Difference between revisions of "Computer art"

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* [http://web.archive.org/web/20150905141424/http://translab.burundi.sk/code/vzx/index.htm selected works]
 
* [http://web.archive.org/web/20150905141424/http://translab.burundi.sk/code/vzx/index.htm selected works]
  
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==Catalogues==
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==Catalogues of group exhibitions==
 
* ''[http://monoskop.org/log/?p=3854 Computer Graphics]'', ed. Jiří Valoch, Brno: Dům umění města Brna, 1968, 16 pp. {{cz}}
 
* ''[http://monoskop.org/log/?p=3854 Computer Graphics]'', ed. Jiří Valoch, Brno: Dům umění města Brna, 1968, 16 pp. {{cz}}
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* ''[http://monoskop.org/log/?p=388 Cybernetic Serendipidity: The Computer and the Arts]'', ed. Jasia Reichardt, London: Studio International, Jul 1968; 2nd ed., rev., Sep 1968.
 
* ''Tendencije 4: Zagreb, 1968-1969'', ed. Božo Bek, Zagreb, 1970, 146 pp. [http://www.anonimagroup.org/index.php?/writings/1970-new-tendencies-4-zagreb/]
 
* ''Tendencije 4: Zagreb, 1968-1969'', ed. Božo Bek, Zagreb, 1970, 146 pp. [http://www.anonimagroup.org/index.php?/writings/1970-new-tendencies-4-zagreb/]
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* ''[http://monoskop.org/log/?p=2453 Interactive Sound and Visual Systems]'', ed. Charles A. Csuri, College of the Arts, Ohio State University, 1970, 31 pp.
 
* ''[http://monoskop.org/log/?p=6711 Arte y cibernética]'', Buenos Aires: Centro de Arte y Comunicacion (CAC), 1970. {{es}}
 
* ''[http://monoskop.org/log/?p=6711 Arte y cibernética]'', Buenos Aires: Centro de Arte y Comunicacion (CAC), 1970. {{es}}
 
* ''[http://monoskop.org/log/?p=5886 Software: Information Technology: Its New Meaning for Art]'', New York: Jewish Museum, 1970, 71 pp.
 
* ''[http://monoskop.org/log/?p=5886 Software: Information Technology: Its New Meaning for Art]'', New York: Jewish Museum, 1970, 71 pp.
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* J. R. Pierce, [http://monoskop.org/log/?p=13473 "Portrait of the Machine as a Young Artist"], ''Playboy'' 12:6 (1965), pp 124-5 & 150 & 182 & 184.
 
* J. R. Pierce, [http://monoskop.org/log/?p=13473 "Portrait of the Machine as a Young Artist"], ''Playboy'' 12:6 (1965), pp 124-5 & 150 & 182 & 184.
 
* Dick Higgins, ''[http://monoskop.org/log/?p=7813 Computers for the Arts]'', Somerville, MA: Abyss Publications, 1970, 17 pp.
 
* Dick Higgins, ''[http://monoskop.org/log/?p=7813 Computers for the Arts]'', Somerville, MA: Abyss Publications, 1970, 17 pp.
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* Ruth Leavitt (ed.), ''[http://monoskop.org/log/?p=229 Artist and Computer]'', Harmony Books, 1976, 121 pp.
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* George Stiny, James Gips, ''[http://monoskop.org/log/?p=615 Algorithmic Aesthetics: Computer Models for Criticism and Design in the Arts]'', University of California Press, 1978, 220 pp.
 
* Ivo Janoušek, ''[http://monoskop.org/log/?p=5684 Slovníček pojmů elektronického a multimediálního umění]'', Prague: Národní technické muzeum, 1994, 18 pp. {{cz}}
 
* Ivo Janoušek, ''[http://monoskop.org/log/?p=5684 Slovníček pojmů elektronického a multimediálního umění]'', Prague: Národní technické muzeum, 1994, 18 pp. {{cz}}
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* Stuart Mealing (ed.), ''[http://monoskop.org/log/?p=1161 Computers and Art]'', 1997; 2nd ed., Intellect Books, 2002, 159 pp.
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* Nick Lambert, ''[http://monoskop.org/log/?p=2449 A Critical Examination of “Computer Art”: its History and Application]'', Oxford University, 2003. DPhil thesis.
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* Paul A. Fishwick (ed.), ''[http://monoskop.org/log/?p=235 Aesthetic Computing]'', MIT Press, 2006, 457 pp.
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* Christoph Klütsch, ''[http://monoskop.org/log/?p=236 Computergrafik: Ästhetische Experimente zwischen zwei Kulturen. Die Anfänge der Computerkunst in den 1960er Jahren]'', Springer, 2007, 288 pp. {{de}}
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* Dominic Lopes, ''[http://monoskop.org/log/?p=2403 A Philosophy of Computer Art]'', Routledge, 2009, 160 pp.
 
* ''[http://monoskop.org/log/?p=3588 CAT 2010: Ideas Before Their Time: Connecting the Past and Present in Computer Art]'', eds. Nick Lambert, Jeremy Gardiner and Francesca Franco, BCS – The Chartered Institute for IT, 2010, 192 pp. Conference proceedings.
 
* ''[http://monoskop.org/log/?p=3588 CAT 2010: Ideas Before Their Time: Connecting the Past and Present in Computer Art]'', eds. Nick Lambert, Jeremy Gardiner and Francesca Franco, BCS – The Chartered Institute for IT, 2010, 192 pp. Conference proceedings.
 
* Thomas Dreher, [http://iasl.uni-muenchen.de/links/GCA_Index.html ''Geschichte der Computerkunst''], Munich, 2012. {{de}}
 
* Thomas Dreher, [http://iasl.uni-muenchen.de/links/GCA_Index.html ''Geschichte der Computerkunst''], Munich, 2012. {{de}}
 
** ''[http://iasl.uni-muenchen.de/links/GCA_Indexe.html History of Computer Art]'', Munich, 2014.
 
** ''[http://iasl.uni-muenchen.de/links/GCA_Indexe.html History of Computer Art]'', Munich, 2014.
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* Grant D. Taylor, ''[http://gen.lib.rus.ec/book/index.php?md5=c5f4e840d0ac9f834aa9f7b43f1ebd62 When the Machine Made Art: The Troubled History of Computer Art]'', Bloomsbury, 2014. Based on [http://monoskop.org/log/?p=200 2004 PhD dissertation].
  
 
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Revision as of 01:13, 18 February 2016

'Computer art' is the generation of aesthetic objects with the aid of software on a digital computer. Its history started in 1965. Three exhibitions took place that year, which are acknowledged as first public presentations of digital art: Georg Nees at the Studiengalerie of the University of Stuttgart (5-19 February 1965); A. Michael Noll and Bela Julesz at Howard Wise Gallery, New York (6-24 April 1965); Frieder Nake and Georg Nees at Galerie Wendelin Niedlich, Stuttgart (5-26 November 1965)... The picture changes slightly, when we closely look at the time when these researcher-artists started their experiments in algorithmic art: Noll in 1962, Nake in 1963, Nees in 1964. All these dates refer to "digital" art and computers. Ben F. Laposky had started to work with analogue equipment in 1952. Herbert W. Franke followed in Austria in 1959, and Kurd Alsleben in Hamburg around 1960."
– Frieder Nake

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