Cyberfeminism

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VNS Matrix, A Cyberfeminist Manifesto for the 21st Century, 1991.
Old Boys Network, 100 Anti-Theses of Cyberfeminism, 1997, HTML.

Artists, writers, collectives, initiatives, events, works, talks, writings and resources on art and cultural movements associated with cyberfeminism, technofeminism, xenofeminism and digital feminism

Artists, writers, collectives, initiatives

Exhibitions, festivals, conferences, symposia, discussions

1990s

  • Seduced and Abandoned: The Body in the Virtual World. The Body in the Virtual World, conference, ICA London, 12-13 March 1994. Talks: Sadie Plant, Rosi Braidotti, Helen Cadwallader, Christin Tamblyn, Pad Cadigan, Bruce Sterling. Video.
  • Game Girl, exhibition, Shedhalle Zürich, 24 April-5 June 1994; Game Grrrl, Kunstverein München, Munich, 23 September - 30 October 1994. Curated by Renate Lorenz. With Antigena (Zürich), Lutz Bacher (Berkeley), Frauen und Lesbenarchiv (Zürich), Christoph Gödlin und die Fachklasse für wissenschaftliches Zeichnen (Zürich), Martin Heller, Judith Hopf, minimal club and Juliane Rebentisch (Berlin, Munich), Paper Tiger TV (New York), Franz Stauffenberg and Christoph Roth (New York, Munich), Natascha Sadr-Haghighian, Philipp Schaffner, Pit Schultz (Botschaft e.V., Berlin), Christoph Then with Kein Patent auf Leben and Sylvia Hamberger (Munich), a.o. See Lorenz 1994, [1], [2], [3], Müller & Spillmann 2020.
  • "Replicunts: The Future of Cyberfeminism", panel discussion, Virtual Futures conference, University of Warwick, 28 May 1995. Participants: Liana Borghi, Pat Cadigan, Gwyneth Jones, Francesca da Rimini, Josephine Starrs, Sadie Plant (Chair). Video.
  • Wired Women: Virtual Worlds/Real Lives, conference, University of Portsmouth, 8 March 1997. Commentary: Berry (Mute).
  • 1. Cyberfeminist International, conference, Documenta X, Kassel, 20-28 September 1997. Organised by Old Boys Network. Participants: Susanne Ackers (.SE/.DE), Babeth (.NL), Ulrike Bergermann (.DE), Josephine Bosma (.NL), Shu Lea Cheng (.US), Valentina Djordejvic (.DE), Marina Grizinic (.JP/.SI), Sabine Helmers (.DE), Kathy Rae Huffman (.AT/.US), Margarete Jahrmann (.AT), Vesna Jankovic (.HR), Verena Kuni (.DE), Ellen Nonnenmacher (.DE), Vesna Manojlovic (.YU), Diana McCarty (.HU/.US), Alla Mitrofanova (.RU), Ingrid Molnar (.DE/.AT), Mathilde MuPe (.NL), Helene von Oldenburg (.DE), Natalja Pershina (.RU), Corrine Petrus (.NL), Julianne Pierce (.AU), Daniela Alina Plewe (.DE), Barbara Rechbach (.AT), Claudia Reiche (.DE), Tamara Rouw (.NL), Rasa Smite (.LV), Cornelia Sollfrank (.DE), Debra Solomon (.NL), Josephine Starrs (.AU/.DE), Barbara Strebel (.CH), Olga Egerova (.RU), Rena Tangens (.DE), Gudrun Teich (.DE), Kerstin Weiberg (.DE), Faith Wilding (.US), Eva Wohlgemuth (.AT), Ina Wudtke (.DE). CfP. Report. Book.
  • Sex & Space, exhibition, lectures and film programme, Forum Stadtpark Graz, Graz, 2-26 October 1997. Concept: Marion v. Osten, Rachel Mader, Martine Anderfuhren, and Peter Spillmann. Part of steirischer herbst 97.
  • Künstliches Leben:// Mediengeschichten, Bremen, 4 October-2 November 1997. A series of performances, presentations, films, lectures and discussions at various locations in Bremen; organised by Frauenkulturhaus TheaLit. Concept and organisation: Claudia Reiche with Andrea Sick and Ulrike Bergermann.
  • Cyberfeminist International / Cyberfeminism in the East and in the West, Cyber-Femin-Club at Gallery 21, St. Petersburg, 28 September-1 October 1998. Producer: Irina Aktuganova. Participants: Alla Mitrofanova, Cornelia Sollfrank (Hamburg), Igor Markovic (Zagreb), Olesya Turkina (St. Petersburg), Natalia Pershina, Olga Egorova, Olga Tobreluts, Ivan Kuzin (St. Petersburg), Irina Aristarkhova (Moscow), Olga Suslova (St. Petersburg), Inna Rassokhina (St. Petersburg), Corina Petrus (NL), Marina Alekseeva (St. Petersburg), Sonya Asoeva (Kiev), Ekaterina Velichko (St. Petersburg), Olga Lipovskaya (St. Petersburg), Anna Kletsina (St. Petersburg), Francesca da Rimini, Katya Liberovskaya (Canada), Marina Alekseeva.
  • Next Cyberfeminist International, conference, Rotterdam, 8-13 Mar 1999. Organised by Old Boys Network. Participants: Helene von Oldenburg (D), Cornelia Sollfrank (D), Corrine Petrus (NL), Marieke van Santen (NL), Faith Wilding (USA), Yvonne Volkart (CH), Ingrid Hoofd (NL), Claudia Reiche (D), Ursula Biemann (CH), Mare Tralla (UK, Estonia), Pam Skelton (UK), Nat Muller (UK), Caroline Bassett (UK), Maria Fernandez (USA), Rena Tangens (D), Barbara Thoens (D), Stephanie Wehner (NL), Rasa Smite (LV), Rachel Baker, Barbara Rechbach (A, UK), Gudrun Teich (D), Janine Sack (D), Josephine Bosma (NL), Veronica Engler (ARG), Vesna Jankovic (CR), Sunchana Spirovan (CR), Irina Aristarkhova (RU), Alla Mitrofanova, Shu Lea Cheang, Susanne Ackers, Maren Hartmann. CfP. Book.

2000s

  • FACES in Paris, Ecole Nationale Supérieure des Beaux Arts de Paris, France, 8 Dec 2000. This was a cyberfeminist event organised by Kathy Rae Huffman, who was at that time director of Hull Time Based Arts (UK), and Nathalie Magnan, media artist of the National School of Fine Arts, Dijon, in collaboration with Arghyro Paouri and in partnership with the C.I.D. - Mediathèque of the École nationale supérieure des beaux-arts in Paris (ENSBA). About thirty women from Europe, Russia, the U.S., and Brazil shared their projects, exhibitions, and critical texts. [6]
  • Performing Cyberfeminisms - Traversing Cyberspace, panel at the 7th Performance Studies International (Psi7), Johannes Gutenberg University, Mainz, 28 Mar-1 Apr 2001. Curated by Silvia Bauer and Verena Kuni. Participants: Carrie Moyer, Faith Wilding, Marina Grzinic, Silvia Bauer, Verena Kuni. [7] [8]
  • Cyberfem Spirit - Spirit of Data, exhibition, Edith-Ruß-Haus für Medienkunst, Oldenburg, 1 Dec 2001-13 Jan 2002. Curated by Rosanne Altstatt and Helene von Oldenburg. Artists: Ursula Biemann (CH) - Heather Cassils / Cathy Davies (USA) - The Gender Changer Academy (NL, S, CA, ZA, HK) - Diane Ludin / Francesca da Rimini / Agnese Trocchi / (USA, I, AUS) - Jen Liu (USA) - Jenny Marketou (GR) - Die Patinnen Teil II (D) - Cornelia Sollfrank (D) - Pernille Spence (GB) - Linda Wallace (AUS). Review: Reindl (Kunstforum). CfP. Exh. website in German.
  • Technics of Cyber ‹ › Feminism. ‹mode=message›, conference, Künstlerhaus am Deich, Bremen, 7-9 Dec 2001. Organised by Thealit, Bremen. Concept: Claudia Reiche. Participants: Marie-Luise Angerer, Irina Aristarkhova, Caroline Bassett, Ulrike Bergermann, Marina Grzinic, Verena Kuni, Margaret Morse, Helene von Oldenburg, Catherine Pelachaud, Claudia Reiche, Anne-Marie Schleiner, Andrea Sick, Cornelia Sollfrank, Yvonne Volkart, Faith Wilding. Book.
  • Very Cyberfeminist International conference, Lichtmess-Kino, Hamburg, 13-16 Dec 2001. Organised by Old Boys Network (Verena Kuni, Helene von Oldenburg, Claudia Reiche, Cornelia Sollfrank). Speakers: ariane brenssell (D), christina goestl (AU), cindy gabriela flores (MEX), claude draude (D), corinna bath (D), faith wilding (Pittsburgh, USA), feminist indymedia austria (AU), genderchangers (NL), isabelle massu, jill scott (AUS/D), jutta weber (D), irina aristarkhova (Moskau/RU, Singapore), les pénélopes (F), margaret tan (SG), maria fernandez (New York, USA), nasya bahfen/SG, RAWA (AF), sara platon, susanna paasonen (FI), Synesthésie, TECHNO-TRICKSTER-TANK™(D), uli peter (D), waltraud schwab (D), a.o. CfP. Book. [9].
  • Maid in Cyberspace 5, festival, Société des arts technologiques (SAT), Montréal, 6-10 Feb 2002. Organised by Studio XX.
  • Zelig3, conference, Zelig, Paris, 9-15 Dec 2002.
  • Digitales 2004, Interface3, Brussels, and ATEL, Antwerp, 20-23 Jan 2004. Workshops, forums, lectures. Archive.
  • Cyberfem: Feminisms on the Electronic Landscape exhibition, EACC/Espai d´art contemporani de Castelló, Spain, 20 Oct 2006-21 Jan 2007. Curated by Ana Martínez-Collado. Participating artists: Annie Abrahams, Natalie Bookchin & Alexei Shulguin, Critical Art Ensemble, Salome Cuesta, Shu Lea Cheang, Coco Fusco & Ricardo Dominguez, Cindy Gabriela Flores, Dora Garcia, Marina Grzinic & Aina Smid, Lynn Hershmann, Identity\_Runners (Diane Ludin, Agnese Trocchi, Francesca da Rimini), Deb King, Olia Lialina, Jess Loseby, Margot Lovejoy, Kristin Lucas, Prema Murthy, Ana Navarrete, OBN (Old Boys Network), Julia Scher, Anne-Marie Schleiner & Talice Lee, Elisabeth Smolarz, Evelin Stermitz, Cornelia Sollfrank, subRosa (Hyla Willis Faith Wilding and James Tsang), Victoria Vesna, Linda Wallace and Eva Wohlgemuth. [10]
  • cyber feminism past forward, exhibition, Austrian Association of Women Artists, Vienna, 8-31 Mar 2007. Curators: Rudolfine Lackner, Evelin Stermitz. Participants: Kloe Bratz (TC), ][mez][ breeze (AUS), Carla Cruz (PT), Cym (AUT/NL), Aileen Derieg (AUT), Valie Djordjevic (G), Nina Hochtl (AUT), Deb King (USA), lady tigers night club LTNC (AUT), lizvlx (CH/A), Jess Loseby (Various) et al, Diana McCarthy (USA/G), Nancy Paterson (CAN), Regina Celia Pinto (BRA), Suzanne van Rossenberg (NL), sisterO (NL), Nina Sobell (USA), Evelin Stermitz (AUT/SLO), Eva Ursprung (AUT), Francesco Ventrella (I), Faith Wilding (USA), Nanette Wylde (USA), Jody Zellen (USA). Announcement.
  • Rebooting Cyberfeminism: A Roundtable, re:place: Histories of Media Art, Science and Technology conference, Haus der Kulturen der Welt (HKW), Berlin, 18 Nov 2007. Facilitated by Irina Aristarkhova and Faith Wilding. CfP.

2010s

  • The Very First Year, Eyebeam, New York, 27 Jul 2013. Facilitated by Laurel Ptak and inspired by her research at Eyebeam into cyberfeminist art practices since the 1990s. Featuring installations and activities by Feminist Economics Department (the FED), Miki Foster, Jen Kennedy + Liz Linden, Queer Technologies, Cassie Thornton, Caroline Woolard, and Eyebeam Alumnae.
  • Hacking Feminism symposium, Center for Transformative Media (CTM), Parsons/The New School for Design, New York, 9-10 May 2015. Co-organised by Patricia Clough (CUNY), Nandita Biswas Mellamphy (Western), Dan Mellamphy (Western), Svitlana Matviyenko (Western), and Ed Keller (CTM). Participants: Anne Balsamo, Shannon Bell, Nandita Biswas Mellamphy, Zach Blas, Sarah Choukah, Patricia Ticineto Clough, Lucca Fraser, Alexander Galloway, Nancy Gillespie, Thyrza Nichols Goodeve, Margret Grebowicz, Karen Gregory, Eileen Joy, Ed Keller, Svitlana Matviyenko, Dan Mellamphy, Luciana Parisi, Jasbir Puar, Joshua Scannell, Oyku Tekten, McKenzie Wark.
  • Technofeminism Now, Institute of Contemporary Art, London, 17 Jun 2015. Panel discussion chaired by Helen Hester revisiting the contributions of technofeminism, in light of recent developments in leftist critical thinking and on the occasion of release of Laboria Cuboniks’s Xenofeminism: A Politics for Alienation. Speakers included Sarah Kember, Laboria Cuboniks and Legacy Russell.
  • Femflix exhibition, Sydney College of the Arts, University of Sydney, 11 Aug-3 Sep 2016. Curated by Jacqueline Millner, Jane Schneider and Deborah Szapiro. Presented 1990s feminist films from Australia, including the works of cyberfeminists.
  • dgtl fmnsm programme, part of Cynetart festival, Hellerau, Dresden, 10-13 Nov 2016, PDF. Workshops, lectures and performances with Helen Hester (Laboria Cuboniks), d-n-e, Young Girl Reading Group and Reality Tales / Mental Surgeries, and a live show curated by Shawné Michaelain Holloway.
  • CyborGrrrls Encuentro Tecnofeminista, Mexico DF, 24-26 Mar 2017. Participants: Ethel Z. Rueda Hernández, Corazón de Robota, Afroditi Psarra, Diana J. Torres, Paula Pin, Andrea Lange, Laboratorio de Interconectividades, Comando Colibrí, Ladyzunga, Maka, Luchadoras, Rasureitor, a.o. Facebook. [24]
  • FACES Panel: From C to X: Networked Feminisms, Ars Electronica, Linz, 9 September 2017. To mark 20 years of Faces in 2017, Faces organised several events at the Ars Electronica festival, including a panel discussion that explored the theories and practices of cyberfeminism, xenofeminism and feminist critiques of technology with Virginia Barratt (VNS Matrix), Annie Goh, and Alla Mitrofanova, and the Faces Generated Cupcake Celebration. The events were organized by Valie Djordjevic, Diana McCarty and Ushi Reiter with Kathy Rae Huffman. Video.
  • Faces: Gender, Art, Technology: 20 Years of Interactions, Connections and Collaborations, exhibition, performances, film screening, symposium, Schaumbad, Graz, 14 Oct-5 Nov 2017. Other events marking Faces' 20th anniversary. Curated by Kathy Rae Huffman and Eva Ursprung (in collaboration with Valie Djordjevic, Diana McCarty, Ushi Reiter). Participants: 42, Annie Abrahams/Helen Varley Jamieson, Nora Al Badri/Jan Nikolai Nelles, Perry Bard, Anne Bray, Nancy Buchanan, Filipa César/Grada Kilomba/Diana McCarty, Lena Chen, Katy Deepwell, DIVANOVA daniela jauk/anita peter mörth/ sol haring, Valie Djordjevic, Charlotte Eifler, Marina Grzinic/Aina Smid, Heide Hatry, Lynn Hershman Leeson, Ida Hirsenfelder, Elaine Wing-Ah Ho//Ming Lin, Nina Hoechtl feat. INVASORIX, Reni Hofmüller, Margarete Jahrmann, lizvlx, Manu Luksch, Jenny Marketou, Varsha Nair, Arghyro Paouri, Boryana Rossa, Mechthild Schmidt Feist, Nina Sobell, Evelin Stermitz, Hito Steyerl, Myriam Thyes, Tanja Vujinovic, Anja Westerfrölke, Faith Wilding/SubRosa, Eva Wohlgemuth. Report. Host.
  • Post-Cyber Feminist International, Institute of Contemporary Art, London, 15-19 Nov 2017. Conceived by Rosalie Doubal and Helen Hester on the occasion of twenty years since The First Cyberfeminist International. Participants: Salome Asega, Ain Bailey, Siana Bangura, Cibelle Cavalli Bastos, Diann Bauer, BBZ London, The Church of Expanded Telepathy, Shu Lea Cheang, Joni Cohen, Laboria Cuboniks, Tamar Clarke-Brown, Anaïs Duplan, Akwugo Emejulu, Annie Goh, Caspar Heinemann, Helen Hester, shawné michaelain holloway, Eleni Ikoniadou, E. Jane, Shira Jeczmien, Helen Kaplinsky, Kiyémis, Mary Maggic, Diana McCarty, Zarina Muhammad, Jenn Nkiru, Eleanor Penny, Stina Puotinen, Tabita Rezaire, Legacy Russell, Res., SCRAAATCH, Victoria Sin, Francesca Sobande, Cornelia Sollfrank, Marie Thompson, Demelza Toy Toy, Faith Wilding, Zadie Xa and Anicka Yi. Programme booklet. Review: Judah (Guardian).
  • dgtl fmnsm #intimacy programme, part of Cynetart festival, Hellerau, Dresden, 9 & 16-18 Mar 2018. Artists/participants: Lorna Mills, shawné michaelain holloway, Nkisi, BBB_, Young boy dancing group, Georges Jacotey, the blue distance, Shannon Soundquist, Magic Island, KVTV, KRAUSE, Katharina Klappheck, Anika Meier, Ena Lind, For you Katrina, Cuntroaches, Stephanie Comilang & Simon Speiser, Feat. Female Leipzig, Urin, Line Finderup Jensen, Melo Börner, Tabea Venrath & Miriam J. Carranza, Tabita Rezaire, Pussykrew, HK, Paula Kommoss.
  • 1st <Interrupted = “Cyfem and Queer"> symposium, Südblock & aquarium, Berlin, 28 Apr 2018. Curated by Creamcake and Gala Rexer. With: Cibelle Cavalli Bastos, Black Cracker, Katharina Hoppe, Georges Jacotey, Mischa Mafia, Legacy Russell, Cornelia Sollfrank, Indrani Ashe, Nadja Buttendorf, Nora Brünger and Lisa Paland, Whistle While You Work (Frances Chiaverini and Robyn Doty), Laura Fox, Ana María Guzmán, Katharina Klappheck, Chloê Langford, Nico and Zinzi, Jaakko Pallasvuo, DeLorea Pontiac, Anuka Ramischwili-Schaefer, Isabel de Sena, Soulidarity Collective (Cornelia Hinterschuster, Isabel Klein, Svenja Paulsen), Swan Meat, Inga Charlotte Thiele, Rachel de la Torre. CfP. Facebook.
  • Computer Grrrls exhibition, HMKV, Dortmund, 27 Oct 2018-24 Feb 2019; La Gaîté Lyrique, Paris, 13 Mar-14 Jul 2019; MU, Eindhoven, Aug-Sep 2019. Curated by Inke Arns. Artists: Morehshin Allahyari, Manetta Berends, Zach Blas & Jemima Wyman, Nadja Buttendorf, Elisabeth Caravella, Jennifer Chan, Aleksandra Domanovic, Louise Drulhe, Darsha Hewitt, Lauren Huret, Hyphen-Labs, Dasha Ilina, Mary Maggic, Caroline Martel, Lauren Moffatt, Simone C. Niquille, Jenny Odell, Elisa Giardina Papa, Tabita Rezaire, Erica Scourti, Suzanne Treister, Lu Yang. Exh. magazine.
  • 2nd <Interrupted = “Cyfem and Queer"> symposium, Südblock and aquarium, Berlin, 13-14 Apr 2019. Curated by Daniela Seitz and Anja Weigl (of Creamcake) and Gala Rexer. With: Lori Baldwin, Lina Bonde, Marija Bozinovska Jones, Cibelle Cavalli Bastos, Zülfukar Çetin, Daglara, Lou Drago, Göksu Kunak a.k.a Gucci Chunk, shawné michaelain holloway, Christoffer Horlitz, ink Agop, Maren Karlson, Karma She, Victoria Larsson, Fallon Mayanja, Diana McCarty, Zoë Claire Miller, Doireann O'Malley, Tiara Roxanne, Bassem Saad, Indiana Seresin, Anna Stiede, Tarek X, Total Freedom, xeno genesis, Ziúr. CfP. Facebook.
  • Hysterical Mining: Vienna Biennale For Change 2019, exhibition, Kunsthalle Wien, Vienna, 29 May-6 Oct 2019. Curators: Anne Faucheret, Vanessa Joan Müller. Artists: Trisha Baga, Louise Drulhe, Veronika Eberhart, Sylvia Eckermann & Gerald Nestler, Judith Fegerl, Anne Juren, Fabien Giraud & Raphaël Siboni, Katrin Hornek, Barbara Kapusta, Marlene Maier, Miao Ying, Pratchaya Phinthong, Irene Posch, Marlies Pöschl, Delphine Reist, Tabita Rezaire, Cornelia Sollfrank. [25]
  • dgtl fmnsm #disconnect programme, part of Cynetart festival, Hellerau, Dresden, 23-24 Nov 2019. Artists/participants: Tarren Johnson, Omsk Social Club, Lyra Pramuk, soppa&bleck, Shawné Michaelain Holloway, Alla Popp, Toni Mosebach, Panasiagirl, Happy New Tears, Jan Vorisek, Katharina Klappheck, Nada Schroer, Francesca Schmidt, Loren Britton, Isabel Paehr, Martina Leeker, Arpana Aischa Berndt, Mine Wenzel, Die Blaue Distanz, Christina Harles, Georges Jacotey, Nicole Killian, Samuel H Goldstein, Jessie Darnell, X'ene Sky.

2020s

  • dgtl fmnsm Hot Mess programme, part of Spy on Me #2 Festival, online, 19-29 Mar 2020. Artists/participants: Alla Popp, Shawné Michaelain Holloway, die Blaue Distanz (Anna Erdmann & Franziska Goralski), Tarren Johnson & Joel Cocks, Tiara Roxanne, Maque Pereyras, Biitsi, Anna Zett, American Artist, Nicole Killian, Xene Sky, Jamila Woods, Tabita Rezaire, Ash Baccus-Clark, Nakeema Stefflbauer, Nushin Yazdani, Tabitha Swansen, Tadleeh, Happy New Tears. Online residency (Jun-Jul 2020).

Writings, talks, works

Judy Wajcman, Feminism Confronts Technology, 1991, Log, PDF
Linda Dement, Cyberflesh Girlmonster, 1995, Log, ISO, Video, Booklet PDF.
Mute 1(8): "Cyberfeminism", 1997, HTML.
Sadie Plant, Zeros + Ones: Digital Women and the New Technoculture, 1997, Log, PDF.
First Cyberfeminist International: Old Boys Network Reader 1, 1998, Log, PDF.
Next Cyberfeminist International: Old Boys Network Reader 2, 1999, Log, PDF.

1990s

  • VNS Matrix, A Cyberfeminist Manifesto for the 21st Century, Adelaide & Sydney, 1991, HTML; printed in Broadsheet 21(1): "Adelaide Festival Special Issue", Mar 1992; repr. in Art and Text 42, May 1992; repr. in Women, Computing and Culture, eds. P. Bishop, M. Dyer and P. Griffin, Adelaide: University of South Australia, 1994, p 110; repr. in Unnatural: Techno-Theory for a Contaminated Culture, ed. Matthew Fuller, London: Underground, 1994. [30] [31] [32] [33]
    • in Kabinet 8, eds. V. Mazin and O. Turkov, St Petersburg, 1994, pp 117-121. (Russian)
    • "Cyberfeministički manifest za 21. stoljeće", in Cyberfeminizam, ed. Igor Marković, Zagreb: Centar za ženske studije, 1999, pp 19-20. (Croatian)
    • "Manifeste cyber féministe pour le 21ème siècle", in Connexions: art, réseaux, média, eds. Annick Bureaud and Nathalie Magnan, Paris: École nationale Supérieure des Beaux-Arts, 2002, pp 545-546. [34] (French)
    • "Manifiesto ciberfeminista para el siglo XXI", in Ciberfeminismo. De VNS Matrix a Laboria Cuboniks, eds. Remedios Zafra and Teresa López-Pellisa, Madrid: Holobionte, 2019. [35] (Spanish)
  • Judy Wajcman, Feminism Confronts Technology, Pennsylvania State University Press, and Cambridge, MA: Polity, 1991, x+184 pp.
    • Technik und Geschlecht: die feministische Technikdebatte, trans. Birgit Müller, Frankfurt am Main: Campus, 1994, 224 pp. (German)
    • Feminisme versus teknologi, trans. Ima Susilowati, Yogyakarta: Sekretariat Bersama Perempuan Yogyakarta (SBPY), 2001, xxiii+213 pp. (Indonesian)
  • Jyanni Steffensen, "Girls in (Cyber)Space", Broadsheet 22:4, Dec 1993, p 16. Review of the exhibition All New Gen by VNS Matrix.
  • VNS Matrix, "All New Gen", Framework 6(2): "Art & Technology", ed. Peter Lunenfeld, May 1993; repr. in Unnatural: Techno-Theory for a Contaminated Culture, ed. Matthew Fuller, London: Underground, 1994; repr. in Virtual Futures: Cyberotics, Technology and Post-Humanism, eds. J. Broadhurst Dixon and E.J. Cassidy, London: Routledge, 1998, pp 37-42.
    • in Kabinet 8, eds. V. Mazin and O. Turkov, St Petersburg, 1994, pp 117-121. (Russian)
  • Sadie Plant, "The Feminine Cyberspace", London, Mar 1994, 44 min. Video of a talk presented at Seduced & Abandoned: The Body in the Virtual World conference at ICA, London.
  • Nancy Kaplan, Eva Farrell, "Weavers of Webs: A Portrait of Young Women on the Net", Electronic Journal of Virtual Culture 2:3, Jul 1994.
    • "Tkalje Mreža: portret mladih žena na Netu", in Cyberfeminizam, ed. Igor Marković, Zagreb: Centar za ženske studije, 1999, pp 49-68. (Croatian)
  • VNS Matrix, "Pathogenic Vectors", in ISEA '94: The 5th International Symposium on Electronic Art Catalogue, ed. Minna Tarkka, Helsinki: University of Art & Design Helsinki, Aug 1994, p 158.
  • Sadie Plant, "Babes in the Net", New Statesman & Society, 27 Jan 1995, p 28. [39]
  • Anne Balsamo, Technologies of the Gendered Body: Reading Cyborg Women, Duke University Press, 1995.
    • "Feminizam za neizlijecivo informirane", in Cyberfeminizam, ed. Igor Marković, Zagreb: Centar za ženske studije, 1999, pp 69-98. Trans. of the chapter "Feminism for the Incurably Informed". (Croatian)
  • Sadie Plant, "The Future Looms: Weaving Women and Cybernetics", Body & Society 1:3-4, London: Sage, 1995, pp 45-64; repr. in Cyberspace, Cyberbodies, Cyberpunk, eds. Mike Featherstone and Roger Burrows, London: Sage, 1995; repr. in Cybersexualities: A Reader on Feminist Theory, Cyborgs and Cyberspace, ed. Jenny Wolmark, Edinburgh: Edinburgh University Press, 1999, pp 99-118.
    • "Los telares futuros: Tejedoras y cibernética", in Ciberfeminismo. De VNS Matrix a Laboria Cuboniks, eds. Remedios Zafra and Teresa López-Pellisa, Madrid: Holobionte, 2019. [40] (Spanish)
  • RosieX, "Interview with Sadie Plant", geekgirl 1, 1995.
    • "Intervju s dr. Sadie Plant", in Cyberfeminizam, ed. Igor Marković, Zagreb: Centar za ženske studije, 1999, pp 21-24. (Croatian)
  • Chela Sandoval, "New Sciences: Cyborg Feminism and the Methodology of the Oppressed", in The Cyborg Handbook, ed. Chris Hables Gray, London: Routledge, 1995, pp 407-421; repr. in Cybersexualities: A Reader on Feminist Theory, Cyborgs and Cyberspace, ed. Jenny Wolmark, Edinburgh: Edinburgh University Press, 1999, pp 247-263.
  • Dale Spender, Nattering on the Net: Women, Power and Cyberspace, Melbourne: Spinifex, 1995; University of Toronto Press, 1996, xxvi+278 pp. [41] [42]. Reviews: Bryant (CJC), Shade (CMC), Ras (Women's Studies J).
    • 1. Auffahrt Cyberspace: Frauen im Internet, trans. Hilke Schlaeger, Munich: Frauenoffensive, 1996, 279 pp. (German)
  • Nancy Paterson, "Cyberfeminism", Fireweed, Summer 1996, pp 48-55, TXT.
    • "Cyberfeminizam", trans. Igor Marković, in Cyberfeminizam, ed. Igor Marković, Zagreb: Centar za ženske studije, 1999, pp 43-48, IA. (Croatian)
    • "Cyberfeminismus", trans. Klaus Binder, in Der Sinn der "Sinne", Goettingen: Steidl, 1998, pp 292-301. (German)
  • Tiziana Terranova, Corpi nella rete, interfacce multiple, cyberfemminismo e agorà telematiche, Genova: Costa & Nolan, 1996, 77 pp. (Italian)
  • Sadie Plant, "On the Matrix: Cyberfeminist Simulations", in Cultures of Internet: Virtual Spaces, Real Histories, Living Bodies, ed. Rob Shields, London: Thousand Oaks, and London: Sage, 1996, pp 170-183; repr. in The Cybercultures Reader, eds. David Bell and Barbara M. Kennedy, London: Routledge, 2000, pp 325-336; repr. in The Gendered Cyborg: A Reader, ed. Fiona Hovenden et al., London: Routledge, 2000, pp 265-275. Commentary: Bassett (Mute).
    • "Na Matriksu: sajberfeminističke simulacije", trans. Vera Vukelić, Kultura 107­-108, Zavod za izučavanje kulturnog razvitka, 2003; repr. in Moc / mediji / &, eds. Jovan Čekić and Jelisaveta Blagojević, Belgrade: Univerzitet Singidunum, 2012, pp 293-310. (Serbian)
  • Rosi Braidotti, "Cyberfeminism with a Difference", New Formations 29, London: Lawrence and Wishart, 1996.
    • "Cyber-Feminismus anders", in Zonen der Verstörung, ed. Silvia Eiblmayr, Graz: Steirischer Herbst, 1997, pp 112-120. (German)
    • "Ciberfeminizam s razlikom", in Cyberfeminizam, ed. Igor Marković, Zagreb: Centar za ženske studije, 1999, pp 25-42. (Croatian)
    • "Le cyberfeminisme, differemment", trans. Yves Cantraine and Anne Smolar, in Cyberfeminisme, Brussels: Constant vzw, 2001, pp 40-55. (French)
    • "Cyberfeminisme met een verschil", trans. Sarah Bracke and Marleen Johanna Pas, in Cyberfeminisme, Brussels: Constant vzw, 2001, pp 56-72. (Dutch)
    • "Cyberfeminismus mit einem Unterschied", in dea ex machina, eds. Armen Avanessian and Helen Hester, Berlin: Merve, 2015. (German)
    • "Ciberfeminismo con una diferencia", in Ciberfeminismo. De VNS Matrix a Laboria Cuboniks, eds. Remedios Zafra and Teresa López-Pellisa, Madrid: Holobionte, 2019. [45] (Spanish)
  • Kira Hall, "Cyberfeminism", in Computer-Mediated Communication, ed. Susan C. Herring, Amsterdam/Philadelphia: John Benjamins, 1996, pp 147-170.
  • Margaret Morse, "Virtually Female: Body and Code", in Processed Lives: Gender and Technology in Everyday Life, eds. Jennifer Terry and Melodie Calvert, New York: Routledge, 1997; repr. in Wide Angle 21:1, Jan 1999, pp 63-75.
  • Old_Boys_Network, "100 Anti-Theses of Cyberfeminism", 1997; repr. as "Manifest ciberfeminista. 100 anti-theses", trans. Pau Pitarch, Lectora: revista de dones i textualitat 10: "Cuerpos, géneros, tecnologías", ed. Meri Torras, Barcelona: Universitat de Barcelona, 2004, pp 153-156.
    • "100 antiteza", in Cyberfeminizam, ed. Igor Marković, Zagreb: Centar za ženske studije, 1999. (Croatian)
    • "100 anti-tesis", in Ciberfeminismo. De VNS Matrix a Laboria Cuboniks, eds. Remedios Zafra and Teresa López-Pellisa, Madrid: Holobionte, 2019. [47] (Spanish)
  • Josephine Bosma, "Interview Alla Mitrofanova and Olga Suslova", nettime-l, 15 Jun 1997.
    • "Intervju s Allom Mitrofanovom i Olgom Suslovom", in Cyberfeminizam, ed. Igor Marković, Zagreb: Centar za ženske studije, 1999, pp 161-168. (Croatian)
  • Alison Adam, "What Should We Do with Cyberfeminism?", in Women in Computing, eds. Rachel Lander and Alison Adam, Exeter: Intellect, 1997, pp 17-27.
  • Jane Kenway, "Backlash in Cyberspace: Why 'Girls Need Modems'", in Dangerous Territories, eds. Leslie G. Roman and Linda Eyre, New York: Routledge, 1997, pp 255-279. [48]
  • Ulrike Bergermann, "do x. Manifesto no. 372", in First Cyberfeminist International: Old Boys Network Reader 1, eds. Cornelia Sollfrank and Old Boys Network, obn, 1998, pp 8-9; repr. in Ulrike Bergermann, medien//wissenschaft. Texte zu Geräten, Geschlecht, Geld, Bremen: thealit, 2006, pp 246-247.
    • "do x. Manifeste Nº 372", trans. Tatiana de Perlinghi, in Cyberfeminisme, Brussels: Constant vzw, 2001, pp 8-11. (French)
    • "Pulse X (Manifiesto Nº 372)", in Ciberfeminismo. De VNS Matrix a Laboria Cuboniks, eds. Remedios Zafra and Teresa López-Pellisa, Madrid: Holobionte, 2019. [49] (Spanish)
  • Verena Kuni, "The Future is Femail", in First Cyberfeminist International: Old Boys Network Reader 1, eds. Cornelia Sollfrank and Old Boys Network, obn, 1998, pp 13-18.
    • "Budućnost je fe-mail", in Cyberfeminizam, ed. Igor Marković, Zagreb: Centar za ženske studije, 1999, pp 131-146. (Croatian)
    • "El futuro es Femail: Algunas reflexiones sobre la estética y la política del ciberfeminismo", in Ciberfeminismo. De VNS Matrix a Laboria Cuboniks, eds. Remedios Zafra and Teresa López-Pellisa, Madrid: Holobionte, 2019. [50] (Spanish)
  • Helene von Oldenburg, "SpiderFeminism", in First Cyberfeminist International: Old Boys Network Reader 1, eds. Cornelia Sollfrank and Old Boys Network, obn, 1998, pp 46-49, HTML.
    • "Feminismo arácnido", in Ciberfeminismo. De VNS Matrix a Laboria Cuboniks, eds. Remedios Zafra and Teresa López-Pellisa, Madrid: Holobionte, 2019. [51] (Spanish)
  • Olga Suslova, "Body without Body", 1998. Lecture given at the East-East conference, St Petersburg.
    • "Tijelo bez tijela", in Cyberfeminizam, ed. Igor Marković, Zagreb: Centar za ženske studije, 1999, pp 177-182. (Croatian)
  • Faith Wilding, Critical Art Ensemble, "Notes on the Political Condition of Cyberfeminism", Art Journal 57:2, Summer 1998, pp 46-59; repr. in subsol 2, 2001.
    • "Apuntes sobre la condición política del ciberfeminismo", in Ciberfeminismo. De VNS Matrix a Laboria Cuboniks, eds. Remedios Zafra and Teresa López-Pellisa, Madrid: Holobionte, 2019. [53] (Spanish)
  • Cornelia Sollfrank, "The Truth about Cyberfeminism", 1998, HTML.
    • "La verdad sobre el ciberfeminismo", in Ciberfeminismo. De VNS Matrix a Laboria Cuboniks, eds. Remedios Zafra and Teresa López-Pellisa, Madrid: Holobionte, 2019. [54] (Spanish)
  • Petra Jedličková, "Ženy na drátech aneb český kyberfeminismus / Women on the Wires, or Czech Cyberfeminism", Jedním Okem/One Eye Open 1, Prague, Spring 1998, pp 95-110. (Czech)/(English)
  • Caroline Bassett, "A Manifesto against Manifestos?", in Next Cyberfeminist International: Old Boys Network Reader 2, eds. Cornelia Sollfrank and Old Boys Network, obn, 1999, pp 13-16.
    • "Un manifiesto contra los manifiestos", in Ciberfeminismo. De VNS Matrix a Laboria Cuboniks, eds. Remedios Zafra and Teresa López-Pellisa, Madrid: Holobionte, 2019. [56] (Spanish)
  • Cornelia Sollfrank, "Guide to Geek Girls", in Next Cyberfeminist International: Old Boys Network Reader 2, eds. Cornelia Sollfrank and Old Boys Network, obn, 1999, pp 46-47, HTML.
    • "Guía para chicas geeks", in Ciberfeminismo. De VNS Matrix a Laboria Cuboniks, eds. Remedios Zafra and Teresa López-Pellisa, Madrid: Holobionte, 2019. [57] (Spanish)
  • Igor Marković (ed.), Cyberfeminizam (ver 1.0), trans. Rada Borić, et al., Zagreb: Centar za zenske studije, 1999, 220 pp. TOC. (Croatian)
  • Marina Gržinić, Adele Eisenstein (eds.), The Spectralization of Technology: From Elsewhere to Cyberfeminism and Back: Institutional Modes of the Cyberworld, Maribor: MKC, 1999, 128 pp. TOC. With texts by Cornelia Sollfrank, Helene von Oldenburg, Claudia Reiche, Kathy Rae Huffman, Eva Ursprung, Margarete Jahrmann and Marina Gržinić. Review: Spielmann (Convergence). (English)/(Slovenian)
  • Petra Jedličková, "Kyberfeminismus tady a teď", in Nové čtení světa: feminismus devadesátých let českýma očima, eds. Marie Chřibková, Josef Chuchma, and Eva Klimetová, Prague: One Woman Press (Marie Chřibková), 1999, pp 260-272. [58] (Czech)
  • Verena Kuni, "Die Flanerin im Datennetz: Wege und Fragen zum Cyberfeminismus", in Konfigurationen: zwischen Kunst und Medien, eds. Sigrid Schade-Tholen and Georg Christoph Tholen, Munich, 1999, pp 467-485. (German)
  • Old Boys Network, Processing Cyberfeminism, 1999, 15 min. Series of videos introducing the Old Boys Network and cyberfeminism.
Cyberfeminisme, 2001, PDF. (French),(Dutch)
Very Cyberfeminist International: Old Boys Network Reader 3, 2002, Log, PDF.
Maria Fernandez, Faith Wilding, Michelle M. Wright (eds.), Domain Errors: Cyberfeminist Practices!, 2002, PDFs.

2000s

  • subRosa, "A Modest Proposal for the Biotech Century", in The Biotech Sex and Gender Workbook, 2000; new version as "Sex and Gender Ed for the Biotech Century", in Domain Errors: Cyberfeminist Practices!, eds. Maria Fernandez, Faith Wilding, and Michelle M. Wright, New York: Autonomedia, 2002, pp 197-202.
    • "Ciencia, arte y género en el siglo biotecnológico", in Ciberfeminismo. De VNS Matrix a Laboria Cuboniks, eds. Remedios Zafra and Teresa López-Pellisa, Madrid: Holobionte, 2019. [61] (Spanish)
  • Barbara Kennedy, "Cyberfeminism: Introduction", in The Cybercultures Reader, eds. David Bell and Barbara Kennedy, London: Routledge, 2000, pp 283-290.
  • Cyberfeminisme, Brussels: Constant vzw, 2001, 72 pp. An anthology of texts by Ulrike Bergermann, Sarah Bracke, Rosi Braidotti and Donna Haraway. [63] [64] (French),(Dutch)
  • Claude Draude, Cyberfeminismus: Netzkultur, neue Technologien und feministische Strategien, Bremen: Universitaet Bremen, 2001. Master's thesis. Excerpt. (German)
  • subRosa (Faith Wilding), "Gestohlene Rhetorik: die Aneignung der Wahl durch die ART Industrien", Kunstforum International 158: "Der erfundene Zwilling. Transgene Kunst II", eds. Birgit Richard and Sven Thuen, Jan-Mar 2002. [65] (German)
    • "Stolen Rhetoric: the Appropriation of Choice by ART (Assisted Reproductive Technologies) Industries", in Domain Errors: Cyberfeminist Practices!, eds. Maria Fernandez, Faith Wilding, and Michelle M. Wright, New York: Autonomedia, 2002, pp 135-148, HTML, HTML; repr. in Sarai Reader 3: Shaping Technologies, Delhi: Sarai Programme, and Amsterdam: Waag, 2003.
    • "Retórica robada: La apropiación del “derecho a decidir” en la industria de reproducción asistida", in Ciberfeminismo. De VNS Matrix a Laboria Cuboniks, eds. Remedios Zafra and Teresa López-Pellisa, Madrid: Holobionte, 2019. [66] (Spanish)
  • Maria Fernandez, Cyberfeminism, Racism, Embodiment", in Domain Errors: Cyberfeminist Practices!, eds. Maria Fernandez, Faith Wilding, and Michelle M. Wright, New York: Autonomedia, 2002, pp 29-44.
  • Claudia Reiche, Andrea Sick (eds.), Technics of Cyber ‹ › Feminism. ‹mode=message›, Bremen: Thealit, 2002, 228 pp, OL. TOC. Publisher.
  • Denisa Kera, "Kladivo na čarodějnice: jak se pozná a co dělá kyberfeministka?", Computer 8:13-14, 2002. (Czech)
  • Zoë Sofoulis, "Cyberquake: Haraway's Manifesto", in Bulletin Texte 13(24): "Cyberfeminismus: feministische Visionen mit Netz und ohne Boden?", Berlin: Humboldt-Universität zu Berlin, 2002, pp 54-72; shortened version repr. in Prefiguring Cyberculture: An Intellectual History, eds. Darren Tofts, Annemarie Jonson, and Alessio Cavallaro, MIT Press, 2002, pp 84-103; repr. in The Cybercultures Reader, 2nd ed., eds. David Bell and Barbara M. Kennedy, London: Routledge, 2008, pp 365-385. Trans. of a shortened version.
  • Claudia Reiche, Verena Kuni (eds.), Cyberfeminism: Next Protocols, New York: Autonomedia, and London: Pluto, 2004, 336 pp. TOC. [70]
  • Rachel Greene, "Cyberfeminism", in Greene, Internet Art, London: Thames & Hudson, 2004, pp 62-64.
  • Judy Wajcman, TechnoFeminism, Polity Press, 2004, viii+148 pp.
    • El tecnofeminismo, trans. Magalí Martínez Solimán, Madrid: Cátedra, 2006. (Spanish)
    • 테크노페미니즘: 여성, 과학 기술과 새롭게 만나다, trans. 박진희 and 이현숙, 궁리출판, 2009, 226 pp. (Korean)
  • E-volucija 9, ed. Iva Nenić, Belgrade: Centar za proučavanje informacionih tehnologija Beogradske otvorene škole (CePIT), 2005. (Serbian)
  • Claudia Reiche, Digitaler Feminismus, Bremen: Thealit, 2006, 410 pp. TOC. Publisher. (German)
  • Andrea Sick, Orientierungen. Zwischen Medien, Technik und Diskursen, Bremen: Thealit, 2006, 320 pp. TOC. Publisher. (German)
  • Ulrike Bergermann, medien//wissenschaft. Texte zu Geräten, Geschlecht, Geld, Bremen: Thealit, 2006, 384 pp. TOC. Publisher. (German)
Legacy Russell, "Digital Dualism and The Glitch Feminism Manifesto", 2012, HTML.
Addie Wagenknecht et al., Deep Lab, 2014, Log, PDF.
Laboria Cuboniks, Xenofeminism: A Politics for Alienation, 2015, HTML; book, 2018, Log, HTML, EPUB.
Cornelia Sollfrank (ed.), Die schönen Kriegerinnen. Technofeministische Praxis im 21. Jahrhundert, 2018, Log, PDF, EPUB. (German)
Cornelia Sollfrank (ed.), The Beautiful Warriors: Technofeminist Praxis in the 21st Century, 2019, Log, PDF

2010s

  • Judy Wajcman, "Feminist Theories of Technology", Cambridge Journal of Economics 34:1, Jan 2010, pp 143-152.
    • "Las teorías feministas de la tecnología", in Ciberfeminismo. De VNS Matrix a Laboria Cuboniks, eds. Remedios Zafra and Teresa López-Pellisa, Madrid: Holobionte, 2019. [72] (Spanish)
  • Radhika Gajjala, Yeon Ju Oh (eds.), Cyberfeminism 2.0, New York: Peter Lang, Feb 2012, vi+314 pp. TOC.
  • Martine Syms, "The Mundane Afrofuturist Manifesto", Rhizome, 17 Dec 2013; repr., The Third Rail 3, 2014.
    • "El Manifiesto Afrofuturista Mundano", in Ciberfeminismo. De VNS Matrix a Laboria Cuboniks, eds. Remedios Zafra and Teresa López-Pellisa, Madrid: Holobionte, 2019. [79] (Spanish)
  • Addie Wagenknecht, et al., Deep Lab, Deep Lab & Frank-Ratchye STUDIO for Creative Inquiry at Carnegie Mellon University, 2014, 234 pp.
  • Armen Avanessian, Helen Hester (eds.), dea ex machina, trans. Stephan Geene, Gesine Strempel and Jennifer Sophia Theodor, Berlin: Merve, Jun 2015, 160 pp. Texts by Rosi Braidotti, Shulamith Firestone, Donna Haraway, Laboria Cuboniks, Lisa Nakamura, Alexandra Pirici, Nina Power, Paul B. Preciado, Raluca Voinea. Introduction, Publisher, Book launch. Commentary: Fox (2015). (German)
  • Kishonna L. Gray, "Race, Gender, and Virtual Inequality: Exploring the Liberatory Potential of Black Cyberfeminist Theory", in Produsing Theory in a Digital World 2.0, ed. Rebecca Ann Lind, Peter Lang, Feb 2016, pp 175-192. [86]
  • Cornelia Sollfrank, Rachel Baker, "Revisiting the Future with Laboria Cuboniks. A Conversation", Furtherfield, 27 Jul 2016.
    • "Repensar el futuro con Laboria Cuboniks: Una conversación", in Ciberfeminismo. De VNS Matrix a Laboria Cuboniks, eds. Remedios Zafra and Teresa López-Pellisa, Madrid: Holobionte, 2019. [87] (Spanish)
  • VNS Matrix, "A Tender Hex for the Anthropocene", 2016, PDF, PDF (text artwork), PDF (iteration with rules). Written on the occasion of the 25th anniversary of The Cyberfeminist Manifesto for the 21st Century.
    • "Un hechizo con ternura para el antropoceno", in Ciberfeminismo. De VNS Matrix a Laboria Cuboniks, eds. Remedios Zafra and Teresa López-Pellisa, Madrid: Holobionte, 2019. [88] (Spanish)
  • Amy Ireland, "Black Circuit: Code for the Numbers to Come", e-flux 80, Mar 2017.
    • "Circuito negro: Un código para los números por venir", in Ciberfeminismo. De VNS Matrix a Laboria Cuboniks, eds. Remedios Zafra and Teresa López-Pellisa, Madrid: Holobionte, 2019. [89] (Spanish)
  • Claudia Mayer (ed.), Ciberfeminismo: tecnologia e empoderamento, União da Vitória - PR: Monstro dos Mares, Aug 2017, 84 pp. [91] [92] (Brazilian Portuguese)
  • Frontiers: A Journal of Women Studies 39(1): "Women Digitizing Revolution", eds. Anna Everett and Lisa Nakamura, University of Nebraska Press, 2018. [97]
  • Melinda Rackham, "Manifesto", 2018.
    • "Manifesto", trans. Federico Fernández Giordano, in Ciberfeminismo. De VNS Matrix a Laboria Cuboniks, eds. Remedios Zafra and Teresa López-Pellisa, Madrid: Holobionte, 2019. [98] (Spanish)
  • Liliana Zaragoza Cano (Lili_Anaz), Natasha Akhmatova, "Manifiesto por Algoritmias Hackfeministas", 15 Oct 2018; repr. in Ciberfeminismo. De VNS Matrix a Laboria Cuboniks, eds. Remedios Zafra and Teresa López-Pellisa, Madrid: Holobionte, 2019. [99] (Spanish)
  • Heike Munder (ed.), Producing Futures: A Book on Post-Cyber-Feminisms, Geneva: JRP|Editions, and Zurich: Migros Museum für Gegenwartskunst, Apr 2019, 148 pp. With contributions by Joanna Walsh, Yvonne Volkart, Paul B. Preciado, Heike Munder, Elsa Himmer. Publisher. [100]
  • Remedios Zafra, Teresa López-Pellisa (eds.), Ciberfeminismo. De VNS Matrix a Laboria Cuboniks, Madrid: Holobionte, Sep 2019, 464 pp. TOC. Publisher. (Spanish)

2020s

  • Legacy Russell, Glitch Feminism: A Manifesto, London: Verso, August 2020, 176 pp.
    • Glitch Feminismus, trans. Ann Cotten, Leipzig: Merve, 2021, 168 pp. Publisher. (German)
    • Feminismo Glitch: (un manifiesto), trans. Federico Fernández Gordiano, Barcelona: Holobionte, 2022, 172 pp. (Spanish)
    • Glitch feminismus: manifest, trans. Jarmila Soukupová, Prague: Utopia Libri, 2023, 166 pp. Publisher. {{cz}
  • Diana McCarty, "be(coming) media— Technofeminist Pasts, Presents & Potentials", in Deserting from the Culture Wars, eds. Maria Hlavajova and Sven Lütticken, Utrecht: BAK, 2020. [104]
  • Inke Arns, Marie Lechner (eds.), Computer Grrrls, Dortmund: Kettler, and HMKV, May 2021, 191 pp. Exh. magazine.
  • Vít Bohal, Elizabeth Kovačeva (eds.), (Xeno)feministická čítanka, Prague: Display, February 2022, 204 pp. Publisher. [105] (Czech)
  • Infrables, Brussels: The Institute for Technology In the Public Interest, May 2022, 30 pp, PDF, PDF.
  • Firuzeh Shokooh Valle, In Defense of Solidarity and Pleasure: Feminist Technopolitics from the Global South, Stanford University Press, Sep 2023, 260 pp. Publisher.

Historisation, anthologies

  • Mia Consalvo, "Cyberfeminism", in Encyclopedia of New Media, ed. Steve Jones, Sage, 2003, pp 108-109. [113]
  • Carolyn Guertin, Quantum Feminist Mnemotechnics: The Archival Text, Digital Narrative and The Limits of Memory, University of Alberta, 2003. Ph.D. dissertation. [114]
  • Kate Mondloch, "Cyberfeminism", in The Johns Hopkins Guide to Digital Media, eds. Marie-Laure Ryan, Lori Emerson and Benjamin J. Robertson, Johns Hopkins University Press, 2013, pp 107-109, PDF.
  • Laurel Ptak, When the Future Was Femail: Remembering 1990s Cyberfeminism, Bard College, 2014. Master's thesis. [115]
  • Cornelia Sollfrank, "Revisiting the Future: Cyberfeminism in the 21st Century", in across & beyond – A transmediale Reader on Post-digital Practices, Concepts and Institutions, eds. Ryan Bishop, Kristoffer Gansing, Jussi Parikka, and Elvia Wilk, Berlin: Sternberg Press, 2016, pp 228-247, HTML; repr., transmediale journal 0, Nov 2017.
  • En-Countering Cyberfeminism, dir. Malin Kuht, 2021, 33 min; short version, 2022, 7 min. Artist film. [117]
  • Cameron Hurst, "VNS Matrix-Pilled: Three Propositions for Revisiting 1990s Cyberfeminist Art Now", Australian and New Zealand Journal of Art 23:1, 2023, pp 43-60. [118]

Primary references

Resources, initiatives

See also

Feminist servers, Publications on cyberfeminism on Monoskop Log


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