Difference between revisions of "Video art"

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A resource on video art.
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<div class="lede">
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Resource on video art
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</div>
  
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==Artists, collectives, events==
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==Works==
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''Only those with pages on Monoskop wiki are listed.''
 
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<div class="dpl" style="-moz-column-count:4; -webkit-column-count:4; column-count:4;">
 
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<DynamicPageList>
 
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category            = Video
 
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ordermethod          = sortkey
 
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order                = ascending
 
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</DynamicPageList>
 
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</div>
 
  
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==Artists (cont.)==
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; Online platforms for video art
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[[Peggy Ahwesh]], [[Francis Alÿs]], [[Atlas Group]], [[Yael Bartana]], [[Guy Ben Ner]], [[Sadie Benning]], [[Dara Birnbaum]], [[Colin Campbell]], [[Peter Campus]], [[Aleesa Cohene]], [[Phil Collins]], [[Omer Fast]], [[Fischli & Weiss]], [[General Idea]], [[Douglas Gordon]], [[Dan Graham]], [[Halflifers]], [[Mike Kelley]], [[Michael Klier]], [[Sharon Lockhart]], [[Deirdre Logue]], [[Paul McCarthy]], [[Karen Mirza]] & [[Brad Butler]], [[Muntadas]], [[Annabel Nicholson]], [[Dennis Oppenheim]], [[Charlemagne Palestine]], [[Lis Rhodes]], [[Christoph Schlingensief]], [[John Smith]], [[Lisa Steele]], [[Surveillance Camera Players]], [[Sam Taylor-Wood]], [[Ryan Trecartin]], [[Hannah Wilke]], [[Artur Żmijewski]].
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* [http://www.ubu.com/film/  UbuWeb: Film & Video], an online archive of the avant-garde. Edited by [[Kenneth Goldsmith]], [[UbuWeb]].
 +
* [http://mediakunst.net Mediakunst.net], an online catalogue bringing together the media art collections of Frans Hals Museum, Stedelijk Museum Amsterdam, Van Abbemuseum, the Cultural Heritage Agency of the Netherlands (RCE) and LIMA. Launched 2018, operated by [[LIMA]]. Contact: [[Gaby Wijers]].
 +
* [http://www.videokunstarkivet.org/ Videokunstarkivet] (The Video Art Archive, Norway) is a reference archive for video works produced in Norway or with a connection to Norway from the 1960s and up to today. The online platform records about 3,000 registered works by more than 660 artists and artist groups, of which more than half is available for online viewing (after free registration). Contact: [[Håvard Oppøyen]].
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* [https://www.d-est.com D'Est: A Multi-Curatorial Online Platform for Video Art from the former “East” and “West”], Apr 2018-Dec 2020. Curated by Xandra Popescu, Kathrin Becker, Jana Seehusen, Creative Association of Curators TOK (Anna Bitkina & Maria Veits), Inga Lāce, Miona Bogović, Suza Husse, Suzana Milevska, Eva Birkenstock, Ulrike Gerhardt, Naomi Hennig, Nataša Ilić, Jelena Vesić, Katja Kobolt, and Bettina Knaup.
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* [https://videoarchiv-ludwigforum.de/in-focus/ Ludwig Forum für internationale Kunst Video Archive: 30 Artists in Focus]
  
 
==Archives and distributors==
 
==Archives and distributors==
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''Links point to online catalogues.''
 
''Links point to online catalogues.''
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<div class="dpl" style="-moz-column-count:2; -webkit-column-count:2; column-count:2;">
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<div class=twocol>
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* [http://www.filmform.com/distr.html Filmform], Stockholm, est 1950. Dir. Anna-Karin Larsson.
 
* [http://www.filmform.com/distr.html Filmform], Stockholm, est 1950. Dir. Anna-Karin Larsson.
 
* [http://bampfa.org/about/search/film-video-and-book-catalogs Pacific Film Archive], Berkeley/Cal., est 1966.
 
* [http://bampfa.org/about/search/film-video-and-book-catalogs Pacific Film Archive], Berkeley/Cal., est 1966.
 
* [http://www.cfmdc.org/catalogue Canadian Filmmakers Distribution Centre], Toronto, est 1967.
 
* [http://www.cfmdc.org/catalogue Canadian Filmmakers Distribution Centre], Toronto, est 1967.
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* [http://www.experimentaltvcenter.org/artists Experimental Television Center] (ETC), Owego/NY, 1969/1971-2011.
 
* [http://anthologyfilmarchives.org/collections/collections-landing Anthology Film Archives], New York, est 1970. Dir. John Mhiripiri.
 
* [http://anthologyfilmarchives.org/collections/collections-landing Anthology Film Archives], New York, est 1970. Dir. John Mhiripiri.
 
* [http://www.eai.org/artistsMain.htm Electronic Arts Intermix] (EAI), New York, est 1971.
 
* [http://www.eai.org/artistsMain.htm Electronic Arts Intermix] (EAI), New York, est 1971.
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* [http://www.experimentaltvcenter.org/artists Experimental Television Center] (ETC), Owego/NY, est 1971.
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* [https://www.nbk.org/en/video-forum/allgemein.html n.b.k. Video-Forum], Berlin, est 1971.
 
* [http://films.arsenal-berlin.de/index.php/Browse/clearCriteria/lang/en_US Arsenal – Institute for Film and Video Art], Berlin, est c1971.
 
* [http://films.arsenal-berlin.de/index.php/Browse/clearCriteria/lang/en_US Arsenal – Institute for Film and Video Art], Berlin, est c1971.
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* [http://www.cjcinema.org/pages/catalogue_auteurs.php Collectif Jeune Cinéma], Arcueil/FR, est 1971.
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* [http://www.cjcinema.org/pages/catalogue_auteurs.php?langue=en Collectif Jeune Cinéma], Arcueil/FR, est 1971.
 
* [http://www.exquise.org/recherche_avancee.php?l=uk Heure Exquise! Centre international pour les arts vidéo], Mons en Baroeul/FR, est 1975.
 
* [http://www.exquise.org/recherche_avancee.php?l=uk Heure Exquise! Centre international pour les arts vidéo], Mons en Baroeul/FR, est 1975.
 
* [http://www.vdb.org/collection/browser-artist-list Video Data Bank] (VDB), Chicago, est 1976.
 
* [http://www.vdb.org/collection/browser-artist-list Video Data Bank] (VDB), Chicago, est 1976.
 
* [http://www.imageforum.co.jp/daguerreo/index.html Image Forum], Tokyo, est 1977.
 
* [http://www.imageforum.co.jp/daguerreo/index.html Image Forum], Tokyo, est 1977.
 
* [http://www.hallwalls.org/archive.php#video Hallwalls video collection], Buffalo/NY, since 1977.
 
* [http://www.hallwalls.org/archive.php#video Hallwalls video collection], Buffalo/NY, since 1977.
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* [http://web.archive.org/web/19970116032749/http://www.montevideo.nl/distributie.html Montevideo], Amsterdam, est. 1978; from 1993 [[NIMk]]; since 2013 [https://li-ma.nl/lima/catalogue LIMA].
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* [https://bildwechsel.org/info/en/video_collection.html Bildwechsel Video collection], Hamburg, est 1979
 
* [http://www.vtape.org/artist-index Vtape], Toronto, est 1980.
 
* [http://www.vtape.org/artist-index Vtape], Toronto, est 1980.
 
* [https://www.mediamatic.net/en/page/196980/japan-video SCAN], Tokyo, est 1980.
 
* [https://www.mediamatic.net/en/page/196980/japan-video SCAN], Tokyo, est 1980.
 
* [http://www.videoout.ca/catalog Video Out Distribution], Vancouver, est 1980.
 
* [http://www.videoout.ca/catalog Video Out Distribution], Vancouver, est 1980.
 
* [https://lightcone.org/en/filmmakers-in-distribution Light Cone], Paris, est 1982.
 
* [https://lightcone.org/en/filmmakers-in-distribution Light Cone], Paris, est 1982.
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* [https://235media.de/ueber-uns/fakten/?lang=en 235 Media], Cologne, est 1982.
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* [https://235media.de/ueber-uns/fakten/?lang=en 235 Media], Cologne, est 1982. Archive transferred to imai in 2006.
 
* [http://www.videopool.org/catalogue/artists/ Video Pool Media Arts Centre], Winnipeg, est 1983.
 
* [http://www.videopool.org/catalogue/artists/ Video Pool Media Arts Centre], Winnipeg, est 1983.
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* [https://archive.videonale.org/ Videonale], Bonn, est. 1984.
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* [[Colab#MWF Video Club|MWF Video Club]], New York, est. 1986.
 
* [http://www.av-arkki.fi/en/artists-and-works/ AV-arkki. Distribution Centre for Finnish Media Art], Helsinki, est 1989.
 
* [http://www.av-arkki.fi/en/artists-and-works/ AV-arkki. Distribution Centre for Finnish Media Art], Helsinki, est 1989.
 
* [http://www.sixpackfilm.com/en/catalogue/all sixpackfilm], Vienna, est 1990.
 
* [http://www.sixpackfilm.com/en/catalogue/all sixpackfilm], Vienna, est 1990.
Line 40: Line 46:
 
* [http://re-voir.com/shop/en/content/8-catalog Re:Voir], Paris, est 1994.
 
* [http://re-voir.com/shop/en/content/8-catalog Re:Voir], Paris, est 1994.
 
* [http://www.fondation-langlois.org/html/e/page.php?NumPage=147 Daniel Langlois Foundation], Montréal, est 1997.
 
* [http://www.fondation-langlois.org/html/e/page.php?NumPage=147 Daniel Langlois Foundation], Montréal, est 1997.
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* [http://www.videoarchiv-ludwigforum.de Ludwig Forum für internationale Kunst Video Archive], Aachen, est 1991. [http://ludwigforum.de/museum/forschung/videoarchiv/]
 
* [http://www.lux.org.uk/ LUX artists' moving image], London, est 2002.
 
* [http://www.lux.org.uk/ LUX artists' moving image], London, est 2002.
 
* [http://www.centerforvisualmusic.org/CVMDistribution.htm Center for Visual Music], Los Angeles, est 2003. Dir. Cindy Keefer.
 
* [http://www.centerforvisualmusic.org/CVMDistribution.htm Center for Visual Music], Los Angeles, est 2003. Dir. Cindy Keefer.
 
* [http://www.hamacaonline.net/autores.php Hamaca], Barcelona, est 2005.
 
* [http://www.hamacaonline.net/autores.php Hamaca], Barcelona, est 2005.
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* [http://www.stiftung-imai.de/b_katalog imai – inter media art institute], Düsseldorf, est 2006.
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* [https://www.stiftung-imai.de/videos/online-archiv imai – inter media art institute], Düsseldorf, est 2006 (archive transferred from 235 Media).
 
* [http://www.videoartchive.org.au Australian Video Art Archive] (AVAA), est 2006.
 
* [http://www.videoartchive.org.au Australian Video Art Archive] (AVAA), est 2006.
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* [http://li-ma.nl/site/catalogue/agent/index LIMA], Amsterdam, est 2013. Formerly NIMk. Dir. [[Gaby Wijers]].
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* [https://videoarchiv-nfa.cz/ Videoarchiv NFA], Prague, est. 2020.
 
* [http://www.dinamo-distributors.org/ Dinamo] distribution network of artists' moving image organizations.
 
* [http://www.dinamo-distributors.org/ Dinamo] distribution network of artists' moving image organizations.
 
[http://www.experimentaltvcenter.org/collection-distribution-links more]
 
[http://www.experimentaltvcenter.org/collection-distribution-links more]
 +
 
</div>
 
</div>
  
 
; See also
 
; See also
 
* ''[[Media:Circulating_Video_Library_MOMA_1983.pdf|Circulating Video Library]]'', ed. Barbara London, New York: MoMA, 1983, 52 pp.
 
* ''[[Media:Circulating_Video_Library_MOMA_1983.pdf|Circulating Video Library]]'', ed. Barbara London, New York: MoMA, 1983, 52 pp.
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 +
==Resources==
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* [https://videoarteurope.com/ Emergence of Video Art in Europe (1960s–1980s): histories, theories, archives], research program, University Paris 8 (France) and ECAL (Switzerland), 2017-2025. Research team: Grégoire Quenault and François Bovier, with Ségolène Liautaud and Stéphanie Serra. Seminar series organised by INHA and BnF, Paris: [https://www.inha.fr/fr/agenda/parcourir-par-annee/en-2016/mail-2016/l-emergence-de-l-art-video-en-europe-historiographie-theorie-sources-et-archives.html 2016], [http://www.estca.univ-paris8.fr/index.php/event/emergence-de-lart-video-en-europe-1960-1980 2017], [https://www.inha.fr/fr/agenda/parcourir-par-annee/en-2018/decembre-2018/emergence-de-l-art-video-en-europe.html 2018]. [https://ecal.ch/en/feed/projects/4942/the-emergence-of-video-art-in-europe-19601980-history-theory-sources-and-archives/]
 +
 +
* [https://www.videohistoryproject.org/ Video History Project], est. 1994 as a service of Experimental Television Center
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 +
* [https://rewind.ac.uk/ REWIND Artists' Video], est. 2004 by Stephen Partridge; based at Duncan of Jordanstone College of Art & Design (University of Dundee, Scotland).
 +
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* [https://videodautore.sciami.com Video d’autore. Video arte e film d'artista in Italia], by SCIAMI.
 +
 +
* [http://www.davidsonsfiles.org/ The Early Video Project] by Davidson Gigliotti.
 +
 +
* [http://www.video-as.org/ Video as Urban Condition]
 +
 +
* [http://videocircuits.blogspot.com Video Circuits], a blog by [[Christopher King]] for and about electronic video artists.
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* [http://ukvideoart.tripod.com/ A Chronology of Events in the First Two Decades of British Video Art]
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* [http://www.ewva.ac.uk/ EWVA European Women’s Video Art] of the 1970s and 1980s.
 +
 +
* [http://www.c3.hu/collection/videomuveszet/indexen.html History and archive of video art in Hungary 1972-2000], eds. Szilvia Seres, Miklós Peternák, C3, Budapest.
 +
 +
* [https://www.getty.edu/projects/video-art-latin-america/ Video Art in Latin America], Getty Research Institute, Los Angeles, 2014 ff. Research project.
 +
 +
==Artists, groups, initiatives, events==
 +
''with pages on the Monoskop wiki''
 +
<div class=threecol>
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<DynamicPageList>
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category            = Video art
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ordermethod          = sortkey
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order                = ascending
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</DynamicPageList>
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</div>
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==Artists (cont.)==
 +
 +
<div style="font-size: .9em;">
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 +
[[Peggy Ahwesh]], [[Francis Alÿs]], [[Atlas Group]], [[Yael Bartana]], [[Guy Ben Ner]], [[Sadie Benning]], [[Dara Birnbaum]], [[Colin Campbell]], [[Peter Campus]], [[Aleesa Cohene]], [[Phil Collins]], [[Omer Fast]], [[Fischli & Weiss]], [[Douglas Gordon]], [[Dan Graham]], [[Halflifers]], [[Mike Kelley]], [[Michael Klier]], [[Sharon Lockhart]], [[Deirdre Logue]], [[Paul McCarthy]], [[Karen Mirza]] & [[Brad Butler]], [[Muntadas]], [[Annabel Nicholson]], [[Dennis Oppenheim]], [[Charlemagne Palestine]], [[Lis Rhodes]], [[Christoph Schlingensief]], [[John Smith]], [[Lisa Steele]], [[Surveillance Camera Players]], [[Sam Taylor-Wood]], [[Ryan Trecartin]], [[Hannah Wilke]], [[Artur Żmijewski]], [[Isabel Pérez del Pulgar]], [[Nestor Rodríguez]], [[Lisi Prada]], [[Luis Carlos Rodríguez]], [[Mikel Otxoteko]]
 +
 +
</div>
  
 
==Artists' writings, catalogues==
 
==Artists' writings, catalogues==
−
[[Image:Radical_Software_II_3_VIdeocity.jpg|thumb|200px|''Radical Software'' magazine, 1970-74, [http://monoskop.org/log/?p=269 Log], [http://www.radicalsoftware.org/e/browse.html PDFs].]]
+
 
 
===Magazines===
 
===Magazines===
−
* ''[[Radical Software]]'', 11 issues, eds. Beryl Korot, Phyllis Gershuny, and Ira Schneider, New York: Raindance, 1970-74, [http://monoskop.org/log/?p=269 Log], [http://www.radicalsoftware.org/e/browse.html PDFs]. {{en}}
+
 
 +
[[Image:Radical_Software_II_3_VIdeocity.jpg|thumb|300px|''Radical Software'' magazine, 1970-74, [http://monoskop.org/log/?p=269 Log], [http://www.radicalsoftware.org/e/browse.html PDFs].]]
 +
 
 +
* ''[[Radical Software]]'', 11 issues, eds. [[Beryl Korot]], Phyllis Gershuny, and [[Ira Schneider]], New York: Raindance, 1970-1974, [http://monoskop.org/log/?p=269 Log], [http://www.radicalsoftware.org/e/browse.html PDFs]. {{en}}
 +
 
 +
* [[Media:Bit_International_8-9_Televizija_danas_Television_Today_1972.pdf|''Bit International'' 8-9: "Television Today / Televizija danas"]], ed. Vera Horvat-Pintarić, 1972, 245 pp. Includes texts on the first video experiments. {{sc}}/{{en}},{{fr}},{{de}},{{it}}
 +
 
 
* ''Avalanche'' 9: "Video Performance", ed. Liza Bear, New York: Kineticism Press, May-Jun 1974, 29 pp. [http://books.bibliopolis.com/main/find/3082838/] {{en}}
 
* ''Avalanche'' 9: "Video Performance", ed. Liza Bear, New York: Kineticism Press, May-Jun 1974, 29 pp. [http://books.bibliopolis.com/main/find/3082838/] {{en}}
 +
 +
* ''Videoscope: The Magazine of Videotape Source Information'', eds. John L. Reilly and Karen Mooney, Gordon & Breach, 1976-1979. Sections: [http://www.vasulka.org/archive/4-30a/Videoscope(9010).pdf 1(2)], [http://www.vasulka.org/archive/S-F1-Publ-Intrv-Bios-McKenna/VideoWom(6042).pdf 1(4)], [http://www.vasulka.org/archive/S-F1-Publ-Intrv-Bios-McKenna/Videos(6041).pdf 1(4)]. [https://www.vasulka.org/archive/Vasulkas1/Publications/correspondance.pdf] [https://www.vasulka.org/archive/ExhTWO/GlobalVillage/Vid-TeleDocFestCalendar.pdf]
 +
 +
* [[Media:Spot_10_Video_1977.pdf|''Spot: Review of Photography'' 10: "Video"]], ed. [[Radoslav Putar]], Zagreb: Grafički zavod Hrvatske, 1977. {{sc}},{{en}}
 +
 +
* ''[https://archive.org/search.php?query=creator%3A%22Foundation+for+Independent+Video+and+Film+%28U.S.%29%22 The Independent: Film & Video Monthly]'', New York: Foundation for Independent Video and Film, 1978-2006. [http://scua.library.umass.edu/umarmot/independent-film-video-monthly/] {{en}}
 +
 
* ''[https://www.mediamatic.net/en/page/80129/ Mediamatic]'', quarterly, 39 numbers, eds. Willem Velthoven and Jans Possel, Groningen (1985-Jan 1987) & Amsterdam (Apr 1987-1999): Mediamatic, Dec 1985-1999. {{en}}
 
* ''[https://www.mediamatic.net/en/page/80129/ Mediamatic]'', quarterly, 39 numbers, eds. Willem Velthoven and Jans Possel, Groningen (1985-Jan 1987) & Amsterdam (Apr 1987-1999): Mediamatic, Dec 1985-1999. {{en}}
  
−
[[Image:TV_as_a_Creative_Medium_1969.png|thumb|200px|''TV as a Creative Medium'', New York, 1969, [[Media:TV_as_a_Creative_Medium_1969.pdf|PDF]].]]
+
===Exhibition catalogues===
−
[[Image:Video_Art_ICA_Philadelphia_1975.jpg|thumb|200px|''Video Art'', Philadelphia, 1975, [[Media:Video_Art_ICA_Philadelphia_1975.pdf|PDF]].]]
+
 
−
[[Image:The_Video_Show_Festival_of_Independent_Video_1975.jpg|thumb|200px|''The Video Show'', London, 1975, [[Media:The_Video_Show_Festival_of_Independent_Video_1975.pdf|PDF]].]]
+
[[Image:TV_as_a_Creative_Medium_1969.png|thumb|300px|''TV as a Creative Medium'', New York, 1969, [[Media:TV_as_a_Creative_Medium_1969.pdf|PDF]].]]
−
[[Image:Video_Spaces_Eight_Installations_1995_MoMA.jpg|thumb|200px|''Video Spaces: Eight Installations'', New York, 1995, [[Media:Video_Spaces_Eight_Installations_1995_MoMA.pdf|PDF]].]]
+
 
 +
[[Image:Video_Art_ICA_Philadelphia_1975.jpg|thumb|300px|''Video Art'', Philadelphia, 1975, [[Media:Video_Art_ICA_Philadelphia_1975.pdf|PDF]].]]
 +
 
 +
[[Image:The_Video_Show_Festival_of_Independent_Video_1975.jpg|thumb|300px|''The Video Show'', London, 1975, [[Media:The_Video_Show_Festival_of_Independent_Video_1975.pdf|PDF]].]]
 +
 
 +
[[Image:Video_Spaces_Eight_Installations_1995_MoMA.jpg|thumb|300px|''Video Spaces: Eight Installations'', New York, 1995, [[Media:Video_Spaces_Eight_Installations_1995_MoMA.pdf|PDF]].]]
  
−
===Exhibition catalogues===
 
 
''For historical surveys and retrospectives see [[#Retrospectives|section below]].''
 
''For historical surveys and retrospectives see [[#Retrospectives|section below]].''
−
* ''[[Media:TV_as_a_Creative_Medium_1969.pdf|TV as a Creative Medium]]'', New York: Howard Wise Gallery, 1969, [8] pp. Commentary: [http://www.vasulka.org/archive/Publications/FormattedPublications/HowardAll.pdf Sturken] (Afterimage 1984). [http://www.eai.org/webpages/1001 EAI resource].
+
 
−
* ''[[Media:Video_Circuits_1973.pdf|Video Circuits]]'', McLaughlin Library, University of Guelph, 1973, 21 pp.
+
* ''[[Media:TV_as_a_Creative_Medium_1969.pdf|TV as a Creative Medium]]'', New York: Howard Wise Gallery, 1969, [8] pp. Exh. held 17 May-14 Jun 1969. Reviews: [https://www.eai.org/supporting-documents/183/w.1164.0 Yalkut] (Arts), [https://www.eai.org/supporting-documents/186/w.1164.0 Time], [[Media:Skidmore Richard 1969 TV as Art.pdf|Skidmore]], [https://www.eai.org/supporting-documents/185/w.1164.0 Harrington] (Village Voice). Commentaries: [[#Margolies1969|Margolies]] (Arts in America 1969), [[#Sturken1984|Sturken]] (Afterimage 1984). [http://www.eai.org/webpages/1001 EAI resource]. {{en}}
−
* ''Videoperformance'', ed. Willoughby Sharp, New York, 1974. Works by Vito Acconci, Joseph Beuys, Chris Burden, Dennis Oppenheim, Ulrike Rosenbach, Richard Serra, Willoughby Sharp, Keith Sonnier, William Wegman. Special issue of ''Avalanche'' magazine, number 9. Exh. held at 112 Greene Street, Gallery, NY. {{en}}
+
 
−
* ''[[Media:Video_Art_ICA_Philadelphia_1975.pdf|Video Art]]'', ed. David Antin, Philadelphia: Institute of Contemporary Art, 1975. [[Media:Antin_David_1975_Video_the_Distinctive_Features_of_the_Medium.pdf|Antin's essay]]. Exh. held in Philadelphia, Cincinnati, Chicago, and Hartford/CT. [http://excursus.icaphila.org/iv/saturday-june-15-2pm/]
+
* ''Lagerkatalog 1969'', Munich: P.A.P. Progressive Art Production, 1969, [120] pp. {{de}},{{en}}
−
* ''[[Media:The_Video_Show_Festival_of_Independent_Video_1975.pdf|The Video Show: Festival of Independent Video]]'', London: Serpentine Gallery, 1975. [http://www.rewind.ac.uk/database/searchrewind.php?table_name=REWINDArtistDetails&function=details&where_field=Artist_Name&where_value=The%20Video%20Show%201975&Section=Documents&Name=The%20Video%20Show%201975 Related documents]. [http://www.rewind.ac.uk/documents/David%20Hall/DH101.pdf Hall's review]. [http://www.luxonline.org.uk/histories/1970-1979/the_video_show.html]
+
 
−
* ''[http://www.documenta.de/en/retrospective/documenta_6 documenta 6]'', Kassel, 1977.
+
* ''[[Media:Land_Art_1970.pdf|Land Art]]'', eds. Gerry Schum and Ursula Schum-Wevers, Hanover: Fernsehgalerie Gerry Schum Television Gallery, 1970. TV exh. held Apr 1969. {{de}}
 +
 
 +
* ''[[Media:Gennaio_70_1970.pdf|Gennaio 70., 3a Biennale internazionale della giovane pittura]]'', Bologna: Alfa, 1970. Held 31 Jan-28 Feb 1970. {{it}}
 +
 
 +
* ''VideObelisco: Art Video Recording, AVR. Video libro, No. 1'', ed. Francesco Carlo Crispolti, Rome: Galleria dell'Obelisco, 1971, 32 pp. Exh. held from 14 May 1971. [https://www.ebay.it/itm/283638310262] {{it}}/{{en}}
 +
 
 +
* ''[[Media:Action_Film_Video_1972.pdf|Action / Film / Video]]'', Lausanne: Galerie Impact, 1972. Exh. held 12-18 May 1972. {{fr}}
 +
 
 +
* ''Videotapes. Askevold - Baldessari - Beuys - Brouwn - Buren - de Dominicis - Dibbets - Gilbert & George - Knoebel - Merz - Rinke - Roehr - Rückriem Serra - Ruthenbeck - Sonnier - Le Va - Weiner - Walther. La Biennale di Venezia. Italian Pavillon'', Düsseldorf: Videogalerie Gerry Schum, 1972. Exh. held Jun-Oct 1972.
 +
 
 +
* ''Circuito chiuso aperto'', Acireale: Palazzo Comunale, 1972, [91] pp. VI Rassegna d'Arte Contemporanea "Acireale Turistico-Termale," Acireale, Palazzo Comunale, 24 Sep-15 Oct 1972. Curated by Mussa and F. C. Crispolti. {{it}}
 +
 
 +
* ''[[Media:Video_Lijnbaancentrum_1973.pdf|Video]]'', Rotterdam: Lijnbaancentrum, 1973. Exh. held 9 Feb–12 Mar 1973. {{nl}}
 +
 
 +
* ''[[Media:Trigon_73_1973.pdf|Trigon 73]]'', Graz: Künstlerhaus, and Neue Galerie Graz, 1973. Festival held 6 Oct–11 Nov 1973. {{de}},{{en}}
 +
 
 +
* ''[[Media:Video_Circuits_1973.pdf|Video Circuits]]'', McLaughlin Library, University of Guelph, 1973, 21 pp. Exh. held 4 Dec 1973-2 Jan 1974. {{en}}
 +
 
 +
* ''[[Media:Fotomedia_Die_Erfahrungen_italienischer_kuenstler_im_umgang_mit_foto_und_videotape_1974.pdf|Fotomedia. Die Erfahrungen italienischer künstler im umgang mit foto und videotape]]'', ed. Daniela Palazzoli, Dortmund: Dortmund Museum, 1974. Exh. held 10 Mar-28 Apr 1974. {{de}}/{{it}}
 +
 
 +
* ''[[Media:Nuovi_media_film_e_videotape_1974.pdf|Nuovi media. Film e videotape]]'', Milan: Centro Documentazione e Ricerche Jabik, 1974. Exh. held 27-31 May 1974. {{it}}
 +
 
 +
* ''Projekt '74. Kunst bleibt Kunst'', Cologne: Kunsthalle, 1974, 433 pp. Held 6 Jul-8 Sep 1974. [[Media:Projekt_74_Kunst_bleibt_Kunst_1974.pdf|Excerpt]]. {{de}}
 +
** ''[[Media:Video_Tapes_Video_Baender_1974.pdf|Video Tapes / Video Bänder]]'', ed. Wulf Herzogenrath, Cologne: Kölnischer Kunstverein, 1974, [40] pp, [https://archive.org/details/ETC0440/ IA]. Exh. held 6 Jul-8 Aug 1974. {{de}}
 +
 
 +
* ''[[Media:Impact_Art_Video_Art_1974.pdf|Impact Art Video Art 74]]'', Lausanne: Galerie Impact, 1974, [https://rewind.ac.uk/rewind/wp-content/uploads/sites/146/2021/03/ITLG009.pdf PDF]. Exh. held 8-15 Oct 1974. [https://rewind.ac.uk/assets/catalogue-of-the-exhibition-impact-art-video-art-74-curated-by-rene-berger-and-jole-de-sanna-lausanne-1974/] [https://www.galerie123.com/en/original-vintage-poster/55286/7-jours-video-impact-art-video-art-74-lausanne/] {{fr}}
 +
 
 +
* ''[[Media:Art_Video_Confrontation_1974.pdf|Art Video Confrontation 1974]]'', Paris: Musée d’art moderne de la ville de Paris, 1974. Exh. held 8 Nov-8 Dec 1974. {{fr}}
 +
 
 +
* ''Videoperformance'', ed. Willoughby Sharp, New York, 1974. Works by Vito Acconci, Joseph Beuys, Chris Burden, Dennis Oppenheim, Ulrike Rosenbach, Richard Serra, Willoughby Sharp, Keith Sonnier, William Wegman. Special issue of ''Avalanche'' magazine, number 9. Held at 112 Greene Street, Gallery, NY, Nov? 1974. [https://ada-invitations.de/cpt-einladungen/willoughby-sharp-closed-circuit-video-performance-new-york-1974/] {{en}}
 +
 
 +
* ''Castelli-Sonnabend Videotapes and Films'', New York: Castelli-Sonnabend Tapes and Films, Nov 1974, 216 pp. {{en}}
 +
 
 +
* ''[[Media:Videoscape An Exhibition of Video Art 1974.pdf|Videoscape: An Exhibition of Video Art]]'', Toronto: Art Gallery of Ontario, 1974, [68] pp, [https://archive.org/details/videoscapeexhibi0000artg/ IA]. Exh. held 20 Nov 1974-1 Apr 1975. {{en}}
 +
 
 +
* ''[[Media:EXPRMNTL_5_1975.pdf|EXPRMNTL 5]]'', ed. Media Studio Buffalo, 1975. Festival held 25 Dec 1974–2 Jan 1975. {{fr}}/{{en}}
 +
 
 +
* ''[[Media:Americans_in_Florence_Europeans_in_Florence_Videotapes_Produced_by_Art_Tapes_22_1974.pdf|Americans in Florence: Europeans in Florence: Videotapes Produced by Art/Tapes/22]]'', , Florence: Centro Di, 1974. Exh. held 12 Jan-16 Feb 1975; curated by David Ross and Maria Gloria Bicocchi; organised by the Long Beach Museum of Art. [https://primo.getty.edu/primo-explore/fulldisplay/GETTY_ALMA21140405440001551/GRI] [https://danielburen.com/images/exhibit/198?year=all] {{en}}
 +
 
 +
* ''[[Media:Video_Art_ICA_Philadelphia_1975.pdf|Video Art]]'', ed. David Antin, Philadelphia: Institute of Contemporary Art, 1975. [[Media:Antin_David_1975_Video_the_Distinctive_Features_of_the_Medium.pdf|Antin's essay]]. Exh. held in Philadelphia (17 Jan-28 Feb 1975), Cincinnati, Chicago, and Hartford/CT. [http://excursus.icaphila.org/iv/saturday-june-15-2pm/] {{en}}
 +
 
 +
* ''Galleria del Cavallino, 1975: esposizioni, films, videotapes, 14 gennaio 1975 - 10 gennaio 1976'', Venice: Galleria del Cavallino, 1975, [60] pp. [https://rewind.ac.uk/works/da-zero-a-zero/] {{it}}
 +
 
 +
* ''[[Media:CAYC_Rencontre_internationale_ouverte_de_video_1975.pdf|Rencontre internationale ouverte de video]]'', Paris: Espace Pierre Cardin, 1975, [23] pp. Exh. held 20—25 Feb 1975; organised by the Center of Art and Communication (CAYC), Buenos Aires. {{fr}}
 +
 
 +
* ''[[Media:Videotapes_Galleria_del_Cavallino_1975.pdf|Videotapes]]'', Venice: Galleria del Cavallino, 1975, [5] pp. Exh. held from 22 Feb 1975. {{it}}
 +
 
 +
* ''[[Media:Video_Times_1975.pdf|The Video Show: Festival of Independent Video]]'', London: Serpentine Gallery, 1975, [[Media:The_Video_Show_Festival_of_Independent_Video_1975.pdf|PDF]]. Exh. held 1-26 May 1975. [https://rewind.ac.uk/organisations/the-video-show-1975/ REWIND resource]. [http://www.rewind.ac.uk/documents/David%20Hall/DH101.pdf Hall's review]. [http://www.luxonline.org.uk/histories/1970-1979/the_video_show.html] {{en}}
 +
 
 +
* [[Media:Galeria_Wspolczesna_5_Video_1975_.pdf|''Galeria Współczesna'' 5: "Video"]], Warsaw: Galeria Współczesna, May 1975. {{en}},{{fr}},{{pl}}
 +
 
 +
* ''[[Media:CAYC_Third_International_Open_Encounter_on_Video_1975.pdf|Third International Open Encounter on Video]]'', Buenos Aires: Center of Art and Communication (CAYC), 1975, [36] pp. Exh. held at the Galleria civica d'arte moderna, Palazzo dei diamanti, Ferrara, Italy, 25-29 May 1975; organised by the Center of Art and Communication (CAYC), Buenos Aires. [https://rewind.ac.uk/rewind/wp-content/uploads/sites/146/2018/05/ITPC001.pdf Excerpt]. [https://rewind.ac.uk/works/da-zero-a-zero/] {{en}}
 +
 
 +
* ''Foto-Film-Video. Deutsch-Französisches Symposion Neuenkirchen'', Galerie Falazik: Neuenkirchen, 1975, [130] pp. Exh. held 31 May-21 Jun 1975. {{de}}
 +
 
 +
* ''[[Media:Video_International_Aarhus_1976.pdf|Video International]]'', Aarhus: Kunstmuseum, 1976. Exh. held 10-22 Feb 1976. {{en}}
 +
 
 +
* ''[[Media:Art_Video_recherches_et_experiences_1976.pdf|Art Vidéo: recherches et expériences. Bauermeister, Minkoff, Olesen, Otth, Urban]]'', Paris: Porde de la Suisse, 1976. Exh. held 10-13 Mar 1976. {{fr}}
 +
 
 +
* ''Video: Towards Defining an Aesthetic'', ed. Tamara Krikorian, Edinburgh: Scottish Arts Council, 1976, 32 pp. Exh. held at the Third Eye Centre, Glasgow, 16-21 Mar 1976. {{en}}
 +
 
 +
* ''Video Art: An Overview'', San Francisco: SFMOMA, 1976, [6] pp. Exh. curated by Suzanne Foley; held 23 Mar-18 Apr 1976. Exh. of 33 videotapes by 29 artists; installations by Peter Campus, Paul and Marlene Kos, Nam June Paik; events and performances. [https://www.worldcat.org/oclc/921281509] {{en}}
 +
 
 +
* ''[[Media:SAVI_74_Des_TV_qui_se_cherchent_1974.pdf|SAVI 74. Des TV qui se cherchent]]'', ed. Sonor SA, Geneva, 1976, 180 pp. First edition of video fair. {{fr}}
 +
 
 +
* ''[[Media:Video_Art_Labirynt_1976.pdf|Video-Art]]'', Lublin: Galeria Sztuki LDK Labirynt, 1976, [13] pp. Exh. held 5-6 Oct 1976. {{pl}},{{en}}
 +
 
 +
* ''Artists' Video: An Alternative Use of the Medium'', 5 vols., eds. Brian Hoey and Wendy Brown, Tyne and Wear: Biddick Farm Arts Centre, 1976-1980, 24 / 28 / 24 / 28 / ? pp. Exh. held at Washington New Town Centre (Washington, Tyne & Wear), 19-30 Oct 1976; 17-29 Oct 1977; 23 Oct-4 Nov 1978; 29 Oct-11 Nov 1979. [https://archive.org/details/vasulka10262/] {{en}}
 +
 
 +
* ''[[Media:Identitet_IV_susret_u_Motovunu_Identita_IV_incontro_a_Motovun_1977.pdf|Identitet. IV susret u Motovunu / Identità. IV incontro a Motovun. Projects and Video]]'', Venice: Edizioni del Cavallino, 1977, [34] pp. Exh. held 1976. [https://rewind.ac.uk/rewind/wp-content/uploads/sites/146/2021/03/ITLV002.pdf Excerpt]. [https://rewind.ac.uk/rewind/wp-content/uploads/sites/146/2021/03/ITPC002.pdf Excerpt]. [https://rewind.ac.uk/assets/catalogue-iv-susret-u-motovunu-iv-incontro-a-motovun-edizioni-del-cavallino-venezia-1977-2/] [https://www.academia.edu/33258980/] {{sc}}/{{it}}
 +
 
* ''Video & Film Manifestatie: kijken en doen'', eds. Alexander van Grevenstein and Ton Quik, Maastricht: Bonnefantenmuseum, 1977, [77] pp. Catalogue in 6 parts; exh. held 11 Feb-20 Mar 1977. {{nl}},{{en}},{{fr}}  
 
* ''Video & Film Manifestatie: kijken en doen'', eds. Alexander van Grevenstein and Ton Quik, Maastricht: Bonnefantenmuseum, 1977, [77] pp. Catalogue in 6 parts; exh. held 11 Feb-20 Mar 1977. {{nl}},{{en}},{{fr}}  
 +
 +
* ''[[Media:CAYC_Seventh_International_Open_Encounter_on_Video_1977.pdf|Seventh International Open Encounter on Video]]'', Buenos Aires: Center of Art and Communication (CAYC), 1977. Exh. held 23—25 Feb 1977; organised by the Joan Miro Foundation, Barcelona, and the Center of Art and Communication (CAYC), Buenos Aires. {{en}}
 +
 +
* Germano Celant, ''OffMedia: nuove tecniche artistiche: video, disco, libro'', trans. J. Fano, B. Collinge and C. Lotz, Bari: Dedelo Libri, 1977, 187 pp. Incl. "Videochronology" pp 71-73. Exh. held in Bari, Mar 1977. [https://www.danilomontanari.com/wordpress/libro/germano-celant-offmedia-nuove-tecniche-artistiche-video-disco-libro/] [https://e-artexte.ca/id/eprint/23168/] {{it}}/{{en}}
 +
 +
* ''[[Media:Video_AMAM_Stampa_1977.pdf|Video]]'', ed. Adelina von Fürstenberg, Geneva: Association pour un Musée d’art moderne, and Basel: Stampa, 1977. Exh. held Apr-May 1977.
 +
 +
* ''[http://www.documenta.de/en/retrospective/documenta_6 documenta 6]'', Kassel, 1977. Video art section curated by Wulf Herzogenrath.
 +
 +
* ''Videotapes by Women. From the Los Angeles Women’s Video Centre'', Melbourne: George Paton Gallery, 1977. Exh. held 26 Oct-3 Nov 1977. {{en}}
 +
 +
* ''[[Media:Japan Video Art Festival CAYC 1978.pdf|Japan Video Art Festival: 33 Artists at CAYC]]'', Buenos Aires: Center of Art and Communication (CAYC), 1978, [20] pp. Exh. held Apr 1978.
 +
 +
* ''[[Media:Video_Art_78_Coventry_1978.pdf|Video Art 78: An International Festival of Video Art]]'', Coventry: Herbert Art Gallery and Museum, 1978, 32 pp. Exh. held 6-12 May 1978. {{en}}
 +
 +
* ''Nuovi media: fotografia, cinema, videotape, performance'', eds. Guido Sartorelli and Toni Toniato, Venice, 1978, 60 pp. Exh. held 4-20 May 1978. [https://rewind.ac.uk/rewind/wp-content/uploads/sites/146/2018/05/ITGS014-3.pdf Excerpt]. [https://rewind.ac.uk/works/da-zero-a-zero/] {{it}}
 +
 +
* ''[[Media:Swiss_Video_1978.pdf|Swiss Video Repères]]'', Lausanne: Musée des Beaux-arts de Lausanne, 1978. Exh. held in Sep 1978. {{fr}}
 +
 +
* Joanne Kelly, ''[[Media:Kelly Joanne Video Free America Presents 1978.pdf|Video Free America Presents]]'', San Francisco, 1978/1979, 87 pp. [https://archive.org/details/video-free-america_13550_pm0047519] [http://www.vasulka.org/archive/ExhFest7/VideoFreeAmerica/VideoFreeAmericaPoster.pdf]
 +
 +
* ''[[Media:Video from Tokyo to Fukui and Kyoto 1979.pdf|Video from Tokyo to Fukui and Kyoto]]'', ed. Barbara J. London, New York: MoMA, 1979, 32 pp. Exh. held at [https://www.moma.org/calendar/exhibitions/2300 MOMA], 19 Apr-19 Jun 1979. {{en}}
 +
 
* ''Video im Abendland. Videoworkshop'', Stuttgart: Künstlerhaus, 1979, 28 pp. Workshop held 23 Sep-7 Oct 1979. [https://artmetropole.com/shop/6391] {{de}}
 
* ''Video im Abendland. Videoworkshop'', Stuttgart: Künstlerhaus, 1979, 28 pp. Workshop held 23 Sep-7 Oct 1979. [https://artmetropole.com/shop/6391] {{de}}
−
* ''Cine graphia, la linea in movimento: la fotografia di movimento, il cinema sperimentale, l'arte video: 1° Festival videoart, Locarno / The Line in Movement / La Ligne en mouvement'', Locarno: Flaviana, 1980, 117 pp. Festival held 1-10 Aug 1980. {{it}},{{en}},{{fr}}
+
 
 +
* ''[[Media:Video_Weeks_Essen_1979.pdf|Videowochen Essen '79 / Videoweeks Essen '79]]'', ed. Zdenek Felix, Essen: Museum Folkwang Essen, 1979. Held 28 Oct-16 Dec 1979. {{de}}
 +
 +
* ''[[Media:CAYC_Five_Swiss_Artists_1980.pdf|Cinco artistas suizos / Five Swiss Artists]]'', Buenos Aires: CAYC (Center of Art and Communication), 1980. Held 25 Feb-Mar 1980. {{fr}},{{en}}
 +
 +
* ''Art and Artists from the Video Data Bank'', Chicago: Video Data Bank, 1980, [18] pp. Catalogue of programs. [https://e-artexte.ca/id/eprint/9013/] {{en}}
 +
 
 
* ''[[Media:Installation_Video_Hallwalls_1981.pdf|Installation: Video, an Exhibition of Diagrams, Documentation and Video Installations]]'', intro. G. Roger Denson and Kathy High, Buffalo, NY: Hallwalls, 1981. Exh. held 9-30 May 1980. [http://www.hallwalls.org/pubs/7.html] {{en}}
 
* ''[[Media:Installation_Video_Hallwalls_1981.pdf|Installation: Video, an Exhibition of Diagrams, Documentation and Video Installations]]'', intro. G. Roger Denson and Kathy High, Buffalo, NY: Hallwalls, 1981. Exh. held 9-30 May 1980. [http://www.hallwalls.org/pubs/7.html] {{en}}
 +
 +
* [https://videoartfestival.ch/archives/ VideoArt Festival International d'Art Video], Locarno, 1980-2001. Online archive. {{fr}}
 +
** ''Cinegraphia. La linea in movimento / The Line in Movement / La ligne en mouvement'', Locarno: Edizioni Flaviana Locarno, 1980, 117 pp. Part of VideoArt Festival Locarno. [[Media:Cinegraphia_La_linea_in_movimento_1980.pdf|Excerpt]]. Festival held 1-10 Aug 1980. {{it}},{{en}},{{fr}}
 +
 +
* ''Video - eine neue Kunst'', ed. Robert Lemke, Marl: Skulpturenmuseum Glaskasten Marl, 1981, 60 pp. Exh. held 29 Apr-17 May 1981. {{de}}
 +
 +
* ''[[Media:XVI_Sao_Paulo_Biennial_Video_from_Yugoslavia_1981.pdf|XVI Sao Paulo Biennial: Video from Yugoslavia]]'', ed. Davor Maticevic, Zagreb: Gallery of Contemporary Art Zagreb, 1981, 8 pp. {{en}}
 +
 +
* ''Cinema off e videoarte a New York'', eds. Ester de Miro and Germano Celant, Genova: Bonini, 1981, 223 pp. {{it}}
 +
 
* ''Plan K: Festival international de musique électronique, video et computer art / International Festival voor Elektronische Muziek, Video en Computer Art'', Brussels, 1981, 142 pp. [http://www.audiokeys.net/forum/showthread.php/34663-Bruxelles-1981-le-festival-%C3%A9lectronique-du-Plan-K] {{fr}}/{{nl}}
 
* ''Plan K: Festival international de musique électronique, video et computer art / International Festival voor Elektronische Muziek, Video en Computer Art'', Brussels, 1981, 142 pp. [http://www.audiokeys.net/forum/showthread.php/34663-Bruxelles-1981-le-festival-%C3%A9lectronique-du-Plan-K] {{fr}}/{{nl}}
 +
 
* ''Video Maart. Video Studio Jan van Eyck'', ed. Elsa Stansfield, Maastricht: Jan van Eyck Academie, 1981, 93 pp. [http://uodwebservices.co.uk/documents/David%20Hall/DH110.pdf David Hall's essay]. {{nl}},{{en}},{{fr}},{{de}}
 
* ''Video Maart. Video Studio Jan van Eyck'', ed. Elsa Stansfield, Maastricht: Jan van Eyck Academie, 1981, 93 pp. [http://uodwebservices.co.uk/documents/David%20Hall/DH110.pdf David Hall's essay]. {{nl}},{{en}},{{fr}},{{de}}
−
* ''World Wide Video Festival'' catalogues, The Hague/Amsterdam, 1982ff.
+
 
−
* ''Het Lumineuze beeld / Luminous Image'', ed. Gary Schwartz, Amsterdam: Stedelijk Museum, 1984, viii+194 pp. Exh. curated by Dorine Mignot; symposium organised by Elsa Stansfield. Exh. of 22 video-installations (17 of them commissioned for the show) by European and American artists; held 14 Sep-28 Oct 1984. [http://www.stedelijk.nl/kunstwerk/56015-the-luminous-image-het-lumineuze-beeld Poster]. [http://www.stedelijk.nl/kunstwerk/56051-the-luminous-image-het-lumineuze-beeld-22-video-installaties-van-europese-en-amerikaanse-kunstenaars]. [https://www.youtube.com/watch?v=Mbimu_J9TcI Video documentation] (60 min). Reviews: [http://sci-hub.tw/10.1080/00043249.1985.10792307 Zippay] (Art J 1985), [http://cameraobscura.dukejournals.org.sci-hub.tw/content/5/1-2_13-14/28.short Duguet & Andrews] (Camera Obscura, 1985).
+
* ''[[Media:Vor-Film_Video_Europaeische_Videotheken_1981.pdf|Vor-Film. Video, Europäische Videotheken]]'', Munich: Kulturreferat der Landeshauptstadt München, 1981. Exh. held at the Städische Galerie im Lenbachhaus, 20 Oct–1 Nov 1981. {{de}}
 +
 
 +
* ''[[Media:Pour_un_art_video_1982.pdf|Pour un art vidéo. Expérience de la vidéothèque de Ferrare]]'', ed. Janus, Paris: MNAM Pompidou, and Ferrara: Galleria Civica d'Arte Moderna, 1982, [18] pp. Exh. held in Paris, May-Jun 1982. {{it}}/{{fr}}
 +
 
 +
* ''World Wide Video Festival'' catalogues, The Hague/Amsterdam, 1982-2003. [http://www.wwvf.nl/homepage/catalogue/0cat82.htm]
 +
** ''[[Media:World-Wide_Video_Festival_Catalogue_1982.pdf|World Wide Video Festival Catalogue]]'', The Hague: Kijkhuis, 1982, 56 pp. Held 2-5 Sep 1982. {{nl}}
 +
 
 +
* ''[[Media:Art_Video_retrospectives_et_perspectives_1983.pdf|Art vidéo: rétrospectives et perspectives]]'', ed. Laurent Busine, Charleroi: Plaias des Beaux-Arts, 1983, 55 pp, [[Media:Art_Video_retrospectives_et_perspectives_1983_.pdf|PDF]]. Exh. held 5 Feb-27 Mar 1983. {{fr}}
 +
 
 +
* ''[[Media:Video_Data_Bank_Video_Tape_Review_83 1983.pdf|Video Data Bank: Video Tape Review, 83]]'', Chicago: Video Data Bank, 1983, 22 pp. Catalogue of programs. {{en}}
 +
 
 +
* ''Videokunst: video installaties en videotapes uit Nederland'', ed. Ingrid Haan, Middelburg: De Vleeshal, 1983, [8] pp. {{nl}}
 +
 +
* ''[[Media:Women and the Media New Video 1984.pdf|Women & the Media: New Video]]'', ed. William Olander, Allen Memorial Art Museum, Oberlin College, 1984, 20 pp, [https://cdm15963.contentdm.oclc.org/digital/collection/p15963coll41/id/4445 JPG]. Artists: Max Almy, Anna-Marie Arnold, Judith Barry, Dara Birnbaum, Lyn Blumenthal, Nancy Buchanan, Cecilia Condit, Margia Kramer, Martha Rosler, Ilene Segalove, Lisa Steele, Janice Tanaka, Erika Rothenberg. Exh. held 18 Apr-27 May 1984. {{en}}
 +
 
 +
* ''[[Media:Het Lumineuze beeld Luminous Image 1984.pdf|Het Lumineuze beeld / Luminous Image]]'', ed. Gary Schwartz, Amsterdam: Stedelijk Museum, 1984, viii+194 pp, [[Media:The_Luminous_Image_1984.pdf|PDF]], [https://archive.org/details/hetlumineuzebeel0000unse IA]. Exh. curated by Dorine Mignot; symposium organised by Elsa Stansfield. Exh. of 22 video-installations (17 of them commissioned for the show) by European and American artists; held 14 Sep-28 Oct 1984. [http://www.stedelijk.nl/kunstwerk/56015-the-luminous-image-het-lumineuze-beeld Poster]. [http://www.stedelijk.nl/kunstwerk/56051-the-luminous-image-het-lumineuze-beeld-22-video-installaties-van-europese-en-amerikaanse-kunstenaars]. [https://www.youtube.com/watch?v=Mbimu_J9TcI Video documentation] (60 min). Reviews: [http://sci-hub.se/10.1080/00043249.1985.10792307 Zippay] (Art J 1985), [http://cameraobscura.dukejournals.org.sci-hub.se/content/5/1-2_13-14/28.short Duguet & Andrews] (Camera Obscura, 1985). {{nl}}/{{en}}
 +
 
 +
* ''Videoase'', eds. Patrick Drijver, Erik Eshuis and Peter Scholten, Enschede: Markt 17, 1984, 40 pp. Festival held 26-28 Sep 1984.
 +
 
 
* ''[[Media:New_Video_Japan_MoMA_1985.pdf|New Video Japan]]'', New York: American Federation of Arts, 1985, 37 pp. [https://www.moma.org/calendar/exhibitions/2192 Exh. held at MoMA], 16 Jan-2 Mar 1985; curated by Barbara London. {{en}}
 
* ''[[Media:New_Video_Japan_MoMA_1985.pdf|New Video Japan]]'', New York: American Federation of Arts, 1985, 37 pp. [https://www.moma.org/calendar/exhibitions/2192 Exh. held at MoMA], 16 Jan-2 Mar 1985; curated by Barbara London. {{en}}
 +
 +
* ''[[Media:Eu-video_85_Tendenze_europee_a_confronto_1985.pdf|Eu-video '85. L’immagine elettronica. Tendenze europee a confronto]]'', ed. Lola Bonora, Bologna: Centro Videoarte Palazzo dei Diamanti, 1985, 61 pp. Exh. held 16-19 Feb 1985. {{it}}
 +
 +
* ''[[Media:Image_on_the_Run_Dutch_Video_Art_of_the_80s_1985.pdf|Image on the Run: Dutch Video Art of the 80's]]'', ed. Rob Perrée, The Hague: International Dept. of the Netherlands Office for Fine Arts, 1985, 59 pp. Exh. held at The Kitchen, New York, Apr? 1985. {{en}}
 +
 +
* ''Video/Art/Video: Utställning - Installationer, Experiment'', Stockholm: Konstavdelningen, Stockholms kulturförvaltning, 1985, 87 pp. Exh. held at the Galleriet, Kulturhuset, Stockholm, 2 Nov 1985–6 Jan 1986. [https://www.bokborsen.se/view/Danielsson-Kerstin-Legros-/VideoArtVideo/1584158] {{sw}}
 +
 +
* ''Video Data Bank: Video Tape Review, 84'', Chicago: Video Data Bank, 1985, [12] pp. Catalogue of programs. [https://e-artexte.ca/id/eprint/9015/] {{en}}
 +
 +
* ''Video Data Bank: On Art and Artists, 85'', Chicago: Video Data Bank, 1985, 64 pp. Catalogue of programs. [https://e-artexte.ca/id/eprint/9016/] {{en}}
 +
 +
* ''Video Data Bank: Video Tape Review, 86'', Chicago: Video Data Bank, 1986, 94 pp. Catalogue of programs. [https://e-artexte.ca/id/eprint/9017/] {{en}}
 +
 +
* ''AVÉ experimenteel: internationaal audiovisueel festival'' catalogues, Arnhem: Stichting AVÉ, 1986-1995. [http://www.worldcat.org/identities/viaf-313507325/]
 +
 
* ''Vidéo'', ed. René Payant, Montreal: Artexte, 1986, 263 pp. Published in conjunction with video installations held in various museums and galleries in Montréal in the fall of 1986. Incl. essay with historical survey of video in 9 countries, and texts of 18 lectures given during the ''Video 84'' symposium. {{fr}}/{{en}}
 
* ''Vidéo'', ed. René Payant, Montreal: Artexte, 1986, 263 pp. Published in conjunction with video installations held in various museums and galleries in Montréal in the fall of 1986. Incl. essay with historical survey of video in 9 countries, and texts of 18 lectures given during the ''Video 84'' symposium. {{fr}}/{{en}}
−
* ''[[Media:Video_and_Language_Video_as_Language_1986.pdf|Video and Language. Video as Language]]'', 1986, [6] pp. Curated by Scott Rankin at VideoLace, 4 Dec 1986-18 Jan 1987.
+
 
 +
* ''[[Media:Video_and_Language_Video_as_Language_1986.pdf|Video and Language. Video as Language]]'', 1986, [6] pp. Curated by Scott Rankin at VideoLace, 4 Dec 1986-18 Jan 1987. {{en}}
 +
 
 
* ''documenta 8'', 3 vols., Kassel: Weber & Weidemeyer, 1987. Exh. held 12 Jun-20 Sep 1987. {{de}}/{{en}} [https://www.mediamatic.net/en/page/23607/ Issue of ''Mediamatic'' dedicated to the exhibition].
 
* ''documenta 8'', 3 vols., Kassel: Weber & Weidemeyer, 1987. Exh. held 12 Jun-20 Sep 1987. {{de}}/{{en}} [https://www.mediamatic.net/en/page/23607/ Issue of ''Mediamatic'' dedicated to the exhibition].
 +
 
* ''Het magnetische beeld'', eds. Anke van der Laan and Elsa Stansfield, Maastricht: Jan van Eyck Academie, and Heerlen: Heerlen, 1988. Exh. held at Stadsgalerij Heerlen, 9 Oct-20 Nov 1988, 48 pp. [http://worldcat.org/oclc/968264033] {{nl}}/{{en}}
 
* ''Het magnetische beeld'', eds. Anke van der Laan and Elsa Stansfield, Maastricht: Jan van Eyck Academie, and Heerlen: Heerlen, 1988. Exh. held at Stadsgalerij Heerlen, 9 Oct-20 Nov 1988, 48 pp. [http://worldcat.org/oclc/968264033] {{nl}}/{{en}}
−
* ''Video Positive'', Liverpool, 1991. Review: [http://www.rewind.ac.uk/documents/Pictorial%20Heroes/PH160.pdf Partridge] (Variant 1991).
+
 
 +
* ''[https://rewind.ac.uk/assets/merseysides-international-video-festival-video-positive-89-sponsorship-package/ Video Positive '89: Merseyside’s International Video Festival]'', Liverpool: Merseyside Moviola, 1989, [6] pp, [https://rewind.ac.uk/rewind/wp-content/uploads/sites/146/2020/07/SP168.pdf PDF]. {{en}}
 +
 
 +
* ''[[Media:Sub Voce Contemporary Hungarian Video Installation 1991.pdf|Sub Voce: Contemporary Hungarian Video Installation]]'', ed. Suzanne Mészöly, Budapest: Soros Foundation Fine Art Documentation Center - Mucsarnok, 1991, 75 pp. [[Sub Voce|Exhibition]]. [http://mek.oszk.hu/21200/21238/] {{en}}/{{hu}}
 +
 
 +
* ''Video Positive 91'', ed. Nik Houghton, Liverpool: Moviola, 1991, 71 pp. Review: [http://www.rewind.ac.uk/documents/Pictorial%20Heroes/PH160.pdf Partridge] (Variant 1991). {{en}}
 +
 
 +
* ''Ostranenie: 1. Internationales Videofestival am Bauhaus Dessau, 4.-7.11.1993: erschütterte Mythe, neue Realitäten: Osteuropa im Focus der Videokamera / 1. Meždunarodnyj videofestival v Bauchaus Dessau: poshatnuvshiesya myfy, novaya deystvitelnost: vostochnaya Evropa v fokuse videokamery / 1. International Video Festival at the Bauhaus Dessau: Shattered Myths, New Realities: Video Focus on Eastern Europe'', eds. Inke Arns and Elisabeth Tharandt, Dessau: Bauhaus Dessau Foundation, 1993, 499 pp. [http://www.blankjeron.com/sero/Handshake-Feldreise/D/ostranenie/texte_zu_ostranenie.html Selected texts: Erjavec, Arns, Sei, Kovats, Kuhn, Milev, Sobetzko, Czegledy], [http://www.blankjeron.com/sero/Handshake-Feldreise/D/ostranenie/OSTranenie_performances.html Performances], [https://www.google.com/search?q=site:www.blankjeron.com/sero/Handshake-Feldreise/D/ostranenie/ more]. [[Ostranenie_(forum)|Event]]. [http://web.archive.org/web/20010307123901/http://www.ostranenie.org/00ostranenie/00body/publications/pages/pubact93.html] [https://worldcat.org/oclc/80000795] {{de}},{{ru}},{{en}}
 +
 
 +
* ''Ex oriente lux'', ed. Cãlin Dan, Bucharest: Soros Center for Contemporary Arts, 1994, 111 pp. [[Ex_Oriente_Lux|Exhibition]]. {{ro}}/{{en}}
 +
 
 +
* ''Video, vidím, ich sehe: Installationen: slowakische, tschechische und schweizerische Videokunst / Video, vidím, ich sehe: inštalácie: slovenské, české a švajčiarske videoumenie'', eds. Esther Maria Jungo and Katarína Rusnáková, Bern, 1994, 145 pp. {{de}},{{sk}},{{cz}}
 +
 
 +
* ''Video Positive '95: the UK's International Festival of Electronic Arts'', eds. Lisa Haskel and Lowena Faull, Liverpool: Moviola, 1995, 56 pp. Exh. held at Tate Gallery Liverpool and other sites, 29 Apr-4 Jun 1995. {{en}}
 +
 
 
* ''[[Media:Video_Spaces_Eight_Installations_1995_MoMA.pdf|Video Spaces: Eight Installations]]'', ed. Barbara London, New York: MoMA, 1995. [https://www.moma.org/calendar/exhibitions/462?locale=en Exh. held at MoMA], 22 Jul-12 Sep 1995. [https://www.moma.org/interactives/exhibitions/1995/videospaces/videospaces.html Online companion]. {{en}}
 
* ''[[Media:Video_Spaces_Eight_Installations_1995_MoMA.pdf|Video Spaces: Eight Installations]]'', ed. Barbara London, New York: MoMA, 1995. [https://www.moma.org/calendar/exhibitions/462?locale=en Exh. held at MoMA], 22 Jul-12 Sep 1995. [https://www.moma.org/interactives/exhibitions/1995/videospaces/videospaces.html Online companion]. {{en}}
 +
 +
* ''OSTranenie '95: das internationale Video-Forum an der Stiftung Bauhaus Dessau / The International Video Forum at the Bauhaus Dessau Foundation: Video, Installation, Performance, Workshop: 8.-12. November'', eds. Mirja Rosenau, Stephen Kovats, Thomas Munz, and Tina Rehn, Dessau: Bauhaus Dessau Foundation, 1995, 403+14 pp. [[Ostranenie_(forum)|Event]]. [http://web.archive.org/web/20010501030633/www.ostranenie.org/00ostranenie/00body/publications/pages/pubact95.html] [https://worldcat.org/oclc/951689289] {{de}}/{{en}}
 +
 +
* ''Orbis Fictus: nová média v současném umění / New Media in Contemporary Arts'', eds. Ludvík Hlaváček and Marta Smolíková, Prague: Sorosovo centrum současného umění, 1995, 228 pp. Texts by Michael Bielický, Michal Bregant, Radúz Činčera, Ludvík Hlaváček, Gerald O'Grady, Karel Pech, Jiří Valoch, Woody Vasulka and Jiří Zemánek. [[Orbis Fictus|Exhibition]] held at the National Gallery / Valdštejnská jízdárna [Valdstein Riding School], Prague, 30 Nov 1995-1 Jan 1996. [https://cs.isabart.org/document/21930/subordinates/ TOC]. [https://cs.isabart.org/document/21930/] {{cz}}/{{en}}
 +
 +
* ''Video Positive 97: Escaping Gravity'', Foundation for Art and Creative Technology, 1997, 40 pp. {{en}}
 +
 +
* ''Ostranenie '97: Dessau 5.-9. Dezember 1977: das internationale Forum elektronischer Medien / the International Electronic Media Forum'', eds. Mirja Rosenau and Stephen Kovats, Dessau: Bauhaus Dessau Foundation, 1997, 553 pp. [[Ostranenie_(forum)|Event]]. [http://web.archive.org/web/20010307123244/www.ostranenie.org/00ostranenie/00body/publications/pages/pubact97.html] [https://worldcat.org/oclc/76422657] {{de}}/{{en}}
 +
 
* ''[[Media:Projected_Allegories_1998.pdf|Projected Allegories]]'', Houston: Contemporary Arts Museum, 1998, 20 pp. {{en}}
 
* ''[[Media:Projected_Allegories_1998.pdf|Projected Allegories]]'', Houston: Contemporary Arts Museum, 1998, 20 pp. {{en}}
 +
 +
* ''Ostranenie 93 95 97'', ed. Stephen Kovats, Dessau: Bauhaus Dessau Foundation, 1999. CD-ROM, Mac & PC. Documents the works and impressions of over 400 artists, critics, academics and journalists from 32 countries who participated in the Ostranenie events from 1993 to 1997. Produced by the Studio Electronic Media Interpretation of the Bauhaus Dessau Foundation in cooperation with C3 - Soros Foundation Budapest. [[Ostranenie_(forum)|Event]]. [http://web.archive.org/web/20010430232633/www.ostranenie.org/00ostranenie/00body/publications/pages/pubcdrom.html] [http://www.c3.hu/c3/publications/index_en.php?kiid=17]
 +
 +
* ''[[Media:Balkan_Video_Federation 2000.pdf|Balkan Video Federation]]'', ed. Branislav Dimitrijević, Belgrade: Center for Contemporary Art - Belgrade, 2000, [55] pp. {{en}}
 +
 +
* ''[[Media:Tele-Journeys_2002.pdf|Tele-Journeys]]'', MIT List Visual Arts Center, 2002, 46 pp. Organised by [[Joan Jonas]], with Jane Farver; essay by Jens Hoffmann. [https://store.fryemuseum.org/products/tele-journeys] {{en}}
 +
 +
* ''Point of View: A Contemporary Anthology of the Moving Image'', New York: New Museum, 2003. 11 DVDs. [https://archive.newmuseum.org/exhibitions/415] [https://worldcat.org/oclc/794668747] {{en}}
  
 
====Notable exhibitions without catalogues====
 
====Notable exhibitions without catalogues====
Line 94: Line 338:
  
 
===Monographs===
 
===Monographs===
−
* Dan Graham, ''Video-Architecture-Television: Writings on Video and Video Works 1970-1978'', Halifax: Press of the Nova Scotia College of Art & Design, 1979. [http://beausievers.com/bhqfu/computer_art/readings/graham-video_architecture_television.pdf Lead essay].
+
 
−
* Hollis Frampton, ''[http://monoskop.org/log/?p=766 Circles of Confusion: Film/Photography/Video Texts 1968-1981]'', foreword Annette Michelson, Visual Studies Workshop Press, 1983, 200 pp.  
+
* Dan Graham, ''[[Media:Graham_Dan_Video_Architecture_Television_1979.pdf|Video-Architecture-Television: Writings on Video and Video Works 1970-1978]]'', ed. Benjamin H.D. Buchloh, Halifax: The Press of the Nova Scotia College of Art and Design, and New York: New York University Press, 1979, 89 pp; repr., Lars Müller Publishers, 2013. With two contributions by Michael Asher and Dara Birnbaum. [http://beausievers.com/bhqfu/computer_art/readings/graham-video_architecture_television.pdf Lead essay]. [https://www.lars-mueller-publishers.com/dan-graham-video-%E2%80%93-architecture-%E2%80%93-television]
 +
 
 +
* Hollis Frampton, ''[http://monoskop.org/log/?p=766 Circles of Confusion: Film/Photography/Video Texts 1968-1981]'', forew. Annette Michelson, Visual Studies Workshop Press, 1983, 200 pp.  
 +
 
 
* ''[http://monoskop.org/log/?p=11024 On the Camera Arts and Consecutive Matters: The Writings of Hollis Frampton]'', ed. Bruce Jenkins, MIT Press, 2009, 360 pp.
 
* ''[http://monoskop.org/log/?p=11024 On the Camera Arts and Consecutive Matters: The Writings of Hollis Frampton]'', ed. Bruce Jenkins, MIT Press, 2009, 360 pp.
  
 
===Anthologies===
 
===Anthologies===
−
* ''Video Art: An Anthology'', eds. Ira Schneider and Beryl Korot, New York: Harcourt Brace Jovanovich, 1976. Seventy video artists were each given two pages to present information about their work in any form they chose. Also contains documents such as Shigeko Kubota’s “Anthology Film Archives Video Program,” and essays by David Antin, Stephen Beck, Eric Cameron, Douglas Davis, Anne Focke, Peter Frank, Hermine Freed, Davidson Gigliotti, Frank Gillette, John Hanhardt, Wulf Herzogenrath, Bruce Kurtz, David Ross, Bill Viola, Ingrid Weigand, and Willoughby Sharp.
+
 
 +
* ''[[:File:Schneider Ira Korot Beryl eds Video Art An Anthology 1976.pdf|Video Art: An Anthology]]'', eds. Ira Schneider and Beryl Korot, New York: Harcourt Brace Jovanovich, 1976, 286 pp, [https://archive.org/details/videoartantholog0000unse IA]. Seventy video artists were each given two pages to present information about their work in any form they chose. Also contains documents such as Shigeko Kubota’s “Anthology Film Archives Video Program,” and essays by David Antin, Stephen Beck, Eric Cameron, Douglas Davis, Anne Focke, Peter Frank, Hermine Freed, Davidson Gigliotti, Frank Gillette, John Hanhardt, Wulf Herzogenrath, Bruce Kurtz, David Ross, Bill Viola, Ingrid Weigand, and Willoughby Sharp. [https://worldcat.org/oclc/2289764 TOC].
 +
 
 
* ''Video by Artists'', ed. Peggy Gale, Toronto: Art Metropole, 1976, 223 pp. [https://specificobject.com/objects/info.cfm?object_id=9973&inventory_id=10439]
 
* ''Video by Artists'', ed. Peggy Gale, Toronto: Art Metropole, 1976, 223 pp. [https://specificobject.com/objects/info.cfm?object_id=9973&inventory_id=10439]
 +
 
* ''Video by Artists 2'', ed. Elke Town, Toronto: Art Metropole, 1986, 151 pp. [https://artmetropole.com/shop/1830]
 
* ''Video by Artists 2'', ed. Elke Town, Toronto: Art Metropole, 1986, 151 pp. [https://artmetropole.com/shop/1830]
−
* ''Video Re/View: The (best) Source for Critical Writings on Canadian Artist's Video'', eds. Peggy Gale and Lisa Steele, Toronto: Art Metropole, and V-tape, 1996, 492 pp. [https://artmetropole.com/shop/1831]
 
−
* ''Video Writings by Artists (1970-1990)'', ed. Eugeni Bonet, Mousse, 2017, 309 pp. [https://www.moussepublishing.com/products-page/product/video-writings-artists-1970-1990/?status=moreinfo]
 
  
−
==Reception, art historical studies==
+
* [https://www.ubu.com/sound/tellus_17.html ''Tellus'' 17: "Video Arts Music"], eds. Claudia Gould, Joseph Nechvatal, and Carol Parkinson, New York, 1987. Special issue of audio cassette magazine.
 +
 
 +
* ''[[Media:Video ReView The Best Source for Critical Writings on Canadian Artists Video 1996.pdf|Video Re/View: The (Best) Source for Critical Writings on Canadian Artist's Video]]'', eds. Peggy Gale and Lisa Steele, Toronto: Art Metropole, and V-tape, 1996, 492 pp, [https://archive.org/details/videoreviewbests0000unse IA]. [https://artmetropole.com/shop/1831 Publisher].
 +
 
 +
* [http://www.medienkunstnetz.de/search/?qt=video#s Source texts on video art], in ''Media Art Net'', eds. Rudolf Frieling and Dieter Daniels, 2004.
 +
 
 +
* ''[http://libgen.rs/book/index.php?md5=54D044BEBE99764F6DF6366DA2EDD90F Experimental Film and Video: An Anthology]'', ed. Jackie Hatfield, forew. Sean Cubitt and Al Rees, Eastleigh: John Libbey, 2006, 302 pp. Forty artists have contributed images, and 25 artists reflect on the diverse critical agendas, contexts, and communities that have affected their practice across the period from the late 1960s to date. [https://iupress.org/9780861969067/experimental-film-and-video/] [https://www.jstor.org/stable/j.ctt16gz6vq]
 +
 
 +
* ''Video Writings by Artists (1970-1990)'', ed. Eugeni Bonet, Milan: Mousse, 2017, 309 pp. [https://www.moussepublishing.com/products-page/product/video-writings-artists-1970-1990/?status=moreinfo]
 +
 
 +
===Articles===
 +
 
 +
* Karen Mooney, [[Media:Mooney Karen 1977 Women_in_Video.pdf|"Women in Video"]], ''Videoscope'' 1:4, 1977, pp 39-43. [https://www.vasulka.org/archive/ExhFest6/Women%27sVidFest/corresp.pdf]
 +
 
 +
===Miscellaneous===
 +
 
 +
* Julie Gustafson, Karen Mooney, ''The Independent Producer, Public Television, and the New Video Technologies: A Resource Book'', intro. John Reilly, New York: Global Village, 1980. [https://www.arcanabooks.com/catalog/book/023757/]
 +
 
 +
==Reception, history==
 +
 
 
''For publications on individual artists and collectives see their respective pages.''
 
''For publications on individual artists and collectives see their respective pages.''
  
−
[[Image:The_Second_Link_Viewpoints_on_Video_in_the_Eighties_1983.jpg|thumb|200px|''The Second Link: Viewpoints on Video in the Eighties'', Banff, New York, Amsterdam, Toronto, Long Beach, London, 1983, [[Media:The_Second_Link_Viewpoints_on_Video_in_the_Eighties_1983.pdf|PDF]].]]
 
−
[[Image:Imago_fin_de_siecle_in_Dutch_Contemporary_Art_1990.jpg|thumb|200px|''Imago, fin de siècle in Dutch Contemporary Art'', 1990, [http://nimk.nl/eng/exhibition/imago-fin-de-siecle-in-dutch-contemporary-art#5 PDFs].]]
 
−
[[Image:Mediascape_1996.jpg|thumb|200px|''Mediascape'', New York, 1996, [https://archive.org/details/mediascape00klot IA].]]
 
 
==={{a|Retrospectives}} Exhibition catalogues===
 
==={{a|Retrospectives}} Exhibition catalogues===
−
* ''[[Media:The_Second_Link_Viewpoints_on_Video_in_the_Eighties_1983.pdf|The Second Link: Viewpoints on Video in the Eighties]]'', ed. Lorne Falk, Banff, CA: Walter Phillips Gallery, Banff Centre School of Fine Arts, 1983, 111 pp. Exh. of 30 works by artists from CA, US, UK, BE, NL, West Germany and PL; curated by Peggy Gale (A Space Toronto), Kathy Huffman (Long Beach), Barbara London (MoMA), Brian MacNevin (Banff), Dorine Mignot (Stedelijk), and Sandy Nairne (ICA London); held at Banff Centre, 8-21 Jul 1983; [https://www.moma.org/calendar/exhibitions/2227 MoMA, New York], 18 Aug-27 Sep 1983; Stedelijk M, Amsterdam, 9 Sep-16 Oct 1983; A Space, Toronto, 1-29 Oct 1983; Long Beach M of Art, Long Beach, 20 Nov 1983-15 Jan 1984; ICA, London, 16 Dec 1983-15 Jan 1984. Review: [http://sci-hub.tw/10.1080/00043249.1985.10792307 Zippay] (Art J 1985).
+
 
 +
[[Image:The_Second_Link_Viewpoints_on_Video_in_the_Eighties_1983.jpg|thumb|300px|''The Second Link: Viewpoints on Video in the Eighties'', Banff, New York, Amsterdam, Toronto, Long Beach, London, 1983, [[Media:The_Second_Link_Viewpoints_on_Video_in_the_Eighties_1983.pdf|PDF]].]]
 +
 
 +
[[Image:Imago_fin_de_siecle_in_Dutch_Contemporary_Art_1990.jpg|thumb|300px|''Imago, fin de siècle in Dutch Contemporary Art'', 1990, [[Media:Imago fin de siecle in Dutch contemporary art 1990.pdf|PDF]].]]
 +
 
 +
[[Image:Dunn_David_ed_Pioneers_of_Electronic_Art.jpg|thumb|300px|''Eigenwelt Der Apparate-Welt: Pioneers of Electronic Art'', 1992, [http://monoskop.org/log/?p=43 Log].]]
 +
 
 +
[[Image:Mediascape_1996.jpg|thumb|300px|''Mediascape'', New York, 1996, [https://archive.org/details/mediascape00klot IA].]]
 +
 
 +
* ''Video '79. Video, the First Decade / Dieci anni di videotape'', Rome: Kane, 1979, 252 pp. {{en}}/{{it}}
 +
 
 +
* ''[[Media:Videoarte_a_Palazzo_dei_Diamanti_1973-1979_1980.pdf|Videoarte a Palazzo dei Diamanti 1973/1979]]'', ed. Janus, Torino: Provincia di Torino, 1980, 159 pp. Exh. held at the Foyer della Camera di commercio, Torino, Apr 1980. {{it}}
 +
 
 +
* ''Videokunst in Deutschland 1963-1982'', ed. Wulf Herzogenrath, Stuttgart: Gerd Hatje, 1982, 319 pp. [https://journals.ub.uni-heidelberg.de/index.php/ma/article/view/22026/15786 Excerpt]. Includes chapters on “Videotapes,” “Videoinstallation,” “Video-Objects,” and “Videoperformances” covers some one hundred artists, and includes biographies, videographies, and many black-and-white photographs. Essays by Wulf Herzogenrath, Helmut Friedel, Nam June Paik, Ulrike Rosenbach, Friederike Pezold, and Kaus von Bruch; a rare 1969 letter from Gerry Schum to Gene Youngblood; and an interview with Joseph Beuys. Exh. held at Kölnischer Kunstverein, Cologne, 6 Jun-18 Jul 1982, also shown at [https://assets.moma.org/momaorg/shared/pdfs/docs/press_archives/5991/releases/MOMA_1982_0047_47.pdf MoMA] (1982). {{de}}
 +
 
 +
* ''Inovacije u Hrvatskoj umjetnosti sedamdesetih godina'', ed. Boris Kelemen, Zagreb: Gallery of Contemporary Art Zagreb, 1982. [[Media:Inovacije_u_Hrvatskoj_umjetnosti_sedamdesetih_godina_1982.pdf|Excerpt]]. {{sc}},{{en}}
 +
 
 +
* ''[[Media:The_Second_Link_Viewpoints_on_Video_in_the_Eighties_1983.pdf|The Second Link: Viewpoints on Video in the Eighties]]'', ed. Lorne Falk, Banff, CA: Walter Phillips Gallery, Banff Centre School of Fine Arts, 1983, 111 pp. Exh. of 30 works by artists from CA, US, UK, BE, NL, West Germany and PL; curated by Peggy Gale (A Space Toronto), Kathy Huffman (Long Beach), Barbara London (MoMA), Brian MacNevin (Banff), Dorine Mignot (Stedelijk), and Sandy Nairne (ICA London); held at Banff Centre, 8-21 Jul 1983; [https://www.moma.org/calendar/exhibitions/2227 MoMA, New York], 18 Aug-27 Sep 1983; Stedelijk M, Amsterdam, 9 Sep-16 Oct 1983; A Space, Toronto, 1-29 Oct 1983; Long Beach M of Art, Long Beach, 20 Nov 1983-15 Jan 1984; ICA, London, 16 Dec 1983-15 Jan 1984. Review: [http://sci-hub.se/10.1080/00043249.1985.10792307 Zippay] (Art J 1985).
 +
 
 
* ''[[Media:New_American_Video_Art_A_Historical_Survey_1967-1980.pdf|New American Video Art: A Historical Survey, 1967-1980]]'', ed. John G. Hanhardt, New York: Whitney Museum, 1984, 8 pp.​ Exh. held 13 Jun-1 Jul 1984. [http://www.vasulka.org/archive/ExhFest6/Whitney/WHIT011.pdf]
 
* ''[[Media:New_American_Video_Art_A_Historical_Survey_1967-1980.pdf|New American Video Art: A Historical Survey, 1967-1980]]'', ed. John G. Hanhardt, New York: Whitney Museum, 1984, 8 pp.​ Exh. held 13 Jun-1 Jul 1984. [http://www.vasulka.org/archive/ExhFest6/Whitney/WHIT011.pdf]
−
* ''Video: A Retrospective 1974-1984'', ed. Kathy Rae Huffman, Long Beach, CA: Long Beach Museum of Art, 135 pp. Two-part exh. held 9 Sep-4 Nov 1984 and 25 Nov 1984-20 Jan 1985. [http://www.specificobject.com/objects/info.cfm?inventory_id=10440&object_id=9974]
+
 
−
* ''Resolutions: A Critique of Video Art'', ed. Patti Podesta, Los Angeles: LACE, 1986. Survey of video works made in the US from 1980-85. [http://welcometolace.org/lace/resolutions-a-critique-of-video-art/]
+
* ''[[Media:Video_A_Retrospective_Long_Beach_Museum_of_Art_1974-1984_1984.pdf|Video: A Retrospective. Long Beach Museum of Art, 1974-1984]]'', ed. [[Kathy Rae Huffman]], Long Beach, CA: Long Beach Museum of Art, 1984, 135 pp. Two-part exh. held 9 Sep-4 Nov 1984 and 25 Nov 1984-20 Jan 1985. [http://www.specificobject.com/objects/info.cfm?inventory_id=10440&object_id=9974] {{en}}
 +
 
 +
* ''[[Media:Resolution_A_Critique_of_Video_Art_1986.pdf|Resolution: A Critique of Video Art]]'', ed. Patti Podesta, Los Angeles: Los Angeles Contemporary Exhibitions (LACE), 1986, 131 pp, [https://archive.org/details/resolutioncritiq0000unse IA]. Survey of video works made in the US from 1980-85. [http://welcometolace.org/lace/resolutions-a-critique-of-video-art/]
 +
 
 +
* ''Social Engagement: Women's Video in the 80s'', ed. Lucinda Furlong, New York: Whitney Museum, 1987. Exh. held at Whitney, 3-20 Mar 1987. Exh. review: [https://www.nytimes.com/1987/03/01/arts/video-series-blends-art-and-politics.html NYT], [https://www.nytimes.com/1987/03/06/arts/artists-are-creating-a-wonderland-of-video-in-museums-and-galleries.html NYT]. [https://books.google.com/books?id=dOQCAAAAMBAJ&pg=PA85]
 +
 
 +
* ''[[Media:Video de femmes 1987.pdf|Video de femmes]]'', 1987, 10 pp, [https://archive.org/details/vasulka11076/ IA]. Exh. held 8-11 Apr 1987. {{fr}}
 +
 
 
* ''Revision: Art Programmes of European Television Stations'', ed. Dorine Mignot, pref. Wim A.L. Beeren, Amsterdam: Stedelijk Museum, 1987, 100 pp. Curated by Dorine Mignot. {{en}}
 
* ''Revision: Art Programmes of European Television Stations'', ed. Dorine Mignot, pref. Wim A.L. Beeren, Amsterdam: Stedelijk Museum, 1987, 100 pp. Curated by Dorine Mignot. {{en}}
−
* ''The Arts for Television'', eds. Kathy Rae Huffman and Dorine Mignot, Los Angeles: Museum of Contemporary Art, and Amsterdam: Stedelijk Museum, 1987, 104 pp. Historical survey of arts programmes arranged in 6 thematic sections: image, theatre, literature, dance, music, television. Works from 1966-87 by 102 artists from AT, BE, FR, DE, IT, JP, NL, UK, US, YU. Curated by Dorine Mignot (Stedelijk) and Kathy Rae Huffman (Contemporary Art Television Fund Boston), with participation of Julie Lazar (MOCA LA). Exh. held at Stedelijk Amsterdam, 4 Sep-18 Oct 1987; [http://www.vasulka.org/archive/ExhFest12/'m'/MOCALAposter.pdf Museum of Contemporary Art Los Angeles], 6 Oct-15 Nov 1987; [https://www.moma.org/calendar/exhibitions/2131 MoMA New York], 20 Apr-30 May 1989; [http://camh.org/exhibitions/arts-television Contemporary Arts Museum Houston], 10 Jun-16 Jul 1989.
+
 
 +
* ''The Arts for Television'', eds. Kathy Rae Huffman and Dorine Mignot, Los Angeles: Museum of Contemporary Art, and Amsterdam: Stedelijk Museum, 1987, 104 pp. Historical survey of arts programmes arranged in 6 thematic sections: image, theatre, literature, dance, music, television. Works from 1966-1987 by 102 artists from AT, BE, FR, DE, IT, JP, NL, UK, US, YU. Curated by Dorine Mignot (Stedelijk) and Kathy Rae Huffman (Contemporary Art Television Fund Boston), with participation of Julie Lazar (MOCA LA). Exh. held at Stedelijk Amsterdam, 4 Sep-18 Oct 1987; [http://www.vasulka.org/archive/ExhFest12/'m'/MOCALAposter.pdf Museum of Contemporary Art Los Angeles], 6 Oct-15 Nov 1987; [https://www.moma.org/calendar/exhibitions/2131 MoMA New York], 20 Apr-30 May 1989; [http://camh.org/exhibitions/arts-television Contemporary Arts Museum Houston], 10 Jun-16 Jul 1989.
 +
 
 +
* ''Memoria del video, 1. La distanza della storia: vent'annni di eventi video in Italia raccolti da Luciano Giaccari'', Milan: Nuova Prearo, 1987, 103 pp. Exh. held at the Padiglione d'arte contemporanea, Milan, 15 Dec 1987-31 Jan 1988. {{it}}
 +
 
 
* ''American Landscape Video: The Electronic Grove'', ed. William D. Judson, Pittsburgh: Carnegie Museum of Art, 1988, 128 pp. Exh. curated by William D. Judson; held at Carnegie Museum of Art, Pittsburgh, 7 May-10 Jul 1988; and in two parts at SFMOMA, San Francisco, 10 Nov 1988-1 Jan 1989 & 17 Jan-19 Feb 1989. [http://www.vasulka.org/archive/ExhFest10/SFmoma/SFmom.pdf Brochure]. [http://worldcat.org/oclc/17767997]
 
* ''American Landscape Video: The Electronic Grove'', ed. William D. Judson, Pittsburgh: Carnegie Museum of Art, 1988, 128 pp. Exh. curated by William D. Judson; held at Carnegie Museum of Art, Pittsburgh, 7 May-10 Jul 1988; and in two parts at SFMOMA, San Francisco, 10 Nov 1988-1 Jan 1989 & 17 Jan-19 Feb 1989. [http://www.vasulka.org/archive/ExhFest10/SFmoma/SFmom.pdf Brochure]. [http://worldcat.org/oclc/17767997]
−
* ''[http://archive.org/details/videoartexpanded00whit Video Art: Expanded Forms]'', ed. John G. Hanhardt, New York: Whitney Museum of American Art at Equitable Center, 1988, [8] pp. [http://sci-hub.tw/10.2307/1575348 Curator's essay in ''Leonardo''] (1990).
+
 
−
* ''Video-Skulptur: retrospektiv und aktuell 1963-1989'', eds. Wolf von Herzogenrath and Edith Decker, Cologne: DuMont, 1989, 326 pp. Exh. held at Kölnischer Kunstverein, Kunststation St. Peter, Belgisches Haus and DuMont Kunsthalle Cologne, 18 Mar-23 Apr 1989; Berlin; Kunsthaus Zürich, 13 Oct-12 Nov 1989. {{de}}
+
* ''[http://archive.org/details/videoartexpanded00whit Video Art: Expanded Forms]'', ed. John G. Hanhardt, New York: Whitney Museum of American Art at Equitable Center, 1988, [8] pp. [http://sci-hub.se/10.2307/1575348 Curator's essay in ''Leonardo''] (1990).
−
* ''[http://nimk.nl/eng/exhibition/imago-fin-de-siecle-in-dutch-contemporary-art#5 Imago, fin de siècle in Dutch Contemporary Art]'', ed. & intro. René Coelho, 's Gravenhague: Rijksdienst beeldende kunst, and Amsterdam: Mediamatic Foundation, 1990, 100 pp. Special issue of ''Mediamatic'', 5(1/2). {{en}}/{{nl}}
+
 
 +
* ''Video-Skulptur: retrospektiv und aktuell 1963-1989'', eds. Wolf Herzogenrath and Edith Decker, Cologne: DuMont, 1989, 326 pp. Exh. held at Kölnischer Kunstverein, Kunststation St. Peter, Belgisches Haus and DuMont Kunsthalle Cologne, 18 Mar-23 Apr 1989; Berlin; Kunsthaus Zürich, 13 Oct-12 Nov 1989. {{de}}
 +
 
 +
* ''[[Media:Imago fin de siecle in Dutch contemporary art 1990.pdf|Imago: fin de siècle in Dutch Contemporary Art]]'', ed. & intro. René Coelho, 's-Gravenhage: Netherlands Office for Fine Arts, and Amsterdam: Mediamatic, 1990, 100+xxiv, [https://www.mediamatic.net/en/page/80609/mediamatic-magazine-5-1-2 HTML]. Catalogue for travelling exhibition; special issue of ''Mediamatic'', 5(1/2). Texts by [https://www.mediamatic.net/en/page/84047/ René Coelho], [https://www.mediamatic.net/en/page/84049/ Paul Valéry], [https://www.mediamatic.net/en/page/84050/ Volker Grassmuck], [https://www.mediamatic.net/en/page/84048/ Adilkno], [https://www.mediamatic.net/en/page/84051/ Max Bruinsma], et al. {{en}}/{{nl}}  
 +
 
 +
* ''Signs of the Times: A Decade of Video, Film and Slide-Tape Installation in Britain, 1980-1990'', ed. Chrissie Iles, Oxford: Museum of Modern Art Oxford, 1990, 87 pp. Exh. held 7 Oct-9 Dec 1990. Exh. review: [https://sci-hub.se/10.1093/screen/32.2.222 Cubitt] (Screen).
 +
 
 
* ''Passages de l'image'', eds. Raymond Bellour, Catherine David and Christine van Assche, Paris: Centre Pompidou, 1990, 191 pp. Exh. curated by Bellour, David and Assche; held at Musée national d'art moderne, Galeries contemporaines, 19 Sep-18 Nov 1990; salle Garance, 12 Sep-15 Oct 1990. {{fr}}
 
* ''Passages de l'image'', eds. Raymond Bellour, Catherine David and Christine van Assche, Paris: Centre Pompidou, 1990, 191 pp. Exh. curated by Bellour, David and Assche; held at Musée national d'art moderne, Galeries contemporaines, 19 Sep-18 Nov 1990; salle Garance, 12 Sep-15 Oct 1990. {{fr}}
 
** ''Passages de l'image'', Barcelona: Centre Cultural de la Fundació Caixa de Pensions, 1991, 280 pp. Exh. held at Fundació Caixa de Pensions, Barcelona, 12 Feb-28 Mar 1991; Wexner Center for the Arts, Columbus/OH, 1 Jun-27 Oct 1991; San Francisco Museum of Modern Art, 6 Feb-12 Apr 1992. {{en}}/{{ca}}
 
** ''Passages de l'image'', Barcelona: Centre Cultural de la Fundació Caixa de Pensions, 1991, 280 pp. Exh. held at Fundació Caixa de Pensions, Barcelona, 12 Feb-28 Mar 1991; Wexner Center for the Arts, Columbus/OH, 1 Jun-27 Oct 1991; San Francisco Museum of Modern Art, 6 Feb-12 Apr 1992. {{en}}/{{ca}}
 +
 +
* ''[https://monoskop.org/log/?p=43 Eigenwelt der Apparate-Welt. Pioniere der Elektronischen Kunst / Pioneers of Electronic Art]'', ed. David Dunn, Santa Fe: The Vasulkas, 1992, 240 pp, [[Media:Dunn_David_ed_Pioneers_of_Electronic_Art.pdf|PDF]], [http://web.archive.org/web/20041225211352/http://www.aec.at/de/archives/festival_archive/festival_catalogs/festival_catalog.asp?iProjectID=8893 HTML]. Exh. curated by Woody Vasulka and Steina Vasulka, held on 22 Jun-5 Jul 1992, Oberösterreichisches Landmuseum, Linz, as part of the ''Ars Electronica'' festival. {{en}}
 +
 +
* ''Vidéo et après: la collection vidéo du Musée national d'art moderne'', ed. Christine Van Assche, Paris: Centre Georges Pompidou, 1992, 295 pp. [https://www.centrepompidou.fr/media/document/42/1c/421c8601b74239c57df96a43fbedfaa2/normal.pdf] {{fr}}
 +
 +
* ''Video‐Skulptur in Deutschland seit 1963'', ed. Wolf Herzogenrath, Stuttgart: ifa, 1995. {{de}}
 +
 +
* ''Centro video arte, 1974-1994: videoarte, performance, partecipazioni'', ed. Lorenzo Magri, Ferrara: G. Corbo, 1995, 189 pp. [https://rewind.ac.uk/rewind/wp-content/uploads/sites/146/2021/03/ITLB005.pdf Excerpt]. {{it}}/{{en}}
 +
 
* ''[https://archive.org/details/mediascape00klot Mediascape]'', New York: Guggenheim Museum, and Karlsruhe: ZKM, 1996. Exh. held at Guggenheim Museum SoHo, 14 June-15 Sep 1996.
 
* ''[https://archive.org/details/mediascape00klot Mediascape]'', New York: Guggenheim Museum, and Karlsruhe: ZKM, 1996. Exh. held at Guggenheim Museum SoHo, 14 June-15 Sep 1996.
−
* '' '2' the Second: Time Based Art from the Netherlands'', Amsterdam: Netherlands Media Art Institute / MonteVideo TBA, 1997, 60 pp. With CD. {{en}}
+
 
 +
* '' '2' the Second: Time Based Art from the Netherlands'', Amsterdam: Netherlands Media Art Institute / MonteVideo TBA, 1997, 60 pp. With CD. [http://www.nimk.nl/second/library.html] {{en}}
 +
 
 +
* ''La coscienza luccicante: dalla videoarte all'arte interattiva'', eds.  Paola Sega Serra Zanetti and Maria Grazia Tolomeo, Rome: Gangemi, 1998, 272 pp. Exh. held at the Palazzo delle Esposizioni, Rome, 16 Sep-10 Oct 1998. {{it}}/{{en}}
 +
 
 
* ''L'art vidéo 1980-1999: vingt ans du VideoArt Festival, Locarno: recherches, théories, perspectives'', ed. Vittorio Fagone, Milan: Mazzotta, 1999, 430 pp. {{fr}}
 
* ''L'art vidéo 1980-1999: vingt ans du VideoArt Festival, Locarno: recherches, théories, perspectives'', ed. Vittorio Fagone, Milan: Mazzotta, 1999, 430 pp. {{fr}}
−
* ''Seeing Time: Selections from the Pamela and Richard Kramlich Collection of Media Art'', ed. Karen Jacobson, San Francisco: SFMOMA, 1999, 179 pp. Exh. held 15 Oct 1999-9 Jan 2000. [https://www.sfmoma.org/exhibition/seeing-time/] [http://www.appetiteengineers.com/project/seeing-time-selections-from-the-pamela-and-richard-kramlich-collection-of-media-art/] [http://zkm.de/en/publication/seeing-time-selection-from-the-pamela-and-richard-kramlich-collection-of-media-art]
+
 
 +
* ''Seeing Time: Selections from the Pamela and Richard Kramlich Collection of Media Art'', ed. Karen Jacobson, forew. David A. Ross, San Francisco: SFMOMA, 1999, 179 pp. Exh. held 15 Oct 1999-9 Jan 2000. [https://www.sfmoma.org/exhibition/seeing-time/ Exhibition]. [https://www.sfmoma.org/publication/seeing-time-selections-pamela-and-richard-kramlich/ Publisher]. [http://www.appetiteengineers.com/project/seeing-time-selections-from-the-pamela-and-richard-kramlich-collection-of-media-art/] [http://zkm.de/en/publication/seeing-time-selection-from-the-pamela-and-richard-kramlich-collection-of-media-art]
 +
 
 +
* ''[[Media:Making Time Considering Time as a Material in Contemporary Video and Film 2000.pdf|Making Time: Considering Time as a Material in Contemporary Video and Film]]'', Lake Worth, FL: Palm Beach Institute of Contemporary Art, 2000, 97 pp, [https://archive.org/details/makingtimeconsid0000unse/ IA].
 +
 
 +
* ''Elettroshock: 30 anni di video in Italia 1971-2001'', eds. Bruno Di Marino and Lara Nicoli, Rome: Castelvecchi, 2001, 158 pp. Exh. held 21-27 May 2001. {{it}}
 +
 
 +
* ''Videodokument. Video Art in Slovenia 1969-1998'', ed. Barbara Borčić, Ljubljana: SCCA Ljubljana, 2001. With CD. [http://www.videodokument.org/order.htm]
 +
 
 +
* ''[[Media:Antologiya rossiyskogo videoarta 2002.pdf|Antologiya rossiyskogo videoarta]]'' [Антология российского видеоарта], ed. Aleksei Isaev, Moscow, 2002, 208 pp. [https://www.mediaartlab.ru/books/?item=6?lang=en Publisher]. {{ru}}
 +
 
 
* ''Video Acts: Single Channel Works from the Collections of Pamela and Richard Kramlich and New Art Trust'', eds. Klaus Biesenbach with Barbara London and Christopher Eamon, New York: PS1 Contemporary Art Center, 2002, 311 pp. Exh. held 10 Nov 2002-Apr 2003. [http://worldcat.org/oclc/52033076]
 
* ''Video Acts: Single Channel Works from the Collections of Pamela and Richard Kramlich and New Art Trust'', eds. Klaus Biesenbach with Barbara London and Christopher Eamon, New York: PS1 Contemporary Art Center, 2002, 311 pp. Exh. held 10 Nov 2002-Apr 2003. [http://worldcat.org/oclc/52033076]
 +
 
* ''30 jaar Nederlandse videokunst / Thirty Years of Dutch Video Art'', Amsterdam: Nederlands Instituut voor Mediakunst, MonteVideo/Time Based Arts, 2003. Exh. held 11 Jan-8 Mar 2003. {{nl}},{{en}}
 
* ''30 jaar Nederlandse videokunst / Thirty Years of Dutch Video Art'', Amsterdam: Nederlands Instituut voor Mediakunst, MonteVideo/Time Based Arts, 2003. Exh. held 11 Jan-8 Mar 2003. {{nl}},{{en}}
 +
 
* ''Arte del video: il viaggio dell'uomo immobile: videoinstallazioni, videoproiezioni'', eds. Vittorio Fagone, Sandra Solimano and Lorenzo Bianda, Lucca: Fondazione Ragghianti Studi sull'Arte, 2004. Exh. held at Fondazione Ragghianti, Lucca, 21 Mar-23 May 2004. {{it}}/{{en}}
 
* ''Arte del video: il viaggio dell'uomo immobile: videoinstallazioni, videoproiezioni'', eds. Vittorio Fagone, Sandra Solimano and Lorenzo Bianda, Lucca: Fondazione Ragghianti Studi sull'Arte, 2004. Exh. held at Fondazione Ragghianti, Lucca, 21 Mar-23 May 2004. {{it}}/{{en}}
−
* ''Ready to Shoot: Fernsehgalerie Gerry Schum—Videogalerie Schum'', ed. Snoeck Ghent, Heule/Belgium: Snoeck, 2004. Exh. held at Kunsthalle Dusseldorf, 27 Mar-6 Jun 2004, curated by Ulrike Groos, Barbara Hess, and Ursula Wevers, with a chronology of the development of the Television Gallery, which the German artist Gerry Schum launched in 1968 to transform television into an artistic medium by screening avant-garde art to a mass audience.
+
 
 +
* ''Ready to Shoot: Fernsehgalerie Gerry Schum—Videogalerie Schum'', ed. Snoeck Ghent, Heule/Belgium: Snoeck, 2004. Exh. held at Kunsthalle Düsseldorf, 27 Mar-6 Jun 2004, curated by Ulrike Groos, Barbara Hess, and Ursula Wevers, with a chronology of the development of the Television Gallery, which the German artist Gerry Schum launched in 1968 to transform television into an artistic medium by screening avant-garde art to a mass audience.
 +
 
 +
* ''Video Art: the Castello di Rivoli Collection'', eds. Ida Giannelli and Marcella Beccaria, Milan: Skira, 2005, xv+286 pp. Exh. held 2002. [https://www.castellodirivoli.org/en/shop/video-art-the-castello-di-rivoli-collection/]
 +
 
 +
* ''Collection New Media Installations, 1965-2005: la collection du Centre Pompidou, Musée national d'art moderne'', ed. Christine Van Assche, Paris: Centre Pompidou, Dec 2006, 288 pp. Curated by Christine van Assche. Exh. held at Barcelona Caixa Forum; 28 Sep 2005-8 Jan 2006; Taipei Fine Arts Museum, 28 Apr-23 Jul 2006; Miami Art Central, 19 Sep-10 Dec 2006; [https://www.mca.com.au/artists-works/exhibitions/centre-pompidou-video-art-1965-2005/ Museum of Contemporary Art Australia (MCA)], Sydney, 13 Dec 2006-25 Feb 2007; [https://2015.acmi.net.au/exhibitions/past-exhibitions/2007/centre-pompidou-video-art/ Australian Centre for the Moving Image (ACMI)], Melbourne, 15 Mar-27 May 2007; Museo de Chada, Lisbon, 18 Oct 2007-6 Jan 2008, [https://www.centrepompidou.fr/cpv/agenda/event.action?param.id=FR_R-cfe0f6e384e732d5241d42a609eb49e&param.idSource=FR_E-cfe0f6e384e732d5241d42a609eb49e]; The Nicosia Municipal Arts Centre, Cyprus, Mar-May 2008; Honolulu Academy of Arts, Jun-Sep 2008; Musée Fabre, Montpellier, 25 Oct 2008-18 Jan 2009 [https://www.centrepompidou.fr/cpv/agenda/event.action?param.id=FR_R-30dae22b667e9ff35a46f894cb9a0b8&param.idSource=FR_E-8fdf537a6d891f88e917bfb08f12]. [https://www.centrepompidou.fr/media/document/42/1c/421c8601b74239c57df96a43fbedfaa2/normal.pdf]
 +
 
 +
* ''40jahrevideokunst.de – Teil 1. Digitales Erbe: Videokunst in Deutschland von 1963 bis heute'', eds. Rudolf Frieling and Wulf Herzogenrath, Ostfildern: Hatje Cantz, 2006, 399 pp. With DVD. [https://www.hatjecantz.de/40jahrevideokunstde---teil-1-1667-0.html Publisher]. [http://www.40jahrevideokunst.de/main.php?p=2&n1=7] [https://zkm.de/de/publikation/40jahrevideokunstde-teil-1] [https://zkm.de/de/publikation/40jahrevideokunstde-teil-1-40yearsvideoartde-part-1] {{de}}
 +
 
 +
* ''Videokunst der 60er Jahre in Deutschland'', ed. Wulf Herzogenrath, Bremen: Kunsthalle Bremen, 2006, 80 pp. {{de}}
 +
 
 
* ''India: Public Places, Private Spaces: Contemporary Photography and Video Art'', eds. Sinha Gayatri and Paul Sternberger, Gaithersburg, MD: Marg Foundation, 2007. Contains essays surveying contemporary Indian photographers and video artists. Works by 28 artists exploring the landscape of Indian identity, experience, history, and politics. {{en}}
 
* ''India: Public Places, Private Spaces: Contemporary Photography and Video Art'', eds. Sinha Gayatri and Paul Sternberger, Gaithersburg, MD: Marg Foundation, 2007. Contains essays surveying contemporary Indian photographers and video artists. Works by 28 artists exploring the landscape of Indian identity, experience, history, and politics. {{en}}
−
* ''California Video: Artists and Histories'', ed. Glenn Phillips, Los Angeles: Getty Research Institute, 2008, 312 pp. Exh. held at J. Paul Getty Museum, Los Angeles, 15 Mar-8 Jun 2008. [https://books.google.com/books?id=Ww9f3TGMGM8C&printsec=frontcover] [https://www.getty.edu/research/exhibitions_events/events/california_video.pdf]. Comprehensive exhibition catalogue with an introduction by the editor, followed by some 230 pages devoted to artists’ historic videos with short introductions by leading figures in the field of video. Scholarly essays by Meg Cranston, Robert R. Riley, Kathy Rae Huffman, Bruce Yonemoto, Steve Seid, and Rita Gonzalez. Hundreds of illustrations. {{en}}
+
 
 +
* ''Sounding the Subject. Video Trajectories. Selections from the Pamela and Richard Kramlich Collection and the New Art Trust'', MIT List Visual Arts Center, 2007. [https://www.academia.edu/1132661/ Introduction, Mechtild Widrich's essay]. {{en}}
 +
 
 +
* ''Buffalo Heads: Media Study, Media Practice, Media Pioneers, 1973-1990'', eds. Woody Vasulka and Peter Weibel, Karlsruhe: ZKM, and MIT Press, 2008, 837 pp. Exh. held at ZKM, 16 Dec 2006-25 Mar 2007. [http://web.archive.org/web/20101106014041/http://hosting.zkm.de/mindframes_e/ Exhibition]. [https://zkm.de/en/event/2006/12/mindframes-media-study-at-buffalo Exhibition]. [https://zkm.de/en/chronology Chronology]. [https://d-nb.info/991455819/04 TOC]. [https://mitpress.mit.edu/books/buffalo-heads Publisher]. [https://zkm.de/en/publication/buffalo-heads-media-study-media-practice-media-pioneers Publisher]. Reviews: [https://www.academia.edu/7754670/ Zics] (Leonardo), [https://online.ucpress.edu/afterimage/article/36/5/30/19322/ Yu] (Afterimage), [https://sci-hub.se/10.1111/j.1542-734X.2009.00699_3.x Browne] (J Am Cult). Exh. review: [https://online.ucpress.edu/fq/article/61/2/56/93167/ Minkowsky] (Film Quarterly). {{en}}
 +
 
 +
* ''California Video: Artists and Histories'', ed. Glenn Phillips, Los Angeles: Getty Research Institute, 2008, 312 pp. Exh. held at J. Paul Getty Museum, Los Angeles, 15 Mar-8 Jun 2008. Comprehensive exhibition catalogue with an introduction by the editor, followed by some 230 pages devoted to artists’ historic videos with short introductions by leading figures in the field of video. Scholarly essays by Meg Cranston, Robert R. Riley, Kathy Rae Huffman, Bruce Yonemoto, Steve Seid, and Rita Gonzalez. Hundreds of illustrations. [https://shop.getty.edu/products/california-video-artists-and-histories-978-0892369225 Publisher]. [https://books.google.com/books?id=Ww9f3TGMGM8C&printsec=frontcover] [https://www.getty.edu/research/exhibitions_events/events/california_video.pdf]. {{en}}
 +
 
 +
* ''Insert: retrospektiva hrvatske video umjetnosti / Retrospective of Croatian Video Art'', ed. Tihomir Milovac, Zagreb: MSU, 2008, 360 pp. Exh. held at MSU Zagreb, Sep-Oct 2005, and MMSU Rijeka, Mar-Apr 2006. Texts by Tihomir Milovac, Silva Kalčić, Antonija Majača, Branko Franceschi. [[Insert_-_Retrospective_of_Croatian_Video_Art|Exhibition]]. [http://www.msu.hr/#/en/18057/] {{cr}}/{{en}}
 +
 
 +
* ''Record again! 40JahreVideokunst.de Teil 2'', eds. Christoph Blase and Peter Weibel, Ostfildern: Hatje Cantz, 2010, 535 pp. With DVD. [https://www.hatjecantz.de/record-again-2424-1.html Publisher]. [http://www.record-again.de/publikationen.html] [https://zkm.de/de/publikation/record-again] {{de}}/{{en}}
 +
 
 
* ''[http://monoskop.org/log/?p=16463 TV ARTS TV: The Television Shot by Artists]'', ed. Valentina Valentini, Madrid: La Fábrica, and Barcelona: Arts Santa Mònica, 2010, 160 pp.
 
* ''[http://monoskop.org/log/?p=16463 TV ARTS TV: The Television Shot by Artists]'', ed. Valentina Valentini, Madrid: La Fábrica, and Barcelona: Arts Santa Mònica, 2010, 160 pp.
 +
 +
* ''Changing Channels. Kunst und Fernsehen 1963-1987'', ed. Matthias Michalka, Cologne: Verlag der Buchhandlung Walther König, and Vienna: mumok, 2010, 293 pp. [https://www.mumok.at/en/events/changing-channels Exh.] curated by Matthias Michalka with Manuela Ammer; held at mumok, Vienna, 5 Mar-6 Jun 2010. [https://www.mumok.at/de/changing-channels] {{de}}
 +
** ''Changing Channels: Art and Television 1963-1987'', ed. Matthias Michalka, Cologne: Verlag der Buchhandlung Walther König, and Vienna: mumok, 2010, 293 pp. [https://www.mumok.at/en/changing-channels]
 +
 +
* ''[http://monoskop.org/log/?p=2493 Transitland: Video Art from Central and Eastern Europe After the Fall of the Berlin Wall, 1989–2009 / Видеоарт Центральной и Восточной Европы после падения Берлинской стены, 1989–2009]'', Moscow: MediaArtLab, 2010, 137 pp. {{en}}/{{ru}}
 +
 
* ''[[Media:VideoStudio_Playback_2011.pdf|VideoStudio: Playback]]'', ed. Thomas J. Lax, New York: Studio Museum in Harlem, 2011, 17 pp. Exh. held on 31 Mar-26 Jun 2011. First exhibition in a series of programs dedicated to work made in the late 20th century that reflect the influence of dance and avant-garde theater as well as contemporaneous social concerns on early uses of video by artists. Emphasizing improvisation, collaboration and innovative uses of technology, the artists in the exhibition include Houston Conwill, Maren Hassinger, Fred Holland, Ishmael Houston-Jones, Ulysses Jenkins, Senga Nengudi and Howardena Pindell. {{en}}
 
* ''[[Media:VideoStudio_Playback_2011.pdf|VideoStudio: Playback]]'', ed. Thomas J. Lax, New York: Studio Museum in Harlem, 2011, 17 pp. Exh. held on 31 Mar-26 Jun 2011. First exhibition in a series of programs dedicated to work made in the late 20th century that reflect the influence of dance and avant-garde theater as well as contemporaneous social concerns on early uses of video by artists. Emphasizing improvisation, collaboration and innovative uses of technology, the artists in the exhibition include Houston Conwill, Maren Hassinger, Fred Holland, Ishmael Houston-Jones, Ulysses Jenkins, Senga Nengudi and Howardena Pindell. {{en}}
−
* ''Vidéo Vintage 1963–1983: une sélection de vidéos fondatrices des collections nouveaux médias du Musée National d'Art Moderne Centre Pompidou'', ed. Christine Van Assche, Paris: Centre Pompidou, 2012, 64 pp. Retrospective presenting the first two decades of video art production held in the collection of Centre Pompidou. [https://boutique.centrepompidou.fr/en/books/video-vintage-1963-1983-une-selection-de-videos-fondatrices-des-collections-nouveaux-medias-du-musee-national-dart-moderne-centre-pompidou/123.html]. Exh. held at Centre Pompidou, 8 Feb-7 May 2012; [http://on1.zkm.de/zkm/stories/storyReader$8105 ZKM Karlsruhe]; [http://www.beirutartcenter.org/exhibitions.php?exhibid=349&statusid=3 Beirut Art Center]; [http://www.mmca.go.kr/upload/m/data/board/2013/10/17/20131017092147.pdf MMCA Seoul]. {{fr}}
 
−
* ''TeleGen: Kunst und Fernsehen / Art and Television'', eds. Dieter Daniels and Stephan Berg, Munich: Hirmer, 2015, 352 pp. Exh. held at [http://www.kunstmuseum-bonn.de/nocache/en/exhibitions/preview/info/ex/tele-gen-2526/ Kunstmuseum Bonn], 1 Oct 2015-17 Jan 2016; [http://www.kunstmuseum.li/?page=2108&aid=427&jahr=&monat=&art=future&lan=en Kunstmuseum Liechtenstein], Vaduz, 19 Feb-16 May 2016. {{de}}/{{en}}
 
  
−
[[Image:Youngblood_Gene_Expanded_Cinema.jpg|thumb|200px|Gene Youngblood, ''Expanded Cinema'', 1970, [http://monoskop.org/log/?p=218 Log], [[Media:Youngblood_Gene_Expanded_Cinema.pdf|PDF]].]]
+
* ''Vidéo Vintage 1963-1983: une sélection de vidéos fondatrices des collections nouveaux médias du Musée National d'Art Moderne Centre Pompidou'', ed. Christine Van Assche, Paris: Centre Pompidou, 2012, 64 pp. Retrospective presenting the first two decades of video art production held in the collection of Centre Pompidou. Curated by Christine van Assche with Florence Parot. [https://www.centrepompidou.fr/media/document/48/ed/48eda379aa5c861da6dd9901e2e582a3/normal.pdf Press release]. [https://boutique.centrepompidou.fr/en/books/video-vintage-1963-1983-une-selection-de-videos-fondatrices-des-collections-nouveaux-medias-du-musee-national-dart-moderne-centre-pompidou/123.html Publisher]. Exh. held at [https://www.centrepompidou.fr/cpv/resource/c7p4bkA/r4bRdxj Centre Pompidou], 8 Feb-7 May 2012; [https://zkm.de/en/event/2012/09/video-vintage-1963-1983 ZKM Media Museum Karlsruhe], 22 Sep 2012-10 Feb 2013; [http://www.beirutartcenter.org/exhibitions.php?exhibid=349&statusid=3 Beirut Art Center]; [http://www.mmca.go.kr/upload/m/data/board/2013/10/17/20131017092147.pdf MMCA Seoul]. [https://www.centrepompidou.fr/media/document/42/1c/421c8601b74239c57df96a43fbedfaa2/normal.pdf] {{fr}}
−
[[Image:Dunn_David_ed_Pioneers_of_Electronic_Art.jpg|thumb|200px|''Eigenwelt Der Apparatewelt: Pioneers of Electronic Art'', Linz, 1992, [http://monoskop.org/log/?p=43 Log].]]
+
 
 +
* [http://video.wrocenter.pl/media/pdf/acdcit_wrocenter.pl.pdf ''AC/DC/IT: Krótka historia instalacji wideo''], Wroclaw: WRO Art Center, 2012, 75 pp. [http://www.wrocenter.pl/strony-wystaw/krotka-historia-instalacji-wideo/ Exhibition]. {{pl}}
 +
 
 +
* ''Corpo elettronico: videoarte italiana tra materia, segno e sogno'', eds. Andrea La Porta and Gianluca Marziani, Milan: Prearo, 2012, 173 pp. Exh. held 11 Feb-25 Apr 2012. {{it}}
 +
 
 +
* ''TeleGen: Kunst und Fernsehen / Art and Television'', eds. Dieter Daniels and Stephan Berg, Munich: Hirmer, 2015, 352 pp. Exh. held at [http://www.kunstmuseum-bonn.de/nocache/en/exhibitions/preview/info/ex/tele-gen-2526/ Kunstmuseum Bonn], 1 Oct 2015-17 Jan 2016; [http://www.kunstmuseum.li/?page=2108&aid=427&jahr=&monat=&art=future&lan=en Kunstmuseum Liechtenstein], Vaduz, 19 Feb-16 May 2016. [[Media:TeleGen Art and Television 2016_booklet.pdf|Exh. booklet]]. {{de}}/{{en}}
 +
 
 +
* ''Videoarte a Palazzo dei Diamanti 1973-1979: reenactment'', Ferrara: Fondazione Ferrara arte, 2015, 119 pp. {{it}}
 +
 
 +
* ''[[Media:Huldisch_Henriette_Before_Projection_Video_Sculpture_1974-1995_2018.pdf|Before Projection: Video Sculpture 1974-1995]]'', ed. Henriette Huldisch, Cambridge, MA: MIT List Visual Arts Center, and Munich: Hirmer Verlag, 2018, 143 pp. Texts by Henriette Huldisch, Emily Watlington, and Edith Decker-Phillips. Exh. held at [https://listart.mit.edu/exhibitions/projection-video-sculpture-1974-1995 MIT List Visual Arts Center], Cambridge, MA, 8 Feb-15 Apr 2018. {{en}}
 +
 
 +
* ''Mémoires vives: From Nam June Paik to Sliders_Lab'', ed. Jean-Marie Dallet, Tielt: Lannoo, 2019, 256 pp. [https://www.lannoo.be/sites/default/files/books/issuu/9789401458535.pdf Excerpt]. [https://www.lannoo.be/nl/m%C3%A9moires-vives] {{en}},{{nl}},{{fr}}
 +
 
 +
* ''[https://monoskop.org/log/?p=22021 Defiant Muses: Delphine Seyrig and the Feminist Video Collectives in France, 1970s-1980s]'', Madrid: Museo Reina Sofía, 2019, 231 pp. {{en}}
 +
** ''[https://monoskop.org/log/?p=22021 Musas insumisas: Delphine Seyrig y los colectivos de vídeo feminista en Francia en los 70 y 80]'', Madrid: Museo Reina Sofía, 2019, 231 pp. {{es}}
 +
 
 +
* [https://zacheta.art.pl/public/upload/mediateka/pdf/5e5e53839bb13.pdf#page=36 "Wideotaśmy. Wczesna sztuka wideo (1965–1976) / Videotapes: Early video art (1965-1976)"], ''Zachęta'', Warsaw: Zachęta – National Gallery of Art, Feb-Apr 2020, pp 36-43. Exh. held at [https://zacheta.art.pl/en/wystawy/wideotasmy Zachęta, Warsaw], 15 Feb-14 Jun 2020. Curated by Michał Jachuła. [https://wnetrza3d.pl/realizacje/zacheta/wideotasmy-wczesna-sztuka-wideo-1965-1976-3533/ 3D exhibition]. [https://zacheta.art.pl/en/mediateka-i-publikacje/wideotasmy-2 Video documentation]. Review: [https://blokmagazine.com/videotapes-early-video-art-1965-1976-at-zacheta-national-gallery-of-art/ Jachuła] (Blok). {{pl}}/{{en}}
 +
 
 +
* ''Signals: How Video Transformed the World'', eds. Stuart Comer and Michelle Kuo, New York: Museum of Modern Art, 2023, 188 pp. With contributions by Aria Dean and Erika Balsom. [https://www.moma.org/calendar/exhibitions/5224 Exhibition]. [https://store.moma.org/en-cz/products/signals-how-video-transformed-the-world-paperback Publisher]. Exh. review: [https://www.artforum.com/print/202305/tina-rivers-ryan-on-signals-how-video-transformed-the-world-90436 Ryan] (Artforum). {{en}}
 +
 
 +
===Books, journal issues, proceedings, theses===
 +
 
 +
====1970s====
 +
 
 +
[[Image:Youngblood_Gene_Expanded_Cinema.jpg|thumb|300px|Gene Youngblood, ''Expanded Cinema'', 1970, [http://monoskop.org/log/?p=218 Log], [[Media:Youngblood_Gene_Expanded_Cinema.pdf|PDF]].]]
 +
 
 +
<div class=twocol>
 +
 
 +
* Gene Youngblood, ''[https://monoskop.org/log/?p=218 Expanded Cinema]'', intro. R. Buckminster Fuller, New York: E.P. Dutton, 1970, 432+[6] pp; London: Studio Vista, 1970, 432+[6] pp; repr., 50th anniv.ed., New York: Fordham University Press, 2020, xxxii+449+[12] pp.
 +
** ''Cine expandido'', intro. Emilio Benini, Buenos Aires: Editorial De La Universidad Nacional De Tres De Febrero (EDUNTREF), 2012, 447 pp. [http://eduntref.com.ar/catalogo/cine-expandido/] {{es}}
 +
** ''Expanded cinema'', eds. Pier Luigi Capucci and Simonetta Fadda, Bologna: CLUEB, 2013, xvi+388 pp. {{it}}
  
−
===Monographs===
 
−
* Gene Youngblood, ''[http://monoskop.org/log/?p=218 Expanded Cinema]'', intro. R. Buckminster Fuller, New York: Dutton, 1970, 432 pp.
 
−
** ''Cine expandido'', Buenos Aires: Eduntref, 2012, 456 pp. [http://eduntref.com.ar/catalogo/cine-expandido/] {{es}}
 
−
** ''Expanded cinema'', trans. Pier Luigi Capucci and Simonetta Fadda, Bologna: CLUEB, 2013, xvi+388 pp. {{it}}
 
 
* Michael Shamberg, Raindance Corporation, ''Guerrilla Television'', New York, Chicago, San Francisco: Holt Rinehart and Winstin, 1971. [http://archive.neural.it/init/default/show/1964]
 
* Michael Shamberg, Raindance Corporation, ''Guerrilla Television'', New York, Chicago, San Francisco: Holt Rinehart and Winstin, 1971. [http://archive.neural.it/init/default/show/1964]
 +
 +
* ''Performance'' 3: "Television", Jul-Aug 1972.
 +
 
* Paul Ryan, ''Birth And Death And Cybernation: Cybernetics of the Sacred'', New York: Gordon & Breach, 1973.
 
* Paul Ryan, ''Birth And Death And Cybernation: Cybernetics of the Sacred'', New York: Gordon & Breach, 1973.
 +
 +
* [[Media:Art-Rite_7_Video_1974.pdf|''Art-Rite'' 7: "Video"]], ed. Anna Canepa, New York: Art-Rite, Autumn 1974, 32 pp.
 +
 +
* ''[[Media:Whitney_Video_Conference_1974_transcript.pdf|Transcript of the Whitney Video Conference sponsored by NYSCA on April 1 & 2, 1974]]'', New York State Council on the Arts, [1975], n.p.
 +
 
* Peggy Gale (ed.), ''Video by Artists'', intro. Tom Sherman, Toronto: Art Metropole, 1976, 223 pp. [http://www.leftmatrix.com/videobyartists1.html] [https://www.arcanabooks.com/catalog/book/022253/]
 
* Peggy Gale (ed.), ''Video by Artists'', intro. Tom Sherman, Toronto: Art Metropole, 1976, 223 pp. [http://www.leftmatrix.com/videobyartists1.html] [https://www.arcanabooks.com/catalog/book/022253/]
−
* Johanna Gill, ''[http://www.vasulka.org/archive/4-30b/Rockefeller(1041).pdf Video: State of the Art]'', Rockefeller Foundation, 1976, 56 pp, [http://web.archive.org/web/20151024165615/http://experimentaltvcenter.org/video-state-art HTML].
+
 
−
* Jonathan Price, ''Video Visions: A Medium Discovers Itself'', New York: New American Library, 1977. Based on interviews with people involved in early video: broadcasters at WGBH and other PBS stations, numerous artists, a.o.
+
* Johanna Gill, ''[http://www.vasulka.org/archive/4-30b/Rockefeller(1041).pdf Video: State of the Art]'', Rockefeller Foundation, 1976, 56 pp, [http://web.archive.org/web/20151024165615/http://experimentaltvcenter.org/video-state-art HTML]; repr. as [https://monoskop.org/images/1/11/Dunn_David_ed_Pioneers_of_Electronic_Art.pdf#page=63 "Video: State of the Art"], in ''[https://monoskop.org/log/?p=43 Eigenwelt der Apparate-Welt. Pioniere der Elektronischen Kunst / Pioneers of Electronic Art]'', ed. David Dunn, Santa Fe, NM: The Vasulkas, 1992, pp 63-88.
−
* Gregory Battcock (ed.), ''New Artists' Video: A Critical Anthology'', New York: E.P.Dutton, 1978, xxii+198 pp. [http://vufind-devel.carli.illinois.edu/all/vf-hrt/Record/265229/TOC]. Some of the articles are reprints, but eleven of them were previously unpublished. Writers included Douglas Davis, Richard Kostelanetz, Richard Lorber, David Ross, Nam June Paik and Charlotte Moorman, Robert Stefanotty, Les Levine, Rosalind Kraus, Stuart Marshall, Ingrid Wiegand, a.o.
+
 
−
* Wulf Herzogenrath (ed.), ''Videokunst in Deutschland 1963-1982'', Stuttgart: Gerd Hatje, 1982. Includes chapters on “Videotapes,” “Videoinstallation,” “Video-Objects,” and “Videoperformances” covers some one hundred artists, and includes biographies, videographies, and many black-and-white photographs. Essays by Wulf Herzogenrath, Helmut Friedel, Nam June Paik, Ulrike Rosenbach, Friederike Pezold, and Kaus von Bruch; a rare 1969 letter from Gerry Schum to Gene Youngblood; and an interview with Joseph Beuys. {{de}}
+
* ''Studio International'': "Video Art", ed. David Hall, London, May-Jun 1976. Essays: [[Media:Hall_David_1976_British_Video_Art_Towards_an_Autonomous_Practice.pdf|D Hall]], [http://www.rewind.ac.uk/documents/Stephen%20Partridge/SP195-01.pdf Krikorian], [http://www.rewind.ac.uk/documents/Stephen%20Partridge/SP192krikorian.pdf Krikorian], [http://www.rewind.ac.uk/documents/Stephen%20Partridge/SP194.pdf S Hall & Hopkins], [http://www.rewind.ac.uk/documents/Stephen%20Partridge/SP192leggett.pdf Leggett], [http://www.rewind.ac.uk/documents/Mike%20Leggett/ML034.pdf Leggett], [http://www.rewind.ac.uk/documents/Stephen%20Partridge/SP195.pdf Chaimowitz], [http://www.rewind.ac.uk/documents/Stephen%20Partridge/SP192hoey.pdf Hoey], [http://www.rewind.ac.uk/documents/Stephen%20Partridge/S189.pdf Kidel].
−
* Bettina Gruber, Maria Vedder (eds.), ''Kunst und Video: Internationale Entwicklung und Künstler'', Cologne: DuMont, 1983, 264 pp. Incl. 7 essays on communications theory and video history, color plates (8 pp), statements, photographs, biographies, videographies, and bibliographies for 61 artists. Review: [http://sci-hub.tw/10.1080/00043249.1985.10792307 Zippay] (Art J 1985). {{de}}
+
 
 +
* Daniela Palazzoli, ''Fotografia, cinema, videotape: l'uso artistico dei nuovi media'', Milan: Fabbri, 1977, 126 pp. {{it}}
 +
 
 +
* Jonathan Price, ''Video Visions: A Medium Discovers Itself'', New York: New American Library, 1977. Based on interviews with people involved in early video: broadcasters at WGBH and other PBS stations, numerous artists, a.o. Review: [https://muse.jhu.edu/article/599478/pdf Kaiser] (Leonardo).
 +
 
 +
* ''The New Television: A Public/Private Art: Essays, Statements, and Videotapes: Based on "Open Circuits: An International Conference on the Future of Television" Organized by Fred Barzyk, Douglas Davis, Gerald O'Grady, and Willard Van Dyke for the Museum of Modern Art, New York City'', eds. Douglas Davis and Allison Simmons, MIT Press, 1977, 289 pp. [[Media:Davis_Simmons_eds_The_New_Television_A_Public_Private_Art_1977_excerpts.pdf|Excerpts]], [https://archive.org/details/ETC2790/ Herzogenrath's essay]. Based on conference held 23-25 Jan 1974, gathering some 40 video artists, filmmakers, curators, arts administrators, and critics among others to discuss the problems and prospects of artists' television and video. [http://www.eai.org/user_files/supporting_documents/schedule.pdf Conf. schedule]. Review: [http://muse.jhu.edu/article/599098/ Knight] (Leonardo). [http://www.eai.org/webpages/1244] [https://www.eai.org/webpages/1176]
 +
 
 +
* Gregory Battcock (ed.), ''[[Media:Battcock Gregory ed New Artists Video A Critical Anthology 1978.pdf|New Artists' Video: A Critical Anthology]]'', New York: E.P. Dutton, 1978, xxii+198 pp, [https://archive.org/details/newartistsvideoc0000unse IA]. [http://vufind-devel.carli.illinois.edu/all/vf-hrt/Record/265229/TOC]. Some of the articles are reprints, but eleven of them were previously unpublished. Writers included Douglas Davis, Richard Kostelanetz, Richard Lorber, David Ross, Nam June Paik and Charlotte Moorman, Robert Stefanotty, Les Levine, Rosalind Kraus, Stuart Marshall, Ingrid Wiegand, a.o.
 +
 
 +
* ''[[Media:International_Video_Art_Symposium_1979_Transcript.pdf|Transcript from The International Video Art Symposium, 5-7 March 1979]]'', Kingston, Ontario: Queen's University, 1979, 69 pp. [https://archive.org/details/ETC2078]
 +
 
 +
</div>
 +
 
 +
====1980s====
 +
 
 +
<div class=twocol>
 +
 
 +
* Sirio Luginbühl, Paolo Cardazzo, ''Videotapes: arte tecnica storia'', Padua: Mastrogiacomo, 1980. [https://rewind.ac.uk/rewind/wp-content/uploads/sites/146/2018/05/ITPC003.pdf Excerpt]. [https://rewind.ac.uk/assets/vtr-i-asset-3/] {{it}}
 +
 
 +
* Dominique Belloir, ''[[Media:Belloir Dominique Video art explorations 1981.pdf|Vidéo art explorations]]'', Paris: Cahiers du Cinema, 1981, 90 pp. {{fr}}
 +
 
 +
* Bettina Gruber, Maria Vedder (eds.), ''Kunst und Video: Internationale Entwicklung und Künstler'', Cologne: DuMont, 1983, 264 pp. Incl. 7 essays on communications theory and video history, color plates (8 pp), statements, photographs, biographies, videographies, and bibliographies for 61 artists. Review: [http://sci-hub.se/10.1080/00043249.1985.10792307 Zippay] (Art J 1985). {{de}}
 +
 
 +
* ''The Media Arts in Transition'', ed. Bill Horrigan, Minneapolis: Walker Art Center, 1983, 63 pp. Conference held 8-11 Jun 1983. [http://www.vasulka.org/archive/ExhFest6/Walker/WalkerPstrMedArtTrans.pdf Programme]. [http://www.vasulka.org/archive/ExhFest6/Walker/MediaArtsInTransition.pdf Part on preservation]. [http://www.vasulka.org/archive/ExhFest6/Walker/WAC004.pdf Speakers and registrants].
 +
 
 +
* Heidi Grundmann (ed.), ''Art Telecommunication'', Vancouver: Western Front Publication, and Vienna: Blix, 1984, 140 pp. [http://www.hohlwelt.com/en/books/hgrundma.html]. Review: [http://narrabase.net/heidi.html Malloy]. {{en}}
 +
 
 +
* Ida Boelema (ed.), ''Inventarisatie van videokunst, films van kunstenaars, avantgarde en experimentele films, die in Nederland beschikbaar zijn'', 2 vols., Weesp: Openbaar Kunstbezit, 1984-1985, 209 & ix+251 pp. {{nl}}
 +
 
 +
* [http://monoskop.org/log/?p=14445 ''Art Journal'' 45(3): "Video: The Reflexive Medium"], ed. Sara Hornbacher, Fall 1985, 93 pp.
 +
 
 +
* Mihailo Ristić (ed.), ''Videosfera: video/društvo/umetnost'' [Videosphere: Video/Society/Art], Belgrade: Studentski izdavački centar, 1986. Anthology of theoretical texts about video, including contributions from video-makers. Review: [https://polja.rs/wp-content/uploads/2016/02/selection18-2.pdf Radić]. {{sc}}
 +
 
 
* John Hanhardt (ed.), ''[[Media:Hanhardt_John_ed_Video_Culture_A_Critical_Investigation.pdf|Video Culture: A Critical Investigation]]'', Layton, UT: Peregrine Smith Books, and Rochester, NY: Visual Studies Workshop Press, 1986, 296 pp. Introduction by Hanhardt, with chapters on “Theory and Practice,” “Video and Television,” and “Film and Video.” Essays by Walter Benjamin, Bertolt Brecht, Louis Althusser, Hans Mgnus Enzensberger, Jean Baudrillard, David Antin, David Ross, Stanley Cavell, Nam June Paik, Gene Youngblood, Jack Burnham, John Ellis, and Douglas Davis, as well as Rosalind Krauss’s essay "Video: The Aesthetics of Narcissism".
 
* John Hanhardt (ed.), ''[[Media:Hanhardt_John_ed_Video_Culture_A_Critical_Investigation.pdf|Video Culture: A Critical Investigation]]'', Layton, UT: Peregrine Smith Books, and Rochester, NY: Visual Studies Workshop Press, 1986, 296 pp. Introduction by Hanhardt, with chapters on “Theory and Practice,” “Video and Television,” and “Film and Video.” Essays by Walter Benjamin, Bertolt Brecht, Louis Althusser, Hans Mgnus Enzensberger, Jean Baudrillard, David Antin, David Ross, Stanley Cavell, Nam June Paik, Gene Youngblood, Jack Burnham, John Ellis, and Douglas Davis, as well as Rosalind Krauss’s essay "Video: The Aesthetics of Narcissism".
 +
 
* Deidre Boyle, ''Video Classics: A Guide to Video Art and Documentary Tapes'', Phoenix, AZ: Oryx Press, 1986, xxii+160 pp.
 
* Deidre Boyle, ''Video Classics: A Guide to Video Art and Documentary Tapes'', Phoenix, AZ: Oryx Press, 1986, xxii+160 pp.
 +
 
* Elke Town (ed.), ''Video by Artists, 2'', Toronto: Art Metropole, 1986, 151 pp. A companion to the 1976 book publication. [http://www.leftmatrix.com/videobyartists2.html]
 
* Elke Town (ed.), ''Video by Artists, 2'', Toronto: Art Metropole, 1986, 151 pp. A companion to the 1976 book publication. [http://www.leftmatrix.com/videobyartists2.html]
 +
 
* Wolfgang Preikschat, ''Video. Die Poesie der Neuen Medien'', Weinheim: Beltz, 1987, 188 pp. Review: [http://archiv.ub.uni-marburg.de/ep/0002/article/view/6411 Hoffman] (MW). {{de}}
 
* Wolfgang Preikschat, ''Video. Die Poesie der Neuen Medien'', Weinheim: Beltz, 1987, 188 pp. Review: [http://archiv.ub.uni-marburg.de/ep/0002/article/view/6411 Hoffman] (MW). {{de}}
−
* Lori Zippay (ed.), ''Artists' Video: An International Guide'', New York: Cross River Press, 1991, 272 pp. Introductory essay by the editor on major topics and technical developments in video, from the 1960s to the 1990s, including 120 artists and 1,500 illustrations, with chapters organized alphabetically by artist, each with an annotated biography, videography, and bibliography.
+
 
−
* Doug Hall, Sally Jo Fifer (eds.), ''Illuminating Video: An Essential Guide to Video Art'', New York: Aperture Press, 1991. [[Media:Rosler_Martha_1986_1991_Video_Shedding_the_Utopian_Moment.pdf|Rosler's essay]], [[Media:Morse Margaret 1991 Video Installation Art The Body The Image and the Space-in-Between.pdf|Morse's essay]], [http://web.archive.org/web/20050301235116/http://bavc.org/preservation/dvd/resources/extras/sturken.pdf Sturken's essay]. Essays by Kathy Rae Huffman, Marita Sturken, Christine Tamblyn, Martha Rosler, Chip Lord, Judith Barry, Juan Downey, Mary Lucier, Woody Vasulka, Bill Viola, and Kathy O’Dell, a.o. Bibliography and videography.
+
* Roy Armes, ''On Video'', London: Routledge, 1988, 230 pp.
−
* David Dunn (ed.), ''[http://monoskop.org/log/?p=43 Eigenwelt Der Apparatewelt: Pioneers of Electronic Art]'', Santa Fe: The Vasulkas, 1992, 240 pp.
+
** ''Lu ying xue'' [錄影學], Tai bei shi: Yuan liu, 1995, 284 pp. {{cn}}
−
* ''Rewind: Surveying the First Decade: Video Art and Alternative Media in the U.S., 1968-1980'', ed. Gary Hill, Chicago: Video Data Bank, 1995, [http://www.vasulka.org/archive/Artists2/Hill,Chris/Rewind.pdf Excerpt]; [[Media:Rewind_Surveying_the_First_Decade_Video_Art_and_Alternative_Media_in_the_US_1968-1980_2008.pdf|new ed.]], eds. Abina Manning and Brigid Reagan, Chicago: Video Data Bank, 2008, 150 pp. [http://www.vasulka.org/archive/ExhFest10/SFmoma/SFMoMA.pdf Brochure, SFMOMA], 1997.
+
 
 +
* Rob Perrée, ''Into Video Art: The Characteristics of a Medium / Into Video Art: De Karakteristieken von een Medium'', trans. A.H.W. Karelse, Rotterdam: Con Rumore, and Amsterdam: Idea Books, 1988, 75 pp. Argues for video art as a fine art, describes the medium's specific conditions illustrated by examples from Dutch video art. [http://e-artexte.ca/523/]. Review: [https://www.mediamatic.net/image/2016/12/14/mediamatic_vol_2_3.pdf#page=46 Groot] (Mediamatic). {{en}}/{{nl}}
 +
 
 +
* [https://www.persee.fr/issue/comm_0588-8018_1988_num_48_1 ''Communications'' 48: "Vidéo"], eds. Raymond Bellour and Anne-Marie Duguet, Paris, 1988. {{fr}}
 +
 
 +
</div>
 +
 
 +
====1990s====
 +
 
 +
<div class=twocol>
 +
 
 +
* Vittorio Fagone, ''L'immagine video: arti visuali e nuovi media elettronici'', Milan: Feltrinelli, 1990, 239+xxxii pp; 2nd ed., Milan: Feltrinelli, 2007, 239+[32] pp. {{it}}
 +
 
 +
* [[Electronic Arts Intermix]], ''[[Media:Electronic Arts Intermix Artists Video An International Guide 1991.pdf|Artists' Video: An International Guide]]'', ed. Lori Zippay, New York: Cross River Press, 1991, 272 pp. Introductory essay by the editor on major topics and technical developments in video, from the 1960s to the 1990s, including 120 artists and 1,500 illustrations, with chapters organized alphabetically by artist, each with an annotated biography, videography, and bibliography.
 +
 
 +
* Doug Hall, Sally Jo Fifer (eds.), ''[[Media:Hall_Doug_Fifer_Sally_Jo_eds_Illuminating_Video_An_Essential_Guide_to_Video_Art_1990.pdf|Illuminating Video: An Essential Guide to Video Art]]'', pref. David Bolt, forew. David Ross, intro. Doug Hall and Sally Jo Fifer, New York: Aperture, with Bay Area Video Coalition, 1990, 566 pp, [https://archive.org/details/illuminatingvide0000fife IA]. Essays by [http://pzacad.pitzer.edu/~mma/teaching/MS80/readings/huffman.pdf Kathy Rae Huffman], [http://web.archive.org/web/20050301235116/http://bavc.org/preservation/dvd/resources/extras/sturken.pdf Marita Sturken], Christine Tamblyn, [[Media:Rosler_Martha_1986_1991_Video_Shedding_the_Utopian_Moment.pdf|Martha Rosler]], Chip Lord, Judith Barry, Juan Downey, Mary Lucier, Woody Vasulka, Bill Viola, Kathy O’Dell, [[Media:Morse Margaret 1991 Video Installation Art The Body The Image and the Space-in-Between.pdf|Margaret Morse]], a.o. Bibliography and videography. [http://web.archive.org/web/19990428013235/http://www.bavc.org/html/publications/illuminating.html Publisher]. Review: [https://sci-hub.st/10.1086/adx.11.1.27948423 Mellby] (Art Doc).
 +
 
 +
* [[Media:Immagine e Pubblico 2-3 Videoarte 1990.pdf|''Immagine e Pubblico'' 2-3: "Videoarte"]], eds. Gianni Toti and Marco Maria Gazzano, Apr-Sep 1990, 34 pp. {{it}}
 +
 
 +
* Sean Cubitt, ''[https://monoskop.org/log/?p=644 Videography: Video Media as Art and Culture]'', London: Macmillan, 1993, 239 pp. {{en}}
 +
 
 +
* Rossen Milev, ''Video in Osteuropa'', Sofia: Balkanmedia, 1993, 164 pp. [http://www.blankjeron.com/sero/Handshake-Feldreise/D/ostranenie/texte_zu_ostrannenie/ostranenie_milev.html Excerpt]. Based on author's dissertation written under Siegfried Zielinski. Review: [https://www.mediamatic.net/nl/page/14258/milev Lovink] (Mediamatic). [http://web.archive.org/web/20031117120743/www.sero.org/handshake/D/ostranenie/EEVideo/Bulgarien.html] {{de}}
 +
 
 +
* ''New Observations'' 103: "Video", ed. Ana de Portela, New York, Nov-Dec 1994, 31 pp. [https://www.newobservations.org/earlier-issues] [https://www.printedmatter.org/catalog/7559/]
 +
 
 +
* Marieke van Dormolen, ''Videokunst in Nederland: wel geëmancipeerd niet geïntegreerd: Madelon Hooykaas & Elsa Stansfield, Lydia Schouten, Roos Theuws'', Amsterdam: Universiteit van Amsterdam, 1994. PhD dissertation. {{nl}}
 +
 
 +
* ''Rewind: Surveying the First Decade: Video Art and Alternative Media in the U.S., 1968-1980'', ed. Gary Hill, Chicago: Video Data Bank, 1995, [http://www.vasulka.org/archive/Artists2/Hill,Chris/Rewind.pdf Excerpt]; [[Media:Rewind_Surveying_the_First_Decade_Video_Art_and_Alternative_Media_in_the_US_1968-1980_2008.pdf|new ed.]], eds. Abina Manning and Brigid Reagan, Chicago: Video Data Bank, 2008, 150 pp. [http://www.vasulka.org/archive/ExhFest10/SFmoma/SFMoMA.pdf Brochure, SFMOMA], 1997. [http://www.vdb.org/titles/surveying-first-decade-video-art-and-alternative-media-us-1968-1980]
 +
 
 +
* Janine Marchessault (ed.), ''[[Media:Marchessault Janine ed Mirror Machine Video and Identity 1995.pdf|Mirror Machine: Video and Identity]]'', Toronto: YYZ Books, and Centre for Research on Canadian Cultural Industries and Institutions, McGill University, 1995, 239 pp, [https://archive.org/details/mirrormachinevid0000unse/ IA].
 +
 
 +
* Michael Renov, Erika Suderburg (eds.), ''Resolutions: Contemporary Video Practices'', University of Minnesota Press, 1995, 448 pp. [https://www.upress.umn.edu/book-division/books/resolutions]
 +
 
 +
* Silvia Bordini, ''Videoarte & arte: tracce per una storia'', postf. Anna Ludovico, Rome: Lithos, 1995, 139 pp. {{it}}
 +
 
 +
* ''Art Journal'' 54(4): "Video Art", eds. John G. Hanhardt and Maria Christina Villaseñor, Winter 1995. [https://sci-hub.st/10.2307/777689 Introduction]. [https://www.jstor.org/stable/i231716]
 +
 
 +
* Julia Knight (ed.), ''Diverse Practices: a Critical Reader on British Video Art'', Luton: University of Luton Press, 1996, 384 pp. [https://www.donebauer.net/manifestations/movingimages/broadband/writing/personaljourney/personaljourney.htm Bauer's essay]. Review: [https://sci-hub.se/10.1093/screen/39.1.100 Eleftheriotis] (Screen). [https://ukvideoart.tripod.com/] {{en}}
 +
 
 +
* Sandra Lischi, ''Cine ma video'', Pisa: ETS, 1996, 147 pp. {{it}}
 +
 
 
* Christine Ross, ''Images de surface: l'art vidéo reconsidéré'', Montréal: Artexte, 1996, 142 pp. Based on dissertation from Université Paris I. {{fr}}
 
* Christine Ross, ''Images de surface: l'art vidéo reconsidéré'', Montréal: Artexte, 1996, 142 pp. Based on dissertation from Université Paris I. {{fr}}
 +
 
* ''The Kitchen Video Collection: Two Decades of the Video Vanguard'', ed. David Azarch, New York: Kitchen Center for Video, Music, Dance, Performance, Film, and Literature, 1996. Founded as a collective for experimental artists and composers, The Kitchen began as an alternative space and became a renowned institution for cross-disciplinary art and performance. Volume consists of archival documents, brief descriptions of art works, and black-and-white photographs of video art and video performances, many of which have become classic works in the history of art.
 
* ''The Kitchen Video Collection: Two Decades of the Video Vanguard'', ed. David Azarch, New York: Kitchen Center for Video, Music, Dance, Performance, Film, and Literature, 1996. Founded as a collective for experimental artists and composers, The Kitchen began as an alternative space and became a renowned institution for cross-disciplinary art and performance. Volume consists of archival documents, brief descriptions of art works, and black-and-white photographs of video art and video performances, many of which have become classic works in the history of art.
−
* Michael Renov, Erika Suderburg (eds.), ''Resolutions: Contemporary Video Practices'', University of Minnesota Press, 1996, 448 pp. [https://www.upress.umn.edu/book-division/books/resolutions]
+
 
 
* Deidre Boyle, ''[http://monoskop.org/log/?p=406 Subject to Change: Guerrilla Television Revisited]'', Oxford University Press, 1997.  
 
* Deidre Boyle, ''[http://monoskop.org/log/?p=406 Subject to Change: Guerrilla Television Revisited]'', Oxford University Press, 1997.  
 +
 +
* Jacqueline Bobo (ed.), ''[[Media:Bobo Jacqueline ed Black Women Film and Video Artists 1998.pdf|Black Women Film and Video Artists]]'', Routledge, 1998, 288 pp. [https://www.routledge.com/Black-Women-Film-and-Video-Artists/Bobo/p/book/9780415920421 Publisher].
 +
 +
* Sally Jo Fifer, et al. (eds.), ''Playback: A Preservation Primer for Video'', San Francisco: Bay Area Video Coalition, 1998, 79 pp. Proceedings from the 1996 symposium. [http://web.archive.org/web/19990428033626/http://www.bavc.org/html/publications/preservation.html Publisher], [http://web.archive.org/web/20030310180141/http://www.bavc.org/about/publications/playback.htm]. [http://cool.conservation-us.org/byorg/bavc/pb96/transc/ Session transcripts].
 +
 +
* Simonetta Fadda, ''Definizione zero: origini della videoarte fra politica e comunicazione'' [Zero Definition: The Beginnings of Videoart, between Politics and Communication], Genova: Costa & Nolan, 1999, 184 pp; new ed., exp., pref. Bruno Di Marino, Milan: Meltemi, 2017, 266 pp. [https://www.academia.edu/34732736/ Preface to 2nd ed.] {{it}}
 +
 +
* Dejan Sretenović (ed.), ''Video umetnost u Srbiji / Video Art in Serbia'', Belgrade: Centre for Contemporary Art, 1999, 152 pp. {{sr}}/{{en}}
 +
 +
</div>
 +
 +
====2000s====
 +
 +
<div class=twocol>
 +
 +
* Catherine Elwes, ''Video Loupe: A Collection of Essays by and about the Videomaker and Critic Catherine Elwes'', London: KT Press, 2000, 188 pp. [https://archive.org/details/videoloupecollec0000elwe/] {{en}}
 +
 
* François Parfait, ''Video, un art contemporain'', Paris: Regard, 2001. Twelve illustrated chapters focus on the relation between electronic images and the development of contemporary art; the affiliations between banal video productions and the hybrid history of technology; and interconnections among sculpture, photography, cinema, and television in relation to popular culture and live, performed art in the second half of the 20th century. {{fr}}
 
* François Parfait, ''Video, un art contemporain'', Paris: Regard, 2001. Twelve illustrated chapters focus on the relation between electronic images and the development of contemporary art; the affiliations between banal video productions and the hybrid history of technology; and interconnections among sculpture, photography, cinema, and television in relation to popular culture and live, performed art in the second half of the 20th century. {{fr}}
 +
 +
* Angela Madesani, ''Le icone fluttuanti: storia del cinema d'artista e della videoarte in Italia'', Milan: Mondadori, 2002, x+245 pp. {{it}}
 +
 +
* Maria Rosa Sossai, ''Artevideo: storie e culture del video d'artista in Italia'', Milan: Silvana, 2002, 159 pp. {{it}}
 +
 +
* ''PAJ: A Journal of Performance and Art'' 71: "Studio as Study: A Selection of Drawings by American Video Artists", ed. Melinda M. Barlow, May 2002. [https://muse.jhu.edu/issue/1499]
 +
 
* Ursula Biemann (ed.), ''[[Media:Biemann_Ursula_ed_Stuff_It_The_Video_Essay_in_the_Digital_Age_2003.pdf|In Stuff It: The Video Essay in the Digital Age]]'', Zurich: Voldemeer, and Vienna: Springer, 2003. {{en}}
 
* Ursula Biemann (ed.), ''[[Media:Biemann_Ursula_ed_Stuff_It_The_Video_Essay_in_the_Digital_Age_2003.pdf|In Stuff It: The Video Essay in the Digital Age]]'', Zurich: Voldemeer, and Vienna: Springer, 2003. {{en}}
−
* ''The Undercut Reader: Critical Writings on Artists' Film and Video'', eds. Nina Danino and Michael Mazière, London: Wallflower Press, 2003. [http://books.google.com/books?id=VE3MkTTgeBsC&printsec=frontcover]
+
 
 +
* Nina Danino, Michael Mazière (eds.), ''[[Media:Danino Nina Maziere Michael eds The Undercut Reader Critical Writings on Artists Film and Video 2003.pdf|The Undercut Reader: Critical Writings on Artists' Film and Video]]'', London: Wallflower Press, 2003, ix+277 pp, [https://archive.org/details/undercutreadercr0000unse IA]. Anthology of writing and visual works from ''Undercut'', an UK journal dedicated to artists' film and video between 1980 and 1990. Review: [https://sci-hub.se/10.1093/screen/45.4.440 Rees] (Screen).
 +
 
 +
* Valentina Valentini, ''Le storie del video'', Rome: Bulzoni, 2003, 338 pp. {{it}}
 +
 
 +
* Alessandro Amaducci, ''Banda anomala: un profilo della videoarte monocanale in Italia'', Torino: Lindau, 2003, 156 pp. {{it}}
 +
 
 
* Michael Rush, ''Video Art'', London: Thames & Hudson, 2003; rev.ed., 2007. [https://myweb.rollins.edu/droe/ART300/ART300/READINGS_files/VIDEO_ART_READING_1.pdf Introduction + Chapter 1], [http://pzacad.pitzer.edu/~mma/teaching/MS71/reading/rush-2.pdf Chapter 2].
 
* Michael Rush, ''Video Art'', London: Thames & Hudson, 2003; rev.ed., 2007. [https://myweb.rollins.edu/droe/ART300/ART300/READINGS_files/VIDEO_ART_READING_1.pdf Introduction + Chapter 1], [http://pzacad.pitzer.edu/~mma/teaching/MS71/reading/rush-2.pdf Chapter 2].
−
* Yvonne Speilmann, ''Video: das reflexive Medium'', Frankfurt am Main: Suhrkamp, 2005. This scholarly study of the history and practices of video contains a section devoted to the experimental phase of video, guerilla television, artistic video, and video culture. Another section explores the aesthetics of video by many artists working in video performance, from Vito Acconci, Dennis Oppenheim, and Ulrike Rosenbach to Valie Export, Lynn Hersham, and Raphael Montañez Ortiz. {{de}}
+
 
−
** ''Video: The Reflexive Medium'', trans. Anja Welle and Stan Jones, MIT Press, 2007, 384 pp. [http://www.yvonne-spielmann.com/pdf/video_mit.pdf TOC], [http://mitpress.mit.edu/sites/default/files/titles/content/9780262195669_ind_0001.pdf Index], [http://mitpress.mit.edu/books/video].
+
* Jeroen Boomgaard, Bart Rutten (eds.), ''De magnetische tijd. Videokunst in Nederland 1970-1985'', Rotterdam: Nai Publishers, and Amsterdam: Netherlands Media Art Institute, 2003. {{nl}}
−
* Chris Meigh-Andrews, ''A History of Video Art'', Berg 2006; [http://gen.lib.rus.ec/book/index.php?md5=AD3F25797F8FF079C6A6041F0DF99DAC 2nd ed.], Bloomsbury, 2014, 387 pp.
+
** ''The Magnetic Era: Video Art in the Netherlands 1970-1985'', Rotterdam: Nai Publishers, and Amsterdam: Netherlands Media Art Institute, 2003, 208 pp. [http://nimk.nl/eng/the-magnetic-era-publication] [http://www.fondation-langlois.org/html/e/page.php?NumPage=190] {{en}}
−
* Nancy Cain, ''Video Days and What We Saw Through the Viewfinder'', Palm Springs: Event Horizon Press, 2011.
+
*** introduction: Rob Perrée, [http://robperree.com/articles/126/video-art-in-the-netherlands-e "Video Art in the Netherlands: From Agora to MonteVideo"].
−
* Erika Suderburg, Ming-Yuen S. Ma (eds.), ''Resolutions 3: Global Networks of Video'', University of Minnesota Press, 2012, 408 pp.  [https://www.upress.umn.edu/book-division/books/resolutions-3]
+
 
−
* Holly Rogers, ''[http://library.memoryoftheworld.org/b/ZGU66t24n2GbXo7k2EX9MBgE9T2gDoI-igIa0ijfK9TEpRYc Sounding the Gallery: Video and the Rise of Art-Music]'', Oxford University Press, 2013.
+
* Tanya Leighton (ed.), ''[https://monoskop.org/log/?p=2307 Art and the Moving Image: A Critical Reader]'', London: Tate Publishing, and Afterall, 2008, 496 pp.
−
* Paul Hegarty, ''[http://aaaaarg.fail/ref/1745394ca117c0a9b18b137dcc518b14#0.01 Rumour and Radiation: Sound in Video Art]'', Bloomsbury Academic, 2014.
+
 
−
* Kathy High, Sherry Miller Hocking, Mona Jimenez (eds.), ''The Emergence of Video Processing Tools'', 2 vols., Intellect, 2014. [https://books.google.com/books?id=MYdiAwAAQBAJ&printsec=frontcover]. Review: [http://leonardo.info/reviews/jun2015/high-pearlman.php Pearlman] (Leonardo).
+
* Yvonne Spielmann, ''Video: das reflexive Medium'', Frankfurt am Main: Suhrkamp, 2005. This scholarly study of the history and practices of video contains a section devoted to the experimental phase of video, guerilla television, artistic video, and video culture. Another section explores the aesthetics of video by many artists working in video performance, from Vito Acconci, Dennis Oppenheim, and Ulrike Rosenbach to Valie Export, Lynn Hersham, and Raphael Montañez Ortiz. {{de}}
−
* Helen Westgeest, ''[http://gen.lib.rus.ec/book/index.php?md5=5DEF2EFE9006688D224844DBA0333FEF Video Art Theory: A Comparative Approach]'', Wiley-Blackwell, 2015.
+
** ''[[Media:Spielmann_Yvonne_Video_The_Reflexive_Medium_2008.pdf|Video: The Reflexive Medium]]'', trans. Anja Welle and Stan Jones, MIT Press, 2008, 384 pp. [http://www.yvonne-spielmann.com/pdf/video_mit.pdf TOC], [http://mitpress.mit.edu/sites/default/files/titles/content/9780262195669_ind_0001.pdf Index], [https://mitpress.mit.edu/books/video].
−
* Malin Hedlin Hayden, ''Video Art Historicized: Traditions and Negotiations'', Ashgate, 2015. [http://books.google.com/books?id=a1EhCgAAQBAJ&printsec=frontcover]
+
** trans. Takeshi Ebine, Tokyo: Sangen-sha Press, 2011. {{jp}}
−
* Gabrielle Jennings (ed.), ''[http://aaaaarg.fail/thing/561f66fe334fe03b381bead8 Abstract Video: The Moving Image in Contemporary Art]'', forew. Kate Mondloch, University of California Press, 2015.
+
 
 +
* Slavko Kacunko, ''[https://cdn.website-editor.net/fc4456fd00ed4a42a1a8f3c7da66c11f/files/uploaded/004.%2520Slavko%2520Kacunko%25202004%252C%2520Closed%2520Circuit%2520.pdf Closed Circuit Videoinstallationen. Ein Leitfaden zur Geschichte und Theorie der Medienkunst mit Bausteinen eines Künstlerlexikons]'', Berlin: Logos, 2005, 1062 pp. {{de}}
 +
 
 +
* Piotr Krajewski, Violetta Kutlubasis-Krajewska (eds.), [http://video.wrocenter.pl/en/kolekcja/odmonumentu-domarketu/ Od monumentu do marketu / From Monument to Market: Video Art and Public Space], Wroclaw: WRO Art Center, 2005, 220 pp. With 2 DVDs. [https://wrocenter.pl/en/od-monumentu-do-marketu/] {{pl}}/{{en}}
 +
 
 +
* Catherine Elwes, ''[https://monoskop.org/log/?p=93 Video Art: A Guided Tour]'', forew. Shirin Neshat, London: I.B. Tauris, 2005, x+212 pp. {{en}}
 +
 
 +
* Max Liljefors, ''Videokonsten: en introduktion'', Lund: Studentlitteratur, 2005, 149 pp. {{sw}}
 +
 
 +
* Sandra Lischi, ''Il linguaggio del video'', Rome: Carocci, 2005, 110 pp; repr., 2017. {{it}}
 +
 +
* Sebastián López, ''A Short History of Dutch Video Art / Una Breve Historia del Video Arte en Holanda'', Amsterdam: Gate Foundation, and Rotterdam: Episode, 2005. [https://books.google.com/books?id=B1YNVsYlCnwC&printsec=frontcover] {{en}}/{{es}}
 +
 
 +
* Daniel Birnbaum, ''Chronology'',  New York : Lukas & Sternberg, 2005, 116 pp; 2nd ed., 2007. [https://aaaaarg.fail/thing/51c58cf66c3a0edb0b5f0700 Excerpt]. {{en}}
 +
** ''Cronologia: tempo e identità nei film e video degli artisti contemporanei'', Milan: Postmedia, 2007, 132 pp. [http://www.postmediabooks.it/2007/35birnbaum/cronologia.htm Publisher]. {{it}}
 +
** ''Khronologii︠a︡'' [Хронология], trans. A. Skidan, Moscow: Novoe literaturnoe obozrenie, 2007. {{ru}}
 +
 
 +
* Kate Horsfield, Lucas Hilderbrand (eds.), ''[[Media:Horsfield Kate Hilderbrand Lucas eds Feedback The Video Data Bank Catalog of Video Art and Artist Interviews 2006.pdf|Feedback: The Video Data Bank Catalog of Video Art and Artist Interviews]]'', Philadelphia: Temple University Press, 2006, 360 pp, [https://aaaaarg.fail/thing/5df95d289ff37c6f652e81bc ARG]. [https://tupress.temple.edu/books/feedback Publisher]. {{en}}
 +
 
 +
* Sylvia Martin, ''Video Art'', Taschen, 2006, 95 pp. [https://alejandroquinteros.files.wordpress.com/2012/02/moving-pictures_video-art.pdf Excerpt].
 +
 
 +
* Chris Meigh-Andrews, ''A History of Video Art'', Berg, 2006; [http://libgen.rs/book/index.php?md5=AD3F25797F8FF079C6A6041F0DF99DAC 2nd ed.], Bloomsbury, 2014, 387 pp. {{en}}
 +
** ''Bideo āto no rekishi: sono keishiki to kinō no hensen'' [ヴィデオ・アートの歴史 : その形式と機能の変遷], trans. Ina Shinsuke, Tokyo: Sangensha, 2013, 401 pp. {{jp}}
 +
 +
* Marlene Angermeyer-Deubner, Peter Weibel (eds.), ''Syntax des Sehens. Die Videosammlung des ZKM'', Heidelberg: Kehrer, 2006, 206 pp. [https://zkm.de/en/publication/syntax-des-sehens-die-videosammlung-des-zkm] {{de}}
 +
 
 +
* Joachim Jäger, Gabriele Knapstein, Anette Hüsch (eds.), ''Beyond Cinema: The Art of Projection: Films, Videos and Installations from 1963 to 2005'', Ostfildern: Hatje Cantz, 2006, 152 pp. [https://www.hatjecantz.de/beyond-cinema-the-art-of-projection-1813-1.html] {{en}}
 +
 
 +
* ''Brumaria'' 4: "Vídeo: Primera Etapa", Madrid, Summer 2004; new ed., rev. & exp., Winter 2006. [http://web.archive.org/web/20101207181642/http://www.brumaria.net/erzio/publicacion/4.html TOC]. [http://web.archive.org/web/20060826052539/http://www.brumaria.net/publicacionbru4.htm] [http://web.archive.org/web/20060826162930/http://www.brumaria.net/publicacionbru4reed.htm] {{es}}
 +
 
 +
* ''Art Journal'' 65(3): "Forty Years of Video Art", ed. Yvonne Spielmann, Fall 2006. [https://www.tandfonline.com/toc/rcaj20/65/3]
 +
 
 +
* ''Ricerche di Storia dell'arte'' 88: "Videoarte in Italia", Carocci, 2006, 112 pp. [http://www.carocci.it/index.php?option=com_carocci&task=schedafascicolo&Itemid=257&id_fascicolo=241] {{it}}
 +
 
 +
* James A. Nadeau, ''[http://dspace.mit.edu/bitstream/handle/1721.1/39146/123349020.pdf The Medium is the Medium: The Convergence of Video, Art and Television at WGBH (1969)]'', Massachusetts Institute of Technology, Dept. of Comparative Media Studies, 2006. Thesis. [http://cmsw.mit.edu/the-medium-is-the-medium/]
 +
 
 +
* Laura Baigorri (ed.), ''[http://videoarde.net/video-en-latinoamerica/textos.html Vídeo en Latinoamérica: una historia crítica]'', Madrid: Brumaria, 2008. {{es}}
 +
 
 +
* Jorge La Ferla (ed.), ''[[Media:La Ferla Jorge comp Historia critica del video argentino 2008.pdf|Historia crítica del video argentino]]'', Buenos Aires: MALBA, and Buenos Aires: Espacio Fundación Telefónica, 2008, 285 pp. [https://www.malba.org.ar/libro-historia-critica-del-video-argentino/ Publisher]. [https://www.academia.edu/11263610/] {{es}}
 +
 
 +
* Dinis Guarda, Nuno Figueiredo (eds.), ''[[Media:Video Art and Art and Essay Film in Portugal 2008.pdf|Video arte e filme de arte & ensaio em Portugal / Video Art and Art & Essay Film in Portugal]]'', Lisbon: Número – Arte e Cultura, 2008, 276 pp. {{pt}}/{{en}}
 +
 
 +
* Stan Douglas, Christopher Eamon (eds.), ''[https://aaaaarg.fail/thing/5546ab82334fe022df7de25d Art of Projection]'', Ostfildern: Hatje Cantz, 2009, 192 pp. [https://www.hatjecantz.de/art-of-projection-2278-1.html]
 +
 
 +
* Edit András (ed.), ''[[Media:Andras_Edit_ed_Transitland_Video_Art_from_Central_and_Eastern_Europe_1989-2009.pdf|Transitland: Video Art from Central and Eastern Europe 1989–2009]]'', Budapest: Ludwig Museum--Museum of Contemporary Art, 2009, 319 pp. {{en}}
 +
 
 +
* Violetta Kutlubasis-Krajewska, Piotr Krajewski (eds.), [http://video.wrocenter.pl/media/pdf/WIDOK1_English_wrocenter.pl.pdf ''From Absolute Cinema to Future Film. Materials from the history of experiment in the moving picture art''], Wroclaw: WRO Art Center, 2009, 84 pp. {{en}}
 +
 
 +
</div>
 +
 
 +
====2010s====
 +
 
 +
<div class=twocol>
 +
 
 +
* Piotr Krajewski, Violetta Kutlubasis-Krajewska (eds.), ''[https://wrocenter.pl/en/ukryta-dekada-publikacja/ Ukryta dekada. Polska sztuka wideo 1985-1995 / The Hidden Decade. Polish Video Art 1985-1995]'', Wroclaw: WRO Art Center, 2010, 336 pp. With 4 DVDs. {{pl}}/{{en}}
 +
 
 +
* Kate Mondloch, ''[http://library.memoryoftheworld.org/#/book/f2c97eb9-9c39-4d19-8135-5d68bd17fc12 Screens: Viewing Media Installation Art]'', University of Minnesota Press, 2010.
 +
 
 +
* ''[[Media:Are You Ready for TV 2010.pdf|Are You Ready for TV?]]'', Barcelona: MACBA, 2010, 116 pp. [https://www.macba.cat/en/learn-explore/publications/are-you-ready-tv]
 +
** ''[[Media:Estais listos para la television 2010.pdf|¿Estáis listos para la televisión?]]'', Barcelona: MACBA, 2010, 127 pp. [https://www.macba.cat/es/aprender-investigar/publicaciones/estais-listos-television]
 +
** ''[[Media:Esteu a punt per a la televisio 2010.pdf|Esteu a punt per a la televisió?]]'', Barcelona: MACBA, 2010, 121 pp. [https://www.macba.cat/ca/aprendre-investigar/publicacions/esteu-punt-televisio] {{ca}}
 +
 
 +
* Nancy Cain, ''Video Days and What We Saw Through the Viewfinder'', Palm Springs: Event Horizon Press, 2011. {{en}}
 +
 
 +
* Tamara Trodd (ed.), ''[http://libgen.rs/book/index.php?md5=20BDBA40920E7385BBF2CFECE68C89BE Screen/Space: The Projected Image in Contemporary Art]'', Manchester: Manchester University Press, 2011, 214 pp. Review: [https://sci-hub.se/10.1093/screen/hjr047 Butler] (Screen).
 +
 
 +
* Ariane Noël de Tilly, ''[https://hdl.handle.net/11245/1.352519 Scripting Artworks: Studying the Socialization of Editioned Video and Film Installations]'', Amsterdam: University of Amsterdam, 2011, 239 pp. PhD thesis.
 +
 
 +
* Sean Cubitt, Stephen Partridge (eds.), ''[[Media:Rewind British Artists Video of the 1970s and 1980s 2012.pdf|Rewind: British Artists' Video of the 1970s and 1980s]]'', John Libbey, 2012, 234 pp, [https://archive.org/details/rewindbritishart0000unse IA]. A history and analysis of the first years of video art in England and Scotland based on extensive archiving and oral history. Review: [https://sci-hub.se/10.1093/screen/hjt029 Piccini] (Screen). [https://shop.bfi.org.uk/books/artists-film-video/rewind-british-artists-video-in-the-1970s-1980s.html]
 +
 
 +
* Erika Suderburg, Ming-Yuen S. Ma (eds.), ''Resolutions 3: Global Networks of Video'', University of Minnesota Press, 2012, 408 pp.  [https://www.upress.umn.edu/book-division/books/resolutions-3 Publisher].
 +
 
 +
* Holly Rogers, ''[http://library.memoryoftheworld.org/#/book/c52d40ab-2ea2-4cae-aa0a-9abf0282cfba Sounding the Gallery: Video and the Rise of Art-Music]'', Oxford University Press, 2013.
 +
 
 +
* Renato Rezende, Katia Maciel, ''[[Media:Rezende Renato Maciel Katia Poesia e videoarte 2013.pdf|Poesia e videoarte]]'', Rio de Janeiro: CIrcuito: funarte, 2013, 159 pp. [https://www.academia.edu/43760811/] {{br-pt}}
 +
 
 +
* Paul Hegarty, ''[http://library.memoryoftheworld.org/#/book/3047c20c-70a2-4cd2-ba78-3fa4452c239c Rumour and Radiation: Sound in Video Art]'', Bloomsbury Academic, 2014.
 +
 
 +
* Melissa Rérat, ''L'art vidéo au féminin: Emmanuelle Antille, Elodie Pong, Pipilotti Rist'', Lausanne: PPUR, 2014. {{fr}}
 +
 
 +
* Katarzyna Kosmala (ed.), ''[http://libgen.rs/book/index.php?md5=7835584C8D26FA9F5B1F9AE6120BAD64 Sexing the Border: Gender, Art and New Media in Central and Eastern Europe]'', Cambridge Scholars Publishing, 2014, 275 pp. [https://www.cambridgescholars.com/resources/pdfs/978-1-4438-6048-2-sample.pdf Excerpt]. [https://www.cambridgescholars.com/product/978-1-4438-6048-2 Publisher]. {{en}}
 +
 
 +
* Alessandro Amaducci, ''[https://books.openedition.org/edizionikaplan/838 Videoarte. Storia, autori, linguaggi]'', Torino: Kaplan, 2014, 212 pp, [https://iris.unito.it/retrieve/handle/2318/149457/25983/Alessandro%20Amaducci%20Videoarte.pdf PDF]. {{it}}
 +
 
 +
* Kathy High, Sherry Miller Hocking, Mona Jimenez (eds.), ''[http://libgen.rs/book/index.php?md5=D0BAA55B5457F463142BE2F5AB73CF9F The Emergence of Video Processing Tools]'', 2 vols., Intellect, 2014, [http://library.memoryoftheworld.org/#/book/094da87b-4069-40ca-bd60-169926288fcb EPUB]. Review: [http://leonardo.info/reviews/jun2015/high-pearlman.php Pearlman] (Leonardo).
 +
 
 +
* Helen Westgeest, ''[http://libgen.rs/book/index.php?md5=5DEF2EFE9006688D224844DBA0333FEF Video Art Theory: A Comparative Approach]'', Wiley-Blackwell, 2015.
 +
 
 +
* Malin Hedlin Hayden, ''[http://library.memoryoftheworld.org/#/book/b58ee26c-5ce5-4659-9f51-b79e8fe41b1b Video Art Historicized: Traditions and Negotiations]'', Ashgate, 2015.  
 +
 
 +
* Gabrielle Jennings (ed.), ''[http://library.memoryoftheworld.org/#/book/943579d6-8dfe-4764-b152-fd16553c3e87 Abstract Video: The Moving Image in Contemporary Art]'', forew. Kate Mondloch, University of California Press, 2015, [http://aaaaarg.fail/thing/561f66fe334fe03b381bead8 ARG].
 +
 
 
* Omar Kholeif (ed.), ''Moving Image'', London: Whitechapel Gallery, 2015, 239 pp.
 
* Omar Kholeif (ed.), ''Moving Image'', London: Whitechapel Gallery, 2015, 239 pp.
−
* Erika Balsom, ''[http://aaaaarg.fail/thing/58daa4869ff37c4e16cb0a29 After Uniqueness: A History of Film and Video Art in Circulation]'', Columbia University Press, 2017, 312 pp.
 
−
* François Bovier (ed.), ''Early Video and Experimental Film Networks: French-Speaking Switzerland in 1974: A Case for "Minor History"'', Lausanne: ECAL/University of Art and Design Lausanne, 2017, 252 pp. [http://www.lespressesdureel.com/EN/ouvrage.php?id=5884] [http://www.worldcat.org/oclc/1019616425&referer=brief_results]
 
−
* Michael Goddard, ''[http://library.memoryoftheworld.org/b/0vsEb9ejfHGjwFhr1n72l6LtEm4bp5xWwsIuhB1locyau8ys Guerrilla Networks: An Anarchaeology of 1970s Radical Media Ecologies]'', Amsterdam University Press, 2018, 358 pp. [https://en.aup.nl/download/9789048527533%20ToC%20+%20Intro.pdf TOC & Introduction]. [http://en.aup.nl/books/9789089648891-guerrilla-networks.html]
 
−
* Slavko Kacunko (ed.), ''Theorien der Videokunst. Theoretikerinnen 1988-2003 & 2004-2018'', 2 vols., Berlin: Logos, 2018, 582 & 406 pp. [https://www.logos-verlag.de/cgi-bin/engbuchmid?isbn=4605&lng=deu&id=] [https://www.logos-verlag.de/cgi-bin/engbuchmid?isbn=4606&lng=deu&id=] {{de}}
 
  
−
===Journal issues===
+
* Catherine Elwes, ''[http://library.memoryoftheworld.org/#/book/ecb191a6-fbdc-44bb-acb8-1bf9acc11f07 Installation and the Moving Image]'', Wallflower Press, 2015. {{en}}
−
* ''Studio International'': "Video Art", ed. David Hall, London, May-Jun 1976. Essays: [[Media:Hall_David_1976_British_Video_Art_Towards_an_Autonomous_Practice.pdf|D Hall]], [http://www.rewind.ac.uk/documents/Stephen%20Partridge/SP195-01.pdf Krikorian], [http://www.rewind.ac.uk/documents/Stephen%20Partridge/SP192krikorian.pdf Krikorian], [http://www.rewind.ac.uk/documents/Stephen%20Partridge/SP194.pdf S Hall & Hopkins], [http://www.rewind.ac.uk/documents/Stephen%20Partridge/SP192leggett.pdf Leggett], [http://www.rewind.ac.uk/documents/Mike%20Leggett/ML034.pdf Leggett], [http://www.rewind.ac.uk/documents/Stephen%20Partridge/SP195.pdf Chaimowitz], [http://www.rewind.ac.uk/documents/Stephen%20Partridge/SP192hoey.pdf Hoey], [http://www.rewind.ac.uk/documents/Stephen%20Partridge/S189.pdf Kidel].
+
 
−
* [http://monoskop.org/log/?p=14445 ''Art Journal'' 45(3): "Video: The Reflexive Medium"], ed. Sara Hornbacher, Fall 1985, 93 pp.
+
* Andreas Treske, ''[https://aaaaarg.fail/thing/5a8f9da79ff37c39fb622bd2 Video Theory: Online Video Aesthetics or the Afterlife of Video]'', Bielefeld: transcript, 2015, 208 pp.
−
* ''Art Journal'' 65(3): "Forty Years of Video Art", ed. Yvonne Spielmann, Fall 2006.
+
 
 +
* Anke Hervol, Wulf Herzogenrath, Johannes Odenthal (eds.), ''Schwindel der Wirklichkeit. Closed-Circuit-Videoinstallationen und Partizipation. Ein Reader / The Vertigo of Reality: Closed-Circuits and Participation: A Reader'', Berlin: Akademie der Künste, and Walther König, 2015, 336 pp. [https://cdn.website-editor.net/fc4456fd00ed4a42a1a8f3c7da66c11f/files/uploaded/46.%2520Slavko%2520Kacunko%25202015%252C%2520Bill%2520Viola.pdf TOC]. {{de}}/{{en}}
 +
 
 +
* Sander Kletter, ''Turbulentie rond videokunst. Kunstkritische reflecties op een nieuw medium, 1970-2010'', Rotterdam: nai010, 2016. [https://www.naibooksellers.nl/turbulentie-rond-videokunst-kunstkritische-reflecties-op-een-nieuw-medium-1970-2010.html Publisher]. {{nl}}
 +
 
 +
* Ilaria Bombelli (ed.), ''I Have a Friend Who Knows Someone Who Bought a Video, Once: On Collecting Video Art. A project by LOOP Barcelona'', Milan: Mousse Publishing, 2016, 160 pp. [https://www.barbaralondon.net/wp-content/uploads/2019/11/2016_I-Have-a-Friend_Buying-Time_barbara_london.pdf London's essay]. [https://www.moussepublishing.com/?product=/i-have-a-friend-who-knows-someone-who-bought-a-video-once-on-collecting-video-art/ Publisher]. [https://loop-barcelona.com/publication/i-have-a-friend-who-knows-someone-who-bought-a-video-once/]
 +
 
 +
* Ina Blom, ''[https://aaaaarg.fail/thing/5a19c87b9ff37c799009f916 The Autobiography of Video: The Life and Times of a Memory Technology]'', Berlin: Sternberg Press, 2016, 244 pp. [https://academia.edu/28579666/ Introduction]. [https://www.sternberg-press.com/product/the-autobiography-of-video-the-life-and-times-of-a-memory-technology/ Publisher]. Review: [https://cinema.usc.edu/spectator/38.1/9_Mcdonald.pdf McDonald] (Spectator).
 +
 
 +
* Laura Leuzzi, Stephen Partridge (eds.), ''[[Media:Leuzzi Laura Partridge Stephen eds Rewind Italia Early Video Art in Italy 2016.pdf|Rewind Italia: Early Video Art in Italy / Rewind Italia: I primi anni della videoarte in Italia]]'', trans. Simona Manca, London: John Libbey & Co, 2016, vi+350 pp. [https://www.worldcat.org/oclc/930797595 TOC]. {{en}}/{{it}}
 +
 +
* William Kaizen, ''[http://libgen.rs/book/index.php?md5=CB120BB2B5D5A5543984DEA27EC3D14A Against Immediacy: Video Art and Media Populism]'', Hanover, NH: Dartmouth College Press, 2016, 248 pp. [https://press.uchicago.edu/ucp/books/book/distributed/A/bo44891853.html] {{en}}
 +
 
 +
* Erika Balsom, ''[http://libgen.rs/book/index.php?md5=13546C0EFA8F6F82DBDD8BB28ADC186F After Uniqueness: A History of Film and Video Art in Circulation]'', Columbia University Press, 2017, 312 pp, [http://aaaaarg.fail/thing/58daa4869ff37c4e16cb0a29 ARG], [http://libgen.rs/book/index.php?md5=6CBBD6C1DC3A5DCC2D229138BD5C8534 EPUB].
 +
 
 +
* François Bovier (ed.), ''Early Video and Experimental Film Networks: French-Speaking Switzerland in 1974: A Case for "Minor History"'', Lausanne: ECAL/University of Art and Design Lausanne, 2017, 252 pp. [https://www.academia.edu/34749409/] [http://www.lespressesdureel.com/EN/ouvrage.php?id=5884] [http://worldcat.org/oclc/1019616425] {{en}}
 +
 
 +
* Michael Goddard, ''[http://library.memoryoftheworld.org/#/book/e6873b0f-14e7-4e65-8e07-6e108f40cfda Guerrilla Networks: An Anarchaeology of 1970s Radical Media Ecologies]'', Amsterdam University Press, 2018, 358 pp. [https://en.aup.nl/download/9789048527533%20ToC%20+%20Intro.pdf TOC & Introduction]. [http://en.aup.nl/books/9789089648891-guerrilla-networks.html]. Review: [https://www.hsozkult.de/publicationreview/id/rezbuecher-29283 Gloor] (H-Soz-Kult).
 +
 
 +
* Slavko Kacunko (ed.), ''[https://cdn.website-editor.net/fc4456fd00ed4a42a1a8f3c7da66c11f/files/uploaded/016.%2520Slavko%2520Kacunko%2520%2528Hg.%2529%25202018%252C%2520Theorien%2520der%2520Videokunst.pdf Theorien der Videokunst. Theoretikerinnen 1988-2003] & [https://cdn.website-editor.net/fc4456fd00ed4a42a1a8f3c7da66c11f/files/uploaded/017.%2520Slavko%2520Kacunko%2520%2528Hg.%2529%25202018%252C%2520Theorien%2520der%2520Videokunst.pdf 2004-2018]'', 2 vols., Berlin: Logos, 2018, 582 & 406 pp. [https://www.logos-verlag.de/cgi-bin/engbuchmid?isbn=4605&lng=deu&id=] [https://www.logos-verlag.de/cgi-bin/engbuchmid?isbn=4606&lng=deu&id=] {{de}}
 +
 
 +
* Laura Leuzzi, Elaine Shemilt, Stephen Partridge (eds.), ''[https://pearl.plymouth.ac.uk/bitstream/handle/10026.1/16391/EWVA%204th%20full%20proofXX.pdf EWVA: European Women's Video Art in the 70s and 80s]'', John Libbey, 2019, 250 pp. [http://www.ewva.ac.uk/publications.html]
 +
 
 +
* Sandra Lischi, ''[http://libgen.rs/book/index.php?md5=2811F2C60F24458A4D3FD3DE6303C7BC La lezione della videoarte: sguardi e percorsi]'', Rome: Carocci, 2019, 115 pp. {{it}}
 +
 
 +
* Lucy Reynolds (ed.), ''[http://libgen.rs/book/index.php?md5=E79B3C51782473B646670E3636D00A97 Women Artists, Feminism and the Moving Image: Contexts and Practices]'', Bloomsbury, 2019, 328 pp, [http://libgen.rs/book/index.php?md5=8CF0D84C00C15E6D9CA1A374890508AC EPUB]. [https://www.bloomsbury.com/uk/women-artists-feminism-and-the-moving-image-9781784537005/ Publisher].
 +
 
 +
* Erika Balsom, Lucy Reynolds, Sarah Perks (eds.), ''Artists’ Moving Image in Britain Since 1989'', Yale University Press, 2019, 544 pp. [https://yalebooks.yale.edu/book/9781913107017/artists-moving-image-britain-1989 Publisher]. [https://www.paul-mellon-centre.ac.uk/whats-on/forthcoming/artists-moving-image-in-britain-since-1989]
 +
 
 +
</div>
 +
 
 +
====2020s====
 +
 
 +
<div class=twocol>
 +
 
 +
* Milo Adami, ''La forma video. Tra cinema e arti visive dopo il digitale'', Milan: Postmedia, 2020, 240 pp. [https://sciami.com/scm-content/uploads/sites/6/2020/05/Milo-Adami-Forma-Video-Postmediabook-2020-introduzione.pdfe_arti_visive.pdf Excerpt]. [http://www.postmediabooks.it/2020/261formavideo/9788874902613.htm Publisher]. {{it}}
 +
 
 +
* Renate Buschmann, Jessica Nitsche (eds.), ''[http://libgen.rs/book/index.php?md5=EC78E431D1310D1B84FBECBF83618594 Video Visionen. Die Medienkunstagentur 235 Media als Alternative im Kunstmarkt]'', Bielefeld: Transcript, 2020, 366 pp. [https://www.transcript-verlag.de/media/pdf/8d/76/02/ts4706_1ij7Kf55a9aJdR.pdf TOC, Introduction]. [https://www.transcript-verlag.de/978-3-8376-4706-8/video-visionen/ Publisher]. [https://235media.de/2020/05/video-visionen/?lang=de] {{de}}
 +
 
 +
* Francesco Spampinato, ''[http://libgen.rs/book/index.php?md5=0A74DBFACEC12A3292639EB9912EB3E9 Art vs. TV: A Brief History of Contemporary Artists' Responses to Television]'', Bloomsbury, 2021, 368 pp. [https://www.bloomsbury.com/us/art-vs-tv-9781501370571/ Publisher]. Review: [https://doi.org/10.1111/1467-8365.12740 Day] (Art Hist).
 +
 
 +
* Barbara London, ''Video/Art: The First Fifty Years'', London: Phaidon, 2021, 280 pp. [https://www.phaidon.com/store/art/videoart-the-first-fifty-years-9780714877594/ Publisher].
 +
 
 +
* Charlotte Klink, ''[http://libgen.rs/book/index.php?md5=2077F3335F90CFC355ED78EAB302B1CA Electric Seeing: Positions in Contemporary Video Art]'', Bielefeld: transcript, Jul 2022, 350 pp. [https://www.transcript-publishing.com/978-3-8376-5700-5/electric-seeing/ Publisher]. Review: [https://neural.it/2024/05/charlotte-klink-electric-seeing-positions-in-contemporary-video-art/ Ludovico] (Neural).
 +
 
 +
* Erika Balsom, Hila Peleg (eds.), ''Feminist Worldmaking and the Moving Image'', MIT Press, Sep 2022, 320 pp. [https://mitpress.mit.edu/books/feminist-worldmaking-and-moving-image Publisher]. [https://www.hkw.de/en/programm/projekte/2022/no_master_territories/start.php Exhibition].
 +
 
 +
* Elena Shtromberg, Glenn Phillips (eds.), ''Encounters in Video Art in Latin America'', Los Angeles: Getty Research Institute, Feb 2023, 288 pp. [https://www.getty.edu/projects/video-art-latin-america/ Research project]. [https://shop.getty.edu/products/encounters-in-video-art-in-latin-america-978-1606067918 Publisher]. Review: [https://hcommons.org/deposits/item/hc:51763/ Le] (ARLIS/NA). [https://www.getty.edu/visit/cal/events/ev_3779.html]
 +
 
 +
* Sylva Poláková, Martin Mazanec (eds.), ''Mapování pohyblivého obrazu. Média, aktéři a místa v českém prostředí'', Prague: Národní filmový archiv, 2023, 311 pp. [https://videoarchiv-nfa.cz/kniha/ Research project]. [https://www.eshop.nfa.cz/mapovani-pohybliveho-obrazu-media-akteri-a-mista-v-ceskem-prostredi Publisher]. {{cz}}
 +
** ''Mapping the Moving Image: Media, Agents, and Sites in the Czech Context'', Prague: Národní filmový archiv, 2024. [https://videoarchiv-nfa.cz/en/book/ Research project].
  
−
===Proceedings from conferences and symposia===
+
</div>
−
* ''[[Media:Whitney_Video_Conference_1974_transcript.pdf|Transcript of the Whitney Video Conference sponsored by NYSCA on April 1 & 2, 1974]]'', New York State Council on the Arts, [1975], n.p.
 
−
* ''The New Television: A Public/Private Art: Essays, Statements, and Videotapes'', eds. Douglas Davis and Allison Simmons, MIT Press, 1977, 289 pp. [[Media:Davis_Simmons_eds_The_New_Television_A_Public_Private_Art_1977_excerpts.pdf|Excerpts]]. Based on ''Open Circuits: An International Conference on the Future of Television'' organized by Fred Barzyk, Douglas Davis, Gerald O'Grady, and Willard Van Dyke for the Museum of Modern Art, NYC, 23-25 Jan 1974, gathering some 40 video artists, filmmakers, curators, arts administrators, and critics among others to discuss the problems and prospects of artists' television and video. Review: [http://muse.jhu.edu/article/599098/ Knight] (Leonardo). [http://www.eai.org/webpages/1244] [https://www.eai.org/webpages/1176]
 
−
* ''[[Media:International_Video_Art_Symposium_1979_Transcript.pdf|Transcript from The International Video Art Symposium, 5-7 March 1979]]'', Kingston, Ontario: Queen's University, 1979, 69 pp.
 
−
* ''The Media Arts in Transition'', ed. Bill Horrigan, Minneapolis: Walker Art Center, 1983, 63 pp. Conference held 8-11 Jun 1983. [http://www.vasulka.org/archive/ExhFest6/Walker/WalkerPstrMedArtTrans.pdf Programme]. [http://www.vasulka.org/archive/ExhFest6/Walker/MediaArtsInTransition.pdf Part on preservation]. [http://www.vasulka.org/archive/ExhFest6/Walker/WAC004.pdf Speakers and registrants].
 
  
 
===Book chapters, papers, articles===
 
===Book chapters, papers, articles===
 +
 +
<div class=twocol>
 +
 +
*{{a|Margolies1969}}John S. Margolies, [[Media:Margolies_John_S_1969_TV_The_Next_Medium.pdf|"TV: The Next Medium"]], ''Art in America'' 57:5, Sep-Oct 1969, pp 48-55, [https://www.artnews.com/art-in-america/features/from-the-archives-tvthe-next-medium-63050/ HTML]. [https://www.eai.org/supporting-documents/182/]
 +
 
* Douglas Davis, "The New Audience: Television and Videotape", in Davis, ''Art and the Future'', New York and Washington: Praeger, 1973, pp 84-91.  
 
* Douglas Davis, "The New Audience: Television and Videotape", in Davis, ''Art and the Future'', New York and Washington: Praeger, 1973, pp 84-91.  
−
* Rosalind Krauss, [http://jonahsusskind.com/essays/Krauss_VideoNarcissism.pdf "Video: The Aesthetics of Narcissism"], ''October'' 1 (Spring 1976), pp 50-64.
+
 
 +
* Rosalind Krauss, [[Media:Krauss_Rosalind_1976_Video_The_Aesthetics_of_Narcissism.pdf|"Video: The Aesthetics of Narcissism"]], ''October'' 1, Spring 1976, pp 50-64.
 +
 
 +
* Stuart Marshall, [http://sci-hub.se/10.1093/screen/20.1.109 "Video: Technology and Practice"], ''Screen'' 20:1, Mar 1979, pp 109-119.
 +
 
 +
* Lucinda Furlong, [[Media:Furlong Lucinda 1983 Notes Towards a History of Image-processed Video Eric Siegel Stephen Beck Dan Sandin Steve Rutt Bill and Louise Etra.pdf|"Notes Towards a History of Image-processed Video: Eric Siegel, Stephen Beck, Dan Sandin, Steve Rutt, Bill and Louise Etra"]], ''Afterimage'', Summer 1983, pp 35-38.
 +
 
 +
* Lucinda Furlong, [[Media:Furlong_Lucinda_1983_Notes Towards a History of Image-processed Video Steina and Woody Vasulka.pdf|"Notes Towards a History of Image-processed Video: Steina and Woody Vasulka"]], ''Afterimage'', Dec 1983, pp 12-17, [http://vasulka.org/Kitchen/essays_furlong/K_Furlong_01.html HTML]; repr. in ''Mémoires vives: From Nam June Paik to Sliders_Lab'', ed. Jean-Marie Dallet, Tielt: Lannoo, 2019, pp 56-73.
 +
** "Du signal video au traitement d'images digitales", trans. Isabelle Delord and Dominique Willoughby, in ''[http://www.vasulka.org/Catalogues/PDFs/Cat_Videastes.pdf Steina et Woody Vasulka: Vidéastes: 1969-1984]'', 2nd ed., rev. & corr., ed. Dominique Willoughby, Paris: Ciné-MBXA/Cinédoc, 1984, pp 33-47. {{fr}}
 +
 
 +
*{{a|Sturken1984}}Marita Sturken, [[Media:Sturken Marita 1984 TV as a Creative Medium Howard Wise and Video Art.pdf|"TV as a Creative Medium: Howard Wise and Video Art"]], ''Afterimage'' 11:10, May 1984, pp 5-9, [http://vasulka.org/Kitchen/essays_sturken/K_SturkenWise_01.html HTML].
 +
 
 +
* Stuart Marshall, [http://sci-hub.se/10.1093/screen/26.2.66 "Video: From Art to Independence"], ''Screen'' 26:2, Mar-Apr 1985, pp 66-72.
 +
 
 +
* Lucinda Furlong, [[Media:Furlong Lucinda 1985 Tracking Video Art Image Processing as a Genre.pdf|"Tracking Video Art: ‘Image Processing’ as a Genre"]], ''Art Journal'' 45, Fall 1985, pp 233-237.
 +
 
 
* Martha Rosler, "Video: Shedding the Utopian Moment", in ''Vidéo'', ed. René Payant, Montréal: Artexte, 1986; repr. in ''Block'' 11, London, 1985-86; [[Media:Rosler_Martha_1986_1991_Video_Shedding_the_Utopian_Moment.pdf|repr. in]] ''Illuminating Video: An Essential Guide to Video Art'', eds. Doug Hall and Sally Jo Fifer, New York: Aperture Press, 1991, pp 30-50. Originally delivered as a talk, "Shedding the Utopian Moment: The Museumization of Video", at the conference ''Vidéo '84'' at the Université de Québec à Montréal.
 
* Martha Rosler, "Video: Shedding the Utopian Moment", in ''Vidéo'', ed. René Payant, Montréal: Artexte, 1986; repr. in ''Block'' 11, London, 1985-86; [[Media:Rosler_Martha_1986_1991_Video_Shedding_the_Utopian_Moment.pdf|repr. in]] ''Illuminating Video: An Essential Guide to Video Art'', eds. Doug Hall and Sally Jo Fifer, New York: Aperture Press, 1991, pp 30-50. Originally delivered as a talk, "Shedding the Utopian Moment: The Museumization of Video", at the conference ''Vidéo '84'' at the Université de Québec à Montréal.
−
* Paul Ryan, [[Media:Ryan_Paul_1988_Genealogy_of_Video.pdf|"A Genealogy of Video"]], ''Leonardo'' 21:1 (1988), pp 39-44.
+
 
 +
* Marita Sturken, [http://vasulka.org/Kitchen/essays_sturken/K_SturkenRockefeller_01.html "Private Money and Personal Influence: Howard Klein and the Rockefeller Foundation's Funding of the Media Arts"], ''Afterimage'' 14:6, Jan 1987.
 +
 
 +
* Paul Ryan, [[Media:Ryan_Paul_1988_Genealogy_of_Video.pdf|"A Genealogy of Video"]], ''Leonardo'' 21:1, 1988, pp 39-44.
 +
 
 +
* Lucinda Furlong, [[Media:Furlong Lucinda 1988 Electronic Backtalk The Art of Interactive Video.pdf|"Electronic Backtalk: The Art of Interactive Video"]], ''The Independent'' 11:4, May 1988, pp 14-20, [https://archive.org/details/independent11foun/page/n165/mode/2up IA].
 +
 
 +
* Sean Cubitt, [https://sci-hub.se/10.1093/screen/30.4.66 "Video Art and Colonialism: An Other and Its Others"], ''Screen'' 30:4, Oct 1989, pp 66-79. Review of retrospectives of Bill Viola and Nam June Paik.
 +
 
 +
* John G. Hanhardt, [[Media:Hanhardt John G 1991 De-collage Collage Notes Toward a Reexamination of the Origins of Video Art.pdf|"Dé-collage/Collage: Notes Toward a Reexamination of the Origins of Video Art"]], in ''Illuminating Video: An Essential Guide to Video Art'', eds. Doug Hall and Sally Jo Fifer, New York: Aperture Press, 1991, pp 70-79. [https://www.mission17.org/documents/HanhardtJohn_CollageDeCollage.pdf]
 +
 
 
* Margaret Morse, [[Media:Morse Margaret 1991 Video Installation Art The Body The Image and the Space-in-Between.pdf|"Video Installation Art: The Body, The Image, and the Space-in-Between"]], in ''Illuminating Video: An Essential Guide to Video Art'', eds. Doug Hall and Sally Jo Fifer, New York: Aperture Press, 1991, pp 152-167.
 
* Margaret Morse, [[Media:Morse Margaret 1991 Video Installation Art The Body The Image and the Space-in-Between.pdf|"Video Installation Art: The Body, The Image, and the Space-in-Between"]], in ''Illuminating Video: An Essential Guide to Video Art'', eds. Doug Hall and Sally Jo Fifer, New York: Aperture Press, 1991, pp 152-167.
 +
 +
* Rossen Milev, [[Media:Milev Rossen 1992 Video in Osteuropa Eine Untersuchung des neuen audiovisuellen Phaenomens in seinem osteuropaeischen Profil.pdf|"Video in Osteuropa. Eine Untersuchung des neuen audiovisuellen Phänomens in seinem osteuropäischen Profil"]], ''Communications'' 17:2, 1992, pp 245-274. {{de}}
 +
 
* Chris Hill, [http://web.archive.org/web/20050404044100/http://www.bavc.org/preservation/dvd/resources/extras/hill.pdf "Attention! Production! Audience! —Performing Video in its First Decade, 1968-1980"], ''vdb.org'', 1996; [http://www.vdb.org/sites/default/files/Chris%20Hill%20-%20Attention_Production_Audience_Performing%20Video%20in%20its%20First%20Decade,%201968-1980.pdf revised version], in ''Surveying the First Decade'' DVD, 2008.  
 
* Chris Hill, [http://web.archive.org/web/20050404044100/http://www.bavc.org/preservation/dvd/resources/extras/hill.pdf "Attention! Production! Audience! —Performing Video in its First Decade, 1968-1980"], ''vdb.org'', 1996; [http://www.vdb.org/sites/default/files/Chris%20Hill%20-%20Attention_Production_Audience_Performing%20Video%20in%20its%20First%20Decade,%201968-1980.pdf revised version], in ''Surveying the First Decade'' DVD, 2008.  
−
* Kate Horsfield, [http://www.temple.edu/tempress/chapters_1400/1669_ch1.pdf#page=5 "Busting the Tube: A Brief History of Video Art"], ch 1 in ''Feedback: The Video Data Bank Catalog of Video Art and Artist Interviews'', eds. Kate Horsfield and Lucas Hilderbrand, Temple University Press, 2006, pp 7-16. [http://www.vdb.org/sites/default/files/Kate%20Horsfield%20-%20Busting%20the%20Tube;%20A%20Brief%20History%20of%20Video%20Art.pdf]
+
 
−
* Christine Mehring, [http://heavysideindustries.com/wp-content/uploads/2011/10/Television-Art’s-Abstract-Starts-Europe-circa-1944–1969.pdf "Television Art's Abstract Starts: Europe circa 1944-1969"], ''October'' 125 (Summer 2008), pp 29-64.
+
* Barbara Borčić, [http://www.e-arhiv.org/diva/index.php?opt=work&id=845 "Video Art from Conceptualism to Postmodernism"], in ''[https://monoskop.org/log/?p=21460 Impossible Histories: Historical Avant-gardes, Neo-avant-gardes, and Post-avant-gardes in Yugoslavia, 1918-1991]'', eds. Dubravka Djurić and Miško Šuvaković, MIT Press, 2003, pp 490-524, [http://www.videogram4-senzatelevisione.com/gradivo/videoMITpress.pdf PDF]. {{en}}
 +
 
 +
* Dieter Daniels, [http://www.medienkunstnetz.de/themes/overview_of_media_art/massmedia/scroll/ "Television-Art or Anti-Art? Conflict and Cooperation between the Avant-Garde and the Mass Media in the 1960s and 1970s"], in ''Media Art Net'', eds. Rudolf Frieling and Dieter Daniels, 2004.
 +
** [http://www.medienkunstnetz.de/themen/medienkunst_im_ueberblick/massenmedien/scroll/ "Fernsehen – Kunst oder Antikunst? Konflikte und Kooperationen zwischen Avantgarde und Massenmedium in den 1960er / 1970er Jahren"], in ''Media Kunst Netz'', eds. Rudolf Frieling and Dieter Daniels, 2004. {{de}}
 +
 
 +
* Kate Horsfield, [https://www.vdb.org/node/10172 "Busting the Tube: A Brief History of Video Art"], ch 1 in ''Feedback: The Video Data Bank Catalog of Video Art and Artist Interviews'', eds. Kate Horsfield and Lucas Hilderbrand, Philadelphia: Temple University Press, 2006, pp 7-16, [[Media:Horsfield Kate 2006 Busting the Tube A Brief History of Video Art.pdf|PDF]]. {{en}}
 +
 
 +
* Marga van Mechelen, "Video in De Appel", ch 6 in ''De Appel: performances, installaties, video, projecten 1975-83'', Amsterdam: De Appel Foundation, 2006. [http://deappel.nl/webshop/item/?id=26] {{nl}}
 +
** "Video in De Appel", ch 6 in ''De Appel: Performances, Installations, Video, Projects, 1975-83'', trans. Michael Gibbs, Amsterdam: De Appel Foundation, 2006, pp 275-301. [https://deappel.nl/webshop/item/?id=4] {{en}}
 +
 
 +
* J. Steetskamp, [http://archived.janvaneyck.nl/0_4_6_text_files/Video_Jennifer_Steetskamp.html "Looking back: the roots of video production at the Jan van Eyck Academie"], 2007, [http://hdl.handle.net/11245/1.285965 PDF]. Interviews: [http://archived.janvaneyck.nl/0_4_6_text_files/Video_JCJ_Vanderheijden.html JCJ Vanderheyden], [http://archived.janvaneyck.nl/0_4_6_text_files/Video_Servie_Janssen.html Servie Janssen], [http://archived.janvaneyck.nl/0_4_6_text_files/Video_Madelon_Hooijkaas.html Madelon Hooykaas], [http://archived.janvaneyck.nl/0_4_6_text_files/Video_Berto_Aussems.html Berto Ausseums]. {{en}}
 +
 
 +
* Christine Mehring, [http://heavysideindustries.com/wp-content/uploads/2011/10/Television-Art’s-Abstract-Starts-Europe-circa-1944–1969.pdf "Television Art's Abstract Starts: Europe circa 1944-1969"], ''October'' 125, Summer 2008, pp 29-64.
 +
 
 +
* John G. Hanhardt, [https://sci-hub.st/10.1086/591162 "From Screen to Gallery Cinema, Video, and Installation Art Practices"], ''American Art'' 22:2, Summer 2008, pp 2-8. [https://doi.org/10.1086/591162]
 +
 
 
* Kris Paulsen, [[Media:Paulsen_Kris_2008_California_Video.pdf|"California Video"]], ''X-TRA'' 11:1, Sep 2008, pp 32-38.
 
* Kris Paulsen, [[Media:Paulsen_Kris_2008_California_Video.pdf|"California Video"]], ''X-TRA'' 11:1, Sep 2008, pp 32-38.
 +
 +
* Stéphanie Jeanjean, [https://sci-hub.st/10.1086/661606 "Disobedient Video in France in the 1970s: Video Production by Women’s Collectives"], ''Afterall'' 27, Summer 2011, pp 5-16.
 +
 
* Ege Berensel, [https://web.archive.org/web/20150530084733/http://www.goethe.de:80/ins/tr/lp/prj/art/med/str/en9834692.htm  "Video Art from ’Monitor-Sculpture‘ to ’Video-Sculpture"], ''Goethe.de'', 2012.
 
* Ege Berensel, [https://web.archive.org/web/20150530084733/http://www.goethe.de:80/ins/tr/lp/prj/art/med/str/en9834692.htm  "Video Art from ’Monitor-Sculpture‘ to ’Video-Sculpture"], ''Goethe.de'', 2012.
 +
 
* Erika Balsom, [[Media:Balsom_Erika_2013_Original_Copies_How_Film_and_Video_Became_Art_Objects.pdf|"Original Copies: How Film and Video Became Art Objects"]], ''Cinema Journal'' 53:1 (Fall 2013), pp. 97-118.
 
* Erika Balsom, [[Media:Balsom_Erika_2013_Original_Copies_How_Film_and_Video_Became_Art_Objects.pdf|"Original Copies: How Film and Video Became Art Objects"]], ''Cinema Journal'' 53:1 (Fall 2013), pp. 97-118.
  
−
===Miscellaneous===
+
* Peter Oleksik, [http://journal.voca.network/rewind/ "Rewind: A Brief History of Caring for Video Art in the United States"], ''VoCA Journal'', Spring 2018.
 +
 
 +
* Anna Orrghen, [https://doi.org/10.1080/20004214.2020.1729539 "Art criticism and the newness of video art: the reception of video art in the Swedish daily press, 1985–1991"], ''Journal of Aesthetics & Culture'' 12:1, 2020.
 +
 
 +
; Miscellaneous
 +
 
 
* ''[[Media:OffLine_A_Retrospective_1990-2003.pdf|OffLine: A Retrospective 1990-2003]]'', Ithaca/NY, c2003, 56 pp. About an US national cable television program for video art. [http://web.archive.org/web/20010803144914/http://offlinenetworks.com/episodeguide/index.html Episode guide], [http://www.offlinenetworks.com/index.html].
 
* ''[[Media:OffLine_A_Retrospective_1990-2003.pdf|OffLine: A Retrospective 1990-2003]]'', Ithaca/NY, c2003, 56 pp. About an US national cable television program for video art. [http://web.archive.org/web/20010803144914/http://offlinenetworks.com/episodeguide/index.html Episode guide], [http://www.offlinenetworks.com/index.html].
 +
* Kathy Rae Huffman, Peter Kirby, Carole Ann Klonarides, Kira Perov, Glenn Phillips, David Ross, [http://web.archive.org/web/20120430091953/www.crumbweb.org/~sarah/broadcastyourself/?p=42 "A Brief History of the Video Programs at the Long Beach Museum of Art"], 2008.
 
* Richard Cándida Smith, [http://digitalassets.lib.berkeley.edu/roho/ucb/text/riley_robert.pdf "SFMOMA 75th Anniversary: Robert Riley"], Berkeley: The Bancroft Library, University of California, Berkeley, 2010, 83 pp. Oral history interview with the first SFMOMA's curator of media arts (1988-2000).
 
* Richard Cándida Smith, [http://digitalassets.lib.berkeley.edu/roho/ucb/text/riley_robert.pdf "SFMOMA 75th Anniversary: Robert Riley"], Berkeley: The Bancroft Library, University of California, Berkeley, 2010, 83 pp. Oral history interview with the first SFMOMA's curator of media arts (1988-2000).
  
−
[[Image:London_Barbara_1985_Video_A_Selected_Chronology_1963-1983.jpg|thumb|200px|Barbara London, "Video: A Selected Chronology, 1963-1983", 1985, [[Media:London_Barbara_1985_Video_A_Selected_Chronology_1963-1983.pdf|PDF]], in ''Art Journal'' 45(3): "Video: The Reflexive Medium", 1985, [http://monoskop.org/log/?p=14445 Log], [[Media:Art_Journal_45_3_Video_The_Reflexive_Medium.pdf|PDF]].]]
+
</div>
  
 
===Bibliography and chronology===
 
===Bibliography and chronology===
 +
 +
[[Image:London_Barbara_1985_Video_A_Selected_Chronology_1963-1983.jpg|thumb|300px|Barbara London, "Video: A Selected Chronology, 1963-1983", 1985, [[Media:London_Barbara_1985_Video_A_Selected_Chronology_1963-1983.pdf|PDF]], in ''Art Journal'' 45(3): "Video: The Reflexive Medium", 1985, [http://monoskop.org/log/?p=14445 Log], [[Media:Art_Journal_45_3_Video_The_Reflexive_Medium.pdf|PDF]].]]
 +
 +
* Barbara London with Lorraine Zippay, [[Media:London Barbara 1980 A Chronology of Video Activity in the United States 1965-1980.pdf|"A Chronology of Video Activity in the United States 1965-1980"]], ''Artforum'', Sep 1980, [https://www.artforum.com/print/198007/a-chronology-of-video-activity-in-the-united-states-1965-1980-37724 HTML].
 +
 
* Barbara London, [https://monoskop.org/images/4/4c/Circulating_Video_Library_MOMA_1983.pdf#page=21 "Selected U.S. Chronology"], in ''Circulating Video Library'', ed. Barbara London, New York: MoMA, 1983, pp 41-48.
 
* Barbara London, [https://monoskop.org/images/4/4c/Circulating_Video_Library_MOMA_1983.pdf#page=21 "Selected U.S. Chronology"], in ''Circulating Video Library'', ed. Barbara London, New York: MoMA, 1983, pp 41-48.
 +
 
* [http://www.vasulka.org/archive/Writings/video_rewind.pdf "Selected Bibliography for Early Video"], in ''Video Rewind: A Seminar on Early Video History'', c1983, [2] pp.  
 
* [http://www.vasulka.org/archive/Writings/video_rewind.pdf "Selected Bibliography for Early Video"], in ''Video Rewind: A Seminar on Early Video History'', c1983, [2] pp.  
 +
 
* Barbara London, [[Media:London_Barbara 1985_Video_A_Selected_Chronology_1963-1983.pdf|"Video: A Selected Chronology, 1963-1983"]], ''Art Journal'' 45(3): "Video: The Reflexive Medium" (Autumn 1985), pp 249-262.
 
* Barbara London, [[Media:London_Barbara 1985_Video_A_Selected_Chronology_1963-1983.pdf|"Video: A Selected Chronology, 1963-1983"]], ''Art Journal'' 45(3): "Video: The Reflexive Medium" (Autumn 1985), pp 249-262.
−
 
−
===Dissertations===
 
−
* James A. Nadeau, ''[http://dspace.mit.edu/bitstream/handle/1721.1/39146/123349020.pdf The Medium is the Medium: The Convergence of Video, Art and Television at WGBH (1969)]'', Massachusetts Institute of Technology, Dept. of Comparative Media Studies, 2006. [http://cmsw.mit.edu/the-medium-is-the-medium/]
 
  
 
===More===
 
===More===
Line 230: Line 913:
 
* [http://www.experimentaltvcenter.org/biblio/keyword/8 Texts compiled by Experimental TV Center], [http://web.archive.org/web/20151024152742/http://experimentaltvcenter.org/biblio/keyword/8]
 
* [http://www.experimentaltvcenter.org/biblio/keyword/8 Texts compiled by Experimental TV Center], [http://web.archive.org/web/20151024152742/http://experimentaltvcenter.org/biblio/keyword/8]
  
−
==Resources==
+
==See also==
−
* [http://www.davidsonsfiles.org/ The Early Video Project] by Davidson Gigliotti.
+
 
−
* [http://www.experimentaltvcenter.org/history/ Experimental Television Center: Video History Project]
+
* [[Video activism]], [[Live video]]
−
* [http://www.video-as.org/ Video as Urban Condition]
 
−
* [http://videocircuits.blogspot.com Video Circuits], blog for and about electronic video artists.
 
−
* [http://ukvideoart.tripod.com/ A Chronology of Events in the First Two Decades of British Video Art]
 
−
* [http://www.ewva.ac.uk/ EWVA European Women’s Video Art] of the 1970s and 1980s.
 
  
−
==See also==
 
−
* [[Video activism]], [[VJing]]
 
 
* Video in [[Central_and_Eastern_Europe#Video|CEE]] ([[Central and Eastern Europe Bibliography#Video|bibliography]]), [[Hungary#Video_art|Hungary]], [[Poland#Video_art|Poland]], [[Czech_Republic#Video_art|Czech Republic]], [[Slovakia#Video_art_.281960s-80s.29|Slovakia]] [[Slovakia#Video_art_(1990s-2000s)|(2)]], [[Croatia#Video_art|Croatia]], [[Serbia#Video_art|Serbia]], [[Slovenia#Video_art|Slovenia]], [[Romania#Video_art|Romania]], [[Bulgaria#Video_art|Bulgaria]], [[Estonia#Video_art|Estonia]], [[Lithuania#Video_art|Lithuania]].
 
* Video in [[Central_and_Eastern_Europe#Video|CEE]] ([[Central and Eastern Europe Bibliography#Video|bibliography]]), [[Hungary#Video_art|Hungary]], [[Poland#Video_art|Poland]], [[Czech_Republic#Video_art|Czech Republic]], [[Slovakia#Video_art_.281960s-80s.29|Slovakia]] [[Slovakia#Video_art_(1990s-2000s)|(2)]], [[Croatia#Video_art|Croatia]], [[Serbia#Video_art|Serbia]], [[Slovenia#Video_art|Slovenia]], [[Romania#Video_art|Romania]], [[Bulgaria#Video_art|Bulgaria]], [[Estonia#Video_art|Estonia]], [[Lithuania#Video_art|Lithuania]].
  

Revision as of 11:03, 24 May 2024

Resource on video art

Works

Online platforms for video art

Archives and distributors

Links point to online catalogues.

more

See also

Resources

  • REWIND Artists' Video, est. 2004 by Stephen Partridge; based at Duncan of Jordanstone College of Art & Design (University of Dundee, Scotland).

Artists, groups, initiatives, events

with pages on the Monoskop wiki

Artists (cont.)

Peggy Ahwesh, Francis Alÿs, Atlas Group, Yael Bartana, Guy Ben Ner, Sadie Benning, Dara Birnbaum, Colin Campbell, Peter Campus, Aleesa Cohene, Phil Collins, Omer Fast, Fischli & Weiss, Douglas Gordon, Dan Graham, Halflifers, Mike Kelley, Michael Klier, Sharon Lockhart, Deirdre Logue, Paul McCarthy, Karen Mirza & Brad Butler, Muntadas, Annabel Nicholson, Dennis Oppenheim, Charlemagne Palestine, Lis Rhodes, Christoph Schlingensief, John Smith, Lisa Steele, Surveillance Camera Players, Sam Taylor-Wood, Ryan Trecartin, Hannah Wilke, Artur Żmijewski, Isabel Pérez del Pulgar, Nestor Rodríguez, Lisi Prada, Luis Carlos Rodríguez, Mikel Otxoteko

Artists' writings, catalogues

Magazines

Radical Software magazine, 1970-74, Log, PDFs.
  • Avalanche 9: "Video Performance", ed. Liza Bear, New York: Kineticism Press, May-Jun 1974, 29 pp. [3] (English)
  • Videoscope: The Magazine of Videotape Source Information, eds. John L. Reilly and Karen Mooney, Gordon & Breach, 1976-1979. Sections: 1(2), 1(4), 1(4). [4] [5]
  • Mediamatic, quarterly, 39 numbers, eds. Willem Velthoven and Jans Possel, Groningen (1985-Jan 1987) & Amsterdam (Apr 1987-1999): Mediamatic, Dec 1985-1999. (English)

Exhibition catalogues

TV as a Creative Medium, New York, 1969, PDF.
Video Art, Philadelphia, 1975, PDF.
The Video Show, London, 1975, PDF.
Video Spaces: Eight Installations, New York, 1995, PDF.

For historical surveys and retrospectives see section below.

  • Lagerkatalog 1969, Munich: P.A.P. Progressive Art Production, 1969, [120] pp. (German),(English)
  • Land Art, eds. Gerry Schum and Ursula Schum-Wevers, Hanover: Fernsehgalerie Gerry Schum Television Gallery, 1970. TV exh. held Apr 1969. (German)
  • VideObelisco: Art Video Recording, AVR. Video libro, No. 1, ed. Francesco Carlo Crispolti, Rome: Galleria dell'Obelisco, 1971, 32 pp. Exh. held from 14 May 1971. [7] (Italian)/(English)
  • Videotapes. Askevold - Baldessari - Beuys - Brouwn - Buren - de Dominicis - Dibbets - Gilbert & George - Knoebel - Merz - Rinke - Roehr - Rückriem Serra - Ruthenbeck - Sonnier - Le Va - Weiner - Walther. La Biennale di Venezia. Italian Pavillon, Düsseldorf: Videogalerie Gerry Schum, 1972. Exh. held Jun-Oct 1972.
  • Circuito chiuso aperto, Acireale: Palazzo Comunale, 1972, [91] pp. VI Rassegna d'Arte Contemporanea "Acireale Turistico-Termale," Acireale, Palazzo Comunale, 24 Sep-15 Oct 1972. Curated by Mussa and F. C. Crispolti. (Italian)
  • Video, Rotterdam: Lijnbaancentrum, 1973. Exh. held 9 Feb–12 Mar 1973. (Dutch)
  • Trigon 73, Graz: Künstlerhaus, and Neue Galerie Graz, 1973. Festival held 6 Oct–11 Nov 1973. (German),(English)
  • Video Circuits, McLaughlin Library, University of Guelph, 1973, 21 pp. Exh. held 4 Dec 1973-2 Jan 1974. (English)
  • Projekt '74. Kunst bleibt Kunst, Cologne: Kunsthalle, 1974, 433 pp. Held 6 Jul-8 Sep 1974. Excerpt. (German)
  • Videoperformance, ed. Willoughby Sharp, New York, 1974. Works by Vito Acconci, Joseph Beuys, Chris Burden, Dennis Oppenheim, Ulrike Rosenbach, Richard Serra, Willoughby Sharp, Keith Sonnier, William Wegman. Special issue of Avalanche magazine, number 9. Held at 112 Greene Street, Gallery, NY, Nov? 1974. [10] (English)
  • Castelli-Sonnabend Videotapes and Films, New York: Castelli-Sonnabend Tapes and Films, Nov 1974, 216 pp. (English)
  • EXPRMNTL 5, ed. Media Studio Buffalo, 1975. Festival held 25 Dec 1974–2 Jan 1975. (French)/(English)
  • Video Art, ed. David Antin, Philadelphia: Institute of Contemporary Art, 1975. Antin's essay. Exh. held in Philadelphia (17 Jan-28 Feb 1975), Cincinnati, Chicago, and Hartford/CT. [13] (English)
  • Galleria del Cavallino, 1975: esposizioni, films, videotapes, 14 gennaio 1975 - 10 gennaio 1976, Venice: Galleria del Cavallino, 1975, [60] pp. [14] (Italian)
  • Videotapes, Venice: Galleria del Cavallino, 1975, [5] pp. Exh. held from 22 Feb 1975. (Italian)
  • Third International Open Encounter on Video, Buenos Aires: Center of Art and Communication (CAYC), 1975, [36] pp. Exh. held at the Galleria civica d'arte moderna, Palazzo dei diamanti, Ferrara, Italy, 25-29 May 1975; organised by the Center of Art and Communication (CAYC), Buenos Aires. Excerpt. [16] (English)
  • Foto-Film-Video. Deutsch-Französisches Symposion Neuenkirchen, Galerie Falazik: Neuenkirchen, 1975, [130] pp. Exh. held 31 May-21 Jun 1975. (German)
  • Video: Towards Defining an Aesthetic, ed. Tamara Krikorian, Edinburgh: Scottish Arts Council, 1976, 32 pp. Exh. held at the Third Eye Centre, Glasgow, 16-21 Mar 1976. (English)
  • Video Art: An Overview, San Francisco: SFMOMA, 1976, [6] pp. Exh. curated by Suzanne Foley; held 23 Mar-18 Apr 1976. Exh. of 33 videotapes by 29 artists; installations by Peter Campus, Paul and Marlene Kos, Nam June Paik; events and performances. [17] (English)
  • Video-Art, Lublin: Galeria Sztuki LDK Labirynt, 1976, [13] pp. Exh. held 5-6 Oct 1976. (Polish),(English)
  • Artists' Video: An Alternative Use of the Medium, 5 vols., eds. Brian Hoey and Wendy Brown, Tyne and Wear: Biddick Farm Arts Centre, 1976-1980, 24 / 28 / 24 / 28 / ? pp. Exh. held at Washington New Town Centre (Washington, Tyne & Wear), 19-30 Oct 1976; 17-29 Oct 1977; 23 Oct-4 Nov 1978; 29 Oct-11 Nov 1979. [18] (English)
  • Video & Film Manifestatie: kijken en doen, eds. Alexander van Grevenstein and Ton Quik, Maastricht: Bonnefantenmuseum, 1977, [77] pp. Catalogue in 6 parts; exh. held 11 Feb-20 Mar 1977. (Dutch),(English),(French)
  • Seventh International Open Encounter on Video, Buenos Aires: Center of Art and Communication (CAYC), 1977. Exh. held 23—25 Feb 1977; organised by the Joan Miro Foundation, Barcelona, and the Center of Art and Communication (CAYC), Buenos Aires. (English)
  • Germano Celant, OffMedia: nuove tecniche artistiche: video, disco, libro, trans. J. Fano, B. Collinge and C. Lotz, Bari: Dedelo Libri, 1977, 187 pp. Incl. "Videochronology" pp 71-73. Exh. held in Bari, Mar 1977. [21] [22] (Italian)/(English)
  • Video, ed. Adelina von Fürstenberg, Geneva: Association pour un Musée d’art moderne, and Basel: Stampa, 1977. Exh. held Apr-May 1977.
  • documenta 6, Kassel, 1977. Video art section curated by Wulf Herzogenrath.
  • Videotapes by Women. From the Los Angeles Women’s Video Centre, Melbourne: George Paton Gallery, 1977. Exh. held 26 Oct-3 Nov 1977. (English)
  • Nuovi media: fotografia, cinema, videotape, performance, eds. Guido Sartorelli and Toni Toniato, Venice, 1978, 60 pp. Exh. held 4-20 May 1978. Excerpt. [23] (Italian)
  • Swiss Video Repères, Lausanne: Musée des Beaux-arts de Lausanne, 1978. Exh. held in Sep 1978. (French)
  • Video im Abendland. Videoworkshop, Stuttgart: Künstlerhaus, 1979, 28 pp. Workshop held 23 Sep-7 Oct 1979. [26] (German)
  • Art and Artists from the Video Data Bank, Chicago: Video Data Bank, 1980, [18] pp. Catalogue of programs. [27] (English)
  • VideoArt Festival International d'Art Video, Locarno, 1980-2001. Online archive. (French)
    • Cinegraphia. La linea in movimento / The Line in Movement / La ligne en mouvement, Locarno: Edizioni Flaviana Locarno, 1980, 117 pp. Part of VideoArt Festival Locarno. Excerpt. Festival held 1-10 Aug 1980. (Italian),(English),(French)
  • Video - eine neue Kunst, ed. Robert Lemke, Marl: Skulpturenmuseum Glaskasten Marl, 1981, 60 pp. Exh. held 29 Apr-17 May 1981. (German)
  • Cinema off e videoarte a New York, eds. Ester de Miro and Germano Celant, Genova: Bonini, 1981, 223 pp. (Italian)
  • Plan K: Festival international de musique électronique, video et computer art / International Festival voor Elektronische Muziek, Video en Computer Art, Brussels, 1981, 142 pp. [29] (French)/(Dutch)
  • Video Maart. Video Studio Jan van Eyck, ed. Elsa Stansfield, Maastricht: Jan van Eyck Academie, 1981, 93 pp. David Hall's essay. (Dutch),(English),(French),(German)
  • Videokunst: video installaties en videotapes uit Nederland, ed. Ingrid Haan, Middelburg: De Vleeshal, 1983, [8] pp. (Dutch)
  • Women & the Media: New Video, ed. William Olander, Allen Memorial Art Museum, Oberlin College, 1984, 20 pp, JPG. Artists: Max Almy, Anna-Marie Arnold, Judith Barry, Dara Birnbaum, Lyn Blumenthal, Nancy Buchanan, Cecilia Condit, Margia Kramer, Martha Rosler, Ilene Segalove, Lisa Steele, Janice Tanaka, Erika Rothenberg. Exh. held 18 Apr-27 May 1984. (English)
  • Videoase, eds. Patrick Drijver, Erik Eshuis and Peter Scholten, Enschede: Markt 17, 1984, 40 pp. Festival held 26-28 Sep 1984.
  • Video/Art/Video: Utställning - Installationer, Experiment, Stockholm: Konstavdelningen, Stockholms kulturförvaltning, 1985, 87 pp. Exh. held at the Galleriet, Kulturhuset, Stockholm, 2 Nov 1985–6 Jan 1986. [32] (Swedish)
  • Video Data Bank: Video Tape Review, 84, Chicago: Video Data Bank, 1985, [12] pp. Catalogue of programs. [33] (English)
  • Video Data Bank: On Art and Artists, 85, Chicago: Video Data Bank, 1985, 64 pp. Catalogue of programs. [34] (English)
  • Video Data Bank: Video Tape Review, 86, Chicago: Video Data Bank, 1986, 94 pp. Catalogue of programs. [35] (English)
  • AVÉ experimenteel: internationaal audiovisueel festival catalogues, Arnhem: Stichting AVÉ, 1986-1995. [36]
  • Vidéo, ed. René Payant, Montreal: Artexte, 1986, 263 pp. Published in conjunction with video installations held in various museums and galleries in Montréal in the fall of 1986. Incl. essay with historical survey of video in 9 countries, and texts of 18 lectures given during the Video 84 symposium. (French)/(English)
  • Het magnetische beeld, eds. Anke van der Laan and Elsa Stansfield, Maastricht: Jan van Eyck Academie, and Heerlen: Heerlen, 1988. Exh. held at Stadsgalerij Heerlen, 9 Oct-20 Nov 1988, 48 pp. [37] (Dutch)/(English)
  • Video Positive 91, ed. Nik Houghton, Liverpool: Moviola, 1991, 71 pp. Review: Partridge (Variant 1991). (English)
  • Ostranenie: 1. Internationales Videofestival am Bauhaus Dessau, 4.-7.11.1993: erschütterte Mythe, neue Realitäten: Osteuropa im Focus der Videokamera / 1. Meždunarodnyj videofestival v Bauchaus Dessau: poshatnuvshiesya myfy, novaya deystvitelnost: vostochnaya Evropa v fokuse videokamery / 1. International Video Festival at the Bauhaus Dessau: Shattered Myths, New Realities: Video Focus on Eastern Europe, eds. Inke Arns and Elisabeth Tharandt, Dessau: Bauhaus Dessau Foundation, 1993, 499 pp. Selected texts: Erjavec, Arns, Sei, Kovats, Kuhn, Milev, Sobetzko, Czegledy, Performances, more. Event. [39] [40] (German),(Russian),(English)
  • Ex oriente lux, ed. Cãlin Dan, Bucharest: Soros Center for Contemporary Arts, 1994, 111 pp. Exhibition. (Romanian)/(English)
  • Video, vidím, ich sehe: Installationen: slowakische, tschechische und schweizerische Videokunst / Video, vidím, ich sehe: inštalácie: slovenské, české a švajčiarske videoumenie, eds. Esther Maria Jungo and Katarína Rusnáková, Bern, 1994, 145 pp. (German),(Slovak),(Czech)
  • Video Positive '95: the UK's International Festival of Electronic Arts, eds. Lisa Haskel and Lowena Faull, Liverpool: Moviola, 1995, 56 pp. Exh. held at Tate Gallery Liverpool and other sites, 29 Apr-4 Jun 1995. (English)
  • OSTranenie '95: das internationale Video-Forum an der Stiftung Bauhaus Dessau / The International Video Forum at the Bauhaus Dessau Foundation: Video, Installation, Performance, Workshop: 8.-12. November, eds. Mirja Rosenau, Stephen Kovats, Thomas Munz, and Tina Rehn, Dessau: Bauhaus Dessau Foundation, 1995, 403+14 pp. Event. [41] [42] (German)/(English)
  • Orbis Fictus: nová média v současném umění / New Media in Contemporary Arts, eds. Ludvík Hlaváček and Marta Smolíková, Prague: Sorosovo centrum současného umění, 1995, 228 pp. Texts by Michael Bielický, Michal Bregant, Radúz Činčera, Ludvík Hlaváček, Gerald O'Grady, Karel Pech, Jiří Valoch, Woody Vasulka and Jiří Zemánek. Exhibition held at the National Gallery / Valdštejnská jízdárna [Valdstein Riding School], Prague, 30 Nov 1995-1 Jan 1996. TOC. [43] (Czech)/(English)
  • Video Positive 97: Escaping Gravity, Foundation for Art and Creative Technology, 1997, 40 pp. (English)
  • Ostranenie '97: Dessau 5.-9. Dezember 1977: das internationale Forum elektronischer Medien / the International Electronic Media Forum, eds. Mirja Rosenau and Stephen Kovats, Dessau: Bauhaus Dessau Foundation, 1997, 553 pp. Event. [44] [45] (German)/(English)
  • Ostranenie 93 95 97, ed. Stephen Kovats, Dessau: Bauhaus Dessau Foundation, 1999. CD-ROM, Mac & PC. Documents the works and impressions of over 400 artists, critics, academics and journalists from 32 countries who participated in the Ostranenie events from 1993 to 1997. Produced by the Studio Electronic Media Interpretation of the Bauhaus Dessau Foundation in cooperation with C3 - Soros Foundation Budapest. Event. [46] [47]
  • Balkan Video Federation, ed. Branislav Dimitrijević, Belgrade: Center for Contemporary Art - Belgrade, 2000, [55] pp. (English)
  • Tele-Journeys, MIT List Visual Arts Center, 2002, 46 pp. Organised by Joan Jonas, with Jane Farver; essay by Jens Hoffmann. [48] (English)
  • Point of View: A Contemporary Anthology of the Moving Image, New York: New Museum, 2003. 11 DVDs. [49] [50] (English)

Notable exhibitions without catalogues

Monographs

Anthologies

  • Video Art: An Anthology, eds. Ira Schneider and Beryl Korot, New York: Harcourt Brace Jovanovich, 1976, 286 pp, IA. Seventy video artists were each given two pages to present information about their work in any form they chose. Also contains documents such as Shigeko Kubota’s “Anthology Film Archives Video Program,” and essays by David Antin, Stephen Beck, Eric Cameron, Douglas Davis, Anne Focke, Peter Frank, Hermine Freed, Davidson Gigliotti, Frank Gillette, John Hanhardt, Wulf Herzogenrath, Bruce Kurtz, David Ross, Bill Viola, Ingrid Weigand, and Willoughby Sharp. TOC.
  • Video by Artists, ed. Peggy Gale, Toronto: Art Metropole, 1976, 223 pp. [52]
  • Video by Artists 2, ed. Elke Town, Toronto: Art Metropole, 1986, 151 pp. [53]
  • Tellus 17: "Video Arts Music", eds. Claudia Gould, Joseph Nechvatal, and Carol Parkinson, New York, 1987. Special issue of audio cassette magazine.
  • Experimental Film and Video: An Anthology, ed. Jackie Hatfield, forew. Sean Cubitt and Al Rees, Eastleigh: John Libbey, 2006, 302 pp. Forty artists have contributed images, and 25 artists reflect on the diverse critical agendas, contexts, and communities that have affected their practice across the period from the late 1960s to date. [54] [55]
  • Video Writings by Artists (1970-1990), ed. Eugeni Bonet, Milan: Mousse, 2017, 309 pp. [56]

Articles

Miscellaneous

  • Julie Gustafson, Karen Mooney, The Independent Producer, Public Television, and the New Video Technologies: A Resource Book, intro. John Reilly, New York: Global Village, 1980. [58]

Reception, history

For publications on individual artists and collectives see their respective pages.

Exhibition catalogues

The Second Link: Viewpoints on Video in the Eighties, Banff, New York, Amsterdam, Toronto, Long Beach, London, 1983, PDF.
Imago, fin de siècle in Dutch Contemporary Art, 1990, PDF.
Eigenwelt Der Apparate-Welt: Pioneers of Electronic Art, 1992, Log.
Mediascape, New York, 1996, IA.
  • Video '79. Video, the First Decade / Dieci anni di videotape, Rome: Kane, 1979, 252 pp. (English)/(Italian)
  • Videokunst in Deutschland 1963-1982, ed. Wulf Herzogenrath, Stuttgart: Gerd Hatje, 1982, 319 pp. Excerpt. Includes chapters on “Videotapes,” “Videoinstallation,” “Video-Objects,” and “Videoperformances” covers some one hundred artists, and includes biographies, videographies, and many black-and-white photographs. Essays by Wulf Herzogenrath, Helmut Friedel, Nam June Paik, Ulrike Rosenbach, Friederike Pezold, and Kaus von Bruch; a rare 1969 letter from Gerry Schum to Gene Youngblood; and an interview with Joseph Beuys. Exh. held at Kölnischer Kunstverein, Cologne, 6 Jun-18 Jul 1982, also shown at MoMA (1982). (German)
  • Inovacije u Hrvatskoj umjetnosti sedamdesetih godina, ed. Boris Kelemen, Zagreb: Gallery of Contemporary Art Zagreb, 1982. Excerpt. (Serbo-Croatian),(English)
  • The Second Link: Viewpoints on Video in the Eighties, ed. Lorne Falk, Banff, CA: Walter Phillips Gallery, Banff Centre School of Fine Arts, 1983, 111 pp. Exh. of 30 works by artists from CA, US, UK, BE, NL, West Germany and PL; curated by Peggy Gale (A Space Toronto), Kathy Huffman (Long Beach), Barbara London (MoMA), Brian MacNevin (Banff), Dorine Mignot (Stedelijk), and Sandy Nairne (ICA London); held at Banff Centre, 8-21 Jul 1983; MoMA, New York, 18 Aug-27 Sep 1983; Stedelijk M, Amsterdam, 9 Sep-16 Oct 1983; A Space, Toronto, 1-29 Oct 1983; Long Beach M of Art, Long Beach, 20 Nov 1983-15 Jan 1984; ICA, London, 16 Dec 1983-15 Jan 1984. Review: Zippay (Art J 1985).
  • Social Engagement: Women's Video in the 80s, ed. Lucinda Furlong, New York: Whitney Museum, 1987. Exh. held at Whitney, 3-20 Mar 1987. Exh. review: NYT, NYT. [62]
  • Revision: Art Programmes of European Television Stations, ed. Dorine Mignot, pref. Wim A.L. Beeren, Amsterdam: Stedelijk Museum, 1987, 100 pp. Curated by Dorine Mignot. (English)
  • The Arts for Television, eds. Kathy Rae Huffman and Dorine Mignot, Los Angeles: Museum of Contemporary Art, and Amsterdam: Stedelijk Museum, 1987, 104 pp. Historical survey of arts programmes arranged in 6 thematic sections: image, theatre, literature, dance, music, television. Works from 1966-1987 by 102 artists from AT, BE, FR, DE, IT, JP, NL, UK, US, YU. Curated by Dorine Mignot (Stedelijk) and Kathy Rae Huffman (Contemporary Art Television Fund Boston), with participation of Julie Lazar (MOCA LA). Exh. held at Stedelijk Amsterdam, 4 Sep-18 Oct 1987; Museum of Contemporary Art Los Angeles, 6 Oct-15 Nov 1987; MoMA New York, 20 Apr-30 May 1989; Contemporary Arts Museum Houston, 10 Jun-16 Jul 1989.
  • Memoria del video, 1. La distanza della storia: vent'annni di eventi video in Italia raccolti da Luciano Giaccari, Milan: Nuova Prearo, 1987, 103 pp. Exh. held at the Padiglione d'arte contemporanea, Milan, 15 Dec 1987-31 Jan 1988. (Italian)
  • American Landscape Video: The Electronic Grove, ed. William D. Judson, Pittsburgh: Carnegie Museum of Art, 1988, 128 pp. Exh. curated by William D. Judson; held at Carnegie Museum of Art, Pittsburgh, 7 May-10 Jul 1988; and in two parts at SFMOMA, San Francisco, 10 Nov 1988-1 Jan 1989 & 17 Jan-19 Feb 1989. Brochure. [63]
  • Video-Skulptur: retrospektiv und aktuell 1963-1989, eds. Wolf Herzogenrath and Edith Decker, Cologne: DuMont, 1989, 326 pp. Exh. held at Kölnischer Kunstverein, Kunststation St. Peter, Belgisches Haus and DuMont Kunsthalle Cologne, 18 Mar-23 Apr 1989; Berlin; Kunsthaus Zürich, 13 Oct-12 Nov 1989. (German)
  • Signs of the Times: A Decade of Video, Film and Slide-Tape Installation in Britain, 1980-1990, ed. Chrissie Iles, Oxford: Museum of Modern Art Oxford, 1990, 87 pp. Exh. held 7 Oct-9 Dec 1990. Exh. review: Cubitt (Screen).
  • Passages de l'image, eds. Raymond Bellour, Catherine David and Christine van Assche, Paris: Centre Pompidou, 1990, 191 pp. Exh. curated by Bellour, David and Assche; held at Musée national d'art moderne, Galeries contemporaines, 19 Sep-18 Nov 1990; salle Garance, 12 Sep-15 Oct 1990. (French)
    • Passages de l'image, Barcelona: Centre Cultural de la Fundació Caixa de Pensions, 1991, 280 pp. Exh. held at Fundació Caixa de Pensions, Barcelona, 12 Feb-28 Mar 1991; Wexner Center for the Arts, Columbus/OH, 1 Jun-27 Oct 1991; San Francisco Museum of Modern Art, 6 Feb-12 Apr 1992. (English)/(Catalan)
  • Vidéo et après: la collection vidéo du Musée national d'art moderne, ed. Christine Van Assche, Paris: Centre Georges Pompidou, 1992, 295 pp. [64] (French)
  • Video‐Skulptur in Deutschland seit 1963, ed. Wolf Herzogenrath, Stuttgart: ifa, 1995. (German)
  • Centro video arte, 1974-1994: videoarte, performance, partecipazioni, ed. Lorenzo Magri, Ferrara: G. Corbo, 1995, 189 pp. Excerpt. (Italian)/(English)
  • Mediascape, New York: Guggenheim Museum, and Karlsruhe: ZKM, 1996. Exh. held at Guggenheim Museum SoHo, 14 June-15 Sep 1996.
  • '2' the Second: Time Based Art from the Netherlands, Amsterdam: Netherlands Media Art Institute / MonteVideo TBA, 1997, 60 pp. With CD. [65] (English)
  • La coscienza luccicante: dalla videoarte all'arte interattiva, eds. Paola Sega Serra Zanetti and Maria Grazia Tolomeo, Rome: Gangemi, 1998, 272 pp. Exh. held at the Palazzo delle Esposizioni, Rome, 16 Sep-10 Oct 1998. (Italian)/(English)
  • L'art vidéo 1980-1999: vingt ans du VideoArt Festival, Locarno: recherches, théories, perspectives, ed. Vittorio Fagone, Milan: Mazzotta, 1999, 430 pp. (French)
  • Seeing Time: Selections from the Pamela and Richard Kramlich Collection of Media Art, ed. Karen Jacobson, forew. David A. Ross, San Francisco: SFMOMA, 1999, 179 pp. Exh. held 15 Oct 1999-9 Jan 2000. Exhibition. Publisher. [66] [67]
  • Elettroshock: 30 anni di video in Italia 1971-2001, eds. Bruno Di Marino and Lara Nicoli, Rome: Castelvecchi, 2001, 158 pp. Exh. held 21-27 May 2001. (Italian)
  • Videodokument. Video Art in Slovenia 1969-1998, ed. Barbara Borčić, Ljubljana: SCCA Ljubljana, 2001. With CD. [68]
  • Video Acts: Single Channel Works from the Collections of Pamela and Richard Kramlich and New Art Trust, eds. Klaus Biesenbach with Barbara London and Christopher Eamon, New York: PS1 Contemporary Art Center, 2002, 311 pp. Exh. held 10 Nov 2002-Apr 2003. [69]
  • 30 jaar Nederlandse videokunst / Thirty Years of Dutch Video Art, Amsterdam: Nederlands Instituut voor Mediakunst, MonteVideo/Time Based Arts, 2003. Exh. held 11 Jan-8 Mar 2003. (Dutch),(English)
  • Arte del video: il viaggio dell'uomo immobile: videoinstallazioni, videoproiezioni, eds. Vittorio Fagone, Sandra Solimano and Lorenzo Bianda, Lucca: Fondazione Ragghianti Studi sull'Arte, 2004. Exh. held at Fondazione Ragghianti, Lucca, 21 Mar-23 May 2004. (Italian)/(English)
  • Ready to Shoot: Fernsehgalerie Gerry Schum—Videogalerie Schum, ed. Snoeck Ghent, Heule/Belgium: Snoeck, 2004. Exh. held at Kunsthalle Düsseldorf, 27 Mar-6 Jun 2004, curated by Ulrike Groos, Barbara Hess, and Ursula Wevers, with a chronology of the development of the Television Gallery, which the German artist Gerry Schum launched in 1968 to transform television into an artistic medium by screening avant-garde art to a mass audience.
  • Video Art: the Castello di Rivoli Collection, eds. Ida Giannelli and Marcella Beccaria, Milan: Skira, 2005, xv+286 pp. Exh. held 2002. [70]
  • Collection New Media Installations, 1965-2005: la collection du Centre Pompidou, Musée national d'art moderne, ed. Christine Van Assche, Paris: Centre Pompidou, Dec 2006, 288 pp. Curated by Christine van Assche. Exh. held at Barcelona Caixa Forum; 28 Sep 2005-8 Jan 2006; Taipei Fine Arts Museum, 28 Apr-23 Jul 2006; Miami Art Central, 19 Sep-10 Dec 2006; Museum of Contemporary Art Australia (MCA), Sydney, 13 Dec 2006-25 Feb 2007; Australian Centre for the Moving Image (ACMI), Melbourne, 15 Mar-27 May 2007; Museo de Chada, Lisbon, 18 Oct 2007-6 Jan 2008, [71]; The Nicosia Municipal Arts Centre, Cyprus, Mar-May 2008; Honolulu Academy of Arts, Jun-Sep 2008; Musée Fabre, Montpellier, 25 Oct 2008-18 Jan 2009 [72]. [73]
  • 40jahrevideokunst.de – Teil 1. Digitales Erbe: Videokunst in Deutschland von 1963 bis heute, eds. Rudolf Frieling and Wulf Herzogenrath, Ostfildern: Hatje Cantz, 2006, 399 pp. With DVD. Publisher. [74] [75] [76] (German)
  • Videokunst der 60er Jahre in Deutschland, ed. Wulf Herzogenrath, Bremen: Kunsthalle Bremen, 2006, 80 pp. (German)
  • India: Public Places, Private Spaces: Contemporary Photography and Video Art, eds. Sinha Gayatri and Paul Sternberger, Gaithersburg, MD: Marg Foundation, 2007. Contains essays surveying contemporary Indian photographers and video artists. Works by 28 artists exploring the landscape of Indian identity, experience, history, and politics. (English)
  • Sounding the Subject. Video Trajectories. Selections from the Pamela and Richard Kramlich Collection and the New Art Trust, MIT List Visual Arts Center, 2007. Introduction, Mechtild Widrich's essay. (English)
  • Buffalo Heads: Media Study, Media Practice, Media Pioneers, 1973-1990, eds. Woody Vasulka and Peter Weibel, Karlsruhe: ZKM, and MIT Press, 2008, 837 pp. Exh. held at ZKM, 16 Dec 2006-25 Mar 2007. Exhibition. Exhibition. Chronology. TOC. Publisher. Publisher. Reviews: Zics (Leonardo), Yu (Afterimage), Browne (J Am Cult). Exh. review: Minkowsky (Film Quarterly). (English)
  • California Video: Artists and Histories, ed. Glenn Phillips, Los Angeles: Getty Research Institute, 2008, 312 pp. Exh. held at J. Paul Getty Museum, Los Angeles, 15 Mar-8 Jun 2008. Comprehensive exhibition catalogue with an introduction by the editor, followed by some 230 pages devoted to artists’ historic videos with short introductions by leading figures in the field of video. Scholarly essays by Meg Cranston, Robert R. Riley, Kathy Rae Huffman, Bruce Yonemoto, Steve Seid, and Rita Gonzalez. Hundreds of illustrations. Publisher. [77] [78]. (English)
  • Insert: retrospektiva hrvatske video umjetnosti / Retrospective of Croatian Video Art, ed. Tihomir Milovac, Zagreb: MSU, 2008, 360 pp. Exh. held at MSU Zagreb, Sep-Oct 2005, and MMSU Rijeka, Mar-Apr 2006. Texts by Tihomir Milovac, Silva Kalčić, Antonija Majača, Branko Franceschi. Exhibition. [79] (Croatian)/(English)
  • Record again! 40JahreVideokunst.de Teil 2, eds. Christoph Blase and Peter Weibel, Ostfildern: Hatje Cantz, 2010, 535 pp. With DVD. Publisher. [80] [81] (German)/(English)
  • Changing Channels. Kunst und Fernsehen 1963-1987, ed. Matthias Michalka, Cologne: Verlag der Buchhandlung Walther König, and Vienna: mumok, 2010, 293 pp. Exh. curated by Matthias Michalka with Manuela Ammer; held at mumok, Vienna, 5 Mar-6 Jun 2010. [82] (German)
    • Changing Channels: Art and Television 1963-1987, ed. Matthias Michalka, Cologne: Verlag der Buchhandlung Walther König, and Vienna: mumok, 2010, 293 pp. [83]
  • VideoStudio: Playback, ed. Thomas J. Lax, New York: Studio Museum in Harlem, 2011, 17 pp. Exh. held on 31 Mar-26 Jun 2011. First exhibition in a series of programs dedicated to work made in the late 20th century that reflect the influence of dance and avant-garde theater as well as contemporaneous social concerns on early uses of video by artists. Emphasizing improvisation, collaboration and innovative uses of technology, the artists in the exhibition include Houston Conwill, Maren Hassinger, Fred Holland, Ishmael Houston-Jones, Ulysses Jenkins, Senga Nengudi and Howardena Pindell. (English)
  • Vidéo Vintage 1963-1983: une sélection de vidéos fondatrices des collections nouveaux médias du Musée National d'Art Moderne Centre Pompidou, ed. Christine Van Assche, Paris: Centre Pompidou, 2012, 64 pp. Retrospective presenting the first two decades of video art production held in the collection of Centre Pompidou. Curated by Christine van Assche with Florence Parot. Press release. Publisher. Exh. held at Centre Pompidou, 8 Feb-7 May 2012; ZKM Media Museum Karlsruhe, 22 Sep 2012-10 Feb 2013; Beirut Art Center; MMCA Seoul. [84] (French)
  • Corpo elettronico: videoarte italiana tra materia, segno e sogno, eds. Andrea La Porta and Gianluca Marziani, Milan: Prearo, 2012, 173 pp. Exh. held 11 Feb-25 Apr 2012. (Italian)
  • Videoarte a Palazzo dei Diamanti 1973-1979: reenactment, Ferrara: Fondazione Ferrara arte, 2015, 119 pp. (Italian)
  • Mémoires vives: From Nam June Paik to Sliders_Lab, ed. Jean-Marie Dallet, Tielt: Lannoo, 2019, 256 pp. Excerpt. [85] (English),(Dutch),(French)
  • Signals: How Video Transformed the World, eds. Stuart Comer and Michelle Kuo, New York: Museum of Modern Art, 2023, 188 pp. With contributions by Aria Dean and Erika Balsom. Exhibition. Publisher. Exh. review: Ryan (Artforum). (English)

Books, journal issues, proceedings, theses

1970s

Gene Youngblood, Expanded Cinema, 1970, Log, PDF.
  • Gene Youngblood, Expanded Cinema, intro. R. Buckminster Fuller, New York: E.P. Dutton, 1970, 432+[6] pp; London: Studio Vista, 1970, 432+[6] pp; repr., 50th anniv.ed., New York: Fordham University Press, 2020, xxxii+449+[12] pp.
    • Cine expandido, intro. Emilio Benini, Buenos Aires: Editorial De La Universidad Nacional De Tres De Febrero (EDUNTREF), 2012, 447 pp. [86] (Spanish)
    • Expanded cinema, eds. Pier Luigi Capucci and Simonetta Fadda, Bologna: CLUEB, 2013, xvi+388 pp. (Italian)
  • Michael Shamberg, Raindance Corporation, Guerrilla Television, New York, Chicago, San Francisco: Holt Rinehart and Winstin, 1971. [87]
  • Performance 3: "Television", Jul-Aug 1972.
  • Paul Ryan, Birth And Death And Cybernation: Cybernetics of the Sacred, New York: Gordon & Breach, 1973.
  • Peggy Gale (ed.), Video by Artists, intro. Tom Sherman, Toronto: Art Metropole, 1976, 223 pp. [88] [89]
  • Daniela Palazzoli, Fotografia, cinema, videotape: l'uso artistico dei nuovi media, Milan: Fabbri, 1977, 126 pp. (Italian)
  • Jonathan Price, Video Visions: A Medium Discovers Itself, New York: New American Library, 1977. Based on interviews with people involved in early video: broadcasters at WGBH and other PBS stations, numerous artists, a.o. Review: Kaiser (Leonardo).
  • The New Television: A Public/Private Art: Essays, Statements, and Videotapes: Based on "Open Circuits: An International Conference on the Future of Television" Organized by Fred Barzyk, Douglas Davis, Gerald O'Grady, and Willard Van Dyke for the Museum of Modern Art, New York City, eds. Douglas Davis and Allison Simmons, MIT Press, 1977, 289 pp. Excerpts, Herzogenrath's essay. Based on conference held 23-25 Jan 1974, gathering some 40 video artists, filmmakers, curators, arts administrators, and critics among others to discuss the problems and prospects of artists' television and video. Conf. schedule. Review: Knight (Leonardo). [90] [91]
  • Gregory Battcock (ed.), New Artists' Video: A Critical Anthology, New York: E.P. Dutton, 1978, xxii+198 pp, IA. [92]. Some of the articles are reprints, but eleven of them were previously unpublished. Writers included Douglas Davis, Richard Kostelanetz, Richard Lorber, David Ross, Nam June Paik and Charlotte Moorman, Robert Stefanotty, Les Levine, Rosalind Kraus, Stuart Marshall, Ingrid Wiegand, a.o.

1980s

  • Sirio Luginbühl, Paolo Cardazzo, Videotapes: arte tecnica storia, Padua: Mastrogiacomo, 1980. Excerpt. [94] (Italian)
  • Bettina Gruber, Maria Vedder (eds.), Kunst und Video: Internationale Entwicklung und Künstler, Cologne: DuMont, 1983, 264 pp. Incl. 7 essays on communications theory and video history, color plates (8 pp), statements, photographs, biographies, videographies, and bibliographies for 61 artists. Review: Zippay (Art J 1985). (German)
  • Heidi Grundmann (ed.), Art Telecommunication, Vancouver: Western Front Publication, and Vienna: Blix, 1984, 140 pp. [95]. Review: Malloy. (English)
  • Ida Boelema (ed.), Inventarisatie van videokunst, films van kunstenaars, avantgarde en experimentele films, die in Nederland beschikbaar zijn, 2 vols., Weesp: Openbaar Kunstbezit, 1984-1985, 209 & ix+251 pp. (Dutch)
  • Mihailo Ristić (ed.), Videosfera: video/društvo/umetnost [Videosphere: Video/Society/Art], Belgrade: Studentski izdavački centar, 1986. Anthology of theoretical texts about video, including contributions from video-makers. Review: Radić. (Serbo-Croatian)
  • John Hanhardt (ed.), Video Culture: A Critical Investigation, Layton, UT: Peregrine Smith Books, and Rochester, NY: Visual Studies Workshop Press, 1986, 296 pp. Introduction by Hanhardt, with chapters on “Theory and Practice,” “Video and Television,” and “Film and Video.” Essays by Walter Benjamin, Bertolt Brecht, Louis Althusser, Hans Mgnus Enzensberger, Jean Baudrillard, David Antin, David Ross, Stanley Cavell, Nam June Paik, Gene Youngblood, Jack Burnham, John Ellis, and Douglas Davis, as well as Rosalind Krauss’s essay "Video: The Aesthetics of Narcissism".
  • Deidre Boyle, Video Classics: A Guide to Video Art and Documentary Tapes, Phoenix, AZ: Oryx Press, 1986, xxii+160 pp.
  • Elke Town (ed.), Video by Artists, 2, Toronto: Art Metropole, 1986, 151 pp. A companion to the 1976 book publication. [96]
  • Wolfgang Preikschat, Video. Die Poesie der Neuen Medien, Weinheim: Beltz, 1987, 188 pp. Review: Hoffman (MW). (German)
  • Roy Armes, On Video, London: Routledge, 1988, 230 pp.
    • Lu ying xue [錄影學], Tai bei shi: Yuan liu, 1995, 284 pp. (Chinese)
  • Rob Perrée, Into Video Art: The Characteristics of a Medium / Into Video Art: De Karakteristieken von een Medium, trans. A.H.W. Karelse, Rotterdam: Con Rumore, and Amsterdam: Idea Books, 1988, 75 pp. Argues for video art as a fine art, describes the medium's specific conditions illustrated by examples from Dutch video art. [97]. Review: Groot (Mediamatic). (English)/(Dutch)

1990s

  • Vittorio Fagone, L'immagine video: arti visuali e nuovi media elettronici, Milan: Feltrinelli, 1990, 239+xxxii pp; 2nd ed., Milan: Feltrinelli, 2007, 239+[32] pp. (Italian)
  • Electronic Arts Intermix, Artists' Video: An International Guide, ed. Lori Zippay, New York: Cross River Press, 1991, 272 pp. Introductory essay by the editor on major topics and technical developments in video, from the 1960s to the 1990s, including 120 artists and 1,500 illustrations, with chapters organized alphabetically by artist, each with an annotated biography, videography, and bibliography.
  • Rossen Milev, Video in Osteuropa, Sofia: Balkanmedia, 1993, 164 pp. Excerpt. Based on author's dissertation written under Siegfried Zielinski. Review: Lovink (Mediamatic). [98] (German)
  • New Observations 103: "Video", ed. Ana de Portela, New York, Nov-Dec 1994, 31 pp. [99] [100]
  • Marieke van Dormolen, Videokunst in Nederland: wel geëmancipeerd niet geïntegreerd: Madelon Hooykaas & Elsa Stansfield, Lydia Schouten, Roos Theuws, Amsterdam: Universiteit van Amsterdam, 1994. PhD dissertation. (Dutch)
  • Rewind: Surveying the First Decade: Video Art and Alternative Media in the U.S., 1968-1980, ed. Gary Hill, Chicago: Video Data Bank, 1995, Excerpt; new ed., eds. Abina Manning and Brigid Reagan, Chicago: Video Data Bank, 2008, 150 pp. Brochure, SFMOMA, 1997. [101]
  • Janine Marchessault (ed.), Mirror Machine: Video and Identity, Toronto: YYZ Books, and Centre for Research on Canadian Cultural Industries and Institutions, McGill University, 1995, 239 pp, IA.
  • Michael Renov, Erika Suderburg (eds.), Resolutions: Contemporary Video Practices, University of Minnesota Press, 1995, 448 pp. [102]
  • Silvia Bordini, Videoarte & arte: tracce per una storia, postf. Anna Ludovico, Rome: Lithos, 1995, 139 pp. (Italian)
  • Art Journal 54(4): "Video Art", eds. John G. Hanhardt and Maria Christina Villaseñor, Winter 1995. Introduction. [103]
  • Julia Knight (ed.), Diverse Practices: a Critical Reader on British Video Art, Luton: University of Luton Press, 1996, 384 pp. Bauer's essay. Review: Eleftheriotis (Screen). [104] (English)
  • Sandra Lischi, Cine ma video, Pisa: ETS, 1996, 147 pp. (Italian)
  • Christine Ross, Images de surface: l'art vidéo reconsidéré, Montréal: Artexte, 1996, 142 pp. Based on dissertation from Université Paris I. (French)
  • The Kitchen Video Collection: Two Decades of the Video Vanguard, ed. David Azarch, New York: Kitchen Center for Video, Music, Dance, Performance, Film, and Literature, 1996. Founded as a collective for experimental artists and composers, The Kitchen began as an alternative space and became a renowned institution for cross-disciplinary art and performance. Volume consists of archival documents, brief descriptions of art works, and black-and-white photographs of video art and video performances, many of which have become classic works in the history of art.
  • Sally Jo Fifer, et al. (eds.), Playback: A Preservation Primer for Video, San Francisco: Bay Area Video Coalition, 1998, 79 pp. Proceedings from the 1996 symposium. Publisher, [105]. Session transcripts.
  • Simonetta Fadda, Definizione zero: origini della videoarte fra politica e comunicazione [Zero Definition: The Beginnings of Videoart, between Politics and Communication], Genova: Costa & Nolan, 1999, 184 pp; new ed., exp., pref. Bruno Di Marino, Milan: Meltemi, 2017, 266 pp. Preface to 2nd ed. (Italian)
  • Dejan Sretenović (ed.), Video umetnost u Srbiji / Video Art in Serbia, Belgrade: Centre for Contemporary Art, 1999, 152 pp. (Serbian)/(English)

2000s

  • Catherine Elwes, Video Loupe: A Collection of Essays by and about the Videomaker and Critic Catherine Elwes, London: KT Press, 2000, 188 pp. [106] (English)
  • François Parfait, Video, un art contemporain, Paris: Regard, 2001. Twelve illustrated chapters focus on the relation between electronic images and the development of contemporary art; the affiliations between banal video productions and the hybrid history of technology; and interconnections among sculpture, photography, cinema, and television in relation to popular culture and live, performed art in the second half of the 20th century. (French)
  • Angela Madesani, Le icone fluttuanti: storia del cinema d'artista e della videoarte in Italia, Milan: Mondadori, 2002, x+245 pp. (Italian)
  • Maria Rosa Sossai, Artevideo: storie e culture del video d'artista in Italia, Milan: Silvana, 2002, 159 pp. (Italian)
  • PAJ: A Journal of Performance and Art 71: "Studio as Study: A Selection of Drawings by American Video Artists", ed. Melinda M. Barlow, May 2002. [107]
  • Valentina Valentini, Le storie del video, Rome: Bulzoni, 2003, 338 pp. (Italian)
  • Alessandro Amaducci, Banda anomala: un profilo della videoarte monocanale in Italia, Torino: Lindau, 2003, 156 pp. (Italian)
  • Jeroen Boomgaard, Bart Rutten (eds.), De magnetische tijd. Videokunst in Nederland 1970-1985, Rotterdam: Nai Publishers, and Amsterdam: Netherlands Media Art Institute, 2003. (Dutch)
  • Yvonne Spielmann, Video: das reflexive Medium, Frankfurt am Main: Suhrkamp, 2005. This scholarly study of the history and practices of video contains a section devoted to the experimental phase of video, guerilla television, artistic video, and video culture. Another section explores the aesthetics of video by many artists working in video performance, from Vito Acconci, Dennis Oppenheim, and Ulrike Rosenbach to Valie Export, Lynn Hersham, and Raphael Montañez Ortiz. (German)
  • Max Liljefors, Videokonsten: en introduktion, Lund: Studentlitteratur, 2005, 149 pp. (Swedish)
  • Sandra Lischi, Il linguaggio del video, Rome: Carocci, 2005, 110 pp; repr., 2017. (Italian)
  • Sebastián López, A Short History of Dutch Video Art / Una Breve Historia del Video Arte en Holanda, Amsterdam: Gate Foundation, and Rotterdam: Episode, 2005. [112] (English)/(Spanish)
  • Daniel Birnbaum, Chronology, New York : Lukas & Sternberg, 2005, 116 pp; 2nd ed., 2007. Excerpt. (English)
    • Cronologia: tempo e identità nei film e video degli artisti contemporanei, Milan: Postmedia, 2007, 132 pp. Publisher. (Italian)
    • Khronologii︠a︡ [Хронология], trans. A. Skidan, Moscow: Novoe literaturnoe obozrenie, 2007. (Russian)
  • Sylvia Martin, Video Art, Taschen, 2006, 95 pp. Excerpt.
  • Chris Meigh-Andrews, A History of Video Art, Berg, 2006; 2nd ed., Bloomsbury, 2014, 387 pp. (English)
    • Bideo āto no rekishi: sono keishiki to kinō no hensen [ヴィデオ・アートの歴史 : その形式と機能の変遷], trans. Ina Shinsuke, Tokyo: Sangensha, 2013, 401 pp. (Japanese)
  • Marlene Angermeyer-Deubner, Peter Weibel (eds.), Syntax des Sehens. Die Videosammlung des ZKM, Heidelberg: Kehrer, 2006, 206 pp. [113] (German)
  • Joachim Jäger, Gabriele Knapstein, Anette Hüsch (eds.), Beyond Cinema: The Art of Projection: Films, Videos and Installations from 1963 to 2005, Ostfildern: Hatje Cantz, 2006, 152 pp. [114] (English)
  • Brumaria 4: "Vídeo: Primera Etapa", Madrid, Summer 2004; new ed., rev. & exp., Winter 2006. TOC. [115] [116] (Spanish)
  • Art Journal 65(3): "Forty Years of Video Art", ed. Yvonne Spielmann, Fall 2006. [117]
  • Ricerche di Storia dell'arte 88: "Videoarte in Italia", Carocci, 2006, 112 pp. [118] (Italian)

2010s

  • Nancy Cain, Video Days and What We Saw Through the Viewfinder, Palm Springs: Event Horizon Press, 2011. (English)
  • Erika Suderburg, Ming-Yuen S. Ma (eds.), Resolutions 3: Global Networks of Video, University of Minnesota Press, 2012, 408 pp. Publisher.
  • Renato Rezende, Katia Maciel, Poesia e videoarte, Rio de Janeiro: CIrcuito: funarte, 2013, 159 pp. [126] (Brazilian Portuguese)
  • Melissa Rérat, L'art vidéo au féminin: Emmanuelle Antille, Elodie Pong, Pipilotti Rist, Lausanne: PPUR, 2014. (French)
  • Omar Kholeif (ed.), Moving Image, London: Whitechapel Gallery, 2015, 239 pp.
  • Anke Hervol, Wulf Herzogenrath, Johannes Odenthal (eds.), Schwindel der Wirklichkeit. Closed-Circuit-Videoinstallationen und Partizipation. Ein Reader / The Vertigo of Reality: Closed-Circuits and Participation: A Reader, Berlin: Akademie der Künste, and Walther König, 2015, 336 pp. TOC. (German)/(English)
  • Sander Kletter, Turbulentie rond videokunst. Kunstkritische reflecties op een nieuw medium, 1970-2010, Rotterdam: nai010, 2016. Publisher. (Dutch)
  • Ilaria Bombelli (ed.), I Have a Friend Who Knows Someone Who Bought a Video, Once: On Collecting Video Art. A project by LOOP Barcelona, Milan: Mousse Publishing, 2016, 160 pp. London's essay. Publisher. [127]
  • François Bovier (ed.), Early Video and Experimental Film Networks: French-Speaking Switzerland in 1974: A Case for "Minor History", Lausanne: ECAL/University of Art and Design Lausanne, 2017, 252 pp. [129] [130] [131] (English)
  • Erika Balsom, Lucy Reynolds, Sarah Perks (eds.), Artists’ Moving Image in Britain Since 1989, Yale University Press, 2019, 544 pp. Publisher. [136]

2020s

  • Milo Adami, La forma video. Tra cinema e arti visive dopo il digitale, Milan: Postmedia, 2020, 240 pp. Excerpt. Publisher. (Italian)
  • Barbara London, Video/Art: The First Fifty Years, London: Phaidon, 2021, 280 pp. Publisher.
  • Erika Balsom, Hila Peleg (eds.), Feminist Worldmaking and the Moving Image, MIT Press, Sep 2022, 320 pp. Publisher. Exhibition.
  • Elena Shtromberg, Glenn Phillips (eds.), Encounters in Video Art in Latin America, Los Angeles: Getty Research Institute, Feb 2023, 288 pp. Research project. Publisher. Review: Le (ARLIS/NA). [138]
  • Sylva Poláková, Martin Mazanec (eds.), Mapování pohyblivého obrazu. Média, aktéři a místa v českém prostředí, Prague: Národní filmový archiv, 2023, 311 pp. Research project. Publisher. (Czech)
    • Mapping the Moving Image: Media, Agents, and Sites in the Czech Context, Prague: Národní filmový archiv, 2024. Research project.

Book chapters, papers, articles

  • Douglas Davis, "The New Audience: Television and Videotape", in Davis, Art and the Future, New York and Washington: Praeger, 1973, pp 84-91.
  • Martha Rosler, "Video: Shedding the Utopian Moment", in Vidéo, ed. René Payant, Montréal: Artexte, 1986; repr. in Block 11, London, 1985-86; repr. in Illuminating Video: An Essential Guide to Video Art, eds. Doug Hall and Sally Jo Fifer, New York: Aperture Press, 1991, pp 30-50. Originally delivered as a talk, "Shedding the Utopian Moment: The Museumization of Video", at the conference Vidéo '84 at the Université de Québec à Montréal.
  • Kate Horsfield, "Busting the Tube: A Brief History of Video Art", ch 1 in Feedback: The Video Data Bank Catalog of Video Art and Artist Interviews, eds. Kate Horsfield and Lucas Hilderbrand, Philadelphia: Temple University Press, 2006, pp 7-16, PDF. (English)
  • Marga van Mechelen, "Video in De Appel", ch 6 in De Appel: performances, installaties, video, projecten 1975-83, Amsterdam: De Appel Foundation, 2006. [141] (Dutch)
    • "Video in De Appel", ch 6 in De Appel: Performances, Installations, Video, Projects, 1975-83, trans. Michael Gibbs, Amsterdam: De Appel Foundation, 2006, pp 275-301. [142] (English)
Miscellaneous

Bibliography and chronology

Barbara London, "Video: A Selected Chronology, 1963-1983", 1985, PDF, in Art Journal 45(3): "Video: The Reflexive Medium", 1985, Log, PDF.

More

See also


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