Difference between revisions of "Artists publishing"

From Monoskop
Jump to navigation Jump to search
Line 69: Line 69:
 
* Janneke Adema, Gary Hall, [http://disruptivemedia.org.uk/thepoliticalnatureofthebook/fullarticle.html "The Political Nature of the Book: On Artists' Books and Radical Open Access"], 2014.
 
* Janneke Adema, Gary Hall, [http://disruptivemedia.org.uk/thepoliticalnatureofthebook/fullarticle.html "The Political Nature of the Book: On Artists' Books and Radical Open Access"], 2014.
 
* Tony White, [http://sci-hub.cc/10.1086/678548 "The Evolution of Artists’ Publishing"], ''Art Documentation'' 33:2 (Sep 2014), pp 227-242.
 
* Tony White, [http://sci-hub.cc/10.1086/678548 "The Evolution of Artists’ Publishing"], ''Art Documentation'' 33:2 (Sep 2014), pp 227-242.
 +
* Annette Gilbert (ed.): ''Reprint: Appropriation (&) Literature'', Wiesbaden: Lux Books, 2014, 580 pp. [http://www.luxbooks.de/buecher/gilbert-re-print-appropriation-literature]
 +
* Antoine Lefebvre, ''[http://labibliothequefantas.free.fr/index.php?/thesis/ Portrait de l'artiste en éditeur, L'édition comme pratique artistique alternative]'', Paris: Université Paris 1 Panthéon-Sorbonne, 2014, 760 pp. PhD dissertation. {{fr}}
 
* Albert Coers, ''Kunstkatalog—Katalogkunst. Der Ausstellungskatalog als künstlerisches Medium am Beispiel von Thomas Demand, Tobias Rehberger und Olafur Eliasson'', Berlin: De Gruyter, 2015. {{de}}
 
* Albert Coers, ''Kunstkatalog—Katalogkunst. Der Ausstellungskatalog als künstlerisches Medium am Beispiel von Thomas Demand, Tobias Rehberger und Olafur Eliasson'', Berlin: De Gruyter, 2015. {{de}}
 
* Amanda C.R. Clark, "Contemporary Chinese Artists' Books: New Artistic Voices in a Time of Transition", ''Art Documentation'' 34:1 (Spring 2015), pp 15-28. [http://www.jstor.org/stable/10.1086/680562]
 
* Amanda C.R. Clark, "Contemporary Chinese Artists' Books: New Artistic Voices in a Time of Transition", ''Art Documentation'' 34:1 (Spring 2015), pp 15-28. [http://www.jstor.org/stable/10.1086/680562]
 
* ''The Art of Collaboration: Poets, Artists, Books'', eds. Anca Cristofovici and Barbara Montefalcone, Cuneiform Press, 2015, 198 pp. Based on the symposium ‘'Collaboration and the Artist’s Book: a Transatlantic Perspective'' held at the University of Caen, France, March-April 2011. [http://cuneiformpress.com/?product=the-art-of-collaboration-poets-artists-books]
 
* ''The Art of Collaboration: Poets, Artists, Books'', eds. Anca Cristofovici and Barbara Montefalcone, Cuneiform Press, 2015, 198 pp. Based on the symposium ‘'Collaboration and the Artist’s Book: a Transatlantic Perspective'' held at the University of Caen, France, March-April 2011. [http://cuneiformpress.com/?product=the-art-of-collaboration-poets-artists-books]
 +
* Annette Gilbert (ed.), ''Publishing as Artistic Practice'', Berlin: Sternberg Press, 304 pp, 2016. [http://www.covertext.org/wp-content/uploads/PAAP-Table-of-Contents.pdf TOC]. [http://publishingasartisticpractice.tumblr.com/ Workshop]. [http://www.sternberg-press.com/?pageId=1640]
 +
 
* [http://balticplus.uk/?tagId=3146 more], [http://www.flying-object.org/see-also/ more], [http://independent.academia.edu/AlbertCoers more].
 
* [http://balticplus.uk/?tagId=3146 more], [http://www.flying-object.org/see-also/ more], [http://independent.academia.edu/AlbertCoers more].
  

Revision as of 18:01, 19 December 2016

Archives

Online repositories

Resources

Artists, scholars, initiatives

Recent exhibitions

Literature

  • El Lissitzky, "Unser Buch", in Gutenberg Jahrbuch 1927, ed. Alois Ruppel, Mainz: Gutenberg-Gesellschaft, 1926-27. (German)
    • "The Future of the Book", New Left Review 41, Jan-Feb 1967, pp 39-44. (English)
    • "Our Book", trans. Helene Aldwinckle and Mary Whittall, in Lissitzky-Küppers, El Lissitzky, 1968; repr. in Graphic Design Theory: Readings From the Field, ed. Helen Armstrong, Princeton, 2009, pp 25-31. (English)
  • Guy Schraenen, Out of Print: An Archive as Artistic Concept, Bremen: Neues Museum Weserburg, 2001, 255 pp. Catalogue. Selection of 700 works and documents drawn from the Archive for Small Press & Communication (ASPC) founded by Anner Marsily and Guy Schraenen in 1974. [9]
  • Margit Rowell, Deborah Wye, The Russian Avant-Garde Book, 1910-1934, New York: Museum of Modern Art, 2002, 304 pp. [10] [11]
  • Jaroslav Andel, Avant Garde Book Design, 1900-1950, New York: Delano Greenidge Editions, 2002, 388 pp. Review: Margolin (DI 2003).
  • Duncan Chappell, "Typologising the Artist's Book", Art Libraries 28:4 (2003), pp 12-20.
  • Art Libraries 32(2): "Artists' ́Books", 2007. Abstracts.
  • In Numbers: Serial Publications by Artists Since 1955, eds. Philip E Aarons and Andrew Roth, Zurich: JRP Ringier, 2009, 440 pp. [12]
Reader

See also


Retrieved from "https://monoskop.org/index.php?title=Artists_publishing&oldid=75605"