Difference between revisions of "Slovakia"
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− | + | ==Interwar avant-garde== | |
+ | ===School of Arts and Crafts, Bratislava (1928-1939)=== | ||
+ | {{:School of Arts and Crafts, Bratislava}} | ||
+ | ===Exhibitions=== | ||
+ | * Under the auspices of its director Josef Polák, the East Slovakia Museum in Košice organised exhibitions of contemporary European graphic art, for which a series of posters was created by the featured artists. The key figure amongst these artists was [[Eugen Krón]], who came from Hungarian avant-garde circles. Another Slovak, Martin Benka, presented a different kind of production in Slovak graphic design, with works that were close to the international art deco design movement, but which mainly tried to emphasise the national character of production. As the first Slovak to do so, Benka applied himself intensively to the creation of fonts. [http://www.slovakia.culturalprofiles.net/?id=-13068] | ||
− | + | ===Magazines=== | |
− | + | * [[Slovenská grafia]], a magazine published from 1929, promoting the modernization of polygraphy and applied graphics. Edited by [[Antonín Hořejš]] and [[Karol Jaroň]]; designed by [[Ľudovít Fulla]]. | |
+ | * Ľudovít Fulla, Mikuláš Galanda, "Súkromné listy Fullu a Galandu", 1930-32. [http://www.arslexicon.sk/?registre&objekt=sukromne-listy-teoreticko-graficka-iniciativa-ludovita-fullu-a-mikulasa-galandu] | ||
+ | * [[nová bratislava]], a monthly review published in 4 issues between Nov 1931 and Mar 1932. Edited by Zdeněk Rossmann, [[Fridrich Weinwurm]] and [[Daniel Okáli]]. | ||
+ | ===Conferences and retrospective exhibitions=== | ||
+ | * ''Výtvarné avantgardy a dnešok'', Smolenice, June 1968. International conference organised by Theory and History of Art Department of Slovak Academy of Sciences. | ||
+ | * ''Bauhaus im Osten'', exhibition, Slovak National Gallery, Bratislava. Curated by the director of the Stadtische Museum in Leverkusen, Susanne Anna. | ||
+ | * ''Slovenská typografia v XX. storočí. Časť prvá: 1918-1970'', exhibition, City Gallery of Bratislava, Oct 2004 - Jan 2005. Curated by [[Ľubomír Longauer]]. [http://www.sdc.sk/index.php?lang=sk&menu=aktivity&page=typo] | ||
+ | * ''[[Hranice geometrie|Hranice geometrie: Geometrické a konštruktívne tendencie v slovenskom výtvarnom umení od roku 1960 po súčasnosť]]'', exhibition, Dom umenia, Bratislava, Jan-Feb 2010. Curated by [[Ľuba Belohradská]] and [[Eva Trojanová]]. | ||
+ | * ''Škola moderného videnia - bratislavská ŠUR 1928 - 1939'', exhibition from the works created at the [[School_of_Arts_and_Crafts,_Bratislava|School of Arts and Crafts]], Jul-Sep 2013, Bratislava. Curated by [[Iva Mojžišová]]. [http://citylife.sk/vystava/skola-moderneho-videnia-bratislavska-sur-1928-1939] | ||
− | + | ===Literature=== | |
− | + | {{:Media_art_in_Central_and_Eastern_Europe_Bibliography|transcludesection=avantgarde-sk}} | |
− | + | == Video art (1960s-80s) == | |
+ | ; Artists | ||
+ | * [[Stano Filko]], [[Vladimír Havrilla]], [[Vladimír Kordoš]], [[Ľubomír Ďurček]], [[Peter Meluzin]], [[Peter Rónai]]. | ||
+ | ; Forms | ||
+ | * diaprojections (*1966, Filko) | ||
+ | * documentation recordings of performances, happenings, events (*1971, Mlynárčik, Kordoš, Meluzin, Rónai) | ||
+ | * features, films incorporating video art techniques (*1972, Havrilla, Ďurček) | ||
+ | * fine art films (*1977, Havrilla) | ||
+ | * video installations (*1980s, Rónai's antivideos) | ||
+ | * No references to the self-purpose videos, neither closed-circuit TV installations in this period. | ||
+ | ; More | ||
+ | * [[Video art in Slovakia (1960s-80s)]] | ||
+ | == Performance art (1960s-2000s) == | ||
+ | ; Artists | ||
+ | [[Juraj Bartusz]] (1933), [[Ivan Štěpán]] (1937-86), [[Peter Bartoš]] (1938), [[Július Koller]] (1939-2007), [[Vladimír Kordoš]] (1945), [[Milan Adamčiak]] (1946), [[Peter Meluzin]] (1947), [[Ľubomír Ďurček]] (1948), [[Ladislav Pagáč]] (1949), [[Róbert Cyprich]] (1951-96), [[Ján Budaj]] (1952), [[Peter Rónai]] (1953), [[Viktor Oravec]] (1960), [[Milan Pagáč]] (1960), [[Michal Murin]] (1963), [[Jozsef R. Juhász]] (1963), [[Miroslav Nicz]] (1963), [[Richard Fajnor]] (1965), [[Vladimír Železný]], [[Mário Chromý]] (1967), [[Roland Farkas]] (1975), [[Juraj Dudáš]] (1975). | ||
+ | ; Groups | ||
+ | [[Labyrint]] Theatre (1978-?, theatre + body art + performance, Budaj, et al.), [[Temporary Society of Intensive Living]] (1979-81, Budaj, et al.), [[Artprospekt P.O.P.]] (1979-85, performance + body art + happening + rituals, L Pagáč, Oravec, M Pagáč), [[Balvan]] (1987-92, Beňo, Miklušičáková, Murin, Šefčáková), [[Bachor|Spoločnosť pre pestovanie a šírenie patafyziky]] (1988-93, Karásek, Volek, et al.), [[Transmusic comp.]] (1989-96, Adamčiak, Machajdík, Murin..), [[Disk]] Theatre (Uhlár, Karásek, et al.), [[Stoka]] Theatre (1991-2006, Uhlár, et al.), [[GUnaGU]] Theatre, HUBRIS, [[Lengow & HEyeRMEarS]] (1997-, Murin, Cseres), [[Kafron]] (Kafúnová, Rónaiová). | ||
− | + | ; Festivals | |
+ | [[Transart Communication]] intermedia art festival (*1987, Nové Zámky, at the peak period 1990-92 and 1995-96 performances by Jana Želibská, Milan Adamčiak, Július Koller, Juraj Bartusz, Stanislav Filko, Anna Daučíková, Miroslav Nicz, Michal Murin, Ľubo Stacho, Peter Kalmus, Anabela Žigová and others), [[Evenings of New Music]] (*1990, Bratislava), [[San Francisco Performance Art Festival]] (1991, Bratislava), [[IFEM]] music forum (1992, 94, Dolná Krupa Castle), [[FEM]] music festival (1995, 96, Bratislava), [[Sound Off]] music festival (1995-2002, Bratislava, Šamorín, Nové Zámky, Nitra), [[...Medzi...]] (1996-2000, Skalica), [[Next]] music festival (*2000, Bratislava), [[Multiplace]] new media culture festival (*2002), [[Genius loci]] (intermedia festival, *2004, Levoča, curated by [[Peter Machajdík]] and [[Zbyněk Prokop]]), [[Intermedia.bb]] (Banská Bystrica). | ||
− | + | ; Works | |
+ | See [[Performance art in Slovakia (1960s-2000s)]]. | ||
− | ''' | + | ; Exhibitions and events |
− | + | * ''Art of Action'', Považská galéria umenia, Žilina, 16 Aug-29 Sep 1991. Curated by Vlasta Čiháková-Noshiro. [http://monoskop.org/log/?p=16006 Catalogue published]. | |
+ | * ''[[Art in Windows]]'', Nitra, 2000. | ||
+ | * ''Výhonok'', City Gallery (GMB), Bratislava, 2000. Curator: [[Radislav Matuštík]]. | ||
+ | * ''Action Art 1965–1989'', Slovak National Gallery, Bratislava, 26 Apr-19 Aug 2001. Curated by Zora Rusinová ([[Radislav Matuštík]] resigned). | ||
+ | * ''Umenie akcie 1989-2000'' [Art of Action 1989-2000], Elektráreň Tatranskej galérie, Poprad, 7 Apr-9 May 2001; and City Gallery, Nitra, 12 Sep-20 Oct 2001. Curator: Lucia Gregorová-Stachová. Initiated by [[Michal Murin]]. [http://www.tatragaleria.sk/?id_menu=62039] | ||
− | + | ; Literature | |
− | + | {{:Central_and_Eastern_Europe_Bibliography|transcludesection=performance-sk}} | |
+ | ==Conceptual art== | ||
+ | ; Artists | ||
+ | [[Alex Mlynárčik]], [[Stano Filko]], [[Július Koller]], [[Jana Želibská]], [[Rudolf Sikora]], [[Peter Bartoš]], [[Michal Kern]], [[Ľubomír Ďurček]], [[Jozef Bartusz]], [[Juraj Meliš]], [[Dezider Tóth]] | ||
+ | ; Literature | ||
+ | {{:Central_and_Eastern_Europe_Bibliography|transcludesection=conceptualart-sk}} | ||
− | + | ; Exhibitions | |
+ | * ''Bilder aus der Slowakei, 1965-1980'', series of 3 exhibitions, Galerie Pragxis, Essen Kettwig, West Germany, Mar-Oct 1982. [http://www.schueppenhauer-artandprojects.com/#/kunstprojekt/1732387637 Part 1]. [http://www.schueppenhauer-artandprojects.com/#/kunstprojekt/1735143854 Part 2]. [http://www.schueppenhauer-artandprojects.com/#/kunstprojekt/1736742085 Part 3]. | ||
− | ''' | + | ==Geometric abstraction, Neo-constructivism, Op art, Kinetic art== |
− | ''' | + | ; Artists |
− | ''' | + | <div class="dpl" style="-moz-column-count:3; -webkit-column-count:3; column-count:3; font-size:.95em"> |
+ | * [[Klub konkrétistov]] group, 1967-1971 | ||
+ | * [[Alojz Klimo]], 1922-2000, Bratislava, [[Klub konkrétistů]] member | ||
+ | * [[Tamara Klimová]], 1922-2004, Bratislava, [[Klub konkrétistů]] member | ||
+ | * [[Gyula Kosice]], 1924-2016, Košice/Buenos Aires | ||
+ | * [[Jarmila Čihánková]], 1925-2017, Bratislava, [[Klub konkrétistů]] member | ||
+ | * [[Eduard Antal]],, 1929-2011, Bratislava, [[Klub konkrétistů]] member | ||
+ | * [[Milan Dobeš]], 1929, Bratislava | ||
+ | * [[Štefan Belohradský]], 1930-2012, Bratislava, [[Klub konkrétistů]] member | ||
+ | * [[Miloš Urbásek]], 1932-1988, Bratislava | ||
+ | * [[Juraj Bartusz]], 1933, Košice, [[Klub konkrétistů]] member | ||
+ | * [[Pavol Binder]], 1935-2009, Bratislava | ||
+ | * [[Mária Bartuszová]], 1936-1996, Bratislava, [[Klub konkrétistů]] member | ||
+ | * [[Anton Cepka]], 1936, [[Klub konkrétistů]] member | ||
+ | * [[Marian Drugda]], 1945, Bratislava | ||
+ | * [[Viktor Hulík]], 1949, Bratislava | ||
+ | </div> | ||
+ | |||
+ | ; Exhibitions | ||
+ | * [[Hranice geometrie|Hranice geometrie: Geometrické a konštruktívne tendencie v slovenskom výtvarnom umení od roku 1960 po súčasnosť]], curated by [[Ľuba Belohradská]] and [[Eva Trojanová]], Dom umenia, Bratislava, 13 Jan - 13 Feb 2010. | ||
+ | |||
+ | ; Literature | ||
+ | {{:Central_and_Eastern_Europe_Bibliography|transcludesection=visualresearch-sk}} | ||
+ | |||
+ | == Sound art (1960s-2000s) == | ||
+ | ; Artists | ||
+ | * [[Milan Dobeš]], [[Alex Mlynárčik]], [[Milan Adamčiak]], [[Róbert Cyprich]], [[Vladimír Labat]], [[Peter Machajdík]], [[Transmusic comp.]] (1989-96), [[Juraj Ďuriš]], [[Lengow & HEyeRMEarS]], [[CUCU Ensemble]], [[Michal Murin]], [[Ladislav Kupkovič]] | ||
+ | |||
+ | ; Forms | ||
+ | * audio-kinetic sculptures and environments (1960s, Dobeš, Mlynárčik) | ||
+ | * collaborations of graphic artists and composers (George Cup - Peter Machajdík, mid-1970s; Daniel Fischer – Ilja Zelenka, 1979 and 1993; Svetozár Ilavský – Svetozár Ilavský, since 1991; Miloš Štofko – Martin Burlas, 1994; Viktor Hulík – Peter Machajdík, 1993; Dirk Dietrich Hennig - Peter Machajdík, since 2003; Bohuš Kubínsky and Monika Kubínska – Iris Szeghy, 1995; Jaroslav Drotár – Marek Piaček, 1995; Dorota Sadovská – Daniel Matej, 1997; Zbyněk Prokop - Peter Machajdík, since 2010) | ||
+ | * acoustic part of action art (1970, Adamčiak, Cyprich) | ||
+ | * sound objects (1970s-90s, Polymúzický priestor I. exhibition, Labat, Transmusic Comp, Lengow & HEyeRMEarS) | ||
+ | * sound environments (1990s-2010s, Machajdík) | ||
+ | * home-made musical instruments (1980s-90s, Adamčiak, Sound Off festivals) | ||
+ | * acoustic environments (1980s-90s, Murin) | ||
+ | |||
+ | ; Exhibitions | ||
+ | * ''Polymúzický priestor I.'', 1970 in Piešťany. Concept by Ľubor Kára. | ||
+ | * ''Touch to Connect'', 1985–1989, relaunched in 1997. Concept by [[Ladislav Snopko]] and [[Zuzana Bartošová]]. | ||
+ | * ''Image and Music'', 1989-90. Curated by [[Ivan Jančár]] and [[Zuzana Martináková]]. | ||
+ | * ''Priestor '93'', 1993 in Piešťany. [[Peter Machajdík]] - Viktor Hulík: Blikač & [[Peter Machajdík]] - Viktor Hulík: Music for the Glass Bridge. Concept by L Kára. | ||
+ | * ''Piano Hotel'', 1997. Curated by [[Michal Murin]]. Five prepared pianos along with their parts were presented as acoustic objects (Viktor Lois, Otis Laubert, Milan Adamčiak, and Jozef Cseres). Part of [[Sound Off]] festival. | ||
+ | * ''Fenomén Kafka'', 2010 Tatranská galéria Poprad, Elektráreň. [[Peter Machajdík]] - [[Zbyněk Prokop]] - Robo Kočan. | ||
+ | |||
+ | ; Works | ||
+ | * ''The Pulsating Rhythm'', 1963. [[Milan Dobeš]]. Sound manipulated on the basis of the synchronization of impulses. | ||
+ | * ''A Cathedral of Humanism'', 1968. [[Stanislav Filko]]. Exhibited at the international exhibition [https://flashart.cz/2016/11/16/danuvius-1968/ Danuvius '68]. The synthetic environment that utilized concrete music (sounds reproducing radio broadcast). | ||
+ | * ''Chafing'', 1969. [[Milan Adamčiak]] and [[Róbert Cyprich]]. Created the musical component of Alex Mlynárčik's event in the High Tatras. | ||
+ | * ''Miss Pogana’s Flirt'', 1969. [[Alex Mlynárčik]]. Exhibited in Apollinaire Gallery in Milan, Italy. (1934) in his homage to Constantin Brâncuşi used plastic eggs that emitted ringing sounds after being set in motion by spectators. Interactive environment changing, through a visitor’s gesture, was not merely the constellation of objects but also the acoustic quality of space. | ||
+ | * ''Water Music'', 1970. [[Milan Adamčiak]] and [[Róbert Cyprich]]. Music project that modernized Georg Friedrich Händel’s original composition; together with Jozef Revallo, the piece was performed at the indoor swimming-pool of the college dormitory Juraja Hronca in Bratislava. | ||
+ | * ''Spring Union'', 1970. [[Milan Adamčiak]]. Created the musical components of [[Jana Želibská]]'s event in Dolné Orešany. | ||
+ | * ''The Yellow Environment'', 1970. [[Milan Adamčiak]]. Created the musical components of [[Jarmila Čihánková]]'s event at the exhibition Polymúzický priestor I. in Piešťany. | ||
+ | * ''The Wheelwork of Time'', 1970. [[Vladimír Môťovský]]. Piece for the exhibition Polymúzický priestor I. in Piešťany. Sculpturesque object in the shape of a clattering mill. | ||
+ | * ''A Dwelling-Place'', 1970. [[Andrej Goliáš]]. Piece for the exhibition Polymúzický priestor I. in Piešťany. | ||
+ | * 1970. [[Ivan Štěpán]]. Piece for the exhibition Polymúzický priestor I. in Piešťany. Optophonic space consisting of the synchronization of visual, acoustic, and architectural elements. | ||
+ | * ''Three Graces'', 1970. [[Róbert Cyprich]]. Participated musically at the [[Alex Mlynárčik]]'s project at the I. Otvorený ateliér in Bratislava. | ||
+ | * ''Acousticon'', 1970. [[Alex Mlynárčik]], [[Miroslav Filip]] and [[Viera Mecková]]. Project was begun but left unfinished; it had been intended as a programmed musical instrument whose sound depended on the movement of the spectator on an ascending and descending spiral. | ||
+ | * 1971. [[Milan Dobeš]]. Wrote a special light-kinetic program for the American Wind Symphony Orchestra to accompany symphonic compositions by T. Mayazumi and Krzysztof Penderecki (a series of concerts in the United States). | ||
+ | * ''Time of Cage'', 1979. [[Róbert Cyprich]]. Intepretation of [[John Cage]]'s piece ''4'33"''. | ||
+ | * ''Games of Games'', 1985. [[Michal Murin]]. Acoustic environment. | ||
+ | * ''Earth Music'', 1986. [[Michal Murin]]. Part of Monuments and the Present Age project. | ||
+ | * ''A Visual Composition'', 1987. [[Michal Murin]]. Acoustic environment. | ||
+ | * [http://www.rainerlinz.net/NMA/repr/Synchronistic.html ''Simultaneous Improvisations''], 1989. [[Michal Murin]]. Acoustic environment. Music bridge Perth – Bratislava. | ||
+ | * 1989. [[Milan Adamčiak]]. At the exhibition The Basement in Bratislava. Extensive installation consisting of sound objects and musical instruments constructed primarily from found materials. | ||
+ | * ''The Schrattenberg Sprite'', 1991. [[Miloš Boďa]] and [[Juraj Ďuriš]]. Interactive acoustic object. | ||
+ | * ''Archeomusic'', 1992. [[Michal Murin]]. Used natural material (wood, leaves, soil, straw) for creating sound objects brought into play during performances. | ||
+ | * ''Sonic Environment'', 1993. [[Peter Machajdík]] and [[David Moss]]. Audio Art Festival, The Hague (NL). | ||
+ | * ''Green Pianos'', 1993. Sound environment by [[Peter Machajdík]]. AVE Festival (internationaal audiovisueel experimenteel festival), Arnhem (NL). | ||
+ | * ''Tanz-Klang-Raum I.'', 1993. Sound Environment by [[Peter Machajdík]]. With dancer-performer Dorothea Rust. Festival Hier und dort, Shedhallen, Zug (CH). | ||
+ | * ''Tanz-Klang-Raum II.'', 1993. Sound Environment by [[Peter Machajdík]]. With dancer-performer Dorothea Rust. Performance-Tage, Seedam Kulturzentrum, Pfäffikon (CH). | ||
+ | * ''Tanz-Klang-Raum III.'', 1994. Sound Environment by [[Peter Machajdík]]. With dancer-performer Dorothea Rust. Kunstmuseum Thun (CH). | ||
+ | * ''TROMPeter'', 1995. Sound Environment by [[Peter Machajdík]]. [[Audio Art Festival]], Kraków (PL) and Melos-Ethos Festival, Bratislava (SK). | ||
+ | * ''Tanz-Klang-Raum IV.'', 1995. Sound Environment by [[Peter Machajdík]]. With dancer-performer Dorothea Rust. International Festival Bollwerk Belluard, Fribourg (CH). | ||
+ | * ''Tanz-Klang-Raum V.'', 1995. Sound Environment by [[Peter Machajdík]]. With violinist Malcolm Goldstein and dancer-performer Dorothea Rust. Aargauer Kunsthalle, Aarau (CH). | ||
+ | * ''Soundscapes'', 1997. [[Peter Machajdík]] and [[Nicolas Collins]]. Studienwoche für Neue Musik, Lüneburg (DE). | ||
+ | * ''Travelling Art Museum – Musical Ecofacts and Artifacts from the Eocene to the Futurocene'', 1997. [[Lengow & HEyeRMEarS]]. For the symposium Kép-Ze-Let at the Mining Museum in Tatabánya (HU). Sound object oscillating between a sound object and a conceptual visual acoustic installation. | ||
+ | * ''SOUNDgARTen'', 1999. [[Peter Machajdík]]. Festival La Belle Jardinière, Künstlerhaus Schloss Wiepersdorf (DE). | ||
+ | * ''Warholes'', 1999. [[Lengow & HEyeRMEarS]] and [[Otomo Yoshihide]]. Acoustic installation on the premises of the permanent exhibition at Andy Warhol’s Museum of Modern Art in Medzilaborce. | ||
+ | * ''Personal Time Quartet'', 2003. Sound environment by [[Peter Machajdík]] for a mixed media installation by Gülsün Karamustafa. Historisches Museum, Hannover (DE). | ||
+ | * ''Hannahver'', 2003. Sound environment by [[Peter Machajdík]]. Electric Rainbow Coalition Festival; Dartmouth College, Hanover (USA). | ||
+ | * ''SOUNDpaik'', 2003. Sound environment by [[Peter Machajdík]]. Künstlerhaus Lukas, Ahrenshoop (DE). | ||
+ | * ''The Healing Heating'', 2007. Sound environment by [[Peter Machajdík]]. With Petra Fornayová and Boris Lenko. Kunstforum Ostdeutsche Galerie, Regensburg (DE). | ||
+ | * ''Sonic Situations'', 2010. By [[Peter Machajdík]] and [[Michal Rataj]]. International Festival [[Intermedia.bb]] in Banská Bystrica 2010 + Elektronischer Frühling 2011, Kunstverein Wien (AT). | ||
+ | |||
+ | ; Literature | ||
+ | * Michal Murin: The Seeing Ear - Sound Object and Instalations II, [http://www.radioart.sk/frames.php?url=http%3A//www.radioart.sk/doc/soundart/inx_ucho_eng.html] | ||
+ | |||
+ | == Audiovisual compositions == | ||
+ | ; Literature | ||
+ | {{:Media_art_in_Central_and_Eastern_Europe_Bibliography|transcludesection=audiovisual-sk}} | ||
+ | |||
+ | == Intermedia art == | ||
+ | ; Literature | ||
+ | {{:Media_art_in_Central_and_Eastern_Europe_Bibliography|transcludesection=intermedia-sk}} | ||
+ | |||
+ | == Computer art (1970s-80s) == | ||
+ | ; Artists | ||
+ | [[Jozef Jankovič]] with [[Imrich Bertók]], [[Juraj Bartusz]] with [[Vladimír Haltenberger]], [[Daniel Fischer]] with [[Igor Klačanský]], [[Martin Šperka]], [[Agnes Sigetová]]. | ||
+ | |||
+ | ; Forms | ||
+ | * lithographies and serigraphies based on computer-generated drawings (*1966/1973, Jankovič with Bertók) | ||
+ | * manufactured sculptures based on computer-generated curves (*1973, Bartusz with Haltenberger) | ||
+ | * computer morphing line drawings (*1975, Fischer with Klačanský) | ||
+ | * computer animations (*1980s, Sigetová, Slivka) | ||
+ | |||
+ | ; Exhibitions | ||
+ | * [[Czechoslovak Computer Graphics]] [Československá počítačová grafika], Institut průmyslového designu, Praha, 1976 | ||
+ | * [[Computer Graphics Art (Prague, 1982)]] | ||
+ | * [[Jankovič - Graphics]], solo exhibition, [[Liberec]], 1984 | ||
+ | * [[Second Exhibition of Computer Art in CSSR]] [Druhá celostátní výstava počítačového umění v ČSSR], ÚKDŽ, Praha, 1985 | ||
+ | * [[Computer Art in ČSSR and in the World]] [Počítačové umění v ČSSR a ve světě], Palác kultury, Prague, 1989 | ||
+ | * [[Computer Graphics in Fine Arts]] [Počítačová grafika vo výtvarnom umení], Štátna galéria Žilina, Banská Bystrica, 1992; Medium Gallery, Bratislava, 1993 | ||
+ | |||
+ | ; Works | ||
+ | * ''decoration for facade of Výpočtové stredisko dopravy in Bratislava'', 1971-1974. [[Jozef Jankovič]] with [[Imrich Bertók]]. | ||
+ | * Aluminium art objects, 1973-1974. [[Juraj Bartusz]] with [[Vladimír Haltenberger]]. The objects were made according to computer drawings utilizing boundary curves generated by the HP 9030A computer. | ||
+ | * ''Ikarus'', 1974. [[Jozef Jankovič]] with [[Imrich Bertók]]. | ||
+ | * ''Movement in a circle'', 1974. [[Jozef Jankovič]] with [[Imrich Bertók]]. Transformation of figure into abstract image. | ||
+ | * ''Spacetime sculpture'', 1976-78. [[Juraj Bartusz]] with [[Vladimír Haltenberger]]. | ||
+ | * ''Cosmic Head'', 1976-78. [[Juraj Bartusz]] with [[Vladimír Haltenberger]] | ||
+ | * ''Altamira'', 1978-. [[Daniel Fischer]] with [[Peter Gerža]] /? [[Igor Klačanský]]. Cave bull morphing into sign of infinity, first computer animation in Slovakia. Single frames plotted by CalComp plotter were photographed step by step by 16mm animation camera, then processed by painter's interventions. Film was shown on Slovak television in Bratislava. Fischer: "Úlohou lineárnej transformácie je postihnúť kultúrne kontexty v čase fázovaním premien východiskových kresieb do cieľových, priamo modelovať časové premeny a vizualizovať čas ako fenomén spätý s ľudským bytím." | ||
+ | * Exterior design for a general hospital in Bratislava IV, colored aluminium and epoxy, 6 x 6 m, 1981-1982. [[Jozef Jankovič]]. The artwork was created according to computer drawings using the PDP11 computer and the Calcomp plotter. Each column shows the morphing of an outline of part of the human body into an electrocardiograph signal. | ||
+ | * ''Solentine Apocalypse'', 1982. [[Daniel Fischer]] with [[Igor Klačanský]]. Computer-generated illustrations for Slovak edition of the book by J Cortazar. | ||
+ | * ''The Cubist's Pictures Can Be Read Like a Modern Poetry'', serigraph, 1983. [[Daniel Fischer]]. From the series Images-Poems, this artwork was generated by the CDC3000 computer and the Calcomp plotter. The artist used an earlier version of the image to create an oil painting in 1982. | ||
+ | * ''Window'', 1984. [[Jozef Jankovič]] with [[Imrich Bertók]]. Dynamics of line in a given frame. | ||
+ | * Interior design at the general hospital in Bratislava III, cast sand and epoxy, 3 x 3 m, 1984-1985. [[Jozef Jankovič]]. The casting form was produced from computer drawings using the SM4 computer and Calcomp plotter. | ||
+ | * ''Squash'', 1985. [[Jozef Jankovič]] with [[Imrich Bertók]]. Dynamics of line in a given frame. | ||
+ | * ''Neverending Line'', 1985. [[Jozef Jankovič]] with [[Imrich Bertók]]. Applied random number generator. | ||
+ | * ''?'', 1986. [[Ondrej Slivka]]. 7' cartoon with some sections animated by a computer program of [[Martin Sepp]] and [[Martin Šperka]]. The film received awards at several international animation festivals abroad. | ||
+ | * ''01'', 1987. [[Michal Murin]], project for [[Ars Electronica]], software art, performance, sound, concept in big computer hall MEOPTA - výpočtové stredisko. | ||
+ | |||
+ | ; Literature | ||
+ | {{:Media_art_in_Central_and_Eastern_Europe_Bibliography|transcludesection=computerart-sk}} | ||
+ | |||
+ | ; Resources | ||
+ | * [http://web.archive.org/web/20021129093558/http://www.dcs.elf.stuba.sk/~sperka/emart/pioneers/cspion.htm Pioneers of the computer graphics art in the Czech and Slovak Republics] | ||
+ | |||
+ | == Electroacoustic music == | ||
+ | ; Composers | ||
+ | * [[Miro Bázlik]], [[Roman Berger]], [[Peter Kolman]], [[Jozef Malovec]], [[Ivan Parík]], [[Tadeáš Salva]], [[Martin Burlas]], [[Juraj Ďuriš]], [[Peter Machajdík]], [[Viťazoslav Kubička]], [[Ivan Stadtrucker]], [[Ilja Zelenka]], [[Róbert Rudolf]], [[Marek Piaček]] | ||
+ | |||
+ | ; Centres | ||
+ | * [[Experimental Studio of Slovak Radio]] & [[CECM]] Bratislava, *1965 | ||
+ | |||
+ | ; Events | ||
+ | * P. Kolman and L. Kupkovič organized New Music seminars (eight lessons since 1959 with the music by Stockhausen, Eimert, Křenek, and Schaeffer). | ||
+ | * [[International Seminars on New Music, Smolenice]], 1968-70 | ||
+ | |||
+ | ; Releases | ||
+ | * [[CECM/Anthology_of_Slovak_Electroacoustic_Music|''Anthology of Slovak electroacoustic music 1966-1991'']], CECM, 2-CD, EMCD001-002, 1992. [http://web.archive.org/web/20050426032900/http://www.slovakradio.sk/radioinet/kultura/expstudio/cds.html] | ||
+ | * [[CECM/Anthology_of_Slovak_Electroacoustic_Music|''Electroacoustic music Slovakia 1989-1994'']], CECM, EMCD003, 1994. [http://web.archive.org/web/20050426032900/http://www.slovakradio.sk/radioinet/kultura/expstudio/cds.html] | ||
+ | * EXperimental edition, [[Experimental Studio of Slovak Radio]]. [http://www.radioart.sk/doc/exedition/exedition.html] | ||
+ | * [[Peter Machajdík]], ''Soundscapes, Electro-Acoustic and Computer Music'', Edition Hudba N81 0002 2 131, 2005. [http://www.machajdik.de/html/recordings.html] | ||
+ | * Various – ''Electronic Music: Experimental Studios In Prague, Bratislava, Munich, University Of Illinois, Warsaw, Paris'', Creel Pone #39, 2006. [http://www.discogs.com/Various-Electronic-Music-Experimental-Studios-In-Prague-Bratislava-Munich-University-Of-Illinois-War/release/695003] [http://www.mediafire.com/?1dy0js71yd3szbv download] | ||
+ | * ''R(a)dio (Custica) Selected 2008'', Czech Radio 3 - Vltava and His Voice, 2009-3. Works by [[Peter Machajdík]], Colin Black, Miloš Vojtĕchovský and Ladislav Železný, [http://www.discogs.com/Various-Radio-Custica-Selected-2008/release/1771487] | ||
+ | * VA - ''Elektroakusticka hudba 1'', earlabs. Works by Malovec, Parik, Bazlik, Kolman, Berger. [http://sonicsquirrel.net/detail/release/Elektroakustick%C3%A1+Hudba+1/664 listen] | ||
+ | |||
+ | ; Literature | ||
+ | {{:Media_art_in_Central_and_Eastern_Europe_Bibliography|transcludesection=eamusic-sk}} | ||
+ | |||
+ | ; Resources | ||
+ | Slovak electroacoustic music archive, [http://web.archive.org/web/20050223075121/http://www.slovakradio.sk/radioinet/kultura/expstudio/frameset.html] | ||
+ | |||
+ | == Experimental film == | ||
+ | ; Artists, filmmakers, and works | ||
+ | * [[Juraj Jakubisko]], filmmaker. Short student films: ''Mikulášsky týždenník'' (1961-1963), ''Posledný nálet'' (1960), ''Každý deň má svoje meno'' (1961), ''Mlčanie'' (1963), ''Dážď'' (1965). Feature films with experimental techniques: ''Kristove roky'' (1967), ''Zbehovia a pútnici'' (1968), ''Vtáčkovia, siroty a blázni'' (1969) a ''Dovidenia v pekle priatelia'' (1970). [http://www.inyfilm.sk/zhistorie/jakubisko/jakubisko.php] | ||
+ | * [[Martin Slivka]], documentary filmmaker. ''Voda a práca'' (1963). [http://www.inyfilm.sk/zhistorie/slivka/slivka.php] | ||
+ | * [[Dušan Hanák]], filmmaker. Made several experimental documentary films at Štúdio krátkych filmov, Bratislava. ''Zádumčivosť'' (1963), ''Variáce kľudu'' (1966), ''Metamorfózy'' (1965), ''Impresia'' (1966), ''Sonáta, alebo Hľadanie šťastného čísla'' (1966), ''Výzva do ticha'' (1966), ''Prišiel k nám Old Shatterhand'' (1966), ''Zanechať stopu'' (1970), ''[[Dušan_Hanák#De.C5.88_radosti_.28A_Day_of_Joy.29|Deň radosti]]'' (1972). [http://www.inyfilm.sk/zhistorie/hanak/hanak.php] | ||
+ | * [[Ctibor Kováč]], ''Ohnivé rieky'' (1965). [http://www.inyfilm.sk/zhistorie/kovac/kovac.php] | ||
+ | * [[Dušan Trančík]], filmmaker. Short films: ''Fotografovanie obyvateľov domu'' (1968) a ''Šibenica'' (1969). [http://www.inyfilm.sk/zhistorie/trancik/trancik.php] | ||
+ | * [[Peter Mihálik]], film theorist. ''Lilli Marlen'' (1970), short film. [http://www.inyfilm.sk/zhistorie/mihalik/mihalik.php] | ||
+ | * [[Vladimír Havrilla]], artist. Films: ''White (bazén, rúra), White (pena)'' (1973), ''Lift'' (1974), ''No limit'' (1976), ''Lebo veľa hrešila'' (1977), ''Modliaca figurína'' (1977), ''Milosť'' (1977), ''Bábika'' (1982). See also his video works at [[Video art in Slovakia (1960s-80s)]]. | ||
+ | * [[Ľubomír Ďurček]], ''Home'' (Domov, 1983, 16mm). See his video works at [[Video art in Slovakia (1960s-80s)]]. | ||
+ | * [[Samo Ivaška]] | ||
+ | * [[Vladimír Kordoš]], artist. Aténska škola (1981, 16mm). [http://www.inyfilm.sk/zhistorie/kordos/kordos.php] | ||
+ | * [[Kvetoslav Hečko]], documentary filmmaker. ''[http://vimeo.com/89808912 Atď.]'' (1987), ''[http://vimeo.com/89808911 Zo Suterénu]'' (1989), ''Argíllia'' (1991), ''Squat'' (1991), ''[http://vimeo.com/89169852 Scénografický útok na Groningen]'' (1992), ''Jana Želibská'' (1994), ''V. Oravec a M. Pagáč'' (1994), ''[http://vimeo.com/89800428 Čenkovej deti]'' (1994), ''Kaplnka svätej Barbory'' (1995), ''[http://vimeo.com/90411068 Happsoc]'' (1997), ''[http://vimeo.com/92971807 Second Symposium: Artprospekt P.O.P]'' (1998). [http://www.inyfilm.sk/zhistorie/hecko/hecko.php] | ||
+ | * [[Milan Balog]], filmmaker. Short films: ''1.35'' (2003) | ||
+ | * [[Mira Gáberová]], filmmaker, video artist. Short films: ''Forever'' (2006) | ||
+ | * [[Drahoslav Pálus]], filmmaker. Short films: ''Static Movement'' (2007) ''Metamorphoses'' (2007) | ||
+ | * [[Paulína Mačáková]], filmmaker. Short films: ''Random Thought – of birds and assumption'' (2008) | ||
+ | * [[Tibor Nagy Grosso]], filmmaker. Short films: ''Digitalisation'' (2011) ''Superteam'' (2011) | ||
+ | * [[Zuzana Žabková]], filmmaker, video artist. Short films: ''Für Elise'' (2012) ''De profundis'' (2012) | ||
+ | |||
+ | ; Literature | ||
+ | {{:Media_art_in_Central_and_Eastern_Europe_Bibliography|transcludesection=expfilm-sk}} | ||
+ | |||
+ | ; Resources | ||
+ | * http://www.inyfilm.sk | ||
+ | * http://artincinema.com/category/slovak-experimental/ | ||
+ | |||
+ | == Video art (1990s-2000s) == | ||
+ | ; Artists | ||
+ | * [[Anetta Mona Chisa]], [[Anna Daučíková]], [[Anton Čierny]], [[Dušan Zahoranský]], [[Elena Pätoprstá]], [[Erik Binder]], [[Gabika Binderová]], [[Jana Želibská]], [[Juraj Dudáš]], [[Mário Chromý]], [[Ilona Németh]], [[Michal Murin]], [[Miroslav Nicz]], N. Ružičková, [[Pavlína Fichta Čierna]], [[Peter Agat Huba]], [[Richard Fajnor]], [[Roman Galovský]]. | ||
+ | ; Forms | ||
+ | * Features on identity, consummerism, body, gender, socio-cultural questions, ecology. | ||
+ | * Film footage manipulations. | ||
+ | * Video installations (Rónai, Meluzin, Želibská, Kvetán) | ||
+ | * Interactive video installations (Rónai) | ||
+ | * Video performances (Murin) | ||
+ | ; Exhibitions | ||
+ | * ''Imago – Fin de siécle'', 30 May to 10 July 1991 in [[Bratislava]]. First video art exhibition in Slovakia. Art from Netherlands curated by René Coelho, premiered in 1988 in Amsterdam.<br> | ||
+ | * ''Oscillation'', 30 June to 20 September 1991 in [[Komárno]]. Slovak and Hungarian artists.<br> | ||
+ | * ''Objects and Installations'', 1992 in PGU [[Žilina]]. Included video-installations.<br> | ||
+ | * ''New Acquisitions'', 1993 in PGU [[Žilina]]. Included video installations.<br> | ||
+ | * ''First Floor'', 5-23 March 1993. Curated by [[Radoslav Matuštík]]. Exhibited [[Peter Meluzin]] (Impo(r)tant) and [[Roman Galovský]] (L.E.D1, L.E.D1).<br> | ||
+ | * ''Power Station T'', 1993 in Poprad. Exhibited [[Peter Rónai]] (Oheň-Voda-Zem-Duch), [[Jana Želibská]] (Dialóg) a [[Peter Meluzin]] (Life After Life).<br> | ||
+ | * ''ON/OFF'', 1993 in Škola úžitkového výtvarníctva J Vydru [[Bratislava]]. Exhibited the sampler of videos from six events of Slovak artists (Meluzin, Želibská, Oravec-Pagáč, Galovský, Nicz, Pisár) at various locations.<br> | ||
+ | * ''Video vidím ich sehe'', 1994 in PGU [[Žilina]]. Curated by [[Katarína Rusnáková]]. Videoart from Slovakia ([[Jana Želibská]], [[Peter Rónai]], [[Peter Meluzin]]), Czech Republic and Switzerland. The catalog contained first more complex texts on Slovak video art. The gallery was the only one consistently researching and acquiring Slovak video art. Later exhibition included retrospective of [[Jana Želibská]] (1996-97) and [[Peter Rónai]] (1997).<br> | ||
+ | * ''Peter Meluzin - Mouse Killer'', 1995 in PGU [[Žilina]]. Site-specific video-installation by [[Peter Meluzin]].<br> | ||
+ | * ''Videoart VŠVU'', 1996 in Rock Café Gallery [[Prague]]. Curated by [[Juraj Čarný]]. [http://www.inyfilm.sk/zhistorie/vsvu/vsvu.php]<br> | ||
+ | * ''Videoanthology'', 1997 in PGU [[Žilina]]. Curated by [[Katarína Rusnáková]]. 13 video works by [[Peter Rónai]]. | ||
+ | * [[Tusovka]] screening, 2009, Bologna. | ||
+ | ; Events | ||
+ | * [[Videoart +]] symposium 2000, SPACE Gallery, Bratislava | ||
+ | ; Publications | ||
+ | * [[BARLA]] videojournal, videotape presenting a number of video artists from Slovakia, Czech Republic, and other countries. Three issues were published in 1996, 1997 and 1999 by editors [[Miroslav Nicz]] and [[Peter Rónai]]. The collection was released on CD-ROM in [[2000]]. | ||
+ | ; More | ||
+ | * [[Video art in Slovakia (1990s-2000s)]] | ||
+ | |||
+ | == Digital prints == | ||
+ | ; Exhibitions | ||
+ | * ''Digital Male'', 6-27 October [[2000]] in Gallery Medium, [[Bratislava]]. Curated by [[Miloš Boďa]]. Co-organised by [[Patrik Kovačovský]] and [[Marek Kvetán]]. Exhibited: [[Miloš Boďa]], [[Patrik Kovačovský]], [[Marek Kvetán]], and others. | ||
+ | * ''6G - Computer graphics of six artists'', October [[2002]] in Gallery Z at Zichy Palace, [[Bratislava]]. Curated by Andrea Kopernická. Exhibited: [[Jozef Jankovič]], [[Viktor Hulík]], [[Stanislav Stankóci]], [[Róbert Jančovič]], [[Vojtech Kolenčík]], [[Svätopluk Mikyta]]. [http://www.artgallery.sk/vystavyvstupte.php?getGaleria=347&getStrana=1000] | ||
+ | * ''Powered by Circulation'', 4-24 April [[2003]]. [[Zdeno Hlinka]]. Curated by [[Mária Rišková]]. At [[Buryzone]]. Digital prints from [[Circulation]] visual software synthesizer. [http://www.buryzone.sk/?go=1&id=36] | ||
+ | * ''Digital@electronic graphic'', [[2004]], State gallery, Banská Bystrica. Curated by Alena Vrbanová. Exhibited: [[Vladimír Havrila]], [[Ivan Csudai]], [[Jozef Jankovič]], [[Michal Murin]], [[Miroslav Nicz]], [[Peter Rónai]], [[Svätopluk Mikyta]], Aneta Mona CHisa, Richard Fajnor, Robert Urbásek, Maroš Rovňák, Juraj Poliak, Marek Kvetán, Erik Binder, Patrik Kovačovský, Viktor Hulík, Roman Gálovský, Martin Gerboc, Marko Blažo, Pavlína Fichta Čierna, Martin Derner, Marek Kianička, Marianna Mlynarčíková. Reinstallation: Slovak institut, Budapest and East Slovakia Gallery, Košice in 2005. | ||
+ | |||
+ | ; Literature | ||
+ | {{:Media_art_in_Central_and_Eastern_Europe_Bibliography|transcludesection=digitalprints-sk}} | ||
+ | |||
+ | == New media art, Media culture (1990s-2000s) == | ||
+ | ; Cities | ||
+ | [[Banská Bystrica]], [[Banská Štiavnica]], [[Bratislava]], [[Kežmarok]], [[Košice]], [[Levoča]], [[Medzilaborce]], [[Michalovce]], [[Nitra]], [[Nové Zámky]], [[Považská Bystrica]], [[Prešov]], [[Šamorín]], [[Skalica]], [[Trenčín]], [[Trnava]], [[Žilina]]. | ||
+ | ; Forms | ||
+ | * digital signal processing and sound performances | ||
+ | * visual performances | ||
+ | * interactive software-based installations | ||
+ | * computer animation | ||
+ | * motion video | ||
+ | * internet art | ||
+ | ; Exhibitions | ||
+ | * ''Interactive installation, virtual reality, arteficial life'', 17-24 April [[2002]]. [[Ivor Diosi]]. Curated by [[Juraj Čarný]]. At [[SPACE Gallery]]. Part of [[Multiplace]] festival. http://www.multiplace.sk/2002/diosi.html<br> | ||
+ | * ''Športka'', 6 April [[2004]]. [[Erik Binder]] and [[Zdeno Hlinka]]. Processing and visualization of large set of winning numbers of Czechoslovak lottery system (1977-1993). At [[SPACE Gallery]], [[Bratislava]]. http://satori.sk/sportka.html | ||
+ | * ''Processual design'', opened 17-24 April [[2005]]. [[Ján Šicko]]. Curated by [[Mária Rišková]]. At [[Galéria Veža]], [[Bratislava]]. Part of [[Multiplace]] festival. http://www.multiplace.sk/2005/?place=acte&id=3 | ||
+ | ; Literature | ||
+ | {{:Media_art_in_Central_and_Eastern_Europe_Bibliography|transcludesection=newmedia-sk}} | ||
+ | ; More | ||
+ | * [[Digital art in Slovakia (1990s-2000s)]] | ||
+ | |||
+ | == Bibliography == | ||
+ | * [[Bibliography of writings on media art in Slovakia]] | ||
+ | * [[Bibliography of writings on media art (outside Slovakia) in Slovak]] | ||
+ | |||
+ | ==more== | ||
+ | * [[Štefan Belohradský]] | ||
+ | * [[Tamara Klimova]] | ||
+ | * [[Miloš Urbásek]] | ||
+ | |||
+ | |||
+ | {{Countries}} |
Latest revision as of 15:25, 14 March 2021
Contents
- 1 Interwar avant-garde
- 2 Video art (1960s-80s)
- 3 Performance art (1960s-2000s)
- 4 Conceptual art
- 5 Geometric abstraction, Neo-constructivism, Op art, Kinetic art
- 6 Sound art (1960s-2000s)
- 7 Audiovisual compositions
- 8 Intermedia art
- 9 Computer art (1970s-80s)
- 10 Electroacoustic music
- 11 Experimental film
- 12 Video art (1990s-2000s)
- 13 Digital prints
- 14 New media art, Media culture (1990s-2000s)
- 15 Bibliography
- 16 more
Interwar avant-garde[edit]
School of Arts and Crafts, Bratislava (1928-1939)[edit]
School of Arts and Crafts [Škola umeleckých remesiel] (1928-1939) was founded on initiative of Josef Vydra in Bratislava with support from the Chamber of Commerce and Industry to provide evening courses in drawing and advertising. In 1930 it merged with Učňovské školy, and included departments for painting, fashion and textile design, metal, wood, ceramics, photography, graphic art, retail design, and film. It quickly became one of the most progressive educational institutions in the arts and crafts in Europe during the interwar period. Studies in specialized departments were preceded by preliminary elementary courses in drawing, surface and space composition, colour harmony, modeling and lettering. In reality, this already involved an application of the Bauhaus method. The school's intention was also to integrate folk craft traditions in modern production. The teachers included avant-garde artists Ľudovít Fulla, Mikuláš Galanda, Jaromír Funke or Zdeněk Rossmann, guest lectures were delivered by László Moholy-Nagy, Jan Tschichold, Kállai, Hannes Meyer and others. They drew their inspiration from Analytical Realism, Constructivism and the poetic fantasy of children's art - combining all these influences with a high level of craft skills and with folk art traditions. In mid-1930s the school was attended by 200 students and the teaching staff counted some twenty members. The students were of Slovak, Czech, German and Hungarian nationalities and they also came from Poland, Yugoslavia, Germany and Bulgaria. After the Czech professors were forced to leave Slovakia, Vydra persuaded Fulla to take up the direction of the School, hoping to preserve continuity of its orientation. However, the school operated only for another 10 months. On 1 October 1939, the School of Applied Arts was closed.
Exhibitions[edit]
- Under the auspices of its director Josef Polák, the East Slovakia Museum in Košice organised exhibitions of contemporary European graphic art, for which a series of posters was created by the featured artists. The key figure amongst these artists was Eugen Krón, who came from Hungarian avant-garde circles. Another Slovak, Martin Benka, presented a different kind of production in Slovak graphic design, with works that were close to the international art deco design movement, but which mainly tried to emphasise the national character of production. As the first Slovak to do so, Benka applied himself intensively to the creation of fonts. [1]
Magazines[edit]
- Slovenská grafia, a magazine published from 1929, promoting the modernization of polygraphy and applied graphics. Edited by Antonín Hořejš and Karol Jaroň; designed by Ľudovít Fulla.
- Ľudovít Fulla, Mikuláš Galanda, "Súkromné listy Fullu a Galandu", 1930-32. [2]
- nová bratislava, a monthly review published in 4 issues between Nov 1931 and Mar 1932. Edited by Zdeněk Rossmann, Fridrich Weinwurm and Daniel Okáli.
Conferences and retrospective exhibitions[edit]
- Výtvarné avantgardy a dnešok, Smolenice, June 1968. International conference organised by Theory and History of Art Department of Slovak Academy of Sciences.
- Bauhaus im Osten, exhibition, Slovak National Gallery, Bratislava. Curated by the director of the Stadtische Museum in Leverkusen, Susanne Anna.
- Slovenská typografia v XX. storočí. Časť prvá: 1918-1970, exhibition, City Gallery of Bratislava, Oct 2004 - Jan 2005. Curated by Ľubomír Longauer. [3]
- Hranice geometrie: Geometrické a konštruktívne tendencie v slovenskom výtvarnom umení od roku 1960 po súčasnosť, exhibition, Dom umenia, Bratislava, Jan-Feb 2010. Curated by Ľuba Belohradská and Eva Trojanová.
- Škola moderného videnia - bratislavská ŠUR 1928 - 1939, exhibition from the works created at the School of Arts and Crafts, Jul-Sep 2013, Bratislava. Curated by Iva Mojžišová. [4]
Literature[edit]
For literature about the School of Arts and Crafts see its dedicated page.
- Catalogues
- Das Bauhaus im Osten: Slowakische und tschechische Avantgarde 1928-1939, ed. Susanne Anna, Ostfildern-Ruit: Hatje Cantz, et al., 1997, 339 pp. [5] TOC, [6]. Review: Long (SDA 2000 EN). (German)
- Košice Modernism and Its Wider Context, eds. Zuzana Bartošová and Lena Lešková, Košice: Východoslovenská galéria, 2013. Exhibition. (English)
- Books, journal issues
- Ars 3:2 "Výtvarné avantgardy a dnešok", Bratislava: Slovak Academy of Sciences, 1969. Proceedings from an international conference held at Smolenice, 12-14 June 1968. Papers by Irena Blühová, Júlia Horová, Iva Mojžišová, František Reichenthal, Tomáš Štrauss, Eduard Toran, Marian Váross, Hans Maria Wingler, et al. [7] (Slovak)
- František Foltýn, Slowakische Architektur und die tschechische Avantgarde. 1918-1939, Dresden: Verlag der Kunst, 1991, pp 90-94. (German)
- Klára Kubičková (ed.), Moderné hnutie na Slovensku: Avantgarda medzivojnového obdobia / Modern Movement in Slovakia: Avantgarde of the Interwar Period, Bratislava: Spolok architektov Slovenska, 1996, 86 pp. Catalogue for the exhibition in Slovak National Museum, held on 17.9.-27.10.1996, organized on the occasion of the Fourth International Conference DOCOMOMO in Slovakia. (Slovak)/(English)
- Zsófia Kiss-Szemán (ed.), Košická moderna. Umenie Košíc v dvadsiatych rokoch 20. storočia / Košice Modernism. Košice Art in the 1920s, Košice: Východoslovenská galéria, 2010, 198 pp. Collection of papers from an international research symposium held in the East Slovak Gallery in Košice, 11-12 Nov 2010. (Slovak)/(English)
- Ľubomír Longauer, Modernity of Tradition / Modernosť tradície, Bratislava: Slovart, 2012, 354 pp. Video discussion. (English)/(Slovak)
- Lena Lešková (ed.), Košická moderna. Umenie Košíc v dvadsiatych rokoch 20. storočia / Košice Modernism. Košice Art in the Nineteen-Twenties, Košice: Východoslovenská galéria, 2013, 413 pp. (Slovak)/(English)
- Markéta Svobodová, Bauhaus a Československo 1919-1938: studenti, koncepty, kontakty / The Bauhaus and Czechoslovakia 1919-1938: Students, Concepts, Contacts, Prague: Kant, 2016, 255 pp. [8] (Czech)/(English)
- Articles
- Iva Mojžišová, "A Slovak Contribution to Avant-garde Movements", Actes du XXIIe Congres International d'Histoire de l'Art, 2, Budapest: Hungarian Academy of Sciences, 1969, pp 347-349. (English)
- Peter Havaš, "Die slowakische Architektur in der Zwischenkriegszeit als fortschrittliches Erbe der modernen Bewegung", Wissenschaftliche Zeitschrift / A 33:4/6, Hochschule für Architektur und Bauwesen, 1987. (German)
- Leo Kohut, "Bauhaus. Ungarn-Tschechoslowakei. Zur Bauhaus-Rezeption in Ost-europa", in Bauhaus-Archiv, Museum. Sammlungs-Katalog, (Auswahl), Architektur, Design, Malerei, Graphik, Kunstpädagogik, Berlin: Gebr. Mann, 1981, pp 283-287. (German)
- Dana Borutová, "Architektonische Entwicklungstendenzen der zwanziger Jahre in der Slowakei", in The Art of the 1920s in Poland, Bohemia, Slovakia, and Hungary, ed. Lech Kalinowski, Cracow: International Cultural Centre, 1991, pp 33-40. (German)
- Iva Mojžišová, "The First Wave of Avant-garde: Bratislava 1930", in The Art of the 1920s in Poland, Bohemia, Slovakia, and Hungary, ed. Lech Kalinowski, Cracow: International Cultural Centre, 1991, pp 47-51. (English)
- Iva Mojžišová, "Podnety a predchodcovia kinetizmu na Slovensku (1929-1939)", MADI ap 4 (Mar 2002). [9] (Slovak)/(Hungarian)
- Markéta Svobodová, "Studentky z Československa na Bauhausu 1919-1933: Výmar – Desava – Berlin", in Žena-umělkyně na přelomu 19. a 20. století. Sborník příspěvků z mezinárodní odborné konference ve Středočeském muzeu v Roztokách u Prahy ve dnech 11. a 12. října 2005, Roztoky u Prahy, 2005, pp 333-344. (Czech)
- Markéta Svobodová, "Českoslovenští studenti architektury na Bauhausu", Umění/Art LIV:5 (2006), pp 406-432. (Czech) [10] [11]
- Sonia de Puineuf, "A Dot on the Map: Some Remarks on the Magazine 'Nová Bratislava'", The Journal of Modern Periodical Studies 1:1 (2010). (English)
- Richard Kitta, "(Ne)existujúce paralely: Umenie akcie, multimediálne a interaktívne umenie v kultúrno-historickom vývoji umenia 1. pol. 20. storočia na Slovensku", Rovart, Mar 2010. [12] [13] (Slovak)
- Peter Biľak, "Forgotten History", Typotheque blog, April 2012. (English)
- Dissertations
- Mira Keratová, Slovenská avantgardná typografia v medzivojnovom období so zameraním na grafickú úpravu časopisov, Bratislava: Comenius University, 2005. Master's thesis. (Slovak)
- Markéta Svobodová, Bauhaus a kultura v Československu v 1919-1939, Olomouc, 2007. Dissertation. (Czech)
Video art (1960s-80s)[edit]
- Artists
- Forms
- diaprojections (*1966, Filko)
- documentation recordings of performances, happenings, events (*1971, Mlynárčik, Kordoš, Meluzin, Rónai)
- features, films incorporating video art techniques (*1972, Havrilla, Ďurček)
- fine art films (*1977, Havrilla)
- video installations (*1980s, Rónai's antivideos)
- No references to the self-purpose videos, neither closed-circuit TV installations in this period.
- More
Performance art (1960s-2000s)[edit]
- Artists
Juraj Bartusz (1933), Ivan Štěpán (1937-86), Peter Bartoš (1938), Július Koller (1939-2007), Vladimír Kordoš (1945), Milan Adamčiak (1946), Peter Meluzin (1947), Ľubomír Ďurček (1948), Ladislav Pagáč (1949), Róbert Cyprich (1951-96), Ján Budaj (1952), Peter Rónai (1953), Viktor Oravec (1960), Milan Pagáč (1960), Michal Murin (1963), Jozsef R. Juhász (1963), Miroslav Nicz (1963), Richard Fajnor (1965), Vladimír Železný, Mário Chromý (1967), Roland Farkas (1975), Juraj Dudáš (1975).
- Groups
Labyrint Theatre (1978-?, theatre + body art + performance, Budaj, et al.), Temporary Society of Intensive Living (1979-81, Budaj, et al.), Artprospekt P.O.P. (1979-85, performance + body art + happening + rituals, L Pagáč, Oravec, M Pagáč), Balvan (1987-92, Beňo, Miklušičáková, Murin, Šefčáková), Spoločnosť pre pestovanie a šírenie patafyziky (1988-93, Karásek, Volek, et al.), Transmusic comp. (1989-96, Adamčiak, Machajdík, Murin..), Disk Theatre (Uhlár, Karásek, et al.), Stoka Theatre (1991-2006, Uhlár, et al.), GUnaGU Theatre, HUBRIS, Lengow & HEyeRMEarS (1997-, Murin, Cseres), Kafron (Kafúnová, Rónaiová).
- Festivals
Transart Communication intermedia art festival (*1987, Nové Zámky, at the peak period 1990-92 and 1995-96 performances by Jana Želibská, Milan Adamčiak, Július Koller, Juraj Bartusz, Stanislav Filko, Anna Daučíková, Miroslav Nicz, Michal Murin, Ľubo Stacho, Peter Kalmus, Anabela Žigová and others), Evenings of New Music (*1990, Bratislava), San Francisco Performance Art Festival (1991, Bratislava), IFEM music forum (1992, 94, Dolná Krupa Castle), FEM music festival (1995, 96, Bratislava), Sound Off music festival (1995-2002, Bratislava, Šamorín, Nové Zámky, Nitra), ...Medzi... (1996-2000, Skalica), Next music festival (*2000, Bratislava), Multiplace new media culture festival (*2002), Genius loci (intermedia festival, *2004, Levoča, curated by Peter Machajdík and Zbyněk Prokop), Intermedia.bb (Banská Bystrica).
- Works
See Performance art in Slovakia (1960s-2000s).
- Exhibitions and events
- Art of Action, Považská galéria umenia, Žilina, 16 Aug-29 Sep 1991. Curated by Vlasta Čiháková-Noshiro. Catalogue published.
- Art in Windows, Nitra, 2000.
- Výhonok, City Gallery (GMB), Bratislava, 2000. Curator: Radislav Matuštík.
- Action Art 1965–1989, Slovak National Gallery, Bratislava, 26 Apr-19 Aug 2001. Curated by Zora Rusinová (Radislav Matuštík resigned).
- Umenie akcie 1989-2000 [Art of Action 1989-2000], Elektráreň Tatranskej galérie, Poprad, 7 Apr-9 May 2001; and City Gallery, Nitra, 12 Sep-20 Oct 2001. Curator: Lucia Gregorová-Stachová. Initiated by Michal Murin. [14]
- Literature
- Books
- Andrea Bátorová, Aktionskunst in der Slowakei in den 1960er Jahren. Aktionen von Alex Mlynárčik, Lit Verlag, 2009, 408 pp. TOC. Based on author's 2007 dissertation. (German)
- Andrea Euringer-Bátorová, Akčné umenie na Slovensku v 60. rokoch 20. storočia. Akcie Alexa Mlynárčika, Bratislava: Slovart, and Bratislava: Vysoká škola výtvarných umení, 2012, 326 pp. Publisher. (Slovak)
- The Art of Contestation: Performative Practices in the 1960s and 1970s in Slovakia, Bratislava: Comenius University, 2019, 216 pp. Review: Bryzgel (ArtMargins). (English)
- Zuzana Bartošová, Napriek totalite. Neoficiálna slovenská výtvarná scéna sedemdesiatych a osemdesiatych rokov 20. storočia, Bratislava: Kalligram, 2011, 360 pp. Commentary: Hrabušický & Macek (Profil). (Slovak)
- Ján Kralovič, Teritórium ulica. Umenie akcie v mestskom priestore v rokoch 1965-1989 na Slovensku, Bratislava: Slovart (Teória), and Bratislava: Vysoká škola výtvarných umení, 2014, 283+[48] pp. Based on author's 2012 dissertation. Publisher. [15] (Slovak)
- Ján Kralovič, Majstrovstvo za dverami: Majstrovstvá Bratislavy v posune artefaktu (1979-1986) v kontexte bytových výstav 70. a 80. rokov 20. storočia, Bratislava: Slovart (Dejiny), and Bratislava: Vysoká škola výtvarných umení, 2017, 327 pp. Publisher. Publisher. [16] (Slovak)
- Catalogues
- 3SD, ed. Ján Budaj, Bratislava, [1981]; 2nd ed., 1988 (samizdat); repr., abbr., in "Samizdatové programové, teoretické a historické texty (výber)", ed. Radislav Matuštík, in Umenie akcie 1965-1989, ed. Zora Rusinová, Bratislava: Slovenská národná galéria, 2001, pp 267-277. (Slovak)
- "Three Sunny Days", trans. Zuzana Flaskova, ed. Sven Spieker, post, New York: MoMA, 2018. Trans. of Foreword. [17] (English)
- Transart Communication catalogues, Nové Zámky, 1988ff. (Slovak),(Hungarian)
- Umenie akcie / Action Art 1965-1989, ed. Zora Rusinová, Bratislava: Slovenská Národná Galéria, 2001, 318 pp. With texts by Zora Rusinová, Gábor Hushegyi, Radislav Matuštík, Tomáš Štrauss, and Ivo Janoušek. (Slovak)
- 1. otvorený ateliér, 1970-2020, ed. Daniela Čarná, Bratislava: Galéria 19, 2020, 87 pp. [18] [19] [20] (Slovak)
- Journal issues
- Profil 3(3): "Performance Art", ed. Michal Murin, Bratislava, Mar 1993, pp 1-15. With texts by RoseLee Goldberg, Michal Murin, Radislav Matuštík; interviews with Vladimir Kordos and Flatz. (Slovak)
- Book chapters, essays
- Tomáš Štrauss, "K otázke premeny 'umenia-diela' na 'umenie-čin'", Výtvarný život, 12:4, 1967, pp 146-151; repr., abbr., in Slovenské výtvarné umenie 1949-1989 z pohľadu dobovej literatúry, ed. Jana Geržová, Bratislava: Vysoká škola výtvarných umení, 2006, pp 168-173. (Slovak)
- Tomáš Štrauss, Umenie dnes: pokus o kritickú esej, Bratislava: Vydavateľstvo politickej literatúry, 1968, pp 93-108. (Slovak)
- Klaus Groh (ed.), Aktuelle Kunst in Osteuropa, Cologne: DuMont-Schauberg, 1972. Features documentation from selected artists. (German)
- Tomáš Štrauss, "Tri modelové situácie súčasných umeleckých hier", in Štraus, Slovenský variant moderny, 1979 (samizdat); 2nd ed., Bratislava: Pallas, 1992. (Slovak)
- Thomas Strauss, "Three Slovak Models for Contemporary Art Actions", Cross Currents 3, 1984, pp 405-413. [21] (English)
- Tomáš Štrauss, "Umenie kontestácie a kontestácia umenia", in Štraus, Slovenský variant moderny, 1979 (samizdat); repr., Výtvarný život 35:6, 1990, pp 17-26; repr. in Štraus, Slovenský variant moderny, 2nd ed., Bratislava: Pallas, 1992. (Slovak)
- Geneviève Bénamou, L'Art aujourd'hui en Tchécoslovaquie, Goussainville: Benamou, 1979. Includes essays on Mlynárčik, Želibská, Sikora, Tóth, a.o. TOC. (French)
- Radislav Matuštík, ...predtým. Prekročenie hraníc, 1964-1971, 1983 (samizdat); repr., Žilina: PGU, 1994. Written 1972-1983. [22] (Slovak)
- Róbert Cyprich, "Ex alio loco", 1983 (samizdat); repr. in Radislav Matuštík, Terén: alternatívne akčné zoskupenie 1982-1987, Bratislava: Sorosovo centrum súčasného umenia, 2000, pp 136-150. (Slovak)
- "Ex alio loco", trans. John Minahane, in Hot Art, Cold War: Southern and Eastern European Writing on American Art 1945-1990, eds. Claudia Hopkins and Iain Boyd Whyte, Routledge, 2020. Trans. of excerpt. [23] (English)
- Tamara Archlebová, "Príspevok k problematike konceptuálneho umenia na Slovensku", in Súčasné výtvarné umenie, ed. Dagmar Srnenská, Bratislava, 1989, pp 98-132. (Slovak)
- Mária Kovalčíková (ed.), "Skepsa kontra optimizmus", Výtvarný život 35:7, 1990, pp 1-10; cont., Výtvarný život 35:8, 1990, pp 1-12. (Slovak)
- Jana Geržová, "Umenie akcie", Profil 1:13-14, 1991, pp 2-4. (Slovak)
- Michal Murin, "Performance?", Profil 1:17-18, Bratislava, 1991. (Slovak)
- Michal Murin, "San Francisco Performance Art", Profil 1:22, Bratislava, 1991. (Slovak)
- Radislav Matuštík, "Vývoj na Slovensku", in Umění akce, ed. Vlasta Čiháková-Noshiro, Prague: Mánes, 1991, pp 12-15. Shortened reprint from a samizdat publication in Terén edition, autumn 1983. (Slovak)
- Vlasta Čiháková-Noshiro, "Umění akce – umění žít", in Umění akce, ed. Vlasta Čiháková-Noshiro, Prague: Mánes, 1991, pp 16-28. (Czech)
- Radislav Matuštík, "Performance?", Profil 3(3): "Performance Art", ed. Michal Murin, Bratislava, Mar 1993, pp 5-7. (Slovak)
- Michal Murin, "Performance?", Profil 3(3): "Performance Art", ed. Michal Murin, Bratislava, Mar 1993, p 13. (Slovak)
- Michal Murin, "Performance", Profil 3(3): "Performance Art", ed. Michal Murin, Bratislava, Mar 1993. (Slovak)
- Tomáš Štrauss, Tri otázniky: od päťdesiatych k osemdesiatym rokom, Bratislava: Pallas, 1993. (Slovak)
- Radislav Matuštík, "Návraty I-IV", Výtvarný život, 1994-1995. Series of articles. (Slovak)
- Thomas Strauss, Zwischen Ost- und Westkunst. Von der Avantgarde zur Postmoderne. Essays (1970-1995), Munich: Scaneg, 1995, 336 pp. (German)
- Ivan Jančár, "Happening a performance", in Šesťdesiate roky v slovenskom výtvarnom umení, ed. Zora Rusinová, Bratislava: Slovenská národná galéria, 1995, pp 232-252. (Slovak)
- Zora Rusinová, "V mene syntézy umenia a života", in Šesťdesiate roky v slovenskom výtvarnom umení, ed. Rusinová, Bratislava: Slovenská národná galéria, 1995, pp 166-202. (Slovak)
- Etienne Cornevin, "Základné pojmy k legende o umení dada v Bratislave", in Očami X: desať autorov o súčasnom slovenskom výtvarnom umení, ed. Zuzana Bartošová, Bratislava: Orman, and Európsky kultúrny klub na Slovensku, 1996, pp 147-180. (Slovak)
- Ladislav Snopko, "Situacionizmus na Slovensku: kapitola z dejín apelatívneho umenia", in Očami X: desať autorov o súčasnom slovenskom výtvarnom umení, ed. Zuzana Bartošová, Bratislava: Orman, and Európsky kultúrny klub na Slovensku, 1996, pp 201-220. (Slovak)
- "Rozhovor Zuzany Bartošovej s Pierrom Restanym", in Očami X: desať autorov o súčasnom slovenskom výtvarnom umení, ed. Zuzana Bartošová, Bratislava: Orman, and Európsky kultúrny klub na Slovensku, 1996, pp 183-200. (Slovak)
- Eugénia Sikorová, "Umenie na okraji: poznámky k situácii slovenského výtvarného umenia v r. 1970-1990", in Prítomnosť minulosti, minulosť prítomnosti, eds. Jolana Kusá and Peter Zajac, Bratislava: Nadácia Milana Šimečku, 1996, pp 96-125. (Slovak)
- Tomáš Štrauss, Provokácie: kritické rozhľady od Dunaja a Rýna, Bratislava: H & H (Hajko a Hajková), 1996. (Slovak)
- Rachel Rosenbach (Michal Murin), "Performance na Slovensku a v Čechách", Ateliér 1:9, 1997, p 9. (Slovak)
- Michal Murin, "Performance na Slovensku v 90. rokoch", in A.K.T., Brno: Dům umění, 1999. (Slovak)
- Tomáš Štrauss, Utajená korešpondencia 1980-1998, Bratislava: Kalligram, 1999, 184 pp. [24] (Slovak)
- Zuzana Bartošová, "Askéza privilegovaných: niekoľko poznámok k formovaniu neoficiálnej výtvarnej scény obdobia normalizácie na prelome 60. a 70. rokov", in Umenie Slovenska: jeho historické funkcie, Bratislava: SAV, 1999, pp 121-133. (Slovak)
- Ivan Jančár, "Akčné umenie", in Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia, ed. Jana Geržová, Bratislava: Profil, 1999. (Slovak)
- Ivan Jančár, "Event", in Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia, ed. Jana Geržová, Bratislava: Profil, 1999. (Slovak)
- Ivan Jančár, "Happening", in Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia, ed. Jana Geržová, Bratislava: Profil, 1999. (Slovak)
- Ivan Jančár, "Performancia", in Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia, ed. Jana Geržová, Bratislava: Profil, 1999. (Slovak)
- Radislav Matuštík, "Umenie akcie", in Zora Rusinová et al., Dejiny slovenského výtvarného umenia – 20. storočie, Bratislava: Slovenská národná galéria, 2000, pp 163-169. (Slovak)
- Radislav Matuštík, "Dva náčrty vývinu akcie", in Matuštík, Terén: alternatívne akčné zoskupenie 1982-1987, Bratislava: Sorosovo centrum súčasného umenia, 2000, pp 221-236. (Slovak)
- Eugénia Sikorová, "Nástup jednej generácie", in Otvorený ateliér, eds. Marián Mudroch and Dezider Tóth, Bratislava: SCCA Slovensko, 2000, pp 10-30. (Slovak)
- Michal Murin, "Performance Art in Slovakia in the 90s (From the Position of the Art-Form, through its Reflection to the (Co-Existence of Solitary Worlds)", Slaps Banks Plots 4, 2000. (English)
- Michal Murin, "L´art de performance en Slovaquie - A partir d´une forme artistique et de sa réflexion vers la coexistence de mondes solitaires / Performance Art in Slovakia - From the Art-Form, and its Reflection Towards the Co-Existence of Solitary Worlds", in Art Action 1958-1998, ed. Richard Martel, Québec: Intervention, 2001, pp 454-457. (French)/(English)
- Pavlína Morganová, "Umenie akcie 1965-1989", Profil 3, 2001, pp 6-15. Exh. review. [25] (Czech)
- Gábor Hushegyi, "Actinart - medzinárodné sympózium", Profil 3, 2001, pp 40-47. (Slovak)
- Lucia Gregorová-Stachová, "Akčné umenie", Dart 3:1-2, 2001, 45-51. (Slovak)
- Eva Kapsová, "Aktuálnosť umenia akcie", Dart 1:3-4, 2001, 54-58. (Slovak)
- Zuzana Bartošová, "Slovenská neoficiálna výtvarná scéna 70. a 80. rokov z aspektu literatúry a terminológie", in Cesty a príbehy moderného umenia 2, ed. Ľuba Belohradská, Bratislava: Združenie historikov moderného umenia, 2002, pp 24-57. (Slovak)
- Mária Orišková, Dvojhlasné dejiny umenia, Bratislava: Petrus, 2002. (Slovak)
- Zora Rusinová, "Umenie akcie", in Slovenské vizuálne umenie 1970-1985, ed. Aurel Hrabušický, Bratislava: Slovenská národná galéria, 2002, pp 189-208. (Slovak)
- Zuzana Bartošová, "Neoficiálna výtvarná scéna na Slovensku: Medzi Chartou '77 a nežnou revolúciou", in Ladislav Snopko, Zuzana Bartošová, Dotyky a spojenia. 9. december 1985 - 17. november 1989, Bratislava: Orman, and GMB, 2002, pp 15-38. (Slovak)
- Katarína Rusnáková, História a teória mediálneho umenia na Slovensku, Bratislava: VŠVU, 2006. (Slovak)
- Andrea Bátorová, "Alternative Trends in Slovakia during the 1960s and Parallels to Fluxus", in Fluxus East: Fluxus Networks in Central Eastern Europe, Berlin: Kunstlerhaus Bethanien, 2007. Catalogue text. (English)
- Lucia Gregorová-Stachová, "Umelci, ich telá a performance", in Osemdesiate: Postmoderna v slovenskom výtvarnom umení, 1985-1992, ed. Beata Jablonská, Bratislava: Slovenská národná galéria, 2009, pp 201-213. (Slovak)
- Ján Kralovič, "Prechádzka ako situačná a komunikačná umelecká aktivita", in Ani spolu, ani bez sebe... Intermedialita v dějináh umění, eds. Filip Komárek and Michal Konečný, Brno: Masarykova univerzita, 2010, pp 31-36; upd. as "Prechádzka ako komunitná a umelecká aktivita. Prechádzka ako možnosť stretávania sa a umeleckej komunikácie v okruhu bratislavskej neoficiálnej scény 70. rokov", in BAC: Bratislava Conceptualism / Bratislavský konceptualizmus, ed. Richard Gregor, Bratislava: Kunsthalle Bratislava, and Liptovský Mikuláš: Liptovská galéria Petra Michala Bohúňa, 2022. (Slovak)
- "The Stroll as a Community and Artistic Activity: Strolls as a form of meeting and artistic communication in Bratislava’s unofficial scene in the 1970s", in BAC: Bratislava Conceptualism / Bratislavský konceptualizmus, ed. Richard Gregor, Bratislava: Kunsthalle Bratislava, and Liptovský Mikuláš: Liptovská galéria Petra Michala Bohúňa, 2022. (English)
- Július Gajdoš, Od inscenace k instalaci, od herectví k performanci, Prague: Akademie múzických umění, and Kant, 2010. Publisher. (Czech)
- Jana Oravcová, Ekonómie tela v umelecko-historických a teoretických diskurzoch, Bratislava: Slovart / VŠVU, 2011. (Slovak)
- Ján Kralovič, "Nutnosť intenzívneho prežívania (Poznámky k akčnému umeniu v mestskom priestore na Slovensku v 70. rokoch 20. storočia)", in Umenie na Slovensku v historických a kultúrnych súvislostiach 2010, eds. Bernadeta Kubová and Ivan Godič, Trnava: Milan Uličný - BEN, 2011, pp 215-226. (Slovak)
- Zora Rusinová, "Solidarity Born of Despair: Action Art in Slovakia during the Totalitarian Regime, 1970-1989", Centropa 14:1, Jan 2014. [26] (English)
- Ján Kralovič, "Prekročiť prah privátneho: vybrané umelecké akcie v mestskom priestore v 90. rokoch 20. storočia na Slovensku", in Zborník prednášok o súčasnom výtvarnom umení II.: so zameraním na politické a angažované umenie, Nitra: Nitrianska galéria, 2015, pp 12-37. (Slovak)
- Eva Fillová, "Divadlo a teatralita v kontexte (slovenského) vizuálneho umenia", Slovenské divadlo 63:3, 2015, pp 208-220. (Slovak)
- Dáša Čiripová, "Play as Art of Survival", trans. Lucia Faltin, The Slovak Theatre 66:3, 2018, pp 296-310. (English)
- Vladimír Beskid, "Druhý dych východu: neoficiálna scéna východného Slovenska 70.-80. rokov 20. storočia", in Po moderne: Metropola východu, 1945-1989, eds. Peter Tajkov and Dorota Kenderová, Košice: Východoslovenská galéria, 2019, pp 115-134. (Slovak)
- Interviews
- Andrea Bátorová, "Zopakovať jedinečné. Rozhovor so Zorou Rusinovou", Profil 3, 2001, pp 16-29. [27] (Slovak)
- Andrea Bátorová, "Považujete akčné umenie za revolučné? Rozhovor s Luciou Gregorovou-Stachovou", Profil 3, 2001, pp 30-39. [28] (Slovak)
- Milan Stolárik, "Akčné umenie aperformance na Slovensku. Rozhovor s Michalom Murinom", ???. (Slovak)
- Booklets
- DigiVAF(ex), Festival Performaction 2010, 2010. (Slovak)
- Dissertations
- Zuzana Jakalová, Happening a podíl diváka na struktuře kolektivní akce (na příkladě slovenské umělecké scény od 60. do 90. let), Praha: Karlova univerzita, 2010. Bachelor thesis. (Czech)
- Omar Mirza, Aktionskunst in der Slowakei (1965-1989), Vienna, 2008. Master's thesis. (German)
- Ján Kralovič, Stopa na dlažbe: Umenie akcie v mestskom priestore vrokoch 1965-2000 na Slovensku, Trnava: Trnavská univerzita, 2012. PhD dissertation. (Slovak)
See also publications on individual artists and events, i.e.: Alex Mlynárčik, Július Koller, Ľubomír Ďurček, Róbert Cyprich, Ján Budaj, Transmusic Comp., Michal Murin, József R. Juhász, Transart Communication, Studio erté, SNEH.
Conceptual art[edit]
- Artists
Alex Mlynárčik, Stano Filko, Július Koller, Jana Želibská, Rudolf Sikora, Peter Bartoš, Michal Kern, Ľubomír Ďurček, Jozef Bartusz, Juraj Meliš, Dezider Tóth
- Literature
- Tomáš Štrauss, Slovenský variant moderny, 1979 (samizdat); 2nd ed., Bratislava: Pallas, 1992, pp 55ff. (Slovak)
- Radislav Matuštík, ...Predtým. Prekročenie hraníc, 1964-1971, 1983 (samizdat); repr., Žilina: Považská galéria umenia, 1994, 27ff. [29] (Slovak)
- Tamara Archlebová, "Príspevok k problematike konceptuálneho umenia na Slovensku", in Súčasné výtvarné umenie, ed. Dagmar Srnenská, Bratislava, 1989, pp 98-132. (Slovak)
- Aurel Hrabušický, "Počiatky alternatívneho umenia na Slovensku", in Šesťdesiate roky v slovenskom výtvarnom umení, ed. Zora Rusinová, Bratislava: Slovenská národná galéria, 1995, pp 218-251. (Slovak)
- Jana Geržová, "Konceptuálne umenie", in Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia, ed. Jana Geržová, Bratislava: Profil, 1999, pp 145-149. (Slovak)
- Jana Geržová, "Konceptuálne umenie", in Dejiny slovenského výtvarného umenia 20. storočia, ed. Zora Rusinová, Bratislava: SNG, 2000, pp 170-178. (Slovak)
- Marián Mudroch, Dezider Tóth (eds.), 1. otvorený ateliér, Bratislava: SCCAN, 2000, 143 pp. (Slovak)
- Aurel Hrabušický, "Umenie fantastického odhmotnenia", in Slovenské vizuálne umenie 1970–1985, ed. Aurel Hrabušický, Bratislava: SNG, 2002, pp 143-188. (Slovak)
- Tomáš Štrauss, "Niektoré charakteristické črty konceptualizmu na Slovensku", in Slovenské vizuálne umenie 1970–1985, ed. Aurel Hrabušický, Bratislava: SNG, 2002, pp 221-225. (Slovak)
- Konceptuálne umenie na zlome tisícročí / Conceptual Art at the Turn of Millenium / Konceptuális művészet az ezredfordulón. International Symposium, October 15-16, 2001, Budapest/Bratislava, eds. Jana Geržová and Erzsébet Tatai, Bratislava: Slovak Section of AICA, and Budapest: AICA Section Hungary, 2002, 174 pp. Symposium proceedings. (Slovak),(English),(Hungarian)
- Jana Geržová, "Mýty a realita konceptuálneho umenia na Slovensku" / "Myths and Reality of the Conceptual Art in Slovakia", pp 22-51. (Slovak)/(English)
- Jana Geržová, "N(e)oklasický koncept", in Na križovatke kultúr? Zborník z medzinárodného sympózia, ed. Zora Rusinová, Bratislava: Slovenská národná galéria, 2002, pp 107-118. (Slovak)
- Eva Kapsová, Konceptuálne tendencie vo výtvarnom umení, Banská Bystrica: Akademia umení, 2002, 180 pp. (Slovak)
- Dušan Brozman, Boris Kršňák, Zo slovenského konceptuálneho umenia, Budapest: Slovenský Inštitút Budapešť, and Zvolen: Oznka, 2008. Catalogue. (Slovak)
- Roman Gajdoš, Konceptuálny text. Genéza a metamorfózy, Trnava: Typi Universitatis Tyrnaviensis, 2010, 130 pp. (Slovak)
- Zuzana Bartošová, Napriek totalite. Neoficiálna slovenská výtvarná scéna sedemdesiatych a osemdesiatych rokov 20. storočia, Bratislava: Kalligram, 2011, 360 pp. Commentary: Hrabušický & Macek (Profil 2012). (Slovak)
- Zuzana Biľová, Inštitucionálne prijatie konceptuálneho umenia v Európe, Prague: Karlova univerzita, 2011, 104+68 pp. Master's thesis. (Slovak)
- Beata Jablonská, "Spor o slovenské 'More'", Sešit pro umění, teorii a příbuzné zóny 15, Prague: VVP AVU, 2013, pp 6-19. (Slovak)
- Tomáš Pospiszyl, "Národní konceptualizmus. Obrozenecké motivy v díle Stana Filka a Júliuse Kollera", ch 3 in Pospiszyl, Asociativní dějepis umění: poválečné umění napříč generacemi a médii, Prague: tranzit.cz, 2014, pp 81-121. (Czech)
- Miękkie kody. Tendencje konceptualne w sztuce słowackiej / Soft Codes: Conceptual Tendencies in Slovak Art, Wrocław: Muzeum Współczesne Wrocław, 2015, 224 pp. Catalogue. [30], Exhibition. (Polish)/(English)
- Vladimír Beskid, "Kozmológia a cesta papierovým vesmírom", Flash Art Czech & Slovak Edition 37, Oct-Dec 2015, pp 48 ff. (Slovak)
- Zuzana Biľová, Brücken für künstlerische Formen. Netzwerke der Kunst zwischen Westdeutschland und der Tschechoslowakei in der Zeit des Kalten Krieges (1968-1989), Munich: Ludwig-Maximilians-Universität München, 2017, 334+83 pp. PhD dissertation. [31] (German)
- Ján Kralovič, Majstrovstvo za dverami: Majstrovstvá Bratislavy v posune artefaktu (1979-1986) v kontexte bytových výstav 70. a 80. rokov 20. storočia, Bratislava: Slovart (Dejiny), and Bratislava: Vysoká škola výtvarných umení, 2017, 327 pp. [32] [33] [34] (Slovak)
- Erzsébet Tatai, "Signal - Konceptuális és posztkonceptuális tendenciák a szlovák képzőművészetben", Balkon 26:6-7, 2019, pp 14-23. Exh. review. [35] (Hungarian)
- "Signál – konceptuálne a postkonceptuálne tendencie v slovenskom umení" [Signál – Conceptual and Post-Conceptual Tendencies in Slovakia’s Art], trans. Anna Antalová, Profil 3, Bratislava, 2019, pp 114-141. (Slovak)
- Daniela Čarná (ed.), 1. otvorený ateliér, 1970-2020, Bratislava: Galéria 19, 2020, 87 pp. Catalogue. [36] [37] [38] (Slovak)
- Daniel Grúň, Christian Höller, Kathrin Rhomberg (eds.), White Space in White Space / Biely priestor v bielom priestore, 1973-1982. Stano Filko, Miloš Laky, Ján Zavarský, Vienna: Schlebrügge, 2021, 228 pp. Project archive. Publisher. [39] [40] (English)
- Denisa Kujelová (ed.), ČS koncept 70. let, Brno: Fait Gallery, 2021, 363 pp. Catalogue. [41] [42] [43] (Czech),(Slovak)
- Richard Gregor (ed.), BAC: Bratislava Conceptualism / Bratislavský konceptualizmus, Bratislava: Kunsthalle Bratislava, and Liptovský Mikuláš: Liptovská galéria Petra Michala Bohúňa, 2022, 480 pp. Proceedings from the conference Could We Speak of Bratislava Conceptualism (2015). Essays incl.: Gregor, Gregor, Kralovič. [44] (English)/(Slovak)
- Paula Gortázar, "Cosmos, Fiction and Transcendence: Photography and Conceptual Art in Communist Bratislava", Third Text 37:1, 2023, pp 61-86. (English)
- Aurel Hrabušický (ed.), U.F.O. Umenie Fantastického Odhmotnenia, Bratislava: Slovenská národná galéria, 2024, 261 pp. Exh. catalogue. (Slovak)
- Exhibitions
- Bilder aus der Slowakei, 1965-1980, series of 3 exhibitions, Galerie Pragxis, Essen Kettwig, West Germany, Mar-Oct 1982. Part 1. Part 2. Part 3.
Geometric abstraction, Neo-constructivism, Op art, Kinetic art[edit]
- Artists
- Klub konkrétistov group, 1967-1971
- Alojz Klimo, 1922-2000, Bratislava, Klub konkrétistů member
- Tamara Klimová, 1922-2004, Bratislava, Klub konkrétistů member
- Gyula Kosice, 1924-2016, Košice/Buenos Aires
- Jarmila Čihánková, 1925-2017, Bratislava, Klub konkrétistů member
- Eduard Antal,, 1929-2011, Bratislava, Klub konkrétistů member
- Milan Dobeš, 1929, Bratislava
- Štefan Belohradský, 1930-2012, Bratislava, Klub konkrétistů member
- Miloš Urbásek, 1932-1988, Bratislava
- Juraj Bartusz, 1933, Košice, Klub konkrétistů member
- Pavol Binder, 1935-2009, Bratislava
- Mária Bartuszová, 1936-1996, Bratislava, Klub konkrétistů member
- Anton Cepka, 1936, Klub konkrétistů member
- Marian Drugda, 1945, Bratislava
- Viktor Hulík, 1949, Bratislava
- Exhibitions
- Hranice geometrie: Geometrické a konštruktívne tendencie v slovenskom výtvarnom umení od roku 1960 po súčasnosť, curated by Ľuba Belohradská and Eva Trojanová, Dom umenia, Bratislava, 13 Jan - 13 Feb 2010.
- Literature
- Dušan Konečný, Kinetizmus, Bratislava: Pallas, 1970, 88 pp. [45] (Slovak)
- Vladimir Maleković, "Suvremena češka i slovačka avangarda", Život umjetnosti 18, Zagreb, 1972, pp 68-78. (Serbo-Croatian)
- Vladimír Beskid, "Geometrická abstrakcia", in Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia, ed. Jana Geržová, Bratislava: Profil, 1999. (Slovak)
- Katarína Bajcurová, "Kinetické umenie", in Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia, ed. Jana Geržová, Bratislava: Profil, 1999. (Slovak)
- Jana Geržová, "Mobil", in Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia, ed. Jana Geržová, Bratislava: Profil, 1999. (Slovak)
- Katarína Bajcurová, "Op-art", in Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia, ed. Jana Geržová, Bratislava: Profil, 1999. (Slovak)
- Ľuba Belohradská, "Konštruktívne tendencie v zrkadle slovenskej umenovedy", MADI ap 4, Mar 2002. (Slovak)/(Hungarian)
- Ľuba Belohradská, Eva Trojanová (eds.), Hranice geometrie / Borders of Geometry, Petum, 2009, 429 pp. [46] (Slovak)/(English)
Sound art (1960s-2000s)[edit]
- Artists
- Milan Dobeš, Alex Mlynárčik, Milan Adamčiak, Róbert Cyprich, Vladimír Labat, Peter Machajdík, Transmusic comp. (1989-96), Juraj Ďuriš, Lengow & HEyeRMEarS, CUCU Ensemble, Michal Murin, Ladislav Kupkovič
- Forms
- audio-kinetic sculptures and environments (1960s, Dobeš, Mlynárčik)
- collaborations of graphic artists and composers (George Cup - Peter Machajdík, mid-1970s; Daniel Fischer – Ilja Zelenka, 1979 and 1993; Svetozár Ilavský – Svetozár Ilavský, since 1991; Miloš Štofko – Martin Burlas, 1994; Viktor Hulík – Peter Machajdík, 1993; Dirk Dietrich Hennig - Peter Machajdík, since 2003; Bohuš Kubínsky and Monika Kubínska – Iris Szeghy, 1995; Jaroslav Drotár – Marek Piaček, 1995; Dorota Sadovská – Daniel Matej, 1997; Zbyněk Prokop - Peter Machajdík, since 2010)
- acoustic part of action art (1970, Adamčiak, Cyprich)
- sound objects (1970s-90s, Polymúzický priestor I. exhibition, Labat, Transmusic Comp, Lengow & HEyeRMEarS)
- sound environments (1990s-2010s, Machajdík)
- home-made musical instruments (1980s-90s, Adamčiak, Sound Off festivals)
- acoustic environments (1980s-90s, Murin)
- Exhibitions
- Polymúzický priestor I., 1970 in Piešťany. Concept by Ľubor Kára.
- Touch to Connect, 1985–1989, relaunched in 1997. Concept by Ladislav Snopko and Zuzana Bartošová.
- Image and Music, 1989-90. Curated by Ivan Jančár and Zuzana Martináková.
- Priestor '93, 1993 in Piešťany. Peter Machajdík - Viktor Hulík: Blikač & Peter Machajdík - Viktor Hulík: Music for the Glass Bridge. Concept by L Kára.
- Piano Hotel, 1997. Curated by Michal Murin. Five prepared pianos along with their parts were presented as acoustic objects (Viktor Lois, Otis Laubert, Milan Adamčiak, and Jozef Cseres). Part of Sound Off festival.
- Fenomén Kafka, 2010 Tatranská galéria Poprad, Elektráreň. Peter Machajdík - Zbyněk Prokop - Robo Kočan.
- Works
- The Pulsating Rhythm, 1963. Milan Dobeš. Sound manipulated on the basis of the synchronization of impulses.
- A Cathedral of Humanism, 1968. Stanislav Filko. Exhibited at the international exhibition Danuvius '68. The synthetic environment that utilized concrete music (sounds reproducing radio broadcast).
- Chafing, 1969. Milan Adamčiak and Róbert Cyprich. Created the musical component of Alex Mlynárčik's event in the High Tatras.
- Miss Pogana’s Flirt, 1969. Alex Mlynárčik. Exhibited in Apollinaire Gallery in Milan, Italy. (1934) in his homage to Constantin Brâncuşi used plastic eggs that emitted ringing sounds after being set in motion by spectators. Interactive environment changing, through a visitor’s gesture, was not merely the constellation of objects but also the acoustic quality of space.
- Water Music, 1970. Milan Adamčiak and Róbert Cyprich. Music project that modernized Georg Friedrich Händel’s original composition; together with Jozef Revallo, the piece was performed at the indoor swimming-pool of the college dormitory Juraja Hronca in Bratislava.
- Spring Union, 1970. Milan Adamčiak. Created the musical components of Jana Želibská's event in Dolné Orešany.
- The Yellow Environment, 1970. Milan Adamčiak. Created the musical components of Jarmila Čihánková's event at the exhibition Polymúzický priestor I. in Piešťany.
- The Wheelwork of Time, 1970. Vladimír Môťovský. Piece for the exhibition Polymúzický priestor I. in Piešťany. Sculpturesque object in the shape of a clattering mill.
- A Dwelling-Place, 1970. Andrej Goliáš. Piece for the exhibition Polymúzický priestor I. in Piešťany.
- 1970. Ivan Štěpán. Piece for the exhibition Polymúzický priestor I. in Piešťany. Optophonic space consisting of the synchronization of visual, acoustic, and architectural elements.
- Three Graces, 1970. Róbert Cyprich. Participated musically at the Alex Mlynárčik's project at the I. Otvorený ateliér in Bratislava.
- Acousticon, 1970. Alex Mlynárčik, Miroslav Filip and Viera Mecková. Project was begun but left unfinished; it had been intended as a programmed musical instrument whose sound depended on the movement of the spectator on an ascending and descending spiral.
- 1971. Milan Dobeš. Wrote a special light-kinetic program for the American Wind Symphony Orchestra to accompany symphonic compositions by T. Mayazumi and Krzysztof Penderecki (a series of concerts in the United States).
- Time of Cage, 1979. Róbert Cyprich. Intepretation of John Cage's piece 4'33".
- Games of Games, 1985. Michal Murin. Acoustic environment.
- Earth Music, 1986. Michal Murin. Part of Monuments and the Present Age project.
- A Visual Composition, 1987. Michal Murin. Acoustic environment.
- Simultaneous Improvisations, 1989. Michal Murin. Acoustic environment. Music bridge Perth – Bratislava.
- 1989. Milan Adamčiak. At the exhibition The Basement in Bratislava. Extensive installation consisting of sound objects and musical instruments constructed primarily from found materials.
- The Schrattenberg Sprite, 1991. Miloš Boďa and Juraj Ďuriš. Interactive acoustic object.
- Archeomusic, 1992. Michal Murin. Used natural material (wood, leaves, soil, straw) for creating sound objects brought into play during performances.
- Sonic Environment, 1993. Peter Machajdík and David Moss. Audio Art Festival, The Hague (NL).
- Green Pianos, 1993. Sound environment by Peter Machajdík. AVE Festival (internationaal audiovisueel experimenteel festival), Arnhem (NL).
- Tanz-Klang-Raum I., 1993. Sound Environment by Peter Machajdík. With dancer-performer Dorothea Rust. Festival Hier und dort, Shedhallen, Zug (CH).
- Tanz-Klang-Raum II., 1993. Sound Environment by Peter Machajdík. With dancer-performer Dorothea Rust. Performance-Tage, Seedam Kulturzentrum, Pfäffikon (CH).
- Tanz-Klang-Raum III., 1994. Sound Environment by Peter Machajdík. With dancer-performer Dorothea Rust. Kunstmuseum Thun (CH).
- TROMPeter, 1995. Sound Environment by Peter Machajdík. Audio Art Festival, Kraków (PL) and Melos-Ethos Festival, Bratislava (SK).
- Tanz-Klang-Raum IV., 1995. Sound Environment by Peter Machajdík. With dancer-performer Dorothea Rust. International Festival Bollwerk Belluard, Fribourg (CH).
- Tanz-Klang-Raum V., 1995. Sound Environment by Peter Machajdík. With violinist Malcolm Goldstein and dancer-performer Dorothea Rust. Aargauer Kunsthalle, Aarau (CH).
- Soundscapes, 1997. Peter Machajdík and Nicolas Collins. Studienwoche für Neue Musik, Lüneburg (DE).
- Travelling Art Museum – Musical Ecofacts and Artifacts from the Eocene to the Futurocene, 1997. Lengow & HEyeRMEarS. For the symposium Kép-Ze-Let at the Mining Museum in Tatabánya (HU). Sound object oscillating between a sound object and a conceptual visual acoustic installation.
- SOUNDgARTen, 1999. Peter Machajdík. Festival La Belle Jardinière, Künstlerhaus Schloss Wiepersdorf (DE).
- Warholes, 1999. Lengow & HEyeRMEarS and Otomo Yoshihide. Acoustic installation on the premises of the permanent exhibition at Andy Warhol’s Museum of Modern Art in Medzilaborce.
- Personal Time Quartet, 2003. Sound environment by Peter Machajdík for a mixed media installation by Gülsün Karamustafa. Historisches Museum, Hannover (DE).
- Hannahver, 2003. Sound environment by Peter Machajdík. Electric Rainbow Coalition Festival; Dartmouth College, Hanover (USA).
- SOUNDpaik, 2003. Sound environment by Peter Machajdík. Künstlerhaus Lukas, Ahrenshoop (DE).
- The Healing Heating, 2007. Sound environment by Peter Machajdík. With Petra Fornayová and Boris Lenko. Kunstforum Ostdeutsche Galerie, Regensburg (DE).
- Sonic Situations, 2010. By Peter Machajdík and Michal Rataj. International Festival Intermedia.bb in Banská Bystrica 2010 + Elektronischer Frühling 2011, Kunstverein Wien (AT).
- Literature
- Michal Murin: The Seeing Ear - Sound Object and Instalations II, [47]
Audiovisual compositions[edit]
- Literature
- Michal Murin, "Visual Composition" EVOS 8 (1989)
- Jozef Cseres, "Od zvuku obrazu k obrazu zvuku" Profil 20-21 (1992) pp. 24 (Slovak)
- Michal Murin, "Graphical Scores" 2000. [48] (English) [49] (Slovak)
Intermedia art[edit]
- Literature
- Jozef Cseres, "O SNEH-ových prehánkach i prestávkach, skrátka kalamitách", in AVALANCHES 1990-1995: Zborník spoločnosti pre nekonvenčnú hudbu, ed. Michal Murin, Bratislava: 1995. (Slovak)
- Beata Jablonská, "Fluxus", in Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia, ed. Jana Geržová, Bratislava: Profil, 1999. (Slovak)
- Michal Murin, "Grafická partitúra", in Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia, ed. Jana Geržová, Bratislava: Profil, 1999. (Slovak)
- Michal Murin, "Zvukový objekt, zvuková plastika, zvuková inštalácia", in Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia, ed. Jana Geržová, Bratislava: Profil, 1999. (Slovak)
- Miloš Štofko, Od abstrakcie po živé umenie. Slovník pojmov moderného a postmoderného umenia, Bratislava: Slovart, 2007. (Slovak)
- Jozef Cseres, "Czar wahania się pomiędzy tym, co wirtualne, a tym, co możliwe. Sztuka efemeryczna we współczesnej estetyce i myśli o sztuce na przykładzie wybranych prac współczesnych artystów słowackich", Sztuka i Dokumentacja 7 (2012), pp 44-53. (Polish)
- Miroslava Putišová, "Intermedia arts - overview", Slovakia Cultural Profile, n.d. (English)/(Slovak)
- Jitka Hlaváčková, Miloš Vojtěchovský (eds.), Zvuky, kódy, obrazy. Akustický experiment ve vizuálním umění / Sounds, Codes, Images, Prague: ArtMap, 2021, 288 pp. Extended excerpt. Exhibition. Publisher. Exh. review: Flašar (Art&Antiques). Book reviews: Zahálková (Artalk), Válek. (Czech)/(English)
Computer art (1970s-80s)[edit]
- Artists
Jozef Jankovič with Imrich Bertók, Juraj Bartusz with Vladimír Haltenberger, Daniel Fischer with Igor Klačanský, Martin Šperka, Agnes Sigetová.
- Forms
- lithographies and serigraphies based on computer-generated drawings (*1966/1973, Jankovič with Bertók)
- manufactured sculptures based on computer-generated curves (*1973, Bartusz with Haltenberger)
- computer morphing line drawings (*1975, Fischer with Klačanský)
- computer animations (*1980s, Sigetová, Slivka)
- Exhibitions
- Czechoslovak Computer Graphics [Československá počítačová grafika], Institut průmyslového designu, Praha, 1976
- Computer Graphics Art (Prague, 1982)
- Jankovič - Graphics, solo exhibition, Liberec, 1984
- Second Exhibition of Computer Art in CSSR [Druhá celostátní výstava počítačového umění v ČSSR], ÚKDŽ, Praha, 1985
- Computer Art in ČSSR and in the World [Počítačové umění v ČSSR a ve světě], Palác kultury, Prague, 1989
- Computer Graphics in Fine Arts [Počítačová grafika vo výtvarnom umení], Štátna galéria Žilina, Banská Bystrica, 1992; Medium Gallery, Bratislava, 1993
- Works
- decoration for facade of Výpočtové stredisko dopravy in Bratislava, 1971-1974. Jozef Jankovič with Imrich Bertók.
- Aluminium art objects, 1973-1974. Juraj Bartusz with Vladimír Haltenberger. The objects were made according to computer drawings utilizing boundary curves generated by the HP 9030A computer.
- Ikarus, 1974. Jozef Jankovič with Imrich Bertók.
- Movement in a circle, 1974. Jozef Jankovič with Imrich Bertók. Transformation of figure into abstract image.
- Spacetime sculpture, 1976-78. Juraj Bartusz with Vladimír Haltenberger.
- Cosmic Head, 1976-78. Juraj Bartusz with Vladimír Haltenberger
- Altamira, 1978-. Daniel Fischer with Peter Gerža /? Igor Klačanský. Cave bull morphing into sign of infinity, first computer animation in Slovakia. Single frames plotted by CalComp plotter were photographed step by step by 16mm animation camera, then processed by painter's interventions. Film was shown on Slovak television in Bratislava. Fischer: "Úlohou lineárnej transformácie je postihnúť kultúrne kontexty v čase fázovaním premien východiskových kresieb do cieľových, priamo modelovať časové premeny a vizualizovať čas ako fenomén spätý s ľudským bytím."
- Exterior design for a general hospital in Bratislava IV, colored aluminium and epoxy, 6 x 6 m, 1981-1982. Jozef Jankovič. The artwork was created according to computer drawings using the PDP11 computer and the Calcomp plotter. Each column shows the morphing of an outline of part of the human body into an electrocardiograph signal.
- Solentine Apocalypse, 1982. Daniel Fischer with Igor Klačanský. Computer-generated illustrations for Slovak edition of the book by J Cortazar.
- The Cubist's Pictures Can Be Read Like a Modern Poetry, serigraph, 1983. Daniel Fischer. From the series Images-Poems, this artwork was generated by the CDC3000 computer and the Calcomp plotter. The artist used an earlier version of the image to create an oil painting in 1982.
- Window, 1984. Jozef Jankovič with Imrich Bertók. Dynamics of line in a given frame.
- Interior design at the general hospital in Bratislava III, cast sand and epoxy, 3 x 3 m, 1984-1985. Jozef Jankovič. The casting form was produced from computer drawings using the SM4 computer and Calcomp plotter.
- Squash, 1985. Jozef Jankovič with Imrich Bertók. Dynamics of line in a given frame.
- Neverending Line, 1985. Jozef Jankovič with Imrich Bertók. Applied random number generator.
- ?, 1986. Ondrej Slivka. 7' cartoon with some sections animated by a computer program of Martin Sepp and Martin Šperka. The film received awards at several international animation festivals abroad.
- 01, 1987. Michal Murin, project for Ars Electronica, software art, performance, sound, concept in big computer hall MEOPTA - výpočtové stredisko.
- Literature
- Miroslav Klivar, "Kybernetika a teória odrazu vo vzťahu k umeniu", Slovenské pohľady 10, 1962. (Slovak)
- Martin Šperka, "Filmy z počítača", Elektrón 12, 1984, pp 29-31. (Slovak)
- Jankovič - Grafika, Liberec: Oblastní galerie, 1984. Catalogue. With texts by Naďa Reháková and Imrich Bertók.
- Martin Šperka, et al., Počítačová grafika a numerické metódy, Bratislava: SVŠT-Alfa, 1985. (Slovak)
- Počítačové umění ČSSR, Prague: 1985. Catalogue. (Czech)
- Imrich Bertók, Jozef Jankovič, "A Collaborative Investigation of the Line: Interactive Computer-Aided Drawings", Leonardo 19:1, 1986, pp 27-30. (English)
- P Slavkovský, "Niektoré aplikácie počítačovej animácie", in Počítačová grafika '86, Bratislava: JSMF, 1986. (Slovak)
- Miroslav Klivar, "Počítačová grafika v súčasnej výtvarnej kultúre", Výtvarníctvo, fotografia, film 10, 1986. (Slovak)
- Zdeňka Čechová, "Aplikácia počítačovej grafiky vo výtvarnom umení", in Počítačová grafika. Proceedings of conference, Smolenice, 1986, pp 15-20. (Slovak)
- Martin Šperka, "Počítač ako maliar", Elektrón 12, 1986, pp 8-15. (Slovak)
- Imrich Bertók, Ivo Janoušek, Počítače a umenie, Bratislava: SPN, 1989. (Slovak)
- Lucie Holá, Počítačové umění v ČSSR a ve světě, Prague: Dům techniky Praha, 1989. Catalogue. (Czech)
- Robert Zavarský, "Počítačové umenie", Dotyky 1, 1990. [50] (Slovak)
- Profil 3(1): "Počítačová grafika", ed. Michal Murin, Bratislava, 1993, pp 1-20. (Slovak)
- Martin Šperka, "Míľniky počítačovej grafiky na Slovensku", pp 10-11.
- Martin Šperka, "Autori o sebe. Interview so štyrmi pioniermi počítačovej grafiky v Čechách a na Slovensku", p 13.
- Martin Šperka, "Počítače na školách", p 14.
- Juraj Németh, "Multimédiá alebo prezentácia umenia po novom", p 15.
- Martin Šperka, Počítačová grafika vo výtvarnom umení, Banská Bystrica: Štátna galéria Žilina, Regionálne kultúrne stredisko, 1992, 32 pp. Catalogue. (Slovak)
- Martin Šperka (ed.), Počítačová grafika vo výtvarnom umení / Computer Graphics in Fine Arts, Bratislava: Academy of Fine Arts, 1993, 8 pp. Catalogue. (Slovak)/(English)
- Martin Šperka, "The Origins of Computer Graphics in the Czech and Slovak Republics", Leonardo 27:1, 1994, pp 45-50. [51] (English)
- Martin Šperka, "Počítačové umenie - genéza a súčasnosť", in Podoby súčasného umenia. Zborník prednášok o súčasnom výtvarnom umení a architektúre, Bratislava, 1994. (Slovak)
- Martin Šperka, "Some notes on the history of electronic and computer art in Slovakia", 1996. (English)
- Martin Šperka, E_Mail_Art_1_2_3 - Počítačová grafika - výber z diel, Žilina: PGU, 1997. Catalogue. (Slovak)
- Martin Šperka, "Počítačová grafika", in Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia, ed. Jana Geržová, Bratislava: Profil, 1999. (Slovak)
- Martin Šperka, "Počítačové umenie", in Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia, ed. Jana Geržová, Bratislava: Profil, 1999. (Slovak)
- Diana Majdáková, Digitálny obraz v slovenskom výtvarnom umení 20.storočia. Uplatnenie počítačovej grafiky a digitálnych technológií v tvorbe statického obrazu, Bratislava: Katedra dejín výtvarného umenia/Filozofická fakulta/Univerzita Komenského v Bratislave, 2008. Master's thesis. (Slovak)
- Resources
Electroacoustic music[edit]
- Composers
- Miro Bázlik, Roman Berger, Peter Kolman, Jozef Malovec, Ivan Parík, Tadeáš Salva, Martin Burlas, Juraj Ďuriš, Peter Machajdík, Viťazoslav Kubička, Ivan Stadtrucker, Ilja Zelenka, Róbert Rudolf, Marek Piaček
- Centres
- Experimental Studio of Slovak Radio & CECM Bratislava, *1965
- Events
- P. Kolman and L. Kupkovič organized New Music seminars (eight lessons since 1959 with the music by Stockhausen, Eimert, Křenek, and Schaeffer).
- International Seminars on New Music, Smolenice, 1968-70
- Releases
- Anthology of Slovak electroacoustic music 1966-1991, CECM, 2-CD, EMCD001-002, 1992. [52]
- Electroacoustic music Slovakia 1989-1994, CECM, EMCD003, 1994. [53]
- EXperimental edition, Experimental Studio of Slovak Radio. [54]
- Peter Machajdík, Soundscapes, Electro-Acoustic and Computer Music, Edition Hudba N81 0002 2 131, 2005. [55]
- Various – Electronic Music: Experimental Studios In Prague, Bratislava, Munich, University Of Illinois, Warsaw, Paris, Creel Pone #39, 2006. [56] download
- R(a)dio (Custica) Selected 2008, Czech Radio 3 - Vltava and His Voice, 2009-3. Works by Peter Machajdík, Colin Black, Miloš Vojtĕchovský and Ladislav Železný, [57]
- VA - Elektroakusticka hudba 1, earlabs. Works by Malovec, Parik, Bazlik, Kolman, Berger. listen
- Literature
- Ivan Stadtrucker, "Novy elektronicky hudobny nastroj", Hudba a zvuk, Bratislava/Praha, 1967.
- Jozef Gahér, "Využitie pseudonáhodných čísel získaných samočinným počítačom pri kompozícii televíznej opery Malka", in Aplikace umělé inteligence - AI '89, Prague: Ústav pro informační systémy v kultuře; Prague, 1989, pp 265-272. (Slovak)
- Miroslav Kaduch, Česká a slovenská elektroakustická hudba 1964 - 1994. Skladatelé, programátoři, technici, muzikologové, hudební kritici, publicisté. Osobní slovník, Ostrava, 1994; 2nd ed., 1996. (Czech)
- Libor Zajíček, "The History of Electroacoustic Music in the Czech and Slovak Republics", Leonardo 5, 1995, pp. 39-48. (English)
- Milan Adamčiak, "Slovak electroacoustic music history", 1995. (English)
- Vladimír Godár (ed.), "Slovenská elektroakustická hudba", Slovenská hudba 1-2, Bratislava: Slovenská hudobná únia, 1996. (Slovak)
- Michal Murin (ed.), Avalanches 1990-1995, Bratislava: SNEH, 1996. ISBN 80-967206-4-3 (Slovak)
- Vladimír Godár, "Slovenská elektroakustická hudba a slovenská normalizácia" (cont.), in "Slovenská elektroakustická hudba", Slovenská hudba 1-2, edited by Vladimír Godár, Bratislava: Slovenská hudobná únia, 1996. (Slovak)
- Vladimír Rusko, "Slovesná tvorba v experimentálnom štúdiu", in "Slovenská elektroakustická hudba", Slovenská hudba 1-2, edited by Vladimír Godár, Bratislava: Slovenská hudobná únia, 1996. (Slovak)
- Jozef Cseres, "Iný rozmer hudby z pásu", in "Slovenská elektroakustická hudba", Slovenská hudba 1-2, edited by Vladimír Godár, Bratislava: Slovenská hudobná únia, 1996. (Slovak)
- Peter Janík, "Elektroakustické intermezzo" (cont.), (cont.), in "Slovenská elektroakustická hudba", Slovenská hudba 1-2, edited by Vladimír Godár, Bratislava: Slovenská hudobná únia, 1996. (Slovak)
- Juraj Ďuriš, "Mýtus obrov sa rozpadá!?", in "Slovenská elektroakustická hudba", Slovenská hudba 1-2, edited by Vladimír Godár, Bratislava: Slovenská hudobná únia, 1996. (Slovak)
- Juraj Ďuriš, "Symbol i", in "Slovenská elektroakustická hudba", Slovenská hudba 1-2, edited by Vladimír Godár, Bratislava: Slovenská hudobná únia, 1996. (Slovak)
- Ivan Stadtrucker, "Slovenské osudy hudby elektronickej" (cont.), in "Slovenská elektroakustická hudba", Slovenská hudba 1-2, edited by Vladimír Godár, Bratislava: Slovenská hudobná únia, 1996. (Slovak)
- Jozef Malovec, "Spomienky na začiatky elektroakustickej hudby v Bratislave", in "Slovenská elektroakustická hudba", Slovenská hudba 1-2, edited by Vladimír Godár, Bratislava: Slovenská hudobná únia, 1996. (Slovak)
- Jozef Malovec, "Reminiscences of the beginnings of EAM in Bratislava", November 1994. (English and Slovak)
- Milan Adamčiak, "Príbeh jednej hudby", in "Slovenská elektroakustická hudba", Slovenská hudba 1-2, edited by Vladimír Godár, Bratislava: Slovenská hudobná únia, 1996. (Slovak)
- Peter Kolman, "Elektronická hudba v Bratislave", in "Slovenská elektroakustická hudba", Slovenská hudba 1-2, edited by Vladimír Godár, Bratislava: Slovenská hudobná únia, 1996. (Slovak)
- Alena Čierna, "Elektroakustická kompozícia na Slovensku", in "Slovenská elektroakustická hudba", Slovenská hudba 1-2, edited by Vladimír Godár, Bratislava: Slovenská hudobná únia, 1996. (Slovak)
- Roman Berger, "Esej o elektroakustickej hudbe", in "Slovenská elektroakustická hudba", Slovenská hudba 1-2, edited by Vladimír Godár, Bratislava: Slovenská hudobná únia, 1996. (Slovak)
- Tadeáš Salva, "Impresie z elektroakustického štúdia", in "Slovenská elektroakustická hudba", Slovenská hudba 1-2, edited by Vladimír Godár, Bratislava: Slovenská hudobná únia, 1996. (Slovak)
- Jozef Cseres, "Blázni sú tí, ktorí v hudbe vnímajú len zvuk", in "Slovenská elektroakustická hudba", Slovenská hudba 1-2, edited by Vladimír Godár, Bratislava: Slovenská hudobná únia, 1996; OS 8 (2000) pp. 69-71. (Slovak)
- Michal Murin (ed.), Sound Off 1997: The Piano Hotel, Bratislava: SNEH, 1997. CD-ROM.
- Jozef Cseres, Michal Murin (eds.), Sound Off 1995 – 1996, Bratislava: SNEH, 1997. With audio CD. ISBN 80-967445-0-X
- Sound Off 1998: Husle/Hegedű/Violin, Bratislava: SNEH, 1998.
- K. Pichlerová, Crossings - Art and Sound, Vienna: Kunsthalle Wien, 1998. Catalogue. (English)
- Michal Murin, "Radioart", 2000. (English/Slovak)
- Michal Murin, "Sound art", 2000. (English/Slovak)
- Michal Murin, "Rádio-Art", Profil 4, 2000. [58] (Slovak)
- Jozef Cseres (ed.), Sound Off 1999/2000: Beams & Waves, Bratislava: SNEH, 2000. With audio CD.
- Július Fujak, Tvorivosť v načúvaní hudobnému tvaru (interpretačné sondy do /ne/konvenčnej hudby), Nitra: Ústav literárnej komunikácie Filozofickej fakulty Univerzity Konštantína Filozofa, 2000. ISBN 80-8050-364-8 (Slovak)
- Rastislav Dubovský, "Elektroakustická hudba na Slovensku", 2001. (Slovak)
- Jozef Cseres, Hudobné simulakrá, Bratislava: Music Centre Slovakia, 2001. ISBN 80-88884-30-6 (Slovak)
- Jozef Cseres (ed.), Sound Off 2002: Typewriting Aloud, Typoxxs Allowed, Nové Zámky: HEyeRMEarS DISCORBIE, 2002. Catalogue, with audio CD.
- Július Fujak, "Sound Off 1995-2002", 2004. (Slovak)
- Vladimír Godár, "Slovenská elektroakustická hudba", Slovo, 12, 2004. (Slovak)
- Július Fujak, et al., Slovenské hudobné alternatívy, Nitra: Univerzita Konštantína Filozofa, 2006, 126 pp. With audio CD. (Slovak)
- Alena Čierna, Elektroakustická hudba na Slovensku a možnosti jej pedagogickej interpretácie, Nitra: Univerzita Konštantína Filozofa v Nitre, 2010. PhD dissertation. (Slovak)
- Kamil Zbruž, "Peter Machajdík: S Karlheinzom Stockhausenom sa stretávam na hviezde Sírius", Kloaka 3, 2011. (Slovak)
- Slávo Krekovič, "Organized Sound and Experiments in Slovak Music", in Sound Exchange: Anthology of Experimental Music Cultures in Central and Eastern Europe 1950-2010, eds. Carsten Seiffarth, Carsten Stabenow, and Golo Föllmer, Saarbrücken: PFAU, 2012. (English)/(German)/(Slovak) [59] [60] [61]
- Marcus Gammel, "Black Holes and White Spots. Visiting the Experimental Studio at Slovakian Radio. In conversation with Milan Adamčiak, Juraj Ďuriš, Michal Murin", in n.b.k. Sounds: Radio - Kunst - Neue Musik, eds. Marius Babias and Katrin Klingan, Cologne: Verlag der Buchhandlung Walther König, 2010, pp 93-111. (English)/(German)
- Ľubomír Chalupka, Slovenská hudobná avantgarda, Bratislava: Comenius University, 2011, 672 pp. (Slovak) [62]
- Štěpán David, "Tvorba elektroakustické hudby ve Zvukovém pracovišti Československé televize v Bratislavě v letech 1960-1968", Brno: Masaryk University, 2012. Bachelor thesis. (Czech)
- Alena Čierna, "Electroacoustic Music and the Slovak Musical Avant-Garde in the 1960s", Ad Alta 11:1, Jun 2021. [63] (English)
- Resources
Slovak electroacoustic music archive, [64]
Experimental film[edit]
- Artists, filmmakers, and works
- Juraj Jakubisko, filmmaker. Short student films: Mikulášsky týždenník (1961-1963), Posledný nálet (1960), Každý deň má svoje meno (1961), Mlčanie (1963), Dážď (1965). Feature films with experimental techniques: Kristove roky (1967), Zbehovia a pútnici (1968), Vtáčkovia, siroty a blázni (1969) a Dovidenia v pekle priatelia (1970). [65]
- Martin Slivka, documentary filmmaker. Voda a práca (1963). [66]
- Dušan Hanák, filmmaker. Made several experimental documentary films at Štúdio krátkych filmov, Bratislava. Zádumčivosť (1963), Variáce kľudu (1966), Metamorfózy (1965), Impresia (1966), Sonáta, alebo Hľadanie šťastného čísla (1966), Výzva do ticha (1966), Prišiel k nám Old Shatterhand (1966), Zanechať stopu (1970), Deň radosti (1972). [67]
- Ctibor Kováč, Ohnivé rieky (1965). [68]
- Dušan Trančík, filmmaker. Short films: Fotografovanie obyvateľov domu (1968) a Šibenica (1969). [69]
- Peter Mihálik, film theorist. Lilli Marlen (1970), short film. [70]
- Vladimír Havrilla, artist. Films: White (bazén, rúra), White (pena) (1973), Lift (1974), No limit (1976), Lebo veľa hrešila (1977), Modliaca figurína (1977), Milosť (1977), Bábika (1982). See also his video works at Video art in Slovakia (1960s-80s).
- Ľubomír Ďurček, Home (Domov, 1983, 16mm). See his video works at Video art in Slovakia (1960s-80s).
- Samo Ivaška
- Vladimír Kordoš, artist. Aténska škola (1981, 16mm). [71]
- Kvetoslav Hečko, documentary filmmaker. Atď. (1987), Zo Suterénu (1989), Argíllia (1991), Squat (1991), Scénografický útok na Groningen (1992), Jana Želibská (1994), V. Oravec a M. Pagáč (1994), Čenkovej deti (1994), Kaplnka svätej Barbory (1995), Happsoc (1997), Second Symposium: Artprospekt P.O.P (1998). [72]
- Milan Balog, filmmaker. Short films: 1.35 (2003)
- Mira Gáberová, filmmaker, video artist. Short films: Forever (2006)
- Drahoslav Pálus, filmmaker. Short films: Static Movement (2007) Metamorphoses (2007)
- Paulína Mačáková, filmmaker. Short films: Random Thought – of birds and assumption (2008)
- Tibor Nagy Grosso, filmmaker. Short films: Digitalisation (2011) Superteam (2011)
- Zuzana Žabková, filmmaker, video artist. Short films: Für Elise (2012) De profundis (2012)
- Literature
- Andrew J Horton, "Avant-garde Film and Video in Slovakia", Central European Review, Oct 1998. (English)
- Ivana Gašpieriková, "Experimentálny film I. Pokus o vymedzenie", Trištvrte revue 5-6 (2000). (Slovak)
- Jozef Macko, "Slovenský alternatívny a experimentálny film", in Slovenské vizuálne umenie 1970–1985, ed. Aurel Hrabušický, Bratislava: Slovenská národná galéria, 2002, pp 217-220. (Slovak)
- Katarína Rusnáková, "Rozšírený film v digitálnych kontextoch", Profil 2 (2003), pp 76-85. (Slovak)
- Ján Adamove, Svet je obraz a zvuk (rozprávanie o rozprávaní experimentálneho filmu).
- Ján Adamove, Ó súcit majte, dovoľte mi byť iným: Experiment a štylizácia reality v audiovizuálnej kultúre na Slovensku.
- Peter Konečný, "Amatérsky film na Slovensku", Kinema, 2005. [73] [74] [75] [76] (Slovak)
- Eva Michalková, "Amatérsky film v slovenských podmienkach", Film.sk 10, 2007. (Slovak)
- Documentary film
- Osmičkári, dir. Miro Remo jr., 26 min, 2012. From the cycle Konzervy času. Dokument o filmových amatéroch združených koncom 70. rokov vo filmovom klube v Ladcoch. Jeho členovia, ktorým učaroval 8 mm film, sa po rokoch opäť stretávajú, konfrontujú niekdajšie sny a plány s aktuálnou realitou, premietajú si staré filmy. [77]
- Resources
Video art (1990s-2000s)[edit]
- Artists
- Anetta Mona Chisa, Anna Daučíková, Anton Čierny, Dušan Zahoranský, Elena Pätoprstá, Erik Binder, Gabika Binderová, Jana Želibská, Juraj Dudáš, Mário Chromý, Ilona Németh, Michal Murin, Miroslav Nicz, N. Ružičková, Pavlína Fichta Čierna, Peter Agat Huba, Richard Fajnor, Roman Galovský.
- Forms
- Features on identity, consummerism, body, gender, socio-cultural questions, ecology.
- Film footage manipulations.
- Video installations (Rónai, Meluzin, Želibská, Kvetán)
- Interactive video installations (Rónai)
- Video performances (Murin)
- Exhibitions
- Imago – Fin de siécle, 30 May to 10 July 1991 in Bratislava. First video art exhibition in Slovakia. Art from Netherlands curated by René Coelho, premiered in 1988 in Amsterdam.
- Oscillation, 30 June to 20 September 1991 in Komárno. Slovak and Hungarian artists.
- Objects and Installations, 1992 in PGU Žilina. Included video-installations.
- New Acquisitions, 1993 in PGU Žilina. Included video installations.
- First Floor, 5-23 March 1993. Curated by Radoslav Matuštík. Exhibited Peter Meluzin (Impo(r)tant) and Roman Galovský (L.E.D1, L.E.D1).
- Power Station T, 1993 in Poprad. Exhibited Peter Rónai (Oheň-Voda-Zem-Duch), Jana Želibská (Dialóg) a Peter Meluzin (Life After Life).
- ON/OFF, 1993 in Škola úžitkového výtvarníctva J Vydru Bratislava. Exhibited the sampler of videos from six events of Slovak artists (Meluzin, Želibská, Oravec-Pagáč, Galovský, Nicz, Pisár) at various locations.
- Video vidím ich sehe, 1994 in PGU Žilina. Curated by Katarína Rusnáková. Videoart from Slovakia (Jana Želibská, Peter Rónai, Peter Meluzin), Czech Republic and Switzerland. The catalog contained first more complex texts on Slovak video art. The gallery was the only one consistently researching and acquiring Slovak video art. Later exhibition included retrospective of Jana Želibská (1996-97) and Peter Rónai (1997).
- Peter Meluzin - Mouse Killer, 1995 in PGU Žilina. Site-specific video-installation by Peter Meluzin.
- Videoart VŠVU, 1996 in Rock Café Gallery Prague. Curated by Juraj Čarný. [78]
- Videoanthology, 1997 in PGU Žilina. Curated by Katarína Rusnáková. 13 video works by Peter Rónai.
- Tusovka screening, 2009, Bologna.
- Events
- Videoart + symposium 2000, SPACE Gallery, Bratislava
- Publications
- BARLA videojournal, videotape presenting a number of video artists from Slovakia, Czech Republic, and other countries. Three issues were published in 1996, 1997 and 1999 by editors Miroslav Nicz and Peter Rónai. The collection was released on CD-ROM in 2000.
- More
Digital prints[edit]
- Exhibitions
- Digital Male, 6-27 October 2000 in Gallery Medium, Bratislava. Curated by Miloš Boďa. Co-organised by Patrik Kovačovský and Marek Kvetán. Exhibited: Miloš Boďa, Patrik Kovačovský, Marek Kvetán, and others.
- 6G - Computer graphics of six artists, October 2002 in Gallery Z at Zichy Palace, Bratislava. Curated by Andrea Kopernická. Exhibited: Jozef Jankovič, Viktor Hulík, Stanislav Stankóci, Róbert Jančovič, Vojtech Kolenčík, Svätopluk Mikyta. [79]
- Powered by Circulation, 4-24 April 2003. Zdeno Hlinka. Curated by Mária Rišková. At Buryzone. Digital prints from Circulation visual software synthesizer. [80]
- Digital@electronic graphic, 2004, State gallery, Banská Bystrica. Curated by Alena Vrbanová. Exhibited: Vladimír Havrila, Ivan Csudai, Jozef Jankovič, Michal Murin, Miroslav Nicz, Peter Rónai, Svätopluk Mikyta, Aneta Mona CHisa, Richard Fajnor, Robert Urbásek, Maroš Rovňák, Juraj Poliak, Marek Kvetán, Erik Binder, Patrik Kovačovský, Viktor Hulík, Roman Gálovský, Martin Gerboc, Marko Blažo, Pavlína Fichta Čierna, Martin Derner, Marek Kianička, Marianna Mlynarčíková. Reinstallation: Slovak institut, Budapest and East Slovakia Gallery, Košice in 2005.
- Literature
- Michal Murin: Digital Male. Central European project of Exhibition of digital prints. Interview with Michal Boďa. In: Profil 4/2000. [81] (Slovak)
- Zuzana Habšudová, "What have computers got to do with classic art?", In: The Slovak Spectator. October 2002. [82]
New media art, Media culture (1990s-2000s)[edit]
- Cities
Banská Bystrica, Banská Štiavnica, Bratislava, Kežmarok, Košice, Levoča, Medzilaborce, Michalovce, Nitra, Nové Zámky, Považská Bystrica, Prešov, Šamorín, Skalica, Trenčín, Trnava, Žilina.
- Forms
- digital signal processing and sound performances
- visual performances
- interactive software-based installations
- computer animation
- motion video
- internet art
- Exhibitions
- Interactive installation, virtual reality, arteficial life, 17-24 April 2002. Ivor Diosi. Curated by Juraj Čarný. At SPACE Gallery. Part of Multiplace festival. http://www.multiplace.sk/2002/diosi.html
- Športka, 6 April 2004. Erik Binder and Zdeno Hlinka. Processing and visualization of large set of winning numbers of Czechoslovak lottery system (1977-1993). At SPACE Gallery, Bratislava. http://satori.sk/sportka.html
- Processual design, opened 17-24 April 2005. Ján Šicko. Curated by Mária Rišková. At Galéria Veža, Bratislava. Part of Multiplace festival. http://www.multiplace.sk/2005/?place=acte&id=3
- Literature
- Michal Murin, "Ars Electronica", Profil 14-15, 1992, pp 24-25. (Slovak)
- Michal Murin, "John Cage v Bratislave", Profil 14-15, 1992, pp 36-38 (Slovak) PDF
- Ľubica Krénová, "Videnie cez video", Profil 22-23, 1992, pp 1-3 (Slovak) PDF
- Performance Art - monotématické číslo, (ed. Michal Murin) Profil 3, 1993, pp 1-15 (Slovak) PDF
- Marvin Minsky, "Budúcnosť zjednotí vedu, umenie a psychológiu", Profil 3-4, 1993, pp 1-3 (Slovak) PDF
- Michal Murin, "Ars Electronica ´93 - Osmy div sveta", Profil 8-9, 1993, pp 30 -31
- Michal Murin, "Orlan - moje telo, text a jazyk", Profil 8-9, 1993, pp 31
- Juraj Rakovský, "Osmy div sveta", Profil 8-9, 1993, pp 32 - 33
- Martin Šperka, "Počítače na VŠVU", Projekt 4, 1993, pp 46-47. (Slovak)
- Katarína Rusnáková, "New York - Londýn", Profil 3-4, 1994, pp 16-17 (Slovak) PDF
- Michal Murin, "Ars Electronica Linz", Profil 5-6-7, 1994, pp 22
- Ľuba Lacinová, "Kybernetický priestor pre telo, intelekt a dušu", Profil 1-2, 1995, pp 2-9 (Slovak) PDF
- Stephan Berg, "Keď sa obrazy učili lietať. Umenie a virtuálna realita", Profil 1-2, 1995, pp 10-15 (Slovak) PDF
- Martin Šperka, "ISEA95 Montréal", Profil 1-2, 1995, pp 16-19 (Slovak) PDF
- Michal Murin, "Ars Electronica", Profil 1-2, 1995, pp 20-27 (Slovak) PDF
- Martin Šperka, "Elektronické umenie", in Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia, ed. Jana Geržová, Bratislava: Profil, 1999. (Slovak)
- Martin Šperka, "Multimédiá", in Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia, ed. Jana Geržová, Bratislava: Profil, 1999. (Slovak)
- Martin Šperka, "Virtuálna realita", in Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia, ed. Jana Geržová, Bratislava: Profil, 1999. (Slovak)
- Katarína Rusnáková, "Postfotografia", in Slovník svetového a slovenského výtvarného umenia druhej polovice 20. storočia, ed. Jana Geržová, Bratislava: Profil, 1999. (Slovak)
- Michal Murin, "Nové technológie v slovenskom umení alebo vyhoďme sa z kola von", in Almanach 98: texty o filme... filozofii... hudbe... a výtvarnom umení, eds. Monika Mitášová, Martin Kaňuch, Peter Michalovič, and Jozef Cseres, Bratislava: SCCA, 1999. (Slovak)
- Profil 7(4): "Nové médiá", ed. Michal Murin, Bratislava, 2000, pp 4-73. (Slovak)
- Michal Murin, "Nové médiá", pp 4-5, HTML.
- Michal Murin, "Rádio-Art", pp 6-21. PDF
- Michal Murin, "Ars Electronica", pp 22-37. PDF
- Jozef Cseres, "Neinteraktívne umenie je mŕtve. Rozhovor s Donom Ritterom", pp 52-55 (Slovak) PDF
- Michal Murin, "C3. Rozhovor s Miklósom Peternákom", pp 56-64. PDF
- Jana Geržová, "Intermédiá a (alebo) multimédiá?", pp 64-65, HTML.
- Dieter Daniels, "Nové médiá", pp 66-68 PDF
- Slávo Krekovič, "Net radio.. net.audio", Trištvrte revue 5-6, Bratislava, 2000. (Slovak)
- Zora Rusinová, "Objekt v multimediálnych kontextoch", in Zora Rusinová et al. Dejiny slovenského výtvarného umenia: 20. storočie, Bratislava: Slovenská národná galéria, 2000. (Slovak)
- Dušan Barok, "Net.art. Internet ako umelecké médium", 3/4 revue 1, 2001, pp 22-24. (Slovak)
- Juraj Čarný, "Aktuálne postavenie súčasného mediálneho umenia na Slovensku" / "Topical Status of Contemporary Media Arts in Slovakia", in Conceptual Art at the Turn of Millennium, Budapest: AICA Section Hungary, and Bratislava: Slovak Section of AICA, 2002, pp 94-113. (Slovak)/(English)
- Miloš Vojtěchovský, "Umenie a elektronické technológie", in Dejiny umenia, 12, eds. Karel Císař, Josef Čermák, and Terezie Petišková, Bratislava: Ikar, 2002. (Slovak)
- Jozef Cseres, "Interaktívnym umením za novú senzibilitu", Dart 10, 2003. (Slovak)
- Mária Rišková, et al., New Media Nation. Festival of Festivals, Bratislava: Buryzone, 2003. Catalogue. (Slovak)/(English)
- Michaela Sečanská, Elektronické umenie na Slovensku po roku 1990, Trnava: Trnavská univerzita, 2004. Master's thesis. Consultant: Zora Rusinová. (Slovak)
- Michal Murin, "Od utópií cez virtualitu k digitálnej realite", Profil 2, 2004, pp 80-94, PDF (Slovak)
- Jana Geržová, "Rozhovor s Michaelom Bielickým", Profil 4, 2004, pp 88-90 (Slovak) PDF
- Miloš Vojtěchovský, "Nástin: Gary Hill a videopoetika", Profil 4, 2004, pp 80-87 (Czech) PDF
- Miloš Krekovič, Internetové umenie, 2005. Master's thesis. (Slovak)
- Katarína Rusnáková, "The Correlation of Image and Text in Contemporary Media Art", Human Affairs 1, 2005, pp 35-44. (English)
- Katarína Rusnáková (ed.), V toku pohyblivých obrazov. Antológia textov o elektronickom a digitálnom umení v kontexte vizuálnej kultúry, Bratislava: AFAD Press, 2005. (Slovak)
- Katarína Rusnáková, História a teória mediálneho umenia na Slovensku, Bratislava: VŠVU – AFAD Press, 2006, 300 pp. With DVD. (Slovak)
- Magdaléna Kobzová (ed.), Multiplace 2007, Bratislava: Multiplace, 2007. Catalogue. (Slovak)
- Slávo Krekovič, Pavel Sedlák, "Má pojem nová média dnes ještě co říci?", Literární noviny 31, 2007. [83] (Slovak),(Czech)
- Miloš Štofko, Od abstrakcie po živé umenie: Slovník pojmov moderného a postmoderného umenia, Bratislava: Slovart, 2007. [84]
- Martin Beťko, Hysteria.sk a Kyberia.sk – sonda do virtuálnej komunity, Brno: Masarykova Univerzita, 2008. Master's thesis. Consultant: David Kořínek. (Slovak)
- Ivana Madariová, "Festival ako sociálny experiment", Flash Art 9, Jul-Oct 2008. (Slovak)
- Mária Rišková, "Agónia a extáza nových médií", Flash Art 9, Jul-Oct 2008. (Slovak)
- Jan Rylich, "Ivor Diosi", Flash Art 9, July-October 2008. (Czech)
- Diana Olčáková, "Michal Murin", Vlna 37, Bratislava, 2008, pp 8-18. (Slovak)
- Zuzana Husárová, Písanie v interaktívnych médiách. Digitálna fikcia, Bratislava: Ústav svetovej literatúry Slovenskej akadémie vied v Bratislave, 2009. Consultant: Bogumiła Suwara. PhD dissertation. (Slovak)
- Jozef Cseres, Michal Murin (eds.), Od analógového k digitálnemu. Nové pohľady na nové umenia v audiovizuálnom veku, Banská Bystrica: Fakulta výtvarných umení/Akadémia umení v Banskej Bystrici, 2011. Anthology. Excerpt, Excerpt. (Slovak)
- Katarína Rusnáková, Rozšírené spôsoby diváckej recepcie digitálneho umenia, Banská Bystrica: Fakulta výtvarných umení/Akadémia umení v Banskej Bystrici, 2011, 176 pp. Excerpt. (Slovak)
- Zborník prednášok o súčasnom výtvarnom umení so zameraním na mediálne umenie, ed. Renáta Niczová, Nitra: Nitrianska galéria, 2014. Proceedings. TOC. Publisher. (Slovak)
- Lenka Rišková, Kultúra v sieti. Nezávislé iniciatívy v umení a kultúre nových médií v Bratislave po roku 2000, Brno: Masarykova univerzita, 2015, 84 pp, PDF. Master's thesis. (Slovak)
- Zuzana Husárová, "Slovenská elektronická literatúra", World Literature Studies 3:8, Bratislava: Ústav svetovej literatúry, 2016, pp 57-77. (Slovak)
- Nina Vidovencová, Digitálny upgrade v slovenskom vizuálnom umení, Brno: Masarykova univerzita, 2018, 93 pp, PDF. Master's thesis. (Slovak)
- Karel Piorecký, Zuzana Husárová, "Tvořivost literatury v éře umělé inteligence", Česká literatura 2, 2019, pp 145-169. [85] (Czech)
- Michaela Kolláriková, VJing na Slovensku, Bratislava: Masarykova univerzita, 2019, 76 pp. Master's thesis. (Slovak)
- More
Bibliography[edit]
- Bibliography of writings on media art in Slovakia
- Bibliography of writings on media art (outside Slovakia) in Slovak
more[edit]
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