Difference between revisions of "Sound art"
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[[Image:Baku.jpg|thumb|258px|Miguel Molina Alarcón, ''Baku: Symphony of Sirens: Sound Experiments in The Russian Avant-Garde'', 2008. [[Symphony of Sirens|View online]].]] | [[Image:Baku.jpg|thumb|258px|Miguel Molina Alarcón, ''Baku: Symphony of Sirens: Sound Experiments in The Russian Avant-Garde'', 2008. [[Symphony of Sirens|View online]].]] | ||
| − | ===Catalogues | + | ===Catalogues=== |
* Germano Celant, ''The Record as Artwork: From Futurism to Conceptual Art'', Chicago: Museum of Contemporary Art, 1977, 121 pp. (in English/French) [http://www.specificobject.com/objects/info.cfm?object_id=10074] [http://archive.org/details/recordasartworkf00fort] | * Germano Celant, ''The Record as Artwork: From Futurism to Conceptual Art'', Chicago: Museum of Contemporary Art, 1977, 121 pp. (in English/French) [http://www.specificobject.com/objects/info.cfm?object_id=10074] [http://archive.org/details/recordasartworkf00fort] | ||
* René Block, Lorenz Dombois, Nele Herltling, Barbara Volkmann (eds.), ''Für Augen und Ohren. Von der Spieluhr zum akustischen Environment. Objekte. Installationen. Performances'', Berlin: Akademie der Künste, 1980, 312 pp. (in German). Catalogue for a large-scale exhibition curated by [[Nele Hertling]] and [[René Block]]. [http://archive.org/details/OTG_1980_05_19_c1] [http://www.artpool.hu/Fluxusbibliography/Block_augen.html] | * René Block, Lorenz Dombois, Nele Herltling, Barbara Volkmann (eds.), ''Für Augen und Ohren. Von der Spieluhr zum akustischen Environment. Objekte. Installationen. Performances'', Berlin: Akademie der Künste, 1980, 312 pp. (in German). Catalogue for a large-scale exhibition curated by [[Nele Hertling]] and [[René Block]]. [http://archive.org/details/OTG_1980_05_19_c1] [http://www.artpool.hu/Fluxusbibliography/Block_augen.html] | ||
| + | * Vito Acconci, William Hellermann, Don Goddard, ''Sound/Art'', New York: The Foundation, 1984, 29 pp. With an essay by Don Goddard. Exhibition curated by William Hellermann and held simultaneously at SculptureCenter’s former location on East 69th Street in Manhattan and the Brooklyn Arts and Cultural Association (now Brooklyn Arts Council). Participating artists included Vito Acconci, Connie Beckley, Bill and Mary Buchen, Nicolas Collins, Sari Dienes and Pauline Oliveros, Richard Dunlap, Terry Fox, William Hellermann, Jim Hobart, Richard Lerman, Les Levine, Joe Lewis, Tom Marioni, James Pomeroy, Alan Scarritt, Carolee Schneemann, Bonnie Sherk, Keith Sonnier, Norman Tuck, Hannah Wilke, and Yom Gagatzi. [http://sculpture-center.tumblr.com/tagged/Sound%2FArt] | ||
* Ursula Block, Michael Glasmeier (eds.), ''Broken Music: Artists' Recordworks'', DAAD Galerie, 1989, 279 pp. A discography of recordings by visual artists and experimental audioworks. [http://soundart.zkm.de/broken-music/] [http://208.84.104.197/pdf/communiques/C007500E.pdf] | * Ursula Block, Michael Glasmeier (eds.), ''Broken Music: Artists' Recordworks'', DAAD Galerie, 1989, 279 pp. A discography of recordings by visual artists and experimental audioworks. [http://soundart.zkm.de/broken-music/] [http://208.84.104.197/pdf/communiques/C007500E.pdf] | ||
| − | * Dan Lander ( | + | * Dan Lander, Micah Lexier (eds.), ''Sound by Artists'', Toronto: Art Metropole and Walter Phillips Gallery, 1990; Blackwood Gallery and Charivari Press, 2013, 372 pp. [http://www.soundculture.org/texts/lander_sba_intro.html Introduction], [http://www.ubu.com/papers/artists_recordings.html Discography], [http://www.iemed.org/publicacions/quaderns/12/The_Sound_of_One_Line_Scanning_Bill_Viola.pdf Essay by Bill Viola], [http://vimeo.com/66170100 Book excerpts (video)]. Essays on sound art by writers and artists including John Cage, Christina Kubisch, Alvin Lucier, Annea Lockwood, Ihor Holubizky, Douglas Kahn, Christian Marclay and others. [http://www.blackwoodgallery.ca/Blackwood_publicationSOUNDBYARTISTS.html] [http://www.charivaripress.com/soundbyartists.html] |
* Christine van Assche (ed.), ''Sonic Process. A new geography of sounds'', Barcelona: Museu d’Art Contemporani de Barcelona, 2002. | * Christine van Assche (ed.), ''Sonic Process. A new geography of sounds'', Barcelona: Museu d’Art Contemporani de Barcelona, 2002. | ||
* Bernd Schulz (ed.), ''Resonanzen. Aspekte der Klangkunst'', Saarbrücken: Stadtgalerie Saarbrücken, 2003. With CD. (in German) | * Bernd Schulz (ed.), ''Resonanzen. Aspekte der Klangkunst'', Saarbrücken: Stadtgalerie Saarbrücken, 2003. With CD. (in German) | ||
| + | ** Helga de la Motte-Haber, [http://wiki.dxarts.washington.edu/sandbox/groups/soundart/wiki/8389f/attachments/57765/resonances_02.pdf "Esthetic Perception in New Artistic Contexts"]. | ||
* Miguel Molina Alarcón, ''[[Symphony_of_Sirens|Baku: Symphony of Sirens: Sound Experiments in The Russian Avant-Garde. Original Documents and Reconstructions of 72 Key Works of Music, Poetry and Agitprop from the Russian Avantgardes (1908-1942)]]'', London: ReR Megacorp, 2008, 72 pp. With 2-CD. | * Miguel Molina Alarcón, ''[[Symphony_of_Sirens|Baku: Symphony of Sirens: Sound Experiments in The Russian Avant-Garde. Original Documents and Reconstructions of 72 Key Works of Music, Poetry and Agitprop from the Russian Avantgardes (1908-1942)]]'', London: ReR Megacorp, 2008, 72 pp. With 2-CD. | ||
* Andrey Smirnov, Liubov Pchelkina, ''[http://www.asmir.info/articles/GazetaZ_ProArte.pdf Pokolenie Z]'' [ПОКОЛЕНИЕ Z], St. Petersburg: PRO ARTE Foundation, 2010, 20 pp. Booklet-newspaper of the ''Generation Z'' exhibition. (Russian). | * Andrey Smirnov, Liubov Pchelkina, ''[http://www.asmir.info/articles/GazetaZ_ProArte.pdf Pokolenie Z]'' [ПОКОЛЕНИЕ Z], St. Petersburg: PRO ARTE Foundation, 2010, 20 pp. Booklet-newspaper of the ''Generation Z'' exhibition. (Russian). | ||
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* David Toop, ''[http://monoskop.org/log/?p=599 Ocean of Sound: Aether Talk, Ambient Sound and Imaginary Worlds]'', Serpent’s Tail, 1995, 306 pp; 2001. | * David Toop, ''[http://monoskop.org/log/?p=599 Ocean of Sound: Aether Talk, Ambient Sound and Imaginary Worlds]'', Serpent’s Tail, 1995, 306 pp; 2001. | ||
* Adalaide Kirby Morris (ed.), ''[http://monoskop.org/log/?p=3040 Sound States: Innovative Poetics and Acoustical Technologies]'', University of North Carolina Press, 1997, 349 pp. | * Adalaide Kirby Morris (ed.), ''[http://monoskop.org/log/?p=3040 Sound States: Innovative Poetics and Acoustical Technologies]'', University of North Carolina Press, 1997, 349 pp. | ||
| − | * Douglas Kahn, ''[http://monoskop.org/log/?p=63 Noise, Water, Meat: A History of Sound in the Arts]'', MIT Press, 1999, 455 pp. | + | * Douglas Kahn, ''[http://monoskop.org/log/?p=63 Noise, Water, Meat: A History of Sound in the Arts]'', MIT Press, 1999, 455 pp. Sparked by Dan Lander's idea of "musicalization of sound" presented in the volume ''Sound by Artists'' he co-edited [http://www.douglaskahn.com/writings/douglas_kahn-sound_art.pdf]. |
* Helga de la Motte-Haber (ed.), ''Klangkunst: Tönende Objekte und klingende Räume'', Laaber: Laaber-Verlag, 1999, 352 pp. (in German). [http://www.computermusicjournal.org/reviews/29-1/grant-klangkunst.html Review], [http://audio.uni-lueneburg.de/texte/landy.pdf Review]. | * Helga de la Motte-Haber (ed.), ''Klangkunst: Tönende Objekte und klingende Räume'', Laaber: Laaber-Verlag, 1999, 352 pp. (in German). [http://www.computermusicjournal.org/reviews/29-1/grant-klangkunst.html Review], [http://audio.uni-lueneburg.de/texte/landy.pdf Review]. | ||
* Brandon LaBelle, Steve Roden (eds.), ''Site of Sound: Of architecture and the ear'', Los Angeles: Errant Bodies/Smart Art, 1999. | * Brandon LaBelle, Steve Roden (eds.), ''Site of Sound: Of architecture and the ear'', Los Angeles: Errant Bodies/Smart Art, 1999. | ||
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* Curtis Roads, ''[http://monoskop.org/log/?p=658 Microsound]'', MIT Press, 2002, 423 pp. | * Curtis Roads, ''[http://monoskop.org/log/?p=658 Microsound]'', MIT Press, 2002, 423 pp. | ||
* Bernd Schulz (ed.), ''Resonanzen/Resonances. Aspekte der Klangkunst/Aspects of Sound Art'', Heidelberg: Kehrer, 2002. (in German) | * Bernd Schulz (ed.), ''Resonanzen/Resonances. Aspekte der Klangkunst/Aspects of Sound Art'', Heidelberg: Kehrer, 2002. (in German) | ||
| − | * Ken Ehrlich, Brandon LaBelle, ''Surface Tension: Problematics of | + | * Ken Ehrlich, Brandon LaBelle, ''Surface Tension: Problematics of Site'', Los Angeles: Errant Bodies, 2003. |
* Maja Kuzmanovic, nadine, Annemie Maes, Yves Bernard (eds.), ''[http://monoskop.org/log/?p=53 .x-med-a., experimental media arts]'', Brussels, 2006, 156 pp. | * Maja Kuzmanovic, nadine, Annemie Maes, Yves Bernard (eds.), ''[http://monoskop.org/log/?p=53 .x-med-a., experimental media arts]'', Brussels, 2006, 156 pp. | ||
* Helga de la Motte-Haber, Matthias Osterwold, Georg Weckwerth (eds.), ''Sonambiente Berlin 2006: Klang Kunst Sound Art'', Heidelberg: Kehrer, 2006. | * Helga de la Motte-Haber, Matthias Osterwold, Georg Weckwerth (eds.), ''Sonambiente Berlin 2006: Klang Kunst Sound Art'', Heidelberg: Kehrer, 2006. | ||
| − | ** Christoph Cox, "[http://www.arts.rpi.edu/~century/MMC11/Cox-Sonambiente_Essay.pdf From Music to Sound: Being as Time in the Sonic Arts]", pp | + | ** Christoph Cox, "[http://www.arts.rpi.edu/~century/MMC11/Cox-Sonambiente_Essay.pdf From Music to Sound: Being as Time in the Sonic Arts]", pp 214-223. |
* Anne Thurmann-Jajes, Sabine Breitsameter, Winfried Pauleit (eds.), ''Sound Art – Zwischen Avantgarde und Popkultur'', Cologne: Salon, 2006. (in German) | * Anne Thurmann-Jajes, Sabine Breitsameter, Winfried Pauleit (eds.), ''Sound Art – Zwischen Avantgarde und Popkultur'', Cologne: Salon, 2006. (in German) | ||
| − | * Brandon LaBelle, ''[http://monoskop.org/log/?p=604 Background Noise: Perspectives on Sound Art]'', Continuum, 2006, 316 pp. | + | * Brandon LaBelle, ''[http://monoskop.org/log/?p=604 Background Noise: Perspectives on Sound Art]'', Continuum, 2006, 316 pp. [http://wiki.dxarts.washington.edu/groups/soundart/wiki/779f0/] |
| − | * Alan Licht, ''Sound Art: Beyond Music, Between Categories'', New York: Rizzoli, 2007, 304 pp. Foreword by Jim O’Rourke. [http://monoskop.org/log/?p=5640] | + | * Alan Licht, ''Sound Art: Beyond Music, Between Categories'', New York: Rizzoli, 2007, 304 pp. Foreword by Jim O’Rourke. [http://monoskop.org/log/?p=5640] |
* Leigh Landy, ''[http://monoskop.org/log/?p=609 Understanding the Art of Sound Organization]'', MIT Press, 2007, 303 pp. | * Leigh Landy, ''[http://monoskop.org/log/?p=609 Understanding the Art of Sound Organization]'', MIT Press, 2007, 303 pp. | ||
* Tony Gibbs, ''[http://monoskop.org/log/?p=1308 The Fundamentals of Sonic Art & Sound Design]'', AVA, 2007, 175 pp. | * Tony Gibbs, ''[http://monoskop.org/log/?p=1308 The Fundamentals of Sonic Art & Sound Design]'', AVA, 2007, 175 pp. | ||
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* Peter Kiefer (ed.), ''Klangräume der Kunst'', Heidelberg: Kehrer, 2010. With Video-DVD. (in German) | * Peter Kiefer (ed.), ''Klangräume der Kunst'', Heidelberg: Kehrer, 2010. With Video-DVD. (in German) | ||
* Tara Rodgers, ''Pink Noises: Women on Electronic Music and Sound'', Duke University Press, 2010, 322 pp. [http://monoskop.org/log/?p=10011] | * Tara Rodgers, ''Pink Noises: Women on Electronic Music and Sound'', Duke University Press, 2010, 322 pp. [http://monoskop.org/log/?p=10011] | ||
| + | * Brandon LaBelle, ''Acoustic Territories: Sound Culture and Everyday Life'', 2010. | ||
* Douglas Kahn, ''[http://monoskop.org/log/?p=5612 The Aelectrosonic]'', eds. Arie Altena and Sonic Acts, Sonic Acts Press, 2011, 64 pp. | * Douglas Kahn, ''[http://monoskop.org/log/?p=5612 The Aelectrosonic]'', eds. Arie Altena and Sonic Acts, Sonic Acts Press, 2011, 64 pp. | ||
* Carsten Seiffarth, Carsten Stabenow, Golo Föllmer (eds.), ''[http://www.soundexchange.eu/#anthology_en Sound Exchange: Anthology of Experimental Music Cultures in Central and Eastern Europe 1950-2010]'', Saarbrücken: PFAU, 2012. (in English/German) | * Carsten Seiffarth, Carsten Stabenow, Golo Föllmer (eds.), ''[http://www.soundexchange.eu/#anthology_en Sound Exchange: Anthology of Experimental Music Cultures in Central and Eastern Europe 1950-2010]'', Saarbrücken: PFAU, 2012. (in English/German) | ||
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===Journal issues=== | ===Journal issues=== | ||
| + | * ''[http://iowareview.uiowa.edu/TIRW/TIRW_Archive/feb06/feb06_txt.html The Iowa Review Web 8(1): Special issue on Sound Art]'', ed. Ben Basan, February/March 2006. | ||
* ''[http://monoskop.org/log/?p=10216 Organised Sound: An International Journal of Music and Technology, 14(1): Sound Art]'', ed. Jøran Rudi, Cambridge University Press, 2009, 115 pp. | * ''[http://monoskop.org/log/?p=10216 Organised Sound: An International Journal of Music and Technology, 14(1): Sound Art]'', ed. Jøran Rudi, Cambridge University Press, 2009, 115 pp. | ||
* ''Leonardo Music Journal, Vol. 23: Sound Art'', ed. Nicolas Collins, 2013, 106 pp. [http://monoskop.org/log/?p=9901] | * ''Leonardo Music Journal, Vol. 23: Sound Art'', ed. Nicolas Collins, 2013, 106 pp. [http://monoskop.org/log/?p=9901] | ||
* ''[http://seismograf.org/fokus/urbanitet-lyd-og-kunst Seismograf/DMT: Urbanitet, lyd og kunst]'', eds. af Kristine Samson and Sanne Krogh Groth, November 2012. (in Danish) | * ''[http://seismograf.org/fokus/urbanitet-lyd-og-kunst Seismograf/DMT: Urbanitet, lyd og kunst]'', eds. af Kristine Samson and Sanne Krogh Groth, November 2012. (in Danish) | ||
* ''[http://seismograf.org/japansk-lydkunst Seismograf/DMT: Japansk lydkunst]'', September 2011. (in Danish) | * ''[http://seismograf.org/japansk-lydkunst Seismograf/DMT: Japansk lydkunst]'', September 2011. (in Danish) | ||
| + | |||
| + | ===Pamphlets, Booklets, Brochures=== | ||
| + | * Julian Cowley, ''[http://www.diapasongallery.org/PDFs/cowley.pdf Annotations for Sound Art]'', 2003, 11 pp. | ||
| + | * Yannick Dauby, ''[http://psonic.free.fr/2010/Artistes/yd/ydauby-pspartages.pdf Paysages Sonores Partagés]'', 2004. (in French) | ||
| + | |||
| + | ===Articles (selection)=== | ||
| + | * Max Neuhaus, [http://www.max-neuhaus.info/soundworks/soundart/SoundArt.pdf "Sound Art?"], in ''Volume: Bed of Sound'', New York: P.S. 1 Contemporary Art Center, 2000. | ||
| + | * Douglas Kahn, [http://www.douglaskahn.com/writings/douglas_kahn-sound_art.pdf "The Arts of Sound Art and Music"], ''The Iowa Review Web'' 8(1): Special issue on Sound Art, ed. Ben Basan, February/March 2006. | ||
| + | * Golo Föllmer, [http://www.medienkunstnetz.de/themes/overview_of_media_art/audio/scroll/ "Audio Art"], trans. Rebecca van Dyck, ''MediaArtNet'', 2004. | ||
===Theses=== | ===Theses=== | ||
| + | * Tristan Louth-Robins, ''[http://www.academia.edu/472838 Still and Moving Lines. Listening and Signification in Sound Art]'', University of Adelaide, 2010, 65 pp. | ||
* Yolande Harris, ''[http://monoskop.org/log/?p=7123 Scorescapes: On Sound, Environment and Sonic Consciousness]'', Leiden University, 2011, 146 pp. | * Yolande Harris, ''[http://monoskop.org/log/?p=7123 Scorescapes: On Sound, Environment and Sonic Consciousness]'', Leiden University, 2011, 146 pp. | ||
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* [http://joy.nujus.net//SAET/index.php?page=Papers Articles and papers on sound art], compiled by Jérôme Joy and Thom Holmes. | * [http://joy.nujus.net//SAET/index.php?page=Papers Articles and papers on sound art], compiled by Jérôme Joy and Thom Holmes. | ||
* [http://soundartarchive.net/articles/ Selected articles about sound art at SoundArtArchive.net] | * [http://soundartarchive.net/articles/ Selected articles about sound art at SoundArtArchive.net] | ||
| + | * http://www.soundculture.org/texts.html | ||
==Resources== | ==Resources== | ||
Revision as of 00:44, 22 February 2014
Contents
Pages
- +3dB
- Peter Ablinger
- Milan Adamčiak
- Luis Alvarado
- Miguel Álvarez-Fernández
- Maryanne Amacher
- Laurie Anderson
- Andras Blazsek
- Audio Gruppe
- Audio Scene '79
- AudioHyperspace
- Sam Auinger
- AUT
- André Avelãs
- Younes Baba-Ali
- Ain Bailey
- Natasha Barrett
- Baschet Brothers
- Dennis Báthory-Kitsz
- Bb15
- Béchard Hudon
- Justin Bennett
- Harry Bertoia
- Myriam Bleau
- René Block
- Ursula Block
- Fari Bradley
- Tania Candiani
- Janet Cardiff
- Kabir Carter
- Daniela Cascella
- André Castro
- Raquel Castro
- Central European Network for Sonic Ecologies
- Budhaditya Chattopadhyay
- Roz Cheney
- Giuseppe Chiari
- Lin Chiwei
- City Sonic
- Nicolas Collins
- Martine H. Crispo
- Florencia Curci
- Robert Curgenven
- Alvin Curran
- Peter Cusack
- Paul DeMarinis
- Bill Dietz
- David Dunn
- Lloyd Dunn
- Lina Džuverović
- E/static
- Echo City
- Espen Sommer Eide
- Jessica Ekomane
- Eleonora Oreggia
- Ephemeral Sustainability
- Extrapool
- Festival for Applied Acoustics
- Flanders Festival Kortrijk
- Bill Fontana
- Carlo Fossati
- Jez riley French
- Anna Friz
- Ellen Fullman
- Marco Fusinato
- Bernhard Gál
- Christian Galarreta
- Raviv Ganchrow
- Richard Garet
- Gelbe Musik
- Generation Z
- GEZ-21
- Sanne Krogh Groth
- Heidi Grundmann
- Jonáš Gruska
- Milan Grygar
- John Grzinich
- Göteborg Art Sounds
- Yolande Harris
- Hanna Hartman
- Her Noise
- Felix Hess
- Het Apollohuis
- Marla Hlady
- Hannes Hoelzl
- The Hole Gallery
- Derek Holzer
- Cat Hope
- Phoebe Hui
- Ryoji Ikeda
- Institute for Sonic Arts Research
- Institute of Sonology
- Intro in situ
- Inventionen
- IRZU
- Manuel Rocha Iturbide
- David Jacobs
- Arsenije Jovanović
- Jérôme Joy
- Phil Julian
- Rolf Julius
- Douglas Kahn
- Christine Sun Kim
- Nicolaj Kirisits
- Jacob Kirkegaard
- Elvar Mar Kjartansson
- Klangkustfest
- Milan Knížák
- Konstmusiksystrar
- Kontakte
- Katarzyna Krakowiak
- Christina Kubisch
- Roland Kuit
- Kunstradio
- Peter Kutin
- Slavek Kwi
- Joan La Barbara
- Brandon LaBelle
- Katalin Ladik
- LAK Festival
- Dan Lander
- Cathy Lane
- Jørgen Larsson
- Ray Lee
- Bernhard Leitner
- Signe Lidén
- Kajsa Lindgren
- Lisboa Soa
- Edwin Lo
- Annea Lockwood
- Barbara London
- Francisco López
- Trond Lossius
- Alvin Lucier
- Lydgalleriet
- John Macedo
- Peter Machajdík
- Christian Marclay
- Stuart Marshall
- Reinhold Pieper Marxhausen
- Kaffe Matthews
- Charles Mattox
- Benoît Maubrey
- Víctor Mazón
- Radboud Mens
- Christof Migone
- Mileece
- Robin Minard
- Helga de la Motte-Haber
- Michal Murin
- Rie Nakajima
- Nendú
- Anne Hilde Neset
- Netaudio
- Max Neuhaus
- Daniel Neumann
- New Radio and Performing Arts
- Phill Niblock
- Carsten Nicolai
- Atle Selnes Nielsen
- NK
- Arne Nordheim
- Nordic Sound Art
- Katharine Norman
- Camille Norment
- Alberto Novello
- NyMusikk
- Jonas Olesen
- Hans Otte
- Gascia Ouzounian
- Overtoon
- Paul Panhuysen
- Maria Papadomanolaki
- Marianthi Papalexandri-Alexandri
- Harry Partch
- Rubén Patiño
- Susan Philipsz
- Liz Phillips
- Phonofemme
- Per Platou
- PNEM
- Gert-Jan Prins
- Q-O2
- RadiaLx
- Karim Rafi
- Reboot.fm
- Resonance
- Resonanzen
- Martins Rokis
- Jøran Rudi
- Søs Gunver Ryberg
- Aura Satz
- Tomoko Sauvage
- Scanner
- Janek Schaefer
- R. Murray Schafer
- Matija Schellander
- Jean-Robert Sedano and Solveig de Ory
- Carsten Seiffarth
- La Semaine du Son
- Nobuhisa Shimoda
- Singuhr Hoergalerie
- Skálar
- Walter Smetak
- Rasa Smite & Raitis Smits
- Rune Søchting
- Morten Søndergaard
- Sonambiente
- Sonic Arts Research Centre
- Sonic Arts Union
- Sonica
- SONM Archive
- Sound around Kaliningrad
- Soundcamp/Reveil
- SoundFjord
- Sounds. Radio – Art – New Music
- Staalplaat
- STEIM
- Steklenik
- Akio Suzuki
- Kent Tankred
- Pär Thörn
- Thorolf Thuestad
- Yasunao Tone
- David Toop
- Transcultures
- Trimpin
- Andreas Trobollowitsch
- Tsonami
- Toshiya Tsunoda
- UbuWeb
- Ultra-red
- Tetsuya Umeda
- Maia Urstad
- Edwin van der Heide
- Anette Vandsø
- Marco Vanoppen
- Mario de Vega
- Elin Øyen Vister
- Stephen Vitiello
- Salomé Voegelin
- Peter Vogel
- Carl Michael von Hausswolff
- Stephan von Huene
- Changcun Wang
- Hong-Kai Wang
- Weis Ward
- Hildegard Westerkamp
- Dan Wilson
- Jana Winderen
- Mark Peter Wright
- John Wynne
- Xchange
- Zhongqi Xie
- Dajuin Yao
- Yeung Yang
- Samson Young
Bibliography
Journals and Magazines
- The Wire, London. [1]
- China: the Sonic Avant-Garde, 2 issues, 2005-2006. (in Chinese)
Miguel Molina Alarcón, Baku: Symphony of Sirens: Sound Experiments in The Russian Avant-Garde, 2008. View online.
Catalogues
- Germano Celant, The Record as Artwork: From Futurism to Conceptual Art, Chicago: Museum of Contemporary Art, 1977, 121 pp. (in English/French) [2] [3]
- René Block, Lorenz Dombois, Nele Herltling, Barbara Volkmann (eds.), Für Augen und Ohren. Von der Spieluhr zum akustischen Environment. Objekte. Installationen. Performances, Berlin: Akademie der Künste, 1980, 312 pp. (in German). Catalogue for a large-scale exhibition curated by Nele Hertling and René Block. [4] [5]
- Vito Acconci, William Hellermann, Don Goddard, Sound/Art, New York: The Foundation, 1984, 29 pp. With an essay by Don Goddard. Exhibition curated by William Hellermann and held simultaneously at SculptureCenter’s former location on East 69th Street in Manhattan and the Brooklyn Arts and Cultural Association (now Brooklyn Arts Council). Participating artists included Vito Acconci, Connie Beckley, Bill and Mary Buchen, Nicolas Collins, Sari Dienes and Pauline Oliveros, Richard Dunlap, Terry Fox, William Hellermann, Jim Hobart, Richard Lerman, Les Levine, Joe Lewis, Tom Marioni, James Pomeroy, Alan Scarritt, Carolee Schneemann, Bonnie Sherk, Keith Sonnier, Norman Tuck, Hannah Wilke, and Yom Gagatzi. [6]
- Ursula Block, Michael Glasmeier (eds.), Broken Music: Artists' Recordworks, DAAD Galerie, 1989, 279 pp. A discography of recordings by visual artists and experimental audioworks. [7] [8]
- Dan Lander, Micah Lexier (eds.), Sound by Artists, Toronto: Art Metropole and Walter Phillips Gallery, 1990; Blackwood Gallery and Charivari Press, 2013, 372 pp. Introduction, Discography, Essay by Bill Viola, Book excerpts (video). Essays on sound art by writers and artists including John Cage, Christina Kubisch, Alvin Lucier, Annea Lockwood, Ihor Holubizky, Douglas Kahn, Christian Marclay and others. [9] [10]
- Christine van Assche (ed.), Sonic Process. A new geography of sounds, Barcelona: Museu d’Art Contemporani de Barcelona, 2002.
- Bernd Schulz (ed.), Resonanzen. Aspekte der Klangkunst, Saarbrücken: Stadtgalerie Saarbrücken, 2003. With CD. (in German)
- Helga de la Motte-Haber, "Esthetic Perception in New Artistic Contexts".
- Miguel Molina Alarcón, Baku: Symphony of Sirens: Sound Experiments in The Russian Avant-Garde. Original Documents and Reconstructions of 72 Key Works of Music, Poetry and Agitprop from the Russian Avantgardes (1908-1942), London: ReR Megacorp, 2008, 72 pp. With 2-CD.
- Andrey Smirnov, Liubov Pchelkina, Pokolenie Z [ПОКОЛЕНИЕ Z], St. Petersburg: PRO ARTE Foundation, 2010, 20 pp. Booklet-newspaper of the Generation Z exhibition. (Russian).
- Pokolenie Z [ПОКОЛЕНИЕ Z], Moscow: Polytechnic Museum, 2011, 20 pp. Booklet-newspaper of the Generation Z exhibition. (in Russian)
- Generation Z: Russian Pioneers of Sound Art and Musical Technology in 1910-1930, Budapest: OSA Archivum, 2011, 20 pp. Booklet-newspaper of the Generation Z exhibition. (in English/Hungarian)
- Sounds. Radio - Art - New Music, Berlin: n.b.k., 2010, 32 pp.
- David Crowley, Daniel Muzyczuk, Sounding the Body Electric: Experiments in Art and Music in Eastern Europe 1957–1984, Łódź: Muzeum Sztuki, 2012, 222 pp. (in English/Polish)
John Grayson (ed.), Sound Sculpture, 1975. Download.
Anthologies
- John Grayson (ed.), Sound Sculpture: A Collection of Essays by Artists Surveying the Techniques, Applications, and Future Directions of Sound Sculpture, Vancouver: Aesthetic Research Centre of Canada, 1975, 196 pp.
- Caleb Kelly (ed.), Sound, London: Whitechapel Gallery, with MIT Press, 2011, 239 pp.
Book series
- Sound Studies book series, Bloomsbury.
Luigi Russolo, The Art of Noises, 1916-. Download (IT, EN, ES, DE, FR, RU).
Trevor Wishart, On Sonic Art, 1985/1996. Download.
David Toop, Ocean of Sound, 1995. Download.
Douglas Kahn, Noise, Water, Meat: A History of Sound in the Arts, 1999. Download.
Allen S. Weiss (ed.), Experimental Sound & Radio, 2000. Download.
Monographs, Edited books
Monographs on individual artists are included in their respective pages.
- Luigi Russolo, L’Arte dei rumori, Milan: Edizione Futuriste di Poesia, 1916, 92 pp. (in Italian). The manifesto was first published on 11 March 1913.
- The Art of Noises, trans. Robert Filliou, Something Else Press, 1967. Manifesto only.
- The Art of Noises, trans. Barclay Brown, New York: Pendragon, 1987, 87 pp.
- "El arte de los ruidos. Manifiesto Futurista", Sin Titulo 3 (1996), UCLM, pp 8-15. (in Spanish). Manifesto only.
- Die Geräuschkunst, trans. Justin Winkler and Albert Mayr, Basel: Akroama, 1999. (in German)
- L’Art des bruits. Manifeste futuriste, 2003; 4th ed., 2013. (in French). Manifesto only.
- Iskusstvo shumov [Искусство шумов]. (in Russian). The manifesto only.
- Trevor Wishart, On Sonic Art, Harwood Academic Publishers, 1985; 2nd ed., ed. Simon Emmerson, Routledge, 1996, 357 pp.
- Helga de la Motte-Haber, Musik und Bildende Kunst. Von der Tonmalerei zur Klangskulptur, Laaber: Laaber-Verlag, 1990.
- David Toop, Ocean of Sound: Aether Talk, Ambient Sound and Imaginary Worlds, Serpent’s Tail, 1995, 306 pp; 2001.
- Adalaide Kirby Morris (ed.), Sound States: Innovative Poetics and Acoustical Technologies, University of North Carolina Press, 1997, 349 pp.
- Douglas Kahn, Noise, Water, Meat: A History of Sound in the Arts, MIT Press, 1999, 455 pp. Sparked by Dan Lander's idea of "musicalization of sound" presented in the volume Sound by Artists he co-edited [11].
- Helga de la Motte-Haber (ed.), Klangkunst: Tönende Objekte und klingende Räume, Laaber: Laaber-Verlag, 1999, 352 pp. (in German). Review, Review.
- Brandon LaBelle, Steve Roden (eds.), Site of Sound: Of architecture and the ear, Los Angeles: Errant Bodies/Smart Art, 1999.
- Karin von Maur, Vom Klang der Bilder, Munich, 1999. (in German)
- Allen S. Weiss (ed.), Experimental Sound & Radio, MIT Press, 2000, 188 pp.
- Jozef Cseres, Hudobné simulakrá, Bratislava: Hudobné centrum, 2001. (in Slovak)
- Curtis Roads, Microsound, MIT Press, 2002, 423 pp.
- Bernd Schulz (ed.), Resonanzen/Resonances. Aspekte der Klangkunst/Aspects of Sound Art, Heidelberg: Kehrer, 2002. (in German)
- Ken Ehrlich, Brandon LaBelle, Surface Tension: Problematics of Site, Los Angeles: Errant Bodies, 2003.
- Maja Kuzmanovic, nadine, Annemie Maes, Yves Bernard (eds.), .x-med-a., experimental media arts, Brussels, 2006, 156 pp.
- Helga de la Motte-Haber, Matthias Osterwold, Georg Weckwerth (eds.), Sonambiente Berlin 2006: Klang Kunst Sound Art, Heidelberg: Kehrer, 2006.
- Christoph Cox, "From Music to Sound: Being as Time in the Sonic Arts", pp 214-223.
- Anne Thurmann-Jajes, Sabine Breitsameter, Winfried Pauleit (eds.), Sound Art – Zwischen Avantgarde und Popkultur, Cologne: Salon, 2006. (in German)
- Brandon LaBelle, Background Noise: Perspectives on Sound Art, Continuum, 2006, 316 pp. [12]
- Alan Licht, Sound Art: Beyond Music, Between Categories, New York: Rizzoli, 2007, 304 pp. Foreword by Jim O’Rourke. [13]
- Leigh Landy, Understanding the Art of Sound Organization, MIT Press, 2007, 303 pp.
- Tony Gibbs, The Fundamentals of Sonic Art & Sound Design, AVA, 2007, 175 pp.
- Julia Kursell (ed.), Sounds of Science – Schall im Labor (1800–1930), Berlin: Max-Planck Institute for the History of Science, 2008, 134 pp. (in English and German)
- Ulrich Tadday (ed.), Klangkunst, Munich, 2008. (in German)
- Seth Kim-Cohen, In the Blink of an Ear: Toward a Non-Cochlear Sonic Art, New York and London: Continuum, 2009, 296 pp.
- Craig Dworkin, Unheard Music, information as material, 2010, 30 pp.
- Thomas Bey William Bailey, Micro Bionic: Radical Electronic Music & Sound Art in the 21st Century, Creation Books, 2009; 2nd ed., Belsona Books, 2012, 417 pp.
- Salomé Voegelin, Listening to Noise and Silence: Towards a Philosophy of Sound Art, Continuum, 2010, 256 pp.
- Peter Kiefer (ed.), Klangräume der Kunst, Heidelberg: Kehrer, 2010. With Video-DVD. (in German)
- Tara Rodgers, Pink Noises: Women on Electronic Music and Sound, Duke University Press, 2010, 322 pp. [14]
- Brandon LaBelle, Acoustic Territories: Sound Culture and Everyday Life, 2010.
- Douglas Kahn, The Aelectrosonic, eds. Arie Altena and Sonic Acts, Sonic Acts Press, 2011, 64 pp.
- Carsten Seiffarth, Carsten Stabenow, Golo Föllmer (eds.), Sound Exchange: Anthology of Experimental Music Cultures in Central and Eastern Europe 1950-2010, Saarbrücken: PFAU, 2012. (in English/German)
- Andrey Smirnov, Sound in Z: Experiments in Sound and Electronic Music in Early 20th-century Russia, London: Koenig Books & Sound and Music, 2013, 281 pp.
- Douglas Kahn, Earth Sound Earth Signal: Energies and Earth Magnitude in the Arts, University of California Press, 2013, 344 pp. [15]
- Seth Kim-Cohen, Against Ambience, Bloomsbury, 2013. [16]
- Salomé Voegelin, Sonic Possible Worlds: Hearing the Continuum of Sound, Bloomsbury, 2014 (forthcoming).
Journal issues
- The Iowa Review Web 8(1): Special issue on Sound Art, ed. Ben Basan, February/March 2006.
- Organised Sound: An International Journal of Music and Technology, 14(1): Sound Art, ed. Jøran Rudi, Cambridge University Press, 2009, 115 pp.
- Leonardo Music Journal, Vol. 23: Sound Art, ed. Nicolas Collins, 2013, 106 pp. [17]
- Seismograf/DMT: Urbanitet, lyd og kunst, eds. af Kristine Samson and Sanne Krogh Groth, November 2012. (in Danish)
- Seismograf/DMT: Japansk lydkunst, September 2011. (in Danish)
Pamphlets, Booklets, Brochures
- Julian Cowley, Annotations for Sound Art, 2003, 11 pp.
- Yannick Dauby, Paysages Sonores Partagés, 2004. (in French)
Articles (selection)
- Max Neuhaus, "Sound Art?", in Volume: Bed of Sound, New York: P.S. 1 Contemporary Art Center, 2000.
- Douglas Kahn, "The Arts of Sound Art and Music", The Iowa Review Web 8(1): Special issue on Sound Art, ed. Ben Basan, February/March 2006.
- Golo Föllmer, "Audio Art", trans. Rebecca van Dyck, MediaArtNet, 2004.
Theses
- Tristan Louth-Robins, Still and Moving Lines. Listening and Signification in Sound Art, University of Adelaide, 2010, 65 pp.
- Yolande Harris, Scorescapes: On Sound, Environment and Sonic Consciousness, Leiden University, 2011, 146 pp.
Bibliographies
- Articles and papers on sound art, compiled by Jérôme Joy and Thom Holmes.
- Selected articles about sound art at SoundArtArchive.net
- http://www.soundculture.org/texts.html
Resources
- Sound at UbuWeb
- Sound Art Archive.net
- Ràdio Web MACBA
- ICA SoundWorks
- SONM Archive, Sound Archive of Experimental Music and Sound Art
- Soundbag, an internet project by Rolf Langebartel
- Her Noise Archive, a resource of collected materials investigating music and sound histories in relation to gender, by Anne Hilde Neset and Lina Džuverović.
- Ear Room, an online interview publication focusing on the complex use of sound in artistic practice, by Mark Peter Wright.
- Tacet, annual bilingual (French and English) experimental music review (*2012). [18]
- Ekho: Women in Sonic Art
- Sound art in Latin America
- Sound art exhibitions timeline, compiled by Jérôme Joy and Thom Holmes. Former version.
- J Milo Taylor, A History of Sound Art, 2011.
See also
Field recording, Radio art, Sound studies, Noise, Circuit bending, SuperCollider, Sensory ethnography.
