Difference between revisions of "Berlin"

From Monoskop
Jump to navigation Jump to search
Line 146: Line 146:
 
* [[International Teletext Art Festival]], *2012
 
* [[International Teletext Art Festival]], *2012
 
* [[Kontakte]], biennial for electroacoustic music and sound art, *2015
 
* [[Kontakte]], biennial for electroacoustic music and sound art, *2015
 +
* [https://noisyleaks.space/ Noisyleaks: The Art of Exposing Secrets], exhibition, 2022
 
* [http://performingencounters.de Performing Encounters] salon, *2014
 
* [http://performingencounters.de Performing Encounters] salon, *2014
 
* [https://radicalnetworks.org/ Radical Networks], conference, 2018
 
* [https://radicalnetworks.org/ Radical Networks], conference, 2018

Revision as of 12:37, 24 September 2022

Initiatives

Venues
Art museums and centres
Past venues

-able (gallery, -2014), Altes Finanzamt (Neukölln, -2015), Antje Øklesund (audiovisual laboratory, -2017), A Public Library (Kreuzberg, 2015), Automaten (club, 2001-2004), Enblanco Projektraum (project space, Kreuzberg, 2009-2013), Fischbüro (cultural club, 1986-1989), Galerie René Block (1964-1979), General Public (sound art gallery, 2005-2015), Intersoup (music venue, Prenzlauer Berg), Kunstfabrik (culture space, 2002-2008), LEAP (Mitte, 2011-2015), M12, Maria am Ostbahnhof (club), Media Arts Lab Künstlerhaus Bethanien, NK (2009-2015), Or Gallery Berlin (2010-2015), Pflüger68 (exhibition space, 2007-2015), pickledfeet (Mitte, -2008), Pirate Cinema Berlin, Podewil centre (1992-2004), Quiet Cue (2009-2016), Raum (Wedding, 2006-2007) Raum18 (Neukölln, 2009-2010), Singuhr Hoergalerie (sound art gallery, 1996-2014), Spektrum (art & science community space with makerlab, 2014-2019) [2], Stattbad (culture centre, Wedding, 2001-2015), Stralau 68, Tesla (media art lab, 2005-2007), tmp (artistic project spaces, 2007-2011), Underground Zero (club, *2007), White Rabbit (gallery & music venue, -2012), Zentrale-Randlage (2005-2007).

Initiatives with no permanent event venue

Events

Past events

Academy programs

Hermann von Helmholtz-Zentrum für Kulturtechnik HU, Institut für Zeitbasierte Medien UDK, Institut für transmediale Gestaltung UDK, Film- und Medienkunst ADK (*1984), Audiovisual Communication GWK UDK, Medientheorien IMM HU.

Art workers

Publications

  • Théo Lessour, Berlin sampler, Paris: Ollendorff & Desseins, 2009, 354+[11] pp. (French)
    • Berlin Sampler: From Cabaret to Techno: 1904-2012, A Century Of Berlin Music, trans. Sean Kearney, Berlin: Ollendorff, 2012, 365 pp.
  • Burkhard Beins, Christian Kesten, Gisela Nauck, Andrea Neumann (eds.), Echtzeitmusik Berlin: Selbstbestimmung einer Szene / Self-Defining a Scene, Hofheim am Taunus: Wolke, 2011, 416 pp. [6] (German)/(English)
  • Felix Denk, Sven von Thülen, Der Klang der Familie, Suhrkamp, 2012, 423 pp. Online companion. (German)
    • The Sound of Family: Berlin, Techno and the Reunification, Books on Demand, 2014. [7]
  • Stefanie Seidl, Wolfgang Farkas, Heiko Zwirner (eds.), Nachtleben in Berlin: 1974 bis Heute, Metrolit, 2013. (German)
  • Kati Krause, Ole Schulz, "Our Own Private Germany", Matter, 8 Nov 2014. On squatting in 1990s Berlin.
  • Sven Marquardt, Die Nacht ist Leben: Autobiographie, Ullstein, 2014, 224 pp. [8] (German)
  • Peter Cusack, Berlin Sonic Places: A Brief Guide, ed. DAAD Artists-in-Berlin Program, Hofheim am Taunus: Wolke, 2017, 96 pp. Audio recordings. [9]
  • Annette Maechtel, Das Temporäre politisch denken. Raumproduktion im Berlin der frühen 1990er Jahre, Berlin: b_books, 2020, 450 pp. Review: Conrads (TAZ). (German)
  • Birgit Eusterschulte, et al., Neuverhandlungen von Kunst. Diskurse und Praktiken seit 1990 am Beispiel Berlin, Bielefeld: transcript, 2020, 148 pp. TOC, Introduction. Publisher. (German)


Cities
alternative base

Amsterdam, Bergen, Berlin, Bratislava, Budapest, Kyiv, London, New York City, Oslo, Paris, Prague, Rotterdam, Seoul, Tokyo, Vienna, Warsaw, Zagreb