti pre nekonvenčnú hudbu'', Bratislava: 1995.
 
* Jozef Cseres, "O SNEH-ových prehánkach i prestávkach, skrátka kalamitách". In Michal Murin (ed.), ''AVALANCHES 1990 - 1995 : Zborník spoločnosti pre nekonvenčnú hudbu'', Bratislava: 1995.
 
* Miloš Štofko, ''Od abstrakcie po živé umenie: Slovní­k pojmov moderného a postmoderného umenia''. Bratislava: Slovart, 2007.
 
* Miloš Štofko, ''Od abstrakcie po živé umenie: Slovní­k pojmov moderného a postmoderného umenia''. Bratislava: Slovart, 2007.
−
* Miroslava Putišová, [http://www.slovakia.culturalprofiles.net/?id=-6353 "Intermedia arts - overview"], Slovakia Cultural Profile. [http://www.slovakia.culturalprofiles.net/?id=-13470 (Slovak)]
+
* Miroslava Putišová, [http://www.slovakia.culturalprofiles.net/?id=-6353 "Intermedia arts - overview"], Slovakia Cultural Profile. [http://www.slovakia.culturalprofiles.net/?id=-13470 {{sk}}]
 
}}</onlyinclude>
 
}}</onlyinclude>
  
Line 552: Line 598:
 
<onlyinclude>{{#ifeq:{{{transcludesection|intermedia-de}}}|intermedia-de|
 
<onlyinclude>{{#ifeq:{{{transcludesection|intermedia-de}}}|intermedia-de|
 
* Anita Kenner (Christoph Tannert), "Avantgarde in der DDR heute", in ''Niemandsland'' 5, 1988, pp 94-110
 
* Anita Kenner (Christoph Tannert), "Avantgarde in der DDR heute", in ''Niemandsland'' 5, 1988, pp 94-110
−
* Jens Henkel, Sabine Russ, ''DDR 1980 - 1989: Künstlerbücher und originalgrafische Zeitschriften im Eigenverlag; eine Bibliographie'', Gifkendorf: Merlin, 1991, 166 pp. (in German) [http://www.bsz-bw.de/depot/media/3400000/3421000/3421308/95_0005.html]
+
* Jens Henkel, Sabine Russ, ''DDR 1980 - 1989: Künstlerbücher und originalgrafische Zeitschriften im Eigenverlag; eine Bibliographie'', Gifkendorf: Merlin, 1991, 166 pp. {{de}} [http://www.bsz-bw.de/depot/media/3400000/3421000/3421308/95_0005.html]
−
* Forschungsstelle Osteuropa (ed.), ''Eigenart und Eigensinn: Alternative Kulturszenen in der DDR (1980-1990): mit einem Bestandskatalog'', Temmen, 1993, 272 pp. (in German) [http://www.bsz-bw.de/depot/media/3400000/3421000/3421308/95_0004.html]
+
* Forschungsstelle Osteuropa (ed.), ''Eigenart und Eigensinn: Alternative Kulturszenen in der DDR (1980-1990): mit einem Bestandskatalog'', Temmen, 1993, 272 pp. {{de}} [http://www.bsz-bw.de/depot/media/3400000/3421000/3421308/95_0004.html]
 
* Philip Brady, Ian Wallace (eds.), [http://www.rodopi.nl/senj.asp?BookId=GM+35 ''Prenzlauer Berg: Bohemia in East Berlin?''], Amsterdam/Atlanta, GA, 1995, 148 pp. [http://www.jstor.org/discover/10.2307/3736356?uid=3739024&uid=2129&uid=2&uid=70&uid=4&sid=21100721596501 review], [http://newprairiepress.org/journals/gdr/article/download/1197/1045 review]
 
* Philip Brady, Ian Wallace (eds.), [http://www.rodopi.nl/senj.asp?BookId=GM+35 ''Prenzlauer Berg: Bohemia in East Berlin?''], Amsterdam/Atlanta, GA, 1995, 148 pp. [http://www.jstor.org/discover/10.2307/3736356?uid=3739024&uid=2129&uid=2&uid=70&uid=4&sid=21100721596501 review], [http://newprairiepress.org/journals/gdr/article/download/1197/1045 review]
−
* Roland Galenza, Heinz Havemeister (eds.), ''Wir wollen immer artig sein... Punk, New Wave, Hiphop und Independent-Szene in der DDR von 1980-1990'', Neuausgabe, Berlin, 2005. (in German)
+
* Roland Galenza, Heinz Havemeister (eds.), ''Wir wollen immer artig sein... Punk, New Wave, Hiphop und Independent-Szene in der DDR von 1980-1990'', Neuausgabe, Berlin, 2005. {{de}}
−
* Barbara Büscher, [http://www.qucosa.de/fileadmin/data/qucosa/documents/7127/intermedia%20ddr%201985.pdf "Intermedia DDR 1985 - Ereignis und Netzwerk"], ''map - media archive performance'', 2010. (in German)
+
* Barbara Büscher, [http://www.qucosa.de/fileadmin/data/qucosa/documents/7127/intermedia%20ddr%201985.pdf "Intermedia DDR 1985 - Ereignis und Netzwerk"], ''map - media archive performance'', 2010. {{de}}
 
}}</onlyinclude>
 
}}</onlyinclude>
  
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===East-Central Europe===
 
===East-Central Europe===
 
<onlyinclude>{{#ifeq:{{{transcludesection|audiovisual-cee}}}|audiovisual-cee|
 
<onlyinclude>{{#ifeq:{{{transcludesection|audiovisual-cee}}}|audiovisual-cee|
−
* Karin von Maur, ''Vom Klang der Bilder. Die Musik in der Kunst des 20. Jahrhunderts'', Stuttgart, 1985. Catalogue. (German)
+
* Karin von Maur, ''Vom Klang der Bilder. Die Musik in der Kunst des 20. Jahrhunderts'', Stuttgart, 1985. Catalogue. {{de}}
 
* Sophie Duplaix, Marcella Lista, ''Sons et lumières'', Paris, 2004. (French)
 
* Sophie Duplaix, Marcella Lista, ''Sons et lumières'', Paris, 2004. (French)
 
* Serge Lemoine, Pascal Rousseau (eds.), ''Aux origines de l'abstraction. 1800-1914'', Paris: Réunion des musées nationaux, 2003, 336 pp. Catalogue. (French) [http://www.musee-orsay.fr/fr/collections/publications/publications/notice-publication/article/aux-origines-de-labstraction-1800-1914-4204/publication_id/aux-origines-de-labstraction-1800-1914-110.html]
 
* Serge Lemoine, Pascal Rousseau (eds.), ''Aux origines de l'abstraction. 1800-1914'', Paris: Réunion des musées nationaux, 2003, 336 pp. Catalogue. (French) [http://www.musee-orsay.fr/fr/collections/publications/publications/notice-publication/article/aux-origines-de-labstraction-1800-1914-4204/publication_id/aux-origines-de-labstraction-1800-1914-110.html]
−
* Jan Schneider, Lenka Krausová (eds.), ''[http://is.muni.cz/el/1421/jaro2012/IMK015/um/Intermedialita.pdf Intermedialita: Slovo-Obraz-Zvuk: Sborník příspěvku ze sympozia]'', Olomouc: Univerzita Palackého v Olomouci, 2008, 336 pp. (Czech)
+
* Jan Schneider, Lenka Krausová (eds.), ''[http://is.muni.cz/el/1421/jaro2012/IMK015/um/Intermedialita.pdf Intermedialita: Slovo-Obraz-Zvuk: Sborník příspěvku ze sympozia]'', Olomouc: Univerzita Palackého v Olomouci, 2008, 336 pp. {{cz}}
 
* David Crowley, Daniel Muzyczuk, ''[http://monoskop.org/log/?p=9894 Sounding the Body Electric: Experiments in Art and Music in Eastern Europe 1957-1984]'', Łódź: Muzeum Sztuki, 2012.
 
* David Crowley, Daniel Muzyczuk, ''[http://monoskop.org/log/?p=9894 Sounding the Body Electric: Experiments in Art and Music in Eastern Europe 1957-1984]'', Łódź: Muzeum Sztuki, 2012.
 
* Daniel Muzyczuk, David Crowley, Michał Libera, [http://www.artmargins.com/index.php/5-interviews/689-sounding-the-body-electric-a-conversation "Sounding the Body Electric: A Conversation"], ''ArtMargins'', 8 October 2012.
 
* Daniel Muzyczuk, David Crowley, Michał Libera, [http://www.artmargins.com/index.php/5-interviews/689-sounding-the-body-electric-a-conversation "Sounding the Body Electric: A Conversation"], ''ArtMargins'', 8 October 2012.
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===Czech Republic===
 
===Czech Republic===
 
<onlyinclude>{{#ifeq:{{{transcludesection|audiovisual-cz}}}|audiovisual-cz|
 
<onlyinclude>{{#ifeq:{{{transcludesection|audiovisual-cz}}}|audiovisual-cz|
−
* František Krejčí, "Čití a vnímání", ''Psychologie'', II, Prague, 1904, p 250. (Czech)
+
* František Krejčí, "Čití a vnímání", ''Psychologie'', II, Prague, 1904, p 250. {{cz}}
−
* J. Chalupecký, ''Hudba barev'', Prague, 1904. (Czech)
+
* J. Chalupecký, ''Hudba barev'', Prague, 1904. {{cz}}
 
* J. Stanislav, ''L. Kuba'', Prague, 1968.
 
* J. Stanislav, ''L. Kuba'', Prague, 1968.
−
* Vladimír Lébl, "O meznich druzich hudby", ''Nove cesty hudby'', 1969, II, pp. 216-247. (Czech)
+
* Vladimír Lébl, "O meznich druzich hudby", ''Nove cesty hudby'', 1969, II, pp. 216-247. {{cz}}
−
* M. Klivar, "Nove formy audiovizualniho umeni", ''Estetika'', 1970, 2, pp. 149-154. (Czech)
+
* M. Klivar, "Nove formy audiovizualniho umeni", ''Estetika'', 1970, 2, pp. 149-154. {{cz}}
 
* Vladimír Lébl, "M. Grygar", ''Hudebni rozhledy'', 1971, 9; ''Electronic Music Reports'', Utrecht 1971; ''Jazz Bulletin'', 1979, 9.
 
* Vladimír Lébl, "M. Grygar", ''Hudebni rozhledy'', 1971, 9; ''Electronic Music Reports'', Utrecht 1971; ''Jazz Bulletin'', 1979, 9.
−
* J. Doubravová, "Z rane tvorby E. Schulhoffa", ''Hudebni rozhledy'', 1976, 6, pp. 281-285. (Czech)
+
* J. Doubravová, "Z rane tvorby E. Schulhoffa", ''Hudebni rozhledy'', 1976, 6, pp. 281-285. {{cz}}
 
* J. Doubravová, "Music and Visual Art: Their Relation as a Topical Problem of the Contemporary Music in Czechoslovakia", ''International Review of the Aesthetics and Sociology of Music'', 11(2), 1980, pp 219-228.
 
* J. Doubravová, "Music and Visual Art: Their Relation as a Topical Problem of the Contemporary Music in Czechoslovakia", ''International Review of the Aesthetics and Sociology of Music'', 11(2), 1980, pp 219-228.
 
* Jiří Zemánek, Milan Grygar, ''Obraz a zvuk'', Prague, 1999. Catalogue.
 
* Jiří Zemánek, Milan Grygar, ''Obraz a zvuk'', Prague, 1999. Catalogue.
−
* Lenka Pastyříková, "Vizualizace hudby v českém meziválečném výtvarném umění", ''Umění'' LII, 2004. (Czech)
+
* Lenka Pastyříková, "Vizualizace hudby v českém meziválečném výtvarném umění", ''Umění'' LII, 2004. {{cz}}
 
* Alois Piňos, Ivo Medek, ''Multimedial Scene of Brno'', Brno: JAMU, 2005.
 
* Alois Piňos, Ivo Medek, ''Multimedial Scene of Brno'', Brno: JAMU, 2005.
−
* Jaroslav Bláha, ''Výtvarné umění a hudba: Tvar prostor a čas I, '', 2012, 231 pp. With CD. (Czech) [http://www.kosmas.cz/knihy/178809/vytvarne-umeni-a-hudba/]
+
* Jaroslav Bláha, ''Výtvarné umění a hudba: Tvar prostor a čas I, '', 2012, 231 pp. With CD. {{cz}} [http://www.kosmas.cz/knihy/178809/vytvarne-umeni-a-hudba/]
 
}}</onlyinclude>
 
}}</onlyinclude>
  
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<onlyinclude>{{#ifeq:{{{transcludesection|audiovisual-sk}}}|audiovisual-sk|
 
<onlyinclude>{{#ifeq:{{{transcludesection|audiovisual-sk}}}|audiovisual-sk|
 
*[[Michal Murin]], "Visual Composition" ''EVOS'' 8 (1989)
 
*[[Michal Murin]], "Visual Composition" ''EVOS'' 8 (1989)
−
*[[Jozef Cseres]], "Od zvuku obrazu k obrazu zvuku" ''Profil'' 20-21 (1992) pp. 24 (Slovak)
+
*[[Jozef Cseres]], "Od zvuku obrazu k obrazu zvuku" ''Profil'' 20-21 (1992) pp. 24 {{sk}}
−
*[[Michal Murin]], "Graphical Scores" 2000. [http://www.radioart.sk/doc/grpartitupy/index_eng.html] (English) [http://www.radioart.sk/doc/grpartitupy/] (Slovak)
+
*[[Michal Murin]], "Graphical Scores" 2000. [http://www.radioart.sk/doc/grpartitupy/index_eng.html] (English) [http://www.radioart.sk/doc/grpartitupy/] {{sk}}
 
}}</onlyinclude>
 
}}</onlyinclude>
  
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===Czech Republic===
 
===Czech Republic===
 
<onlyinclude>{{#ifeq:{{{transcludesection|eamusic-cz}}}|eamusic-cz|
 
<onlyinclude>{{#ifeq:{{{transcludesection|eamusic-cz}}}|eamusic-cz|
−
* Miloš Bláha, Miroslav Mandík, "I. seminář elektronické hudby v ČSSR", ''Rozhlasová a televizní technika'' 4, 1964. (Czech) [http://web.archive.org/web/20080205144108/http://www.radioart.sk/avr/visuopage.php?id=26] [http://web.archive.org/web/20080205144108/http://www.radioart.sk/avr/visuopage.php?id=24] [http://web.archive.org/web/20080205144108/http://www.radioart.sk/avr/visuopage.php?id=25]
+
* Miloš Bláha, Miroslav Mandík, "I. seminář elektronické hudby v ČSSR", ''Rozhlasová a televizní technika'' 4, 1964. {{cz}} [http://web.archive.org/web/20080205144108/http://www.radioart.sk/avr/visuopage.php?id=26] [http://web.archive.org/web/20080205144108/http://www.radioart.sk/avr/visuopage.php?id=24] [http://web.archive.org/web/20080205144108/http://www.radioart.sk/avr/visuopage.php?id=25]
 
* [[Vladimír Lébl]] ''Elektronická hudba'', Prague: Státní hudební vydavatelství, 1966. [http://sigma.nkp.cz/F/YG127DG83G8MAQNE3D971DEPIA58ATG86VRDM5CBM35LMGDLPG-09785?func=full-set-set&set_number=011022&set_entry=000003&format=999]
 
* [[Vladimír Lébl]] ''Elektronická hudba'', Prague: Státní hudební vydavatelství, 1966. [http://sigma.nkp.cz/F/YG127DG83G8MAQNE3D971DEPIA58ATG86VRDM5CBM35LMGDLPG-09785?func=full-set-set&set_number=011022&set_entry=000003&format=999]
−
* Zdeněk Fencl, [http://dml.cz/bitstream/handle/10338.dmlcz/125726/Kybernetika_02-1966-3_4.pdf "Komponující algoritmus a obsah informace"], ''Kybernetika'' 3 (1966), Prague, pp 243-258. (Czech)
+
* Zdeněk Fencl, [http://dml.cz/bitstream/handle/10338.dmlcz/125726/Kybernetika_02-1966-3_4.pdf "Komponující algoritmus a obsah informace"], ''Kybernetika'' 3 (1966), Prague, pp 243-258. {{cz}}
 
* J.Berg, Alois Piňos, "History of Music Experiment in Czech and Moravia", 1967.
 
* J.Berg, Alois Piňos, "History of Music Experiment in Czech and Moravia", 1967.
 
* J. Kapr, "Constants, Outline of Personal Method of Specific Signs of Composing Selection" (Konstanty, nástin metody osobního výběru zvláštních znaků skladby), Prague: Panton, 1967.
 
* J. Kapr, "Constants, Outline of Personal Method of Specific Signs of Composing Selection" (Konstanty, nástin metody osobního výběru zvláštních znaků skladby), Prague: Panton, 1967.
−
* Zdeněk Fencl, [http://kramerius.lib.cas.cz/search/i.jsp?pid=uuid:5744f8de-4b45-11e1-1431-001143e3f55c "Počítač jako hudební nástroj"], ''Hudební věda'' 5:1 (1968), Prague, pp 101-116. (Czech)
+
* Zdeněk Fencl, [http://kramerius.lib.cas.cz/search/i.jsp?pid=uuid:5744f8de-4b45-11e1-1431-001143e3f55c "Počítač jako hudební nástroj"], ''Hudební věda'' 5:1 (1968), Prague, pp 101-116. {{cz}}
 
* Hugh Davies (ed.), ''International Electronic Music Catalog''. Cambridge: MIT, 1968. [http://www.ears.dmu.ac.uk/spip.php?page=artBiblio&id_article=1103]
 
* Hugh Davies (ed.), ''International Electronic Music Catalog''. Cambridge: MIT, 1968. [http://www.ears.dmu.ac.uk/spip.php?page=artBiblio&id_article=1103]
 
* Z. Vostřák, "Kapitoly z hudební poetiky" [Lectures on Music Poetics], ''Konfrontace'' 1 (1969), pp. 6–13.
 
* Z. Vostřák, "Kapitoly z hudební poetiky" [Lectures on Music Poetics], ''Konfrontace'' 1 (1969), pp. 6–13.
 
* J. Kapr, "Teorie naznačování a vychylování" [Theory of Indication and Variation], ''Hudební rozhledy'', 1970, pp 358–365, 417–422.  
 
* J. Kapr, "Teorie naznačování a vychylování" [Theory of Indication and Variation], ''Hudební rozhledy'', 1970, pp 358–365, 417–422.  
 
* Vladimír Lébl, "Brno Experimenting", ''Hudební rozhledy'' 5 (1970), Prague. [http://sigma.nkp.cz/F/YG127DG83G8MAQNE3D971DEPIA58ATG86VRDM5CBM35LMGDLPG-27982?func=item-global&doc_library=NKC01&doc_number=000356346&type=03&year=1970&volume=&sub_library=&no_loaned=Y&x=40&y=7]
 
* Vladimír Lébl, "Brno Experimenting", ''Hudební rozhledy'' 5 (1970), Prague. [http://sigma.nkp.cz/F/YG127DG83G8MAQNE3D971DEPIA58ATG86VRDM5CBM35LMGDLPG-27982?func=item-global&doc_library=NKC01&doc_number=000356346&type=03&year=1970&volume=&sub_library=&no_loaned=Y&x=40&y=7]
−
* Jiří Kopřiva, "Samočinný počítač jako pomocník skladatele experimentální hudby", in ''Deset let práce laboratoře počítacích stroju'', Brno: VUT, 1972, pp 116-117. (Czech)
+
* Jiří Kopřiva, "Samočinný počítač jako pomocník skladatele experimentální hudby", in ''Deset let práce laboratoře počítacích stroju'', Brno: VUT, 1972, pp 116-117. {{cz}}
−
* Rudolf Růžička, "Samočinné počítače a současné směry v hudbě", in ''Deset let práce Laboratoře počítacích strojů VUT'', Brno, 1972, p 120. (Czech)
+
* Rudolf Růžička, "Samočinné počítače a současné směry v hudbě", in ''Deset let práce Laboratoře počítacích strojů VUT'', Brno, 1972, p 120. {{cz}}
−
* M. Ištván, "Metoda montáže izolovaných prvků v hudbě", Prague: Panton, 1973. (Czech)
+
* M. Ištván, "Metoda montáže izolovaných prvků v hudbě", Prague: Panton, 1973. {{cz}}
−
* [[Alois Piňos]], "Elektroakustické skladby brněnského kompozičního týmu 1968-1974" [http://web.archive.org/web/20080205144108/http://www.radioart.sk/avr/visuopage.php?id=141] (Czech)
+
* [[Alois Piňos]], "Elektroakustické skladby brněnského kompozičního týmu 1968-1974" [http://web.archive.org/web/20080205144108/http://www.radioart.sk/avr/visuopage.php?id=141] {{cz}}
−
* [[Jiří Hanousek]], "O začátcích a konci Brněnského elektronického studia" [http://web.archive.org/web/20080205144108/http://www.radioart.sk/avr/visuopage.php?id=142] (Czech)
+
* [[Jiří Hanousek]], "O začátcích a konci Brněnského elektronického studia" [http://web.archive.org/web/20080205144108/http://www.radioart.sk/avr/visuopage.php?id=142] {{cz}}
 
* J. Ludvová, ''Matematické modely v hudební analyse'', Prague: Supraphon, 1975.
 
* J. Ludvová, ''Matematické modely v hudební analyse'', Prague: Supraphon, 1975.
 
* [[Rudolf Růžička]], ''[http://www.fi.muni.cz/~qruzicka/Vyuziti/FI-vyuziti.HTM Využití samočinných počítaču při vzniku umělecký děl se zvláštním zaměřením na hudbu a soudobou kompozici]'', Brno: JAMU, 1980.
 
* [[Rudolf Růžička]], ''[http://www.fi.muni.cz/~qruzicka/Vyuziti/FI-vyuziti.HTM Využití samočinných počítaču při vzniku umělecký děl se zvláštním zaměřením na hudbu a soudobou kompozici]'', Brno: JAMU, 1980.
 
* Josef Gerbrich, Rudolf Růžička, Jiří Stehlík, "Compositions musicale informatisées en Tchécoslovaquie" in ''Conference Internationale d' Informatique Musicale 1984'', Paris, 1984, pp 97-98. (French)
 
* Josef Gerbrich, Rudolf Růžička, Jiří Stehlík, "Compositions musicale informatisées en Tchécoslovaquie" in ''Conference Internationale d' Informatique Musicale 1984'', Paris, 1984, pp 97-98. (French)
 
* Josef Gerbrich, Rudolf Růžička, Jiří Stehlík, "The computer musical compositions in Czechoslovakia", ''International Computer Music Conference 1984'', Paris, 1984, pp 230-231.
 
* Josef Gerbrich, Rudolf Růžička, Jiří Stehlík, "The computer musical compositions in Czechoslovakia", ''International Computer Music Conference 1984'', Paris, 1984, pp 230-231.
−
* Josef Gerbrich, Miloš Štědroň, "Počítače a hudba", in ''SOFSEM '85'', Brno: Ústav výpočetní techniky UJEP, 1985, pp 47-68. (Czech) [http://sigma.nkp.cz/F/YG127DG83G8MAQNE3D971DEPIA58ATG86VRDM5CBM35LMGDLPG-21959?func=full-set-set&set_number=010914&set_entry=000001&format=999]
+
* Josef Gerbrich, Miloš Štědroň, "Počítače a hudba", in ''SOFSEM '85'', Brno: Ústav výpočetní techniky UJEP, 1985, pp 47-68. {{cz}} [http://sigma.nkp.cz/F/YG127DG83G8MAQNE3D971DEPIA58ATG86VRDM5CBM35LMGDLPG-21959?func=full-set-set&set_number=010914&set_entry=000001&format=999]
 
* Jan Jirásek, "Changes in the Semantic Relationships Among Basic Musical Parameters and Their Perspektive in EAM", a lecture given in Graz, ''Opus musicum'', Brno, 1988.
 
* Jan Jirásek, "Changes in the Semantic Relationships Among Basic Musical Parameters and Their Perspektive in EAM", a lecture given in Graz, ''Opus musicum'', Brno, 1988.
−
* Josef Gerbrich, Petr Randula, Rudolf Růžička, "Program pro kompozici a automatickou notaci vážné hudby", in ''Aplikace umělé inteligence - AI '88'', Prague: Ústav pro informační systémy v kultuře, Prague, 1988, pp 289-296. (Czech)
+
* Josef Gerbrich, Petr Randula, Rudolf Růžička, "Program pro kompozici a automatickou notaci vážné hudby", in ''Aplikace umělé inteligence - AI '88'', Prague: Ústav pro informační systémy v kultuře, Prague, 1988, pp 289-296. {{cz}}
 
* Rudolf Růžička, "Perspektivy počítačové umělecké tvorby a jejího společenského uplatnění", ''Opus musicum'' 3, 1989, pp IV-VI.
 
* Rudolf Růžička, "Perspektivy počítačové umělecké tvorby a jejího společenského uplatnění", ''Opus musicum'' 3, 1989, pp IV-VI.
 
* Vladimír Lébl, "Brno in Sixties", ''Opus musicum'' 6 (1990), Brno.
 
* Vladimír Lébl, "Brno in Sixties", ''Opus musicum'' 6 (1990), Brno.
 
* Alois Piňos, "Zum Princip der Latenz in der zeitgenössischen Musik", in Otto Kolleritsch (ed.), ''Musikalische Gestaltung im Spannungsfeld von Chaos und Ordnung '', UE Wien, N. 26823m, 1991, pp 103–113.  
 
* Alois Piňos, "Zum Princip der Latenz in der zeitgenössischen Musik", in Otto Kolleritsch (ed.), ''Musikalische Gestaltung im Spannungsfeld von Chaos und Ordnung '', UE Wien, N. 26823m, 1991, pp 103–113.  
 
* [[Rudolf Růžička]], "Creative, Pedagogical and Social Perspectives of Electroacoustic and Computer Music Art", "Tvůrčí, pedagogické a spoločenské perspektivy elektroakustického a computerového hudebního umění," ''IFEM '92 Medzinárodné fórum elektroakustickej hudby. Bratislava-Dolná Krupá. November 1992'' http://www.radioart.sk/avr/visuopage.php?id=81 (English and Czech)
 
* [[Rudolf Růžička]], "Creative, Pedagogical and Social Perspectives of Electroacoustic and Computer Music Art", "Tvůrčí, pedagogické a spoločenské perspektivy elektroakustického a computerového hudebního umění," ''IFEM '92 Medzinárodné fórum elektroakustickej hudby. Bratislava-Dolná Krupá. November 1992'' http://www.radioart.sk/avr/visuopage.php?id=81 (English and Czech)
−
* [[Miroslav Kaduch]] ''Česká a slovenská elektroakustická hudba 1964-1994. Skladatelé, programátoři, technici, muzikologové, hudební kritici, publicisté. Osobní slovník'', Ostrava, 1994; Second Edition: 1996. [http://www.musica.cz/seah/Slovniky/Cseah.zip] (Czech)
+
* [[Miroslav Kaduch]] ''Česká a slovenská elektroakustická hudba 1964-1994. Skladatelé, programátoři, technici, muzikologové, hudební kritici, publicisté. Osobní slovník'', Ostrava, 1994; Second Edition: 1996. [http://www.musica.cz/seah/Slovniky/Cseah.zip] {{cz}}
 
* [[Libor Zajíček]], [[Media:Zajicek,_Libor_(1995)_-_An_oral_history_of_electro-acoustic_music_of_the_Czech_and_Slovak.pdf|''An Oral History of Electroacoustic Music in the Czech and Slovak Republics'']], Dissertation, San Jose State University, 1995. [http://scholarworks.sjsu.edu/etd_theses/1108/]
 
* [[Libor Zajíček]], [[Media:Zajicek,_Libor_(1995)_-_An_oral_history_of_electro-acoustic_music_of_the_Czech_and_Slovak.pdf|''An Oral History of Electroacoustic Music in the Czech and Slovak Republics'']], Dissertation, San Jose State University, 1995. [http://scholarworks.sjsu.edu/etd_theses/1108/]
 
* [[Libor Zajíček]], [[Media:Zajicek,_Libor_(1995)_-_History_of_Electroacoustic_Music_in_the_Czech_and_Slovak_Republics.pdf|"The History of Electroacoustic Music in the Czech and Slovak Republics"]], ''Leonardo Music Journal'' 5 (1995), pp 39-48 [http://www.jstor.org/stable/1513160]
 
* [[Libor Zajíček]], [[Media:Zajicek,_Libor_(1995)_-_History_of_Electroacoustic_Music_in_the_Czech_and_Slovak_Republics.pdf|"The History of Electroacoustic Music in the Czech and Slovak Republics"]], ''Leonardo Music Journal'' 5 (1995), pp 39-48 [http://www.jstor.org/stable/1513160]
−
* Kateřina Růžičková, ''Multimediální umění a jeho projevy na brněnské hudební scéně'', Brno: JAMU, 1999. Master's thesis. (Czech)
+
* Kateřina Růžičková, ''Multimediální umění a jeho projevy na brněnské hudební scéně'', Brno: JAMU, 1999. Master's thesis. {{cz}}
 
* [[Lenka Dohnalová]], [http://publib.upol.cz/~obd/fulltext/Aesthetica19/Aesthetica19_04.pdf "Electro-acoustic music in Czech Republic"], ''Aesthetica'' 19 (2000).
 
* [[Lenka Dohnalová]], [http://publib.upol.cz/~obd/fulltext/Aesthetica19/Aesthetica19_04.pdf "Electro-acoustic music in Czech Republic"], ''Aesthetica'' 19 (2000).
−
* Lenka Dohnalová, ''Estetické modely evropské elektroakustické hudby a elektroakustická hudba v ČR'', Prague: Univerzita Karlova, 1999. (Czech)
+
* Lenka Dohnalová, ''Estetické modely evropské elektroakustické hudby a elektroakustická hudba v ČR'', Prague: Univerzita Karlova, 1999. {{cz}}
−
* [[Michal Rataj]], ''[http://michalrataj.com/files/mr-dizertace-sazba.pdf Elektroakustická hudba a vybrané koncepty radioartu]'', Prague: Kant, 2007. (Czech)
+
* [[Michal Rataj]], ''[http://michalrataj.com/files/mr-dizertace-sazba.pdf Elektroakustická hudba a vybrané koncepty radioartu]'', Prague: Kant, 2007. {{cz}}
 
** ''[http://www.pfau-verlag.de/pdf_art/27405.pdf Electroacoustic Music and Selected Concepts of Radio Art]'', Saarbrücken: PFAU, 2010.
 
** ''[http://www.pfau-verlag.de/pdf_art/27405.pdf Electroacoustic Music and Selected Concepts of Radio Art]'', Saarbrücken: PFAU, 2010.
 
* Petr Kotík, Viktor Pantůček, Ladislav Kupkovič, Rudolf Komorous, [http://musicology.upol.cz/dokumenty/pedagogove/Zacatky%20Nove%20hudby%20v%20Praze%201959-64.doc ''Začátky nové hudby v Praze 1959-64: Ostravské dny 2007''], Ostravské centrum nové hudby, Ostrava, 2007, 43 pp. [http://www.newmusicostrava.cz/publikace/zacatky-nove-hudby-v-praze-1959-64-5?akce=&rok=]
 
* Petr Kotík, Viktor Pantůček, Ladislav Kupkovič, Rudolf Komorous, [http://musicology.upol.cz/dokumenty/pedagogove/Zacatky%20Nove%20hudby%20v%20Praze%201959-64.doc ''Začátky nové hudby v Praze 1959-64: Ostravské dny 2007''], Ostravské centrum nové hudby, Ostrava, 2007, 43 pp. [http://www.newmusicostrava.cz/publikace/zacatky-nove-hudby-v-praze-1959-64-5?akce=&rok=]
 
* Martin Flašar, [http://www.ems-network.org/ems08/papers/flasar.pdf "The East of the West: The conditions under which electroacoustic music existed in Czechoslovakia, 1948-1992"], ''EMS08'', 2008. Conference paper.
 
* Martin Flašar, [http://www.ems-network.org/ems08/papers/flasar.pdf "The East of the West: The conditions under which electroacoustic music existed in Czechoslovakia, 1948-1992"], ''EMS08'', 2008. Conference paper.
−
* Tomáš Raszka, ''[http://is.muni.cz/th/262152/ff_b/BC.pdf Elektroakustická hudba, její technologie a proces se zaměřením na československou scénu]'', Brno: Masaryk University, 2010. Bachelor thesis. (Czech)
+
* Tomáš Raszka, ''[http://is.muni.cz/th/262152/ff_b/BC.pdf Elektroakustická hudba, její technologie a proces se zaměřením na československou scénu]'', Brno: Masaryk University, 2010. Bachelor thesis. {{cz}}
−
* ''Zvukem do hlavy: Sondy do současné audiokultury'', Prague: AMU, 2012. (Czech) [http://www.rozhlas.cz/radiocustica/annonce/_zprava/1038752]
+
* ''Zvukem do hlavy: Sondy do současné audiokultury'', Prague: AMU, 2012. {{cz}} [http://www.rozhlas.cz/radiocustica/annonce/_zprava/1038752]
 
* Rudolf Růžička (ed.), [http://www.fi.muni.cz/~qruzicka/BIBL-c.htm "Bibliografie o české a slovenské počítačové hudbě"].
 
* Rudolf Růžička (ed.), [http://www.fi.muni.cz/~qruzicka/BIBL-c.htm "Bibliografie o české a slovenské počítačové hudbě"].
 
}}</onlyinclude>
 
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<onlyinclude>{{#ifeq:{{{transcludesection|eamusic-sk}}}|eamusic-sk|
 
<onlyinclude>{{#ifeq:{{{transcludesection|eamusic-sk}}}|eamusic-sk|
 
* Ivan Stadtrucker, "Novy elektronicky hudobny nastroj", ''Hudba a zvuk'', Bratislava/Praha, 1967.
 
* Ivan Stadtrucker, "Novy elektronicky hudobny nastroj", ''Hudba a zvuk'', Bratislava/Praha, 1967.
−
* Jozef Gahér, "Využitie pseudonáhodných čísel získaných samočinným počítačom pri kompozícii televíznej opery Malka", in ''Aplikace umělé inteligence - AI '89'', Prague: Ústav pro informační systémy v kultuře; Prague, 1989, pp 265-272. (Slovak)
+
* Jozef Gahér, "Využitie pseudonáhodných čísel získaných samočinným počítačom pri kompozícii televíznej opery Malka", in ''Aplikace umělé inteligence - AI '89'', Prague: Ústav pro informační systémy v kultuře; Prague, 1989, pp 265-272. {{sk}}
−
* Miroslav Kaduch, [http://www.musica.cz/seah/Slovniky/Cseah.zip ''Česká a slovenská elektroakustická hudba 1964 - 1994. Skladatelé, programátoři, technici, muzikologové, hudební kritici, publicisté. Osobní slovník''], Ostrava, 1994. Second Edition: 1996. (Czech)
+
* Miroslav Kaduch, [http://www.musica.cz/seah/Slovniky/Cseah.zip ''Česká a slovenská elektroakustická hudba 1964 - 1994. Skladatelé, programátoři, technici, muzikologové, hudební kritici, publicisté. Osobní slovník''], Ostrava, 1994. Second Edition: 1996. {{cz}}
 
* Libor Zajíček, [http://links.jstor.org/sici?sici=0961-1215(1995)5%3C39%3ATHOEMI%3E2.0.CO%3B2-1 "The History of Electroacoustic Music in the Czech and Slovak Republics"], ''Leonardo'' 5, 1995, pp. 39-48. (English)
 
* Libor Zajíček, [http://links.jstor.org/sici?sici=0961-1215(1995)5%3C39%3ATHOEMI%3E2.0.CO%3B2-1 "The History of Electroacoustic Music in the Czech and Slovak Republics"], ''Leonardo'' 5, 1995, pp. 39-48. (English)
 
* Milan Adamčiak, [http://web.archive.org/web/20030313155455/http://www.slovakradio.sk/radioinet/kultura/expstudio/txte.html "Slovak electroacoustic music history"], 1995. (English)
 
* Milan Adamčiak, [http://web.archive.org/web/20030313155455/http://www.slovakradio.sk/radioinet/kultura/expstudio/txte.html "Slovak electroacoustic music history"], 1995. (English)
−
* Vladimír Godár (ed.), "Slovenská elektroakustická hudba", ''Slovenská hudba'' 1-2, Bratislava: Slovenská hudobná únia, 1996. (Slovak)
+
* Vladimír Godár (ed.), "Slovenská elektroakustická hudba", ''Slovenská hudba'' 1-2, Bratislava: Slovenská hudobná únia, 1996. {{sk}}
−
* Michal Murin (ed.), [http://monoskop.org/log/?p=1549 ''Avalanches 1990-1995''], Bratislava: SNEH, 1996. ISBN 80-967206-4-3 (Slovak)
+
* Michal Murin (ed.), [http://monoskop.org/log/?p=1549 ''Avalanches 1990-1995''], Bratislava: SNEH, 1996. ISBN 80-967206-4-3 {{sk}}
−
* Vladimír Godár, [http://web.archive.org/web/20080205145447/http://www.radioart.sk/avr/visuopage.php?id=57 "Slovenská elektroakustická hudba a slovenská normalizácia"] [http://web.archive.org/web/20080205145447/http://www.radioart.sk/avr/visuopage.php?id=56 (cont.)], in "Slovenská elektroakustická hudba", ''Slovenská hudba'' 1-2, edited by Vladimír Godár, Bratislava: Slovenská hudobná únia, 1996. (Slovak)
+
* Vladimír Godár, [http://web.archive.org/web/20080205145447/http://www.radioart.sk/avr/visuopage.php?id=57 "Slovenská elektroakustická hudba a slovenská normalizácia"] [http://web.archive.org/web/20080205145447/http://www.radioart.sk/avr/visuopage.php?id=56 (cont.)], in "Slovenská elektroakustická hudba", ''Slovenská hudba'' 1-2, edited by Vladimír Godár, Bratislava: Slovenská hudobná únia, 1996. {{sk}}
−
* Vladimír Rusko, [http://web.archive.org/web/20080205145447/http://www.radioart.sk/avr/visuopage.php?id=48 "Slovesná tvorba v experimentálnom štúdiu"], in "Slovenská elektroakustická hudba", ''Slovenská hudba'' 1-2, edited by Vladimír Godár, Bratislava: Slovenská hudobná únia, 1996. (Slovak)
+
* Vladimír Rusko, [http://web.archive.org/web/20080205145447/http://www.radioart.sk/avr/visuopage.php?id=48 "Slovesná tvorba v experimentálnom štúdiu"], in "Slovenská elektroakustická hudba", ''Slovenská hudba'' 1-2, edited by Vladimír Godár, Bratislava: Slovenská hudobná únia, 1996. {{sk}}
−
* Jozef Cseres, [http://web.archive.org/web/20080205145447/http://www.radioart.sk/avr/visuopage.php?id=43 "Iný rozmer hudby z pásu"], in "Slovenská elektroakustická hudba", ''Slovenská hudba'' 1-2, edited by Vladimír Godár, Bratislava: Slovenská hudobná únia, 1996. (Slovak)
+
* Jozef Cseres, [http://web.archive.org/web/20080205145447/http://www.radioart.sk/avr/visuopage.php?id=43 "Iný rozmer hudby z pásu"], in "Slovenská elektroakustická hudba", ''Slovenská hudba'' 1-2, edited by Vladimír Godár, Bratislava: Slovenská hudobná únia, 1996. {{sk}}
−
* Peter Janík, [http://web.archive.org/web/20080205145447/http://www.radioart.sk/avr/visuopage.php?id=39 "Elektroakustické intermezzo"] [http://web.archive.org/web/20080205145447/http://www.radioart.sk/avr/visuopage.php?id=38 (cont.)], [http://web.archive.org/web/20080205145447/http://www.radioart.sk/avr/visuopage.php?id=37 (cont.)], in "Slovenská elektroakustická hudba", ''Slovenská hudba'' 1-2, edited by Vladimír Godár, Bratislava: Slovenská hudobná únia, 1996. (Slovak)
+
* Peter Janík, [http://web.archive.org/web/20080205145447/http://www.radioart.sk/avr/visuopage.php?id=39 "Elektroakustické intermezzo"] [http://web.archive.org/web/20080205145447/http://www.radioart.sk/avr/visuopage.php?id=38 (cont.)], [http://web.archive.org/web/20080205145447/http://www.radioart.sk/avr/visuopage.php?id=37 (cont.)], in "Slovenská elektroakustická hudba", ''Slovenská hudba'' 1-2, edited by Vladimír Godár, Bratislava: Slovenská hudobná únia, 1996. {{sk}}
−
* Juraj Ďuriš, [http://web.archive.org/web/20080205145447/http://www.radioart.sk/avr/visuopage.php?id=36 "Mýtus obrov sa rozpadá!?"], in "Slovenská elektroakustická hudba", ''Slovenská hudba'' 1-2, edited by Vladimír Godár, Bratislava: Slovenská hudobná únia, 1996. (Slovak)
+
* Juraj Ďuriš, [http://web.archive.org/web/20080205145447/http://www.radioart.sk/avr/visuopage.php?id=36 "Mýtus obrov sa rozpadá!?"], in "Slovenská elektroakustická hudba", ''Slovenská hudba'' 1-2, edited by Vladimír Godár, Bratislava: Slovenská hudobná únia, 1996. {{sk}}
−
* Juraj Ďuriš, [http://web.archive.org/web/20080205145447/http://www.radioart.sk/avr/visuopage.php?id=35 "Symbol i"], in "Slovenská elektroakustická hudba", ''Slovenská hudba'' 1-2, edited by Vladimír Godár, Bratislava: Slovenská hudobná únia, 1996. (Slovak)
+
* Juraj Ďuriš, [http://web.archive.org/web/20080205145447/http://www.radioart.sk/avr/visuopage.php?id=35 "Symbol i"], in "Slovenská elektroakustická hudba", ''Slovenská hudba'' 1-2, edited by Vladimír Godár, Bratislava: Slovenská hudobná únia, 1996. {{sk}}
−
* Ivan Stadtrucker, [http://web.archive.org/web/20080205145447/http://www.radioart.sk/avr/visuopage.php?id=33 "Slovenské osudy hudby elektronickej"] [http://web.archive.org/web/20080205145447/http://www.radioart.sk/avr/visuopage.php?id=34 (cont.)], in "Slovenská elektroakustická hudba", ''Slovenská hudba'' 1-2, edited by Vladimír Godár, Bratislava: Slovenská hudobná únia, 1996. (Slovak)
+
* Ivan Stadtrucker, [http://web.archive.org/web/20080205145447/http://www.radioart.sk/avr/visuopage.php?id=33 "Slovenské osudy hudby elektronickej"] [http://web.archive.org/web/20080205145447/http://www.radioart.sk/avr/visuopage.php?id=34 (cont.)], in "Slovenská elektroakustická hudba", ''Slovenská hudba'' 1-2, edited by Vladimír Godár, Bratislava: Slovenská hudobná únia, 1996. {{sk}}
−
* Jozef Malovec, [http://web.archive.org/web/20080205145447/http://www.radioart.sk/avr/visuopage.php?id=3 "Spomienky na začiatky elektroakustickej hudby v Bratislave"], in "Slovenská elektroakustická hudba", ''Slovenská hudba'' 1-2, edited by Vladimír Godár, Bratislava: Slovenská hudobná únia, 1996. (Slovak)
+
* Jozef Malovec, [http://web.archive.org/web/20080205145447/http://www.radioart.sk/avr/visuopage.php?id=3 "Spomienky na začiatky elektroakustickej hudby v Bratislave"], in "Slovenská elektroakustická hudba", ''Slovenská hudba'' 1-2, edited by Vladimír Godár, Bratislava: Slovenská hudobná únia, 1996. {{sk}}
 
* Jozef Malovec, [http://web.archive.org/web/20080205145447/http://www.radioart.sk/avr/visuopage.php?id=91 "Reminiscences of the beginnings of EAM in Bratislava"], November 1994. (English and Slovak)
 
* Jozef Malovec, [http://web.archive.org/web/20080205145447/http://www.radioart.sk/avr/visuopage.php?id=91 "Reminiscences of the beginnings of EAM in Bratislava"], November 1994. (English and Slovak)
−
* Milan Adamčiak, [http://web.archive.org/web/20050223075036/http://www.slovakradio.sk/radioinet/kultura/expstudio/txt.html "Príbeh jednej hudby"], in "Slovenská elektroakustická hudba", ''Slovenská hudba'' 1-2, edited by Vladimír Godár, Bratislava: Slovenská hudobná únia, 1996. (Slovak)
+
* Milan Adamčiak, [http://web.archive.org/web/20050223075036/http://www.slovakradio.sk/radioinet/kultura/expstudio/txt.html "Príbeh jednej hudby"], in "Slovenská elektroakustická hudba", ''Slovenská hudba'' 1-2, edited by Vladimír Godár, Bratislava: Slovenská hudobná únia, 1996. {{sk}}
−
* Peter Kolman, "Elektronická hudba v Bratislave", in "Slovenská elektroakustická hudba", ''Slovenská hudba'' 1-2, edited by Vladimír Godár, Bratislava: Slovenská hudobná únia, 1996. (Slovak)
+
* Peter Kolman, "Elektronická hudba v Bratislave", in "Slovenská elektroakustická hudba", ''Slovenská hudba'' 1-2, edited by Vladimír Godár, Bratislava: Slovenská hudobná únia, 1996. {{sk}}
−
* Alena Čierna, "Elektroakustická kompozícia na Slovensku", in "Slovenská elektroakustická hudba", ''Slovenská hudba'' 1-2, edited by Vladimír Godár, Bratislava: Slovenská hudobná únia, 1996. (Slovak)
+
* Alena Čierna, "Elektroakustická kompozícia na Slovensku", in "Slovenská elektroakustická hudba", ''Slovenská hudba'' 1-2, edited by Vladimír Godár, Bratislava: Slovenská hudobná únia, 1996. {{sk}}
−
* Roman Berger, "Esej o elektroakustickej hudbe", in "Slovenská elektroakustická hudba", ''Slovenská hudba'' 1-2, edited by Vladimír Godár, Bratislava: Slovenská hudobná únia, 1996. (Slovak)
+
* Roman Berger, "Esej o elektroakustickej hudbe", in "Slovenská elektroakustická hudba", ''Slovenská hudba'' 1-2, edited by Vladimír Godár, Bratislava: Slovenská hudobná únia, 1996. {{sk}}
−
* Tadeáš Salva, "Impresie z elektroakustického štúdia", in "Slovenská elektroakustická hudba", ''Slovenská hudba'' 1-2, edited by Vladimír Godár, Bratislava: Slovenská hudobná únia, 1996. (Slovak)
+
* Tadeáš Salva, "Impresie z elektroakustického štúdia", in "Slovenská elektroakustická hudba", ''Slovenská hudba'' 1-2, edited by Vladimír Godár, Bratislava: Slovenská hudobná únia, 1996. {{sk}}
−
* Jozef Cseres, [http://web.archive.org/web/20080205145447/http://www.radioart.sk/avr/visuopage.php?id=7 "Blázni sú tí, ktorí v hudbe vnímajú len zvuk"], in "Slovenská elektroakustická hudba", ''Slovenská hudba'' 1-2, edited by Vladimír Godár, Bratislava: Slovenská hudobná únia, 1996; ''OS'' 8 (2000) pp. 69-71. (Slovak)
+
* Jozef Cseres, [http://web.archive.org/web/20080205145447/http://www.radioart.sk/avr/visuopage.php?id=7 "Blázni sú tí, ktorí v hudbe vnímajú len zvuk"], in "Slovenská elektroakustická hudba", ''Slovenská hudba'' 1-2, edited by Vladimír Godár, Bratislava: Slovenská hudobná únia, 1996; ''OS'' 8 (2000) pp. 69-71. {{sk}}
 
* Michal Murin (ed.), ''Sound Off 1997: The Piano Hotel'', Bratislava: SNEH, 1997. CD-ROM.
 
* Michal Murin (ed.), ''Sound Off 1997: The Piano Hotel'', Bratislava: SNEH, 1997. CD-ROM.
 
* Jozef Cseres, Michal Murin (eds.), ''Sound Off 1995 – 1996'', Bratislava: SNEH, 1997. With audio CD. ISBN 80-967445-0-X
 
* Jozef Cseres, Michal Murin (eds.), ''Sound Off 1995 – 1996'', Bratislava: SNEH, 1997. With audio CD. ISBN 80-967445-0-X
Line 678: Line 724:
 
* Michal Murin, [http://www.artradio.sk/doc/radioart/index_eng.html "Radioart"], 2000. (English/[http://web.archive.org/web/20080205145447/http://www.radioart.sk/doc/radioart/ Slovak])  
 
* Michal Murin, [http://www.artradio.sk/doc/radioart/index_eng.html "Radioart"], 2000. (English/[http://web.archive.org/web/20080205145447/http://www.radioart.sk/doc/radioart/ Slovak])  
 
* Michal Murin, [http://www.artradio.sk/doc/soundart/index_eng.html "Sound art"], 2000. (English/[http://web.archive.org/web/20080205145447/http://www.radioart.sk/doc/soundart/ Slovak])
 
* Michal Murin, [http://www.artradio.sk/doc/soundart/index_eng.html "Sound art"], 2000. (English/[http://web.archive.org/web/20080205145447/http://www.radioart.sk/doc/soundart/ Slovak])
−
* Michal Murin, [http://web.archive.org/web/20030714093943/http://profil-art.sk/00_4/006_021.htm "Rádio-Art"], ''Profil'' 4, 2000. [http://web.archive.org/web/20080205145447/http://www.radioart.sk/doc/soundoff97/sneh_pages/radioart.html] (Slovak)
+
* Michal Murin, [http://web.archive.org/web/20030714093943/http://profil-art.sk/00_4/006_021.htm "Rádio-Art"], ''Profil'' 4, 2000. [http://web.archive.org/web/20080205145447/http://www.radioart.sk/doc/soundoff97/sneh_pages/radioart.html] {{sk}}
 
* Jozef Cseres (ed.), ''Sound Off 1999/2000: Beams & Waves'', Bratislava: SNEH, 2000. With audio CD.
 
* Jozef Cseres (ed.), ''Sound Off 1999/2000: Beams & Waves'', Bratislava: SNEH, 2000. With audio CD.
−
* Július Fujak, ''Tvorivosť v načúvaní hudobnému tvaru (interpretačné sondy do /ne/konvenčnej hudby)'', Nitra: Ústav literárnej komunikácie Filozofickej fakulty Univerzity Konštantína Filozofa, 2000. ISBN 80-8050-364-8 (Slovak)
+
* Július Fujak, ''Tvorivosť v načúvaní hudobnému tvaru (interpretačné sondy do /ne/konvenčnej hudby)'', Nitra: Ústav literárnej komunikácie Filozofickej fakulty Univerzity Konštantína Filozofa, 2000. ISBN 80-8050-364-8 {{sk}}
−
* Rastislav Dubovský, [http://web.archive.org/web/20080205145447/http://www.radioart.sk/avr/visuopage.php?id=22 "Elektroakustická hudba na Slovensku"], 2001. (Slovak)
+
* Rastislav Dubovský, [http://web.archive.org/web/20080205145447/http://www.radioart.sk/avr/visuopage.php?id=22 "Elektroakustická hudba na Slovensku"], 2001. {{sk}}
−
* Jozef Cseres, [http://www.hc.sk/src/kniha.php?idp=29&lg=sk ''Hudobné simulakrá''], Bratislava: Music Centre Slovakia, 2001. ISBN 80-88884-30-6 (Slovak)
+
* Jozef Cseres, [http://www.hc.sk/src/kniha.php?idp=29&lg=sk ''Hudobné simulakrá''], Bratislava: Music Centre Slovakia, 2001. ISBN 80-88884-30-6 {{sk}}
 
* Jozef Cseres (ed.), ''Sound Off 2002: Typewriting Aloud, Typoxxs Allowed'', Nové Zámky: HEyeRMEarS DISCORBIE, 2002. Catalogue, with audio CD.
 
* Jozef Cseres (ed.), ''Sound Off 2002: Typewriting Aloud, Typoxxs Allowed'', Nové Zámky: HEyeRMEarS DISCORBIE, 2002. Catalogue, with audio CD.
−
* Július Fujak, [http://web.archive.org/web/20080205145447/http://www.radioart.sk/avr/visuopage.php?id=115 "Sound Off 1995-2002"], 2004. (Slovak)
+
* Július Fujak, [http://web.archive.org/web/20080205145447/http://www.radioart.sk/avr/visuopage.php?id=115 "Sound Off 1995-2002"], 2004. {{sk}}
−
* Vladimír Godár, [http://web.archive.org/web/20080205145447/http://www.radioart.sk/avr/visuopage.php?id=134 "Slovenská elektroakustická hudba"], ''Slovo'', 12, 2004. (Slovak)
+
* Vladimír Godár, [http://web.archive.org/web/20080205145447/http://www.radioart.sk/avr/visuopage.php?id=134 "Slovenská elektroakustická hudba"], ''Slovo'', 12, 2004. {{sk}}
−
* Július Fujak (ed.), ''Slovenské hudobné alternatívy'', Nitra: Univerzita Konštantína Filozofa, 2006. With audio CD. (Slovak)
+
* Július Fujak (ed.), ''Slovenské hudobné alternatívy'', Nitra: Univerzita Konštantína Filozofa, 2006. With audio CD. {{sk}}
−
* Alena Čierna, ''Elektroakustická hudba na Slovensku a možnosti jej pedagogickej interpretácie'', Nitra: Univerzita Konštantína Filozofa v Nitre, 2010. Dissertation thesis. (Slovak)
+
* Alena Čierna, ''Elektroakustická hudba na Slovensku a možnosti jej pedagogickej interpretácie'', Nitra: Univerzita Konštantína Filozofa v Nitre, 2010. Dissertation thesis. {{sk}}
−
* Kamil Zbruž, [[Media:Machajdík, Peter (2011) - S Karlheinzom Stockhausenom sa stretávam na hviezde Sírius.pdf|"Peter Machajdík: S Karlheinzom Stockhausenom sa stretávam na hviezde Sírius"]], ''Kloaka'' 3, 2011. (Slovak)
+
* Kamil Zbruž, [[Media:Machajdík, Peter (2011) - S Karlheinzom Stockhausenom sa stretávam na hviezde Sírius.pdf|"Peter Machajdík: S Karlheinzom Stockhausenom sa stretávam na hviezde Sírius"]], ''Kloaka'' 3, 2011. {{sk}}
−
* Slávo Krekovič, [http://soundexchange.eu/#slovakia_en?id=11 "Organized Sound and Experiments in Slovak Music"], in ''Anthology of Experimental Music Cultures in Central and Eastern Europe 1950-2010''.  (English) [http://soundexchange.eu/#slovakia_de?id=11 (German)] [http://soundexchange.eu/#slovakia_sk?id=11 (Slovak)]
+
* Slávo Krekovič, [http://soundexchange.eu/#slovakia_en?id=11 "Organized Sound and Experiments in Slovak Music"], in ''Anthology of Experimental Music Cultures in Central and Eastern Europe 1950-2010''.  (English) [http://soundexchange.eu/#slovakia_de?id=11 {{de}}] [http://soundexchange.eu/#slovakia_sk?id=11 {{sk}}]
 
* Marcus Gammel, [[Media:Black Holes and White Spots.pdf|"Black Holes and White Spots. Visiting the Experimental Studio at Slovakian Radio. In conversation with Milan Adamčiak, Juraj Ďuriš, Michal Murin"]], in ''n.b.k. Sounds: Radio - Kunst - Neue Musik'' edited by Marius Babias and Katrin Klingan, Verlag der Buchhandlung Walther König, Cologne, 2010, pp 93-111. (English/German)  
 
* Marcus Gammel, [[Media:Black Holes and White Spots.pdf|"Black Holes and White Spots. Visiting the Experimental Studio at Slovakian Radio. In conversation with Milan Adamčiak, Juraj Ďuriš, Michal Murin"]], in ''n.b.k. Sounds: Radio - Kunst - Neue Musik'' edited by Marius Babias and Katrin Klingan, Verlag der Buchhandlung Walther König, Cologne, 2010, pp 93-111. (English/German)  
−
* Ľubomír Chalupka, ''Slovenská hudobná avantgarda'', Bratislava: Comenius University, 2011, 672 pp. (Slovak) [http://www.academia-knihy.sk/vysoka-skola-univerzita-komenskeho-skripta/slovenska-hudobna-avantgarda/]
+
* Ľubomír Chalupka, ''Slovenská hudobná avantgarda'', Bratislava: Comenius University, 2011, 672 pp. {{sk}} [http://www.academia-knihy.sk/vysoka-skola-univerzita-komenskeho-skripta/slovenska-hudobna-avantgarda/]
−
* Štěpán David, [http://is.muni.cz/th/261239/ff_b/Zvukove_pracoviste_David.pdf "Tvorba elektroakustické hudby ve Zvukovém pracovišti Československé televize v Bratislavě v letech 1960-1968"], Brno: Masaryk University, 2012. Bachelor thesis. (Czech)
+
* Štěpán David, [http://is.muni.cz/th/261239/ff_b/Zvukove_pracoviste_David.pdf "Tvorba elektroakustické hudby ve Zvukovém pracovišti Československé televize v Bratislavě v letech 1960-1968"], Brno: Masaryk University, 2012. Bachelor thesis. {{cz}}
 
}}</onlyinclude>
 
}}</onlyinclude>
  
Line 706: Line 752:
 
* Cynthia E Bylander, [[Media:Bylander_Cynthia_E_The_Warsaw_Autumn_International_Festival_of_Contemporary_Music_1956-1961.pdf|''The Warsaw Autumn International Festival of Contemporary Music, 1956-1961: Its Goals, Structures, Programs, and People'']], The Ohio State University, 1989. PhD thesis.
 
* Cynthia E Bylander, [[Media:Bylander_Cynthia_E_The_Warsaw_Autumn_International_Festival_of_Contemporary_Music_1956-1961.pdf|''The Warsaw Autumn International Festival of Contemporary Music, 1956-1961: Its Goals, Structures, Programs, and People'']], The Ohio State University, 1989. PhD thesis.
 
* [[Krzysztof Szlifirski]], [http://www.cime-icem.net/Doc/Pologne.doc "Electroacoustic music in Poland. Brief history and present time situation"], 1993.  
 
* [[Krzysztof Szlifirski]], [http://www.cime-icem.net/Doc/Pologne.doc "Electroacoustic music in Poland. Brief history and present time situation"], 1993.  
−
* Mieczysław Kominek, "[http://www.culture.pl/baza-muzyka-pelna-tresc/-/eo_event_asset_publisher/eAN5/content/muzyka-elektroakustyczna-w-polsce Muzyka elektroakustyczna w Polsce]", ''Culture.pl'', 2006. (Polish)
+
* Mieczysław Kominek, "[http://www.culture.pl/baza-muzyka-pelna-tresc/-/eo_event_asset_publisher/eAN5/content/muzyka-elektroakustyczna-w-polsce Muzyka elektroakustyczna w Polsce]", ''Culture.pl'', 2006. {{pl}}
 
* Lisa Marie Jakelski, [[Media:Jakelski_Lisa_Marie_The_Changing_Seasons_of_the_Warsaw_Autumn_Contemporary_Music_in_Poland_1960-1990.pdf|''The Changing Seasons of the Warsaw Autumn. Contemporary Music in Poland, 1960-1990'']], Berkeley: University of California, 2009. PhD thesis.
 
* Lisa Marie Jakelski, [[Media:Jakelski_Lisa_Marie_The_Changing_Seasons_of_the_Warsaw_Autumn_Contemporary_Music_in_Poland_1960-1990.pdf|''The Changing Seasons of the Warsaw Autumn. Contemporary Music in Poland, 1960-1990'']], Berkeley: University of California, 2009. PhD thesis.
−
* Monika Pasiecznik, "A History of Electroacoustic Music in Poland from the Perspective of the Polish Radio Experimental Studio 1957-1990", in ''Anthology of Experimental Music Cultures in Central and Eastern Europe 1950-2010''. [http://soundexchange.eu/#poland_en?id=1 (English)] [http://soundexchange.eu/#poland_de?id=1 (German)] [http://soundexchange.eu/#poland_pl?id=1 (Polish)]
+
* Monika Pasiecznik, "A History of Electroacoustic Music in Poland from the Perspective of the Polish Radio Experimental Studio 1957-1990", in ''Anthology of Experimental Music Cultures in Central and Eastern Europe 1950-2010''. [http://soundexchange.eu/#poland_en?id=1 (English)] [http://soundexchange.eu/#poland_de?id=1 {{de}}] [http://soundexchange.eu/#poland_pl?id=1 {{pl}}]
−
* Antoni Beksiak, "The Avant-Garde Alternative of the Last 20 Years: In Search of Points of Intersection", in ''Anthology of Experimental Music Cultures in Central and Eastern Europe 1950-2010''. [http://soundexchange.eu/#poland_en?id=10 (English)] [http://soundexchange.eu/#poland_de?id=10 (German)] [http://soundexchange.eu/#poland_pl?id=10 (Polish)]
+
* Antoni Beksiak, "The Avant-Garde Alternative of the Last 20 Years: In Search of Points of Intersection", in ''Anthology of Experimental Music Cultures in Central and Eastern Europe 1950-2010''. [http://soundexchange.eu/#poland_en?id=10 (English)] [http://soundexchange.eu/#poland_de?id=10 {{de}}] [http://soundexchange.eu/#poland_pl?id=10 {{pl}}]
−
* ''Studio eksperyment: Leksykon. Zbiór tekstów'', Warsaw: The Bęc Zmiana Foundation, 2012. (Polish) [http://www.eksperyment-manual.pl/] [http://issuu.com/beczmiana/docs/eksperyment] [http://www.eksperyment-manual.pl/index.php?/english-texts/ (English texts)]
+
* ''Studio eksperyment: Leksykon. Zbiór tekstów'', Warsaw: The Bęc Zmiana Foundation, 2012. {{pl}} [http://www.eksperyment-manual.pl/] [http://issuu.com/beczmiana/docs/eksperyment] [http://www.eksperyment-manual.pl/index.php?/english-texts/ (English texts)]
 
* Krzysztof B. Marciniak, [http://kadebeem.wordpress.com/2012/08/11/the-acoustic-ecology-in-poland-history-current-trends-perspectives/ "The acoustic ecology in Poland: history – current trends – perspectives"], in ''The Global Composition 2012, Conference on Sound, Media, and the Environment'' edited by Sabine Breitsameter and Claudia Söller-Eckert, Darmstadt 2012, pp 191-199.
 
* Krzysztof B. Marciniak, [http://kadebeem.wordpress.com/2012/08/11/the-acoustic-ecology-in-poland-history-current-trends-perspectives/ "The acoustic ecology in Poland: history – current trends – perspectives"], in ''The Global Composition 2012, Conference on Sound, Media, and the Environment'' edited by Sabine Breitsameter and Claudia Söller-Eckert, Darmstadt 2012, pp 191-199.
 
}}</onlyinclude>
 
}}</onlyinclude>
Line 750: Line 796:
 
* Mark Rais, "Some Notes about Soviet Computer Music", ''Leonardo'' Vol. 24, No. 5 (1991), pp. 535-539. [http://www.jstor.org/stable/1575656]
 
* Mark Rais, "Some Notes about Soviet Computer Music", ''Leonardo'' Vol. 24, No. 5 (1991), pp. 535-539. [http://www.jstor.org/stable/1575656]
 
* Jurij Dobriakov, [http://soundartarchive.net/articles/Dobriakov-Experimental%20Electronic%20Music%20and%20Sound%20Art%20in%20Lithuania.pdf "Experimental electronic music and sound art in Lithuania"], ''Eurozine'', 2007.
 
* Jurij Dobriakov, [http://soundartarchive.net/articles/Dobriakov-Experimental%20Electronic%20Music%20and%20Sound%20Art%20in%20Lithuania.pdf "Experimental electronic music and sound art in Lithuania"], ''Eurozine'', 2007.
−
* Tautvydas Bajarkevicius, [http://soundexchange.eu/#lithuania_en?id=40 "Contemporary Music, Sound Art and Media in Lithuania: From a Historical Perspective to the Present"], in ''Anthology of Experimental Music Cultures in Central and Eastern Europe 1950-2010''.  (English) [http://soundexchange.eu/#lithuania_de?id=40 (German)] [http://soundexchange.eu/#lithuania_lt?id=40 (Lithuanian)]
+
* Tautvydas Bajarkevicius, [http://soundexchange.eu/#lithuania_en?id=40 "Contemporary Music, Sound Art and Media in Lithuania: From a Historical Perspective to the Present"], in ''Anthology of Experimental Music Cultures in Central and Eastern Europe 1950-2010''.  (English) [http://soundexchange.eu/#lithuania_de?id=40 {{de}}] [http://soundexchange.eu/#lithuania_lt?id=40 (Lithuanian)]
 
}}</onlyinclude>
 
}}</onlyinclude>
  
Line 760: Line 806:
 
* [[Josef Hiršal]] and [[Bohumila Grögerová]] ''Slovo, písmo, akce, hlas (word, letter, action, voice)'' (1966). Presented the parallel trends of the 1960s in the rest of Europe in a condensed form, they made use of the term "experimental art" in order to set parameters. editors included new types of artificial poetry, permutational and programmed art and happenings under the flag of experimental art, as their selection of manifestos, essays and artistic programs presented it. [http://sigma.nkp.cz/F/YG127DG83G8MAQNE3D971DEPIA58ATG86VRDM5CBM35LMGDLPG-02130?func=full-set-set&set_number=010768&set_entry=000001&format=999]
 
* [[Josef Hiršal]] and [[Bohumila Grögerová]] ''Slovo, písmo, akce, hlas (word, letter, action, voice)'' (1966). Presented the parallel trends of the 1960s in the rest of Europe in a condensed form, they made use of the term "experimental art" in order to set parameters. editors included new types of artificial poetry, permutational and programmed art and happenings under the flag of experimental art, as their selection of manifestos, essays and artistic programs presented it. [http://sigma.nkp.cz/F/YG127DG83G8MAQNE3D971DEPIA58ATG86VRDM5CBM35LMGDLPG-02130?func=full-set-set&set_number=010768&set_entry=000001&format=999]
 
* Vít Havránek (ed.), ''Akce slovo pohyb prostor. Experimenty v umění šedesátých let'', catalogue (Prague: 1999) [http://sigma.nkp.cz/F/YG127DG83G8MAQNE3D971DEPIA58ATG86VRDM5CBM35LMGDLPG-20866?func=full-set-set&set_number=010639&set_entry=000001&format=999]
 
* Vít Havránek (ed.), ''Akce slovo pohyb prostor. Experimenty v umění šedesátých let'', catalogue (Prague: 1999) [http://sigma.nkp.cz/F/YG127DG83G8MAQNE3D971DEPIA58ATG86VRDM5CBM35LMGDLPG-20866?func=full-set-set&set_number=010639&set_entry=000001&format=999]
−
* Pavlína Morganová, "Umenie akcie 1965-1989", ''Profil'' 3, 2001, pp 6-15 (Czech) [[Media:Morganová,_Pavlína_(2001)_-_Umenie_akcie_1965-1989.pdf|PDF]]
+
* Pavlína Morganová, "Umenie akcie 1965-1989", ''Profil'' 3, 2001, pp 6-15 {{cz}} [[Media:Morganová,_Pavlína_(2001)_-_Umenie_akcie_1965-1989.pdf|PDF]]
 
* [[Vít Havránek]], "Action word movement space. Czech experimental art of the 1960s". Exhibition catalogue. [http://www.ce-review.org/00/2/havranek2.html]
 
* [[Vít Havránek]], "Action word movement space. Czech experimental art of the 1960s". Exhibition catalogue. [http://www.ce-review.org/00/2/havranek2.html]
 
}}</onlyinclude>
 
}}</onlyinclude>
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===Slovakia===
 
===Slovakia===
 
<onlyinclude>{{#ifeq:{{{transcludesection|performance-sk}}}|performance-sk|
 
<onlyinclude>{{#ifeq:{{{transcludesection|performance-sk}}}|performance-sk|
−
* Michal Murin, "Performance?" ''Profil'' 17-18 (1991) (Slovak)
+
* Michal Murin, "Performance?" ''Profil'' 17-18 (1991) {{sk}}
−
* Michal Murin, "San Francisco performance art" ''Profil'' 22 (1991) (Slovak)
+
* Michal Murin, "San Francisco performance art" ''Profil'' 22 (1991) {{sk}}
−
* Michal Murin, "Transmusic Comp. (hudobné performance)" ''Slovak Music'' 2 (1991) pp. 24 (Slovak)
+
* Michal Murin, "Transmusic Comp. (hudobné performance)" ''Slovak Music'' 2 (1991) pp. 24 {{sk}}
−
* Michal Murin, "Transmusic Comp" ''Dotyky'' 10 (1991) (Slovak)
+
* Michal Murin, "Transmusic Comp" ''Dotyky'' 10 (1991) {{sk}}
−
* Michal Murin (ed.), ''Profil'', No. 3 (1993). [http://www.sendspace.com/file/66wx6z] (Slovak)
+
* Michal Murin (ed.), ''Profil'', No. 3 (1993). [http://www.sendspace.com/file/66wx6z] {{sk}}
−
* Jozsef R. Juhász (ed.), ''Transart Communication. 7th International Contemporary Art Festival - 8th International Contemporary Art Festival 1995-1996'', Nové Zámky, 1997. CD-ROM. (Slovak)
+
* Jozsef R. Juhász (ed.), ''Transart Communication. 7th International Contemporary Art Festival - 8th International Contemporary Art Festival 1995-1996'', Nové Zámky, 1997. CD-ROM. {{sk}}
 
* Michal Murin, "Studio Erte - Jozef. R. Juhász", in: ''PARAF'' - Joszef R. Juhasz monography [http://www.ababook.hu/paraf]
 
* Michal Murin, "Studio Erte - Jozef. R. Juhász", in: ''PARAF'' - Joszef R. Juhasz monography [http://www.ababook.hu/paraf]
 
* Gábor Hushegyi, "Stúdio erté 1987-1997" [[Jozsef R. Juhász]] ed., ''Transart Communication. 7th International Contemporary Art Festival - 8th International Contemporary Art Festival 1995-1996'', Nové Zámky: Studio erté, 1997. CD-ROM. (Slovak and English)
 
* Gábor Hushegyi, "Stúdio erté 1987-1997" [[Jozsef R. Juhász]] ed., ''Transart Communication. 7th International Contemporary Art Festival - 8th International Contemporary Art Festival 1995-1996'', Nové Zámky: Studio erté, 1997. CD-ROM. (Slovak and English)
−
* Michal Murin, "Performance na Slovensku v 90. rokoch" ''A.K.T.'', Brno: Dům umění, 1999. (Slovak)
+
* Michal Murin, "Performance na Slovensku v 90. rokoch" ''A.K.T.'', Brno: Dům umění, 1999. {{sk}}
−
* Ivan Jančár, "Performancia," [[Jana Geržová]] ed., ''Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia'', Bratislava: Profil, 1999. (Slovak)
+
* Ivan Jančár, "Performancia," [[Jana Geržová]] ed., ''Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia'', Bratislava: Profil, 1999. {{sk}}
 
* Michal Murin, [http://www.asa.de/magazine/iss4/11murin.htm "Performance Art in Slovakia in the 90s (From the Position of the Art-Form, through its Reflection to the (Co-Existence of Solitary Worlds)"], ''Slaps Banks Plots'' 4 (2000).
 
* Michal Murin, [http://www.asa.de/magazine/iss4/11murin.htm "Performance Art in Slovakia in the 90s (From the Position of the Art-Form, through its Reflection to the (Co-Existence of Solitary Worlds)"], ''Slaps Banks Plots'' 4 (2000).
 
* Michal Murin, "L´art de performance en Slovaquie - A partir d´une forme artistique et de sa réflexion vers la coexistence de mondes solitaires" [Performance Art in Slovakia - From the Art-Form, and its Reflection Towards the Co-Existence of Solitary Worlds], in ''Art Action 1958-1998'', edited by Richard Martel, Éditions Intervention, Québec, Canada, 2001, pp 454-457; Hushegyi, Gábor: Importance. Place et rôle du Studio eré (1987-1997) dans l´art de la (Tchéco)Slovaquie. / The Importance. Position and Role of Studio erté (1987-1997) in the Art of (Czécho)Slovakia. U.o., pp 458-467.
 
* Michal Murin, "L´art de performance en Slovaquie - A partir d´une forme artistique et de sa réflexion vers la coexistence de mondes solitaires" [Performance Art in Slovakia - From the Art-Form, and its Reflection Towards the Co-Existence of Solitary Worlds], in ''Art Action 1958-1998'', edited by Richard Martel, Éditions Intervention, Québec, Canada, 2001, pp 454-457; Hushegyi, Gábor: Importance. Place et rôle du Studio eré (1987-1997) dans l´art de la (Tchéco)Slovaquie. / The Importance. Position and Role of Studio erté (1987-1997) in the Art of (Czécho)Slovakia. U.o., pp 458-467.
−
* Zora Rusinová (ed.), [[Media:Rusinova_Zora_ed_Umenie_akcie_1965-1989.pdf|''Umenie akcie 1965-1989'']], Bratislava: Slovak National Gallery, 2001. (Slovak)
+
* Zora Rusinová (ed.), [[Media:Rusinova_Zora_ed_Umenie_akcie_1965-1989.pdf|''Umenie akcie 1965-1989'']], Bratislava: Slovak National Gallery, 2001. {{sk}}
−
* Pavlína Morganová, [[Media:Morganová,_Pavlína_(2001)_-_Umenie_akcie_1965-1989.pdf|"Umenie akcie 1965-1989"]], ''Profil'' 3, 2001, pp 6-15 (Czech) [http://www.profil-art.sk/01_3/006-15.htm]
+
* Pavlína Morganová, [[Media:Morganová,_Pavlína_(2001)_-_Umenie_akcie_1965-1989.pdf|"Umenie akcie 1965-1989"]], ''Profil'' 3, 2001, pp 6-15 {{cz}} [http://www.profil-art.sk/01_3/006-15.htm]
−
* Andrea Bátorová, [[Media:Bátorová,_Andrea_(2001)_-_Zopakovať_jedinečné._Rozhovor_so_Zorou_Rusinovou.pdf|"Zopakovať jedinečné. Rozhovor so Zorou Rusinovou"]], ''Profil'' 3, 2001, pp 16-29. (Slovak) [http://www.profil-art.sk/01_3/016-29.htm]
+
* Andrea Bátorová, [[Media:Bátorová,_Andrea_(2001)_-_Zopakovať_jedinečné._Rozhovor_so_Zorou_Rusinovou.pdf|"Zopakovať jedinečné. Rozhovor so Zorou Rusinovou"]], ''Profil'' 3, 2001, pp 16-29. {{sk}} [http://www.profil-art.sk/01_3/016-29.htm]
−
* Andrea Bátorová, [[Media:Bátorová,_Andrea_(2001)_-_Považujete_akčné_umenie_za_revolučné._Rozhovor_s_Luciou_Gregorovou-Stachovou.pdf|"Považujete akčné umenie za revolučné? Rozhovor s Luciou Gregorovou-Stachovou"]], ''Profil'' 3, 2001, pp 30-39. (Slovak) [http://www.profil-art.sk/01_3/030-39.htm]  
+
* Andrea Bátorová, [[Media:Bátorová,_Andrea_(2001)_-_Považujete_akčné_umenie_za_revolučné._Rozhovor_s_Luciou_Gregorovou-Stachovou.pdf|"Považujete akčné umenie za revolučné? Rozhovor s Luciou Gregorovou-Stachovou"]], ''Profil'' 3, 2001, pp 30-39. {{sk}} [http://www.profil-art.sk/01_3/030-39.htm]  
−
* Gábor Hushegyi, [[Media:Hushegyi,_Gábor_(2001)_-_Actinart_-_medzinárodné_sympózium.pdf|"Actinart - medzinárodné sympózium"]], ''Profil'' 3, 2001, pp 40-47. (Slovak)
+
* Gábor Hushegyi, [[Media:Hushegyi,_Gábor_(2001)_-_Actinart_-_medzinárodné_sympózium.pdf|"Actinart - medzinárodné sympózium"]], ''Profil'' 3, 2001, pp 40-47. {{sk}}
 
* Michal Murin, "Performance art in Slovakia in the 90s". [http://www.asa.de/magazine/iss4/11murin.htm] [http://performancelogia.blogspot.com/2007/10/performance-art-in-slovakia-in-90s.html], also in a book: [http://www.conaculta.gob.mx/saladeprensa/2002/17abr/artactio.htm]
 
* Michal Murin, "Performance art in Slovakia in the 90s". [http://www.asa.de/magazine/iss4/11murin.htm] [http://performancelogia.blogspot.com/2007/10/performance-art-in-slovakia-in-90s.html], also in a book: [http://www.conaculta.gob.mx/saladeprensa/2002/17abr/artactio.htm]
 
* Gerhard Dirmoser, Boris Nieslony, [[Media:Performance-Art_Kontext_A0.pdf|"Performance-Art Kontext: Performative Ansaetze in Kunst und Wissenschaft am Beispiel der 'performance art'"]], visualisation, Linz/Cologne, 2001.
 
* Gerhard Dirmoser, Boris Nieslony, [[Media:Performance-Art_Kontext_A0.pdf|"Performance-Art Kontext: Performative Ansaetze in Kunst und Wissenschaft am Beispiel der 'performance art'"]], visualisation, Linz/Cologne, 2001.
−
* Július Fujak, "Transmusic Comp. + SNEH. Adamčiak, Machajdík, Murin and Cseres" 2005. [http://web.archive.org/web/20080205144108/http://www.radioart.sk/avr/visuopage.php?id=117] (Slovak) [http://web.archive.org/web/20080205144108/http://www.radioart.sk/avr/visuopage.php?id=124] (English)
+
* Július Fujak, "Transmusic Comp. + SNEH. Adamčiak, Machajdík, Murin and Cseres" 2005. [http://web.archive.org/web/20080205144108/http://www.radioart.sk/avr/visuopage.php?id=117] {{sk}} [http://web.archive.org/web/20080205144108/http://www.radioart.sk/avr/visuopage.php?id=124] (English)
 
* Gábor Hushegyi, [[Zsolt Sőrés]] (eds.), ''Transart Communication Performance & Multimedia Art Studio erté 1987 – 2007'' (Kalligram, 2008) (Slovak, Hungarian, English) [http://www.kalligram.com/start.php?id=2&id_row=614&detail=1&objednat=1&kde=3]
 
* Gábor Hushegyi, [[Zsolt Sőrés]] (eds.), ''Transart Communication Performance & Multimedia Art Studio erté 1987 – 2007'' (Kalligram, 2008) (Slovak, Hungarian, English) [http://www.kalligram.com/start.php?id=2&id_row=614&detail=1&objednat=1&kde=3]
−
* Omar Mirza, ''[[Media:Mirza_Omar_Aktionskunst_in_der_Slowakei_1965-1989.pdf|Aktionskunst in der Slowakei (1965-1989)]]'', Vienna, 2008. Master thesis. (German)
+
* Omar Mirza, ''[[Media:Mirza_Omar_Aktionskunst_in_der_Slowakei_1965-1989.pdf|Aktionskunst in der Slowakei (1965-1989)]]'', Vienna, 2008. Master thesis. {{de}}
−
* Andrea Bátorová, ''Aktionskunst in der Slowakei in den 1960er Jahren'', Lit Verlag, 2009, 408 pp. ISBN 3825818381. (German) [http://d-nb.info/992809371/04 Contents]
+
* Andrea Bátorová, ''Aktionskunst in der Slowakei in den 1960er Jahren'', Lit Verlag, 2009, 408 pp. ISBN 3825818381. {{de}} [http://d-nb.info/992809371/04 Contents]
−
* DigiVAF(ex), [[Media:Festival Performaction 2010.pdf|''Festival Performaction 2010'']], 2010. ISBN 9788089078769 (Slovak)
+
* DigiVAF(ex), [[Media:Festival Performaction 2010.pdf|''Festival Performaction 2010'']], 2010. ISBN 9788089078769 {{sk}}
−
* Ján Kralovič, "Nutnosť intenzívneho prežívania (Poznámky k akčnému umeniu v mestskom priestore na Slovensku v 70. rokoch 20. storočia)", in [[Media:Kubova_Bernadeta_Godic_Ivan_eds_Umenie_na_Slovensku_v_historickych_a_kulturnych_suvislostiach_2010.pdf|''Umenie na Slovensku v historických a kultúrnych súvislostiach 2010'']], edited by Bernadeta Kubová and Ivan Godič, Trnava: Milan Uličný - BEN, 2011, pp 215-226. (Slovak)
+
* Ján Kralovič, "Nutnosť intenzívneho prežívania (Poznámky k akčnému umeniu v mestskom priestore na Slovensku v 70. rokoch 20. storočia)", in [[Media:Kubova_Bernadeta_Godic_Ivan_eds_Umenie_na_Slovensku_v_historickych_a_kulturnych_suvislostiach_2010.pdf|''Umenie na Slovensku v historických a kultúrnych súvislostiach 2010'']], edited by Bernadeta Kubová and Ivan Godič, Trnava: Milan Uličný - BEN, 2011, pp 215-226. {{sk}}
 
}}</onlyinclude>
 
}}</onlyinclude>
  
Line 820: Line 866:
 
===Czech Republic===
 
===Czech Republic===
 
<onlyinclude>{{#ifeq:{{{transcludesection|multimedia-cz}}}|multimedia-cz|
 
<onlyinclude>{{#ifeq:{{{transcludesection|multimedia-cz}}}|multimedia-cz|
−
* Jan Grossman, "O kombinaci divadla a filmu", in ''Laterna magika - sborník statí'', ed. Bohumil Svoboda, Prague: ČSF - Filmový ústav, 1968, pp 31-97. (Czech)
+
* Jan Grossman, "O kombinaci divadla a filmu", in ''Laterna magika - sborník statí'', ed. Bohumil Svoboda, Prague: ČSF - Filmový ústav, 1968, pp 31-97. {{cz}}
 
* Vít Havránek, [http://peripheralfocus.net/ace/Arch+Electronics/readings/VitHavranek_LaternaMagika.pdf "Laterna Magika, Polyekran, Kinoautomat"], in ''Future Cinema. The Cinematic Imaginary after Film'', ZKM and The MIT Press, 2003.
 
* Vít Havránek, [http://peripheralfocus.net/ace/Arch+Electronics/readings/VitHavranek_LaternaMagika.pdf "Laterna Magika, Polyekran, Kinoautomat"], in ''Future Cinema. The Cinematic Imaginary after Film'', ZKM and The MIT Press, 2003.
−
* Svatopluk Malý, ''Vznik, rozvoj a ústup multivizuálních programů'', Prague: Akademie múzických umění, 2010. (Czech) [http://www.namu.cz/item.php?item=184]
+
* Svatopluk Malý, ''Vznik, rozvoj a ústup multivizuálních programů'', Prague: Akademie múzických umění, 2010. {{cz}} [http://www.namu.cz/item.php?item=184]
 
; Resources
 
; Resources
 
* Vit Havranek (ed.), ''Pioneers of Interactive Czech Films (50s-60s)'', 2002. DVD with works: ''Laterna Magika'', 1958; ''Laterna Magica'', 1967, Exposition Montréal; ''Kinoautomat'', 1967, Expo Montréal; ''Diapolyekrán, Stvorení sveta'', 1967, Expo Montréal. [http://www.zkm.de/futurecinema/havranek_werk_e.html]
 
* Vit Havranek (ed.), ''Pioneers of Interactive Czech Films (50s-60s)'', 2002. DVD with works: ''Laterna Magika'', 1958; ''Laterna Magica'', 1967, Exposition Montréal; ''Kinoautomat'', 1967, Expo Montréal; ''Diapolyekrán, Stvorení sveta'', 1967, Expo Montréal. [http://www.zkm.de/futurecinema/havranek_werk_e.html]
Line 835: Line 881:
 
===Czech Republic===
 
===Czech Republic===
 
<onlyinclude>{{#ifeq:{{{transcludesection|computerart-cz}}}|computerart-cz|
 
<onlyinclude>{{#ifeq:{{{transcludesection|computerart-cz}}}|computerart-cz|
−
* Jiří Valoch (ed.), [[Media:Valoch,_Jiří_(1968,_ed.)_-_Computer_Graphic,_catalogue_(Czech).pdf‎|''Computer Graphic'']], Brno: Dům umění města Brna, 1968. 16 pages. Catalogue. (Czech)
+
* Jiří Valoch (ed.), [[Media:Valoch,_Jiří_(1968,_ed.)_-_Computer_Graphic,_catalogue_{{cz}}.pdf‎|''Computer Graphic'']], Brno: Dům umění města Brna, 1968. 16 pages. Catalogue. {{cz}}
 
* Zdeněk Sýkora, J Blažek, "Computer-Aided Multi-element, Geometrical Abstract Paintings", ''Leonardo'' 3 (1970), p 409.
 
* Zdeněk Sýkora, J Blažek, "Computer-Aided Multi-element, Geometrical Abstract Paintings", ''Leonardo'' 3 (1970), p 409.
−
* Božena Pilpachová, ''Počítačová grafika'', Prague: Výzkum. ústav výstavby a architektury, 1972, 58 pp. (Czech)
+
* Božena Pilpachová, ''Počítačová grafika'', Prague: Výzkum. ústav výstavby a architektury, 1972, 58 pp. {{cz}}
−
* L Granát, H Sechovský, ''Počítačová grafika'', Prague: SNTL, 1980. (Czech)
+
* L Granát, H Sechovský, ''Počítačová grafika'', Prague: SNTL, 1980. {{cz}}
−
* Miroslav Klivar, Zdeňka Čechová, ''Aplikace počítačové grafiky v textilním průmyslu ČSSR'', Prague: ÚBOK, 1981. (Czech) [http://sigma.nkp.cz/F/YG127DG83G8MAQNE3D971DEPIA58ATG86VRDM5CBM35LMGDLPG-01713?func=full-set-set&set_number=012080&set_entry=000004&format=999]
+
* Miroslav Klivar, Zdeňka Čechová, ''Aplikace počítačové grafiky v textilním průmyslu ČSSR'', Prague: ÚBOK, 1981. {{cz}} [http://sigma.nkp.cz/F/YG127DG83G8MAQNE3D971DEPIA58ATG86VRDM5CBM35LMGDLPG-01713?func=full-set-set&set_number=012080&set_entry=000004&format=999]
 
* ''Computer Graphics Art. Zdeňka Čechová, Daniel Fischer, Zdeněk Frýbl, Jozef Jankovič, Miroslav Klivar, Jan Moučka'', Prague, 1982. Catalogue.
 
* ''Computer Graphics Art. Zdeňka Čechová, Daniel Fischer, Zdeněk Frýbl, Jozef Jankovič, Miroslav Klivar, Jan Moučka'', Prague, 1982. Catalogue.
−
* ''Počítačové grafické umění'', Prague: Obvodní dum kultury v Prahe 8, 1982. Catalogue. (Czech)
+
* ''Počítačové grafické umění'', Prague: Obvodní dum kultury v Prahe 8, 1982. Catalogue. {{cz}}
−
* Miroslav Klivar, "Počítač v umění a experimentální estetice" ''Estetika'' 3 (1986). (Czech)
+
* Miroslav Klivar, "Počítač v umění a experimentální estetice" ''Estetika'' 3 (1986). {{cz}}
−
* Miroslav Klivar, [http://www.v-art.cz/chudove_koreny/r02c02/intermezzo/klivar/klivar.htm "České počítačové umění (1)"], ''Chůdové kořeny'', Vol 2, No 2, June 2003. (Czech)  
+
* Miroslav Klivar, [http://www.v-art.cz/chudove_koreny/r02c02/intermezzo/klivar/klivar.htm "České počítačové umění (1)"], ''Chůdové kořeny'', Vol 2, No 2, June 2003. {{cz}}  
−
* Miroslav Klivar, [http://www.v-art.cz/chudove_koreny/r02c03/intermezzo/klivar/klivar.htm "České počítačové umění (2)"], ''Chůdové kořeny'', Vol 2, No 3, October 2003. (Czech)
+
* Miroslav Klivar, [http://www.v-art.cz/chudove_koreny/r02c03/intermezzo/klivar/klivar.htm "České počítačové umění (2)"], ''Chůdové kořeny'', Vol 2, No 3, October 2003. {{cz}}
 
}}</onlyinclude>
 
}}</onlyinclude>
  
 
===Slovakia===
 
===Slovakia===
 
<onlyinclude>{{#ifeq:{{{transcludesection|computerart-sk}}}|computerart-sk|
 
<onlyinclude>{{#ifeq:{{{transcludesection|computerart-sk}}}|computerart-sk|
−
* [[Miroslav Klivar]], "Kybernetika a teória odrazu vo vzťahu k umeniu" ''Slovenské pohľady'' 10 (1962) (Slovak)
+
* [[Miroslav Klivar]], "Kybernetika a teória odrazu vo vzťahu k umeniu" ''Slovenské pohľady'' 10 (1962) {{sk}}
−
* [[Martin Šperka]] "Filmy z počítača" ''Elektrón'' 12 (1984) pp. 29-31 (Slovak)
+
* [[Martin Šperka]] "Filmy z počítača" ''Elektrón'' 12 (1984) pp. 29-31 {{sk}}
 
* ''Jankovič - Grafika'', exhibition catalogue. With texts by Naďa Reháková and Imrich Bertók. Liberec: Oblastní galerie, 1984.
 
* ''Jankovič - Grafika'', exhibition catalogue. With texts by Naďa Reháková and Imrich Bertók. Liberec: Oblastní galerie, 1984.
−
* [[Martin Šperka]] et al. ''Počítačová grafika a numerické metódy'' (Bratislava: SVŠT-Alfa, 1985) (Slovak)
+
* [[Martin Šperka]] et al. ''Počítačová grafika a numerické metódy'' (Bratislava: SVŠT-Alfa, 1985) {{sk}}
 
* ''Počítačové umění ČSSR'', catalogue (Prague: 1985)
 
* ''Počítačové umění ČSSR'', catalogue (Prague: 1985)
 
* [[Imrich Bertók]], [[Jozef Jankovič]], "A Collaborative Investigation of the Line: Interactive Computer-Aided Drawings" ''Leonardo'' 1 (1986) pp. 27-30. [http://links.jstor.org/sici?sici=0024-094X(1986)19%3A1%3C27%3AACIOTL%3E2.0.CO%3B2-H] (English)
 
* [[Imrich Bertók]], [[Jozef Jankovič]], "A Collaborative Investigation of the Line: Interactive Computer-Aided Drawings" ''Leonardo'' 1 (1986) pp. 27-30. [http://links.jstor.org/sici?sici=0024-094X(1986)19%3A1%3C27%3AACIOTL%3E2.0.CO%3B2-H] (English)
−
* P Slavkovský, "Niektoré aplikácie počítačovej animácie" ''Počítačová grafika '86'' (Bratislava: JSMF, 1986) (Slovak)
+
* P Slavkovský, "Niektoré aplikácie počítačovej animácie" ''Počítačová grafika '86'' (Bratislava: JSMF, 1986) {{sk}}
−
* [[Miroslav Klivar]], "Počítačová grafika v súčasnej výtvarnej kultúre" ''Výtvarníctvo, fotografia, film'' 10 (1986) (Slovak)
+
* [[Miroslav Klivar]], "Počítačová grafika v súčasnej výtvarnej kultúre" ''Výtvarníctvo, fotografia, film'' 10 (1986) {{sk}}
 
* [[Zdeňka Čechová]] "Aplikácia počítačovej grafiky vo výtvarnom umení" ''Počítačová grafika, Proceedings of conference, Smolenice, 1986'' pp. 15 - 20
 
* [[Zdeňka Čechová]] "Aplikácia počítačovej grafiky vo výtvarnom umení" ''Počítačová grafika, Proceedings of conference, Smolenice, 1986'' pp. 15 - 20
−
* [[Martin Šperka]], "Počítač ako maliar" ''Elektrón'' 12 (1986) pp. 8-15 (Slovak)
+
* [[Martin Šperka]], "Počítač ako maliar" ''Elektrón'' 12 (1986) pp. 8-15 {{sk}}
−
* [[Imrich Bertók]], [[Ivo Janoušek]] ''Počítače a umenie'' (Bratislava: SPN, 1989) (Slovak)
+
* [[Imrich Bertók]], [[Ivo Janoušek]] ''Počítače a umenie'' (Bratislava: SPN, 1989) {{sk}}
 
* Lucie Holá ''Počítačové umění v ČSSR a ve světě'', catalogue (Prague: Dům techniky Praha, 1989)
 
* Lucie Holá ''Počítačové umění v ČSSR a ve světě'', catalogue (Prague: Dům techniky Praha, 1989)
−
* Robert Zavarský, [http://www.dotyky.net/?p=11014 "Počítačové umenie"], ''Dotyky'' 1 (1990), [[Media:Zavarsky_Robert_1990_Pocitacove_umenie_Nemerov_Howard_1990_Pocitacova_poezia.pdf|PDF]]. (Slovak)
+
* Robert Zavarský, [http://www.dotyky.net/?p=11014 "Počítačové umenie"], ''Dotyky'' 1 (1990), [[Media:Zavarsky_Robert_1990_Pocitacove_umenie_Nemerov_Howard_1990_Pocitacova_poezia.pdf|PDF]]. {{sk}}
−
* [[Martin Šperka]], ''Počítačová grafika vo výtvarnom umení'', catalogue, Banská Bystrica: Štátna galéria Žilina, Regionálne kultúrne stredisko, 1992, 32 pages (Slovak)
+
* [[Martin Šperka]], ''Počítačová grafika vo výtvarnom umení'', catalogue, Banská Bystrica: Štátna galéria Žilina, Regionálne kultúrne stredisko, 1992, 32 pages {{sk}}
 
* [[Martin Šperka]] (ed.), [http://monoskop.org/log/?p=5692 ''Computer Graphics in Fine Arts / Počítačová grafika vo výtvarnom umení''], catalogue, Bratislava: Academy of Fine Arts, 1993, 8 pages. (Slovak/English)
 
* [[Martin Šperka]] (ed.), [http://monoskop.org/log/?p=5692 ''Computer Graphics in Fine Arts / Počítačová grafika vo výtvarnom umení''], catalogue, Bratislava: Academy of Fine Arts, 1993, 8 pages. (Slovak/English)
−
* [[Media:Profil_1_(1993)_-_Počítačová_grafika_(Slovak).pdf|''Profil'': Počítačová grafika]], No. 1, 1993, Bratislava. (Slovak)
+
* [[Media:Profil_1_(1993)_-_Počítačová_grafika_{{sk}}.pdf|''Profil'': Počítačová grafika]], No. 1, 1993, Bratislava. {{sk}}
−
* [[Martin Šperka]], [[Media:Profil_1_(1993)_-_Počítačová_grafika_(Slovak).pdf|"Siggraph 92"]], ''Profil'' 1 (1993), Bratislava, pp 2-3 (Slovak)
+
* [[Martin Šperka]], [[Media:Profil_1_(1993)_-_Počítačová_grafika_{{sk}}.pdf|"Siggraph 92"]], ''Profil'' 1 (1993), Bratislava, pp 2-3 {{sk}}
−
* [[Martin Šperka]], [[Media:Profil_1_(1993)_-_Počítačová_grafika_(Slovak).pdf|"Míľniky počítačovej grafiky na Slovensku"]], ''Profil'' 1 (1993), Bratislava, pp 10-11 (Slovak)
+
* [[Martin Šperka]], [[Media:Profil_1_(1993)_-_Počítačová_grafika_{{sk}}.pdf|"Míľniky počítačovej grafiky na Slovensku"]], ''Profil'' 1 (1993), Bratislava, pp 10-11 {{sk}}
−
* [[Martin Šperka]], [[Media:Profil_1_(1993)_-_Počítačová_grafika_(Slovak).pdf|"Autori o sebe: Interview so štyrmi pioniermi počítačovej grafiky v Čechách a na Slovensku"]], ''Profil'' 1 (1993), Bratislava, p 13 (Slovak)
+
* [[Martin Šperka]], [[Media:Profil_1_(1993)_-_Počítačová_grafika_{{sk}}.pdf|"Autori o sebe: Interview so štyrmi pioniermi počítačovej grafiky v Čechách a na Slovensku"]], ''Profil'' 1 (1993), Bratislava, p 13 {{sk}}
−
* [[Media:Profil_1_(1993)_-_Počítačová_grafika_(Slovak).pdf|"Tri otázky pre Jana Sekala"]], ''Profil'' 1 (1993), Bratislava, p 16 (Slovak)
+
* [[Media:Profil_1_(1993)_-_Počítačová_grafika_{{sk}}.pdf|"Tri otázky pre Jana Sekala"]], ''Profil'' 1 (1993), Bratislava, p 16 {{sk}}
 
* [[Martin Šperka]], [[Media:Sperka_Martin_1994_The_Origins_of_Computer_Graphics_in_the_Czech_and_Slovak_Republics.pdf|"The Origins of Computer Graphics in the Czech and Slovak Republics"]], ''Leonardo'', Vol. 27, No. 1 (1994), pp. 45-50 [http://www.jstor.org/pss/1575949]
 
* [[Martin Šperka]], [[Media:Sperka_Martin_1994_The_Origins_of_Computer_Graphics_in_the_Czech_and_Slovak_Republics.pdf|"The Origins of Computer Graphics in the Czech and Slovak Republics"]], ''Leonardo'', Vol. 27, No. 1 (1994), pp. 45-50 [http://www.jstor.org/pss/1575949]
−
* [[Martin Šperka]], "Počítačové umenie - genéza a súčasnosť," ''Podoby súčasného umenia. Zborník prednášok o súčasnom výtvarnom umení a architektúre" (Bratislava, 1994) (Slovak)
+
* [[Martin Šperka]], "Počítačové umenie - genéza a súčasnosť," ''Podoby súčasného umenia. Zborník prednášok o súčasnom výtvarnom umení a architektúre" (Bratislava, 1994) {{sk}}
 
* [[Martin Šperka]], "Some notes on the history of electronic and computer art in Slovakia" 1996 [http://framework.v2.nl/archive/archive/node/text/default.xslt/nodenr-132419]
 
* [[Martin Šperka]], "Some notes on the history of electronic and computer art in Slovakia" 1996 [http://framework.v2.nl/archive/archive/node/text/default.xslt/nodenr-132419]
−
* [[Martin Šperka]] ''E_Mail_Art_1_2_3 - Počítačová grafika - výber z diel'', catalogue (Žilina: PGU, 1997) (Slovak)
+
* [[Martin Šperka]] ''E_Mail_Art_1_2_3 - Počítačová grafika - výber z diel'', catalogue (Žilina: PGU, 1997) {{sk}}
−
* [[Martin Šperka]], "Počítačová grafika," [[Jana Geržová]] ed., ''Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia'' (Bratislava: Profil, 1999) (Slovak)
+
* [[Martin Šperka]], "Počítačová grafika," [[Jana Geržová]] ed., ''Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia'' (Bratislava: Profil, 1999) {{sk}}
−
* [[Martin Šperka]], "Počítačové umenie," [[Jana Geržová]] ed., ''Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia'' (Bratislava: Profil, 1999) (Slovak)
+
* [[Martin Šperka]], "Počítačové umenie," [[Jana Geržová]] ed., ''Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia'' (Bratislava: Profil, 1999) {{sk}}
−
* [[Diana Majdáková]], [http://monoskop.org/images/1/1c/Majdakova%2C_Diana_%282008%2C_MA%29_-_Digitalny_obraz_v_slovenskom_vytvarnom_umeni_20.storocia_%28Slovak%29.pdf ''Digitálny obraz v slovenskom výtvarnom umení 20.storočia. Uplatnenie počítačovej grafiky a digitálnych technológií v tvorbe statického obrazu''], Diploma thesis, Katedra dejín výtvarného umenia, Filozofická fakulta, Univerzita Komenského v Bratislave, 2008. (Slovak)
+
* [[Diana Majdáková]], [http://monoskop.org/images/1/1c/Majdakova%2C_Diana_%282008%2C_MA%29_-_Digitalny_obraz_v_slovenskom_vytvarnom_umeni_20.storocia_%28Slovak%29.pdf ''Digitálny obraz v slovenskom výtvarnom umení 20.storočia. Uplatnenie počítačovej grafiky a digitálnych technológií v tvorbe statického obrazu''], Diploma thesis, Katedra dejín výtvarného umenia, Filozofická fakulta, Univerzita Komenského v Bratislave, 2008. {{sk}}
 
}}</onlyinclude>
 
}}</onlyinclude>
  
Line 885: Line 931:
 
===Poland===
 
===Poland===
 
<onlyinclude>{{#ifeq:{{{transcludesection|computerart-pl}}}|computerart-pl|
 
<onlyinclude>{{#ifeq:{{{transcludesection|computerart-pl}}}|computerart-pl|
−
* Gerard_Zieliński, [[Media:Zielinski_Gerard_1972_Zastosowania_komputerow_w_sztuce.pdf|''Zastosowania komputerów w sztuce'']], Warsaw: Computation Centre of the Polish Academy of Sciences, 1972, 15 pp. (Polish)
+
* Gerard_Zieliński, [[Media:Zielinski_Gerard_1972_Zastosowania_komputerow_w_sztuce.pdf|''Zastosowania komputerów w sztuce'']], Warsaw: Computation Centre of the Polish Academy of Sciences, 1972, 15 pp. {{pl}}
 
}}</onlyinclude>
 
}}</onlyinclude>
  
Line 930: Line 976:
 
<onlyinclude>{{#ifeq:{{{transcludesection|video-cz}}}|video-cz|
 
<onlyinclude>{{#ifeq:{{{transcludesection|video-cz}}}|video-cz|
 
* Michael Bielický, [http://www.sero.org/handshake/D/ostranenie/EEVideo/Prag.html "Praga Caput - Praga Caput Medii"].
 
* Michael Bielický, [http://www.sero.org/handshake/D/ostranenie/EEVideo/Prag.html "Praga Caput - Praga Caput Medii"].
−
* Miloš Vojtěchovský, [[Media:Vojtěchovský, Miloš (1992) - Nástin. Gary Hill a videopoetika.pdf|"Nástin: Gary Hill a videopoetika"]], ''Profil'' 14-15, 1992, pp 80-87 (Czech)
+
* Miloš Vojtěchovský, [[Media:Vojtěchovský, Miloš (1992) - Nástin. Gary Hill a videopoetika.pdf|"Nástin: Gary Hill a videopoetika"]], ''Profil'' 14-15, 1992, pp 80-87 {{cz}}
−
* Tomáš Bielický, "Praha – nová média – Akademie výtvarných umění", in: Ludvík Hlaváček, Marta Smolíková (eds.), ''Orbis Fictus''. Prague, Oswald, 1995, pp 157-161. (Czech)
+
* Tomáš Bielický, "Praha – nová média – Akademie výtvarných umění", in: Ludvík Hlaváček, Marta Smolíková (eds.), ''Orbis Fictus''. Prague, Oswald, 1995, pp 157-161. {{cz}}
−
* Radůz Činčera, "Kapitoly z pravěku interaktivity", in: Ludvík Hlaváček, Marta Smolíková (eds.), ''Orbis Fictus''. Prague, Oswald, 1995, pp 121-127. (Czech)
+
* Radůz Činčera, "Kapitoly z pravěku interaktivity", in: Ludvík Hlaváček, Marta Smolíková (eds.), ''Orbis Fictus''. Prague, Oswald, 1995, pp 121-127. {{cz}}
−
* Keiko Sei, "Po stopách médií", in: Ludvík Hlaváček, Marta Smolíková (eds.), ''Orbis Fictus''. Prague, Oswald, 1995, pp 141-157. (Czech)
+
* Keiko Sei, "Po stopách médií", in: Ludvík Hlaváček, Marta Smolíková (eds.), ''Orbis Fictus''. Prague, Oswald, 1995, pp 141-157. {{cz}}
−
* Marta Smolíková, "Svět vybájený a svět v obrazech", in: Ludvík Hlaváček, Marta Smolíková (eds.), ''Orbis Fictus''. Prague, Oswald, 1995, pp 161-169. (Czech)
+
* Marta Smolíková, "Svět vybájený a svět v obrazech", in: Ludvík Hlaváček, Marta Smolíková (eds.), ''Orbis Fictus''. Prague, Oswald, 1995, pp 161-169. {{cz}}
−
* Michal Bregant, Martin Čihák, "Skutečnější než realita". in: Josef Alan (ed.), ''Alternativní kultura'', Jihlava: Nakladatelství Lidové noviny, pp 421–443, 2001. (Czech)
+
* Michal Bregant, Martin Čihák, "Skutečnější než realita". in: Josef Alan (ed.), ''Alternativní kultura'', Jihlava: Nakladatelství Lidové noviny, pp 421–443, 2001. {{cz}}
 
* Bohunka Koklesová, [http://performance.ffa.vutbr.cz/cd/inner/sub/oumeni-a.htm "Video, Multimedia, Performance Studio - Tomas Ruller's Studio"], Bratislava: VŠVU, 2003 (English/Slovak)
 
* Bohunka Koklesová, [http://performance.ffa.vutbr.cz/cd/inner/sub/oumeni-a.htm "Video, Multimedia, Performance Studio - Tomas Ruller's Studio"], Bratislava: VŠVU, 2003 (English/Slovak)
−
* Lenka Dolanová, "Vstup pohyblivých obrazů do galerie", ''Iluminace'' Vol 15, No 4 (2003). (Czech)
+
* Lenka Dolanová, "Vstup pohyblivých obrazů do galerie", ''Iluminace'' Vol 15, No 4 (2003). {{cz}}
−
* Bohdana Kerbachová, "Počátky českého videoartu",''Iluminace'', Vol 18, No 2 (2006). (Czech)
+
* Bohdana Kerbachová, "Počátky českého videoartu",''Iluminace'', Vol 18, No 2 (2006). {{cz}}
−
* Martin Mazanec, [http://www.advojka.cz/archiv/2008/49/vyzkumny-projekt-cesky-videoart "Výzkumný projekt: český videoart"], ''A2'', No 49, 2008. (Czech)
+
* Martin Mazanec, [http://www.advojka.cz/archiv/2008/49/vyzkumny-projekt-cesky-videoart "Výzkumný projekt: český videoart"], ''A2'', No 49, 2008. {{cz}}
−
* Pavel Červinka, [http://is.muni.cz/th/144445/fss_b "Vznik a vývoj českého videoartu"], Bakalářská práce, Brno: Fakulta sociálních studií, Masarykova univerzita, 2008. (Czech)
+
* Pavel Červinka, [http://is.muni.cz/th/144445/fss_b "Vznik a vývoj českého videoartu"], Bakalářská práce, Brno: Fakulta sociálních studií, Masarykova univerzita, 2008. {{cz}}
−
* Jakub Čermák, [http://is.muni.cz/th/179106/ff_b/JAKUB_CERMAK_Vymezeni_pojmu__videoart__v_kontextech_ceske_vizualni_sceny.pdf "Vymezení pojmu 'videoart' v kontextech české vizuální scény"], Brno: Masaryk University, 2008. Bachelor thesis. (Czech)
+
* Jakub Čermák, [http://is.muni.cz/th/179106/ff_b/JAKUB_CERMAK_Vymezeni_pojmu__videoart__v_kontextech_ceske_vizualni_sceny.pdf "Vymezení pojmu 'videoart' v kontextech české vizuální scény"], Brno: Masaryk University, 2008. Bachelor thesis. {{cz}}
−
* Lenka Dolanová, [http://www.kosmas.cz/knihy/165977/steina-a-woody-vasulkovi/ ''Steina a Woody Vasulkovi: Dialog s démony nástrojů''], AMU, 2011. (Czech)
+
* Lenka Dolanová, [http://www.kosmas.cz/knihy/165977/steina-a-woody-vasulkovi/ ''Steina a Woody Vasulkovi: Dialog s démony nástrojů''], AMU, 2011. {{cz}}
 
}}</onlyinclude>
 
}}</onlyinclude>
  
 
===Slovakia===
 
===Slovakia===
 
<onlyinclude>{{#ifeq:{{{transcludesection|video-sk}}}|video-sk|
 
<onlyinclude>{{#ifeq:{{{transcludesection|video-sk}}}|video-sk|
−
*[[Miroslav Klivar]], "Videoumenie I, II" ''Výtvarníctvo, fotografia, film'' 4-5 (1987) (Slovak)
+
*[[Miroslav Klivar]], "Videoumenie I, II" ''Výtvarníctvo, fotografia, film'' 4-5 (1987) {{sk}}
 
*Radislav Matuštík ''Suterén'', catalogue (Bratislava: 1989)
 
*Radislav Matuštík ''Suterén'', catalogue (Bratislava: 1989)
−
*[[Katarína Rusnáková]], "Videoumenie," [[Jana Geržová]] ed., ''Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia'' (Bratislava: Profil, 1999) (Slovak)
+
*[[Katarína Rusnáková]], "Videoumenie," [[Jana Geržová]] ed., ''Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia'' (Bratislava: Profil, 1999) {{sk}}
−
*[[Katarína Rusnáková]], "Umenie videa," Zora Rusinová et al. ''Dejiny slovenského výtvarného umenia – 20. storočie'' (Bratislava: SNG, 2000) (Slovak)
+
*[[Katarína Rusnáková]], "Umenie videa," Zora Rusinová et al. ''Dejiny slovenského výtvarného umenia – 20. storočie'' (Bratislava: SNG, 2000) {{sk}}
 
}}</onlyinclude>
 
}}</onlyinclude>
 
<onlyinclude>{{#ifeq:{{{transcludesection|video-sk-90s}}}|video-sk-90s|
 
<onlyinclude>{{#ifeq:{{{transcludesection|video-sk-90s}}}|video-sk-90s|
−
*[[Peter Rónai]], [[Miroslav Nicz]] ed. ''Paralely'', catalogue (Nitra: Pedagogická fakulta, 1992) (Slovak)
+
*[[Peter Rónai]], [[Miroslav Nicz]] ed. ''Paralely'', catalogue (Nitra: Pedagogická fakulta, 1992) {{sk}}
 
*''Video vidím ich sehe'', catalogue (Žilina: PGU, 1994)
 
*''Video vidím ich sehe'', catalogue (Žilina: PGU, 1994)
 
*[[Jozef Cseres]] ''[[Miloš Štofko]]. Sieť'', catalogue (Žilina: PGU, 1995)
 
*[[Jozef Cseres]] ''[[Miloš Štofko]]. Sieť'', catalogue (Žilina: PGU, 1995)
 
*''[[Ilona Németh]]'', catalogue (Trnava: GJK, 1996)
 
*''[[Ilona Németh]]'', catalogue (Trnava: GJK, 1996)
 
*[[Katarína Rusnáková]] ''[[Peter Meluzin]]. Mouse Killer'' (Žilina: PGU, 1996)
 
*[[Katarína Rusnáková]] ''[[Peter Meluzin]]. Mouse Killer'' (Žilina: PGU, 1996)
−
*[[Katarína Rusnáková]] ''[[Jana Želibská]]. Výber z rokov 1966-1996'', catalogue (Žilina: PGU, 1997) (Slovak)
+
*[[Katarína Rusnáková]] ''[[Jana Želibská]]. Výber z rokov 1966-1996'', catalogue (Žilina: PGU, 1997) {{sk}}
−
*[[Katarína Rusnáková]] ''[[Peter Rónai]]. Videoantológia'' (Žilina: PGU, 1997) (Slovak)
+
*[[Katarína Rusnáková]] ''[[Peter Rónai]]. Videoantológia'' (Žilina: PGU, 1997) {{sk}}
 
*[[Gábor Hushegyi]] ''[[Ilona Németh]]. Inštalácie'', catalogue (Trnava: GJK, 2000)  
 
*[[Gábor Hushegyi]] ''[[Ilona Németh]]. Inštalácie'', catalogue (Trnava: GJK, 2000)  
 
*[[Miroslav Nicz]], [[Peter Rónai]] ed. ''Videojournal Barla'' (Mediaarchív, 2000) (English)
 
*[[Miroslav Nicz]], [[Peter Rónai]] ed. ''Videojournal Barla'' (Mediaarchív, 2000) (English)
−
* Jana Geržová: Interview with Juraj Čarný on Videoart+ international symposium. Profil 4/2000. [http://www.profil-art.sk/00_4/038_043.htm] (Slovak)
+
* Jana Geržová: Interview with Juraj Čarný on Videoart+ international symposium. Profil 4/2000. [http://www.profil-art.sk/00_4/038_043.htm] {{sk}}
 
*[[Gábor Hushegyi]] ''Ilona Németh'' (Bratislava: Kalligram, 2001). Translated from Hungarian by Chris Sullivan. ISBN 80-7149-410-0 [http://www.kalligram.sk/start.php?id=3&id_row=691&detail=1] (English)
 
*[[Gábor Hushegyi]] ''Ilona Németh'' (Bratislava: Kalligram, 2001). Translated from Hungarian by Chris Sullivan. ISBN 80-7149-410-0 [http://www.kalligram.sk/start.php?id=3&id_row=691&detail=1] (English)
 
*[[Gábor Hushegyi]] ''[[Emoke Vargová]]'', catalogue (Košice: Múzeum Vojtecha Löfflera, 2001)  
 
*[[Gábor Hushegyi]] ''[[Emoke Vargová]]'', catalogue (Košice: Múzeum Vojtecha Löfflera, 2001)  
Line 978: Line 1,024:
 
* Andrew J Horton, "Avant-garde Film and Video in Hungary" ''Central European Review'' (October 1998) [http://www.ce-review.org/kinoeye/kinoeye4old.html] (English)
 
* Andrew J Horton, "Avant-garde Film and Video in Hungary" ''Central European Review'' (October 1998) [http://www.ce-review.org/kinoeye/kinoeye4old.html] (English)
 
* Vera Bódy, "Magyar Video", 1987. ''Mediamatic Magazine'' Vol. 1#4 [http://www.mediamatic.net/page/18533/en]
 
* Vera Bódy, "Magyar Video", 1987. ''Mediamatic Magazine'' Vol. 1#4 [http://www.mediamatic.net/page/18533/en]
−
* Miklos Peternak, "Die neuen (kuenstlerischen) Medien und die ungarische Gesellschaft", (German), [http://web.archive.org/web/20020829190753/www.sero.org/handshake/D/ostranenie/EEVideo/Ungarn.html]
+
* Miklos Peternak, "Die neuen (kuenstlerischen) Medien und die ungarische Gesellschaft", {{de}}, [http://web.archive.org/web/20020829190753/www.sero.org/handshake/D/ostranenie/EEVideo/Ungarn.html]
 
}}</onlyinclude>
 
}}</onlyinclude>
  
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<onlyinclude>{{#ifeq:{{{transcludesection|video-pl}}}|video-pl|
 
<onlyinclude>{{#ifeq:{{{transcludesection|video-pl}}}|video-pl|
 
* R. W. Kluszczynski, "Avant-garde Film and Video in Poland. An Historical Outline", in: The Middle Of Europe. The festival of avant-garde films and video from Austria, Czecho-Slovakia, Hungary and Poland, Centre for Contemporary Art, Ujazdowski Castle, ed. R. W. Kluszczynski, Warsaw 1991, p. 52-73
 
* R. W. Kluszczynski, "Avant-garde Film and Video in Poland. An Historical Outline", in: The Middle Of Europe. The festival of avant-garde films and video from Austria, Czecho-Slovakia, Hungary and Poland, Centre for Contemporary Art, Ujazdowski Castle, ed. R. W. Kluszczynski, Warsaw 1991, p. 52-73
−
* Piotr Krajewski, "Video art w Polsce", ''Kino'', 1991, nr 11, p 11. (Polish)
+
* Piotr Krajewski, "Video art w Polsce", ''Kino'', 1991, nr 11, p 11. {{pl}}
 
* R. W. Kluszczynski, [http://www.mediascape.info/ms_zagreb/DATEN/public_html/1994/kluszynski.html "Video Art in Poland. An Historical Outline"], in ''Ostranenie. 1. International Video Festival at the Bauhaus Dessau'', catalogue edited by Inke Arns and E. Tharandt, pp 148-152.  
 
* R. W. Kluszczynski, [http://www.mediascape.info/ms_zagreb/DATEN/public_html/1994/kluszynski.html "Video Art in Poland. An Historical Outline"], in ''Ostranenie. 1. International Video Festival at the Bauhaus Dessau'', catalogue edited by Inke Arns and E. Tharandt, pp 148-152.  
 
* Ryszard W. Kluszczynski, Anatoly V. Prokhorov, [http://web.archive.org/web/20010504045128/www.sero.org/handshake/D/ostranenie/EEVideo/Polen.html "Video art in Poland. An historical outline"].
 
* Ryszard W. Kluszczynski, Anatoly V. Prokhorov, [http://web.archive.org/web/20010504045128/www.sero.org/handshake/D/ostranenie/EEVideo/Polen.html "Video art in Poland. An historical outline"].
Line 993: Line 1,039:
 
* Violetta Kutlubasis-Krajewska, Piotr Krajewski (eds.), [http://video.wrocenter.pl/media/pdf/WIDOK1_English_wrocenter.pl.pdf ''From Absolute Cinema to Future Film. Materials from the history of experiment in the moving picture art''], Wroclaw: WRO Art Center, 2009.
 
* Violetta Kutlubasis-Krajewska, Piotr Krajewski (eds.), [http://video.wrocenter.pl/media/pdf/WIDOK1_English_wrocenter.pl.pdf ''From Absolute Cinema to Future Film. Materials from the history of experiment in the moving picture art''], Wroclaw: WRO Art Center, 2009.
 
* Piotr Krajewski, Violetta Kutlubasis-Krajewska (eds.), [http://www.wrocenter.pl/en/publikacje/ukryta-dekada-publikacja/ ''The Hidden Decade. Polish Video Art 1985-1995''], Wroclaw: WRO Art Center, 2010, 336 pp + 4 DVD. (Polish/English)
 
* Piotr Krajewski, Violetta Kutlubasis-Krajewska (eds.), [http://www.wrocenter.pl/en/publikacje/ukryta-dekada-publikacja/ ''The Hidden Decade. Polish Video Art 1985-1995''], Wroclaw: WRO Art Center, 2010, 336 pp + 4 DVD. (Polish/English)
−
* [http://video.wrocenter.pl/media/pdf/acdcit_wrocenter.pl.pdf ''AC/DC/IT: Krótka historia instalacji wideo''], Wroclaw: WRO Art Center, 2012, 75 pp. Catalogue. (Polish) [http://www.wrocenter.pl/strony-wystaw/krotka-historia-instalacji-wideo/ Exhibition]
+
* [http://video.wrocenter.pl/media/pdf/acdcit_wrocenter.pl.pdf ''AC/DC/IT: Krótka historia instalacji wideo''], Wroclaw: WRO Art Center, 2012, 75 pp. Catalogue. {{pl}} [http://www.wrocenter.pl/strony-wystaw/krotka-historia-instalacji-wideo/ Exhibition]
 
}}</onlyinclude>
 
}}</onlyinclude>
  
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===Croatia===
 
===Croatia===
 
<onlyinclude>{{#ifeq:{{{transcludesection|video-cr}}}|video-cr|
 
<onlyinclude>{{#ifeq:{{{transcludesection|video-cr}}}|video-cr|
−
* [[Heiko Daxl]], "Film and Video-art in Croatia. Fragmentary Sketches of a History and a Description of the Status Quo", August 1993. [http://www.mediascape.info/ms_zagreb/DATEN/public_html/1994/crovideo.html (English)], [http://web.archive.org/web/20030310175657/http://sero.org/handshake/D/ostranenie/EEVideo/Kroatien.html (German)]
+
* [[Heiko Daxl]], "Film and Video-art in Croatia. Fragmentary Sketches of a History and a Description of the Status Quo", August 1993. [http://www.mediascape.info/ms_zagreb/DATEN/public_html/1994/crovideo.html (English)], [http://web.archive.org/web/20030310175657/http://sero.org/handshake/D/ostranenie/EEVideo/Kroatien.html {{de}}]
 
* [[Tihomir Milovac]] (ed.): ''Insert / Retrospective of Croatian Video Art'', MSU: Zagreb, 2008. The publication is a follow-up of the museum’s 2005 retrospective and presents the works of some one hundred video artists on 360 pages with 466 reproductions, in Croatian and English. Authors: Tihomir Milovac, Silva Kalčić, Antonija Majača, Branko Franceschi. [http://www.msu.hr/#/en/18057/]
 
* [[Tihomir Milovac]] (ed.): ''Insert / Retrospective of Croatian Video Art'', MSU: Zagreb, 2008. The publication is a follow-up of the museum’s 2005 retrospective and presents the works of some one hundred video artists on 360 pages with 466 reproductions, in Croatian and English. Authors: Tihomir Milovac, Silva Kalčić, Antonija Majača, Branko Franceschi. [http://www.msu.hr/#/en/18057/]
 
* Andrew J Horton, "Avant-garde Film and Video in Croatia" ''Central European Review'' (November 1998) [http://www.ce-review.org/kinoeye/kinoeye6old.html] (English)
 
* Andrew J Horton, "Avant-garde Film and Video in Croatia" ''Central European Review'' (November 1998) [http://www.ce-review.org/kinoeye/kinoeye6old.html] (English)
Line 1,042: Line 1,088:
 
===Macedonia===
 
===Macedonia===
 
<onlyinclude>{{#ifeq:{{{transcludesection|video-md}}}|video-md|
 
<onlyinclude>{{#ifeq:{{{transcludesection|video-md}}}|video-md|
−
* "Videokunst in Mazedonien", (German), [http://web.archive.org/web/20020829185734/www.sero.org/handshake/D/ostranenie/EEVideo/Mazedonien.html]
+
* "Videokunst in Mazedonien", {{de}}, [http://web.archive.org/web/20020829185734/www.sero.org/handshake/D/ostranenie/EEVideo/Mazedonien.html]
 
}}</onlyinclude>
 
}}</onlyinclude>
  
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<onlyinclude>{{#ifeq:{{{transcludesection|video-ro}}}|video-ro|
 
<onlyinclude>{{#ifeq:{{{transcludesection|video-ro}}}|video-ro|
 
* Calin Dan (ed.), ''Ex Oriente Lux'', Bucharest: The Soros Center for Contemporary Arts, 1994. (catalogue)
 
* Calin Dan (ed.), ''Ex Oriente Lux'', Bucharest: The Soros Center for Contemporary Arts, 1994. (catalogue)
−
* "Videokunst in Rumänien", (German), [http://web.archive.org/web/20031117122520/www.sero.org/handshake/D/ostranenie/EEVideo/Rumaenien.html]
+
* "Videokunst in Rumänien", {{de}}, [http://web.archive.org/web/20031117122520/www.sero.org/handshake/D/ostranenie/EEVideo/Rumaenien.html]
 
* [[Natalie Musteata]], "Wired to History: Romanian and Lithuanian Video Art Post-1989", PhD Program in Art History, CUNY Graduate Center, 2010. [http://www.formerwest.org/attachments/4c4621db45d8bb03290001c6.doc]
 
* [[Natalie Musteata]], "Wired to History: Romanian and Lithuanian Video Art Post-1989", PhD Program in Art History, CUNY Graduate Center, 2010. [http://www.formerwest.org/attachments/4c4621db45d8bb03290001c6.doc]
 
}}</onlyinclude>
 
}}</onlyinclude>
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===Bulgaria===
 
===Bulgaria===
 
<onlyinclude>{{#ifeq:{{{transcludesection|video-bg}}}|video-bg|
 
<onlyinclude>{{#ifeq:{{{transcludesection|video-bg}}}|video-bg|
−
* Auszuege aus Rossen Milev, "Video in Osteuropa", Balkan Media, Sofia (Bulgarien) 1993, (German) [http://web.archive.org/web/20031117120743/www.sero.org/handshake/D/ostranenie/EEVideo/Bulgarien.html]
+
* Auszuege aus Rossen Milev, "Video in Osteuropa", Balkan Media, Sofia (Bulgarien) 1993, {{de}} [http://web.archive.org/web/20031117120743/www.sero.org/handshake/D/ostranenie/EEVideo/Bulgarien.html]
 
* Rossen Milev, ''Video in Osteuropa'', Balkanmedia, Sofia 1993
 
* Rossen Milev, ''Video in Osteuropa'', Balkanmedia, Sofia 1993
 
** Review by Geert Lovink, "Video in Osteuropa, Rossen Milev", in: Mediamatic, Vol. 7 # _, 1994, p. 342.
 
** Review by Geert Lovink, "Video in Osteuropa, Rossen Milev", in: Mediamatic, Vol. 7 # _, 1994, p. 342.
Line 1,119: Line 1,165:
 
* ''Lanterna magika: nouvelles technologies dans l’art tchèque du XXe siècle = New technologies in Czech art of the 20th century'', catalogue, Praha: KANT, 2002. — 261 p. — ISBN 8086217361. Includes timeline on media arts in the Czech Republic since 1920. [http://www.fondation-langlois.org/html/e/page.php?NumPage=140]
 
* ''Lanterna magika: nouvelles technologies dans l’art tchèque du XXe siècle = New technologies in Czech art of the 20th century'', catalogue, Praha: KANT, 2002. — 261 p. — ISBN 8086217361. Includes timeline on media arts in the Czech Republic since 1920. [http://www.fondation-langlois.org/html/e/page.php?NumPage=140]
 
* "Nová média" ''Teorie vědy'' 2 (2002)
 
* "Nová média" ''Teorie vědy'' 2 (2002)
−
* [[Denisa Kera]], "Utopická média - Internet a rádio" ''3/4 revue'' 16 (2003) pp. 70-75 (Czech)
+
* [[Denisa Kera]], "Utopická média - Internet a rádio" ''3/4 revue'' 16 (2003) pp. 70-75 {{cz}}
−
* [[Denisa Kera]], "Anarchi_tekt" ''3/4 revue'' 15 (2003) (Czech)
+
* [[Denisa Kera]], "Anarchi_tekt" ''3/4 revue'' 15 (2003) {{cz}}
 
* "Archeologie interaktivity" ''Teorie vědy'' 2 (2004)
 
* "Archeologie interaktivity" ''Teorie vědy'' 2 (2004)
 
* Světlana Hejsková ''Internet jako umělecké prostředí (nejen) pro ženy. Net art: ženy-tvůrkyně a ženy-objekty''. Dissertation. Consultant: Jiřina Salaguardová. (Brno: Masarykova univerzita, Fakulta sociálních studií, Katedra mediálních studií a žurnalistiky, 2003)  
 
* Světlana Hejsková ''Internet jako umělecké prostředí (nejen) pro ženy. Net art: ženy-tvůrkyně a ženy-objekty''. Dissertation. Consultant: Jiřina Salaguardová. (Brno: Masarykova univerzita, Fakulta sociálních studií, Katedra mediálních studií a žurnalistiky, 2003)  
 
* František Kůst ''Estetické strategie nových médií'' Master thesis. Consultant: David Kořínek. (Brno: Masarykova univerzita, Fakulta sociálních studií, Katedra mediálních studií a žurnalistiky, 2003)
 
* František Kůst ''Estetické strategie nových médií'' Master thesis. Consultant: David Kořínek. (Brno: Masarykova univerzita, Fakulta sociálních studií, Katedra mediálních studií a žurnalistiky, 2003)
−
* Jana Geržová, "Rozhovor s Michaelom Bielickým", ''Profil'' 4, 2004, pp 88-90 (Slovak) [[Media:Geržová,_Jana_(2004)_-_Rozhovor_s_Michaelom_Bielickým.pdf|PDF]]
+
* Jana Geržová, "Rozhovor s Michaelom Bielickým", ''Profil'' 4, 2004, pp 88-90 {{sk}} [[Media:Geržová,_Jana_(2004)_-_Rozhovor_s_Michaelom_Bielickým.pdf|PDF]]
 
* Jana Kadeřábková ''Nová média a příběh v současné kinematografii'' Master thesis. Consultant: David Kořínek. (Brno: Masarykova univerzita, Fakulta sociálních studií, Katedra mediálních studií a žurnalistiky, 2006) [http://is.muni.cz/th/103899/fss_m/]
 
* Jana Kadeřábková ''Nová média a příběh v současné kinematografii'' Master thesis. Consultant: David Kořínek. (Brno: Masarykova univerzita, Fakulta sociálních studií, Katedra mediálních studií a žurnalistiky, 2006) [http://is.muni.cz/th/103899/fss_m/]
 
* Slávo Krekovič a Pavel Sedlák, "Má pojem nová média dnes ještě co říci?", in: ''Literární noviny'' 31 (2007). [http://www.literarky.cz/index_o.php?p=clanek&id=4059&rok=2007&cislo=31]
 
* Slávo Krekovič a Pavel Sedlák, "Má pojem nová média dnes ještě co říci?", in: ''Literární noviny'' 31 (2007). [http://www.literarky.cz/index_o.php?p=clanek&id=4059&rok=2007&cislo=31]
−
* František Zachoval, "Hacking art", ''Flash Art'' 9, July-October 2008. (Czech) [[Media:Zachoval, František (2008) - Hacking art.pdf|PDF]]
+
* František Zachoval, "Hacking art", ''Flash Art'' 9, July-October 2008. {{cz}} [[Media:Zachoval, František (2008) - Hacking art.pdf|PDF]]
−
* Lucia Udvardyová, "Ciant", ''Flash Art'' 9, July-October 2008. (Czech) [[Media:Udvardyová, Lucia (2008) - Ciant.pdf|PDF]]
+
* Lucia Udvardyová, "Ciant", ''Flash Art'' 9, July-October 2008. {{cz}} [[Media:Udvardyová, Lucia (2008) - Ciant.pdf|PDF]]
−
* Pavel Sedlák, "Umění z kráteru", ''Flash Art'' 9, July-October 2008. (Czech) [[Media:Sedlák, Pavel (2008) - Umění z kráteru.pdf|PDF]]
+
* Pavel Sedlák, "Umění z kráteru", ''Flash Art'' 9, July-October 2008. {{cz}} [[Media:Sedlák, Pavel (2008) - Umění z kráteru.pdf|PDF]]
 
* Barbara Büscher, Jana Horáková (eds.), ''Imaginary spaces: prostor - média - performance / Raum - Medien - Performance'', Praha: KLP-Koniasch Latin Press, 2008. [http://vp.ngprague.cz:8088/zaznam.php?detail_num=25270&vers=1]
 
* Barbara Büscher, Jana Horáková (eds.), ''Imaginary spaces: prostor - média - performance / Raum - Medien - Performance'', Praha: KLP-Koniasch Latin Press, 2008. [http://vp.ngprague.cz:8088/zaznam.php?detail_num=25270&vers=1]
 
* [http://tim09.blog.cz/rubrika/1-1-umeni-novych-medii-v-byvalem-ceskoslovensku-a-v-ceske-republice-po-roce-1989 Umění nových médií v bývalém Československu a v České republice po roce 1989], blog kurzu Teorie interaktivních médií, Brno, 2009
 
* [http://tim09.blog.cz/rubrika/1-1-umeni-novych-medii-v-byvalem-ceskoslovensku-a-v-ceske-republice-po-roce-1989 Umění nových médií v bývalém Československu a v České republice po roce 1989], blog kurzu Teorie interaktivních médií, Brno, 2009
−
* Martin Flašar, Jana Horáková, Petr Macek et al, ''Umění a nová média'', Brno: Masarykova univerzita, 2011 (Czech). [http://www.muni.cz/press/books/umeni_media?lang=cs]
+
* Martin Flašar, Jana Horáková, Petr Macek et al, ''Umění a nová média'', Brno: Masarykova univerzita, 2011 {{cz}}. [http://www.muni.cz/press/books/umeni_media?lang=cs]
−
* Tomáš Raszka, [http://is.muni.cz/th/262152/ff_m_a2/Diplomova_prace.pdf "Institucionalizace umění nových médií v České republice v letech 1989 - 2005"], Brno: Masaryk University, 2012. Diploma thesis. (Czech)
+
* Tomáš Raszka, [http://is.muni.cz/th/262152/ff_m_a2/Diplomova_prace.pdf "Institucionalizace umění nových médií v České republice v letech 1989 - 2005"], Brno: Masaryk University, 2012. Diploma thesis. {{cz}}
 
}}</onlyinclude>
 
}}</onlyinclude>
  
 
===Slovakia===
 
===Slovakia===
 
<onlyinclude>{{#ifeq:{{{transcludesection|newmedia-sk}}}|newmedia-sk|
 
<onlyinclude>{{#ifeq:{{{transcludesection|newmedia-sk}}}|newmedia-sk|
−
*[[Michal Murin]] (ed.), [[Media:Profil_1_%281993%29_-_Počítačová_grafika_%28Slovak%29.pdf|Tematické číslo časopisu Profil]], ''Profil'' 1 (1993) pp 1-20 (Slovak)
+
*[[Michal Murin]] (ed.), [[Media:Profil_1_%281993%29_-_Počítačová_grafika_%28Slovak%29.pdf|Tematické číslo časopisu Profil]], ''Profil'' 1 (1993) pp 1-20 {{sk}}
−
*[[Martin Šperka]], [[Media:Profil_1_(1993)_-_Počítačová_grafika_(Slovak).pdf|"Počítače na školách"]], ''Profil'' 1 (1993), Bratislava, p 14 (Slovak)
+
*[[Martin Šperka]], [[Media:Profil_1_(1993)_-_Počítačová_grafika_{{sk}}.pdf|"Počítače na školách"]], ''Profil'' 1 (1993), Bratislava, p 14 {{sk}}
−
*Juraj Németh, [[Media:Profil_1_(1993)_-_Počítačová_grafika_(Slovak).pdf|"Multimédiá alebo prezentácia umenia po novom"]], ''Profil'' 1 (1993), Bratislava, p 15 (Slovak)
+
*Juraj Németh, [[Media:Profil_1_(1993)_-_Počítačová_grafika_{{sk}}.pdf|"Multimédiá alebo prezentácia umenia po novom"]], ''Profil'' 1 (1993), Bratislava, p 15 {{sk}}
−
*[[Martin Šperka]] "Počítače na VŠVU" ''Projekt'' 4 (1993) pp. 46-47 (Slovak)
+
*[[Martin Šperka]] "Počítače na VŠVU" ''Projekt'' 4 (1993) pp. 46-47 {{sk}}
−
*[[Martin Šperka]], "Elektronické umenie," [[Jana Geržová]] ed., ''Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia'' (Bratislava: Profil, 1999) (Slovak)
+
*[[Martin Šperka]], "Elektronické umenie," [[Jana Geržová]] ed., ''Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia'' (Bratislava: Profil, 1999) {{sk}}
−
*[[Martin Šperka]], "Multimédiá," [[Jana Geržová]] ed., ''Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia'' (Bratislava: Profil, 1999) (Slovak)
+
*[[Martin Šperka]], "Multimédiá," [[Jana Geržová]] ed., ''Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia'' (Bratislava: Profil, 1999) {{sk}}
−
*[[Michal Murin]], "Nové technológie v slovenskom umení alebo vyhoďme sa z kola von", ''Almanach 98'' (Bratislava: SCCA, 1999) [http://monoskop.org/Nov%C3%A9_technol%C3%B3gie_v_slovenskom_umen%C3%AD_alebo_vyho%C4%8Fme_sa_z_kola_von] (Slovak)
+
*[[Michal Murin]], "Nové technológie v slovenskom umení alebo vyhoďme sa z kola von", ''Almanach 98'' (Bratislava: SCCA, 1999) [http://monoskop.org/Nov%C3%A9_technol%C3%B3gie_v_slovenskom_umen%C3%AD_alebo_vyho%C4%8Fme_sa_z_kola_von] {{sk}}
 
*Monika Mitášová, Martin Kaňuch, Peter Michalovič, Jozef Cseres (eds.), ''Almanach 98 : Texty o filme... filozofii... hudbe... a výtvarnom umení'', Bratislava: SCCA, 1999. 186 pp. ISBN 80-968089-1-5 [http://proxy.ceit.sk/cgi-webisnt/fu.wis?dbn^t4000=kniznicaaspekt&gizmo^t4001=aw-1250&jump^t4501=generic&db^t4700=gen&lang^t4902=SK&name^t4903=kniznicaaspekt&ctl^t4921=GA&thead1^t4922=class=tabulka1%20BORDER=1%20CELLSPACING=1%20CELLPADDING=6&thead2^t4923=ALIGN=CENTER%20VALIGN=TOP&battr^t4930=bgcolor=white&tfattr^t4932=class=intro&metaex^t4940=LINK%20href=/webisnt/custom/aspekt/styl.css%20type=text/css%20rel=StyleSheet&TYPE^t4901=G&h1=1&search=ID=CNV0200203190990]
 
*Monika Mitášová, Martin Kaňuch, Peter Michalovič, Jozef Cseres (eds.), ''Almanach 98 : Texty o filme... filozofii... hudbe... a výtvarnom umení'', Bratislava: SCCA, 1999. 186 pp. ISBN 80-968089-1-5 [http://proxy.ceit.sk/cgi-webisnt/fu.wis?dbn^t4000=kniznicaaspekt&gizmo^t4001=aw-1250&jump^t4501=generic&db^t4700=gen&lang^t4902=SK&name^t4903=kniznicaaspekt&ctl^t4921=GA&thead1^t4922=class=tabulka1%20BORDER=1%20CELLSPACING=1%20CELLPADDING=6&thead2^t4923=ALIGN=CENTER%20VALIGN=TOP&battr^t4930=bgcolor=white&tfattr^t4932=class=intro&metaex^t4940=LINK%20href=/webisnt/custom/aspekt/styl.css%20type=text/css%20rel=StyleSheet&TYPE^t4901=G&h1=1&search=ID=CNV0200203190990]
−
*[[Martin Šperka]], "Virtuálna realita," [[Jana Geržová]] ed., ''Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia'' (Bratislava: Profil, 1999) (Slovak)
+
*[[Martin Šperka]], "Virtuálna realita," [[Jana Geržová]] ed., ''Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia'' (Bratislava: Profil, 1999) {{sk}}
−
*[[Katarína Rusnáková]], "Postfotografia," [[Jana Geržová]] ed., ''Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia'' (Bratislava: Profil, 1999) (Slovak)
+
*[[Katarína Rusnáková]], "Postfotografia," [[Jana Geržová]] ed., ''Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia'' (Bratislava: Profil, 1999) {{sk}}
−
*[[Michal Murin]] (ed.), Tematické číslo časopisu Profil, ''Profil'' 4 (2000) pp 4-73 (Slovak)
+
*[[Michal Murin]] (ed.), Tematické číslo časopisu Profil, ''Profil'' 4 (2000) pp 4-73 {{sk}}
−
*[[Slávo Krekovič]], "Net radio.. net.audio" ''Trištvrte revue'' 5-6 (2000) (Slovak)
+
*[[Slávo Krekovič]], "Net radio.. net.audio" ''Trištvrte revue'' 5-6 (2000) {{sk}}
−
* Jana Geržová, "Intermédiá a (alebo) multimédiá?", ''Profil'' 4, 2000, pp 64-65 (Slovak) [[Media:Daniels,_Dieter_(2000)_-_Nové_médiá.pdf|PDF]] [http://web.archive.org/web/20030714093943/http://profil-art.sk/00_4/064_065.htm] (Slovak)
+
* Jana Geržová, "Intermédiá a (alebo) multimédiá?", ''Profil'' 4, 2000, pp 64-65 {{sk}} [[Media:Daniels,_Dieter_(2000)_-_Nové_médiá.pdf|PDF]] [http://web.archive.org/web/20030714093943/http://profil-art.sk/00_4/064_065.htm] {{sk}}
 
*[[Michal Murin]], [[Media:Murin_Michal_2000_Nove_media.pdf|"Nové médiá"]], ''Profil'' 4 (2000) pp. 4-5. [http://web.archive.org/web/20030714093943/http://profil-art.sk/00_4/004_005.htm]  
 
*[[Michal Murin]], [[Media:Murin_Michal_2000_Nove_media.pdf|"Nové médiá"]], ''Profil'' 4 (2000) pp. 4-5. [http://web.archive.org/web/20030714093943/http://profil-art.sk/00_4/004_005.htm]  
−
*Zora Rusinová, "Objekt v multimediálnych kontextoch" Zora Rusinová et al. ''Dejiny slovenského výtvarného umenia – 20. storočie'' (Bratislava: SNG, 2000) (Slovak)
+
*Zora Rusinová, "Objekt v multimediálnych kontextoch" Zora Rusinová et al. ''Dejiny slovenského výtvarného umenia – 20. storočie'' (Bratislava: SNG, 2000) {{sk}}
−
*[[Dušan Barok]], "Net.art. Internet ako umelecké médium" ''3/4 revue'' 1 (2001) pp. 22-24. [http://34.sk/text.php?text=3-11] (Slovak)
+
*[[Dušan Barok]], "Net.art. Internet ako umelecké médium" ''3/4 revue'' 1 (2001) pp. 22-24. [http://34.sk/text.php?text=3-11] {{sk}}
−
*[[Juraj Čarný]], "Topical Status of Contemporary Media Arts in Slovakia" ''Conceptual Art at the Turn of Millennium'' (Budapest-Bratislava: AICA Section Hungary, Slovak Section of AICA, 2002) pp. 94-112 (Slovak)
+
*[[Juraj Čarný]], "Topical Status of Contemporary Media Arts in Slovakia" ''Conceptual Art at the Turn of Millennium'' (Budapest-Bratislava: AICA Section Hungary, Slovak Section of AICA, 2002) pp. 94-112 {{sk}}
−
*[[Miloš Vojtěchovský]], "Umenie a elektronické technológie," Karel Císař, Josef Čermák, Terezie Petišková ed., ''Dejiny umenia 12'' (Bratislava: Ikar, 2002) (Slovak)
+
*[[Miloš Vojtěchovský]], "Umenie a elektronické technológie," Karel Císař, Josef Čermák, Terezie Petišková ed., ''Dejiny umenia 12'' (Bratislava: Ikar, 2002) {{sk}}
 
*[[Juraj Čarný]], "Aktuálne postavenie súčasného mediálneho umenia na Slovensku" ''Conceptual Art at the Turn of Millennium'' (Budapest-Bratislava: AICA Section Hungary, Slovak Section of AICA, 2002) pp. 95-113 (English)
 
*[[Juraj Čarný]], "Aktuálne postavenie súčasného mediálneho umenia na Slovensku" ''Conceptual Art at the Turn of Millennium'' (Budapest-Bratislava: AICA Section Hungary, Slovak Section of AICA, 2002) pp. 95-113 (English)
−
*[[Jozef Cseres]], "Interaktívnym umením za novú senzibilitu" ''Dart'' 10 (2003) (Slovak)
+
*[[Jozef Cseres]], "Interaktívnym umením za novú senzibilitu" ''Dart'' 10 (2003) {{sk}}
 
*[[Mária Rišková]] et al., ''New Media Nation. Festival of Festivals'', catalogue (Bratislava: Buryzone, 2003) (Slovak and English)
 
*[[Mária Rišková]] et al., ''New Media Nation. Festival of Festivals'', catalogue (Bratislava: Buryzone, 2003) (Slovak and English)
 
*[[Michaela Sečanská]], "Elektronické umenie na Slovensku po roku 1990", Trnava: Trnavská univerzita, Fakulta humanistiky, Katedra dejín umenia a kultúry, 2004. Master thesis. Consultant: Zora Rusinová.
 
*[[Michaela Sečanská]], "Elektronické umenie na Slovensku po roku 1990", Trnava: Trnavská univerzita, Fakulta humanistiky, Katedra dejín umenia a kultúry, 2004. Master thesis. Consultant: Zora Rusinová.
−
*[[Michal Murin]], "Od utópií cez virtualitu k digitálnej realite" ''Profil'' 2 (2004) pp. 80–94. [http://web.archive.org/web/20080205144108/http://www.radioart.sk/avr/visuopage.php?id=125] (Slovak)
+
*[[Michal Murin]], "Od utópií cez virtualitu k digitálnej realite" ''Profil'' 2 (2004) pp. 80–94. [http://web.archive.org/web/20080205144108/http://www.radioart.sk/avr/visuopage.php?id=125] {{sk}}
 
*[[Miloš Krekovič]], "Internetové umenie", master thesis (2005)
 
*[[Miloš Krekovič]], "Internetové umenie", master thesis (2005)
 
*[[Katarína Rusnáková]], "The Correlation of Image and Text in Contemporary Media Art" ''Human Affairs'' 1 (2005) pp 35-44
 
*[[Katarína Rusnáková]], "The Correlation of Image and Text in Contemporary Media Art" ''Human Affairs'' 1 (2005) pp 35-44
−
*[[Katarína Rusnáková]] (ed.), [http://monoskop.org/log/?p=6127 ''V toku pohyblivých obrazov. Antológia textov o elektronickom a digitálnom umení v kontexte vizuálnej kultúry''] (Bratislava: AFAD Press, 2005) (Slovak)
+
*[[Katarína Rusnáková]] (ed.), [http://monoskop.org/log/?p=6127 ''V toku pohyblivých obrazov. Antológia textov o elektronickom a digitálnom umení v kontexte vizuálnej kultúry''] (Bratislava: AFAD Press, 2005) {{sk}}
−
*[[Katarína Rusnáková]], ''História a teória mediálneho umenia na Slovensku'' (Bratislava: AFAD Press, 2006), with DVD (Slovak)
+
*[[Katarína Rusnáková]], ''História a teória mediálneho umenia na Slovensku'' (Bratislava: AFAD Press, 2006), with DVD {{sk}}
 
*[[Magdaléna Kobzová]] (ed.), ''Multiplace 2007'', catalogue (Bratislava: Multiplace, 2007)
 
*[[Magdaléna Kobzová]] (ed.), ''Multiplace 2007'', catalogue (Bratislava: Multiplace, 2007)
 
* Slávo Krekovič a Pavel Sedlák, "Má pojem nová média dnes ještě co říci?", in: ''Literární noviny'' 31 (2007). [http://www.literarky.cz/index_o.php?p=clanek&id=4059&rok=2007&cislo=31]
 
* Slávo Krekovič a Pavel Sedlák, "Má pojem nová média dnes ještě co říci?", in: ''Literární noviny'' 31 (2007). [http://www.literarky.cz/index_o.php?p=clanek&id=4059&rok=2007&cislo=31]
 
* Miloš Štofko, ''Od abstrakcie po živé umenie: Slovník pojmov moderného a postmoderného umenia'', Slovart, 2007. [http://www.martinus.sk/?uItem=40673]
 
* Miloš Štofko, ''Od abstrakcie po živé umenie: Slovník pojmov moderného a postmoderného umenia'', Slovart, 2007. [http://www.martinus.sk/?uItem=40673]
 
* [[Martin Beťko]], "Hysteria.sk a Kyberia.sk – sonda do virtuálnej komunity", Brno: Masarykova Univerzita v Brně, Fakulta sociálních studií, Katedra mediálních studií a žurnalistiky. Consultant: David Kořínek, 2008. Master thesis. [http://is.muni.cz/th/51254/fss_m/]
 
* [[Martin Beťko]], "Hysteria.sk a Kyberia.sk – sonda do virtuálnej komunity", Brno: Masarykova Univerzita v Brně, Fakulta sociálních studií, Katedra mediálních studií a žurnalistiky. Consultant: David Kořínek, 2008. Master thesis. [http://is.muni.cz/th/51254/fss_m/]
−
* Ivana Madariová, "Festival ako sociálny experiment", ''Flash Art'' 9, July-October 2008. (Slovak) [[Media:Madariová, Ivana (2008) - Festival ako sociálny experiment.pdf|PDF]]
+
* Ivana Madariová, "Festival ako sociálny experiment", ''Flash Art'' 9, July-October 2008. {{sk}} [[Media:Madariová, Ivana (2008) - Festival ako sociálny experiment.pdf|PDF]]
−
* Jan Rylich, "Ivor Diosi", ''Flash Art'' 9, July-October 2008. (Czech) [[Media:Rylich, Jan (2008) - Ivor Diosi.pdf|PDF]]
+
* Jan Rylich, "Ivor Diosi", ''Flash Art'' 9, July-October 2008. {{cz}} [[Media:Rylich, Jan (2008) - Ivor Diosi.pdf|PDF]]
−
* Diana Olčáková, [[Media:Olčáková,_Diana_(2008)_-_Michal_Murin_(Slovak).pdf|"Michal Murin"]], ''Vlna'' 37 (2008), pp 8-18 (Slovak)
+
* Diana Olčáková, [[Media:Olčáková,_Diana_(2008)_-_Michal_Murin_{{sk}}.pdf|"Michal Murin"]], ''Vlna'' 37 (2008), pp 8-18 {{sk}}
−
* Mária Rišková, [[Media:Rišková, Mária (2008) - Agónia a extáza nových médií.pdf|"Agónia a extáza nových médií"]], ''Flash Art'' 9, July-October 2008. (Slovak)
+
* Mária Rišková, [[Media:Rišková, Mária (2008) - Agónia a extáza nových médií.pdf|"Agónia a extáza nových médií"]], ''Flash Art'' 9, July-October 2008. {{sk}}
 
* [[Zuzana Husárová]], "Písanie v interaktívnych médiách. Digitálna fikcia", Bratislava: Ústav svetovej literatúry Slovenskej akadémie vied v Bratislave, 2009. Consultant: Bogumiła Suwara. Doctoral thesis. [http://monoskop.org/log/?p=523]
 
* [[Zuzana Husárová]], "Písanie v interaktívnych médiách. Digitálna fikcia", Bratislava: Ústav svetovej literatúry Slovenskej akadémie vied v Bratislave, 2009. Consultant: Bogumiła Suwara. Doctoral thesis. [http://monoskop.org/log/?p=523]
−
* Jozef Cseres, Michal Murin (eds.), ''Od analógového k digitálnemu. Nové pohľady na nové umenia v audiovizuálnom veku'', Fakulta výtvarných umení, Akadémia umení v Banskej Bystrici, 2011. (Slovak) [http://www.scribd.com/doc/40002550/Cseres-Murin-eds-Od-analogoveho-k-digitalnemu-Nove-poh%C4%BEady-na-nove-umenia-v-AV-veku-2010-excerpt]
+
* Jozef Cseres, Michal Murin (eds.), ''Od analógového k digitálnemu. Nové pohľady na nové umenia v audiovizuálnom veku'', Fakulta výtvarných umení, Akadémia umení v Banskej Bystrici, 2011. {{sk}} [http://www.scribd.com/doc/40002550/Cseres-Murin-eds-Od-analogoveho-k-digitalnemu-Nove-poh%C4%BEady-na-nove-umenia-v-AV-veku-2010-excerpt]
−
*[[Katarína Rusnáková]], ''Rozšírené spôsoby diváckej recepcie digitálneho umenia'', Fakulta výtvarných umení, Akadémia umení v Banskej Bystrici, 2011. (Slovak) [http://www.scribd.com/doc/76226811/Katarina-Rusnakova-Roz%C5%A1irene-sposoby-divackej-recepcie-digitalneho-umenia-2011-uka%C5%BEka]
+
*[[Katarína Rusnáková]], ''Rozšírené spôsoby diváckej recepcie digitálneho umenia'', Fakulta výtvarných umení, Akadémia umení v Banskej Bystrici, 2011. {{sk}} [http://www.scribd.com/doc/76226811/Katarina-Rusnakova-Roz%C5%A1irene-sposoby-divackej-recepcie-digitalneho-umenia-2011-uka%C5%BEka]
 
}}</onlyinclude>
 
}}</onlyinclude>
 
; Digital prints
 
; Digital prints
 
<onlyinclude>{{#ifeq:{{{transcludesection|digitalprints-sk}}}|digitalprints-sk|
 
<onlyinclude>{{#ifeq:{{{transcludesection|digitalprints-sk}}}|digitalprints-sk|
−
* [[Michal Murin]]: Digital Male. Central European project of Exhibition of digital prints.  Interview with Michal Boďa. In: Profil 4/2000. [http://www.profil-art.sk/00_4/070_073.htm] (Slovak)
+
* [[Michal Murin]]: Digital Male. Central European project of Exhibition of digital prints.  Interview with Michal Boďa. In: Profil 4/2000. [http://www.profil-art.sk/00_4/070_073.htm] {{sk}}
 
* Zuzana Habšudová, "What have computers got to do with classic art?", In: ''The Slovak Spectator''. October 2002. [http://www.slovakspectator.sk/clanok.asp?cl=10664]
 
* Zuzana Habšudová, "What have computers got to do with classic art?", In: ''The Slovak Spectator''. October 2002. [http://www.slovakspectator.sk/clanok.asp?cl=10664]
 
}}</onlyinclude>
 
}}</onlyinclude>
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===Hungary===
 
===Hungary===
 
<onlyinclude>{{#ifeq:{{{transcludesection|newmedia-hu}}}|newmedia-hu|
 
<onlyinclude>{{#ifeq:{{{transcludesection|newmedia-hu}}}|newmedia-hu|
−
* János Sugár (ed.), ''Buldózer. Médiaelméleti antológia'', 1997. (Hungarian) [http://mek.oszk.hu/00100/00140/]
+
* János Sugár (ed.), ''Buldózer. Médiaelméleti antológia'', 1997. {{hu}} [http://mek.oszk.hu/00100/00140/]
−
* Drótos, Schiller, Karácsony, Beke, Moldován, Auby (eds.), ''Magyar tartalom. Írások a magyar webkultúráról'', C3 Kulturális és Kommunikációs Központ, Budapest, 1997. (Hungarian) [http://mek.oszk.hu/01200/01279] [http://www.c3.hu/c3/publications/index_en.php?kiid=2]
+
* Drótos, Schiller, Karácsony, Beke, Moldován, Auby (eds.), ''Magyar tartalom. Írások a magyar webkultúráról'', C3 Kulturális és Kommunikációs Központ, Budapest, 1997. {{hu}} [http://mek.oszk.hu/01200/01279] [http://www.c3.hu/c3/publications/index_en.php?kiid=2]
 
* Iván Horváth (ed.), ''Contentware'', Gépeskönyv Contentware Labs, 1999. [http://magyar-irodalom.elte.hu/contentware/contentw.htm]
 
* Iván Horváth (ed.), ''Contentware'', Gépeskönyv Contentware Labs, 1999. [http://magyar-irodalom.elte.hu/contentware/contentw.htm]
 
* Zsuzsanna Tószegi, "A highly personal overview on Hungarian CD-ROMs", [http://magyar-irodalom.elte.hu/contentware/cd/cdfrankfurt.htm]
 
* Zsuzsanna Tószegi, "A highly personal overview on Hungarian CD-ROMs", [http://magyar-irodalom.elte.hu/contentware/cd/cdfrankfurt.htm]
−
* Michal Murin, "C3. Rozhovor s Miklósom Peternákom", ''Profil'' 4, 2000, pp 56-64 (Slovak) [[Media:Murin, Michal (2000) - C3. Rozhovor s Miklósom Peternákom.pdf|PDF]]
+
* Michal Murin, "C3. Rozhovor s Miklósom Peternákom", ''Profil'' 4, 2000, pp 56-64 {{sk}} [[Media:Murin, Michal (2000) - C3. Rozhovor s Miklósom Peternákom.pdf|PDF]]
 
* Nina Czegledy, "Media Art: The Hungarian Model", ''CIAC's Electronic Art Magazine'' 12 (2001) [http://www.ciac.ca/magazine/archives/no_12/en/site.html]
 
* Nina Czegledy, "Media Art: The Hungarian Model", ''CIAC's Electronic Art Magazine'' 12 (2001) [http://www.ciac.ca/magazine/archives/no_12/en/site.html]
 
* Maja and Reuben Fowkes, "Budapest Box: The Hidden Scene in the 1990s", in: ''Umelec: Contemporary Art and Culture'', no.3 2002. [http://www.translocal.org/writings/budapestbox.htm]
 
* Maja and Reuben Fowkes, "Budapest Box: The Hidden Scene in the 1990s", in: ''Umelec: Contemporary Art and Culture'', no.3 2002. [http://www.translocal.org/writings/budapestbox.htm]
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* Ryszard Kluszczyński, ''Film – wideo – multimedia. Sztuka ruchomego obrazu w erze elektronicznej'' (1999, wyd. II z 2002)
 
* Ryszard Kluszczyński, ''Film – wideo – multimedia. Sztuka ruchomego obrazu w erze elektronicznej'' (1999, wyd. II z 2002)
 
* Ryszard Kluszczyński, ''Społeczeństwo informacyjne. Cyberkultura. Sztuka multimediów'' (2001, wyd. II 2002)
 
* Ryszard Kluszczyński, ''Społeczeństwo informacyjne. Cyberkultura. Sztuka multimediów'' (2001, wyd. II 2002)
−
* [[Lukasz Ronduda]], ''Strategie subwersywne w sztukach medialnych'', Krakow: Rabid, 2006 (Polish) [http://www.sklep.gildia.pl/literatura/10476-lukasz-ronduda-strategie-subwersywne-w-sztukach-medialnych]
+
* [[Lukasz Ronduda]], ''Strategie subwersywne w sztukach medialnych'', Krakow: Rabid, 2006 {{pl}} [http://www.sklep.gildia.pl/literatura/10476-lukasz-ronduda-strategie-subwersywne-w-sztukach-medialnych]
 
* Monika Górska-Olesińska, ''Słowo w sieci. Elektroniczne dyskursy'', 2008
 
* Monika Górska-Olesińska, ''Słowo w sieci. Elektroniczne dyskursy'', 2008
 
* Ryszard Kluszczyński, ''[http://www.waip.com.pl/index.php/waip/waip/nowosci/sztuka_interaktywna_od_dziela_instrumentu_do_interaktywnego_spektaklu Sztuka interaktywna. Od dzieła-instrumentu do interaktywnego spektaklu''] (2010, wyd. I)
 
* Ryszard Kluszczyński, ''[http://www.waip.com.pl/index.php/waip/waip/nowosci/sztuka_interaktywna_od_dziela_instrumentu_do_interaktywnego_spektaklu Sztuka interaktywna. Od dzieła-instrumentu do interaktywnego spektaklu''] (2010, wyd. I)
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* Estonica encyclopedia, "Time of re-independence — the 1990s in art". [http://www.estonica.org/en/Culture/Art/Time_of_re-independence_%E2%80%94_the_1990s_in_art/]
 
* Estonica encyclopedia, "Time of re-independence — the 1990s in art". [http://www.estonica.org/en/Culture/Art/Time_of_re-independence_%E2%80%94_the_1990s_in_art/]
 
* [[Raivo Kelomees]], "The State of Estonian Media Art AD 1998", in: ''Estonian Art'', nr 1, 1998. [http://www.artnode.se/artorbit/issue3/f_estonian/f_estonian.html]
 
* [[Raivo Kelomees]], "The State of Estonian Media Art AD 1998", in: ''Estonian Art'', nr 1, 1998. [http://www.artnode.se/artorbit/issue3/f_estonian/f_estonian.html]
−
* Katrin Kivimaa, "Eine Identität or Keine Identität: Zeitgenössische Kunst und Neue Medien in Estland", ''Springerin'' 1999 (German), 5 pages.
+
* Katrin Kivimaa, "Eine Identität or Keine Identität: Zeitgenössische Kunst und Neue Medien in Estland", ''Springerin'' 1999 {{de}}, 5 pages.
 
* Katrin Kivimaa, "Changing spaces: new media/art in Estonian Culture", ''Mare Articum'' 2 (7), 2000. 30 pages. [http://www.javamuseum.org/tiia_johannson/condo/kivimaa.htm]
 
* Katrin Kivimaa, "Changing spaces: new media/art in Estonian Culture", ''Mare Articum'' 2 (7), 2000. 30 pages. [http://www.javamuseum.org/tiia_johannson/condo/kivimaa.htm]
 
* Hanno Soans and Anders Härm, "We Are Glad it's All Over", 2002. [http://www.mnac.ro/jaan_toomik.pdf] [http://web.archive.org/web/20070214094958/http://www.balticart.org/essays_hs.html]
 
* Hanno Soans and Anders Härm, "We Are Glad it's All Over", 2002. [http://www.mnac.ro/jaan_toomik.pdf] [http://web.archive.org/web/20070214094958/http://www.balticart.org/essays_hs.html]
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===Czech Republic===
 
===Czech Republic===
 
<onlyinclude>{{#ifeq:{{{transcludesection|arthistory-cz}}}|arthistory-cz|
 
<onlyinclude>{{#ifeq:{{{transcludesection|arthistory-cz}}}|arthistory-cz|
−
* [[Vilém Flusser]] ''Za filosofii fotografie'' (Prague: Hynek, 1994) (Czech)
+
* [[Vilém Flusser]] ''Za filosofii fotografie'' (Prague: Hynek, 1994) {{cz}}
−
* [[Vilém Flusser]] ''Moc obrazu'' ''Výtvarné umění'' 3-4 (1996) (Czech)
+
* [[Vilém Flusser]] ''Moc obrazu'' ''Výtvarné umění'' 3-4 (1996) {{cz}}
 
* [[Keiko Sei]] ''Konečná krajina'' (One Woman Press, 2004)
 
* [[Keiko Sei]] ''Konečná krajina'' (One Woman Press, 2004)
 
* "Remediace" ''Teorie vědy'' 2 (2005)
 
* "Remediace" ''Teorie vědy'' 2 (2005)
 
* [[Jana Horáková]], "K historii a (hyper)estetice 'tekutého uměleckého díla'" ''Profil'' 1 (2006) pg. 102-107
 
* [[Jana Horáková]], "K historii a (hyper)estetice 'tekutého uměleckého díla'" ''Profil'' 1 (2006) pg. 102-107
−
* [[Tomáš Dvořák]] (ed.), [http://www.kosmas.cz/knihy/166987/kapitoly-z-dejin-a-teorie-medii/ ''Kapitoly z dějin a teorie médií''], Prague: Academy of Fine Arts, 2010. (Czech) [http://vvp.avu.cz/aktivity/vyzkum/zamer2007/edice]
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* [[Tomáš Dvořák]] (ed.), [http://www.kosmas.cz/knihy/166987/kapitoly-z-dejin-a-teorie-medii/ ''Kapitoly z dějin a teorie médií''], Prague: Academy of Fine Arts, 2010. {{cz}} [http://vvp.avu.cz/aktivity/vyzkum/zamer2007/edice]
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* [[Tomáš Dvořák]], [http://stss.flu.cas.cz/files/uploaded/SBRN_SRVN.pdf ''Sběrné suroviny: texty, obrazy a zvuky nedávné minulosti''], Prague: Filosofia, 2009. (Czech)
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* [[Tomáš Dvořák]], [http://stss.flu.cas.cz/files/uploaded/SBRN_SRVN.pdf ''Sběrné suroviny: texty, obrazy a zvuky nedávné minulosti''], Prague: Filosofia, 2009. {{cz}}
 
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Revision as of 11:12, 25 September 2015

A multilingual bibliography of writings on avant-gardes in east-central Europe. For literature on individual authors see their respective pages.

Contents

Light-music synthesis

East-Central Europe

Bibliography

Czech Republic

Lithuania

  • Viacheslav Ivanov, "Churlianis i problema sinteza iskusstv" [Čiurlionis and the problem of the synthesis of the arts]. Apollon 3 (Mar 1914), pp 5-21. (Latvian)
    • "Ciurlonis and the problem of the synthesis of arts", Lituanus 7:2 (Jun 1961), pp 45-57. (English)

Avant-garde

East-Central Europe

Catalogues
  • Europa, Europa. Das Jahrhundert der Avantgarde in Mittel- und Osteuropa, eds. Ryszard Stanislawski and Christoph Brockhaus, Bonn, 1994. Contributions from c150 authors. Four volumes: Vol I (five introductory essays followed by 73 short texts on the work of specific artists) 479 pp. incl. 247 col. pls. and 116 b&w ills.; Vol II (36 essays on aspects of architecture, literature, theatre, film and music) 239 pp. incl. 251 b&w ills.; Vol III, compiled by Hubertus Gassner (354 short texts of the period 1894-1994 by artists, critics etc., in German translation), 367 pp.; Vol IV (biographies; selected bibliography; list of exhibited works; index) 99 pp. [4] [5] (German)
  • Central European Avant Gardes: Exchange and Transformation, 1910–1930, ed. Timothy O. Benson, forew. Péter Nádas, Los Angeles: Los Angeles County Museum of Art and Cambridge, MA: MIT Press, 2002, 447 pp. Review: Zusi (SEEJ 2005). [6] (English)
  • Von Kandinsky bis Tatlin: Konstruktivismus in Europa/From Kandinsky to Tatlin: Constructivism in Europe, Schwerin: Staatliches Museum; and Bonn: Kunstmuseum, 2006. (German)/(English)
  • Vzplanutí. Expresionistické tendence ve Střední Evropě 1903-1936, ed. Ladislav Daněk, Olomouc: Muzeum umění Olomouc, 2008, 200 pp. [7] (Czech)
Anthologies
  • The Tradition of Constructivism, ed. & intro. Stephen Bann, New York: Viking Press, 1974, xlix+334 pp, PDF. Fifty-one texts from 1920-65 in 7 sections. Review: Compton (SR 1975). (English)
  • Between Worlds: A Sourcebook of Central European Avant-Gardes, 1910-1930, eds. Timothy O. Benson and Éva Forgács, Los Angeles: Los Angeles County Museum of Art and Cambridge, MA: MIT Press, 2002, 736 pp. Review: Zusi (SEEJ 2005). [8] (English)
Books
  • George Rickey, Constructivism: Origins and Evolution, New York: G. Braziller, 1967, xi+306 pp; rev.ed., 1995, xi+306 pp. (English)
  • Willy Rotzler, Konstruktive Konzepte: eine Geschichte der konstruktiven Kunst vom Kubismus bis heute, Zurich: ABC, 1977, 299 pp; new ed., 1988, 332 pp; 3rd ed., 1995, 332 pp. (German)
  • Kristina Passuth, Les avant-gardes de l'Europe Centrale, 1907-1927, Paris: Flammarion, 1988, 327 pp. (French)
    • Avantgarde kapcsolatok Prágától Bukarestig 1907-1930, Budapest: Balassi, 1998, 381 pp. (Hungarian)
  • Lothar Lang, Konstruktivismus und Buchkunst, Leipzig: Edition Leipzig, 1990, 208 pp. TOC. (German)
  • Dubravka Đurić, Miško Šuvaković (eds.), Impossible Histories: Historic Avant-Gardes, Neo-Avant-Gardes, and Post-Avant-Gardes in Yugoslavia, 1918-1991, MIT Press, 2003, 520 pp. [9] (English)
  • Kristina Passuth, Treffpunkte der Avantgarden: Ostmitteleuropa 1907–1930 [1988], trans. Aniko Harmath, Dresden: Verlag der Kunst, 2003, 337 pp. Review: Dmitrieva-Einhorn (H-Soz-Kult 2006). (German)
  • Vojtěch Lahoda (ed.), Local Strategies, International Ambitions: Modern Art and Central Europe 1918-1968, Prague: Artefactum, 2006, 243 pp. Papers from the international conference, Prague, 11-14 Jun 2003. TOC. Papers: Anna Brzynski, Maria Elena Versari. [10] [11]
  • Günter Berghaus (ed.), Futurism in Eastern and Central Europe, De Gruyter (International Yearbook of Futurism Studies 1), 2011.
  • Sarah Posman, Anne Reverseau, David Ayers, Sascha Bru, Benedikt Hjartarson (eds.), The Aesthetics of Matter. Modernism, the Avant-Garde and Material Exchange, De Gruyter, 2013.
Journal issues
  • Art Journal 49(1): "From Leningrad to Ljubljana: The Suppressed Avant-Gardes of East-Central and Eastern Europe during the Early Twentieth Century" (Spring 1990). [12] (English)
  • Centropa 3(1): "Central European Architectural Students at the Bauhaus" (Jan 2003). [13] (English)
Articles, talks

Czech Republic

Publications

Magazines
Almanacs
Manifestos
Anthologies

Literature

Catalogues
  • Tschechische Avantgarde 1922-1940. Reflexe europäischer Kunst und Fotographie in der Buchgestaltung, ed. Zdenek Primus, Hamburg: Kunstverein, 1990, 207 pp. Catalogue of an exhibition held at the Kunstverein in Hamburg, June 1-July 15, 1990 and the Museum Bochum, Dec. 15, 1990-Jan. 27, 1991. (German)
  • Das Bauhaus im Osten: Slowakische und tschechische Avantgarde 1928-1939, ed. Susanne Anna, Ostfildern-Ruit: Hatje Cantz, et al., 1997, 339 pp. [16] TOC, [17]. Review: Long (SDA 2000 EN). (German)
Books
  • Karel Honzík, Ze života avantgardy: zážitky architektovy, Prague: Československý spisovatel, 1963, 240 pp. Review: Závodský (1964). (Czech)
  • Alfred French, The Poets of Prague: Czech Poetry Between the Wars, Oxford University Press, 1969, 129 pp. (English)
  • Vladimir Müller, Der Poetismus: das Programm und die Hauptverfahren der tschechischen literarischen Avantgarde der Zwanziger Jahre, Munich: Sagner, 1978, 223 pp. (German)
  • Vladimír Birgus, Česká fotografická avantgarda 1918–1948, Prague: Kant, 1999. (Czech)
    • Vladimír Birgus, Tschechische Avantgarde - Fotografie 1918-1948, Stuttgart: Arnoldsche, 1999. (German)
    • Vladimír Birgus, Czech Photographic Avant-Garde, 1918-1948, MIT Press, 2002, 311 pp. [18]
  • Jaroslav Anděl, Nová vize (Avantgardní architektura v avantgardní fotografii: Československo 1918-1938), Bratislava: Slovart, 2005. (Czech)
  • Danuše Kšicová, Od moderny k avantgardě. Rusko-české paralely, Brno: Masarykova univerzita, 2007, 467+48 pp. Review: Krystynkova (Universitas 2011). (Czech)
  • Thomas G. Winner, The Czech Avant-Garde Literary Movement Between the Two World Wars, c2010, 206 pp. (English)
  • Jana Horáková, Robot jako robot, Prague: KLP, 2010, 238 pp. [19] (Czech)
  • Josef Vojvodík, Jan Wiendl (eds.), Heslář české avantgardy. Estetické koncepty a proměny uměleckých postupů v letech 1908-1958, Prague: Univerzita Karlova & Togga, 2011, 477 pp. Review. (Czech)
    • A Glossary of Catchwords of the Czech Avant-Garde: Conceptions of Aesthetics and the Changing Faces of Art 1908-1958, Prague: Togga, 2012, 511 pp. [20] (English)
  • Jeanette Fabian, Poetismus. Ästhetische Theorie und künstlerische Praxis der tschechischen Avantgarde, Munich: Sagner, 2013. [21] (German)
Articles, dissertations
Dissertations

Slovakia

For literature about the School of Arts and Crafts see its dedicated page.

Catalogues
  • Das Bauhaus im Osten: Slowakische und tschechische Avantgarde 1928-1939, ed. Susanne Anna, Ostfildern-Ruit: Hatje Cantz, et al., 1997, 339 pp. [33] TOC, [34]. Review: Long (SDA 2000 EN). (German)
Books, journal issues
  • Ars 3:2 "Výtvarné avantgardy a dnešok", Bratislava: Slovak Academy of Sciences, 1969. Proceedings from an international conference held at Smolenice, 12-14 June 1968. Papers by Irena Blühová, Júlia Horová, Iva Mojžišová, František Reichenthal, Tomáš Štrauss, Eduard Toran, Marian Váross, Hans Maria Wingler, et al. [35] (Slovak)
  • František Foltýn, Slowakische Architektur und die tschechische Avantgarde. 1918-1939, Dresden: Verlag der Kunst, 1991, pp 90-94. (German)
  • Klára Kubičková (ed.), Moderné hnutie na Slovensku: Avantgarda medzivojnového obdobia / Modern Movement in Slovakia: Avantgarde of the Interwar Period, Bratislava: Spolok architektov Slovenska, 1996, 86 pp. Catalogue for the exhibition in Slovak National Museum, held on 17.9.-27.10.1996, organized on the occasion of the Fourth International Conference DOCOMOMO in Slovakia. (in Slovak/English)
  • Ľubomír Longauer, Modernity of Tradition / Modernosť tradície, Bratislava: Slovart, 2012, 354 pp. Video discussion. (English)/(Slovak)
Articles
  • Iva Mojžišová, "A Slovak Contribution to Avant-garde Movements", Actes du XXIIe Congres International d'Histoire de l'Art, 2, Budapest: Hungarian Academy of Sciences, 1969, pp 347-349. (English)
  • Peter Havaš, "Die slowakische Architektur in der Zwischenkriegszeit als fortschrittliches Erbe der modernen Bewegung", Wissenschaftliche Zeitschrift / A 33:4/6, Hochschule für Architektur und Bauwesen, 1987. (German)
  • Leo Kohut, "Bauhaus. Ungarn-Tschechoslowakei. Zur Bauhaus-Rezeption in Ost-europa", in Bauhaus-Archiv, Museum. Sammlungs-Katalog, (Auswahl), Architektur, Design, Malerei, Graphik, Kunstpädagogik, Berlin: Gebr. Mann, 1981, pp 283-287. (German)
  • Dana Borutová, "Architektonische Entwicklungstendenzen der zwanziger Jahre in der Slowakei", in The Art of the 1920s in Poland, Bohemia, Slovakia, and Hungary, ed. Lech Kalinowski, Cracow: International Cultural Centre, 1991, pp 33-40. (German)
  • Iva Mojžišová, "The First Wave of Avant-garde: Bratislava 1930", in The Art of the 1920s in Poland, Bohemia, Slovakia, and Hungary, ed. Lech Kalinowski, Cracow: International Cultural Centre, 1991, pp 47-51. (English)
  • Iva Mojžišová, "Podnety a predchodcovia kinetizmu na Slovensku (1929-1939)", MADI ap 4 (Mar 2002). [36] (Slovak)/(Hungarian)
  • Markéta Svobodová, "Studentky z Československa na Bauhausu 1919-1933: Výmar – Desava – Berlin", in Žena-umělkyně na přelomu 19. a 20. století. Sborník příspěvků z mezinárodní odborné konference ve Středočeském muzeu v Roztokách u Prahy ve dnech 11. a 12. října 2005, Roztoky u Prahy, 2005, pp 333-344. (Czech)
  • Markéta Svobodová, "Českoslovenští studenti architektury na Bauhausu", Umění/Art LIV:5 (2006), pp 406-432. (Czech) [37] [38]
  • Sonia de Puineuf, "A Dot on the Map: Some Remarks on the Magazine 'Nová Bratislava'", The Journal of Modern Periodical Studies 1:1 (2010). (English)
  • Richard Kitta, "(Ne)existujúce paralely: Umenie akcie, multimediálne a interaktívne umenie v kultúrno-historickom vývoji umenia 1. pol. 20. storočia na Slovensku", Rovart, Mar 2010. [39] [40] (Slovak)
  • Peter Biľak, "Forgotten History", Typotheque blog, April 2012. (English)
Dissertations
  • Mira Keratová, Slovenská avantgardná typografia v medzivojnovom období so zameraním na grafickú úpravu časopisov, Bratislava: Comenius University, 2005. Master's thesis. (Slovak)
  • Markéta Svobodová, Bauhaus a kultura v Československu v 1919-1939, Olomouc, 2007. Dissertation. (Czech)

Hungary

Catalogues
  • WechselWirkungen. Ungarische Avantgarde in der Weimarer Republik, ed. Hubertus Gassner, Marburg: Jonas, 1986, 589 pp. Catalog of an exhibition held at the Neue Galerie, Kassel, Nov. 9, 1986-Jan. 1, 1987, and at the Museum Bochum, Jan. 10-Feb. 15, 1987. (German)
  • The Hungarian Avant-Garde 1914-1933, ed. John Kish, William Benton Museum of Art, University of Connecticut, 1987. (English)
  • Von Kunst zu Leben. Die Ungarn am Bauhaus, ed. Éva Bajkay, Pécs: Janus Pannonius Múzeum & Hungarofest, 2010, 413 pp. [41] (German)
Books, journal issues
Articles
  • Edith Horváth, "Ungarn und das Bauhaus", Wissenschaftliche Zeitschrift 23:5/6, Hochschule für Architektur und Bauwesen, 1976. (German)
  • Gyula Pap, "Bauhauserziehung in Ungarn: 'Nagy Balogh' - Volkskollegium und Malerschule in Nagymaros 1948-1949", Wissenschaftliche Zeitschrift 26:4/5, Hochschule für Architektur und Bauwesen, 1979. (German)
  • Leo Kohut, "Bauhaus. Ungarn-Tschechoslowakei. Zur Bauhaus-Rezeption in Ost-europa", in Bauhaus-Archiv, Museum. Sammlungs-Katalog, (Auswahl), Architektur, Design, Malerei, Graphik, Kunstpädagogik, Berlin: Gebr. Mann, 1981, pp 283-287. (German)
  • Miklos von Bartha, "Carl Laszlo. Der Sturm. Die ungarischen Kunstler am Sturm, Berlin, 1931-32", Basel Galerie von Bartha, 1983.
  • E.H. Sipos, "Hungarian Relations with Bauhaus and their Influence in Hungary", 1985.
  • Hubertus Gassner, "'Ersehnte Einheit' oder 'erpresste Versohnung': Zur Kontinuitat und Diskontinuitat ungarischer Konstruktivismus-Konzeption" in WechselWirkungen. Ungarische Avantgarde in der Weimarer Republik, ed. Gassner, 1986, pp 183-220. (German)
  • Esther Levinger, "Lajos Kassak, MA and the New Artist: 1916-1925", The Structurist 25/26, 1986, pp 78-87. (English)
  • Esther Levinger, "The Theory of Hungarian Constructivism", The Art Bulletin 69:3 (Sep 1987), pp. 455-466. [42] (English)
  • Eva Bajkay-Rosch, "Gruppenbildung in Weimar: Beiträge der unbekannten ungarischen Bauhäusler", Wissenschaftliche Zeitschrift / A 33:4/6, Hochschule für Architektur und Bauwesen, 1987. (German)
  • Oliver A.I. Botar, "Constructivism, International Constructivism, and the Hungarian Emigration", in The Hungarian Avant-Garde 1914-1933, William Benton Museum of Art, 1987, pp 90-98. (English)
  • Esther Levinger, "Hungarian Constructivist Typography and Posters", in The Hungarian Avant-Garde 1914-1933, William Benton Museum of Art, 1987, pp 112-122. (English)
  • S. A. Mansbach, "Confrontation and Accommodation in the Hungarian Avant-Garde", Art Journal 49:1 (Spring 1990), pp 9-20. [43] (English)
  • Oliver A.I. Botar, "From the Avant-Garde to 'Proletarian Art'. The Émigré Hungarian Journals Egység and Akasztott Ember, 1922-23", Art Journal 52(1): "Political Journals and Art, 1910-40", College Art Association, Spring 1993, pp 34-45; exp.version as "From Avant-Garde to 'Proletkult' in Hungarian Émigré Politico-Cultural Journals, 1922-1924", in Art and Journals on the Political Front 1910-1940, ed. Virginia Hagelstein Marquardt, University Press of Florida, 1997, pp 100-141. (English)
  • Eva Forgacs, "Between Cultures: Hungarian Concepts of Constructivism", in Central European Avant-Gardes: Exchange and Transformation, 1910-1930, ed. Timothy O. Benson, MIT Press/Los Angeles: Los Angeles County Museum of Art, 2002, pp 146-164. (English)
  • András Ferkai, "Hungary: Marcel Breuer, Farkas Molnár, Pál Forgó, Ernó Lichtenthal, Laszló Szabó, Tibor Weiner, Alfréd Forbát, István Sebök, Mühely, Atelier Müvészerti Tervezö, Mühelyiskola / András Ferkai", Centropa 3 (2003) 1, pp 13-26. (English)
  • Peter Weibel, "Viennese Kineticism and Hungarian Constructivism", in Beyond Art: A Third Culture, Springer, 2005, pp 46-56. (English)
  • Peter Weibel, "On the Origins of Hungarian Constructivism in Vienna: MA 1920-25. The Only Instance of Modernism Between the Wars", in Beyond Art: A Third Culture, Springer, 2005, pp 57-71. (English)
  • Peter Konok, "Lajos Kassák and the Hungarian Left: Radical Milieu (1926–1934)", in Regimes and Transformations. Hungary in the Twentieth Century, eds. István Feitl and Balázs Sipos, Budapest: Napvilág, 2005, pp 177-194. [44] (English)
  • Éva Forgács, "'You Feed Us So that We Can Fight Against You'. Concepts of the Art and State in the Hungarian Avant-Garde", Arcadia 41:2 (2006), pp 260-274. (English)
  • Krisztina Passuth, "Hungarians at the Bauhaus", Hungarian Quarterly 200 (Winter 2010). (English)
  • Éva Forgács, Tyrus Miller, "The Avant-Garde in Budapest and in Exile in Vienna: A Tett (1915-6), Ma (Budapest 1916-9; Vienna 1920-6), Egység (1922-4), Akasztott Ember (1922), 2x2 (1922), Ék (1923-4), Is (1924), 365 (1925), Dokumentum (1926-7), and Munka (1928-39)", in The Oxford Critical and Cultural History of Modernist Magazines, Vol. 3: Europe, 1880-1940, Oxford University Press, 2013, pp 1128-1156. [45] (English)

Poland

For writings on futurism, formism and constructivism specifically, see sections below.

Catalogues
  • Jaroslaw Lubiak, Malgorzata Ludwisiak, Korespondencje: Sztuka nowoczesna i uniwersalizm/Correspondences: Modern Art and Universalism, Lodz: Muzeum Sztuki, 2012. Catalogue of a retrospective exhibition of the collection of Muzeum Sztuki and Kunstmuseum, Bern.
Books
  • Helena Zaworska, O nową sztukę. Polskie programy artystyczne lat 1917-1922, PIW, 1963. (Polish)
  • Andrzej Lam, Polska awangarda poetycka. Programy lat 1917-1923, Cracow: Wydawnictwo Literackie, 1969. (Polish)
  • Wiesław Szymański, Z dziejów czasopism literackich w dwudziestoleciu międzywojennym, Warsaw: Wydawnictwo Literackie, 1970, 386 pp. (Polish)
  • Tadeusz Kłak, Czasopisma awangardy, 2 vols., (1919-1931 & 1931-1939), Wroclaw: Ossolineum, 1978 & 1979, 244 & 219 pp. (Polish)
  • Bogdana Carpenter, The Poetic Avant-Garde in Poland: 1918-1939, University of Washington Press, 1983, xviii+234 pp. Review: Baranczak (PR 1984). (English)
  • Lech Kalinowski (ed.), The Art of the 1920s in Poland, Bohemia, Slovakia, and Hungary, Cracow: International Cultural Centre, 1991. Proceedings from the Niedzica Seminars VI, 19-22 Oct 1989. TOC.
  • Andrzej Turowski, Budowniczowie świata. Z dziejów radykalnego modernizmu, Cracow: Universitas, 2000, 416 pp. (Polish)
  • Marek Bartelik, Early Polish Modern Art: Unity in Multiplicity, Manchester University Press, 2005. [46]
  • Marci Shore, Caviar and Ashes: A Warsaw Generation's Life and Death in Marxism, 1918-1968, Yale University Press, 2006, 457 pp.
  • Piotr Rypson, Against All Odds. Polish Graphic Design 1919-1949, Karakter, 2011. [47]
Articles
  • Piotr Piotrowski, "Art and Independence. Polish Art in the 1920s", 1993. (English)
  • Irena Kossowska, "Między tradycją i awangardą. Polska sztuka lat 1920 i 1930", Culture.pl, 2004. (Polish)
  • Alina Kowalczykowa, "The Interwar Years – 1918-1939", in Ten Centuries of Polish Literature, Warsaw: Wydawnictwo IBL PAN, 2004, pp 202-227. [48]
  • E. Ranocchi, "Miłość maszyn. Antynomie maszyny w polskim modernizmie", Studi Slavistici VIII (2011), pp 137-160. (Polish)
  • Przemysław Strożek, "Cracow and Warsaw: Becoming the Avant-Garde. Formiści (1919-1921), Nowa Sztuka (1921-1922), Zwrotnica (first series 1922-1923), Blok (1924-1926)", in The Oxford Critical and Cultural History of Modernist Magazines, vol. 3 (Europe, 1880-1940), New York: Oxford University Press, 2013, pp 1184-1207. [49]
  • Lidia Gluchowska, "Poznan and Lodz: National Modernism and the International Avant-Garde", in The Oxford Critical and Cultural History of Modernist Magazines, vol. 3 (Europe, 1880-1940), New York: Oxford University Press, 2013, pp 1208-1233. [50]
Dissertations

Futurists

  • Nina Kolesnikoff, "Polish Futurism. Its Origin and the Aesthetic Program", Canadian Slavonic Papers 18:3 (Sep 1976), pp 301-311. (English)
  • Beata Sniecikowska, Nuz w uhu Koncepcje dzwieku w poezji polskiego futuryzmu, Wroclaw: Wydawnictwo Uniwersytetu Wroclawskiego, 2008. [51] (Polish)
  • I. Gwóźdź-Szewczenko, Futuryzm w czeskim pejzażu literackim, Wrocław, 2009. (Polish)
  • Przemysław Strożek, "'Marinetti is foreign to us': Polish Responses to Italian Futurism, 1917-1923", in International Yearbook of Futurism Studies, Vol. 1., ed. G. Berghaus, Berlin and New York: Walter De Gruyter, 2011, pp 84-108. (English)
  • Przemysław Strożek, "Poland", in International Futurism 1945-2009. A Bibliographic Reference Shelf, ed. G. Berghaus, Berlin-New York: De Gruyter, 2012. (English)
  • Przemysław Strożek, Marinetti i futuryzm w Polsce 1909-1939: obecność, kontakty, wydarzenia, Warsaw: Instytut Sztuki Polskiej Akademii Nauk, 2012, 383 pp. (Polish)

Formists

Writings and manifestos (selection)
  • Leon Chwistek, "Wielość rzeczywistości w sztuce" [The Plurality of Realities in Art], Maski 1-4 (1918); repr. in Przeglad Wspolczesny 9 (April-June 1924); repr. in Wielość rzeczywistości w sztuce i inne szkice literackie, 1960, pp 24-50; repr. in Wybór pism estetycznych, 2004, pp 3-20. Proposes the theory of the "plurality of realities in art" as a reaction against the dualistic model of the avant-garde. Later on, in various interdisciplinary discussions about art, mathematics, poetry, architecture and politics, he argued against agitprop and the missionary stance of the avant-garde, in favour of an open, modern and transnational society. (Polish)
  • Stanisław Ignacy Witkiewicz, "Nowe formy w malarstwie i wynikające stąd nieporozumienia", 1919. Formulates the principles of Pure Form. (Polish)
  • Stanisław Ignacy Witkiewicz, Szkice estetyczne [Aesthetic Sketches], 1922. (Polish)
  • Wielość rzeczywistości [The Plurality of Realities], Kraków-Jasło, 1921; repr. in Pisma filozoficzne i logiczne, 1961, pp 30-105. (Polish)
Literature

Constructivists

Writings and manifestos (selection)
  • Tadeusz Peiper, "Metropolis. Mass. Machine." [Miasto. Masa. Maszyna.], Zwrotnica 2, 1922. Manifesto, initial inspiration for Awangarda Krakowska literary group.
  • Mieczyslaw Szczuka, Teresa Żarnowerówna, "Co to jest konstruktywizm" [What is Constructivism], Blok group manifesto, Blok 6-7, Sep 1924.
  • Władysław Strzemiński, "B = 2", Blok no. 8-9, 1924. Presents a theory of unism.
  • Henryk Berlewi, "Mechano-Faktura", 1924. Published in German by Der Sturm in Berlin and in Polish by Jazz in Warsaw (translated by K.J. Michaelsen). In retrospect, Berlewi placed his manifesto between Witkacy's "Nowe formy w malarstwie" (1919) and Strzeminski's "Unism w malarstwie" (1928).
  • Julian Przyboś, "Człowiek w rzeczach"; "Człowiek nad przyrodą", Zwrotnica, 1926.
  • Władysław Strzemiński, Unizm w malarstwie [Unism in Painting], Biblioteka Praesens, no. 3, Warsaw, 1928.
  • Wtadysław Strzemiński, et al., "Komunikat Grupy 'a.r.'" [Communiqué of the Group ‘a.r.’], Europa, no. 9, 1930.
  • more: [52], [53], [54], [55], [56], [57], [58], [59]
Literature
  • Constructivism in Poland 1923-1936: BLOK, Praesens, a.r., Lodz: Muzeum Sztuki, 1973, 208 pp. Catalogue. [60] Review: Werner. (English),(Dutch),(German)
  • Aleksander Wojciechowski (ed.), Polskie życie artystyczne w latach 1915-1939 [The Polish artistic life in years 1915-1939], Wrocław: Zakład Narodowy im. Ossolińskich, 1974. (Polish)
  • Z. Baranowicz, Polska awangarda artystyczna 1918-1927, Warsaw, 1975. (Polish)
  • Vladimír Šlapeta, "Die Architektur an der Akademie für Kunst und Kunstgewerbe in Breslau", Wissenschaftliche Zeitschrift 26:4/5, Hochschule für Architektur und Bauwesen, 1979. (German)
  • Andrzej Turowski, W kręgu konstruktiwizmu, Warsaw: Wydawnictwa Artystyczne i Filmowe, 1979, 288 pp. (Polish)
  • Andrzej Turowski, Konstruktywizm polski: próba rekonstrukcji nurtu, 1921-1934, Wroclaw: Zakład Narodowy im. Ossolińskich, 1981, 360 pp. Review: Gryglewicz (FHA 1985). (Polish)
  • David Crowley, "The Cracow School and the Second Republic", in National Style and Nation-state: Design in Poland. From the Vernacular Revival to the International Style, Manchester University Press, 1992, pp 54-79. (English)
  • David Crowley, "Questioning Parochialism", in National Style and Nation-state: Design in Poland. From the Vernacular Revival to the International Style, Manchester University Press, 1992, pp 80-101. (English)
  • Samuel Albert, "Poland. Bauhaus Students: Max Sinowjewitsch Krajewski, Arieh Sharon, Munio Weinreb (Gitai), Edgar Hecht (Hed), Isaac Weinfeld, Shlomo Bernstein, Schmuel Mestechkin", Centropa 3:1 (2003). [61]
  • Ilana Löwy, "Ways of Seeing: Ludwik Fleck and Polish Debates on the Perception of Reality, 1890–1947", Studies In History and Philosophy of Science 39:3 (Sep 2008), pp 375-383. (English)
  • Magdalena Ziółkowska, "The Laboratory of Constructivism / Laboratorium konstruktywizmu", in Archywum 2, Łódź: Museum of Art, 2009, pp 66-77. (English)/(Polish)

Yugoslavia

  • Želimir Koščević, "Jugoslawische Bauhausschüler", Wissenschaftliche Zeitschrift / A, Hochschule für Architektur und Bauwesen, Jg. 33, 1987, H. 4/6. [62]
  • Irina Subotić, "Avant-Garde Tendencies in Yugoslavia", Art Journal, Vol. 49, No. 1, From Leningrad to Ljubljana: The Suppressed Avant-Gardes of East-Central and Eastern Europe during the Early Twentieth Century (Spring, 1990), pp. 21-27. Published by: College Art Association. [63]
  • Esther Levinger, "The Avant-Garde in Yugoslavia", The Structurist 29/30, 1990, pp 66-72.
  • Irina Subotić, "Concerning Art and Politics in Yugoslavia during the 1930s", Art Journal Vol. 52, No. 1, Political Journals and Art, 1910-40 (Spring, 1993), pp. 69-71. [64]
  • Ivan Dorovský, "Některé zvláštnosti balkánské avantgardy", in Dorovský, Balkán a Mediterán: literárně historické a teoretické studie, Brno: Masarykova univerzita, 1997, pp 193-201. (Czech)
  • Esther Levinger, "Ljubomir Micic and the Zenitist Utopia", in Exchange and Transformation: The Central European Avant-Garde, 1910-1930, exh. cat. Los Angeles County Museum of Art, Los Angeles, Cal. 2002, pp. 260-278.
  • Dubravka Đurić and Miško Šuvaković (eds.), Impossible Histories: Historic Avant-Gardes, Neo-Avant-Gardes, and Post-Avant-Gardes in Yugoslavia, 1918-1991, MIT Press, 2003. [65]
  • Dubravka Đurić, "Radical Poetic Practices: Concrete and Visual Poetry in the Avant-garde and Neo-avant-garde" published in Impossible Histoires (Historic Avant-Gardes, Neo-Avant-Gardes, and Post-Avant-Gardes in Yugoslavia, 1918-1991) edited by Dubravka Đurić and Miško Šuvaković (MIT Press: 2003), pp 64-95
  • Darko Šimičić, "From Zenit to Mental Space: Avant-garde, Neo-avant-garde, and Post-avant-garde Magazines and Books in Yugoslavia, 1921--1987" published in Impossible Histoires (Historic Avant-Gardes, Neo-Avant-Gardes, and Post-Avant-Gardes in Yugoslavia, 1918-1991) edited by Dubravka Đurić and Miško Šuvaković (MIT Press: 2003), pp 294-331
  • Katherine Ann Carl, Aoristic Avant-garde: Experimental Art in 1960s and 1970s Yugoslavia. Dissertation, Stony Brook University, May 2009. [66]
  • Г. Тешић, Српска књижевна авангарда. Књижевноисторијски контекст (1902–1934), Београд: Институт за књижевност и уметност - Службени гласник, 2009, 618 c. Review.
  • Laurel Seely Vorodel and Tyrus Miller, "Avant-Garde Periodicals in the Yugoslavian Crucible", in The Oxford Critical and Cultural History of Modernist Magazines, vol. 3 (Europe, 1880-1940), New York: Oxford University Press, 2013, pp 1099-1127. [67]

Croatia

Writings (selection)
  • Ljubomir Micić, Ivan Goll and Bosko Tokin, "Manifest Zenitizma" [Zenithist Manifesto], Zenit no. 1, Zagreb, 1921. [68]
  • Branko Ve Poljanski, "Manifesto", Svetokret, 1921.
  • Ljubomir Micić, "Man and Art", Zenit, 1921.
  • Ljubomir Micić, "The Spirit of Zenithism", Zenit, 1921.
  • Ivan Goll, "Expressionism is Dying", Zenit, 1921.
  • Ljubomir Micić, "Šimi na groblju latinske četvrti, Zenitistički Radio-Film od 17 sočinenija" [Shimmy at the Latin Quarter Graveyard, Zenitist Radio-Film in 17 Parts], Zenit, 1922. In his prose text, Micić used constructivist and montage principles of cinema. He christened this new narrative structure "radio-film".
  • Ljubomir Micić, "A Categorical Imperative of the Zenithist School of Poetry", in The Rescue Car, 1922.
  • Ljubomir Micić, Zenithism as the Balkan Totalizer of New Life, manifesto, Zenit, 1923.
  • Drago Ibler, "Group Zemlja Manifesto", 22 May 1929. [69]
  • Traveleri, manifesto, 1930
Literature
  • Jadranka Vinterhalter (ed.), Prodori avangarde u hrvatskoj umjetnosti prve polovice 20.stoljeca / Flashes od avant-garde in the croatian art of the first half of the 20th century, Zagreb: MSU, 2007. [70]
  • Darko Šimičić, "Strategije u borbi za novu umjetnost. Zenitizam i dada u srednjoeuropskom kontekstu", in Moderna umjetnost u Hrvatskoj, 1898.-1975., Zagreb: Institut za povijest umjetnosti, 2012, pp 40-65. (Croatian)
  • Daina Glavočić, "D’Annunzio i riječki futurizam", in Moderna umjetnost u Hrvatskoj, 1898.-1975., Zagreb: Institut za povijest umjetnosti, 2012, pp 66-89. (Croatian)

Serbia

Literature
  • Jelena Bogdanović, Lilien Filipovitch Robinson, Igor Marjanović (eds.), On the Very Edge: Modernism and Modernity in the Arts and Architecture of Interwar Serbia (1918-1941), Leuven University Press, 2014. [71] (English)

Slovenia

Writings (selection)
  • 1920, poet Anton Podbevšek develops his program along anarchist proletcult lines for the journal Rdeči pilot.
  • Avgust Černigoj, "Greetings!", tank, 1927.
  • Mirko Polić, "Marij Kogoj's Black Masks", tank, 1927.
  • Ferdo Delak, "Theater Co-op", tank, 1927.
  • Avgust Černigoj, "Tank Manifesto", tank, 1927.
  • Ferdo Delak, The Modern Stage, manifesto. [72]
  • Avgust Černigoj, "The Constructivist Group in Trieste", tank, 1927.
Literature
  • Peter Krečič, "Avgust Černigoj and His Constructivism: A Memoir", Leonardo Vol. 15, No. 3 (Summer, 1982), pp. 215-218. [73]
  • Andrej Hrausky, "Yugoslavia. Bauhaus students: Avgust Cernigoj", Centropa 3 (2003) 1
  • Toshino Iguchi, "Avant-garde Design Beyond Borders. The Slovenian Constructivist Avgust Černigoj", 2008. [74]

Bosnia and Herzegovina

  • Heide Frensel, "Yugoslavia. Bauhaus students: Selman Selmanagić", Centropa 3 (2003) 1

Romania

Writings (selection)
  • Marinetti’s Futurist Manifesto published in Romanian in Craiova in a local newspaper, on the same day (20 February 1909) as in the Parisian Le Figaro.
  • Marcel Janco, "Notes on Painting", Contimporanul, 1922.
  • Marcel Janco, "Art Notes", Contimporanul, 1924.
  • Ilarie Voronca, "Victor Brauner", 75HP, 1924.
  • Ion Vinea, "Activist Manifesto to the Youth" [Manifest activist către tinerime], Contimporanul 46, May 1924.
  • Ilarie Voronca, "Aviograma", 75HP, Oct 1924. [75] [76]
  • Ilarie Voronca. Untitled statement, 75HP, 1924.
  • Victor Brauner and Ilarie Voronca, "Pictopoetry", manifesto, 75HP, Oct 1924.
  • Ilarie Voronca, "Assessments", Punct, 1924.
  • Scarlat Callimachi, "The Contimporanul Exhibition (Notes)", Punct, 1924.
  • Tudor Vianu, "The First Contimporanul International Exhibition", Miscarea literara, 1924.
  • Ilarie Voronca, "Marcel Janco", Punct, 1924.
  • Max Herman Maxy, "Visual Chrono-metering", Contimporanul, 1924.
  • Felix Aderca, "Conversations with Lucian Blaga", Miscorea literara, 1925.
  • Ilarie Voronca, "Gramatica" [Grammar], Punct, no. 6-7, Jan 1925.
  • Ilarie Voronca, "Voices", Punct, 1925.
  • Oscar Walter Cisek, "Expoziția internațională a revistei 'Contimporanul'", Gandirea 4:7 (15 January 1925), pp 218-220. (in Romanian)
  • editors of Integral, "Man", Integral, Vol. 1, No. 1, March 1925.
  • Ilarie Voronca. "Surrealism and Integralism", Integral, 1925.
  • Mihail Cosma, "De la futurism la integralism" [From Futurism to Integralism], Integral, no. 6-7, Oct 1925.
  • Corneliu Michailescu, "Black Art", Integral, 1925.
  • Mililsa Petrascu, "Note about Sculpture", Contimporanul, 1925.
  • G. C. Jacques, "Initiation in the Mysteries of an Exhibition: The Sensational Pronouncements of Militsa Petrascu and Marcel Janco", Contimporanul, 1926.
  • Marcel Janco, "Cubism", Contimporanul, 1926.
  • Marcel Janco. "Coloring", Contimporanul, 1927.
  • Geo Bogza, "Urmuz", Urmuz, 1928.
  • more: [77], Julian Semilian, translator
Literature
  • "Moments in the Romanian Literary Avant-Garde", [78]
  • Petre Răileanu, "1922-1928. The Beginnings. Magazines and Manifestos. The Intellectual International. The Theorizing Machines. 75 HP – the New Start of the Romanian Avant-garde. Integralism and Synthesis. Synchronism and Internationalism", Plural Magazine 3, 1999. [79]
  • "The Romanian Avant-Garde", Plural Magazine 3, 1999. [80]
  • Ovid S. Crohmalniceanu, Evreii in miscarea de avangarda romaneasca, Hasefer Publishing House, Bucarest, 2001
  • Irina Livezeanu, "'From Dada to Gaga': The Peripatetic Romanian Avant-Garde Confronts Communism", 2005.
  • Sandqvist,Tom, Dada East : the Romanians of Cabaret Voltaire, Massachusetts Institute of Technology, 2006
  • Dan Gulea, Gentlemen, Tovarishes, Comrades. A History of Romanian avant-garde, Paralela 45 Publishing, “Deschideri” Series, Piteşti, 2007, 484 pp. [81] [82] [83]
  • Andrei Oisteanu, "The Romanian Avant-Garde And Visual Poetry", in Exquisite Corpse. A Journal of Letters and Life. The original study was published for the exhibition 'Dada East? The Romanians of Cabaret Voltaire = Dada Est? Romanii de la Cabaret Voltaire', curated by Adrian Notz, Raimund Meyer, and Juri Steiner for the Cabaret Voltaire Dadahaus, Zurich (20.09.06 - 22.02.07) [84]
  • Contimporanul. Istoria unei reviste de avangarda?, Institutul Cultural Roman, Bucuresti 2007
  • Irina Carabas, "Can Aesthetics Overcome Politics? The Romanian Avant-garde and its Political Subtexts", lecture for 'New Histories of Politics' a conference at Central European University, Budapest (18-20 May 2007). [85]
  • Roland Prügel, Im Zeichen der Stadt. Avantgarde in Rumänien 1920–1938, Cologne/Weimar/Vienna: Böhlau, 2008, 270 pp. (German). [86], Review.
  • Irina Livezeanu, "Romania: 'Windows toward the West': New Forms and the 'Poetry of True Life'. Revista celor l'alti (1908); Insula (1912); Chemarea (1912); Contimporanul (1922-32); 75 HP (1924); Punct (1924-5); Integral (1925-8); Urmuz (1925); and unu (1928-33)", in The Oxford Critical and Cultural History of Modernist Magazines. Volume III, Europe 1880-1940, eds. Brooker, Bru, Thacker, and Weikop, Oxford University Press, 2013, pp 1157-1183.
Film
  • Radu Igazsag and Alexandru Solomon, Strigat in timpan [Shriek Into the Ear-Drum. A visual essay on Romanian avant-garde, 1916-1947], 1993. Film. [87] [88]

Bulgaria

  • Milka Bliznakov, "Bulgaria. Bauhaus students: Niccola Diulgheroff", Centropa 3 (2003) 1

Lithuania

Writings
  • In 1913, the Vilnius daily Przegląd Wileński (No. 48-49) reprinted F. T. Marinetti’s Manifesto of Futurism.
  • Kairiūkštis' constructivist manifesto, in the catalogue of The New Art Exhibition, 1923
Literature

Estonia

Literature, Literary theory, Aesthetics

Light art

Experimental film

Czech Republic

  • Viktoria Hradská, Česká avantgarda a film, Prague: Čs. filmový ústav, 1976. (Czech)
  • Jaroslav Anděl, "Česká meziválečná filmová avantgarda", Program Pražského filmového klubu (January 1982), Prague, pp 6-15; repr. Film a doba 46:2 (2000), pp 65-68. (Czech)
  • Andrew J Horton, "Avant-garde Film and Video in the Czech Republic", Central European Review (October 1998).
  • Arthur Cantrill, "Profil: Dušan Marek", Cinepur 23-24 (2002). (Czech)
  • Michael Bielický, "Prague–A Place of Illusionists" in: Future Cinema. The cinematic Imaginary after Film, edited by Jeffrey Shaw and Peter Weibel, exhib. cat., The MIT Press, Cambridge, MA/London, 2003.
  • Iva Gajdošíková, "Avantgarda jako kritika, akce a politika : politická orientace brněnské avantgardy - její projevy a důsledky", Sborník prací Filozofické fakulty brněnské univerzity. O, Řada filmologická 2:2, 2005, pp 95-126. (Czech)
  • Milan Čihák, "Český amatérský film", undated. (Czech).
  • Alice Lovejoy, Army Film and the Avant Garde: Cinema and Experiment in the Czechoslovak Military, Indiana University Press. (Forthcoming 2014) [95]

Slovakia

Documentary film
  • Osmičkári, dir. Miro Remo jr., 26 min, 2012. From the cycle Konzervy času. Dokument o filmových amatéroch združených koncom 70. rokov vo filmovom klube v Ladcoch. Jeho členovia, ktorým učaroval 8 mm film, sa po rokoch opäť stretávajú, konfrontujú niekdajšie sny a plány s aktuálnou realitou, premietajú si staré filmy. [100]

Hungary

Poland

Yugoslavia

  • Nevena Daković, "The Unfilmable Scenario and Neglected Theory: Yugoslav Film Avant-Garde: 1895-1992" published in the Impossible Histoires (Historic Avant-Gardes, Neo-Avant-Gardes, and Post-Avant-Gardes in Yugoslavia, 1918-1991) edited by Dubravka Djuric and Misko Suvakovic (MIT Press: 2003), pp 466-489
  • "Experimental Ex-Yu", film selection with an introduction, 2009. [104]
  • Ana Janevski (ed.): As Soon as I Open My Eyes I See a Film. Experiment in the Art of Yugoslavia in the 1960s and 1970s, Museum of Modern Art, Warsaw, 2010. With essays by Ana Janevski (on experimental art and film in Yugoslavia), Stevan Vuković (on political upheaval in 1968 in Belgrade), and Łukasz Ronduda (on contacts between Yugoslav and Polish artists in the 1970s). [105] Interview with Ana Janevski, June 2011
  • Bojana Piškur et al (eds.), This Is All Film: Experimental Film in Yugoslavia 1951-1991 [Vse to je film: Eksperimentalni film v Jugoslaviji 1951-1991], catalogue, Museum of Modern Art, Ljubljana, 2010. 154 pages. ISBN: 9789612060909
  • Pavle Levi, Cinema by Other Means, Oxford University Press, 2012, 224 pp. [106]

Croatia

  • Hvorje Turkovic, "Croatian Avant-Garde Scene", Zagreb, 1993. [107]
  • Heiko Daxl, "Film and Video-art in Croatia. Fragmentary Sketches of a History and a Description of the Status Quo", August 1993. (English), (German)
  • Andrew J Horton, "Avant-garde Film and Video in Croatia" Central European Review (November 1998) [108] (English)
  • "Uncharted Serbia: The Avant-Garde of the Kino Clubs", film selection with an introduction, 2009. [109]
  • Branka Benčić, Diana Nenadić, Adriana Perojević, Splitska škola filma – 60 godina Kino kluba Split, 2012. With DVD. (in English/Croatian) [110] [111]

Serbia

  • Alternativni film u Beogradu od 1950. do 1990. godine [Elektronski izvor] : vreme kino klubova : zbornik priloga za buduća istraživanja / [priredio] Miroslav-Bata Petrović. - Novi Beograd : Dom kulture „Studentski grad“, Arhiv alternativnog filma i videa, 2009 (Beograd : Pink digital system). - 1 elektronski optički disk (DVD) : tekst, slika; 12cm. - (Biblioteka „Istorija alternativnog filma“), ISBN 978-86-7933-052-9.
  • "Uncharted Serbia: The Avant-Garde of the Kino Clubs", film selection with an introduction, 2009. [112]

Slovenia

  • Andrew J Horton, "Avant-garde Film and Video in Slovenia" Central European Review (September 1999) [113] (English)
  • "Uncharted Serbia: The Avant-Garde of the Kino Clubs", film selection with an introduction, 2009. [114]
  • "Experimental Ex-Yu", film selection with an introduction, 2009. [115]
  • Kino-Integral: Prispevki k zgodovini slovenskega eksperimentalnega filma, Nr. 11-12, 2011. Issue on the history of Slovenian experimental film. [116]

Bosnia and Herzegovina

  • Amir Muratović, Slatka slast periferije: Enciklopedija Ivice Matića. [117]

Romania

Germany

Estonia

  • Eva Näripea, "New Waves, New Spaces: Estonian Experimental Cinema of the 1970s", KinoKultura, 2010. [119]

Geometric abstraction, Neo-constructivism, Op art, Kinetic art

East-Central Europe

Czech Republic

  • Giovanna Barbero (ed.), Movement as a message. Ediz. inglese, italiana e ceca, Verso l'Arte Edizioni, 2008, catalogue. [120]
  • Andrea Sloupová , Syntéza po syntéze: české kinetické umění 60. let a pozdější tvůrčí postupy jeho protagoniostů, Prague: Charles University, 2009. Master thesis. (Czech) [121]
  • Veronika Böhmová, "Projevy op-artu v českém umění v 60. a 70. letech minulého století", Master thesis, Brno: Masaryk University, 2012. (Czech)

Slovakia

  • Dušan Konečný, Kinetizmus, Bratislava: Pallas, 1971, 88 pp. ISBN 9406870. (Slovak)
  • Ľuba Belohradská, "Konštruktívne tendencie v zrkadle slovenskej umenovedy", MADI ap 4, March 2002. (Slovak/Hungarian) [122] [123]
  • Ľuba Belohradská and Eva Trojanová (eds.), Hranice geometrie / Borders of Geometry (Slovak/English), Petum, 2009, 429 pp. [124]

Poland

Romania

  • Alexandra Titu, "Experimentalism in Romanian Art after 1960" (Experimentul în Arta Românească după 1960), 2003. [125]
  • Ştefan Bertalan, "Fragments of a Possible Program", Arta, No 8, 1970.
  • George Lecca, Flondor, de la '111' + 'Sigma' la 'Prolog' [Flondor, from 111+SIGMA to "Prolog"], IDEA Design & Print, Cluj, 2005, 197 pp. [126] review

Intermedia art

East-Central Europe

  • Petra Stegmann (ed.), The lunatics are on the loose... European Fluxus Festivals 1962-1977, Potsdam: Down With Art!, 2012. Extensive documentation of 32 selected European Fluxus events in Aachen, Aberystwyth, Amsterdam, Berlin, Budapest, Copenhagen, Düsseldorf, London, Madrid, Nizza, Oslo, Paris, Prague, Poznan, Rotterdam, Scheveningen, Stockholm, Vilnius, Wiesbaden, Wuppertal. [127]

Slovakia

  • Jozef Cseres, "O SNEH-ových prehánkach i prestávkach, skrátka kalamitách". In Michal Murin (ed.), AVALANCHES 1990 - 1995 : Zborník spoločnosti pre nekonvenčnú hudbu, Bratislava: 1995.
  • Miloš Štofko, Od abstrakcie po živé umenie: Slovní­k pojmov moderného a postmoderného umenia. Bratislava: Slovart, 2007.
  • Miroslava Putišová, "Intermedia arts - overview", Slovakia Cultural Profile. (Slovak)

Germany

  • Anita Kenner (Christoph Tannert), "Avantgarde in der DDR heute", in Niemandsland 5, 1988, pp 94-110
  • Jens Henkel, Sabine Russ, DDR 1980 - 1989: Künstlerbücher und originalgrafische Zeitschriften im Eigenverlag; eine Bibliographie, Gifkendorf: Merlin, 1991, 166 pp. (German) [128]
  • Forschungsstelle Osteuropa (ed.), Eigenart und Eigensinn: Alternative Kulturszenen in der DDR (1980-1990): mit einem Bestandskatalog, Temmen, 1993, 272 pp. (German) [129]
  • Philip Brady, Ian Wallace (eds.), Prenzlauer Berg: Bohemia in East Berlin?, Amsterdam/Atlanta, GA, 1995, 148 pp. review, review
  • Roland Galenza, Heinz Havemeister (eds.), Wir wollen immer artig sein... Punk, New Wave, Hiphop und Independent-Szene in der DDR von 1980-1990, Neuausgabe, Berlin, 2005. (German)
  • Barbara Büscher, "Intermedia DDR 1985 - Ereignis und Netzwerk", map - media archive performance, 2010. (German)

Cybernetics, Technology and Politics

Audiovisual compositions

East-Central Europe

Czech Republic

  • František Krejčí, "Čití a vnímání", Psychologie, II, Prague, 1904, p 250. (Czech)
  • J. Chalupecký, Hudba barev, Prague, 1904. (Czech)
  • J. Stanislav, L. Kuba, Prague, 1968.
  • Vladimír Lébl, "O meznich druzich hudby", Nove cesty hudby, 1969, II, pp. 216-247. (Czech)
  • M. Klivar, "Nove formy audiovizualniho umeni", Estetika, 1970, 2, pp. 149-154. (Czech)
  • Vladimír Lébl, "M. Grygar", Hudebni rozhledy, 1971, 9; Electronic Music Reports, Utrecht 1971; Jazz Bulletin, 1979, 9.
  • J. Doubravová, "Z rane tvorby E. Schulhoffa", Hudebni rozhledy, 1976, 6, pp. 281-285. (Czech)
  • J. Doubravová, "Music and Visual Art: Their Relation as a Topical Problem of the Contemporary Music in Czechoslovakia", International Review of the Aesthetics and Sociology of Music, 11(2), 1980, pp 219-228.
  • Jiří Zemánek, Milan Grygar, Obraz a zvuk, Prague, 1999. Catalogue.
  • Lenka Pastyříková, "Vizualizace hudby v českém meziválečném výtvarném umění", Umění LII, 2004. (Czech)
  • Alois Piňos, Ivo Medek, Multimedial Scene of Brno, Brno: JAMU, 2005.
  • Jaroslav Bláha, Výtvarné umění a hudba: Tvar prostor a čas I, , 2012, 231 pp. With CD. (Czech) [132]

Slovakia

Electroacoustic music

East-Central Europe

Czech Republic

  • Miloš Bláha, Miroslav Mandík, "I. seminář elektronické hudby v ČSSR", Rozhlasová a televizní technika 4, 1964. (Czech) [135] [136] [137]
  • Vladimír Lébl Elektronická hudba, Prague: Státní hudební vydavatelství, 1966. [138]
  • Zdeněk Fencl, "Komponující algoritmus a obsah informace", Kybernetika 3 (1966), Prague, pp 243-258. (Czech)
  • J.Berg, Alois Piňos, "History of Music Experiment in Czech and Moravia", 1967.
  • J. Kapr, "Constants, Outline of Personal Method of Specific Signs of Composing Selection" (Konstanty, nástin metody osobního výběru zvláštních znaků skladby), Prague: Panton, 1967.
  • Zdeněk Fencl, "Počítač jako hudební nástroj", Hudební věda 5:1 (1968), Prague, pp 101-116. (Czech)
  • Hugh Davies (ed.), International Electronic Music Catalog. Cambridge: MIT, 1968. [139]
  • Z. Vostřák, "Kapitoly z hudební poetiky" [Lectures on Music Poetics], Konfrontace 1 (1969), pp. 6–13.
  • J. Kapr, "Teorie naznačování a vychylování" [Theory of Indication and Variation], Hudební rozhledy, 1970, pp 358–365, 417–422.
  • Vladimír Lébl, "Brno Experimenting", Hudební rozhledy 5 (1970), Prague. [140]
  • Jiří Kopřiva, "Samočinný počítač jako pomocník skladatele experimentální hudby", in Deset let práce laboratoře počítacích stroju, Brno: VUT, 1972, pp 116-117. (Czech)
  • Rudolf Růžička, "Samočinné počítače a současné směry v hudbě", in Deset let práce Laboratoře počítacích strojů VUT, Brno, 1972, p 120. (Czech)
  • M. Ištván, "Metoda montáže izolovaných prvků v hudbě", Prague: Panton, 1973. (Czech)
  • Alois Piňos, "Elektroakustické skladby brněnského kompozičního týmu 1968-1974" [141] (Czech)
  • Jiří Hanousek, "O začátcích a konci Brněnského elektronického studia" [142] (Czech)
  • J. Ludvová, Matematické modely v hudební analyse, Prague: Supraphon, 1975.
  • Rudolf Růžička, Využití samočinných počítaču při vzniku umělecký děl se zvláštním zaměřením na hudbu a soudobou kompozici, Brno: JAMU, 1980.
  • Josef Gerbrich, Rudolf Růžička, Jiří Stehlík, "Compositions musicale informatisées en Tchécoslovaquie" in Conference Internationale d' Informatique Musicale 1984, Paris, 1984, pp 97-98. (French)
  • Josef Gerbrich, Rudolf Růžička, Jiří Stehlík, "The computer musical compositions in Czechoslovakia", International Computer Music Conference 1984, Paris, 1984, pp 230-231.
  • Josef Gerbrich, Miloš Štědroň, "Počítače a hudba", in SOFSEM '85, Brno: Ústav výpočetní techniky UJEP, 1985, pp 47-68. (Czech) [143]
  • Jan Jirásek, "Changes in the Semantic Relationships Among Basic Musical Parameters and Their Perspektive in EAM", a lecture given in Graz, Opus musicum, Brno, 1988.
  • Josef Gerbrich, Petr Randula, Rudolf Růžička, "Program pro kompozici a automatickou notaci vážné hudby", in Aplikace umělé inteligence - AI '88, Prague: Ústav pro informační systémy v kultuře, Prague, 1988, pp 289-296. (Czech)
  • Rudolf Růžička, "Perspektivy počítačové umělecké tvorby a jejího společenského uplatnění", Opus musicum 3, 1989, pp IV-VI.
  • Vladimír Lébl, "Brno in Sixties", Opus musicum 6 (1990), Brno.
  • Alois Piňos, "Zum Princip der Latenz in der zeitgenössischen Musik", in Otto Kolleritsch (ed.), Musikalische Gestaltung im Spannungsfeld von Chaos und Ordnung , UE Wien, N. 26823m, 1991, pp 103–113.
  • Rudolf Růžička, "Creative, Pedagogical and Social Perspectives of Electroacoustic and Computer Music Art", "Tvůrčí, pedagogické a spoločenské perspektivy elektroakustického a computerového hudebního umění," IFEM '92 Medzinárodné fórum elektroakustickej hudby. Bratislava-Dolná Krupá. November 1992 http://www.radioart.sk/avr/visuopage.php?id=81 (English and Czech)
  • Miroslav Kaduch Česká a slovenská elektroakustická hudba 1964-1994. Skladatelé, programátoři, technici, muzikologové, hudební kritici, publicisté. Osobní slovník, Ostrava, 1994; Second Edition: 1996. [144] (Czech)
  • Libor Zajíček, An Oral History of Electroacoustic Music in the Czech and Slovak Republics, Dissertation, San Jose State University, 1995. [145]
  • Libor Zajíček, "The History of Electroacoustic Music in the Czech and Slovak Republics", Leonardo Music Journal 5 (1995), pp 39-48 [146]
  • Kateřina Růžičková, Multimediální umění a jeho projevy na brněnské hudební scéně, Brno: JAMU, 1999. Master's thesis. (Czech)
  • Lenka Dohnalová, "Electro-acoustic music in Czech Republic", Aesthetica 19 (2000).
  • Lenka Dohnalová, Estetické modely evropské elektroakustické hudby a elektroakustická hudba v ČR, Prague: Univerzita Karlova, 1999. (Czech)
  • Michal Rataj, Elektroakustická hudba a vybrané koncepty radioartu, Prague: Kant, 2007. (Czech)
  • Petr Kotík, Viktor Pantůček, Ladislav Kupkovič, Rudolf Komorous, Začátky nové hudby v Praze 1959-64: Ostravské dny 2007, Ostravské centrum nové hudby, Ostrava, 2007, 43 pp. [147]
  • Martin Flašar, "The East of the West: The conditions under which electroacoustic music existed in Czechoslovakia, 1948-1992", EMS08, 2008. Conference paper.
  • Tomáš Raszka, Elektroakustická hudba, její technologie a proces se zaměřením na československou scénu, Brno: Masaryk University, 2010. Bachelor thesis. (Czech)
  • Zvukem do hlavy: Sondy do současné audiokultury, Prague: AMU, 2012. (Czech) [148]
  • Rudolf Růžička (ed.), "Bibliografie o české a slovenské počítačové hudbě".

Slovakia

Hungary

  • Laszlo Dubrovay, "Hungarian Electroacoustic Music", 1994, [151]
  • Zoltán Pongrácz, "Electroacoustic music in Hungary", 1992, [152]
  • Gyorgy Kroó, "New Hungarian Music", in: Notes, Second Series, Vol. 39, No. 1 (Sep., 1982), pp. 43-71 [153]

Poland

Serbia

  • Mirjana Veselinović-Hofman, "Stvaralačko prisustvo evropske avangarde u nas" [The Creative Presence of the European Avant-Garde in Serbian Music], Belgrade, Univerzitet umetnosti, 1983.
  • Vladan Radovanović, Vokovizuel (Vocovisual), Belgrade, Nolit, 1987.
  • Mirjana Veselinović-Hofman, "Fragment o muzičkoj postmoderni" [Fragment on Musical Postmodernism], Novi Sad, Matica srpska, 1997.
  • Vladan Radovanović, “Srpska avangarda u odlasku od muzike (1955–1980)” [Serbian Avant-garde in the Process of Leaving Music (1955–1980)], Gradina, 10, 1984, pp. 5–37
  • Melita Milin, "Serbian Music of the Second Half of the 20th Century: From Socialist Realism to Postmodernism", in: Katy Romanou (ed.), Serbian and Greek art music: a patch to Western music history, Intellect Books, 2009, pp 82-97.
  • Sintezijska umetnost Vladana Radovanovića [The Synthesic Art of Vladan Radovanović] monograph for his retrospective, 2005. Includes collection of essays by Dejan Đorić (The Founder of the Serbian Avant-Garde), Ješa Denegri, Nikola Šuica (on vocovisual), Ivan Rastegorac (On the Recording of Dreams and the Literary Works of Vladan Radovanović), Melita Milin (Metamusic and Music of Vladan Radovanović), Vladan Radovanović (Sintezijska umetnost / Synthesic Art); and catalogue of works. [156] [157]
  • Mirjana Veselinović-Hofman, "Problems and Paradoxes of Yugoslav Avant-garde Music (Outlines for a Reinterpretation)" published in Impossible Histoires (Historic Avant-Gardes, Neo-Avant-Gardes, and Post-Avant-Gardes in Yugoslavia, 1918-1991) edited by Dubravka Đurić and Miško Šuvaković (MIT Press: 2003), pp 404-441
  • Ivana Janković [Medić], "Sintezijska umetnost Vladana Radovanovića" [Vladan Radovanović's 'synthesic art'], Muzikologija 3, 2003, pp 141-186. (Serbian) [158] [159]
  • Vladan Radovanović, Muzika i Elektroakustička Muzika, Izdavačka knjižarnica Zorana Stojanovića, Novi Sad, 2010.

Croatia

  • Mirjana Veselinović-Hofman, "Problems and Paradoxes of Yugoslav Avant-garde Music (Outlines for a Reinterpretation)" published in Impossible Histoires (Historic Avant-Gardes, Neo-Avant-Gardes, and Post-Avant-Gardes in Yugoslavia, 1918-1991) edited by Dubravka Đurić and Miško Šuvaković (MIT Press: 2003), pp 404-441

Romania

  • Aurel Stroe, Grădina sunetelor - eseuri despre muzică [Sound Garden - Essays on Music], Bucureşti, Edit. Muzicală, 1991
  • Breve Histoire de la Musique Electroacoustique en Roumanie. 2007. [160] (French)
  • Ciprian Lorin Jalbă, Electro-acoustic Music - Technology and Composition Implications in the Romanian Music, doctoral thesis, 2010. [161]
  • Octavian Nemescu, "Avangarda în componistica românească", Muzica 1, 2010. [162]

Bulgaria

  • Simo Lazarov, "Bulgarian Electronic and Computer Music Electronic Studio - Radio Sofia", 1994. [163]
  • Simo Lazarov, "Composing and Performing Computer Music By Using Personal Computers", PhD thesis, 1991. Technical University in Sofia.

Lithuania

Performance

Czech Republic

  • Josef Hiršal and Bohumila Grögerová Slovo, písmo, akce, hlas (word, letter, action, voice) (1966). Presented the parallel trends of the 1960s in the rest of Europe in a condensed form, they made use of the term "experimental art" in order to set parameters. editors included new types of artificial poetry, permutational and programmed art and happenings under the flag of experimental art, as their selection of manifestos, essays and artistic programs presented it. [165]
  • Vít Havránek (ed.), Akce slovo pohyb prostor. Experimenty v umění šedesátých let, catalogue (Prague: 1999) [166]
  • Pavlína Morganová, "Umenie akcie 1965-1989", Profil 3, 2001, pp 6-15 (Czech) PDF
  • Vít Havránek, "Action word movement space. Czech experimental art of the 1960s". Exhibition catalogue. [167]

Slovakia

  • Michal Murin, "Performance?" Profil 17-18 (1991) (Slovak)
  • Michal Murin, "San Francisco performance art" Profil 22 (1991) (Slovak)
  • Michal Murin, "Transmusic Comp. (hudobné performance)" Slovak Music 2 (1991) pp. 24 (Slovak)
  • Michal Murin, "Transmusic Comp" Dotyky 10 (1991) (Slovak)
  • Michal Murin (ed.), Profil, No. 3 (1993). [168] (Slovak)
  • Jozsef R. Juhász (ed.), Transart Communication. 7th International Contemporary Art Festival - 8th International Contemporary Art Festival 1995-1996, Nové Zámky, 1997. CD-ROM. (Slovak)
  • Michal Murin, "Studio Erte - Jozef. R. Juhász", in: PARAF - Joszef R. Juhasz monography [169]
  • Gábor Hushegyi, "Stúdio erté 1987-1997" Jozsef R. Juhász ed., Transart Communication. 7th International Contemporary Art Festival - 8th International Contemporary Art Festival 1995-1996, Nové Zámky: Studio erté, 1997. CD-ROM. (Slovak and English)
  • Michal Murin, "Performance na Slovensku v 90. rokoch" A.K.T., Brno: Dům umění, 1999. (Slovak)
  • Ivan Jančár, "Performancia," Jana Geržová ed., Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia, Bratislava: Profil, 1999. (Slovak)
  • Michal Murin, "Performance Art in Slovakia in the 90s (From the Position of the Art-Form, through its Reflection to the (Co-Existence of Solitary Worlds)", Slaps Banks Plots 4 (2000).
  • Michal Murin, "L´art de performance en Slovaquie - A partir d´une forme artistique et de sa réflexion vers la coexistence de mondes solitaires" [Performance Art in Slovakia - From the Art-Form, and its Reflection Towards the Co-Existence of Solitary Worlds], in Art Action 1958-1998, edited by Richard Martel, Éditions Intervention, Québec, Canada, 2001, pp 454-457; Hushegyi, Gábor: Importance. Place et rôle du Studio eré (1987-1997) dans l´art de la (Tchéco)Slovaquie. / The Importance. Position and Role of Studio erté (1987-1997) in the Art of (Czécho)Slovakia. U.o., pp 458-467.
  • Zora Rusinová (ed.), Umenie akcie 1965-1989, Bratislava: Slovak National Gallery, 2001. (Slovak)
  • Pavlína Morganová, "Umenie akcie 1965-1989", Profil 3, 2001, pp 6-15 (Czech) [170]
  • Andrea Bátorová, "Zopakovať jedinečné. Rozhovor so Zorou Rusinovou", Profil 3, 2001, pp 16-29. (Slovak) [171]
  • Andrea Bátorová, "Považujete akčné umenie za revolučné? Rozhovor s Luciou Gregorovou-Stachovou", Profil 3, 2001, pp 30-39. (Slovak) [172]
  • Gábor Hushegyi, "Actinart - medzinárodné sympózium", Profil 3, 2001, pp 40-47. (Slovak)
  • Michal Murin, "Performance art in Slovakia in the 90s". [173] [174], also in a book: [175]
  • Gerhard Dirmoser, Boris Nieslony, "Performance-Art Kontext: Performative Ansaetze in Kunst und Wissenschaft am Beispiel der 'performance art'", visualisation, Linz/Cologne, 2001.
  • Július Fujak, "Transmusic Comp. + SNEH. Adamčiak, Machajdík, Murin and Cseres" 2005. [176] (Slovak) [177] (English)
  • Gábor Hushegyi, Zsolt Sőrés (eds.), Transart Communication Performance & Multimedia Art Studio erté 1987 – 2007 (Kalligram, 2008) (Slovak, Hungarian, English) [178]
  • Omar Mirza, Aktionskunst in der Slowakei (1965-1989), Vienna, 2008. Master thesis. (German)
  • Andrea Bátorová, Aktionskunst in der Slowakei in den 1960er Jahren, Lit Verlag, 2009, 408 pp. ISBN 3825818381. (German) Contents
  • DigiVAF(ex), Festival Performaction 2010, 2010. ISBN 9788089078769 (Slovak)
  • Ján Kralovič, "Nutnosť intenzívneho prežívania (Poznámky k akčnému umeniu v mestskom priestore na Slovensku v 70. rokoch 20. storočia)", in Umenie na Slovensku v historických a kultúrnych súvislostiach 2010, edited by Bernadeta Kubová and Ivan Godič, Trnava: Milan Uličný - BEN, 2011, pp 215-226. (Slovak)

Hungary

  • Bea Hock, "What was Aided, Rejected, Tolerated in Hungary in the 1970s and 1980s", 2001. [179]

Poland

Romania

  • Ileana Pintilie, "Performance Art In Romania. Between gesture and ritual", [180]

Estonia

  • Raivo Kelomees, "RÜHM T on Toompea Hill", Kultuurileht, 25 October 1996, [181]

Multimedia environments

Czech Republic

  • Jan Grossman, "O kombinaci divadla a filmu", in Laterna magika - sborník statí, ed. Bohumil Svoboda, Prague: ČSF - Filmový ústav, 1968, pp 31-97. (Czech)
  • Vít Havránek, "Laterna Magika, Polyekran, Kinoautomat", in Future Cinema. The Cinematic Imaginary after Film, ZKM and The MIT Press, 2003.
  • Svatopluk Malý, Vznik, rozvoj a ústup multivizuálních programů, Prague: Akademie múzických umění, 2010. (Czech) [182]
Resources
  • Vit Havranek (ed.), Pioneers of Interactive Czech Films (50s-60s), 2002. DVD with works: Laterna Magika, 1958; Laterna Magica, 1967, Exposition Montréal; Kinoautomat, 1967, Expo Montréal; Diapolyekrán, Stvorení sveta, 1967, Expo Montréal. [183]

Computer art

Czech Republic

  • Jiří Valoch (ed.), [[Media:Valoch,_Jiří_(1968,_ed.)_-_Computer_Graphic,_catalogue_(Czech).pdf‎|Computer Graphic]], Brno: Dům umění města Brna, 1968. 16 pages. Catalogue. (Czech)
  • Zdeněk Sýkora, J Blažek, "Computer-Aided Multi-element, Geometrical Abstract Paintings", Leonardo 3 (1970), p 409.
  • Božena Pilpachová, Počítačová grafika, Prague: Výzkum. ústav výstavby a architektury, 1972, 58 pp. (Czech)
  • L Granát, H Sechovský, Počítačová grafika, Prague: SNTL, 1980. (Czech)
  • Miroslav Klivar, Zdeňka Čechová, Aplikace počítačové grafiky v textilním průmyslu ČSSR, Prague: ÚBOK, 1981. (Czech) [184]
  • Computer Graphics Art. Zdeňka Čechová, Daniel Fischer, Zdeněk Frýbl, Jozef Jankovič, Miroslav Klivar, Jan Moučka, Prague, 1982. Catalogue.
  • Počítačové grafické umění, Prague: Obvodní dum kultury v Prahe 8, 1982. Catalogue. (Czech)
  • Miroslav Klivar, "Počítač v umění a experimentální estetice" Estetika 3 (1986). (Czech)
  • Miroslav Klivar, "České počítačové umění (1)", Chůdové kořeny, Vol 2, No 2, June 2003. (Czech)
  • Miroslav Klivar, "České počítačové umění (2)", Chůdové kořeny, Vol 2, No 3, October 2003. (Czech)

Slovakia

  • Miroslav Klivar, "Kybernetika a teória odrazu vo vzťahu k umeniu" Slovenské pohľady 10 (1962) (Slovak)
  • Martin Šperka "Filmy z počítača" Elektrón 12 (1984) pp. 29-31 (Slovak)
  • Jankovič - Grafika, exhibition catalogue. With texts by Naďa Reháková and Imrich Bertók. Liberec: Oblastní galerie, 1984.
  • Martin Šperka et al. Počítačová grafika a numerické metódy (Bratislava: SVŠT-Alfa, 1985) (Slovak)
  • Počítačové umění ČSSR, catalogue (Prague: 1985)
  • Imrich Bertók, Jozef Jankovič, "A Collaborative Investigation of the Line: Interactive Computer-Aided Drawings" Leonardo 1 (1986) pp. 27-30. [185] (English)
  • P Slavkovský, "Niektoré aplikácie počítačovej animácie" Počítačová grafika '86 (Bratislava: JSMF, 1986) (Slovak)
  • Miroslav Klivar, "Počítačová grafika v súčasnej výtvarnej kultúre" Výtvarníctvo, fotografia, film 10 (1986) (Slovak)
  • Zdeňka Čechová "Aplikácia počítačovej grafiky vo výtvarnom umení" Počítačová grafika, Proceedings of conference, Smolenice, 1986 pp. 15 - 20
  • Martin Šperka, "Počítač ako maliar" Elektrón 12 (1986) pp. 8-15 (Slovak)
  • Imrich Bertók, Ivo Janoušek Počítače a umenie (Bratislava: SPN, 1989) (Slovak)
  • Lucie Holá Počítačové umění v ČSSR a ve světě, catalogue (Prague: Dům techniky Praha, 1989)
  • Robert Zavarský, "Počítačové umenie", Dotyky 1 (1990), PDF. (Slovak)
  • Martin Šperka, Počítačová grafika vo výtvarnom umení, catalogue, Banská Bystrica: Štátna galéria Žilina, Regionálne kultúrne stredisko, 1992, 32 pages (Slovak)
  • Martin Šperka (ed.), Computer Graphics in Fine Arts / Počítačová grafika vo výtvarnom umení, catalogue, Bratislava: Academy of Fine Arts, 1993, 8 pages. (Slovak/English)
  • [[Media:Profil_1_(1993)_-_Počítačová_grafika_(Slovak).pdf|Profil: Počítačová grafika]], No. 1, 1993, Bratislava. (Slovak)
  • Martin Šperka, [[Media:Profil_1_(1993)_-_Počítačová_grafika_(Slovak).pdf|"Siggraph 92"]], Profil 1 (1993), Bratislava, pp 2-3 (Slovak)
  • Martin Šperka, [[Media:Profil_1_(1993)_-_Počítačová_grafika_(Slovak).pdf|"Míľniky počítačovej grafiky na Slovensku"]], Profil 1 (1993), Bratislava, pp 10-11 (Slovak)
  • Martin Šperka, [[Media:Profil_1_(1993)_-_Počítačová_grafika_(Slovak).pdf|"Autori o sebe: Interview so štyrmi pioniermi počítačovej grafiky v Čechách a na Slovensku"]], Profil 1 (1993), Bratislava, p 13 (Slovak)
  • [[Media:Profil_1_(1993)_-_Počítačová_grafika_(Slovak).pdf|"Tri otázky pre Jana Sekala"]], Profil 1 (1993), Bratislava, p 16 (Slovak)
  • Martin Šperka, "The Origins of Computer Graphics in the Czech and Slovak Republics", Leonardo, Vol. 27, No. 1 (1994), pp. 45-50 [186]
  • Martin Šperka, "Počítačové umenie - genéza a súčasnosť," Podoby súčasného umenia. Zborník prednášok o súčasnom výtvarnom umení a architektúre" (Bratislava, 1994) (Slovak)
  • Martin Šperka, "Some notes on the history of electronic and computer art in Slovakia" 1996 [187]
  • Martin Šperka E_Mail_Art_1_2_3 - Počítačová grafika - výber z diel, catalogue (Žilina: PGU, 1997) (Slovak)
  • Martin Šperka, "Počítačová grafika," Jana Geržová ed., Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia (Bratislava: Profil, 1999) (Slovak)
  • Martin Šperka, "Počítačové umenie," Jana Geržová ed., Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia (Bratislava: Profil, 1999) (Slovak)
  • Diana Majdáková, Digitálny obraz v slovenskom výtvarnom umení 20.storočia. Uplatnenie počítačovej grafiky a digitálnych technológií v tvorbe statického obrazu, Diploma thesis, Katedra dejín výtvarného umenia, Filozofická fakulta, Univerzita Komenského v Bratislave, 2008. (Slovak)

Hungary

  • Miklós Peternák, "Hungarian Computer Art", in: Peter Weibel (ed.): Beyond Art. A Third Culture

Poland

Slovenia

  • Marina Gržinić (ed.), The Future of Computer Arts, 2004. [188]

Romania

  • Sherban Epuré, "Cybernetic Attitude, Mathematical Thinking", România Literarã No. 25, Bucharest, June 13 1970. [189]
  • Adrian Rogoz, "Arta Programativã", Stiinta si Technica, Bucharest, June 1970.
  • Sherban Epuré, "Cybernetics and Art", Arta Review # 7, Bucharest, Sep 1970. [190]
  • "Glossary", Arta Review, Bucharest, Romania, February-August 1971. The "Glossary" was published throughout most of 1971, as a series of monthly articles. It deals with such terms as: cybernetics, structure, input, output, feedback behavior, information, the significance of information, feedback, black-box, redundancy, noise, sensibility, original, entropy, etc. [191] [192] [193] [194] [195]
  • Viktor Ernest Maşek, Arta şi matematica. Introducere în estetica informaţională, Editura Politică, Bucureşti 1972. The first Romanian text applying Max Bense's aesthetic theories to semiotics of visual art. The book is based on his PhD thesis, "Introducere în estetica informaţională", 1971.
  • Viktor Ernest Maşek (ed.), Estetică, informaţie, programare [Aesthetics. Information. Programming], Editura Ştiinţifică, Bucharest 1972, 216 pp. Anthology comprising important texts by A. Moles, M. Bense, H. Frank, S. Maser, K. Alsleben, but also Mihai Dinu, Cezar Radu, Stefan Niculescu, and others.
  • Mihai Nadin, Elements of Meta-Aesthetics, Eminescu, Bucharest, l972.
  • Sherban Epuré, "Mathematics and anatomical constructions", the Secolul XX Review #11-12, Bucharest, Romania, 1973. [196] [197]
  • Sherban Epuré, "Realism Mathematic", the Arta Review, Bucharest, Romania, 4.13.1973. [198] [199] [200]
  • Abraham Moles, Artă şi ordinator [Art and Computer], Editura Meridiane, Bucharest 1974. Classic book translated to Romanian.
  • Sherban Epuré, "Applications of Cibernetical Methods in the Fine Arts", the Arta Plastica Magazine, Bucharest, Romania, October 1974. [201]
  • Sherban Epuré, "Painting and Cybernetics", Installation and Extensive One Man Show, part of the 
Art and Energy exhibition, at The New Gallery, Bucharest, Romania, 1974. Catalog text. [202] [203] [204]
  • Viktor Ernest Maşek, review of Jalobeanu's exhibition 'Computer Graphics', Arta 6, Bucharest 1976
  • Radu Bagdasar, Informatica Mirabilis - Arta şi Literatura de calculator [Computer Art and Literature], Editura Dacia, 1982.
  • Solomon Marcus (ed.), Semiotica matematică a artelor vizuale [Mathematical Semiotics of Visual Arts], Editura Ştiinţifică si Enciclopedica, Bucharest 1982, 409 pp. Contains two substantial texts in the field of the computer–art relationship, namely, Mihai Jalobeanu, "Imaginile, producerea si prelucrarea lor cu sistemele actuale de calcul" [Images, their Production and Processing with today's Computing Systems] and Mihai Brediceanu, "Timpul polimodular în artele vizuale" [Polimodular Time in Visual Arts].
  • pamphlet accompanying 'Art and Computer' exhibition, 1985. Text by Horia Medeleanu.
  • Ambroise Barrac, Poezia electronică, 2008. [205]
  • Sherban Epuré, "An Artist's Journey in Art and Science: From behind the Iron Court to Present-Day America". Leonardo, October 2006, vol. 39, #5, MIT Press, Boston. pp.402-409 and 436. [206]

Bulgaria

  • In one of the biggest and well-known daily newspapers “Narodna Mladej” (Peoples’ Youth) with approx. 100 000 daily issues circulation, Rosen Petkov, promoted electronic arts (ca 1987 [207]). “Mlad konstruktor” (The Young Developer) magazine and “Grafika s komputar” (Computer Graphics) magazine were other well known media where Mr. Petkov presented the electronic music and computer graphics achievements during that time.
  • Rosen Petkov, Old books and computer arts, 2010. [208]

Video

East-Central Europe

  • Réka Deim, "Transitland: Video Art from Central and Eastern Europe 1989-2009 (Interview)", ARTMargins, December 2009.

Czech Republic

  • Michael Bielický, "Praga Caput - Praga Caput Medii".
  • Miloš Vojtěchovský, "Nástin: Gary Hill a videopoetika", Profil 14-15, 1992, pp 80-87 (Czech)
  • Tomáš Bielický, "Praha – nová média – Akademie výtvarných umění", in: Ludvík Hlaváček, Marta Smolíková (eds.), Orbis Fictus. Prague, Oswald, 1995, pp 157-161. (Czech)
  • Radůz Činčera, "Kapitoly z pravěku interaktivity", in: Ludvík Hlaváček, Marta Smolíková (eds.), Orbis Fictus. Prague, Oswald, 1995, pp 121-127. (Czech)
  • Keiko Sei, "Po stopách médií", in: Ludvík Hlaváček, Marta Smolíková (eds.), Orbis Fictus. Prague, Oswald, 1995, pp 141-157. (Czech)
  • Marta Smolíková, "Svět vybájený a svět v obrazech", in: Ludvík Hlaváček, Marta Smolíková (eds.), Orbis Fictus. Prague, Oswald, 1995, pp 161-169. (Czech)
  • Michal Bregant, Martin Čihák, "Skutečnější než realita". in: Josef Alan (ed.), Alternativní kultura, Jihlava: Nakladatelství Lidové noviny, pp 421–443, 2001. (Czech)
  • Bohunka Koklesová, "Video, Multimedia, Performance Studio - Tomas Ruller's Studio", Bratislava: VŠVU, 2003 (English/Slovak)
  • Lenka Dolanová, "Vstup pohyblivých obrazů do galerie", Iluminace Vol 15, No 4 (2003). (Czech)
  • Bohdana Kerbachová, "Počátky českého videoartu",Iluminace, Vol 18, No 2 (2006). (Czech)
  • Martin Mazanec, "Výzkumný projekt: český videoart", A2, No 49, 2008. (Czech)
  • Pavel Červinka, "Vznik a vývoj českého videoartu", Bakalářská práce, Brno: Fakulta sociálních studií, Masarykova univerzita, 2008. (Czech)
  • Jakub Čermák, "Vymezení pojmu 'videoart' v kontextech české vizuální scény", Brno: Masaryk University, 2008. Bachelor thesis. (Czech)
  • Lenka Dolanová, Steina a Woody Vasulkovi: Dialog s démony nástrojů, AMU, 2011. (Czech)

Slovakia

  • Miroslav Klivar, "Videoumenie I, II" Výtvarníctvo, fotografia, film 4-5 (1987) (Slovak)
  • Radislav Matuštík Suterén, catalogue (Bratislava: 1989)
  • Katarína Rusnáková, "Videoumenie," Jana Geržová ed., Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia (Bratislava: Profil, 1999) (Slovak)
  • Katarína Rusnáková, "Umenie videa," Zora Rusinová et al. Dejiny slovenského výtvarného umenia – 20. storočie (Bratislava: SNG, 2000) (Slovak)

Hungary

  • Bálint Szombathy, Video Art in the Mid-Seventies (Új Symposion, No.128, 1975)
  • György Somogyi, Video-Visions (Mûvészet, 1977 Yearbook)
  • Gábor Bódy, Creative Thinking Device, film journal Filmvilág, 1982
  • The World of Video, first comprehensive collection of translated articles covering the field of video, providing information about the international developments of almost twenty years of video art and video theory, 1983
  • Miklós Peternák: Data Toward the Study of the History of Hungarian Video Art. SVB VOCE, Budapest, Soros Foundation/Soros Center for Contemporary Arts (SCCA) - Mûcsarnok/Kunsthalle, 1991 [212]
  • C3: History and archive of video art in Hungary 1972-2000, http://www.c3.hu/collection/videomuveszet/indexen.html
  • Andrew J Horton, "Avant-garde Film and Video in Hungary" Central European Review (October 1998) [213] (English)
  • Vera Bódy, "Magyar Video", 1987. Mediamatic Magazine Vol. 1#4 [214]
  • Miklos Peternak, "Die neuen (kuenstlerischen) Medien und die ungarische Gesellschaft", (German), [215]

Poland

Yugoslavia

  • Marijan Susovski, "Video u Jugoslaviji", Spot, no. 10, Zagreb 1977.
  • Raša Todosijević, Video, Videosfera: video/društvo/umetnost ("The Video: Videosphere: video/society/art"), Studentski izdavački centar, ed. Mihailo Ristić, Belgrade 1986.
  • Mihailo Ristić (ed.), Video, Videosfera: video/društvo/umetnost (The Video: Videosphere: video/society/art), Studentski izdavački centar, Belgrade 1986. Anthology of theoretical texts about video, including contributions from video-makers.
  • Barbara Borčić, "Video Art from Conceptualism to Postmodernism" published in Impossible Histoires (Historic Avant-Gardes, Neo-Avant-Gardes, and Post-Avant-Gardes in Yugoslavia, 1918-1991) edited by Dubravka Đurić and Miško Šuvaković (MIT Press: 2003), pp 490-524. [216] [217] [218]

Croatia

  • Heiko Daxl, "Film and Video-art in Croatia. Fragmentary Sketches of a History and a Description of the Status Quo", August 1993. (English), (German)
  • Tihomir Milovac (ed.): Insert / Retrospective of Croatian Video Art, MSU: Zagreb, 2008. The publication is a follow-up of the museum’s 2005 retrospective and presents the works of some one hundred video artists on 360 pages with 466 reproductions, in Croatian and English. Authors: Tihomir Milovac, Silva Kalčić, Antonija Majača, Branko Franceschi. [219]
  • Andrew J Horton, "Avant-garde Film and Video in Croatia" Central European Review (November 1998) [220] (English)

Serbia

  • Dejan Sretenović, "Video Art in Serbia". POGLED /VIEW/ series, Centre for Contemporary Art, Belgrade, 1999.
  • Barbara Borčić, "Video Art from Conceptualism to Postmodernism" published in Impossible Histoires (Historic Avant-Gardes, Neo-Avant-Gardes, and Post-Avant-Gardes in Yugoslavia, 1918-1991) edited by Dubravka Đurić and Miško Šuvaković (MIT Press: 2003), pp 490-524. [221] [222] [223]
  • VIDEOGRAFIJA regiona = Videography of the Region : 2006-2009 : [katalog projekta = project catalogue] / [priređivač, edited by Aleksandra Sekulić]. - Beograd : Dom kulture “Studentski grad”, 2009 (Beograd : Alta Nova). - 245 str. : ilustr. ; 24 cm [224]

Slovenia

  • Vera Horvat Pintarić (ed.), Televizija danas/Television Today, Zagreb, 1972. Includes texts on the first video experiments.
  • Stane Bernik, 1973, in Sinteza magazine he defined video art as an experiment and as a creative experience of contemporary fine art expression. This marked the beginning of discussions about video as a new medium in texts.
  • Ekran magazine published a historical overview of tendencies in video, including a selected bibliography, edited by Brane Kovič, 1977.
  • Bogdan Lešnik wrote in Ekran magazine, 1979, about video technology and procedures, and about video as `a medium whose specific conditions place it in the sphere of art and thus deprive it of political alertness'.
  • Tomaž Brejc on Miha Vipotnik and Nuša and Srečo Dragan, in Delo magazine, ca 1979. [225]
  • Dušan Mandić, text in Viks, a ŠKUC-Forum bulletin, 1983. Mandić wrote about the new codes of signification, and highlighted the difference between the formalistic approach to video in the `70s and the mass dimensions and social engagement of the audio-visual video explorations of the `80s.
  • Brane Kovič edited a thematic supplement on video for Ekran magazine, no. 1-2, Ljubljana, 1984. In addition to a text by Dušan Mandić, "ŠKUC-Forumova video produkcija", it was dedicated to the pioneer of video production, Nam June Paik.
  • The joint issue of Ekran and Sinteza in 1986 published the hitherto largest number of texts by domestic and foreign authors about video art, its history and relationship with television and design.
  • Marina Grzinic, "Video From Slovenia", Variant 11, 1992, pp 22-25.
  • Barbara Borčić, "From Alternative Scene to Art Video: Video Production in Slovenia 1992-1994", Ljubljana, March 1994. [226]
  • Barbara Borčić, "Reception of Video Production in Slovenia", [227]
  • "Video from Slovenia", [228]
  • Marina Grzinic, "Video Art in Slovenia and in the Territory of Ex-Yugoslavia (Toward an Electronic Art Media Theory in Eastern Europe)", Mute Jan 1997. [229]
  • Igor Španjol, "An artistic evening: television presentation and production of art video", in: Videodokument: Video Art in Slovenia 1969-1998, ed. Barbara Borčić, SCCA-Ljubljana, Ljubljana, 1999.
  • Zemira Alajbegović and Igor Španjol, "In the tehnological grip of a television station: an interview with Miha Vipotnik", in: Videodokument: Video Art in Slovenia 1969-1998, ed. Barbara Borčić, SCC – Ljubljana, Ljubljana, 1999.
  • Videodokument. Video art in Slovenia 1969-1998, SCCA Ljubljana. Catalogue, book of essays, CD-ROM, 2001. [230]
  • Ana Fratnik, "Locality in the global medium: Video art in Slovenia". Diploma thesis, 2010. (Slovenian) [231]
  • http://www.videospotting.org/eng/texts

Macedonia

  • "Videokunst in Mazedonien", (German), [232]

Romania

  • Calin Dan (ed.), Ex Oriente Lux, Bucharest: The Soros Center for Contemporary Arts, 1994. (catalogue)
  • "Videokunst in Rumänien", (German), [233]
  • Natalie Musteata, "Wired to History: Romanian and Lithuanian Video Art Post-1989", PhD Program in Art History, CUNY Graduate Center, 2010. [234]

Bulgaria

  • Auszuege aus Rossen Milev, "Video in Osteuropa", Balkan Media, Sofia (Bulgarien) 1993, (German) [235]
  • Rossen Milev, Video in Osteuropa, Balkanmedia, Sofia 1993
    • Review by Geert Lovink, "Video in Osteuropa, Rossen Milev", in: Mediamatic, Vol. 7 # _, 1994, p. 342.

Lithuania

  • Renata Dubinskaitė, "Artist Roles in Lithuanian Video Art (1990-2003)", Athena: Philosophical Studies. Issue: 3, 2008: 156-172. [236]
  • Renata Dubinskaitė, "Experiments of documentary cinema language in Lithuanian video art", Menotyra, vol 15, Nr 2, 2008, pp 40-49. [237]
  • Natalie Musteata, "Wired to History: Romanian and Lithuanian Video Art Post-1989", PhD Program in Art History, CUNY Graduate Center, 2010. [238]

Estonia

  • Raivo Kelomees, text on video art in Estonian, Kunst, 1988.
  • Raivo Kelomees, "Estonian Video Art", June 1995, [239]
  • Raivo Kelomees, "L'art vidéo vieillissant. L'académie de l'art électronique", [240]
  • Raivo Kelomees, "Jaan Toomik - Beyond Classification", 1997, [241]

Electronic music

Czech Republic

  • Petr Dorůžka ed. Hudba na pomezí (Prague: 1991)
  • Z K Slabý, Petr Slabý Svět jiné hudby (Prague: 2002)

Slovakia

  • Susanna Niedermayr, Christian Scheib European Meridians - New Music Territories. Reports from Changing Countries (Saarbrücken: PFAU, 2002) ISBN 3-89727-248-2. Two bilingual books with two audio CDs. [242] (English and German)

New media art, Media culture

East-Central Europe

  • Stephen Kovats (ed.), Media Revolution. Electronic Media in the Transformation Process of Eastern and Central Europe. (German title: Ost-West Internet.) Edition Bauhaus 6, Campus Verlag, Frankfurt/M. and New York, 1999. 381 pp., illus. (All texts Engl. and German.) ISBN: 3-593-36365-8. With CD-Rom: Ostranenie 93 - 95 - 97. Bauhaus Dessau Foundation, Dessau, 1999. Mac & PC. ISBN: 3-910022-30-8, [243]. Review by Andreas Broeckmann
  • Syndicate Publication Series
    • Inke Arns (ed.) 1996 V2_East Meeting. Syndicate Publication Series 000. [244] [245] [246]
    • Inke Arns and Andreas Broeckmann (eds.) Deep Europe: The 1996 - 97 edition. Selected texts from the V2_East / Syndicate mailing list (143 pp.), Syndicate Publication Series 001, Berlin, October 1997. [247]
    • Inke Arns (ed.) Junction Skopje: The 1997 - 1998 Edition. Syndicate Publication Series 002. [248]
  • ZKP series 1-6, 1996-2001, [249]
    • ZKP1. Amsterdam, January 1996 [250]
    • ZKP2. Madrid June 1996. [251]
    • ZKP3. Budapest, October 1996. [252]
    • ZKP3.2.1. Ljubljana, November 1996. [253]
    • (ZKP4) Pit Schultz, Diana McCarty, Geert Lovink, Vuk Cosic (eds.), The Beauty and the East. Ljubljana, May 1997. [254]
    • (ZKP5) Josephine Bosma, Pauline van Mourik Broekman, Ted Byfield, Matthew Fuller, Geert Lovink, Diana McCarty, Pit Schultz, Felix Stadler, McKenzie Wark, Faith Wilding (editors). README! Filtered by NETTIME: ASCII Culture and the Revenge of Knowledge. New York: Autonomedia, February 1999. 556 pages. ISBN: 1570270899. [255]
    • (NKP6) Net.art Per Me. Catalogue of the Slovenian Pavillion. Venice Biennale 2001. [256]
  • Rossitza Daskalova, "The ground for net.art in the former Eastern Block (Central and Eastern Europe)", 2001, [257]
  • Rossitza Daskalova, "Web projects" reviews, 2001, [258]
  • Inke Arns and Andreas Broeckmann, "Small Media Normality for the East", Jun 1997. [259], (German version)
  • Inke Arns (ed.), "New Media Cultures in Central, Eastern and South-Eastern Europe", Convergence: Journal of Research into New Media Technologies, Vol. 4, No. 2, University of Luton Press / GB, Summer 1998 [ISSN 1354-8565] [ISBN 1-86020-032-X]. [260]
  • Slavomír Krekovič, "New Media Culture. Internet as a Tool of Cultural Transformation in Central and Eastern Europe", 2003. In Crossing Boundaries: From Syria to Slovakia, ed. S. Jakelic and J. Varsoke, Vienna: IWM Junior Visiting Fellows' Conferences, Vol. 14. [261]
  • Dušan Barok, Magdaléna Kobzová (eds.), Save Before It's Gone, 2006. Includes interviews with Dirk Paesmans, Maja Kuzmanovic, Darko Fritz, and Andrei Smirnov. [262]
  • Barbora Šedivá (ed.), 3/4 magazine: Special issue on media art history: Remake, No. 27-28, Bratislava: Atrakt Art, 2012. (English/Slovak) [263]

Czech Republic

  • Český obraz elektronický. Vnitřní zdroje , The Czech Electronic Picture - Inner Sources Catalogue of the Czech (and Slovak living in Prague) creators of video and intermedia art. (Prague: Gallery Manes, 1994) [264]
  • Kolektív autorov: Silver: Shadows of Flames/Stíny plamenu, catalogue (Prague: GHMP, 1996) [265]
  • Orbis fictus: nová média v současném umění, catalogue (Prague: Sorosovo centrum současného umění Praha, 1995) (English and Czech) ISBN 8085433265
  • Lanterna magika: nouvelles technologies dans l’art tchèque du XXe siècle = New technologies in Czech art of the 20th century, catalogue, Praha: KANT, 2002. — 261 p. — ISBN 8086217361. Includes timeline on media arts in the Czech Republic since 1920. [266]
  • "Nová média" Teorie vědy 2 (2002)
  • Denisa Kera, "Utopická média - Internet a rádio" 3/4 revue 16 (2003) pp. 70-75 (Czech)
  • Denisa Kera, "Anarchi_tekt" 3/4 revue 15 (2003) (Czech)
  • "Archeologie interaktivity" Teorie vědy 2 (2004)
  • Světlana Hejsková Internet jako umělecké prostředí (nejen) pro ženy. Net art: ženy-tvůrkyně a ženy-objekty. Dissertation. Consultant: Jiřina Salaguardová. (Brno: Masarykova univerzita, Fakulta sociálních studií, Katedra mediálních studií a žurnalistiky, 2003)
  • František Kůst Estetické strategie nových médií Master thesis. Consultant: David Kořínek. (Brno: Masarykova univerzita, Fakulta sociálních studií, Katedra mediálních studií a žurnalistiky, 2003)
  • Jana Geržová, "Rozhovor s Michaelom Bielickým", Profil 4, 2004, pp 88-90 (Slovak) PDF
  • Jana Kadeřábková Nová média a příběh v současné kinematografii Master thesis. Consultant: David Kořínek. (Brno: Masarykova univerzita, Fakulta sociálních studií, Katedra mediálních studií a žurnalistiky, 2006) [267]
  • Slávo Krekovič a Pavel Sedlák, "Má pojem nová média dnes ještě co říci?", in: Literární noviny 31 (2007). [268]
  • František Zachoval, "Hacking art", Flash Art 9, July-October 2008. (Czech) PDF
  • Lucia Udvardyová, "Ciant", Flash Art 9, July-October 2008. (Czech) PDF
  • Pavel Sedlák, "Umění z kráteru", Flash Art 9, July-October 2008. (Czech) PDF
  • Barbara Büscher, Jana Horáková (eds.), Imaginary spaces: prostor - média - performance / Raum - Medien - Performance, Praha: KLP-Koniasch Latin Press, 2008. [269]
  • Umění nových médií v bývalém Československu a v České republice po roce 1989, blog kurzu Teorie interaktivních médií, Brno, 2009
  • Martin Flašar, Jana Horáková, Petr Macek et al, Umění a nová média, Brno: Masarykova univerzita, 2011 (Czech). [270]
  • Tomáš Raszka, "Institucionalizace umění nových médií v České republice v letech 1989 - 2005", Brno: Masaryk University, 2012. Diploma thesis. (Czech)

Slovakia

  • Michal Murin (ed.), Tematické číslo časopisu Profil, Profil 1 (1993) pp 1-20 (Slovak)
  • Martin Šperka, [[Media:Profil_1_(1993)_-_Počítačová_grafika_(Slovak).pdf|"Počítače na školách"]], Profil 1 (1993), Bratislava, p 14 (Slovak)
  • Juraj Németh, [[Media:Profil_1_(1993)_-_Počítačová_grafika_(Slovak).pdf|"Multimédiá alebo prezentácia umenia po novom"]], Profil 1 (1993), Bratislava, p 15 (Slovak)
  • Martin Šperka "Počítače na VŠVU" Projekt 4 (1993) pp. 46-47 (Slovak)
  • Martin Šperka, "Elektronické umenie," Jana Geržová ed., Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia (Bratislava: Profil, 1999) (Slovak)
  • Martin Šperka, "Multimédiá," Jana Geržová ed., Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia (Bratislava: Profil, 1999) (Slovak)
  • Michal Murin, "Nové technológie v slovenskom umení alebo vyhoďme sa z kola von", Almanach 98 (Bratislava: SCCA, 1999) [271] (Slovak)
  • Monika Mitášová, Martin Kaňuch, Peter Michalovič, Jozef Cseres (eds.), Almanach 98 : Texty o filme... filozofii... hudbe... a výtvarnom umení, Bratislava: SCCA, 1999. 186 pp. ISBN 80-968089-1-5 [272]
  • Martin Šperka, "Virtuálna realita," Jana Geržová ed., Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia (Bratislava: Profil, 1999) (Slovak)
  • Katarína Rusnáková, "Postfotografia," Jana Geržová ed., Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia (Bratislava: Profil, 1999) (Slovak)
  • Michal Murin (ed.), Tematické číslo časopisu Profil, Profil 4 (2000) pp 4-73 (Slovak)
  • Slávo Krekovič, "Net radio.. net.audio" Trištvrte revue 5-6 (2000) (Slovak)
  • Jana Geržová, "Intermédiá a (alebo) multimédiá?", Profil 4, 2000, pp 64-65 (Slovak) PDF [273] (Slovak)
  • Michal Murin, "Nové médiá", Profil 4 (2000) pp. 4-5. [274]
  • Zora Rusinová, "Objekt v multimediálnych kontextoch" Zora Rusinová et al. Dejiny slovenského výtvarného umenia – 20. storočie (Bratislava: SNG, 2000) (Slovak)
  • Dušan Barok, "Net.art. Internet ako umelecké médium" 3/4 revue 1 (2001) pp. 22-24. [275] (Slovak)
  • Juraj Čarný, "Topical Status of Contemporary Media Arts in Slovakia" Conceptual Art at the Turn of Millennium (Budapest-Bratislava: AICA Section Hungary, Slovak Section of AICA, 2002) pp. 94-112 (Slovak)
  • Miloš Vojtěchovský, "Umenie a elektronické technológie," Karel Císař, Josef Čermák, Terezie Petišková ed., Dejiny umenia 12 (Bratislava: Ikar, 2002) (Slovak)
  • Juraj Čarný, "Aktuálne postavenie súčasného mediálneho umenia na Slovensku" Conceptual Art at the Turn of Millennium (Budapest-Bratislava: AICA Section Hungary, Slovak Section of AICA, 2002) pp. 95-113 (English)
  • Jozef Cseres, "Interaktívnym umením za novú senzibilitu" Dart 10 (2003) (Slovak)
  • Mária Rišková et al., New Media Nation. Festival of Festivals, catalogue (Bratislava: Buryzone, 2003) (Slovak and English)
  • Michaela Sečanská, "Elektronické umenie na Slovensku po roku 1990", Trnava: Trnavská univerzita, Fakulta humanistiky, Katedra dejín umenia a kultúry, 2004. Master thesis. Consultant: Zora Rusinová.
  • Michal Murin, "Od utópií cez virtualitu k digitálnej realite" Profil 2 (2004) pp. 80–94. [276] (Slovak)
  • Miloš Krekovič, "Internetové umenie", master thesis (2005)
  • Katarína Rusnáková, "The Correlation of Image and Text in Contemporary Media Art" Human Affairs 1 (2005) pp 35-44
  • Katarína Rusnáková (ed.), V toku pohyblivých obrazov. Antológia textov o elektronickom a digitálnom umení v kontexte vizuálnej kultúry (Bratislava: AFAD Press, 2005) (Slovak)
  • Katarína Rusnáková, História a teória mediálneho umenia na Slovensku (Bratislava: AFAD Press, 2006), with DVD (Slovak)
  • Magdaléna Kobzová (ed.), Multiplace 2007, catalogue (Bratislava: Multiplace, 2007)
  • Slávo Krekovič a Pavel Sedlák, "Má pojem nová média dnes ještě co říci?", in: Literární noviny 31 (2007). [277]
  • Miloš Štofko, Od abstrakcie po živé umenie: Slovník pojmov moderného a postmoderného umenia, Slovart, 2007. [278]
  • Martin Beťko, "Hysteria.sk a Kyberia.sk – sonda do virtuálnej komunity", Brno: Masarykova Univerzita v Brně, Fakulta sociálních studií, Katedra mediálních studií a žurnalistiky. Consultant: David Kořínek, 2008. Master thesis. [279]
  • Ivana Madariová, "Festival ako sociálny experiment", Flash Art 9, July-October 2008. (Slovak) PDF
  • Jan Rylich, "Ivor Diosi", Flash Art 9, July-October 2008. (Czech) PDF
  • Diana Olčáková, [[Media:Olčáková,_Diana_(2008)_-_Michal_Murin_(Slovak).pdf|"Michal Murin"]], Vlna 37 (2008), pp 8-18 (Slovak)
  • Mária Rišková, "Agónia a extáza nových médií", Flash Art 9, July-October 2008. (Slovak)
  • Zuzana Husárová, "Písanie v interaktívnych médiách. Digitálna fikcia", Bratislava: Ústav svetovej literatúry Slovenskej akadémie vied v Bratislave, 2009. Consultant: Bogumiła Suwara. Doctoral thesis. [280]
  • Jozef Cseres, Michal Murin (eds.), Od analógového k digitálnemu. Nové pohľady na nové umenia v audiovizuálnom veku, Fakulta výtvarných umení, Akadémia umení v Banskej Bystrici, 2011. (Slovak) [281]
  • Katarína Rusnáková, Rozšírené spôsoby diváckej recepcie digitálneho umenia, Fakulta výtvarných umení, Akadémia umení v Banskej Bystrici, 2011. (Slovak) [282]
Digital prints
  • Michal Murin: Digital Male. Central European project of Exhibition of digital prints. Interview with Michal Boďa. In: Profil 4/2000. [283] (Slovak)
  • Zuzana Habšudová, "What have computers got to do with classic art?", In: The Slovak Spectator. October 2002. [284]

Hungary

  • János Sugár (ed.), Buldózer. Médiaelméleti antológia, 1997. (Hungarian) [285]
  • Drótos, Schiller, Karácsony, Beke, Moldován, Auby (eds.), Magyar tartalom. Írások a magyar webkultúráról, C3 Kulturális és Kommunikációs Központ, Budapest, 1997. (Hungarian) [286] [287]
  • Iván Horváth (ed.), Contentware, Gépeskönyv Contentware Labs, 1999. [288]
  • Zsuzsanna Tószegi, "A highly personal overview on Hungarian CD-ROMs", [289]
  • Michal Murin, "C3. Rozhovor s Miklósom Peternákom", Profil 4, 2000, pp 56-64 (Slovak) PDF
  • Nina Czegledy, "Media Art: The Hungarian Model", CIAC's Electronic Art Magazine 12 (2001) [290]
  • Maja and Reuben Fowkes, "Budapest Box: The Hidden Scene in the 1990s", in: Umelec: Contemporary Art and Culture, no.3 2002. [291]
  • Miklós Peternák, "Art beyond the Pictorial Turn", 2008. [292]

Poland

  • Ryszard Kluszczyński, Obrazy na wolności. Studia z historii sztuk medialnych w Polsce, 1998, Wydawnictwo Instytutu Kultury, ISBN 83-85323-62-7
  • Ryszard Kluszczyński, Film – wideo – multimedia. Sztuka ruchomego obrazu w erze elektronicznej (1999, wyd. II z 2002)
  • Ryszard Kluszczyński, Społeczeństwo informacyjne. Cyberkultura. Sztuka multimediów (2001, wyd. II 2002)
  • Lukasz Ronduda, Strategie subwersywne w sztukach medialnych, Krakow: Rabid, 2006 (Polish) [293]
  • Monika Górska-Olesińska, Słowo w sieci. Elektroniczne dyskursy, 2008
  • Ryszard Kluszczyński, Sztuka interaktywna. Od dzieła-instrumentu do interaktywnego spektaklu (2010, wyd. I)
  • Eugeniusz Wilk, Monika Górska-Olesińska (eds.), Od liberatury do e-literatury, 2011
  • Monika Górska-Olesińska, Od liberatury do e-literatury 2. Remiksy, remediacje, redefinicje, 2012
  • Andrzej Gwóźdź (ed.), Między obrazem a narracją. Szkice z teorii telewizji, „Wiedza o Kulturze”, Wrocław, 1990, s. 110.
  • Andrzej Gwóźdź (ed.), Pejzaże audiowizualne. Telewizja, wideo, komputer, Kraków 1997, Wyd. Universitas, ISBN 83-7052-346-3
  • Andrzej Gwóźdź, Sław Krzemień-Ojak (eds.), Intermedialność w kulturze końca XX wieku, Białystok, 1998
  • Andrzej Gwóźdź (ed.), Widzieć, myśleć, być: technologie mediów, Kraków 2001, Wyd. Universitas, ISBN 83-7052-593-8
  • Aleksandra Kaminska, Mediating Poles: Media Art and Critical Experiments of the Polish Site, 2004-2009, Toronto: York University, 2012. PhD Thesis.

Yugoslavia

  • Tom Bass, "A Travellogue from the Balkan", Telepolis, 19.06.1997. [294]

Croatia

Serbia

  • Dejan Sretenovic lecture on Media Art in Serbia, MonteVideo/Amsterdam, 2 May 2000. [300]
  • Branka Curcic, "The constant state of emergency: Report from Serbian media scene", 2003. [301]
  • Zana Poliakov, "Think in layers: Piracy dilemma in Serbia", ISEA Newsletter #93, 2003. [302]

Bosnia and Herzegovina

  • Darko Zovko, "Sarajevo Link", 1995. [303]
  • Seki Tatlic, "Fragmentation space. A brief overview of media and art in Bosnia", ISEA Newsletter #93, 2003. [304]

Romania

  • Eliza Deac, "On the matter of language in digital works", 2010. [305]
  • Calin Dan, "Media Arts Get Media Free: A Small Anthology of Older Views", in: Transitland: Video Art From Central and Eastern Europe: 1989-2009, 2009.

Bulgaria

Albania

  • Geert Lovink, "Media Art in Albania, First Steps. An Interview with Eduard Muka (Tirana)" (1996) [306]
  • Geert Lovink, "After the Chaos - A New Beginning for Albania. An Interview with Edi Muka - part 2" (1996) [307]

Lithuania

  • Renata Šukaitytė, "New Media Art in Lithuania", Athena: Philosophical Studies (3/2008). [308], [309]
  • Renata Šukautytė, "Media art as a scientific-experimental space. The case of Lithuanian, Latvian and Estonian art in the 20th (2nd part)–21st centuries", Menotyra, vol 15, Nr 2, 2008, pp 50-61. [310]
  • Face the Unexpected: Media Art from Estonia, Latvia and Lithuania, catalogue, 2006, [311]

Latvia

  • Acoustic space, 1998 and 1999. Net audio publications. Both issues are collections of net activists writtings, presentations and interviews focusing on subjects of networking, media culture theory, models of collaboation and exchanging experience in technological and creative process. Both issues are complemented by presentation of on media culture projects in Latvia and projects developed by international collaborative organisations and individuals.
  • Māra Traumane, "Words - Worlds. New Media in Latvia", Mare Articum 2 (7), 2000. Includes interview with members of E-Lab. [312]
  • Māra Traumane, "The Question of Changes: The 1990s in Latvian Art", 2002. [313]
  • Māra Traumane, "Interview with Mara Traumane on her research in Latvia". [314]
  • Face the Unexpected: Media Art from Estonia, Latvia and Lithuania, catalogue, 2006, [315]

Estonia

  • Raivo Kelomees, "Kunstiserverid ja võrgukunstniku argileib" [Art Servers and Daily Bread of Net.Artist], 1998, [316]
  • Estonica encyclopedia, "Contemporary technologies and art". [317]
  • Face the Unexpected: Media Art from Estonia, Latvia and Lithuania, catalogue, 2006, [318]
  • Estonica encyclopedia, "Time of re-independence — the 1990s in art". [319]
  • Raivo Kelomees, "The State of Estonian Media Art AD 1998", in: Estonian Art, nr 1, 1998. [320]
  • Katrin Kivimaa, "Eine Identität or Keine Identität: Zeitgenössische Kunst und Neue Medien in Estland", Springerin 1999 (German), 5 pages.
  • Katrin Kivimaa, "Changing spaces: new media/art in Estonian Culture", Mare Articum 2 (7), 2000. 30 pages. [321]
  • Hanno Soans and Anders Härm, "We Are Glad it's All Over", 2002. [322] [323]
  • Katrin Kivimaa (ed.), Avalöök: uus meedia ja kunst Eestis [Opening acts: new media and art in Estonia], Estonian Academy of Arts, 2004. (Estonian), 108 pages, ISBN 998594657X
  • Raivo Kelomees, Meediakunsti ajalugu ja elektroonilise kunsti probleemid [History and Problems of Media Art]. Media art history teaching tool, 1996/99. [324] [325]

Ukraine

  • Ianina Prudenko. "Media Art in Ukraine: The state of the theory and practice". May 2011. [326] [327]
  • Ianina Prudenko. "Współczesna sztuka ukraińska i nowe technologie". Sierpień/wrzesień 2009. [328]
  • Aaron Moulton. "A Revolution on Standby. Author Aaron Moulton tries a 72 Hours jump into Kiev's Contemporary Art scene". August 2007. [329]
  • Katya Stukalova, "In Expectation of Reloading: Ukrainian Media Art", 2005. (English, Czech, Spanish). [330] [331]
  • Galina Miazhevich, "Recent Developments in the Post-Soviet New Media: Ukraine and Belarus", presented at the F3 RuNet in a Global Context conference, 2011. [332]
  • Ianina Prudenko, "Ukrainian Media Art: Twenty Years of Experience", 3/4 27/28, 2012. (English/Slovak)

Art theory, Art history, Media theory

Czech Republic

Hungary

  • Miklós Peternák, The Influence of Conceptual Art within Hungary, 1997 [334]

See also

Support

The research was supported by cOL-mE, International Visegrad Fund, and ERSTE Foundation.

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Contributors include Dušan Barok, Guy van Belle, Nina Czegledy, Lenka Dolanová, Eva Krátká, Magdaléna Kobzová, Barbora Šedivá, Joanna Walewska, Darko Fritz, Miro A. Cimerman, Matko Meštrović, Paul Stubbs, Rarita Szakats, Călin Man, Raluca Velisar, Miklós Peternák, János Sugár, Pit Schultz, Diana McCarty, Barbara Huber, Maxigas, Miloš Vojtěchovský, Grzegorz Klaman, František Zachoval, Sølve N.T. Lauvås, and many others.

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