Difference between revisions of "Cyberfeminism"

Revision as of 23:16, 25 April 2016

Associated notions: technofeminism, xenofeminism.

"Replicunts: The Future of Cyberfeminism", Virtual Futures, 28 May 1995. [1]
1. Cyberfeminist International, Documenta X, Kassel, 20-28 Sep 1997.
Eclectic Tech Carnival, internationally, since 2002.
Cyberfem. Feminisms on the Electronic Landscape, EACC/Espai d´art contemporani de Castelló, Spain, Oct 2006 - Jan 2007. Curated by Ana Martínez-Collado.
The Very First Year, Eyebeam, New York City, 2013. Facilitated by Laurel Ptak.
TransHACKfeminist! camp, Calafou, Barcelona, 2014.
Technofeminism Now, ICA London, 17 Jun 2015.

VNS Matrix, "A Cyberfeminist Manifesto for the 21st Century", Adelaide & Sydney, 1991, HTML. [2] [3]
Anne Balsamo, Technologies of the Gendered Body: Reading Cyborg Women, Duke University Press, 1995.
Old_Boys_Network, "100 Anti-Theses of Cyberfeminism", 1997.
Sadie Plant, Zeroes + Ones: Digital Women and the New Technoculture, London: Fourth Estate, 1998.
Maria Fernandez, Faith Wilding, Michelle M. Wright (eds.), Domain Errors: Cyberfeminist Practices!, New York: Autonomedia 2002.
subRosa, James Pei-Mun Tsang, Yes Species, Pittsburgh and Chicago: Sabrosa Books, 2005 (EN/DE); 2006 (EN/ES).
Alexandra Pirici, Raluca Voinea, "Manifesto for the Gynecene – Sketch of a New Geological Era", Bucharest and Bologna, Jan 2015.
Laboria Cuboniks, "Xenofeminism. A Politics for Alienation", Jun 2015.
Armen Avanessian, Helen Hester (eds.), dea ex machina, trans. Stephan Geene, Gesine Strempel and Jennifer Sophia Theodor, Berlin: Merve, 2015, 160 pp. (German) Texts by Rosi Braidotti, Shulamith Firestone, Donna Haraway, Laboria Cuboniks, Lisa Nakamura, Alexandra Pirici, Nina Power, Paul B. Preciado, Raluca Voinea. [4] Book launch: Berlin. Commentary: Fox (2015).
Reading Room at OBN
Publications on cyberfeminism at Monoskop Log

Alex Galloway, "A Report on Cyberfeminism: Sadie Plant relative to VNS Matrix", Switch 4:1 (2003).
Carolyn Guertin, Quantum Feminist Mnemotechnics: The Archival Text, Digital Narrative and The Limits of Memory, University of Alberta, 2003. Ph.D. dissertation. [5]
Claire L. Evans, "'We Are the Future Cunt': CyberFeminism in the 90s", Motherboard, 20 Nov 2014.
Claire L. Evans, "An Oral History of the First Cyberfeminists", Motherboard, 11 Dec 2014.
History of Cyberfeminism, n.d.

	Studies
Anthropology, Art history, History of architecture, Biomechanics, Classics, Commons, Cultural techniques, Cyberfeminism, Cybernetics, Decolonial aesthetics, Design research, Digital humanities, Information theory, Marxist aesthetics, Media archaeology, Media ecology, Mediology, Modern periodical studies, Neuroaesthetics, Neural aesthetics, Philosophy of technology, Posthumanities, Postmedia, Poststructuralism, Semiotics, Sensory ethnography, Software studies, Structuralism, Systems theory. Art writers, Film writers, Music writers, Writers.

	Art and culture
Avant-garde and modernist magazines, Dance, Artists' publishing, Graphic design, Photography, Typewriter art, Multimedia environments, Design research, Video activism, Urban practices, Zine culture, Demoscene, VJing, Live cinema, Art and technology centres, Cyberfeminism, Art and activism, Community television, Hacktivism, Net culture, Community servers, Hackerspaces, CD-ROM art, Circuit bending, Pure Data, Media archives, VVVV, Maker culture, Glitch art, Live coding, Locative media, Libre graphics, Electromagnetism, Surf clubs, DIY biology, Decolonial aesthetics, Post-digital, Neural aesthetics. Visual art, Contents, Index, About.

Revision as of 12:38, 12 December 2015 (edit) Dusan (talk \| contribs) (→‎Writings) ← Older edit		Revision as of 23:16, 25 April 2016 (edit) (undo) Dusan (talk \| contribs) m (Text replacement - "{{Theory}}" to "{{Humanities}}") Newer edit →
Line 48:		Line 48:


−	{{~~Theory~~}}	+	{{Humanities}}

	{{Artists cultures}}		{{Artists cultures}}