Conceptual art

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Also concept art, idea art, conceptualism.

Artists, collectives

Only those with pages on Monoskop wiki are listed.

Artist's books, magazines, writings

Essays

  • Henry Flynt, "Concept Art", in An Anthology of Chance Operations, eds. La Monte Young and Jackson Mac Law, New York, self-published, 1963; revised in 2nd ed., New York: H. Friedrich, 1970. [1] [2] (English)
  • Sol LeWitt, "Paragraphs on Conceptual Art", Artforum, Jun 1967, pp 79-83. (English)
  • Sol LeWitt, "Sentences on Conceptual Art", 0-9, New York, 1969; repr. in Art-Language, UK, May 1969. (English)
  • Joseph Kosuth, "Art After Philosophy", Studio International 178, no. 915 (Oct 1969), pp 134-137, no. 916 (Nov 1969), pp 160-161, no. 917 (Dec 1969), pp 212-213; Part I repr. in Art and Language, eds. Paul Maenz and Gerd de Vries, Cologne, 1972, pp 74-98; repr. in Kosuth, Art After Philosophy and After, MIT Press, 1991, pp 13-32. (English)
    • "Kunst nach der Philosophie", in Art and Language, eds. Paul Maenz and Gerd de Vries, Cologne, 1972, pp 75-99. Trans. of Part I. (German)
    • "L'art après la philosophie", artpress 1 (Dec 1972-Jan 1973). (French)
    • "A arte depois da filosofia", Malasartes, Rio de Janeiro, Sep-Nov 1975; repr. in Escritos de artistas anos. 60/70, eds. Gloria Ferreira and Cecília Cotrin, Rio de Janeiro: Jorge Zahar, 2006, pp 210-234. (Brazilian Portuguese)
    • "Umění následuje filosofii I.–III.", in Minimal & Earth & Concept Art, I, ed. Karel Srp, Prague: Jazzpetit, 1982. (Czech)
    • "Sztuka po filozofii", trans. Urszula Niklas, in Zmierzch estetyki: rzekomy czy autentyczny?, ed. Stefan Morawski, Warsaw: Czytelnik, 1987. (Polish)
    • "L'arte dopo la filosofia", trans. Gabriele Guercio, in Kosuth, L'arte dopo la filosofia. Il significato dell'arte concettuale, Genova: Costa & Nolan, 1987. (Italian)
    • "Filozófia utáni művészet", trans. Dezső Bánki, in Kosuth, Texte über Kunst / Művészeti tanulmányok, Vienna and Budapest: Knoll Galerie, 1992, pp 107-130. (Hungarian)
    • Джозеф Кошут, "Iskusstvo posle filosofii" [Искусство после философии], trans. A.A. Kurbanovsky, Voprosy iskusstvoznaniya [Вопросы искусствознания] 1 (2001), HTML. (Russian)

Magazines, periodicals

  • Art-Language, 1969-78

  • The Fox, 1975-76, PDFs

  • Vision, 1975-81, Log/1, PDF

  • Red-herring, 1977-78

  • Art-Language, 1969-78. First issue carried the subtitle The Journal of Conceptual Art. Covers, [3], [4].
  • The Fox, eds. Art & Language, New York, 1975-76. CCIndex.
  • Vision, 5 issues, ed. Tom Marioni, San Francisco: Crown Point Press, 1975-81. Issue 1.
  • Red-herring, New York: C.I.F., 1977-78. CCIndex.

Artist's books, catalogues

  • Xerox Book, 1968, Log, PDF

  • Sol LeWitt, Four Basic Kinds of Straight Lines, 1969, Log, PDF

  • Avalanche 4: Conceptual Art, 1972

  • Blurting in A & L [Art & Language], 1973, Log, HTML

  • Live In Your Head: When Attitudes Become Form, 1969, PDF

  • Information, 1970. Exhibition

  • Software, 1970, Log, PDF

  • Documenta 5, 1972, Log, PDF/a, PDF/b

Artist's books and catalogues
  • Seth Siegelaub, John W. Wendler (eds.), Xerox Book, New York, 1968, 190 pp. (English)
  • Sol LeWitt, Four Basic Kinds of Straight Lines, London: Studio International, 1969, 36 pp. Artist's book.
  • January 5-31, 1969, New York: Seth Siegelaub, 1969.
  • Joseph Kosuth, Art as Idea as Idea, 1967-1968, Brussels: Paul Maenz, Mar 1973, [12] pp. Catalogue.
  • Blurting in A & L [Art & Language], New York: Art & Language Press, and Halifax: The Mezzanine, Nova Scotia College of Art, 1973, 92 pp; 2002. (English)/(German)
  • Avalanche 4: "Conceptual Art", Spring 1972, 100 pp. TOC. (English)
  • Sol LeWitt, Photo Grids, Paul David Press, 1977, 50 pp. Artist's book. (English)
  • Seth Price, Dispersion, 2002. (English),(Spanish)
Major shows
  • Live In Your Head: When Attitudes Become Form: Works-Concepts-Processes-Situations-Information, ed. Harald Szeemann, 1969. Catalogue from the 1969 exhibition at the Kunsthalle Bern. (English)
  • 557,087, Seattle: Seattle Art Museum, 1969. Catalogue of the exhibition, 5 Sep - 5 Oct 1969. (English)
  • Konzeption / Conception, Leverkusen: Städt. Museum Leverkusen, et al., 1969. Catalogue of the exhibition curated by Konrad Fischer and Rolf Wedewer, 24 Oct - 23 Nov 1969. [5], 2015 reassessment. (German)/(English)
  • Conceptual Art and Conceptual Aspects, New York: New York Cultural Center, 1970. Catalogue of the exhibition curated by Donald Karshan, 10 Apr - 25 Aug 1970. [6] [7] (English)
  • Art in the Mind, intro. Athena T. Spear, Oberlin, OH: Allen Memorial Art Museum, 1970. Catalogue of the exhibition, 17 Apr - 12 May 1970. [8] [9] (English)
  • Information, New York: Museum of Modern Art, 1970. Catalogue of the exhibition curated by Kynaston McShine, 2 Jul - 20 Sep 1970. (English)
  • Software: Information Technology: Its New Meaning for Art, New York: Jewish Museum, 1970, 71 pp. Catalogue of the exhibition curated by Jack Burnham, 16 Sep - 8 Nov 1970. (English)
  • Konzept-Kunst, Basel, 1972, 68 pp. Catalogue for the exhibition at Kunstmuseum Basel, 18 Mar - 23 Apr 1972. (German)
  • Documenta 5, eds. Harald Szeemann, et al., Kassel: documenta & Bertelsmann, 1972. Catalogue for the exhibition, 30 Jun - 8 Oct 1972. (German)

Anthologies

  • Ursula Meyer (ed.), Conceptual Art, New York: E.P. Dutton, 1972. TOC. (English)
  • Gregory Battcock (ed.), Idea Art: A Critical Anthology, New York: E. P. Dutton, 1973. (English)
  • Karel Srp (ed.), Minimal & Earth & Concept Art, 2 vols., Prague: Jazzpetit, 1982. [10] (Czech)
  • Alexander Alberro, Blake Stimson (eds.), Conceptual Art: A Critical Anthology, MIT Press, 1999, 623 pp. (English)

Reception, art historical studies

For publications on individual artists and collectives see their respective pages.

the West

  • Klaus Groh, If I Had a Mind... (Ich stelle mir vor ...): Concept-Art, Project-Art, Cologne: DuMont Schauberg, 1971. [11]
  • Klaus Honnef, Concept Art, Cologne: Phaidon, 1971, 192 pp. (English)
  • Lucy R. Lippard, Six Years: The Dematerialization of the Art Object from 1966 to 1972, New York: Praeger, 1973, 272 pp. (English)
  • Art conceptuel I, Bordeaux: Musée d’art contemporain de Bordeaux, 1988. Catalogue. (French)
  • L'art conceptuel, Paris: ARC–Musée d’Art Moderne de la Ville de Paris, 1989. Catalogue. (French)
  • Art Conceptuel Formes Conceptuelles / Conceptual Art Conceptual Forms, ed. Christian Schlatter, Paris: Galerie 1900–2000 and Galerie de Poche, 1990. Catalogue. (French)/(English)
  • Benjamin Buchloh, "Conceptual Art 1962-1969: From the Aesthetic of Administration to the Critique of Institutions", October 55 (Winter 1990), pp 105-143. (English)
  • Thomas Dreher, Konzeptuelle Kunst in Amerika und England zwischen 1963 und 1976, Frankfurt a.M., 1992. (German)
  • Robert C. Morgan, Conceptual Art: An American Perspective, forew. Michael Kirby, Jefferson, NC: McFarland & Company, 1994. (English)
  • Reconsidering the Object of Art: 1965-1975, eds. Ann Goldstein and Anne Rorimer, MIT Press, 1995, 335 pp. Catalogue. (English)
  • Robert C. Morgan, Art Into Ideas: Essays On Conceptual Art, Cambridge University Press, 1996. (English)
  • Recording Conceptual Art. Early Interviews with Barry, Huebler, Kaltenbach, LeWitt, Morris, Oppenheim, Siegelaub, Smithson, and Weiner by Patricia Norvell, eds. Alexander Alberro and Patricia Norvell, University of California Press, 2001, 177 pp. [12] (English)
  • Anne Rorimer, New Art in the 60s and 70s: Redefining Reality, London: Thames & Hudson, 2001, 304 pp. Excerpt. (English)
  • Conceptual Art, ed. Peter Osborne, London: Phaidon, 2002, 304 pp. [13], TOC. (English)
  • Paul Wood, Conceptual Art, Delano Greenidge Editions, 2002, 80 pp. (English)
  • Alexander Alberro, Conceptual Art and the Politics of Publicity, MIT Press, 2003. [14] (English)
  • Conceptual Art: Theory, Practice, Myth, ed. Michael Corris, Cambridge University Press, 2003, 380 pp. Introduction, [15]. (English)
  • Charles Harrison, Conceptual Art and Painting: Further Essays on Art & Language, MIT Press, 2003, 248 pp. [16]
  • Daniel Marzona, Conceptual Art, Taschen, 2005, 95 pp. Excerpt. Of the 34 artists whose work forms the main body of his book, 17 are represented by pieces which reside in the Staatliche Museen zu Berlin, Marzona Collection; these featured projects are often not the most representative, most iconic, or most interesting of the artists' works. (English)
  • Liz Kotz, Words To Be Looked At: Language in 1960s Art, MIT Press, 2007, 333 pp. (English)
  • Philosophy and Conceptual Art, eds. Peter Goldie and Elisabeth Schellekens, Oxford University Press, 2007. (English)
  • John Roberts, The Intangibilities of Form: Skill and Deskilling in Art After the Readymade, London and New York: Verso Books, 2007, 249 pp. [17] (English)
  • Elisabeth Schellekens, "Conceptual Art", Stanford Encyclopedia of Philosophy, 2007; rev. 2014. (English)
  • Maria Eichhorn, The Artist's Contract: Interviews with Carl Andre, Daniel Buren, Paula Cooper, Hans Haacke, Jenny Holzer, Adrian Piper, Robert Projansky, Robert Ryman, Seth Siegelaub, John Weber, Lawrence Weiner, Jackie Winsor, ed. Gerti Fietzek, Cologne: Buchhandlung Walther König, 2009, 336 pp. (English)
  • Gwen Allen, Artists' Magazines: An Alternative Space for Art, MIT Press, 2011, 300 pp.
  • Light Years: Conceptual Art and the Photograph 1964–1977, ed. Matthew S. Witkovsky, Chicago: Art Institute of Chicago, 2011, 264 pp. Catalogue. (English)
  • Terry Smith, "One and Three Ideas: Conceptualism Before, During and After Conceptual Art", e-flux 29 (Nov 2011). (English)
  • Eve Meltzer, Systems We Have Loved: Conceptual Art, Affect, and the Antihumanist Turn, University of Chicago Press, 2013. [18] (English)
Bibliography

Soviet Union, Russia

Andrei Monastyrsky, Dictionary of Moscow Conceptualism, 1999/2010, PDF, HTML.
Moskovskii kontseptualizm, 2005, PDF, Log.
Books
  • Andrei Monastyrsky (Монастырский Андрей), Slovar terminov Moskovskoi kontseptualnoi shkoly [Словарь терминов московской концептуальной школы], Moscow: Ad Marginem, 1999. (Russian)
  • Sylvia Sasse, Texte in Aktion. Sprech- und Sprachakte im Moskauer Konzeptualismus, Munich: Fink, 2003. (German)
  • Moskauer Konzeptualismus. Sammlung Haralampi G. Oroschakoff : Sammlung, Verlag und Archiv Vadim Zakharov : Kupferstichkabinett, Staatliche Museen zu Berlin, Cologne: Walter König, 2003, 176 pp. [19] [20] (German)/(English)
  • Moskovskii kontseptualizm [Московский концептуализм], eds. Ekaterina Degot and Vadim Zakharov, Moscow: WAM, 2005, 415 pp. Special issue of World Art Музей (WAM) journal, 15/16. (Russian)
  • Victor Tupitsyn, The Museological Unconscious: Communal (Post)Modernism in Russia, intro. Susan Buck-Morss and Victor Tupitsyn, MIT Press, 2009, x+341 pp. (English)
  • Boris Groys, History Becomes Form: Moscow Conceptualism, MIT Press, 2010, 224 pp. Review: Weibgen (ArtJournal 2011). (English)
  • Matthew Jesse Jackson, The Experimental Group: Ilya Kabakov, Moscow Conceptualism, Soviet Avant-Gardes, University of Chicago Press, 2010, 336 pp. [21]. Review: Weibgen (ArtJournal 2011). (English)
  • Moscow Symposium: Conceptualism Revisited, ed. & intro. Boris Groys, Berlin: Sternberg, 2012, 176 pp. With essays by Claire Bishop, Keti Chukhrov, Ekaterina Degot, Jörg Heiser, Terry Smith, Anton Vidokle, and Sarah Wilson. [22] (English)
  • Collective Actions: Audience Recollections from the First Five Years, 1976-1981, ed. & trans. Yelena Kalinsky, Chicago: Soberscove Press, 2012, 116 pp. A volume of audience recollections from early Collective Actions performances. Excerpt. [23]. Review: Gerber (Mute). (English)
  • Octavian Eşanu, Transition in Post-Soviet Art: The Collective Actions Group Before and After 1989, forew. Boris Groys, CEU Press, 2013, xvii+357 pp. (English)
  • Victor Agamov-Tupitsyn (Виктор Агамов-Тупицын), Vechnost vechna, potomu chto bespechna. Andrey Monastyrskiy i gruppa “Kollektivnyye deystviya” [Вечность вечна, потому что беспечна. Андрей Монастырский и группа “Коллективные действия”], Moscow: Garage, 2019, 184 pp. Dialogue between Andrei Monastyrsky and Victor Agamov-Tupitsyn. [24] (Russian)
Catalogues
  • Between Spring and Summer: Soviet Conceptual Art in the Era of Late Communism, ed. David A. Ross, Tacoma, WA: Tacoma Art Museum, Boston: Institute of Contemporary Art, and Cambridge, MA: MIT Press, 1990, 206 pp. Catalogue. Exh. curated by David A. Ross, Elisabeth Sussman, Margarita Tupitsyn, and Joseph Bakshtein. (English)
  • Die Totale Aufklärung: Moskauer Konzeptkunst, 1960-1990 / Total Enlightenment: Conceptual Art in Moscow, 1960-1990, eds. Boris Groys, Max Hollein and Manuel Fontán del Junco, Ostfildern: Hatje Cantz, 2008, 423 pp. Catalogue published in conjunction with the exhibition held at Schirn Kunsthalle Frankfurt, June 21-Sept. 14, 2008 and Fundación Juan March, Madrid, Oct. 10, 2008-Jan. 11, 2009. (German)/(English)
  • Field of Action: The Moscow Conceptual School in Context 1970s-1980s, eds. Aleksandra Danilova and Elena Kuprina-Lyakhovich, Moscow: Ekaterina Collection, 2010. (English)
  • Empty Zones: Andrei Monastyrski and Collective Actions / Пустые зоны. Андрей Монастырский и Коллективные действия, ed. Boris Groys, London: Black Dog Publishing, 2011, 127 pp. The Russian Pavilion at the 54th International Art Exhibition of la Biennale di Venezia, 2011. [26] [27] (English)/(Russian)
  • Moscow Conceptualism in Context, ed. Alla Rosenfeld, Munich: Prestel, and New Brunswick: Zimmerli Art Museum, 2011, 496 pp. [28]. Review: Audureau (Critique d'art 2012). (English)
  • Moskovskii kontseptualizm. Nachalo [Московский концептуализм. Начало], ed. Yuri Albert (Юрий Альберт), Nizhny Novgorod: NCCA, 2014, 271 pp. Catalogue of the 2012 exhibition at NCCA Arsenal curated by Yuri Albert. (Russian)
  • Thinking Pictures. The Visual Field of Moscow Conceptualism, ed. Jane A. Sharp, New Brunswick: Zimmerli Art Museum at Rutgers University, 2016. [29] [30]
  • Thinking Pictures: Conceptual Art from Moscow and the Baltics, eds. Anu Allas and Liisa Kaljula, Tallinn: Estonian Art Museum, 2022, 208 pp. Exhibition. Exh. review: Janušová (Artmargins). [31] (Estonian)/(English)
Journal issues
  • Iskusstvo [Искусство] 5: "Moskovskii kontseptualizm" [Московский концептуализм], 2008. Special issue of journal. (Russian)
  • Iskusstvo [Искусство] 2: "Kontseptualizm. Obraz zhizni" [Концептуализм. Образ жизни], 2011. Special issue of journal. (Russian)
  • e-flux 29: "Global Conceptualism Revisited", ed. Boris Groys, Nov 2011. (English)
Essays, interviews
Dissertations
Bibliographies

East-Central Europe

  • Klaus Groh (ed.), Aktuelle Kunst in Osteuropa, Cologne: DuMont-Schauberg, 1972, 222 pp. One of first books to cover performance, conceptual, and mail art in Yugoslavia, Poland, Romania, Czechoslovakia, Hungary, and the Soviet Union. Short introduction by the author followed by b&w photographs, artists’ statements, and a bibliography. Archive. (German)
  • Tony Godfrey, Conceptual Art, London: Phaidon, 1998, pp 264-275, IA. (English)
  • László Beke, "Conceptualist Tendencies in Eastern European Art", in Global Conceptualism: Points of Origin 1950-1980s, eds. Jane Ferver, Luis Camnitzer and Rachel Weiss, New York: Queens Museum of Art, 1999, pp 41-51. TOC. Exh. held at Queens Museum, New York, 28 Apr-29 Aug 1999; the Walker Art Center, Minneapolis, MN, 19 Dec 1999–5 Mar 2000; Hayden Hall MIT, 24 Oct-31 Dec 2000. Exh. review: Meyer (Artforum), Johnson (NYT). (English)
  • in Conceptual Art, ed. Peter Osborne, London: Phaidon, 2002. (English)
  • Miško Šuvaković, "Konceptualna umjetnost", in Šuvaković, Pojmovnik suvremene umjetnosti, Zagreb: Horetzky, 2005. (Croatian)
  • Piotr Piotrowski, "The Critique of Painting: Towards the Neo-avant-garde", "Mapping the Neo-avant-garde, c. 1970", "Conceptual Art between Theory of Art and Critique of the System", chs. 6, 7 & 8 in Piotrowski, In the Shadow of Yalta: Art and the Avant-garde in Eastern Europe, 1945-1989, trans. Anna Brzyski, London: Reaktion Books, 2009, pp 178-237, n454-458, 241-314, n458-466, 315-340, n467-469. (English)
  • Zdenka Badovinac, Eda Čufer, Cristina Freire, Boris Groys, Charles Harrison, Vít Havránek, Piotr Piotrowski, Branka Stipančić, "Conceptual Art and Eastern Europe: Part I", e-flux 40, Dec 2012; Part 2, e-flux 41, Jan 2013. Based on a conference organised by Zdenka Badovinac in Ljubljana, 2007. (English)
  • My Sweet Little Lamb (Everything We See Could Also Be Otherwise), eds. What, How & for Whom/WHW and Kathrin Rhomberg, Zagreb: What, How & for Whom/WHW, 2017, 167 pp; new ed., exp., eds. Emily Pethick, Kathrin Rhomberg, What, How & for Whom/WHW, and Jill Winder, Berlin: Sternberg Press, and Vienna: Kontakt Collection, Mar 2023, 456 pp. Based on a series of exhibition episodes based on the Kontakt Collection and dedicated to the artist Mladen Stilinović, held in Zagreb, 4 Nov 2016–8 May 2017, and The Show Room, London, Jun 2017. Texts in exp. ed. by Branislav Dimitrijević, Miguel A. López, Oxana Timofeeva, Marina Vishmidt. Publisher. (English)

Poland

  • Urszula Czartoryska, Od pop-artu do sztuki konceptualnej, Warsaw, 1973. (Polish)
  • Stefan Morawski, "Konceptualizm obcy i rodzimy", Projekt 3 (1975), pp 26-33 (Polish)
  • Urszula Czartoryska, Od pop-artu do sztuki konceptualnej, Warsaw, 1976. (Polish)
  • Alicja Kępińska, Nowa sztuka. Sztuka polska w latach 1945-1978, Warsaw: Auriga, 1981. (Polish)
  • Piotr Krakowski, "O sztuce konceptualnej", ch 6 in Krakowski, O sztuce nowej i najnowszej, Warsaw: PWN, 1981, pp 112-134. (Polish)
  • Grzegorz Dziamski, "Konceptualizm", in Od awangardy do postmodernizmu. Encyklopedia kultury polskiej XX wieku, ed. Dziamski, Warsaw, 1996, pp 369ff. (Polish)
  • Refleksja konceptualna w sztuce polskiej: doświadczenia dyskursu, 1965-1975 / Conceptual Reflection in Polish Art: Experiences of Discourse: 1965-1975, eds. Paweł Polit and Piotr Woźniakiewicz, Warsaw: Centre for Contemporary Art Ujazdowski Castle, 2000. Essays by Alicja Kepinska, Andrzej Kostolowski, Pawel Polit; interviews with Andrzej Turowski and Jerzy Ludwinski. Preface (EN). Exhibition 1. Exhibition 2. Exh.review: Lum & Szymczyk (ArtMargins EN 1999). Book review: Murawska-Muthesius (ArtMargins 2003 EN). (Polish)/(English)
  • Martin Patrick, "Polish Conceptualism of the 1960s and 1970s: Images, Objects, Systems and Texts", Third Text 96: "Socialist Eastern Europe", Spring 2001, pp 25-45. (English)
  • Autonomiczny ruch konceptualny w Polsce, ed. Zbigniew Warpechowski, Lublin: Galeria Stara BWA Lublin, 2002. Catalogue. (Polish)
  • Grzegorz Dziamski, "Spór o sztukę konceptualną w Polsce", Dyskurs 7 (2007), pp 194-224. (Polish)
  • Luiza Nader, "Sztuka konceptualna w Polsce", Culture.pl, 20 Nov 2007. (Polish)
  • Luiza Nader, Konceptualizm w PRL, Warsaw: Wydawnictwa Uniwersytetu Warszawskiego & Fundacja Galerii Foksal, 2009, 429 pp. Based on dissertation (2007). Reviews: Sienkiewicz (Dwutygodnik 2009), Szewczyk (Frieze 2010 EN), Kemp-Welch (ArtMargins 2010 EN). (Polish)
  • Łukasz Ronduda, Sztuka polska lat 70. awangarda, Jelenia Góra: Polski Western, and Warsaw: CSW Zamek Ujazdowski, 2009, 379 pp. Editorial concept: Piotr Uklański. [41] [42] (Polish)
    • Polish Art of the 70s, Jelenia Góra: Polski Western, and Warsaw: CCA Zamek Ujazdowski, 2009, 379 pp. Reviews: Szewczyk (Frieze 2010), Kemp-Welch (ArtMargins 2010). (English)
  • Wokół sporów o definicję przedmiotu sztuki. Miejsce konceptualizmu, kontekstualizmu i sztuki pojęciowej w historii sztuki najnowszej, ed. Bogusław Jasiński, Gorzów Wielkopolski: Galeria Sztuki Najnowszej, 2009. (Polish)
  • Grzegorz Dziamski, Przełom konceptualny i jego wpływ na praktykę i teorię sztuki, Poznań: Wydawnictwo Naukowe UAM, 2010, 294 pp. Chapter 6. [43] (Polish)
  • Sztuka i Dokumentacja 6: "Sztuka jako idea, ludzie, czas. W kręgu polskiego konceptualizmu", Łódź, 2012. (Polish)
  • Permafo: monografia galerii i ruchu artystycznego, ed. Anna Markowska, Wrocław: Muzeum Współczesne Wrocław, 2012, 496 pp. Lead essay. [44] (Polish)
  • Łukasz Guzek, "Performatywność sztuki konceptualnej", Dyskurs 17 (2014), pp 189-219. (Polish)
  • Klara Kemp-Welch, "NET: An Open Proposition", e-flux 98, Feb 2019. (English)

Slovakia

  • Tomáš Štrauss, Slovenský variant moderny, 1979 (samizdat); 2nd ed., Bratislava: Pallas, 1992, pp 55ff. (Slovak)
  • Radislav Matuštík, ...Predtým. Prekročenie hraníc, 1964-1971, 1983 (samizdat); repr., Žilina: Považská galéria umenia, 1994, 27ff. [47] (Slovak)
  • Tamara Archlebová, "Príspevok k problematike konceptuálneho umenia na Slovensku", in Súčasné výtvarné umenie, ed. Dagmar Srnenská, Bratislava, 1989, pp 98-132. (Slovak)
  • Aurel Hrabušický, "Počiatky alternatívneho umenia na Slovensku", in Šesťdesiate roky v slovenskom výtvarnom umení, ed. Zora Rusinová, Bratislava: Slovenská národná galéria, 1995, pp 218-251. (Slovak)
  • Jana Geržová, "Konceptuálne umenie", in Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia, ed. Jana Geržová, Bratislava: Profil, 1999, pp 145-149. (Slovak)
  • Jana Geržová, "Konceptuálne umenie", in Dejiny slovenského výtvarného umenia 20. storočia, ed. Zora Rusinová, Bratislava: SNG, 2000, pp 170-178. (Slovak)
  • Marián Mudroch, Dezider Tóth (eds.), 1. otvorený ateliér, Bratislava: SCCAN, 2000, 143 pp. (Slovak)
  • Konceptuálne umenie na zlome tisícročí / Conceptual Art at the Turn of Millenium / Konceptuális művészet az ezredfordulón. International Symposium, October 15-16, 2001, Budapest/Bratislava, eds. Jana Geržová and Erzsébet Tatai, Bratislava: Slovak Section of AICA, and Budapest: AICA Section Hungary, 2002, 174 pp. Symposium proceedings. (Slovak),(English),(Hungarian)
    • Jana Geržová, "Mýty a realita konceptuálneho umenia na Slovensku" / "Myths and Reality of the Conceptual Art in Slovakia", pp 22-51. (Slovak)/(English)
  • Jana Geržová, "N(e)oklasický koncept", in Na križovatke kultúr? Zborník z medzinárodného sympózia, ed. Zora Rusinová, Bratislava: Slovenská národná galéria, 2002, pp 107-118. (Slovak)
  • Dušan Brozman, Boris Kršňák, Zo slovenského konceptuálneho umenia, Budapest: Slovenský Inštitút Budapešť, and Zvolen: Oznka, 2008. Catalogue. (Slovak)
  • Zuzana Bartošová, Napriek totalite. Neoficiálna slovenská výtvarná scéna sedemdesiatych a osemdesiatych rokov 20. storočia, Bratislava: Kalligram, 2011, 360 pp. Commentary: Hrabušický & Macek (Profil 2012). (Slovak)
  • Beata Jablonská, "Spor o slovenské 'More'", Sešit pro umění, teorii a příbuzné zóny 15, Prague: VVP AVU, 2013, pp 6-19. (Slovak)
  • Tomáš Pospiszyl, "Národní konceptualizmus. Obrozenecké motivy v díle Stana Filka a Júliuse Kollera", ch 3 in Pospiszyl, Asociativní dějepis umění: poválečné umění napříč generacemi a médii, Prague: tranzit.cz, 2014, pp 81-121. (Czech)
  • Miękkie kody. Tendencje konceptualne w sztuce słowackiej / Soft Codes: Conceptual Tendencies in Slovak Art, Wrocław: Muzeum Współczesne Wrocław, 2015, 224 pp. Catalogue. [48], Exhibition. (Polish)/(English)
  • Daniel Grúň, Christian Höller, Kathrin Rhomberg (eds.), White Space in White Space / Biely priestor v bielom priestore, 1973-1982. Stano Filko, Miloš Laky, Ján Zavarský, Vienna: Schlebrügge, 2021, 228 pp. Project archive. Publisher. [57] [58] (English)
  • Denisa Kujelová (ed.), ČS koncept 70. let, Brno: Fait Gallery, 2021, 363 pp. Catalogue. [59] [60] [61] (Czech),(Slovak)
  • Richard Gregor (ed.), BAC: Bratislava Conceptualism / Bratislavský konceptualizmus, Bratislava: Kunsthalle Bratislava, and Liptovský Mikuláš: Liptovská galéria Petra Michala Bohúňa, 2022, 480 pp. Proceedings from the conference Could We Speak of Bratislava Conceptualism (2015). Essays incl.: Gregor, Gregor, Kralovič. [62] (English)/(Slovak)

Hungary

  • Elképzelés: A magyar koncept művészet kezdetei. Beke László gyűjteménye, 1971, Budapest: Open Structures Society & tranzit. hu, 2008. (Hungarian)
  • Bookmarks: Hungarian Neo-avant-garde and Post-conceptual art from the Late 1960s to the Present / Bookmarks. Neo-Avantgarde und postkonzeptuelle Positionen in der ungarischen Kunst von den 1960ern bis heute, ed. Katalin Székely, Berlin: Distanz, 2015, 88 pp. Catalogue. [68] (English)/(German)
  • Cristina Cuevas-Wolf, Isotta Poggi (eds.), Promote, Tolerate, Ban: Art and Culture in Cold War Hungary, Los Angeles: Getty Publications, 2018, 160 pp. Fehér's essay. [71] (English)
  • 1971 – Párhuzamos különidők, eds. Dóra Hegyi, Zsuzsa László, Zsóka Leposa, and Enikő Róka, Budapest: tranzit.hu, 2022. Exhibition. Exhibition. Publisher. (Hungarian)
    • 1971 – Parallel Nonsynchronism, eds. Dóra Hegyi and Eszter Szakács, Budapest: tranzit.hu, and Bucharest: PUNCH, 2022, 332 pp. Publisher. Publisher. Review: Świtek (Art East/Central). Exh. review: Laszlo & Roka (mezosfera). (English)

Croatia

Global

  • Tony Godfrey, Conceptual Art, London: Phaidon, 1998. [72]
  • Global Conceptualism: Points of Origin 1950-1980s, eds. Jane Ferver, Luis Camnitzer and Rachel Weiss, New York: Queen's Museum of Art, 1999. Catalogue.
  • Rewriting Conceptual Art, eds. Michael Newman and Jon Bird, London: Reaktion Books, 1999.

Resources


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