Difference between revisions of "Sound art"

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==Bibliography==
 
==Bibliography==
 +
''Publications on individual artists are included in their respective [[#Pages|pages]]. For further bibliographies see also the entries on [[Radio art]], [[Electroacoustic music]], [[Field recording]], [[Noise]] and [[Sound studies]] (all in development).''
 
===Journals and Magazines===
 
===Journals and Magazines===
 
* ''The Wire'', London, since 1982. [http://www.thewire.co.uk/]
 
* ''The Wire'', London, since 1982. [http://www.thewire.co.uk/]
 +
* ''Essays in Sound'', since 1992.
 +
* ''[http://www.sukothai.com/xebec.html Sound Arts: Xebec SoundCulture Membership Magazine]'', Kobe: Xebec Corporation, since 1994.
 
* ''[http://monoskop.org/log/?p=4251 China: the Sonic Avant-Garde]'', 2 issues, 2005-2006. (in Chinese)
 
* ''[http://monoskop.org/log/?p=4251 China: the Sonic Avant-Garde]'', 2 issues, 2005-2006. (in Chinese)
  
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* Vito Acconci, William Hellermann, Don Goddard, ''Sound/Art'', New York: The Foundation, 1984, 29 pp. With an essay by Don Goddard. Exhibition curated by William Hellermann and held simultaneously at SculptureCenter’s former location on East 69th Street in Manhattan and the Brooklyn Arts and Cultural Association (now Brooklyn Arts Council). [http://sculpture-center.tumblr.com/tagged/Sound%2FArt]
 
* Vito Acconci, William Hellermann, Don Goddard, ''Sound/Art'', New York: The Foundation, 1984, 29 pp. With an essay by Don Goddard. Exhibition curated by William Hellermann and held simultaneously at SculptureCenter’s former location on East 69th Street in Manhattan and the Brooklyn Arts and Cultural Association (now Brooklyn Arts Council). [http://sculpture-center.tumblr.com/tagged/Sound%2FArt]
 
* Paul Panhuysen (ed.), ''ECHO: The Images of Sound'', Eindoven: Het Apollohuis, 1986, 144 pp. [http://books.google.com/books/about/Echo.html?id=1Z82AQAAIAAJ]
 
* Paul Panhuysen (ed.), ''ECHO: The Images of Sound'', Eindoven: Het Apollohuis, 1986, 144 pp. [http://books.google.com/books/about/Echo.html?id=1Z82AQAAIAAJ]
−
* ''Sound Re Visited: An Anthology Concerning Sound in Art / Geluid Her Zien: Een Anthologie Over Geluid in Kunst'', Amsterdam: VOID, 1987, 48+51 pp. Exhibition catalogue published in conjunction with "Sound 'Re' Visited," a festival on sound in the visual arts, held in nine Amsterdam venues, 7-29 April 1987. Texts by Ursula Block, Germano Celant, Hetty Huisman, Harry Ruhé, William Furlong, Gerald Lindahl and Louwrien Wijers. (in English/Dutch) [http://www.specificobject.com/objects/info.cfm?object_id=15226#.Uwhz2VRdX0g]
+
* ''Sound Re Visited: An Anthology Concerning Sound in Art / Geluid Her Zien: Een Anthologie Over Geluid in Kunst'', Amsterdam: VOID, 1987, 48+51 pp. Exhibition catalogue published in conjunction with "Sound 'Re' Visited," a festival on sound in the visual arts, held in nine Amsterdam venues, 7-29 April 1987. Texts by Ursula Block, Germano Celant, Hetty Huisman, Harry Ruhé, William Furlong, Gerald Lindahl and Louwrien Wijers. (in English/Dutch) [http://www.specificobject.com/objects/info.cfm?object_id=15226]
 +
* ''[http://90.146.8.18/de/archives/festival_archive/festival_catalogs/festival_catalog.asp?iProjectID=9115 Free Sound / Der freie Klang]'', 1987. Catalogue for the Ars Electronica festival held on 16-19 September 1987 in Linz.
 
* Ursula Block, Michael Glasmeier (eds.), ''Broken Music: Artists' Recordworks'', Berlin: DAAD Galerie and gelbe Musik, 1989, 279 pp. (in English, French, German). Catalogue for an exhibition held at daad galerie Berlin, Gemeentemuseum Den Haag, and Magasin Grenoble. Writings about vinyl by Block, Adorno, Moholy-Nagy, Dubuffet and others. A discography of recordings by visual artists and experimental audioworks. [http://soundart.zkm.de/broken-music/] [http://208.84.104.197/pdf/communiques/C007500E.pdf]
 
* Ursula Block, Michael Glasmeier (eds.), ''Broken Music: Artists' Recordworks'', Berlin: DAAD Galerie and gelbe Musik, 1989, 279 pp. (in English, French, German). Catalogue for an exhibition held at daad galerie Berlin, Gemeentemuseum Den Haag, and Magasin Grenoble. Writings about vinyl by Block, Adorno, Moholy-Nagy, Dubuffet and others. A discography of recordings by visual artists and experimental audioworks. [http://soundart.zkm.de/broken-music/] [http://208.84.104.197/pdf/communiques/C007500E.pdf]
 
* Dan Lander, Micah Lexier (eds.), ''Sound by Artists'', Toronto: Art Metropole and Walter Phillips Gallery, 1990; Blackwood Gallery and Charivari Press, 2013, 372 pp. A collection of artists writings including Cage, Viola, Neuhaus, Kubisch, Bruinsma, Monahan, Lucier, Whitehead, Schafer, Lockwood, Westerkamp, Marclay. [http://www.soundculture.org/texts/lander_sba_intro.html Introduction], [http://www.ubu.com/papers/artists_recordings.html Discography], [http://www.iemed.org/publicacions/quaderns/12/The_Sound_of_One_Line_Scanning_Bill_Viola.pdf Essay by Bill Viola], [http://vimeo.com/66170100 Book excerpts (video)]. Essays on sound art by writers and artists including John Cage, Christina Kubisch, Alvin Lucier, Annea Lockwood, Ihor Holubizky, Douglas Kahn, Christian Marclay and others. [http://www.blackwoodgallery.ca/Blackwood_publicationSOUNDBYARTISTS.html] [http://www.charivaripress.com/soundbyartists.html]
 
* Dan Lander, Micah Lexier (eds.), ''Sound by Artists'', Toronto: Art Metropole and Walter Phillips Gallery, 1990; Blackwood Gallery and Charivari Press, 2013, 372 pp. A collection of artists writings including Cage, Viola, Neuhaus, Kubisch, Bruinsma, Monahan, Lucier, Whitehead, Schafer, Lockwood, Westerkamp, Marclay. [http://www.soundculture.org/texts/lander_sba_intro.html Introduction], [http://www.ubu.com/papers/artists_recordings.html Discography], [http://www.iemed.org/publicacions/quaderns/12/The_Sound_of_One_Line_Scanning_Bill_Viola.pdf Essay by Bill Viola], [http://vimeo.com/66170100 Book excerpts (video)]. Essays on sound art by writers and artists including John Cage, Christina Kubisch, Alvin Lucier, Annea Lockwood, Ihor Holubizky, Douglas Kahn, Christian Marclay and others. [http://www.blackwoodgallery.ca/Blackwood_publicationSOUNDBYARTISTS.html] [http://www.charivaripress.com/soundbyartists.html]
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** ''サウンド・アート -　音というメディア'', 2000. (in Japanese) [http://www.ntticc.or.jp/pub/catalog/catalog_con0001_j.html]
 
** ''サウンド・アート -　音というメディア'', 2000. (in Japanese) [http://www.ntticc.or.jp/pub/catalog/catalog_con0001_j.html]
 
* ''Volume: Bed of Sound'', New York: P.S. 1 Contemporary Art Center, 2000.
 
* ''Volume: Bed of Sound'', New York: P.S. 1 Contemporary Art Center, 2000.
−
* Bernd Schulz (ed.), ''Resonanzen. Aspekte der Klangkunst'', Saarbrücken: Stadtgalerie Saarbrücken, 2003. With CD. (in German)
+
* Bernd Schulz (ed.), ''Resonanzen/Resonances. Aspekte der Klangkunst/Aspects of Sound Art'', Heidelberg: Kehrer, 2002, 174 pp. With CD. (in English/German). Catalogue for exhibitions held on 6 June-25 August and 15 September-24 November 2002, Stadtgalerie Saarbrücken. Essays on sound art and documentation of works by Bosshard, de Marinis, Julius, Kubisch, Leitner, Oldorp, Osborn, Riches, Roden, Stache, Yui.
 
** Helga de la Motte-Haber, [http://wiki.dxarts.washington.edu/sandbox/groups/soundart/wiki/8389f/attachments/57765/resonances_02.pdf "Esthetic Perception in New Artistic Contexts"].
 
** Helga de la Motte-Haber, [http://wiki.dxarts.washington.edu/sandbox/groups/soundart/wiki/8389f/attachments/57765/resonances_02.pdf "Esthetic Perception in New Artistic Contexts"].
 
* Sophie Duplaix (ed.), ''Sons & lumières: une histoire du son dans l'art du XXe siècle'', Centre Georges Pompidou, 2004, 375 pp. (in French) [http://www.sonore-visuel.fr/evenement/sons-lumieres-une-histoire-du-son-dans-lart-du-xxe-siecle] [http://mediation.centrepompidou.fr/Pompidou/Pedagogie.nsf/Docs/IDF223FB79CEA5125DC1256F400062FBAF/$file/sons%20lumieresavecimages.pdf]
 
* Sophie Duplaix (ed.), ''Sons & lumières: une histoire du son dans l'art du XXe siècle'', Centre Georges Pompidou, 2004, 375 pp. (in French) [http://www.sonore-visuel.fr/evenement/sons-lumieres-une-histoire-du-son-dans-lart-du-xxe-siecle] [http://mediation.centrepompidou.fr/Pompidou/Pedagogie.nsf/Docs/IDF223FB79CEA5125DC1256F400062FBAF/$file/sons%20lumieresavecimages.pdf]
 
* Helga de la Motte-Haber, Matthias Osterwold, Georg Weckwerth (eds.), ''Sonambiente Berlin 2006: Klang Kunst Sound Art'', Heidelberg: Kehrer, with Berlin: Akademie der Künste, 2006, 408 pp. (in German/English). Texts by Helga de la Motte-Haber, Christian Scheib, Gerhard Rühm, Christoph Cox, Claudia Tittel, Rolf Langebartels, Uwe Rüth, Sabine Sanio, Marion Saxer, Sabine Breitsameter, Akio Suzuki, Andres Bosshard, Khaled Saleh, Detlev Ipsen, Gordon Monahan, Julie H. Reiss, Raimar Stange, Lutz Fahrenkrog-Petersen, Rolf Großmann, Nicolas Collins, Jörg Stelkens, Paul B. Davis, Sven König, Golo Föllmer, Gerhard Eckel, Stefan Weinzierl + Kees Tazelaar, Christopher Frauenberger, Frieder Butzmann, Markus Bodden, Nele Hertling. [http://www.sonambiente.net/de/01_spektrum/catalogue.html] [http://www.artbooksheidelberg.com/html/en/program/detail.html?ID=192]
 
* Helga de la Motte-Haber, Matthias Osterwold, Georg Weckwerth (eds.), ''Sonambiente Berlin 2006: Klang Kunst Sound Art'', Heidelberg: Kehrer, with Berlin: Akademie der Künste, 2006, 408 pp. (in German/English). Texts by Helga de la Motte-Haber, Christian Scheib, Gerhard Rühm, Christoph Cox, Claudia Tittel, Rolf Langebartels, Uwe Rüth, Sabine Sanio, Marion Saxer, Sabine Breitsameter, Akio Suzuki, Andres Bosshard, Khaled Saleh, Detlev Ipsen, Gordon Monahan, Julie H. Reiss, Raimar Stange, Lutz Fahrenkrog-Petersen, Rolf Großmann, Nicolas Collins, Jörg Stelkens, Paul B. Davis, Sven König, Golo Föllmer, Gerhard Eckel, Stefan Weinzierl + Kees Tazelaar, Christopher Frauenberger, Frieder Butzmann, Markus Bodden, Nele Hertling. [http://www.sonambiente.net/de/01_spektrum/catalogue.html] [http://www.artbooksheidelberg.com/html/en/program/detail.html?ID=192]
−
** Christoph Cox, "[http://www.arts.rpi.edu/~century/MMC11/Cox-Sonambiente_Essay.pdf From Music to Sound: Being as Time in the Sonic Arts]", pp 214-223.
 
 
* Miguel Molina Alarcón, ''[[Symphony_of_Sirens|Baku: Symphony of Sirens: Sound Experiments in The Russian Avant-Garde. Original Documents and Reconstructions of 72 Key Works of Music, Poetry and Agitprop from the Russian Avantgardes (1908-1942)]]'', London: ReR Megacorp, 2008, 72 pp. With 2-CD.
 
* Miguel Molina Alarcón, ''[[Symphony_of_Sirens|Baku: Symphony of Sirens: Sound Experiments in The Russian Avant-Garde. Original Documents and Reconstructions of 72 Key Works of Music, Poetry and Agitprop from the Russian Avantgardes (1908-1942)]]'', London: ReR Megacorp, 2008, 72 pp. With 2-CD.
 
* ''singuhr sound gallery in parochial – 1996-2006: sound art in berlin'', Heidelberg: Kehrer, 2009, 296 pp. With DVD. [http://www.singuhr.de/page.php?ID=448]
 
* ''singuhr sound gallery in parochial – 1996-2006: sound art in berlin'', Heidelberg: Kehrer, 2009, 296 pp. With DVD. [http://www.singuhr.de/page.php?ID=448]
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* ''Sound Re Visited: An Anthology Concerning Sound in Art'', 1987. Catalogue. (see above)
 
* ''Sound Re Visited: An Anthology Concerning Sound in Art'', 1987. Catalogue. (see above)
 
* Lander, Lexier (eds.), ''Sound by Artists'', 1990; 2013. Catalogue. (see above)
 
* Lander, Lexier (eds.), ''Sound by Artists'', 1990; 2013. Catalogue. (see above)
 +
* Douglas Kahn, Gregory Whitehead (eds.), ''Wireless Imagination: Sound, Radio, and the Avant-Garde'', MIT Press, 1992, 452 pp. [http://mitpress.mit.edu/books/wireless-imagination]
 
* Caleb Kelly (ed.), ''[http://monoskop.org/log/?p=5918 Sound]'', London: Whitechapel Gallery, with MIT Press, 2011, 239 pp. "This anthology argues for sound's importance within contemporary art itself. In doing so it [does] not focus primarily on ‘sound art’ – although it includes all the relevant discussions of this term. Rather, the focus is on ‘listening’ to the visual arts." (p. 15)
 
* Caleb Kelly (ed.), ''[http://monoskop.org/log/?p=5918 Sound]'', London: Whitechapel Gallery, with MIT Press, 2011, 239 pp. "This anthology argues for sound's importance within contemporary art itself. In doing so it [does] not focus primarily on ‘sound art’ – although it includes all the relevant discussions of this term. Rather, the focus is on ‘listening’ to the visual arts." (p. 15)
  
 
===Book series===
 
===Book series===
−
* [http://www.bloomsbury.com/us/academic/academic-subjects/music-and-sound-studies/sound-studies/ Sound Studies] book series, Bloomsbury.
+
* [http://www.bloomsbury.com/us/academic/academic-subjects/music-and-sound-studies/sound-studies/ Sound Studies], Bloomsbury.
 +
* [http://www.errantbodies.org/criticalear.html Critical Ear], Errant Bodies. Series of monographs featuring contemporary artists working with sound, experimental music and electronic media.
 +
* [http://www.errantbodies.org/anthologies.html Errant Bodies: Anthologies]. Publications exploring themes related to sound art, performance, radio and spatial practices.  
  
 
[[Image:Russolo_Luigi_The_Art_of_Noises.jpg|thumb|258px|Luigi Russolo, ''The Art of Noises'', 1916-. [http://monoskop.org/log/?p=9525 Download] (IT, EN, ES, DE, FR, RU).]]
 
[[Image:Russolo_Luigi_The_Art_of_Noises.jpg|thumb|258px|Luigi Russolo, ''The Art of Noises'', 1916-. [http://monoskop.org/log/?p=9525 Download] (IT, EN, ES, DE, FR, RU).]]
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[[Image:Weiss_Allen_S_ed_Experimental_Sound_and_Radio.jpg|thumb|258px|Allen S. Weiss (ed.), ''Experimental Sound & Radio'', 2000. [http://monoskop.org/log/?p=656 Download].]]
 
[[Image:Weiss_Allen_S_ed_Experimental_Sound_and_Radio.jpg|thumb|258px|Allen S. Weiss (ed.), ''Experimental Sound & Radio'', 2000. [http://monoskop.org/log/?p=656 Download].]]
 
===Monographs, Edited books===
 
===Monographs, Edited books===
−
''Monographs on individual artists are included in their respective [[#Pages|pages]].''
 
 
* Luigi Russolo, ''[[Media:Russolo_Luigi_L_Arte_dei_rumori.pdf|L’Arte dei rumori]]'', Milan: Edizione Futuriste di Poesia, 1916, 92 pp. (in Italian). The manifesto was first published on 11 March 1913.  
 
* Luigi Russolo, ''[[Media:Russolo_Luigi_L_Arte_dei_rumori.pdf|L’Arte dei rumori]]'', Milan: Edizione Futuriste di Poesia, 1916, 92 pp. (in Italian). The manifesto was first published on 11 March 1913.  
 
** ''[http://www.ubu.com/historical/gb/russolo_noise.pdf The Art of Noises]'', trans. Robert Filliou, Something Else Press, 1967. Manifesto only.
 
** ''[http://www.ubu.com/historical/gb/russolo_noise.pdf The Art of Noises]'', trans. Robert Filliou, Something Else Press, 1967. Manifesto only.
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* Achim Wollscheid, ''The Terrorized Term'', Frankfurt/M: Selektion, 1996, 167 pp. [http://www.selektion.com/releases/rel_other.htm] [http://books.google.com/books/about/The_Terrorized_Term.html?id=XpBPAAAAMAAJ]
 
* Achim Wollscheid, ''The Terrorized Term'', Frankfurt/M: Selektion, 1996, 167 pp. [http://www.selektion.com/releases/rel_other.htm] [http://books.google.com/books/about/The_Terrorized_Term.html?id=XpBPAAAAMAAJ]
 
* Adalaide Kirby Morris (ed.), ''[http://monoskop.org/log/?p=3040 Sound States: Innovative Poetics and Acoustical Technologies]'', University of North Carolina Press, 1997, 349 pp.
 
* Adalaide Kirby Morris (ed.), ''[http://monoskop.org/log/?p=3040 Sound States: Innovative Poetics and Acoustical Technologies]'', University of North Carolina Press, 1997, 349 pp.
−
* Douglas Kahn, ''[http://monoskop.org/log/?p=63 Noise, Water, Meat: A History of Sound in the Arts]'', MIT Press, 1999, 455 pp. Sparked by Dan Lander's idea of "musicalization of sound" presented in the volume ''Sound by Artists'' he co-edited [http://www.douglaskahn.com/writings/douglas_kahn-sound_art.pdf].
+
* Douglas Kahn, ''[http://monoskop.org/log/?p=63 Noise, Water, Meat: A History of Sound in the Arts]'', MIT Press, 1999, 455 pp. Sparked by Dan Lander's idea of "musicalization of sound" presented in the volume ''Sound by Artists'' he co-edited. ([http://www.douglaskahn.com/writings/douglas_kahn-sound_art.pdf]; pp 363-4, n22). "By ''sound'' I mean ''sounds, voices, and aurality''--all that might fall within or touch on auditive phenomena, whether this involves actual sonic or auditive events or ideas about sound or listening; sounds actually heard or heard in myth, idea, or implication; sounds heard by everyone or imagined by one person alone; or sounds as they fuse with the sensorium as a whole." (p. 3)
 +
[26/365]n22, n19 je k comu?
 
* Helga de la Motte-Haber (ed.), ''Klangkunst: Tönende Objekte und klingende Räume'', Laaber: Laaber-Verlag, 1999, 352 pp. (in German). [http://www.computermusicjournal.org/reviews/29-1/grant-klangkunst.html Review], [http://audio.uni-lueneburg.de/texte/landy.pdf Review].
 
* Helga de la Motte-Haber (ed.), ''Klangkunst: Tönende Objekte und klingende Räume'', Laaber: Laaber-Verlag, 1999, 352 pp. (in German). [http://www.computermusicjournal.org/reviews/29-1/grant-klangkunst.html Review], [http://audio.uni-lueneburg.de/texte/landy.pdf Review].
−
* Brandon LaBelle, Steve Roden (eds.), ''Site of Sound: Of Architecture and the Ear'', Los Angeles: Errant Bodies/Smart Art, 1999.
+
* Brandon LaBelle, Steve Roden (eds.), ''Site of Sound: Of Architecture and the Ear'', Los Angeles: Errant Bodies/Smart Art, 1999, 178 pp. With CD. [http://www.errantbodies.org/siteofsound.html]
 
* Karin von Maur, ''Vom Klang der Bilder'', Munich, 1999. (in German)
 
* Karin von Maur, ''Vom Klang der Bilder'', Munich, 1999. (in German)
−
* Allen S. Weiss (ed.), ''[http://monoskop.org/log/?p=656 Experimental Sound & Radio]'', MIT Press, 2000, 188 pp.
+
* Allen S. Weiss (ed.), ''[http://monoskop.org/log/?p=656 Experimental Sound and Radio]'', MIT Press, 2000, 188 pp.
−
* Jozef Cseres, ''[http://monoskop.org/log/?p=6139 Hudobné simulakrá]'', Bratislava: Hudobné centrum, 2001. (in Slovak)
 
 
* Curtis Roads, ''[http://monoskop.org/log/?p=658 Microsound]'', MIT Press, 2002, 423 pp.
 
* Curtis Roads, ''[http://monoskop.org/log/?p=658 Microsound]'', MIT Press, 2002, 423 pp.
−
* Bernd Schulz (ed.), ''Resonanzen/Resonances. Aspekte der Klangkunst/Aspects of Sound Art'', Heidelberg: Kehrer, 2002. (in German)
 
 
* Ken Ehrlich, Brandon LaBelle, ''Surface Tension: Problematics of Site'', Los Angeles: Errant Bodies, 2003.
 
* Ken Ehrlich, Brandon LaBelle, ''Surface Tension: Problematics of Site'', Los Angeles: Errant Bodies, 2003.
 
* Maja Kuzmanovic, nadine, Annemie Maes, Yves Bernard (eds.), ''[http://monoskop.org/log/?p=53 .x-med-a., experimental media arts]'', Brussels, 2006, 156 pp.
 
* Maja Kuzmanovic, nadine, Annemie Maes, Yves Bernard (eds.), ''[http://monoskop.org/log/?p=53 .x-med-a., experimental media arts]'', Brussels, 2006, 156 pp.
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===Journal issues===
 
===Journal issues===
 +
* ''3rd Degree'' 4: Special Issue: "Earshot" (1988), ed. Shelly Cox, et al.
 +
* ''Art & Text'' 31: Special Issue on Sound (December-February 1989), ed. Martin Harrison, et al.
 +
* ''New Music Articles'' 8: Special Issue on Sound (1990), ed. Frances Dyson.
 +
* ''West'' 5: Special Issue on Sound Cultures (1992), ed. Colin Hood.
 +
* ''Public'' (4/5): Special Issue on Sound (Fall 1990), eds. Marc de Guerre and Janine Marchessault, Toronto. [http://www.publicjournal.ca/45-sound-1990/]
 +
* ''Music Today'' 19: Special Issue on Sound (1993), Japan. [http://www.ntticc.or.jp/pub/ic_mag/ic009/contents_e.html]
 +
* ''InterCommunication'' 9: Special Issue: "Turning Forks: Technologies of Sound and Music" (Summer 1994), Tokyo.
 +
* ''TDR: The Drama Review'' 40(3): Special Issue on Experimental Sound and Radio (Autumn 1996). [http://www.jstor.org/stable/i248004]
 +
* [http://cec.sonus.ca/econtact/5_3/index.html ''eContact!'' 5.3: "NAISA — New Adventures in Sound Art"], 2002. (in English/French)
 +
* ''Positionen'' 65: "Klangkunst" (November 2005), Berlin. (in German) [http://shop.positionen.net/product_info.php?cPath=1_50&op=list&sort=products_sort_order&page=12&cPath=1_50&products_id=13]
 
* ''[http://iowareview.uiowa.edu/TIRW/TIRW_Archive/feb06/feb06_txt.html The Iowa Review Web 8(1): Special issue on Sound Art]'', ed. Ben Basan, February/March 2006.
 
* ''[http://iowareview.uiowa.edu/TIRW/TIRW_Archive/feb06/feb06_txt.html The Iowa Review Web 8(1): Special issue on Sound Art]'', ed. Ben Basan, February/March 2006.
 
* ''[http://monoskop.org/log/?p=10216 Organised Sound: An International Journal of Music and Technology, 14(1): Sound Art]'', ed. Jøran Rudi, Cambridge University Press, 2009, 115 pp.
 
* ''[http://monoskop.org/log/?p=10216 Organised Sound: An International Journal of Music and Technology, 14(1): Sound Art]'', ed. Jøran Rudi, Cambridge University Press, 2009, 115 pp.
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* ''[http://seismograf.org/fokus/urbanitet-lyd-og-kunst Seismograf/DMT: Urbanitet, lyd og kunst]'', eds. af Kristine Samson and Sanne Krogh Groth, November 2012. (in Danish)
 
* ''[http://seismograf.org/fokus/urbanitet-lyd-og-kunst Seismograf/DMT: Urbanitet, lyd og kunst]'', eds. af Kristine Samson and Sanne Krogh Groth, November 2012. (in Danish)
 
* ''[http://www.kunstjournalen.no/12_eng/kunstjournalen-b-post-2012?set_language=en Kunstjournalen B-post]'', 2012. (in English/[http://www.kunstjournalen.no/12?set_language=no Norwegian])
 
* ''[http://www.kunstjournalen.no/12_eng/kunstjournalen-b-post-2012?set_language=en Kunstjournalen B-post]'', 2012. (in English/[http://www.kunstjournalen.no/12?set_language=no Norwegian])
 +
* ''Positionen'' 94: "Stadt | Kartographie | Klang" (February 2013), Berlin. (in German) [http://shop.positionen.net/product_info.php?cPath=1_50&op=list&sort=products_sort_order&page=2&cPath=1_50&products_id=3292]
 
* ''Leonardo Music Journal, Vol. 23: Sound Art'', ed. Nicolas Collins, 2013, 106 pp. [http://monoskop.org/log/?p=9901]
 
* ''Leonardo Music Journal, Vol. 23: Sound Art'', ed. Nicolas Collins, 2013, 106 pp. [http://monoskop.org/log/?p=9901]
  

Revision as of 18:55, 22 February 2014

Related concepts: sound installation (since late 1960s), Klanginstallation, sound-space-art (Leitner c1971 [1]), sound sculpture (see Grayson 1975), sonic art (Wishart 1985), musicalization of sound (Lander 1990), sound in the arts (Kahn 1999), audio art (Föllmer 2004), art and sound, Klangkunst.

Pages

The following is a growing list of artists, events and initiatives that have presented works of art with sound as their constituent means of expression.

Bibliography

Publications on individual artists are included in their respective pages. For further bibliographies see also the entries on Radio art, Electroacoustic music, Field recording, Noise and Sound studies (all in development).

Journals and Magazines

Heidi Grundmann (ed.), Zeitgleich, 1994. View online.
Miguel Molina Alarcón, Baku: Symphony of Sirens: Sound Experiments in The Russian Avant-Garde, 2008. View online.

Catalogues

  • Germano Celant, The Record as Artwork: From Futurism to Conceptual Art, Chicago: Museum of Contemporary Art, 1977, 121 pp. (in English/French) [3] [4]
  • Sound: An Exhibition of Sound Sculpture, Instrument Building and Acoustically Tuned Spaces, Pasadena, CA: Los Angeles Institute of Contemporary Art, 1979, 68 pp. Catalogue for a large-scale exhibition curated by Robert Smith and Robert Wilhite and held at Los Angeles Institute of Contemporary Art, 14 July-31 August 1979, and Project Studios 1, New York, 30 September-18 November 1979. [5]
  • René Block, Lorenz Dombois, Nele Herltling, Barbara Volkmann (eds.), Für Augen und Ohren. Von der Spieluhr zum akustischen Environment. Objekte. Installationen. Performances, Berlin: Akademie der Künste, 1980, 312 pp. (in German). Catalogue for a large-scale exhibition curated by Nele Hertling and René Block. [6] [7]
    • Écouter par les yeux: Objets et environnements sonores, Paris: Musée d'art moderne de la Ville de Paris, with Berlin: Akademie der Künste, 1980, 144 pp. (in French). Catalogue for an exhibition held on 18 June-24 August 1980 at Musée d'Art Moderne de la Ville de Paris. Essays by Suzanne Pagé, Franck Popper, René Block. Oeuvres de Laurie Anderson, Ben, Beuys, John Cage, Robert Filiou, Kienholz, Kounellis, Man Ray, B. Lavier, D. Oppenheim, Nam June Paik, Sarkis, Erik Satie, Takis, Vostell, Robert Watts. [8]
  • Vito Acconci, William Hellermann, Don Goddard, Sound/Art, New York: The Foundation, 1984, 29 pp. With an essay by Don Goddard. Exhibition curated by William Hellermann and held simultaneously at SculptureCenter’s former location on East 69th Street in Manhattan and the Brooklyn Arts and Cultural Association (now Brooklyn Arts Council). [9]
  • Paul Panhuysen (ed.), ECHO: The Images of Sound, Eindoven: Het Apollohuis, 1986, 144 pp. [10]
  • Sound Re Visited: An Anthology Concerning Sound in Art / Geluid Her Zien: Een Anthologie Over Geluid in Kunst, Amsterdam: VOID, 1987, 48+51 pp. Exhibition catalogue published in conjunction with "Sound 'Re' Visited," a festival on sound in the visual arts, held in nine Amsterdam venues, 7-29 April 1987. Texts by Ursula Block, Germano Celant, Hetty Huisman, Harry Ruhé, William Furlong, Gerald Lindahl and Louwrien Wijers. (in English/Dutch) [11]
  • Free Sound / Der freie Klang, 1987. Catalogue for the Ars Electronica festival held on 16-19 September 1987 in Linz.
  • Ursula Block, Michael Glasmeier (eds.), Broken Music: Artists' Recordworks, Berlin: DAAD Galerie and gelbe Musik, 1989, 279 pp. (in English, French, German). Catalogue for an exhibition held at daad galerie Berlin, Gemeentemuseum Den Haag, and Magasin Grenoble. Writings about vinyl by Block, Adorno, Moholy-Nagy, Dubuffet and others. A discography of recordings by visual artists and experimental audioworks. [12] [13]
  • Dan Lander, Micah Lexier (eds.), Sound by Artists, Toronto: Art Metropole and Walter Phillips Gallery, 1990; Blackwood Gallery and Charivari Press, 2013, 372 pp. A collection of artists writings including Cage, Viola, Neuhaus, Kubisch, Bruinsma, Monahan, Lucier, Whitehead, Schafer, Lockwood, Westerkamp, Marclay. Introduction, Discography, Essay by Bill Viola, Book excerpts (video). Essays on sound art by writers and artists including John Cage, Christina Kubisch, Alvin Lucier, Annea Lockwood, Ihor Holubizky, Douglas Kahn, Christian Marclay and others. [14] [15]
  • Heidi Grundmann (ed.), Zeitgleich: Sound Installation and Media Composition in the Digital Age / Klanginstallation und Medienkomposition im digitalen Zeitalter, Vienna: Triton, 1994, 194 pp. With CD. (in English/German). Catalogue for an symposium, seminar and exhibition held on 3 June-15 August 1994 at Hall in Tirol. Texts by Ros Bandt, Isabella Bordoni / Roberto Paci Dalo, Andres Bosshard, Alvin Curran, Bill Fontana, Matt Heckert, Concha Jerez / Jose Iges, Arthur and Marielouise Kroker, Alvin Lucier, Max Neuhaus, Claude Schryer, and Gerfried Stocker. [16]
  • Helga de la Motte-Haber (ed.), Klangkunst, Munich: Prestel, with Berlin: Akademie der Künste, 1996, 303 pp. (in German). Catalogue for Sonambiente festival held on 9 August-8 September 1996 in Berlin. [17] [18]
  • Minoru Hatanaka, Takeo Nozaki (eds.), Sound Art - Sound as Media, Tokyo: NTT, 2000, 80 pp. With CD. Catalogue for an exhibition held on 28 January-12 March 2000 at NTT [ICC], Tokyo. Texts by Minoru Hatanaka and Rob Young. [19]
    • サウンド・アート -　音というメディア, 2000. (in Japanese) [20]
  • Volume: Bed of Sound, New York: P.S. 1 Contemporary Art Center, 2000.
  • Bernd Schulz (ed.), Resonanzen/Resonances. Aspekte der Klangkunst/Aspects of Sound Art, Heidelberg: Kehrer, 2002, 174 pp. With CD. (in English/German). Catalogue for exhibitions held on 6 June-25 August and 15 September-24 November 2002, Stadtgalerie Saarbrücken. Essays on sound art and documentation of works by Bosshard, de Marinis, Julius, Kubisch, Leitner, Oldorp, Osborn, Riches, Roden, Stache, Yui.
  • Sophie Duplaix (ed.), Sons & lumières: une histoire du son dans l'art du XXe siècle, Centre Georges Pompidou, 2004, 375 pp. (in French) [21] [22]
  • Helga de la Motte-Haber, Matthias Osterwold, Georg Weckwerth (eds.), Sonambiente Berlin 2006: Klang Kunst Sound Art, Heidelberg: Kehrer, with Berlin: Akademie der Künste, 2006, 408 pp. (in German/English). Texts by Helga de la Motte-Haber, Christian Scheib, Gerhard Rühm, Christoph Cox, Claudia Tittel, Rolf Langebartels, Uwe Rüth, Sabine Sanio, Marion Saxer, Sabine Breitsameter, Akio Suzuki, Andres Bosshard, Khaled Saleh, Detlev Ipsen, Gordon Monahan, Julie H. Reiss, Raimar Stange, Lutz Fahrenkrog-Petersen, Rolf Großmann, Nicolas Collins, Jörg Stelkens, Paul B. Davis, Sven König, Golo Föllmer, Gerhard Eckel, Stefan Weinzierl + Kees Tazelaar, Christopher Frauenberger, Frieder Butzmann, Markus Bodden, Nele Hertling. [23] [24]
  • Miguel Molina Alarcón, Baku: Symphony of Sirens: Sound Experiments in The Russian Avant-Garde. Original Documents and Reconstructions of 72 Key Works of Music, Poetry and Agitprop from the Russian Avantgardes (1908-1942), London: ReR Megacorp, 2008, 72 pp. With 2-CD.
  • singuhr sound gallery in parochial – 1996-2006: sound art in berlin, Heidelberg: Kehrer, 2009, 296 pp. With DVD. [25]
  • Andrey Smirnov, Liubov Pchelkina, Pokolenie Z [ПОКОЛЕНИЕ Z], St. Petersburg: PRO ARTE Foundation, 2010, 20 pp. Booklet-newspaper of the Generation Z exhibition. (Russian).
  • Sounds. Radio - Art - New Music, Berlin: n.b.k., 2010, 32 pp.
  • David Crowley, Daniel Muzyczuk, Sounding the Body Electric: Experiments in Art and Music in Eastern Europe 1957–1984, Łódź: Muzeum Sztuki, 2012, 222 pp. (in English/Polish)
John Grayson (ed.), Sound Sculpture, 1975. Download.

Anthologies

  • John Grayson (ed.), Sound Sculpture: A Collection of Essays by Artists Surveying the Techniques, Applications, and Future Directions of Sound Sculpture, Vancouver: Aesthetic Research Centre of Canada, 1975, 196 pp.
  • Sound Re Visited: An Anthology Concerning Sound in Art, 1987. Catalogue. (see above)
  • Lander, Lexier (eds.), Sound by Artists, 1990; 2013. Catalogue. (see above)
  • Douglas Kahn, Gregory Whitehead (eds.), Wireless Imagination: Sound, Radio, and the Avant-Garde, MIT Press, 1992, 452 pp. [26]
  • Caleb Kelly (ed.), Sound, London: Whitechapel Gallery, with MIT Press, 2011, 239 pp. "This anthology argues for sound's importance within contemporary art itself. In doing so it [does] not focus primarily on ‘sound art’ – although it includes all the relevant discussions of this term. Rather, the focus is on ‘listening’ to the visual arts." (p. 15)

Book series

  • Sound Studies, Bloomsbury.
  • Critical Ear, Errant Bodies. Series of monographs featuring contemporary artists working with sound, experimental music and electronic media.
  • Errant Bodies: Anthologies. Publications exploring themes related to sound art, performance, radio and spatial practices.
Luigi Russolo, The Art of Noises, 1916-. Download (IT, EN, ES, DE, FR, RU).
Trevor Wishart, On Sonic Art, 1985/1996. Download.
David Toop, Ocean of Sound, 1995. Download.
Douglas Kahn, Noise, Water, Meat: A History of Sound in the Arts, 1999. Download.
Allen S. Weiss (ed.), Experimental Sound & Radio, 2000. Download.

Monographs, Edited books

  • Luigi Russolo, L’Arte dei rumori, Milan: Edizione Futuriste di Poesia, 1916, 92 pp. (in Italian). The manifesto was first published on 11 March 1913.
  • Peter Chamberlain, An Investigation of Sound/sculpture Relationships, New York: State University College, 1976, 134 pp. [27]
  • Trevor Wishart, On Sonic Art, Harwood Academic Publishers, 1985; 2nd ed., ed. Simon Emmerson, Routledge, 1996, 357 pp. "[S]onic art includes music and electroacoustic music. At the same time [..] it cross[es] over into areas which have been categorised distinctly as text-sound and as sound-effects. [..] I have chosen the title On Sonic Art to encompass the arts of organising sound-events in time. This, however, is merely a convenient fiction for those who cannot bear to see the use of the word 'music' extended. For me, all these areas fall within the category I call 'music'." (p. 4)
  • Helga de la Motte-Haber, Musik und Bildende Kunst. Von der Tonmalerei zur Klangskulptur, Laaber: Laaber-Verlag, 1990.
  • René van Peer, Interviews with Sound Artists: Taking Part in the Festival ECHO, The Images of Sound II, Eindoven: Het Apollohuis, 1993, 149 pp. Interviews with Joe Jones, Richard Lerman, Jean Weinfeld, Martin Riches, Yakehisa Kosugi, Horst Rickels, Johan Goedhart, Terry Fox, Christina Kubisch, Jim Pomeroy, Walter Fähnrich, Yoshi Wada, Paul Panhuysen. Most interviews took place in 1987. [28]
  • David Toop, Ocean of Sound: Aether Talk, Ambient Sound and Imaginary Worlds, Serpent’s Tail, 1995, 306 pp; 2001.
  • Achim Wollscheid, The Terrorized Term, Frankfurt/M: Selektion, 1996, 167 pp. [29] [30]
  • Adalaide Kirby Morris (ed.), Sound States: Innovative Poetics and Acoustical Technologies, University of North Carolina Press, 1997, 349 pp.
  • Douglas Kahn, Noise, Water, Meat: A History of Sound in the Arts, MIT Press, 1999, 455 pp. Sparked by Dan Lander's idea of "musicalization of sound" presented in the volume Sound by Artists he co-edited. ([31]; pp 363-4, n22). "By sound I mean sounds, voices, and aurality--all that might fall within or touch on auditive phenomena, whether this involves actual sonic or auditive events or ideas about sound or listening; sounds actually heard or heard in myth, idea, or implication; sounds heard by everyone or imagined by one person alone; or sounds as they fuse with the sensorium as a whole." (p. 3)

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Journal issues

Pamphlets, Booklets, Brochures

Articles (selection)

  • Bernhard Leitner, "Sound Architecture - Space created through traveling sound", Artforum 9:7 (March 1971), New York.
  • Bernhard Leitner, "Sound Space Manifesto", New York, 1977.
  • Max Neuhaus, "Sound Art?", in Volume: Bed of Sound, New York: P.S. 1 Contemporary Art Center, 2000.
  • Golo Föllmer, "Audio Art", trans. Rebecca van Dyck, MediaArtNet, 2004. "While the term sound art has established itself for the general, non-media-specific expression of [artistic ways of dealing with sounds], in the present context audio art stands for sound art for whose production technical media are either essential or necessary."
  • Douglas Kahn, "The Arts of Sound Art and Music", The Iowa Review Web 8(1): Special issue on Sound Art, ed. Ben Basan, February/March 2006. "I took [Dan] Lander's idea [of "musicalization of sound"] and began to historically research and substantiate it, first in the late-1980s and later in my book Noise, Water, Meat [(1999)]." (p. 7)
  • Christoph Cox, "Von Musik zum Klang: Sein als Zeit in der Klangkunst", Sonambiente Berlin 2006: Klang Kunst Sound Art, Heidelberg: Kehrer, 2006, pp 214-23. (in German)
  • Volker Straebel, "Zur frühen Geschichte und Typologie der Klanginstallation", in Klangkunst, ed. Ulrich Tadday, Munich: Richard Boorberg, 2008, pp 24-46. (in German)
  • Carsten Seiffarth, "About Sound Installation Art" / "Om lydbasert installasjonskunst", Kunstjournalen B-post, 2012. (in English/Norwegian). "[T]he sound art I focus on in my curatorial work is primarily what Bernhard Leitner once labelled 'sound-space-art'".
  • Jørgen Larsson, "Sound art in 2012" / "Lydkunst in 2012", Kunstjournalen B-post, 2012. (in English/Norwegian)

Theses

Bibliographies

Resources

See also

Field recording, Radio art, Sound studies, Noise, Circuit bending, SuperCollider, Sensory ethnography.


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