Difference between revisions of "Video art"

Latest revision as of 11:35, 23 September 2025

Martha Rosler, Semiotics of the Kitchen, 1975.

Cover of Artists Video: An Alternative Use of the Medium, eds. Brian Hoey and Wendy Brown, 1976.

Resource on video art

Platforms[edit]

4:3, a film platform exploring themes of performance, identity, youth culture and anti-establishment. Run by Boiler Room since 2018.

Artyčok, an international online platform focusing on the emerging artistic practice. Est. 2005, Prague.

Le CiNéMa Club, a curated streaming platform screening one film every week, for free. It tends to screen often overlooked work from established filmmakers, though it also includes notable short works from the international festival circuit. Founded in 2015.

D'Est, a contemporary video art platform that maps out artistic reflections of post-socialist transformations along feminist, post-geographic and decolonial lines of inquiry. Est. 2016, Berlin.

Dérives autour du cinéma (Derives.tv), enables the free circulation of films, sounds, texts, images and documents. Authors distribute their films and texts, free to use. Est. 2007.

dis is a media channel & community that spans art, politics, tech, theory, and pop culture, to foster a deeper understanding of future economic, social, and technological changes.

e-flux Film presents curated programs of film, videos, and discursive events put together by e-flux and our collaborators across the world. Online as well at the e-flux Screening Room in Brooklyn, NY, it explores new ways of curating and sharing moving-images, situated between cinema, contemporary art, and theory.

Hamaca, a platform for archiving, disseminating, and learning about contemporary audiovisual practices in Spain. Est. 2005.

Kinet, a platform run by independent filmmakers presents works of experimental or avant-garde film periodically, notably drawing from filmmakers working outside existing filmmaking or academic structures. Est. 2016, Canada.

labournet.tv, a free film platform for workers' struggles around the world, from the point of view of the workers themselves.

Ludwig Forum für internationale Kunst Video Archive: 30 Artists in Focus

LUXPLAYER. LUX, a London-based arts agency, offers both an online database of its film collection—from which institutions can order copies—and a streaming service. Its video-on-demand service LUXPLAYER offers films for a 48-hour digital rental, at US$4 a film, regardless of the runtime. Some of the films can be streamed for free within a limited window as well.

Mediakunst.net, an online catalogue bringing together the media art collections of Frans Hals Museum, Stedelijk Museum Amsterdam, Van Abbemuseum, the Cultural Heritage Agency of the Netherlands (RCE) and LIMA. Run by LIMA since 2018.

Pad.ma (Public Access Digital Media Archive), an online archive of densely text-annotated video material, primarily footage and not finished films.

Paik's Video Study. Nam June Paik’s video archives streaming system in an online environment. With 700 video works and 300 essays. Maintained by Nam June Paik Art Center. (Korean)/(English)

rarefilmm, the cave of forgotten films.

Sinemateka.lt: video art, digitally restored LT videos, c.2014.

The Stream, Korean video art archive. [1] [2]

UbuWeb: Film & Video, an online archive of the avant-garde. Est. 1996, New York.

VDB TV is a digital distribution project which provides free, online streaming access to curated programs of video and media art. Sourced from the archives of the Video Data Bank, VDB TV includes work from early video pioneers active in the 1960s and 70s, through to emerging contemporary artists.

Vdrome is an online cinema that offers regular, high quality screenings of films and videos directed by visual artists and filmmakers whose production lies in-between contemporary art and cinema. Launched 2013; on break since 2022.

Videokunstarkivet (The Video Art Archive, Norway) is a reference archive for video works produced in Norway or with a connection to Norway from the 1960s and up to today. The online platform records about 3,000 registered works by more than 660 artists and artist groups, of which more than half is available for online viewing (after free registration).

Archives and distributors[edit]

Links point to online catalogues.

Filmform, Stockholm, est 1950. Dir. Anna-Karin Larsson.
Pacific Film Archive, Berkeley/Cal., est 1966.
Canadian Filmmakers Distribution Centre, Toronto, est 1967.
Experimental Television Center (ETC), Owego/NY, 1969/1971-2011.
Anthology Film Archives, New York, est 1970. Dir. John Mhiripiri.
Electronic Arts Intermix (EAI), New York, est 1971.
n.b.k. Video-Forum, Berlin, est 1971.
Arsenal – Institute for Film and Video Art, Berlin, est c1971.
Collectif Jeune Cinéma, Arcueil/FR, est 1971.
Heure Exquise! Centre international pour les arts vidéo, Mons en Baroeul/FR, est 1975.
Video Data Bank (VDB), Chicago, est 1976.
Image Forum, Tokyo, est 1977.
Hallwalls video collection, Buffalo/NY, since 1977.
Montevideo, Amsterdam, est. 1978; from 1993 NIMk; since 2013 LIMA.
Bildwechsel Video collection, Hamburg, est 1979
Vtape, Toronto, est 1980.
SCAN, Tokyo, est 1980.
Video Out Distribution, Vancouver, est 1980.
Light Cone, Paris, est 1982.
235 Media, Cologne, est 1982. Archive transferred to imai in 2006.
Video Pool Media Arts Centre, Winnipeg, est 1983.
Videonale, Bonn, est. 1984.
MWF Video Club, New York, est. 1986.
AV-arkki. Distribution Centre for Finnish Media Art, Helsinki, est 1989.
sixpackfilm, Vienna, est 1990.
Cinenova, feminist film and video, London, est 1991 (following the merger of Circles and Cinema of Women, each formed in 1979), wiki
Ludwig Forum für internationale Kunst Video Archive, Aachen, est 1991. [3]
Associação Cultural Videobrasil, São Paulo, est 1991.
Argos Center for Art and Media, Brussels, est 1992.
Re:Voir, Paris, est 1994.
Daniel Langlois Foundation, Montréal, est 1997.
LUX artists' moving image, London, est. 2002.
Center for Visual Music, Los Angeles, est. 2003. Dir. Cindy Keefer.
Hamaca, Barcelona, est. 2005.
imai – inter media art institute, Düsseldorf, est. 2006 (archive transferred from 235 Media).
Australian Video Art Archive (AVAA), est. 2006.
Laboratorio de Cine FAC, Montevideo, est. 2007. [4] [5] [6]
ARCA Video Argentino, La Plata, est. 2008.
Videokunstarkivet (The Video Art Archive, Norway), Oslo, est. 2012.
Videoarchiv NFA, Prague, est. 2020.
Dinamo, distribution network of artists' moving image organizations.

more

See also

Circulating Video Library, ed. Barbara London, New York: MoMA, 1983, 52 pp.

Resources[edit]

A Chronology of Events in the First Two Decades of British Video Art

Art in Movement: Women Pioneers of Video Art, Archives of Women Artists Research & Exhibitions (AWARE), Paris, *2020.

The Early Video Project by Davidson Gigliotti. With an annotated list of video exhibitions, 1963-1975.

Emergence of Video Art in Europe (1960s–1980s): histories, theories, archives, research program, University Paris 8 (France) and ECAL (Switzerland), 2017-2025. Research team: Grégoire Quenault and François Bovier, with Ségolène Liautaud and Stéphanie Serra. Seminar series organised by INHA and BnF, Paris: 2016, 2017, 2018. Collections: artist interviews, artists' texts, catalogues, archives. [7]

EWVA European Women’s Video Art of the 1970s and 1980s.

History and archive of video art in Hungary 1972-2000, eds. Szilvia Seres, Miklós Peternák, C3, Budapest.

REWIND Artists' Video, est. 2004 by Stephen Partridge; based at Duncan of Jordanstone College of Art & Design (University of Dundee, Scotland).

Video Art in Latin America, Getty Research Institute, Los Angeles, 2014 ff. Research project.

Video as Urban Condition

Video Circuits, a blog by Christopher King for and about electronic video artists.

Video d’autore. Video arte e film d'artista in Italia, by SCIAMI.

Video History Project, est. 1994 as a service of Experimental Television Center

Artists, groups, initiatives, events[edit]

with pages on the Monoskop wiki

Artists (cont.)[edit]

Peggy Ahwesh, Francis Alÿs, Atlas Group, Yael Bartana, Guy Ben Ner, Sadie Benning, Dara Birnbaum, Colin Campbell, Peter Campus, Aleesa Cohene, Phil Collins, Omer Fast, Fischli & Weiss, Douglas Gordon, Dan Graham, Halflifers, Mike Kelley, Michael Klier, Sharon Lockhart, Deirdre Logue, Paul McCarthy, Karen Mirza & Brad Butler, Muntadas, Annabel Nicholson, Dennis Oppenheim, Charlemagne Palestine, Lis Rhodes, Christoph Schlingensief, John Smith, Lisa Steele, Surveillance Camera Players, Sam Taylor-Wood, Ryan Trecartin, Hannah Wilke, Artur Żmijewski, Isabel Pérez del Pulgar, Nestor Rodríguez, Lisi Prada, Luis Carlos Rodríguez, Mikel Otxoteko

Artists' writings, catalogues[edit]

Magazines[edit]

Radical Software magazine, 1970-74, Log, PDFs.

Radical Software, 11 issues, eds. Beryl Korot, Phyllis Gershuny, and Ira Schneider, New York: Raindance, 1970-1974, Log, PDFs. (English)

Bit International 8-9: "Television Today / Televizija danas", ed. Vera Horvat-Pintarić, 1972, 245 pp. Includes texts on the first video experiments. (Serbo-Croatian)/(English),(French),(German),(Italian)

Avalanche 9: "Video Performance", ed. Liza Bear, New York: Kineticism Press, May-Jun 1974, 29 pp. [8] (English)

Opus International 54: "Art Vidéo", Jan 1975. (French)

Studio International, May-Jun 1976.

Videoscope: The Magazine of Videotape Source Information, eds. John L. Reilly and Karen Mooney, Gordon & Breach, 1976-1979. Sections: 1(2), 1(4), 1(4). [9] [10]

Spot: Review of Photography 10: "Video", ed. Radoslav Putar, Zagreb: Grafički zavod Hrvatske, 1977. (Serbo-Croatian),(English)

The Independent: Film & Video Monthly, New York: Foundation for Independent Video and Film, 1978-2006. [11] (English)

Kalejdoskop 3-4: "Videokonst i Norden", ed. Sune Nordgren, Åhus, 1983, 80 pp. (Swedish),(Danish),(Norwegian),(Finnish)

Mediamatic, quarterly, 39 numbers, eds. Willem Velthoven and Jans Possel, Groningen (1985-Jan 1987) & Amsterdam (Apr 1987-1999): Mediamatic, Dec 1985-1999. (English)

Exhibition catalogues[edit]

TV as a Creative Medium, New York, 1969, PDF.

Video Art, Philadelphia, 1975, PDF.

The Video Show, London, 1975, PDF.

Video Spaces: Eight Installations, New York, 1995, PDF.

For historical surveys and retrospectives see section below.

TV as a Creative Medium, New York: Howard Wise Gallery, 1969, [8] pp. Exh. held 17 May-14 Jun 1969. Reviews: Yalkut (Arts), Time, Skidmore, Harrington (Village Voice). Commentaries: Margolies (Arts in America 1969), Sturken (Afterimage 1984). EAI resource. (English)

Lagerkatalog 1969, Munich: P.A.P. Progressive Art Production, 1969, [120] pp. (German),(English)

Land Art, eds. Gerry Schum and Ursula Schum-Wevers, Hanover: Fernsehgalerie Gerry Schum Television Gallery, 1970. TV exh. held Apr 1969. (German)

Gennaio 70., 3a Biennale internazionale della giovane pittura, Bologna: Alfa, 1970. Held 31 Jan-28 Feb 1970. (Italian)

VideObelisco: Art Video Recording, AVR. Video libro, No. 1, ed. Francesco Carlo Crispolti, Rome: Galleria dell'Obelisco, 1971, 32 pp. Exh. held from 14 May 1971. [12] (Italian)/(English)

Action / Film / Video, Lausanne: Galerie Impact, 1972. Exh. held 12-18 May 1972. (French)

Videotapes. Askevold - Baldessari - Beuys - Brouwn - Buren - de Dominicis - Dibbets - Gilbert & George - Knoebel - Merz - Rinke - Roehr - Rückriem Serra - Ruthenbeck - Sonnier - Le Va - Weiner - Walther. La Biennale di Venezia. Italian Pavillon, Düsseldorf: Videogalerie Gerry Schum, 1972. Exh. held Jun-Oct 1972.

Circuito chiuso aperto, Acireale: Palazzo Comunale, 1972, [91] pp. VI Rassegna d'Arte Contemporanea "Acireale Turistico-Termale," Acireale, Palazzo Comunale, 24 Sep-15 Oct 1972. Curated by Mussa and F. C. Crispolti. (Italian)

Video, Rotterdam: Lijnbaancentrum, 1973. Exh. held 9 Feb–12 Mar 1973. (Dutch)

Trigon '73. Audiovisuelle Botschaften / Audio Visual Messages, Graz: Künstlerhaus, and Neue Galerie Graz, 1973. Festival held 6 Oct–11 Nov 1973. (German),(English)

Video Circuits, McLaughlin Library, University of Guelph, 1973, 21 pp. Exh. held 4 Dec 1973-2 Jan 1974. (English)

Fotomedia. Die Erfahrungen italienischer künstler im umgang mit foto und videotape, ed. Daniela Palazzoli, Dortmund: Dortmund Museum, 1974. Exh. held 10 Mar-28 Apr 1974. (German)/(Italian)

Nuovi media. Film e videotape, Milan: Centro Documentazione e Ricerche Jabik, 1974. Exh. held 27-31 May 1974. (Italian)

Projekt '74. Kunst bleibt Kunst, Cologne: Kunsthalle, 1974, 433 pp. Held 6 Jul-8 Sep 1974. Excerpt. (German)
- Video Tapes / Video Bänder, ed. Wulf Herzogenrath, Cologne: Kölnischer Kunstverein, 1974, [40] pp, IA. Exh. held 6 Jul-8 Aug 1974. (German)

Impact Art Video Art 74, Lausanne: Galerie Impact, 1974, PDF. Exh. held 8-15 Oct 1974. [13] [14] (French)

Art Video Confrontation 1974, Paris: Musée d’art moderne de la ville de Paris, 1974. Exh. held 8 Nov-8 Dec 1974. (French)

Videoperformance, ed. Willoughby Sharp, New York, 1974. Works by Vito Acconci, Joseph Beuys, Chris Burden, Dennis Oppenheim, Ulrike Rosenbach, Richard Serra, Willoughby Sharp, Keith Sonnier, William Wegman. Special issue of Avalanche magazine, number 9. Held at 112 Greene Street, Gallery, NY, Nov? 1974. [15] (English)

Castelli-Sonnabend Videotapes and Films, New York: Castelli-Sonnabend Tapes and Films, Nov 1974, 216 pp. (English)

Videoscape: An Exhibition of Video Art, Toronto: Art Gallery of Ontario, 1974, [68] pp, IA. Exh. held 20 Nov 1974-1 Apr 1975. (English)

EXPRMNTL 5, ed. Media Studio Buffalo, 1975. Festival held 25 Dec 1974–2 Jan 1975. (French)/(English)

Americans in Florence: Europeans in Florence: Videotapes Produced by Art/Tapes/22, , Florence: Centro Di, 1974. Exh. held 12 Jan-16 Feb 1975; curated by David Ross and Maria Gloria Bicocchi; organised by the Long Beach Museum of Art. [16] [17] (English)

Video Art, ed. David Antin, Philadelphia: Institute of Contemporary Art, 1975. Antin's essay. Exh. held in Philadelphia (17 Jan-28 Feb 1975), Cincinnati, Chicago, and Hartford/CT. [18] (English)

Galleria del Cavallino, 1975: esposizioni, films, videotapes, 14 gennaio 1975 - 10 gennaio 1976, Venice: Galleria del Cavallino, 1975, [60] pp. [19] (Italian)

Rencontre internationale ouverte de video, Paris: Espace Pierre Cardin, 1975, [23] pp. Exh. held 20—25 Feb 1975; organised by the Center of Art and Communication (CAYC), Buenos Aires. (French)

Videotapes, Venice: Galleria del Cavallino, 1975, [5] pp. Exh. held from 22 Feb 1975. (Italian)

The Video Show: Festival of Independent Video, London: Serpentine Gallery, 1975, PDF. Exh. held 1-26 May 1975. REWIND resource. Hall's review. [20] (English)

Galeria Współczesna 5: "Video", Warsaw: Galeria Współczesna, May 1975. (English),(French),(Polish)

Third International Open Encounter on Video, Buenos Aires: Center of Art and Communication (CAYC), 1975, [36] pp. Exh. held at the Galleria civica d'arte moderna, Palazzo dei diamanti, Ferrara, Italy, 25-29 May 1975; organised by the Center of Art and Communication (CAYC), Buenos Aires. Excerpt. [21] (English)

Foto-Film-Video. Deutsch-Französisches Symposion Neuenkirchen, Galerie Falazik: Neuenkirchen, 1975, [130] pp. Exh. held 31 May-21 Jun 1975. (German)

Video International, Aarhus: Kunstmuseum, 1976. Exh. held 10-22 Feb 1976. (English)

Art Vidéo: recherches et expériences. Bauermeister, Minkoff, Olesen, Otth, Urban, Paris: Porde de la Suisse, 1976. Exh. held 10-13 Mar 1976. (French)

Video: Towards Defining an Aesthetic, ed. Tamara Krikorian, Edinburgh: Scottish Arts Council, 1976, 32 pp. Exh. held at the Third Eye Centre, Glasgow, 16-21 Mar 1976. (English)

Video Art: An Overview, San Francisco: SFMOMA, 1976, [6] pp. Exh. curated by Suzanne Foley; held 23 Mar-18 Apr 1976. Exh. of 33 videotapes by 29 artists; installations by Peter Campus, Paul and Marlene Kos, Nam June Paik; events and performances. [22] (English)

SAVI 74. Des TV qui se cherchent, ed. Sonor SA, Geneva, 1976, 180 pp. First edition of video fair. (French)

Video-Art, Lublin: Galeria Sztuki LDK Labirynt, 1976, [13] pp. Exh. held 5-6 Oct 1976. (Polish),(English)

Artists Video: An Alternative Use of the Medium, eds. Brian Hoey and Wendy Brown, Washington, Tyne and Wear: Biddick Farm Arts Centre, 1976, [24] pp. First of five annual exhibitions at Washington New Town Centre (Washington, Tyne & Wear, England); held 19-30 Oct 1976. [23] (English)

Identitet. IV susret u Motovunu / Identità. IV incontro a Motovun. Projects and Video, Venice: Edizioni del Cavallino, 1977, [34] pp. Exh. held 1976. Excerpt. Excerpt. [24] [25] (Serbo-Croatian)/(Italian)

Video & Film Manifestatie: kijken en doen, eds. Alexander van Grevenstein and Ton Quik, Maastricht: Bonnefantenmuseum, 1977, [77] pp. Catalogue in 6 parts; exh. held 11 Feb-20 Mar 1977. (Dutch),(English),(French)

Seventh International Open Encounter on Video, Buenos Aires: Center of Art and Communication (CAYC), 1977. Exh. held 23—25 Feb 1977; organised by the Joan Miro Foundation, Barcelona, and the Center of Art and Communication (CAYC), Buenos Aires. (English)

Germano Celant, OffMedia: nuove tecniche artistiche: video, disco, libro, trans. J. Fano, B. Collinge and C. Lotz, Bari: Dedelo Libri, 1977, 187 pp. Incl. "Videochronology" pp 71-73. Exh. held in Bari, Mar 1977. [26] [27] (Italian)/(English)

Video, ed. Adelina von Fürstenberg, Geneva: Association pour un Musée d’art moderne, and Basel: Stampa, 1977. Exh. held Apr-May 1977.

documenta 6, Kassel, 1977. Video art section curated by Wulf Herzogenrath.

Artists Video: An Alternative Use of the Medium, eds. Brian Hoey and Wendy Brown, Washington, Tyne and Wear: Biddick Farm Arts Centre, 1977, [28] pp. Exh. held 17-29 Oct 1977. (English)

Videotapes by Women. From the Los Angeles Women’s Video Centre, Melbourne: George Paton Gallery, 1977. Exh. held 26 Oct-3 Nov 1977. (English)

Japan Video Art Festival: 33 Artists at CAYC, Buenos Aires: Center of Art and Communication (CAYC), 1978, [20] pp. Exh. held Apr 1978. About: aliwen (ISLAA).

Video Art 78: An International Festival of Video Art, Coventry: Herbert Art Gallery and Museum, 1978, 32 pp. Exh. held 6-12 May 1978. (English)

Nuovi media: fotografia, cinema, videotape, performance, eds. Guido Sartorelli and Toni Toniato, Venice, 1978, 60 pp. Exh. held 4-20 May 1978. Excerpt. [28] (Italian)

Swiss Video Repères, Lausanne: Musée des Beaux-arts de Lausanne, 1978. Exh. held in Sep 1978. (French)

Artists Video: An Alternative Use of the Medium, eds. Brian Hoey and Wendy Brown, Washington, Tyne and Wear: Biddick Farm Arts Centre, 1978, [24] pp. Exh. held 23 Oct-4 Nov 1978. (English)

Joanne Kelly, Video Free America Presents, San Francisco, 1978/1979, 87 pp. [29] [30]

Video from Tokyo to Fukui and Kyoto, ed. Barbara J. London, New York: MoMA, 1979, 32 pp. Exh. held at MOMA, 19 Apr-19 Jun 1979. (English)

Video im Abendland. Videoworkshop, Stuttgart: Künstlerhaus, 1979, 28 pp. Workshop held 23 Sep-7 Oct 1979. [31] (German)

Videowochen Essen '79 / Videoweeks Essen '79, ed. Zdenek Felix, Essen: Museum Folkwang Essen, 1979. Held 28 Oct-16 Dec 1979. (German)

Artists Video: An Alternative Use of the Medium, eds. Brian Hoey and Wendy Brown, Washington, Tyne and Wear: Biddick Farm Arts Centre, 1979, [28] pp. Exh. held 29 Oct-11 Nov 1979. (English)

Cinco artistas suizos / Five Swiss Artists, Buenos Aires: CAYC (Center of Art and Communication), 1980. Held 25 Feb-Mar 1980. (French),(English)

Art and Artists from the Video Data Bank, Chicago: Video Data Bank, 1980, [18] pp. Catalogue of programs. [32] (English)

Artists Video, eds. Brian Hoey and Wendy Brown, Washington, Tyne and Wear: Biddick Farm Arts Centre, 1980, [28] pp. Exh. held 27 Oct-9 Nov 1980. (English)

Installation: Video, an Exhibition of Diagrams, Documentation and Video Installations, intro. G. Roger Denson and Kathy High, Buffalo, NY: Hallwalls, 1981. Exh. held 9-30 May 1980. [33] (English)

VideoArt Festival International d'Art Video, Locarno, 1980-2001. Online archive. (French)
- Cinegraphia. La linea in movimento / The Line in Movement / La ligne en mouvement, Locarno: Edizioni Flaviana Locarno, 1980, 117 pp. Part of VideoArt Festival Locarno. Excerpt. Festival held 1-10 Aug 1980. (Italian),(English),(French)

Video - eine neue Kunst, ed. Robert Lemke, Marl: Skulpturenmuseum Glaskasten Marl, 1981, 60 pp. Exh. held 29 Apr-17 May 1981. (German)

XVI Sao Paulo Biennial: Video from Yugoslavia, ed. Davor Maticevic, Zagreb: Gallery of Contemporary Art Zagreb, 1981, 8 pp. (English)

From the Academy to the Avantgarde, ed. Richard Simmons, Rochester, NY: Visual Studies Workshop, 1981, [20] pp. (English)

Cinema off e videoarte a New York, eds. Ester de Miro and Germano Celant, Genova: Bonini, 1981, 223 pp. (Italian)

Plan K: Festival international de musique électronique, video et computer art / International Festival voor Elektronische Muziek, Video en Computer Art, Brussels, 1981, 142 pp. [34] (French)/(Dutch)

Video Maart. Video Studio Jan van Eyck, ed. Elsa Stansfield, Maastricht: Jan van Eyck Academie, 1981, 93 pp. David Hall's essay. (Dutch),(English),(French),(German)

Vor-Film. Video, Europäische Videotheken, Munich: Kulturreferat der Landeshauptstadt München, 1981. Exh. held at the Städische Galerie im Lenbachhaus, 20 Oct–1 Nov 1981. (German)

Pour un art vidéo. Expérience de la vidéothèque de Ferrare, ed. Janus, Paris: MNAM Pompidou, and Ferrara: Galleria Civica d'Arte Moderna, 1982, [18] pp. Exh. held in Paris, May-Jun 1982. (Italian)/(French)

World Wide Video Festival catalogues, The Hague/Amsterdam, 1982-2003. [35]
- World Wide Video Festival Catalogue, The Hague: Kijkhuis, 1982, 56 pp. Held 2-5 Sep 1982. (Dutch)

Art vidéo: rétrospectives et perspectives, ed. Laurent Busine, Charleroi: Plaias des Beaux-Arts, 1983, 55 pp, PDF. Exh. held 5 Feb-27 Mar 1983. (French)

Video Data Bank: Video Tape Review, 83, Chicago: Video Data Bank, 1983, 22 pp. Catalogue of programs. (English)

Videokunst: video installaties en videotapes uit Nederland, ed. Ingrid Haan, Middelburg: De Vleeshal, 1983, [8] pp. (Dutch)

Video C.D. 83: delaunica, instalacije, projekcije, performance, Ljubljana: Cankarjev Dom, 1983, 114 pp. Exh. held 1-9 Oct 1983 at Cankarjev Dom in televizija Ljubljana. (Slovenian)

Women & the Media: New Video, ed. William Olander, Allen Memorial Art Museum, Oberlin College, 1984, 20 pp, JPG. Artists: Max Almy, Anna-Marie Arnold, Judith Barry, Dara Birnbaum, Lyn Blumenthal, Nancy Buchanan, Cecilia Condit, Margia Kramer, Martha Rosler, Ilene Segalove, Lisa Steele, Janice Tanaka, Erika Rothenberg. Exh. held 18 Apr-27 May 1984. (English)

Het Lumineuze beeld / Luminous Image, ed. Gary Schwartz, Amsterdam: Stedelijk Museum, 1984, viii+194 pp, PDF, IA. Exh. curated by Dorine Mignot; symposium organised by Elsa Stansfield. Exh. of 22 video-installations (17 of them commissioned for the show) by European and American artists; held 14 Sep-28 Oct 1984. Poster. [36]. Video documentation (60 min). Reviews: Zippay (Art J 1985), Duguet & Andrews (Camera Obscura, 1985). (Dutch)/(English)

Videoase, eds. Patrick Drijver, Erik Eshuis and Peter Scholten, Enschede: Markt 17, 1984, 40 pp. Festival held 26-28 Sep 1984.

New Video Japan, New York: American Federation of Arts, 1985, 37 pp. Exh. held at MoMA, 16 Jan-2 Mar 1985; curated by Barbara London. (English)

Eu-video '85. L’immagine elettronica. Tendenze europee a confronto, ed. Lola Bonora, Bologna: Centro Videoarte Palazzo dei Diamanti, 1985, 61 pp. Exh. held 16-19 Feb 1985. (Italian)

Image on the Run: Dutch Video Art of the 80's, ed. Rob Perrée, The Hague: International Dept. of the Netherlands Office for Fine Arts, 1985, 59 pp. Exh. held at The Kitchen, New York, Apr? 1985. (English)

Video/Art/Video: Utställning - Installationer, Experiment, Stockholm: Konstavdelningen, Stockholms kulturförvaltning, 1985, 87 pp. Exh. held at the Galleriet, Kulturhuset, Stockholm, 2 Nov 1985–6 Jan 1986. [37] (Swedish)

Video Data Bank: Video Tape Review, 84, Chicago: Video Data Bank, 1985, [12] pp. Catalogue of programs. [38] (English)

Video Data Bank: On Art and Artists, 85, Chicago: Video Data Bank, 1985, 64 pp. Catalogue of programs. [39] (English)

Video Data Bank: Video Tape Review, 86, Chicago: Video Data Bank, 1986, 94 pp. Catalogue of programs. [40] (English)

AVÉ experimenteel: internationaal audiovisueel festival catalogues, Arnhem: Stichting AVÉ, 1986-1995. [41]

Vidéo, ed. René Payant, Montréal: Artexte, 1986, 263 pp. Published in conjunction with video installations held in various museums and galleries in Montréal in the fall of 1986. Incl. historical surveys of video in 9 countries, and texts of 18 lectures given during the Video 84 symposium held in Montreal in October 1984. Publisher. [42] (French)/(English)

Video and Language. Video as Language, 1986, [6] pp. Curated by Scott Rankin at VideoLace, 4 Dec 1986-18 Jan 1987. (English)

documenta 8, 3 vols., Kassel: Weber & Weidemeyer, 1987. Exh. held 12 Jun-20 Sep 1987. (German)/(English) Issue of Mediamatic dedicated to the exhibition.

Het magnetische beeld, eds. Anke van der Laan and Elsa Stansfield, Maastricht: Jan van Eyck Academie, and Heerlen: Heerlen, 1988. Exh. held at Stadsgalerij Heerlen, 9 Oct-20 Nov 1988, 48 pp. [43] (Dutch)/(English)

Video Positive '89: Merseyside’s International Video Festival, Liverpool: Merseyside Moviola, 1989, [6] pp, PDF. (English)

Sub Voce: Contemporary Hungarian Video Installation, ed. Suzanne Mészöly, Budapest: Soros Foundation Fine Art Documentation Center - Mucsarnok, 1991, 75 pp. Exhibition. [44] (English)/(Hungarian)

Video Positive 91, ed. Nik Houghton, Liverpool: Moviola, 1991, 71 pp. Review: Partridge (Variant 1991). (English)

Ostranenie: 1. Internationales Videofestival am Bauhaus Dessau, 4.-7.11.1993: erschütterte Mythe, neue Realitäten: Osteuropa im Focus der Videokamera / 1. Meždunarodnyj videofestival v Bauchaus Dessau: poshatnuvshiesya myfy, novaya deystvitelnost: vostochnaya Evropa v fokuse videokamery / 1. International Video Festival at the Bauhaus Dessau: Shattered Myths, New Realities: Video Focus on Eastern Europe, eds. Inke Arns and Elisabeth Tharandt, Dessau: Bauhaus Dessau Foundation, 1993, 499 pp. Selected texts: Erjavec, Arns, Sei, Kovats, Kuhn, Milev, Sobetzko, Czegledy, Performances, more. Event. [45] [46] (German),(Russian),(English)

Ex oriente lux, ed. Cãlin Dan, Bucharest: Soros Center for Contemporary Arts, 1994, 111 pp. Exhibition. (Romanian)/(English)

Video, vidím, ich sehe: Installationen: slowakische, tschechische und schweizerische Videokunst / Video, vidím, ich sehe: inštalácie: slovenské, české a švajčiarske videoumenie, eds. Esther Maria Jungo and Katarína Rusnáková, Bern, 1994, 145 pp. (German),(Slovak),(Czech)

Video Positive '95: the UK's International Festival of Electronic Arts, eds. Lisa Haskel and Lowena Faull, Liverpool: Moviola, 1995, 56 pp. Exh. held at Tate Gallery Liverpool and other sites, 29 Apr-4 Jun 1995. (English)

Video Spaces: Eight Installations, ed. Barbara London, New York: MoMA, 1995. Exh. held at MoMA, 22 Jul-12 Sep 1995. Online companion. (English)

OSTranenie '95: das internationale Video-Forum an der Stiftung Bauhaus Dessau / The International Video Forum at the Bauhaus Dessau Foundation: Video, Installation, Performance, Workshop: 8.-12. November, eds. Mirja Rosenau, Stephen Kovats, Thomas Munz, and Tina Rehn, Dessau: Bauhaus Dessau Foundation, 1995, 403+14 pp. Event. [47] [48] (German)/(English)

Orbis Fictus: nová média v současném umění / New Media in Contemporary Arts, eds. Ludvík Hlaváček and Marta Smolíková, Prague: Sorosovo centrum současného umění, 1995, 228 pp. Texts by Michael Bielický, Michal Bregant, Radúz Činčera, Ludvík Hlaváček, Gerald O'Grady, Karel Pech, Jiří Valoch, Woody Vasulka and Jiří Zemánek. Exhibition held at the National Gallery / Valdštejnská jízdárna [Valdstein Riding School], Prague, 30 Nov 1995-1 Jan 1996. TOC. [49] (Czech)/(English)

Video Positive 97: Escaping Gravity, Foundation for Art and Creative Technology, 1997, 40 pp. (English)

Ostranenie '97: Dessau 5.-9. Dezember 1977: das internationale Forum elektronischer Medien / the International Electronic Media Forum, eds. Mirja Rosenau and Stephen Kovats, Dessau: Bauhaus Dessau Foundation, 1997, 553 pp. Event. [50] [51] (German)/(English)

Projected Allegories, Houston: Contemporary Arts Museum, 1998, 20 pp. (English)

Ostranenie 93 95 97, ed. Stephen Kovats, Dessau: Bauhaus Dessau Foundation, 1999. CD-ROM, Mac & PC. Documents the works and impressions of over 400 artists, critics, academics and journalists from 32 countries who participated in the Ostranenie events from 1993 to 1997. Produced by the Studio Electronic Media Interpretation of the Bauhaus Dessau Foundation in cooperation with C3 - Soros Foundation Budapest. Event. [52] [53]

Balkan Video Federation, ed. Branislav Dimitrijević, Belgrade: Center for Contemporary Art - Belgrade, 2000, [55] pp. (English)

Tele-Journeys, MIT List Visual Arts Center, 2002, 46 pp. Organised by Joan Jonas, with Jane Farver; essay by Jens Hoffmann. [54] (English)

Point of View: A Contemporary Anthology of the Moving Image, New York: New Museum, 2003. 11 DVDs. [55] [56] (English)

Videografías invisibles: una selección de videoarte latinoamericano 2000-2005, eds. Jorge Villacorta and José Carlos Mariátegui, Museo Patio Herreriano, 2005, 140 pp. Exhibition. [57] (Spanish)

Exhibitions without catalogues[edit]

Women's Video Festival, The Kitchen, New York, 1972-1980.

Anthologies[edit]

Video Art: An Anthology, eds. Ira Schneider and Beryl Korot, New York: Harcourt Brace Jovanovich, 1976, 286 pp, IA. Seventy video artists were each given two pages to present information about their work in any form they chose. Also contains documents such as Shigeko Kubota’s “Anthology Film Archives Video Program,” and essays by David Antin, Stephen Beck, Eric Cameron, Douglas Davis, Anne Focke, Peter Frank, Hermine Freed, Davidson Gigliotti, Frank Gillette, John Hanhardt, Wulf Herzogenrath, Bruce Kurtz, David Ross, Bill Viola, Ingrid Weigand, and Willoughby Sharp. TOC.

Video by Artists, ed. Peggy Gale, Toronto: Art Metropole, 1976, 223 pp. [58]

Hollis Frampton, Circles of Confusion: Film/Photography/Video Texts 1968-1981, forew. Annette Michelson, Visual Studies Workshop Press, 1983, 200 pp.

Video by Artists 2, ed. Elke Town, Toronto: Art Metropole, 1986, 151 pp. [59]

Videosfera: video/društvo/umetnost [Videosphere: Video/Society/Art], ed. Mihailo Ristić, Belgrade: Studentski izdavački centar, 1986, 219 pp. Anthology of theoretical texts about video, including contributions from video-makers. TOC. Review: Radoslav Radić. (Serbo-Croatian)

Tellus 17: "Video Arts Music", eds. Claudia Gould, Joseph Nechvatal, and Carol Parkinson, New York, 1987. Special issue of audio cassette magazine.

Video Re/View: The (Best) Source for Critical Writings on Canadian Artist's Video, eds. Peggy Gale and Lisa Steele, Toronto: Art Metropole, and V-tape, 1996, 492 pp, IA. Publisher.

Source texts on video art, in Media Art Net, eds. Rudolf Frieling and Dieter Daniels, 2004.

Experimental Film and Video: An Anthology, ed. Jackie Hatfield, forew. Sean Cubitt and Al Rees, Eastleigh: John Libbey, 2006, 302 pp. Forty artists have contributed images, and 25 artists reflect on the diverse critical agendas, contexts, and communities that have affected their practice across the period from the late 1960s to date. [60] [61]

On the Camera Arts and Consecutive Matters: The Writings of Hollis Frampton, ed. Bruce Jenkins, MIT Press, 2009, 360 pp.

Dan Graham, Video-Architecture-Television: Writings on Video and Video Works 1970-1978, ed. Benjamin H.D. Buchloh, Halifax: The Press of the Nova Scotia College of Art and Design, and New York: New York University Press, 1979, 89 pp; repr., Lars Müller Publishers, 2013. With two contributions by Michael Asher and Dara Birnbaum. Lead essay. [62]

Video Writings by Artists (1970-1990), ed. Eugeni Bonet, Milan: Mousse, 2017, 309 pp. [63]

Articles[edit]

Karen Mooney, "Women in Video", Videoscope 1:4, 1977, pp 39-43. [64]

Miscellaneous[edit]

Julie Gustafson, Karen Mooney, The Independent Producer, Public Television, and the New Video Technologies: A Resource Book, intro. John Reilly, New York: Global Village, 1980. [65]

Reception, history[edit]

For publications on individual artists and collectives see their respective pages.

Exhibition catalogues[edit]

The Second Link: Viewpoints on Video in the Eighties, Banff, New York, Amsterdam, Toronto, Long Beach, London, 1983, PDF.

Imago, fin de siècle in Dutch Contemporary Art, 1990, PDF.

Eigenwelt Der Apparate-Welt: Pioneers of Electronic Art, 1992, Log.

Mediascape, New York, 1996, IA.

Video '79. Video, the First Decade / Dieci anni di videotape, Rome: Kane, 1979, 252 pp. Exh. review: Jon Davies (Centerfold). (English)/(Italian)

Videoarte a Palazzo dei Diamanti 1973/1979, ed. Janus, Torino: Provincia di Torino, 1980, 159 pp. Exh. held at the Foyer della Camera di commercio, Torino, Apr 1980. (Italian)

Videokunst in Deutschland 1963-1982. Videobänder, Installationen, Objekte, Performances, ed. Wulf Herzogenrath, Stuttgart: Gerd Hatje, 1982, 319 pp. Excerpt. Includes chapters on “Videotapes,” “Videoinstallation,” “Video-Objects,” and “Videoperformances” covers some one hundred artists, and includes biographies, videographies, and many black-and-white photographs. Essays by Wulf Herzogenrath, Helmut Friedel, Nam June Paik, Ulrike Rosenbach, Friederike Pezold, and Kaus von Bruch; a rare 1969 letter from Gerry Schum to Gene Youngblood; and an interview with Joseph Beuys. Exh. held at Kölnischer Kunstverein, Cologne, 6 Jun-18 Jul 1982, also shown at MoMA (1982). (German)

Inovacije u Hrvatskoj umjetnosti sedamdesetih godina, ed. Boris Kelemen, Zagreb: Gallery of Contemporary Art Zagreb, 1982. Excerpt. (Serbo-Croatian),(English)

The Second Link: Viewpoints on Video in the Eighties, ed. Lorne Falk, Banff, CA: Walter Phillips Gallery, Banff Centre School of Fine Arts, 1983, 111 pp. Exh. of 30 works by artists from CA, US, UK, BE, NL, West Germany and PL; curated by Peggy Gale (A Space Toronto), Kathy Huffman (Long Beach), Barbara London (MoMA), Brian MacNevin (Banff), Dorine Mignot (Stedelijk), and Sandy Nairne (ICA London); held at Banff Centre, 8-21 Jul 1983; MoMA, New York, 18 Aug-27 Sep 1983; Stedelijk M, Amsterdam, 9 Sep-16 Oct 1983; A Space, Toronto, 1-29 Oct 1983; Long Beach M of Art, Long Beach, 20 Nov 1983-15 Jan 1984; ICA, London, 16 Dec 1983-15 Jan 1984. Review: Zippay (Art J 1985).

New American Video Art: A Historical Survey, 1967-1980, ed. John G. Hanhardt, New York: Whitney Museum, 1984, 8 pp. Exh. held 13 Jun-1 Jul 1984. [66]

Video: A Retrospective. Long Beach Museum of Art, 1974-1984, ed. Kathy Rae Huffman, Long Beach, CA: Long Beach Museum of Art, 1984, 135 pp. Two-part exh. held 9 Sep-4 Nov 1984 and 25 Nov 1984-20 Jan 1985. [67] (English)

Resolution: A Critique of Video Art, ed. Patti Podesta, Los Angeles: Los Angeles Contemporary Exhibitions (LACE), 1986, 131 pp, IA. Survey of video works made in the US from 1980-85. [68]

Social Engagement: Women's Video in the 80s, ed. Lucinda Furlong, New York: Whitney Museum, 1987. Exh. held at Whitney, 3-20 Mar 1987. Exh. review: NYT, NYT. [69]

Video de femmes, 1987, 10 pp, IA. Exh. held 8-11 Apr 1987. (French)

Revision: Art Programmes of European Television Stations, ed. Dorine Mignot, pref. Wim A.L. Beeren, Amsterdam: Stedelijk Museum, 1987, 100 pp. Curated by Dorine Mignot. (English)

The Arts for Television, eds. Kathy Rae Huffman and Dorine Mignot, Los Angeles: Museum of Contemporary Art, and Amsterdam: Stedelijk Museum, 1987, 104 pp. Historical survey of arts programmes arranged in 6 thematic sections: image, theatre, literature, dance, music, television. Works from 1966-1987 by 102 artists from AT, BE, FR, DE, IT, JP, NL, UK, US, YU. Curated by Dorine Mignot (Stedelijk) and Kathy Rae Huffman (Contemporary Art Television Fund Boston), with participation of Julie Lazar (MOCA LA). Exh. held at Stedelijk Amsterdam, 4 Sep-18 Oct 1987; Museum of Contemporary Art Los Angeles, 6 Oct-15 Nov 1987; MoMA New York, 20 Apr-30 May 1989; Contemporary Arts Museum Houston, 10 Jun-16 Jul 1989.

Memoria del video, 1. La distanza della storia: vent'annni di eventi video in Italia raccolti da Luciano Giaccari, Milan: Nuova Prearo, 1987, 103 pp. Exh. held at the Padiglione d'arte contemporanea, Milan, 15 Dec 1987-31 Jan 1988. (Italian)

American Landscape Video: The Electronic Grove, ed. William D. Judson, Pittsburgh: Carnegie Museum of Art, 1988, 128 pp. Exh. curated by William D. Judson; held at Carnegie Museum of Art, Pittsburgh, 7 May-10 Jul 1988; and in two parts at SFMOMA, San Francisco, 10 Nov 1988-1 Jan 1989 & 17 Jan-19 Feb 1989. Brochure. [70]

Video Art: Expanded Forms, ed. John G. Hanhardt, New York: Whitney Museum of American Art at Equitable Center, 1988, [8] pp. Curator's essay in Leonardo (1990).

Video-Skulptur: retrospektiv und aktuell 1963-1989, eds. Wolf Herzogenrath and Edith Decker, Cologne: DuMont, 1989, 326 pp. Exh. held at Kölnischer Kunstverein, Kunststation St. Peter, Belgisches Haus and DuMont Kunsthalle Cologne, 18 Mar-23 Apr 1989; Berlin; Kunsthaus Zürich, 13 Oct-12 Nov 1989. (German)

Imago: fin de siècle in Dutch Contemporary Art, ed. & intro. René Coelho, 's-Gravenhage: Netherlands Office for Fine Arts, and Amsterdam: Mediamatic, 1990, 100+xxiv, HTML. Catalogue for travelling exhibition; special issue of Mediamatic, 5(1/2). Texts by René Coelho, Paul Valéry, Volker Grassmuck, Adilkno, Max Bruinsma, et al. (English)/(Dutch)

Signs of the Times: A Decade of Video, Film and Slide-Tape Installation in Britain, 1980-1990, ed. Chrissie Iles, Oxford: Museum of Modern Art Oxford, 1990, 87 pp. Exh. held 7 Oct-9 Dec 1990. Exh. review: Cubitt (Screen).

Passages de l'image, eds. Raymond Bellour, Catherine David and Christine van Assche, Paris: Centre Pompidou, 1990, 191 pp. Exh. curated by Bellour, David and Assche; held at Musée national d'art moderne, Galeries contemporaines, 19 Sep-18 Nov 1990; salle Garance, 12 Sep-15 Oct 1990. (French)
- Passages de l'image, Barcelona: Centre Cultural de la Fundació Caixa de Pensions, 1991, 280 pp. Exh. held at Fundació Caixa de Pensions, Barcelona, 12 Feb-28 Mar 1991; Wexner Center for the Arts, Columbus/OH, 1 Jun-27 Oct 1991; San Francisco Museum of Modern Art, 6 Feb-12 Apr 1992. (English)/(Catalan)

Środek Europy. Awangardowe kino i sztuka video z Austrii, Czecho-Słowacji, Polski i Węgier, ed. Ryszard W. Kluszczynski, Warsaw: Centre for Contemporary Art, Ujazdowski Castle, 1991, 80 pp. Exh. cat. Texts: Ryszard W. Kluszczyński, Peter Tscherkassky, Gerda Lampalzer, Jozef Macko, Miklós Peternák. Exh. held at CSW Warsaw, 15-21 Apr 1991. Documents. (Polish)

Eigenwelt der Apparate-Welt. Pioniere der Elektronischen Kunst / Pioneers of Electronic Art, ed. David Dunn, Santa Fe: The Vasulkas, 1992, 240 pp, PDF, HTML. Exh. curated by Woody Vasulka and Steina Vasulka, held on 22 Jun-5 Jul 1992, Oberösterreichisches Landmuseum, Linz, as part of the Ars Electronica festival. (English)

Vidéo et après: la collection vidéo du Musée national d'art moderne, ed. Christine Van Assche, Paris: Centre Georges Pompidou, 1992, 295 pp. [71] (French)

Video‐Skulptur in Deutschland seit 1963, ed. Wolf Herzogenrath, Stuttgart: ifa, 1995. (German)

Centro video arte, 1974-1994: videoarte, performance, partecipazioni, ed. Lorenzo Magri, Ferrara: G. Corbo, 1995, 189 pp. Excerpt. (Italian)/(English)

Mediascape, New York: Guggenheim Museum, and Karlsruhe: ZKM, 1996. Exh. held at Guggenheim Museum SoHo, 14 June-15 Sep 1996.

'2' the Second: Time Based Art from the Netherlands, Amsterdam: Netherlands Media Art Institute / MonteVideo TBA, 1997, 60 pp. With CD. [72] (English)

La coscienza luccicante: dalla videoarte all'arte interattiva, eds. Paola Sega Serra Zanetti and Maria Grazia Tolomeo, Rome: Gangemi, 1998, 272 pp. Exh. held at the Palazzo delle Esposizioni, Rome, 16 Sep-10 Oct 1998. (Italian)/(English)

Video Cult/ures. Multimediale Installationen der 90er Jahre, ed. Ursula Frohne, Cologne: DuMont, 1999, 279 pp. Exhibition. [73] (German),(English)

L'art vidéo 1980-1999: vingt ans du VideoArt Festival, Locarno: recherches, théories, perspectives, ed. Vittorio Fagone, Milan: Mazzotta, 1999, 430 pp. (French)

Seeing Time: Selections from the Pamela and Richard Kramlich Collection of Media Art, ed. Karen Jacobson, forew. David A. Ross, San Francisco: SFMOMA, 1999, 179 pp. Exh. held 15 Oct 1999-9 Jan 2000. Exhibition. Publisher. [74] [75]

Videodokument: video umetnost v Slovenskem prostoru, 1969-1998. Dokumentacija / Video Art in Slovenia, 1969-1998. Documentation, ed. Barbara Borčić, Ljubljana: Open Society Institute-Slovenia, 1999, 212 pp. With CD-ROM. Exh. cat. Project website. [76] (Slovenian)/(English)

Video umetnost u Srbiji / Video Art in Serbia, ed. Dejan Sretenović and Branislav Dimitrijević, Belgrade: Centre for Contemporary Art, 1999, 152 pp. Exh. cat. (Serbian)/(English)

Making Time: Considering Time as a Material in Contemporary Video and Film, Lake Worth, FL: Palm Beach Institute of Contemporary Art, 2000, 97 pp, IA.

Elettroshock: 30 anni di video in Italia 1971-2001, eds. Bruno Di Marino and Lara Nicoli, Rome: Castelvecchi, 2001, 158 pp. Exh. held 21-27 May 2001. (Italian)

Antologiya rossiyskogo videoarta [Антология российского видеоарта], ed. Aleksei Isaev, Moscow, 2002, 208 pp. Publisher. (Russian)

Video Acts: Single Channel Works from the Collections of Pamela and Richard Kramlich and New Art Trust, eds. Klaus Biesenbach with Barbara London and Christopher Eamon, New York: PS1 Contemporary Art Center, 2002, 311 pp. Exh. held 10 Nov 2002-Apr 2003. [77]

30 jaar Nederlandse videokunst / Thirty Years of Dutch Video Art, Amsterdam: Nederlands Instituut voor Mediakunst, MonteVideo/Time Based Arts, 2003. Exh. held 11 Jan-8 Mar 2003. (Dutch),(English)

Arte del video: il viaggio dell'uomo immobile: videoinstallazioni, videoproiezioni, eds. Vittorio Fagone, Sandra Solimano and Lorenzo Bianda, Lucca: Fondazione Ragghianti Studi sull'Arte, 2004. Exh. held at Fondazione Ragghianti, Lucca, 21 Mar-23 May 2004. (Italian)/(English)

Ready to Shoot: Fernsehgalerie Gerry Schum—Videogalerie Schum, ed. Snoeck Ghent, Heule/Belgium: Snoeck, 2004. Exh. held at Kunsthalle Düsseldorf, 27 Mar-6 Jun 2004, curated by Ulrike Groos, Barbara Hess, and Ursula Wevers, with a chronology of the development of the Television Gallery, which the German artist Gerry Schum launched in 1968 to transform television into an artistic medium by screening avant-garde art to a mass audience.

Video Art: the Castello di Rivoli Collection, eds. Ida Giannelli and Marcella Beccaria, Milan: Skira, 2005, xv+286 pp. Exh. held 2002. [78]

Collection New Media Installations, 1965-2005: la collection du Centre Pompidou, Musée national d'art moderne, ed. Christine Van Assche, Paris: Centre Pompidou, Dec 2006, 288 pp. Curated by Christine van Assche. Exh. held at Barcelona Caixa Forum; 28 Sep 2005-8 Jan 2006; Taipei Fine Arts Museum, 28 Apr-23 Jul 2006; Miami Art Central, 19 Sep-10 Dec 2006; Museum of Contemporary Art Australia (MCA), Sydney, 13 Dec 2006-25 Feb 2007; Australian Centre for the Moving Image (ACMI), Melbourne, 15 Mar-27 May 2007; Museo de Chada, Lisbon, 18 Oct 2007-6 Jan 2008, [79]; The Nicosia Municipal Arts Centre, Cyprus, Mar-May 2008; Honolulu Academy of Arts, Jun-Sep 2008; Musée Fabre, Montpellier, 25 Oct 2008-18 Jan 2009 [80]. [81]

40jahrevideokunst.de – Teil 1. Digitales Erbe: Videokunst in Deutschland von 1963 bis heute, eds. Rudolf Frieling and Wulf Herzogenrath, Ostfildern: Hatje Cantz, 2006, 399 pp. With DVD. Publisher. [82] [83] [84] (German)

Videokunst der 60er Jahre in Deutschland, ed. Wulf Herzogenrath, Bremen: Kunsthalle Bremen, 2006, 80 pp. (German)

India: Public Places, Private Spaces: Contemporary Photography and Video Art, eds. Sinha Gayatri and Paul Sternberger, Gaithersburg, MD: Marg Foundation, 2007. Contains essays surveying contemporary Indian photographers and video artists. Works by 28 artists exploring the landscape of Indian identity, experience, history, and politics. (English)

Sounding the Subject. Video Trajectories. Selections from the Pamela and Richard Kramlich Collection and the New Art Trust, MIT List Visual Arts Center, 2007. Introduction, Mechtild Widrich's essay. (English)

Buffalo Heads: Media Study, Media Practice, Media Pioneers, 1973-1990, eds. Woody Vasulka and Peter Weibel, Karlsruhe: ZKM, and MIT Press, 2008, 837 pp. Exh. held at ZKM, 16 Dec 2006-25 Mar 2007. Exhibition. Exhibition. Chronology. TOC. Publisher. Publisher. Reviews: Zics (Leonardo), Yu (Afterimage), Browne (J Am Cult). Exh. review: Minkowsky (Film Quarterly). (English)

California Video: Artists and Histories, ed. Glenn Phillips, Los Angeles: Getty Research Institute, 2008, 312 pp. Exh. held at J. Paul Getty Museum, Los Angeles, 15 Mar-8 Jun 2008. Comprehensive exhibition catalogue with an introduction by the editor, followed by some 230 pages devoted to artists’ historic videos with short introductions by leading figures in the field of video. Scholarly essays by Meg Cranston, Robert R. Riley, Kathy Rae Huffman, Bruce Yonemoto, Steve Seid, and Rita Gonzalez. Hundreds of illustrations. Publisher. [85] [86]. (English)

Insert: retrospektiva hrvatske video umjetnosti / Retrospective of Croatian Video Art, ed. Tihomir Milovac, Zagreb: MSU, 2008, 360 pp. Exh. held at MSU Zagreb, Sep-Oct 2005, and MMSU Rijeka, Mar-Apr 2006. Texts by Tihomir Milovac, Silva Kalčić, Antonija Majača, Branko Franceschi. [87] (Croatian)/(English)

Transitland: Video Art from Central and Eastern Europe 1989–2009, ed. Edit András, Budapest: Ludwig Museum--Museum of Contemporary Art, 2009, 319 pp. Interview (ARTMargins). Project. (English)

Record again! 40JahreVideokunst.de Teil 2, eds. Christoph Blase and Peter Weibel, Ostfildern: Hatje Cantz, 2010, 535 pp. With DVD. Publisher. [88] [89] (German)/(English)

TV ARTS TV: The Television Shot by Artists, ed. Valentina Valentini, Madrid: La Fábrica, and Barcelona: Arts Santa Mònica, 2010, 160 pp.

Changing Channels. Kunst und Fernsehen 1963-1987, ed. Matthias Michalka, Cologne: Verlag der Buchhandlung Walther König, and Vienna: mumok, 2010, 293 pp. Exh. curated by Matthias Michalka with Manuela Ammer; held at mumok, Vienna, 5 Mar-6 Jun 2010. [90] (German)
- Changing Channels: Art and Television 1963-1987, ed. Matthias Michalka, Cologne: Verlag der Buchhandlung Walther König, and Vienna: mumok, 2010, 293 pp. [91]

Transitland: Video Art from Central and Eastern Europe After the Fall of the Berlin Wall, 1989–2009 / Видеоарт Центральной и Восточной Европы после падения Берлинской стены, 1989–2009, Moscow: MediaArtLab, 2010, 137 pp. (English)/(Russian)

Ukryta dekada. Polska sztuka wideo 1985-1995 / The Hidden Decade. Polish Video Art 1985-1995, eds. Piotr Krajewski and Violetta Kutlubasis-Krajewska, Wroclaw: WRO Art Center, 2010, 336 pp. With 4 DVDs. Project. (Polish)/(English)

VideoStudio: Playback, ed. Thomas J. Lax, New York: Studio Museum in Harlem, 2011, 17 pp. Exh. held on 31 Mar-26 Jun 2011. First exhibition in a series of programs dedicated to work made in the late 20th century that reflect the influence of dance and avant-garde theater as well as contemporaneous social concerns on early uses of video by artists. Emphasizing improvisation, collaboration and innovative uses of technology, the artists in the exhibition include Houston Conwill, Maren Hassinger, Fred Holland, Ishmael Houston-Jones, Ulysses Jenkins, Senga Nengudi and Howardena Pindell. (English)

Vidéo Vintage 1963-1983: une sélection de vidéos fondatrices des collections nouveaux médias du Musée National d'Art Moderne Centre Pompidou, ed. Christine Van Assche, Paris: Centre Pompidou, 2012, 64 pp. Retrospective presenting the first two decades of video art production held in the collection of Centre Pompidou. Curated by Christine van Assche with Florence Parot. Press release. Publisher. Exh. held at Centre Pompidou, 8 Feb-7 May 2012; ZKM Media Museum Karlsruhe, 22 Sep 2012-10 Feb 2013; Beirut Art Center; MMCA Seoul. [92] (French)

AC/DC/IT: Krótka historia instalacji wideo, Wroclaw: WRO Art Center, 2012, 75 pp. Exhibition. (Polish)

Corpo elettronico: videoarte italiana tra materia, segno e sogno, eds. Andrea La Porta and Gianluca Marziani, Milan: Prearo, 2012, 173 pp. Exh. held 11 Feb-25 Apr 2012. (Italian)

TeleGen: Kunst und Fernsehen / Art and Television, eds. Dieter Daniels and Stephan Berg, Munich: Hirmer, 2015, 352 pp. Exh. held at Kunstmuseum Bonn, 1 Oct 2015-17 Jan 2016; Kunstmuseum Liechtenstein, Vaduz, 19 Feb-16 May 2016. Exh. booklet. (German)/(English)

Videoarte a Palazzo dei Diamanti 1973-1979: reenactment, Ferrara: Fondazione Ferrara arte, 2015, 119 pp. (Italian)

Tehnologija narodu! Filmske i video prakse u Vojvodini / Technology to the People! Film and Video in Vojvodina, eds. Gordana Nikolić and Aleksandar Davić, Novi Sad: Muzej savremene umetnosti Vojvodine, 2017, 119 pp. Exh. cat. Excerpt, [93]. Publisher. (Serbian)/(English)

Before Projection: Video Sculpture 1974-1995, ed. Henriette Huldisch, Cambridge, MA: MIT List Visual Arts Center, and Munich: Hirmer, 2018, 143 pp. Texts by Henriette Huldisch, Emily Watlington, and Edith Decker-Phillips. Publisher. Exh. held at MIT List Visual Arts Center, Cambridge, MA, 8 Feb-15 Apr 2018. (English)

Mémoires vives: From Nam June Paik to Sliders_Lab, ed. Jean-Marie Dallet, Tielt: Lannoo, 2019, 256 pp. Excerpt. [94] (English),(Dutch),(French)

Defiant Muses: Delphine Seyrig and the Feminist Video Collectives in France, 1970s-1980s, Madrid: Museo Reina Sofía, 2019, 231 pp. (English)
- Musas insumisas: Delphine Seyrig y los colectivos de vídeo feminista en Francia en los 70 y 80, Madrid: Museo Reina Sofía, 2019, 231 pp. (Spanish)

Korean Video Art From 1970s to 1990s: Time Image Apparatus, Seoul: National Museum of Modern and Contemporary Art, Korea (MMCA), 2019. Excerpt, [95]. Exhibition. Exh. reviews: Yi Won-Kon (Art In Culture), Andy St. Louis (ArtAsiaPacific).

"Wideotaśmy. Wczesna sztuka wideo (1965–1976)" / "Videotapes: Early video art (1965-1976)", Zachęta, Warsaw: Zachęta – National Gallery of Art, Feb-Apr 2020, pp 36-43. Exh. held at Zachęta, Warsaw, 15 Feb-14 Jun 2020. Curated by Michał Jachuła. 3D exhibition. Video documentation. Review: Jachuła (Blok). (Polish)/(English)

Signals: How Video Transformed the World, eds. Stuart Comer and Michelle Kuo, New York: Museum of Modern Art, 2023, 188 pp. With contributions by Aria Dean and Erika Balsom. Exhibition. Publisher. Exh. review: Ryan (Artforum). (English)

Red, White, Yellow, and Black: 1972–73, New York: The Kitchen, 2023, [26] pp. In 1971, Cecilia Sandoval, Mary Lucier, Shigeko Kubota, and Charlotte Warren formed the coalition Red, White, Yellow, and Black. The group staged three multimedia concerts at The Kitchen on 16 December 1972 and 20-21 April 1973, housed at the time in the Mercer Arts Center, The Kitchen’s first home. Exhibition. Interview with curator (Gagosian Quarterly). Reviews: Kaegan Sparks (Artforum), Cassie Packard (Brooklyn Rail), Emily Watlington (Another Gaze). (English)

Radical Software: Women, Art & Computing 1960–1991, ed. Michelle Cotton, Luxembourg: Mudam Luxembourg, Vienna: Kunsthalle Wien, and Cologne: Walther und Franz König, 2024, 224 pp. Exhibition. Publisher. (English)
- Radical Software: Women, Art & Computing 1960–1991, Luxembourg: Mudam Luxembourg, Vienna: Kunsthalle Wien, and Cologne: Walther und Franz König, 2024, 224 pp. (German)

Books, journal issues, proceedings, theses[edit]

1970s[edit]

Gene Youngblood, Expanded Cinema, 1970, Log, PDF.

Gene Youngblood, Expanded Cinema, intro. R. Buckminster Fuller, New York: E.P. Dutton, 1970, 432+[6] pp; London: Studio Vista, 1970, 432+[6] pp; repr., 50th anniv.ed., New York: Fordham University Press, 2020, xxxii+449+[12] pp.
- Cine expandido, intro. Emilio Benini, Buenos Aires: Editorial De La Universidad Nacional De Tres De Febrero (EDUNTREF), 2012, 447 pp. [96] (Spanish)
- Expanded cinema, eds. Pier Luigi Capucci and Simonetta Fadda, Bologna: CLUEB, 2013, xvi+388 pp. (Italian)

Michael Shamberg, Raindance Corporation, Guerrilla Television, New York, Chicago, San Francisco: Holt Rinehart and Winstin, 1971. [97]

Performance 3: "Television", Jul-Aug 1972.

Paul Ryan, Birth And Death And Cybernation: Cybernetics of the Sacred, New York: Gordon & Breach, 1973.

Art-Rite 7: "Video", ed. Anna Canepa, New York: Art-Rite, Autumn 1974, 32 pp.

Transcript of the Whitney Video Conference sponsored by NYSCA on April 1 & 2, 1974, New York State Council on the Arts, [1975], n.p.

Peggy Gale (ed.), Video by Artists, intro. Tom Sherman, Toronto: Art Metropole, 1976, 223 pp. [98] [99]

Johanna Gill, Video: State of the Art, Rockefeller Foundation, 1976, 56 pp, HTML; repr. as "Video: State of the Art", in Eigenwelt der Apparate-Welt. Pioniere der Elektronischen Kunst / Pioneers of Electronic Art, ed. David Dunn, Santa Fe, NM: The Vasulkas, 1992, pp 63-88.

Studio International: "Video Art", ed. David Hall, London, May-Jun 1976. Essays: D Hall, Krikorian, Krikorian, S Hall & Hopkins, Leggett, Leggett, Chaimowitz, Hoey, Kidel.

Daniela Palazzoli, Fotografia, cinema, videotape: l'uso artistico dei nuovi media, Milan: Fabbri, 1977, 126 pp. (Italian)

Jonathan Price, Video Visions: A Medium Discovers Itself, New York: New American Library, 1977. Based on interviews with people involved in early video: broadcasters at WGBH and other PBS stations, numerous artists, a.o. Review: Kaiser (Leonardo).

The New Television: A Public/Private Art: Essays, Statements, and Videotapes: Based on "Open Circuits: An International Conference on the Future of Television" Organized by Fred Barzyk, Douglas Davis, Gerald O'Grady, and Willard Van Dyke for the Museum of Modern Art, New York City, eds. Douglas Davis and Allison Simmons, MIT Press, 1977, 289 pp; repr. in The New Television: Video After Television, eds. Rachel Churner, Rebecca Cleman, and Tyler Maxin, no place press, 2024. Excerpts, Herzogenrath's essay. Based on conference held 23-25 Jan 1974, gathering some 40 video artists, filmmakers, curators, arts administrators, and critics among others to discuss the problems and prospects of artists' television and video. Conf. schedule. Review: Knight (Leonardo). Expanded reprint (2024). Publisher. [100] [101]

Gregory Battcock (ed.), New Artists' Video: A Critical Anthology, New York: E.P. Dutton, 1978, xxii+198 pp, IA. [102]. Some of the articles are reprints, but eleven of them were previously unpublished. Writers included Douglas Davis, Richard Kostelanetz, Richard Lorber, David Ross, Nam June Paik and Charlotte Moorman, Robert Stefanotty, Les Levine, Rosalind Kraus, Stuart Marshall, Ingrid Wiegand, a.o.

Transcript from The International Video Art Symposium, 5-7 March 1979, Kingston, Ontario: Queen's University, 1979, 69 pp. [103]

1980s[edit]

Sirio Luginbühl, Paolo Cardazzo, Videotapes: arte tecnica storia, Padua: Mastrogiacomo, 1980. Excerpt. [104] (Italian)

Dominique Belloir, Vidéo art explorations, Paris: Cahiers du Cinema, 1981, 90 pp. (French)

Dany Bloch, Art et vidéo, 1960-1980/82, Locarno: Flaviana, 1982, 123 pp. (French)

Bettina Gruber, Maria Vedder (eds.), Kunst und Video: Internationale Entwicklung und Künstler, Cologne: DuMont, 1983, 264 pp. Incl. 7 essays on communications theory and video history, color plates (8 pp), statements, photographs, biographies, videographies, and bibliographies for 61 artists. Review: Zippay (Art J 1985). (German)

The Media Arts in Transition, ed. Bill Horrigan, Minneapolis: Walker Art Center, 1983, 63 pp. Conference held 8-11 Jun 1983. Programme. Part on preservation. Speakers and registrants.

Heidi Grundmann (ed.), Art Telecommunication, Vancouver: Western Front Publication, and Vienna: Blix, 1984, 140 pp. [105]. Review: Malloy. (English)

Ida Boelema (ed.), Inventarisatie van videokunst, films van kunstenaars, avantgarde en experimentele films, die in Nederland beschikbaar zijn, 2 vols., Weesp: Openbaar Kunstbezit, 1984-1985, 209 & ix+251 pp. (Dutch)

Art Journal 45(3): "Video: The Reflexive Medium", ed. Sara Hornbacher, Fall 1985, 93 pp.

John Hanhardt (ed.), Video Culture: A Critical Investigation, Layton, UT: Peregrine Smith Books, and Rochester, NY: Visual Studies Workshop Press, 1986, 296 pp. Introduction by Hanhardt, with chapters on “Theory and Practice,” “Video and Television,” and “Film and Video.” Essays by Walter Benjamin, Bertolt Brecht, Louis Althusser, Hans Mgnus Enzensberger, Jean Baudrillard, David Antin, David Ross, Stanley Cavell, Nam June Paik, Gene Youngblood, Jack Burnham, John Ellis, and Douglas Davis, as well as Rosalind Krauss’s essay "Video: The Aesthetics of Narcissism".

Deidre Boyle, Video Classics: A Guide to Video Art and Documentary Tapes, Phoenix, AZ: Oryx Press, 1986, xxii+160 pp.

Elke Town (ed.), Video by Artists, 2, Toronto: Art Metropole, 1986, 151 pp. A companion to the 1976 book publication. [106]

Wolfgang Preikschat, Video. Die Poesie der Neuen Medien, Weinheim: Beltz, 1987, 188 pp. Review: Hoffman (MW). (German)

Roy Armes, On Video, London: Routledge, 1988, 230 pp.
- Lu ying xue [錄影學], Tai bei shi: Yuan liu, 1995, 284 pp. (Chinese)

Rob Perrée, Into Video Art: The Characteristics of a Medium / Into Video Art: De Karakteristieken von een Medium, trans. A.H.W. Karelse, Rotterdam: Con Rumore, and Amsterdam: Idea Books, 1988, 75 pp. Argues for video art as a fine art, describes the medium's specific conditions illustrated by examples from Dutch video art. [107]. Review: Groot (Mediamatic). (English)/(Dutch)

Communications 48: "Vidéo", eds. Raymond Bellour and Anne-Marie Duguet, Paris, 1988. (French)

1990s[edit]

Vittorio Fagone, L'immagine video: arti visuali e nuovi media elettronici, Milan: Feltrinelli, 1990, 239+xxxii pp; 2nd ed., Milan: Feltrinelli, 2007, 239+[32] pp. (Italian)

Electronic Arts Intermix, Artists' Video: An International Guide, ed. Lori Zippay, New York: Cross River Press, 1991, 272 pp. Introductory essay by the editor on major topics and technical developments in video, from the 1960s to the 1990s, including 120 artists and 1,500 illustrations, with chapters organized alphabetically by artist, each with an annotated biography, videography, and bibliography.

Doug Hall, Sally Jo Fifer (eds.), Illuminating Video: An Essential Guide to Video Art, pref. David Bolt, forew. David Ross, intro. Doug Hall and Sally Jo Fifer, New York: Aperture, with Bay Area Video Coalition, 1990, 566 pp, IA. Essays by Kathy Rae Huffman, Marita Sturken, Christine Tamblyn, Martha Rosler, Chip Lord, Judith Barry, Juan Downey, Mary Lucier, Woody Vasulka, Bill Viola, Kathy O’Dell, Margaret Morse, a.o. Bibliography and videography. Publisher. Review: Mellby (Art Doc).

Immagine e Pubblico 2-3: "Videoarte", eds. Gianni Toti and Marco Maria Gazzano, Apr-Sep 1990, 34 pp. (Italian)

Sean Cubitt, Videography: Video Media as Art and Culture, London: Macmillan, 1993, 239 pp. (English)

Rossen Milev, Video in Osteuropa, Sofia: Balkanmedia, 1993, 164 pp. Excerpt. Based on author's dissertation written under Siegfried Zielinski. Review: Lovink (Mediamatic). [108] (German)

New Observations 103: "Video", ed. Ana de Portela, New York, Nov-Dec 1994, 31 pp. [109] [110]

Marieke van Dormolen, Videokunst in Nederland: wel geëmancipeerd niet geïntegreerd: Madelon Hooykaas & Elsa Stansfield, Lydia Schouten, Roos Theuws, Amsterdam: Universiteit van Amsterdam, 1994. PhD dissertation. (Dutch)

Rewind: Surveying the First Decade: Video Art and Alternative Media in the U.S., 1968-1980, ed. Gary Hill, Chicago: Video Data Bank, 1995, Excerpt; new ed., eds. Abina Manning and Brigid Reagan, Chicago: Video Data Bank, 2008, 150 pp. Brochure, SFMOMA, 1997. [111]

Janine Marchessault (ed.), Mirror Machine: Video and Identity, Toronto: YYZ Books, and Centre for Research on Canadian Cultural Industries and Institutions, McGill University, 1995, 239 pp, IA.

Michael Renov, Erika Suderburg (eds.), Resolutions: Contemporary Video Practices, University of Minnesota Press, 1995, 448 pp. [112]

Silvia Bordini, Videoarte & arte: tracce per una storia, postf. Anna Ludovico, Rome: Lithos, 1995, 139 pp. (Italian)

Art Journal 54(4): "Video Art", eds. John G. Hanhardt and Maria Christina Villaseñor, Winter 1995. Introduction. [113]

Julia Knight (ed.), Diverse Practices: a Critical Reader on British Video Art, Luton: University of Luton Press, 1996, 384 pp. Bauer's essay. Review: Eleftheriotis (Screen). [114] (English)

Sandra Lischi, Cine ma video, Pisa: ETS, 1996, 147 pp. (Italian)

Christine Ross, Images de surface: l'art vidéo reconsidéré, Montréal: Artexte, 1996, 142 pp. Based on dissertation from Université Paris I. (French)

The Kitchen Video Collection: Two Decades of the Video Vanguard, ed. David Azarch, New York: Kitchen Center for Video, Music, Dance, Performance, Film, and Literature, 1996. Founded as a collective for experimental artists and composers, The Kitchen began as an alternative space and became a renowned institution for cross-disciplinary art and performance. Volume consists of archival documents, brief descriptions of art works, and black-and-white photographs of video art and video performances, many of which have become classic works in the history of art.

Deidre Boyle, Subject to Change: Guerrilla Television Revisited, Oxford University Press, 1997.

Jacqueline Bobo (ed.), Black Women Film and Video Artists, Routledge, 1998, 288 pp. Publisher.

Sally Jo Fifer, et al. (eds.), Playback: A Preservation Primer for Video, San Francisco: Bay Area Video Coalition, 1998, 79 pp. Proceedings from the 1996 symposium. Publisher, [115]. Session transcripts.

Simonetta Fadda, Definizione zero: origini della videoarte fra politica e comunicazione [Zero Definition: The Beginnings of Videoart, between Politics and Communication], Genova: Costa & Nolan, 1999, 184 pp; new ed., exp., pref. Bruno Di Marino, Milan: Meltemi, 2017, 266 pp. Preface to 2nd ed. (Italian)

Dejan Sretenović (ed.), Video umetnost u Srbiji / Video Art in Serbia, Belgrade: Centre for Contemporary Art, 1999, 152 pp. (Serbian)/(English)

2000s[edit]

Catherine Elwes, Video Loupe: A Collection of Essays by and about the Videomaker and Critic Catherine Elwes, London: KT Press, 2000, 188 pp. [116] (English)

François Parfait, Video, un art contemporain, Paris: Regard, 2001. Twelve illustrated chapters focus on the relation between electronic images and the development of contemporary art; the affiliations between banal video productions and the hybrid history of technology; and interconnections among sculpture, photography, cinema, and television in relation to popular culture and live, performed art in the second half of the 20th century. (French)

Angela Madesani, Le icone fluttuanti: storia del cinema d'artista e della videoarte in Italia, Milan: Mondadori, 2002, x+245 pp. (Italian)

Maria Rosa Sossai, Artevideo: storie e culture del video d'artista in Italia, Milan: Silvana, 2002, 159 pp. (Italian)

PAJ: A Journal of Performance and Art 71: "Studio as Study: A Selection of Drawings by American Video Artists", ed. Melinda M. Barlow, May 2002. [117]

Camera Obscura 54: "Women and Video: Histories and Practices", ed. Melinda Barlow, 2003. [118] [119] [120]

Ursula Biemann (ed.), In Stuff It: The Video Essay in the Digital Age, Zurich: Voldemeer, and Vienna: Springer, 2003. (English)

Nina Danino, Michael Mazière (eds.), The Undercut Reader: Critical Writings on Artists' Film and Video, London: Wallflower Press, 2003, ix+277 pp, IA. Anthology of writing and visual works from Undercut, an UK journal dedicated to artists' film and video between 1980 and 1990. Review: Rees (Screen).

Valentina Valentini, Le storie del video, Rome: Bulzoni, 2003, 338 pp. (Italian)

Alessandro Amaducci, Banda anomala: un profilo della videoarte monocanale in Italia, Torino: Lindau, 2003, 156 pp. (Italian)

Michael Rush, Video Art, London: Thames & Hudson, 2003; rev.ed., 2007. Introduction + Chapter 1, Chapter 2.

Jeroen Boomgaard, Bart Rutten (eds.), De magnetische tijd. Videokunst in Nederland 1970-1985, Rotterdam: Nai Publishers, and Amsterdam: Netherlands Media Art Institute, 2003. (Dutch)
- The Magnetic Era: Video Art in the Netherlands 1970-1985, Rotterdam: Nai Publishers, and Amsterdam: Netherlands Media Art Institute, 2003, 208 pp. [121] [122] (English)
  - introduction: Rob Perrée, "Video Art in the Netherlands: From Agora to MonteVideo".

Tanya Leighton (ed.), Art and the Moving Image: A Critical Reader, London: Tate Publishing, and Afterall, 2008, 496 pp.

Yvonne Spielmann, Video: das reflexive Medium, Frankfurt am Main: Suhrkamp, 2005. This scholarly study of the history and practices of video contains a section devoted to the experimental phase of video, guerilla television, artistic video, and video culture. Another section explores the aesthetics of video by many artists working in video performance, from Vito Acconci, Dennis Oppenheim, and Ulrike Rosenbach to Valie Export, Lynn Hersham, and Raphael Montañez Ortiz. (German)
- Video: The Reflexive Medium, trans. Anja Welle and Stan Jones, MIT Press, 2008, 384 pp. TOC, Index, [123].
- trans. Takeshi Ebine, Tokyo: Sangen-sha Press, 2011. (Japanese)

Slavko Kacunko, Closed Circuit Videoinstallationen. Ein Leitfaden zur Geschichte und Theorie der Medienkunst mit Bausteinen eines Künstlerlexikons, Berlin: Logos, 2005, 1062 pp. (German)

Piotr Krajewski, Violetta Kutlubasis-Krajewska (eds.), Od monumentu do marketu / From Monument to Market: Video Art and Public Space, Wroclaw: WRO Art Center, 2005, 220 pp. With 2 DVDs. [124] (Polish)/(English)

Catherine Elwes, Video Art: A Guided Tour, forew. Shirin Neshat, London: I.B. Tauris, 2005, x+212 pp. (English)

Max Liljefors, Videokonsten: en introduktion, Lund: Studentlitteratur, 2005, 149 pp. (Swedish)

Sandra Lischi, Il linguaggio del video, Rome: Carocci, 2005, 110 pp; repr., 2017. (Italian)

Sebastián López, A Short History of Dutch Video Art / Una Breve Historia del Video Arte en Holanda, Amsterdam: Gate Foundation, and Rotterdam: Episode, 2005. [125] (English)/(Spanish)

Daniel Birnbaum, Chronology, New York : Lukas & Sternberg, 2005, 116 pp; 2nd ed., 2007. Excerpt. (English)
- Cronologia: tempo e identità nei film e video degli artisti contemporanei, Milan: Postmedia, 2007, 132 pp. Publisher. (Italian)
- Khronologii︠a︡ [Хронология], trans. A. Skidan, Moscow: Novoe literaturnoe obozrenie, 2007. (Russian)

Kate Horsfield, Lucas Hilderbrand (eds.), Feedback: The Video Data Bank Catalog of Video Art and Artist Interviews, Philadelphia: Temple University Press, 2006, 360 pp, ARG. Publisher. (English)

Sylvia Martin, Video Art, Taschen, 2006, 95 pp. Excerpt.

Chris Meigh-Andrews, A History of Video Art, Berg, 2006; 2nd ed., Bloomsbury, 2014, 387 pp. (English)
- Bideo āto no rekishi: sono keishiki to kinō no hensen [ヴィデオ・アートの歴史 : その形式と機能の変遷], trans. Ina Shinsuke, Tokyo: Sangensha, 2013, 401 pp. (Japanese)

Marlene Angermeyer-Deubner, Peter Weibel (eds.), Syntax des Sehens. Die Videosammlung des ZKM, Heidelberg: Kehrer, 2006, 206 pp. [126] (German)

Joachim Jäger, Gabriele Knapstein, Anette Hüsch (eds.), Beyond Cinema: The Art of Projection: Films, Videos and Installations from 1963 to 2005, Ostfildern: Hatje Cantz, 2006, 152 pp. [127] (English)

Brumaria 4: "Vídeo: Primera Etapa", Madrid, Summer 2004; new ed., rev. & exp., Winter 2006. TOC. [128] [129] (Spanish)

Art Journal 65(3): "Forty Years of Video Art", ed. Yvonne Spielmann, Fall 2006. [130]

Ricerche di Storia dell'arte 88: "Videoarte in Italia", Carocci, 2006, 112 pp. [131] (Italian)

James A. Nadeau, The Medium is the Medium: The Convergence of Video, Art and Television at WGBH (1969), Massachusetts Institute of Technology, Dept. of Comparative Media Studies, 2006. Thesis. [132]

Laura Baigorri (ed.), Vídeo en Latinoamérica: una historia crítica, Madrid: Brumaria, 2008. (Spanish)

Jorge La Ferla (ed.), Historia crítica del video argentino, Buenos Aires: MALBA, and Buenos Aires: Espacio Fundación Telefónica, 2008, 285 pp. Publisher. Details. [133] (Spanish)

Dinis Guarda, Nuno Figueiredo (eds.), Video arte e filme de arte & ensaio em Portugal / Video Art and Art & Essay Film in Portugal, Lisbon: Número – Arte e Cultura, 2008, 276 pp. (Portuguese)/(English)

Stan Douglas, Christopher Eamon (eds.), Art of Projection, Ostfildern: Hatje Cantz, 2009, 192 pp. [134]

Aleksandra Sekulić (ed.), Videografija regiona / Videography of the Region, Belgrade: Dom kulture “Studentski grad”, 2009, 245 pp. [135] (Serbian)/(English)

Lorella Scacco, Northwave: A Survey of Video Art in Nordic Countries / Una ricognizione sulla videoarte dei Paesi Nordici, Milan: Silvana, 2009, 256 pp. With DVD. Author. Excerpt. Publisher. [136] (English)/(Italian)

Edit András (ed.), Transitland: Video Art from Central and Eastern Europe 1989–2009, Budapest: Ludwig Museum--Museum of Contemporary Art, 2009, 319 pp. (English)

Violetta Kutlubasis-Krajewska, Piotr Krajewski (eds.), From Absolute Cinema to Future Film. Materials from the history of experiment in the moving picture art, Wroclaw: WRO Art Center, 2009, 84 pp. (English)

2010s[edit]

Piotr Krajewski, Violetta Kutlubasis-Krajewska (eds.), Ukryta dekada. Polska sztuka wideo 1985-1995 / The Hidden Decade. Polish Video Art 1985-1995, Wroclaw: WRO Art Center, 2010, 336 pp. With 4 DVDs. (Polish)/(English)

Kate Mondloch, Screens: Viewing Media Installation Art, University of Minnesota Press, 2010.

Are You Ready for TV?, Barcelona: MACBA, 2010, 116 pp. [137]
- ¿Estáis listos para la televisión?, Barcelona: MACBA, 2010, 127 pp. [138]
- Esteu a punt per a la televisió?, Barcelona: MACBA, 2010, 121 pp. [139] (Catalan)

Nancy Cain, Video Days and What We Saw Through the Viewfinder, Palm Springs: Event Horizon Press, 2011. (English)

Tamara Trodd (ed.), Screen/Space: The Projected Image in Contemporary Art, Manchester: Manchester University Press, 2011, 214 pp. Review: Butler (Screen).

Ariane Noël de Tilly, Scripting Artworks: Studying the Socialization of Editioned Video and Film Installations, Amsterdam: University of Amsterdam, 2011, 239 pp. PhD thesis.

Sean Cubitt, Stephen Partridge (eds.), Rewind: British Artists' Video of the 1970s and 1980s, John Libbey, 2012, 234 pp, IA. A history and analysis of the first years of video art in England and Scotland based on extensive archiving and oral history. Review: Piccini (Screen). [140]

Erika Suderburg, Ming-Yuen S. Ma (eds.), Resolutions 3: Global Networks of Video, University of Minnesota Press, 2012, 408 pp. Publisher.

Holly Rogers, Sounding the Gallery: Video and the Rise of Art-Music, Oxford University Press, 2013.

Renato Rezende, Katia Maciel, Poesia e videoarte, Rio de Janeiro: CIrcuito: funarte, 2013, 159 pp. [141] (Brazilian Portuguese)

Paul Hegarty, Rumour and Radiation: Sound in Video Art, Bloomsbury Academic, 2014.

Melissa Rérat, L'art vidéo au féminin: Emmanuelle Antille, Elodie Pong, Pipilotti Rist, Lausanne: PPUR, 2014. (French)

Katarzyna Kosmala (ed.), Sexing the Border: Gender, Art and New Media in Central and Eastern Europe, Cambridge Scholars Publishing, 2014, 275 pp. Excerpt. Publisher. (English)

Alessandro Amaducci, Videoarte. Storia, autori, linguaggi, Torino: Kaplan, 2014, 212 pp, PDF. (Italian)

Kathy High, Sherry Miller Hocking, Mona Jimenez (eds.), The Emergence of Video Processing Tools, 2 vols., Intellect, 2014, 638+21+16 pp, EPUB. Publisher. Review: Ellen Pearlman (Leonardo), Peter Kirn (cdm).

Helen Westgeest, Video Art Theory: A Comparative Approach, Wiley-Blackwell, 2015.

Malin Hedlin Hayden, Video Art Historicized: Traditions and Negotiations, Ashgate, 2015.

Gabrielle Jennings (ed.), Abstract Video: The Moving Image in Contemporary Art, forew. Kate Mondloch, University of California Press, 2015, ARG.

Omar Kholeif (ed.), Moving Image, London: Whitechapel Gallery, 2015, 239 pp.

Catherine Elwes, Installation and the Moving Image, Wallflower Press, 2015. (English)

Andreas Treske, Video Theory: Online Video Aesthetics or the Afterlife of Video, Bielefeld: transcript, 2015, 208 pp.

Anke Hervol, Wulf Herzogenrath, Johannes Odenthal (eds.), Schwindel der Wirklichkeit. Closed-Circuit-Videoinstallationen und Partizipation. Ein Reader / The Vertigo of Reality: Closed-Circuits and Participation: A Reader, Berlin: Akademie der Künste, and Walther König, 2015, 336 pp. TOC. (German)/(English)

Sander Kletter, Turbulentie rond videokunst. Kunstkritische reflecties op een nieuw medium, 1970-2010, Rotterdam: nai010, 2016. Publisher. (Dutch)

Ilaria Bombelli (ed.), I Have a Friend Who Knows Someone Who Bought a Video, Once: On Collecting Video Art. A project by LOOP Barcelona, Milan: Mousse Publishing, 2016, 160 pp. London's essay. Publisher. [142]

Ina Blom, The Autobiography of Video: The Life and Times of a Memory Technology, Berlin: Sternberg Press, 2016, 244 pp. Introduction. Publisher. Review: McDonald (Spectator).

Laura Leuzzi, Stephen Partridge (eds.), Rewind Italia: Early Video Art in Italy / Rewind Italia: I primi anni della videoarte in Italia, trans. Simona Manca, London: John Libbey & Co, 2016, vi+350 pp. TOC. (English)/(Italian)

William Kaizen, Against Immediacy: Video Art and Media Populism, Hanover, NH: Dartmouth College Press, 2016, 248 pp. [143] (English)

Erika Balsom, After Uniqueness: A History of Film and Video Art in Circulation, Columbia University Press, 2017, 312 pp, ARG, EPUB.

François Bovier (ed.), Early Video and Experimental Film Networks: French-Speaking Switzerland in 1974: A Case for "Minor History", Lausanne: ECAL/University of Art and Design Lausanne, 2017, 252 pp. [144] [145] [146] (English)

Michael Goddard, Guerrilla Networks: An Anarchaeology of 1970s Radical Media Ecologies, Amsterdam University Press, 2018, 358 pp. TOC & Introduction. [147]. Review: Gloor (H-Soz-Kult).

Slavko Kacunko (ed.), Theorien der Videokunst. Theoretikerinnen 1988-2003 & 2004-2018, 2 vols., Berlin: Logos, 2018, 582 & 406 pp. [148] [149] (German)

Viva Paci, Stéfany Boisvert (eds.), Une télévision allumée: les arts dans le noir et blanc du tube cathodique, Paris: Presses Universitaires de Vincennes, 2018, 272 pp. Publisher. (French)

Ryszard W. Kluszczyński, Tomasz Załuski (eds.), Wideo w sztukach wizualnych, Łódź: Wydawnictwo UŁ, and Lubin: Galeria Labirynt, 2018. TOC, Introduction, [150]. (Polish)

Laura Leuzzi, Elaine Shemilt, Stephen Partridge (eds.), EWVA: European Women's Video Art in the 70s and 80s, John Libbey, 2019, 250 pp. [151]

Sandra Lischi, La lezione della videoarte: sguardi e percorsi, Rome: Carocci, 2019, 115 pp. (Italian)

Lucy Reynolds (ed.), Women Artists, Feminism and the Moving Image: Contexts and Practices, Bloomsbury, 2019, 328 pp, EPUB. Publisher.

Erika Balsom, Lucy Reynolds, Sarah Perks (eds.), Artists’ Moving Image in Britain Since 1989, Yale University Press, 2019, 544 pp. Publisher. [152]

Sciami/ricerche 6: "Per una ricognizione della storia della video arte in Italia", eds. Cosetta Saba and Lisa Parolo, Oct 2019. [153] (Italian)

2020s[edit]

Milo Adami, La forma video. Tra cinema e arti visive dopo il digitale, Milan: Postmedia, 2020, 240 pp. Excerpt. Publisher. (Italian)

Renate Buschmann, Jessica Nitsche (eds.), Video Visionen. Die Medienkunstagentur 235 Media als Alternative im Kunstmarkt, Bielefeld: Transcript, 2020, 366 pp. TOC, Introduction. Publisher. [154] (German)

Derek Holzer, Vector Synthesis: a Media Archaeological Investigation into Sound-Modulated Light, Helsinki: Aalto University, 2020, 121 pp. MA thesis. Project website. Author.

Francesco Spampinato, Art vs. TV: A Brief History of Contemporary Artists' Responses to Television, Bloomsbury, 2021, 368 pp. Publisher. Review: Day (Art Hist).

Barbara London, Video/Art: The First Fifty Years, London: Phaidon, 2021, 280 pp. Publisher.

Charlotte Klink, Electric Seeing: Positions in Contemporary Video Art, Bielefeld: transcript, Jul 2022, 350 pp. Publisher. Review: Ludovico (Neural).

Giuliana Bruno, Atmospheres of Projection: Environmentality in Art and Screen Media, University of Chicago Press, Oct 2022, 360 pp. Publisher.

Erika Balsom, Hila Peleg (eds.), Feminist Worldmaking and the Moving Image, MIT Press, Sep 2022, 512 pp. Offers intersectional, intergenerational, and international perspectives on nonfiction film- and videomaking by and about women, examining practices that range from activist documentaries to avant-garde experiments; concentrating on the period between the 1970s and 1990s. Publisher. Exhibition: HKW Berlin, MoMA Warsaw. Exh. review: Mimi Michael Howard (Art Monthly). Review: Hoor Elshafei (Film Quarterly). Editor's reflection: New Left Review.

Elena Shtromberg, Glenn Phillips (eds.), Encounters in Video Art in Latin America, Los Angeles: Getty Research Institute, Feb 2023, 288 pp. Research project. Publisher. Review: Le (ARLIS/NA). [155]

Sylva Poláková, Martin Mazanec (eds.), Mapování pohyblivého obrazu. Média, aktéři a místa v českém prostředí, Prague: Národní filmový archiv, 2023, 311 pp. Research project. Publisher. (Czech)
- Mapping the Moving Image: Media, Agents, and Sites in the Czech Context, Prague: Národní filmový archiv, 2024. Research project.

Leonardo 57(6): "Histories, Legacies, and Futures of Image-Processing", eds. Helena Shaskevich and Adam Hart, Dec 2024. [156]

Rachel Churner, Rebecca Cleman, Tyler Maxin (eds.), The New Television: Video After Television, no place press, 2024, 520 pp. Publisher. Distributor.

Vitamin V: Video and the Moving Image in Contemporary Art, intro. Erika Balsom, Phaidon, 2025, 288 pp. Publisher.

Book chapters, papers, articles[edit]

John S. Margolies, "TV: The Next Medium", Art in America 57:5, Sep-Oct 1969, pp 48-55, HTML. [157]

Douglas Davis, "The New Audience: Television and Videotape", in Davis, Art and the Future, New York and Washington: Praeger, 1973, pp 84-91.

Rosalind Krauss, "Video: The Aesthetics of Narcissism", October 1, Spring 1976, pp 50-64.

Stuart Marshall, "Video: Technology and Practice", Screen 20:1, Mar 1979, pp 109-119.

Lucinda Furlong, "Notes Towards a History of Image-processed Video: Eric Siegel, Stephen Beck, Dan Sandin, Steve Rutt, Bill and Louise Etra", Afterimage, Summer 1983, pp 35-38.

Lucinda Furlong, "Notes Towards a History of Image-processed Video: Steina and Woody Vasulka", Afterimage, Dec 1983, pp 12-17, HTML; repr. in Mémoires vives: From Nam June Paik to Sliders_Lab, ed. Jean-Marie Dallet, Tielt: Lannoo, 2019, pp 56-73.
- "Du signal video au traitement d'images digitales", trans. Isabelle Delord and Dominique Willoughby, in Steina et Woody Vasulka: Vidéastes: 1969-1984, 2nd ed., rev. & corr., ed. Dominique Willoughby, Paris: Ciné-MBXA/Cinédoc, 1984, pp 33-47. (French)

Marita Sturken, "TV as a Creative Medium: Howard Wise and Video Art", Afterimage 11:10, May 1984, pp 5-9, HTML.

Stuart Marshall, "Video: From Art to Independence", Screen 26:2, Mar-Apr 1985, pp 66-72.

Lucinda Furlong, "Tracking Video Art: ‘Image Processing’ as a Genre", Art Journal 45, Fall 1985, pp 233-237.

Martha Rosler, "Video: Shedding the Utopian Moment", in Vidéo, ed. René Payant, Montréal: Artexte, 1986; repr. in Block 11, London, 1985-86; repr. in Illuminating Video: An Essential Guide to Video Art, eds. Doug Hall and Sally Jo Fifer, New York: Aperture Press, 1991, pp 30-50. Originally delivered as a talk, "Shedding the Utopian Moment: The Museumization of Video", at the conference Vidéo '84 at the Université de Québec à Montréal.

Marita Sturken, "Private Money and Personal Influence: Howard Klein and the Rockefeller Foundation's Funding of the Media Arts", Afterimage 14:6, Jan 1987.

Paul Ryan, "A Genealogy of Video", Leonardo 21:1, 1988, pp 39-44.

Lucinda Furlong, "Electronic Backtalk: The Art of Interactive Video", The Independent 11:4, May 1988, pp 14-20, IA.

Sean Cubitt, "Video Art and Colonialism: An Other and Its Others", Screen 30:4, Oct 1989, pp 66-79. Review of retrospectives of Bill Viola and Nam June Paik.

John G. Hanhardt, "Dé-collage/Collage: Notes Toward a Reexamination of the Origins of Video Art", in Illuminating Video: An Essential Guide to Video Art, eds. Doug Hall and Sally Jo Fifer, New York: Aperture Press, 1991, pp 70-79. [158]

Margaret Morse, "Video Installation Art: The Body, The Image, and the Space-in-Between", in Illuminating Video: An Essential Guide to Video Art, eds. Doug Hall and Sally Jo Fifer, New York: Aperture Press, 1991, pp 152-167.

Rossen Milev, "Video in Osteuropa. Eine Untersuchung des neuen audiovisuellen Phänomens in seinem osteuropäischen Profil", Communications 17:2, 1992, pp 245-274. (German)

Chris Hill, "Attention! Production! Audience! —Performing Video in its First Decade, 1968-1980", vdb.org, 1996; revised version, in Surveying the First Decade DVD, 2008.

Barbara Borčić, "Video Art from Conceptualism to Postmodernism", in Impossible Histories: Historical Avant-gardes, Neo-avant-gardes, and Post-avant-gardes in Yugoslavia, 1918-1991, eds. Dubravka Djurić and Miško Šuvaković, MIT Press, 2003, pp 490-524, PDF. (English)

Dieter Daniels, "Television-Art or Anti-Art? Conflict and Cooperation between the Avant-Garde and the Mass Media in the 1960s and 1970s", in Media Art Net, eds. Rudolf Frieling and Dieter Daniels, 2004.
- "Fernsehen – Kunst oder Antikunst? Konflikte und Kooperationen zwischen Avantgarde und Massenmedium in den 1960er / 1970er Jahren", in Media Kunst Netz, eds. Rudolf Frieling and Dieter Daniels, 2004. (German)

Kate Horsfield, "Busting the Tube: A Brief History of Video Art", ch 1 in Feedback: The Video Data Bank Catalog of Video Art and Artist Interviews, eds. Kate Horsfield and Lucas Hilderbrand, Philadelphia: Temple University Press, 2006, pp 7-16, PDF. (English)

Marga van Mechelen, "Video in De Appel", ch 6 in De Appel: performances, installaties, video, projecten 1975-83, Amsterdam: De Appel Foundation, 2006. [159] (Dutch)
- "Video in De Appel", ch 6 in De Appel: Performances, Installations, Video, Projects, 1975-83, trans. Michael Gibbs, Amsterdam: De Appel Foundation, 2006, pp 275-301. [160] (English)

J. Steetskamp, "Looking back: the roots of video production at the Jan van Eyck Academie", 2007, PDF. Interviews: JCJ Vanderheyden, Servie Janssen, Madelon Hooykaas, Berto Ausseums. (English)

Christine Mehring, "Television Art's Abstract Starts: Europe circa 1944-1969", October 125, Summer 2008, pp 29-64.

John G. Hanhardt, "From Screen to Gallery Cinema, Video, and Installation Art Practices", American Art 22:2, Summer 2008, pp 2-8. [161]

Kris Paulsen, "California Video", X-TRA 11:1, Sep 2008, pp 32-38.

Stéphanie Jeanjean, "Disobedient Video in France in the 1970s: Video Production by Women’s Collectives", Afterall 27, Summer 2011, pp 5-16.

Ege Berensel, "Video Art from ’Monitor-Sculpture‘ to ’Video-Sculpture", Goethe.de, 2012.

Erika Balsom, "Original Copies: How Film and Video Became Art Objects", Cinema Journal 53:1 (Fall 2013), pp. 97-118.

Peter Oleksik, "Rewind: A Brief History of Caring for Video Art in the United States", VoCA Journal, Spring 2018.

Anna Orrghen, "Art criticism and the newness of video art: the reception of video art in the Swedish daily press, 1985–1991", Journal of Aesthetics & Culture 12:1, 2020.

Laura Leuzzi, "“She became my teacher and mentor”: Uncovering the Legacy of Women Video Pioneers in Art Schools and Academies in Europe", in Transmission and Gender: Women Artists as Teachers in the XXth Century, eds. Déborah Laks and Natalia Sassu Suarez Ferri, Heidelberg: arthistoricum.net, 2023.

Miscellaneous

OffLine: A Retrospective 1990-2003, Ithaca/NY, c2003, 56 pp. About an US national cable television program for video art. Episode guide, [162].
Kathy Rae Huffman, Peter Kirby, Carole Ann Klonarides, Kira Perov, Glenn Phillips, David Ross, "A Brief History of the Video Programs at the Long Beach Museum of Art", 2008.
Richard Cándida Smith, "SFMOMA 75th Anniversary: Robert Riley", Berkeley: The Bancroft Library, University of California, Berkeley, 2010, 83 pp. Oral history interview with the first SFMOMA's curator of media arts (1988-2000).

Bibliography and chronology[edit]

Barbara London, "Video: A Selected Chronology, 1963-1983", 1985, PDF, in Art Journal 45(3): "Video: The Reflexive Medium", 1985, Log, PDF.

Wulf Herzogenrath, "Video. Chronologie für die USA und Europa", in Project 74, Bern: Kunsthalle Berne, 1974, pp 44-46. (German)

Barbara London with Lorraine Zippay, "A Chronology of Video Activity in the United States 1965-1980", Artforum, Sep 1980, HTML.

Barbara London, "Selected U.S. Chronology", in Circulating Video Library, ed. Barbara London, New York: MoMA, 1983, pp 41-48.

"Selected Bibliography for Early Video", in Video Rewind: A Seminar on Early Video History, c1983, [2] pp.

Barbara London, "Video: A Selected Chronology, 1963-1983", Art Journal 45(3): "Video: The Reflexive Medium" (Autumn 1985), pp 249-262.

Davidson Gigliotti, Annotated list of video exhibitions, 1963-1975, The Early Video Project, 2000.

Video in Central and Eastern Europe: Bibliography, Monoskop.

Difference between revisions of "Video art"

Latest revision as of 11:35, 23 September 2025

Contents

Platforms[edit]

Archives and distributors[edit]

Resources[edit]

Artists, groups, initiatives, events[edit]

Artists (cont.)[edit]

Artists' writings, catalogues[edit]

Magazines[edit]

Exhibition catalogues[edit]

Exhibitions without catalogues[edit]

Anthologies[edit]

Articles[edit]

Miscellaneous[edit]

Reception, history[edit]

Exhibition catalogues[edit]

Books, journal issues, proceedings, theses[edit]

1970s[edit]

1980s[edit]

1990s[edit]

2000s[edit]

2010s[edit]

2020s[edit]

Book chapters, papers, articles[edit]

Bibliography and chronology[edit]

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@@ Line 1: / Line 1: @@
+[[Image:Rosler_Martha_1975_Semiotics_of_the_Kitchen.jpg|thumb|400px|[[Martha Rosler]], ''[https://www.ubu.com/film/rosler_semiotics.html Semiotics of the Kitchen]'', 1975.]]
+[[Image:Artists Video 1976.jpg|thumb|400px|Cover of ''Artists Video: An Alternative Use of the Medium'', eds. [[Brian Hoey]] and Wendy Brown, 1976.]]
 <div class="lede">
 Resource on video art
 </div>
-==Works==
+==Platforms==
+<div class=twocol>
+<onlyinclude>{{#ifeq:{{{transcludesection|video-platforms}}}|video-platforms|
+* [https://fourthree.boilerroom.tv/ 4:3], a film platform exploring themes of performance, identity, youth culture and anti-establishment. Run by Boiler Room since 2018.
+* [[Artyčok]], an international online platform focusing on the emerging artistic practice. Est. 2005, Prague.
+* [http://www.lecinemaclub.com/ Le CiNéMa Club], a curated streaming platform screening one film every week, for free. It tends to screen often overlooked work from established filmmakers, though it also includes notable short works from the international festival circuit. Founded in 2015.
+* [https://www.d-est.com D'Est], a contemporary video art platform that maps out artistic reflections of post-socialist transformations along feminist, post-geographic and decolonial lines of inquiry. Est. 2016, Berlin.
+* [https://derives.tv/ Dérives autour du cinéma] (Derives.tv), enables the free circulation of films, sounds, texts, images and documents. Authors distribute their films and texts, free to use. Est. 2007.
+* [https://dis.art/ dis] is a media channel & community that spans art, politics, tech, theory, and pop culture, to foster a deeper understanding of future economic, social, and technological changes.
+* [https://e-flux.com/film/ e-flux Film] presents curated programs of film, videos, and discursive events put together by e-flux and our collaborators across the world. Online as well at the e-flux Screening Room in Brooklyn, NY, it explores new ways of curating and sharing moving-images, situated between cinema, contemporary art, and theory.
+* [https://hamacaonline.net/ Hamaca], a platform for archiving, disseminating, and learning about contemporary audiovisual practices in Spain. Est. 2005.
+* [http://kinet.media/ Kinet], a platform run by independent filmmakers presents works of experimental or avant-garde film periodically, notably drawing from filmmakers working outside existing filmmaking or academic structures. Est. 2016, Canada.
+* [[labournet.tv]], a free film platform for workers' struggles around the world, from the point of view of the workers themselves.
-; Online platforms for video art
-* [http://www.ubu.com/film/  UbuWeb: Film & Video], an online archive of the avant-garde. Edited by [[Kenneth Goldsmith]], [[UbuWeb]].
-* [http://mediakunst.net Mediakunst.net], an online catalogue bringing together the media art collections of Frans Hals Museum, Stedelijk Museum Amsterdam, Van Abbemuseum, the Cultural Heritage Agency of the Netherlands (RCE) and LIMA. Launched 2018, operated by [[LIMA]]. Contact: [[Gaby Wijers]].
-* [http://www.videokunstarkivet.org/ Videokunstarkivet] (The Video Art Archive, Norway) is a reference archive for video works produced in Norway or with a connection to Norway from the 1960s and up to today. The online platform records about 3,000 registered works by more than 660 artists and artist groups, of which more than half is available for online viewing (after free registration). Contact: [[Håvard Oppøyen]].
-* [https://www.d-est.com D'Est: A Multi-Curatorial Online Platform for Video Art from the former “East” and “West”], Apr 2018-Dec 2020. Curated by Xandra Popescu, Kathrin Becker, Jana Seehusen, Creative Association of Curators TOK (Anna Bitkina & Maria Veits), Inga Lāce, Miona Bogović, Suza Husse, Suzana Milevska, Eva Birkenstock, Ulrike Gerhardt, Naomi Hennig, Nataša Ilić, Jelena Vesić, Katja Kobolt, and Bettina Knaup.
 * [https://videoarchiv-ludwigforum.de/in-focus/ Ludwig Forum für internationale Kunst Video Archive: 30 Artists in Focus]
+* [https://lux.org.uk/whats-on/luxplayer LUXPLAYER]. LUX, a London-based arts agency, offers both an online database of its film collection—from which institutions can order copies—and a streaming service. Its video-on-demand service LUXPLAYER offers films for a 48-hour digital rental, at US$4 a film, regardless of the runtime. Some of the films can be streamed for free within a limited window as well.
+* [http://mediakunst.net Mediakunst.net], an online catalogue bringing together the media art collections of Frans Hals Museum, Stedelijk Museum Amsterdam, Van Abbemuseum, the Cultural Heritage Agency of the Netherlands (RCE) and LIMA. Run by [[LIMA]] since 2018.
+* [[Pad.ma]] (Public Access Digital Media Archive), an online archive of densely text-annotated video material, primarily footage and not finished films.
+* [https://njpvideo.ggcf.kr/ Paik's Video Study]. Nam June Paik’s video archives streaming system in an online environment. With 700 video works and 300 essays. Maintained by Nam June Paik Art Center. {{ko}}/{{en}}
+* [https://rarefilmm.com/ rarefilmm], the cave of forgotten films.
+* [https://www.sinemateka.lt/en/video-art Sinemateka.lt: video art], digitally restored LT videos, c.2014.
+* [http://www.thestream.kr/ The Stream], Korean video art archive. [https://njpart.ggcf.kr/wp-content/uploads/2022/05/4_5_JungSeraEng.pdf] [https://lux.org.uk/wp-content/uploads/2020/11/LKFF-In-Conversation-with-The-Stream-and-Meetingroom.pdf]
+* [http://www.ubu.com/film/ UbuWeb: Film & Video], an online archive of the avant-garde. Est. 1996, New York.
+* [https://www.vdb.org/vdb-tv VDB TV] is a digital distribution project which provides free, online streaming access to curated programs of video and media art. Sourced from the archives of the Video Data Bank, VDB TV includes work from early video pioneers active in the 1960s and 70s, through to emerging contemporary artists.
+* [https://www.vdrome.org/ Vdrome] is an online cinema that offers regular, high quality screenings of films and videos directed by visual artists and filmmakers whose production lies in-between contemporary art and cinema. Launched 2013; on break since 2022.
+* [http://www.videokunstarkivet.org/ Videokunstarkivet] (The Video Art Archive, Norway) is a reference archive for video works produced in Norway or with a connection to Norway from the 1960s and up to today. The online platform records about 3,000 registered works by more than 660 artists and artist groups, of which more than half is available for online viewing (after free registration).
+}}</onlyinclude>
+</div>
 ==Archives and distributors==
@@ Line 27: / Line 74: @@
 * [http://films.arsenal-berlin.de/index.php/Browse/clearCriteria/lang/en_US Arsenal – Institute for Film and Video Art], Berlin, est c1971.
 * [http://www.cjcinema.org/pages/catalogue_auteurs.php?langue=en Collectif Jeune Cinéma], Arcueil/FR, est 1971.
-* [http://www.exquise.org/recherche_avancee.php?l=uk Heure Exquise! Centre international pour les arts vidéo], Mons en Baroeul/FR, est 1975.
+* [https://www.heure-exquise.org/catalogue/films Heure Exquise! Centre international pour les arts vidéo], Mons en Baroeul/FR, est 1975.
 * [https://www.vdb.org/collection/browser-artist-list Video Data Bank] (VDB), Chicago, est 1976.
 * [http://www.imageforum.co.jp/daguerreo/index.html Image Forum], Tokyo, est 1977.
@@ Line 49: / Line 96: @@
 * [http://re-voir.com/shop/en/content/8-catalog Re:Voir], Paris, est 1994.
 * [https://www.fondation-langlois.org/html/e/page.php?NumPage=147 Daniel Langlois Foundation], Montréal, est 1997.
-* [https://lux.org.uk/collection/artists/ LUX artists' moving image], London, est 2002.
+* [https://lux.org.uk/collection/artists/ LUX artists' moving image], London, est. 2002.
-* [http://www.centerforvisualmusic.org/CVMDistribution.htm Center for Visual Music], Los Angeles, est 2003. Dir. Cindy Keefer.
+* [http://www.centerforvisualmusic.org/CVMDistribution.htm Center for Visual Music], Los Angeles, est. 2003. Dir. Cindy Keefer.
-* [http://www.hamacaonline.net/autores.php Hamaca], Barcelona, est 2005.
+* [http://www.hamacaonline.net/autores.php Hamaca], Barcelona, est. 2005.
-* [https://www.stiftung-imai.de/videos/online-archiv imai – inter media art institute], Düsseldorf, est 2006 (archive transferred from 235 Media).
+* [https://www.stiftung-imai.de/videos/online-archiv imai – inter media art institute], Düsseldorf, est. 2006 (archive transferred from 235 Media).
-* [http://www.videoartchive.org.au Australian Video Art Archive] (AVAA), est 2006.
+* [http://www.videoartchive.org.au Australian Video Art Archive] (AVAA), est. 2006.
-* [http://web.archive.org/web/20190407074741/www.laboratoriofac.com/laboratorio-de-cine-fac Laboratorio de Cine FAC], Montevideo, est 2007. [https://www.instagram.com/laboratorio.cine.fac/] [https://vadb.org/institutions/laboratorio-de-cine-fac] [https://cce.org.uy/evento/laboratorio-nomade-laboratorio-cine-fac-en-el-cce/]
+* [http://web.archive.org/web/20190407074741/www.laboratoriofac.com/laboratorio-de-cine-fac Laboratorio de Cine FAC], Montevideo, est. 2007. [https://www.instagram.com/laboratorio.cine.fac/] [https://vadb.org/institutions/laboratorio-de-cine-fac] [https://cce.org.uy/evento/laboratorio-nomade-laboratorio-cine-fac-en-el-cce/]
-* [https://arcavideoargentino.com.ar/persona/ ARCA Video Argentino], La Plata, est 2008.
+* [https://arcavideoargentino.com.ar/persona/ ARCA Video Argentino], La Plata, est. 2008.
-* [https://videoarchiv-nfa.cz/en/database/ Videoarchiv NFA], Prague, est 2020.
+* [https://www.videokunstarkivet.org/ Videokunstarkivet] (The Video Art Archive, Norway), Oslo, est. 2012.
-* [http://www.dinamo-distributors.org/ Dinamo] distribution network of artists' moving image organizations.
+* [https://videoarchiv-nfa.cz/en/database/ Videoarchiv NFA], Prague, est. 2020.
+* [https://www.dinamo-distributors.org/ Dinamo], distribution network of artists' moving image organizations.
 [http://www.experimentaltvcenter.org/collection-distribution-links more]
@@ Line 67: / Line 115: @@
 ==Resources==
-* [https://videoarteurope.com/ Emergence of Video Art in Europe (1960s–1980s): histories, theories, archives], research program, University Paris 8 (France) and ECAL (Switzerland), 2017-2025. Research team: Grégoire Quenault and François Bovier, with Ségolène Liautaud and Stéphanie Serra. Seminar series organised by INHA and BnF, Paris: [https://www.inha.fr/fr/agenda/parcourir-par-annee/en-2016/mail-2016/l-emergence-de-l-art-video-en-europe-historiographie-theorie-sources-et-archives.html 2016], [http://www.estca.univ-paris8.fr/index.php/event/emergence-de-lart-video-en-europe-1960-1980 2017], [https://www.inha.fr/fr/agenda/parcourir-par-annee/en-2018/decembre-2018/emergence-de-l-art-video-en-europe.html 2018]. [https://ecal.ch/en/feed/projects/4942/the-emergence-of-video-art-in-europe-19601980-history-theory-sources-and-archives/]
+<div class=twocol>
-* [https://www.videohistoryproject.org/ Video History Project], est. 1994 as a service of Experimental Television Center
+* [http://ukvideoart.tripod.com/ A Chronology of Events in the First Two Decades of British Video Art]
+* [https://awarewomenartists.com/en/decouvrir/art-en-mouvement-les-pionnieres-de-lart-video/ Art in Movement: Women Pioneers of Video Art], Archives of Women Artists Research & Exhibitions (AWARE), Paris, *2020.
+* [http://www.davidsonsfiles.org/ The Early Video Project] by [[Davidson Gigliotti]]. With an [https://www.davidsonsfiles.org/Exhibitions.html annotated list of video exhibitions, 1963-1975].
+* [https://videoarteurope.com/ Emergence of Video Art in Europe (1960s–1980s): histories, theories, archives], research program, University Paris 8 (France) and ECAL (Switzerland), 2017-2025. Research team: Grégoire Quenault and François Bovier, with Ségolène Liautaud and Stéphanie Serra. Seminar series organised by INHA and BnF, Paris: [https://www.inha.fr/fr/agenda/parcourir-par-annee/en-2016/mail-2016/l-emergence-de-l-art-video-en-europe-historiographie-theorie-sources-et-archives.html 2016], [http://www.estca.univ-paris8.fr/index.php/event/emergence-de-lart-video-en-europe-1960-1980 2017], [https://www.inha.fr/fr/agenda/parcourir-par-annee/en-2018/decembre-2018/emergence-de-l-art-video-en-europe.html 2018]. Collections: [https://videoarteurope.com/Interviews artist interviews], [https://videoarteurope.com/Artists-Texts artists' texts], [https://videoarteurope.com/Catalogues catalogues], [https://videoarteurope.com/Archives archives]. [https://ecal.ch/en/feed/projects/4942/the-emergence-of-video-art-in-europe-19601980-history-theory-sources-and-archives/]
+* [http://www.ewva.ac.uk/ EWVA European Women’s Video Art] of the 1970s and 1980s.
+* [http://www.c3.hu/collection/videomuveszet/indexen.html History and archive of video art in Hungary 1972-2000], eds. Szilvia Seres, Miklós Peternák, C3, Budapest.
 * [https://rewind.ac.uk/ REWIND Artists' Video], est. 2004 by Stephen Partridge; based at Duncan of Jordanstone College of Art & Design (University of Dundee, Scotland).
-* [https://videodautore.sciami.com Video d’autore. Video arte e film d'artista in Italia], by SCIAMI.
+* [https://www.getty.edu/projects/video-art-latin-america/ Video Art in Latin America], Getty Research Institute, Los Angeles, 2014 ff. Research project.
-* [http://www.davidsonsfiles.org/ The Early Video Project] by Davidson Gigliotti.
 * [http://www.video-as.org/ Video as Urban Condition]
@@ Line 81: / Line 137: @@
 * [http://videocircuits.blogspot.com Video Circuits], a blog by [[Christopher King]] for and about electronic video artists.
-* [http://ukvideoart.tripod.com/ A Chronology of Events in the First Two Decades of British Video Art]
+* [https://videodautore.sciami.com Video d’autore. Video arte e film d'artista in Italia], by SCIAMI.
-* [http://www.ewva.ac.uk/ EWVA European Women’s Video Art] of the 1970s and 1980s.
+* [https://www.videohistoryproject.org/ Video History Project], est. 1994 as a service of Experimental Television Center
-* [http://www.c3.hu/collection/videomuveszet/indexen.html History and archive of video art in Hungary 1972-2000], eds. Szilvia Seres, Miklós Peternák, C3, Budapest.
+</div>
-* [https://www.getty.edu/projects/video-art-latin-america/ Video Art in Latin America], Getty Research Institute, Los Angeles, 2014 ff. Research project.
+==Artists, groups, initiatives, events==
-==Artists, groups, initiatives, events==
 ''with pages on the Monoskop wiki''
 <div class=threecol>
 <DynamicPageList>
@@ Line 118: / Line 174: @@
 * ''Avalanche'' 9: "Video Performance", ed. Liza Bear, New York: Kineticism Press, May-Jun 1974, 29 pp. [http://books.bibliopolis.com/main/find/3082838/] {{en}}
+* ''Opus International'' 54: "Art Vidéo", Jan 1975. {{fr}}
+* ''Studio International'', May-Jun 1976.
 * ''Videoscope: The Magazine of Videotape Source Information'', eds. John L. Reilly and Karen Mooney, Gordon & Breach, 1976-1979. Sections: [http://www.vasulka.org/archive/4-30a/Videoscope(9010).pdf 1(2)], [http://www.vasulka.org/archive/S-F1-Publ-Intrv-Bios-McKenna/VideoWom(6042).pdf 1(4)], [http://www.vasulka.org/archive/S-F1-Publ-Intrv-Bios-McKenna/Videos(6041).pdf 1(4)]. [https://www.vasulka.org/archive/Vasulkas1/Publications/correspondance.pdf] [https://www.vasulka.org/archive/ExhTWO/GlobalVillage/Vid-TeleDocFestCalendar.pdf]
@@ Line 124: / Line 184: @@
 * ''[https://archive.org/search.php?query=creator%3A%22Foundation+for+Independent+Video+and+Film+%28U.S.%29%22 The Independent: Film & Video Monthly]'', New York: Foundation for Independent Video and Film, 1978-2006. [http://scua.library.umass.edu/umarmot/independent-film-video-monthly/] {{en}}
+* [[Media:Videokonst_i_Norden_1983.pdf|''Kalejdoskop'' 3-4: "Videokonst i Norden"]], ed. Sune Nordgren, Åhus, 1983, 80 pp. {{sw}},{{da}},{{no}},{{fi}}
 * ''[https://www.mediamatic.net/en/page/80129/ Mediamatic]'', quarterly, 39 numbers, eds. Willem Velthoven and Jans Possel, Groningen (1985-Jan 1987) & Amsterdam (Apr 1987-1999): Mediamatic, Dec 1985-1999. {{en}}
@@ Line 157: / Line 219: @@
 * ''[[Media:Video_Lijnbaancentrum_1973.pdf|Video]]'', Rotterdam: Lijnbaancentrum, 1973. Exh. held 9 Feb–12 Mar 1973. {{nl}}
-* ''[[Media:Trigon_73_1973.pdf|Trigon 73]]'', Graz: Künstlerhaus, and Neue Galerie Graz, 1973. Festival held 6 Oct–11 Nov 1973. {{de}},{{en}}
+* ''[[Media:Trigon_73_1973.pdf|Trigon '73. Audiovisuelle Botschaften / Audio Visual Messages]]'', Graz: Künstlerhaus, and Neue Galerie Graz, 1973. Festival held 6 Oct–11 Nov 1973. {{de}},{{en}}
 * ''[[Media:Video_Circuits_1973.pdf|Video Circuits]]'', McLaughlin Library, University of Guelph, 1973, 21 pp. Exh. held 4 Dec 1973-2 Jan 1974. {{en}}
@@ Line 210: / Line 272: @@
 * ''[[Media:Video_Art_Labirynt_1976.pdf|Video-Art]]'', Lublin: Galeria Sztuki LDK Labirynt, 1976, [13] pp. Exh. held 5-6 Oct 1976. {{pl}},{{en}}
-* ''Artists' Video: An Alternative Use of the Medium'', 5 vols., eds. Brian Hoey and Wendy Brown, Tyne and Wear: Biddick Farm Arts Centre, 1976-1980, 24 / 28 / 24 / 28 / ? pp. Exh. held at Washington New Town Centre (Washington, Tyne & Wear), 19-30 Oct 1976; 17-29 Oct 1977; 23 Oct-4 Nov 1978; 29 Oct-11 Nov 1979. [https://archive.org/details/vasulka10262/] {{en}}
+*{{a|HoeyBrown1976}}''Artists Video: An Alternative Use of the Medium'', eds. [[Brian Hoey]] and Wendy Brown, Washington, Tyne and Wear: Biddick Farm Arts Centre, 1976, [24] pp. First of five annual exhibitions at Washington New Town Centre (Washington, Tyne & Wear, England); held 19-30 Oct 1976. [https://rewind.ac.uk/rewind/wp-content/uploads/sites/146/2018/05/TKR013.pdf] {{en}}
 * ''[[Media:Identitet_IV_susret_u_Motovunu_Identita_IV_incontro_a_Motovun_1977.pdf|Identitet. IV susret u Motovunu / Identità. IV incontro a Motovun. Projects and Video]]'', Venice: Edizioni del Cavallino, 1977, [34] pp. Exh. held 1976. [https://rewind.ac.uk/rewind/wp-content/uploads/sites/146/2021/03/ITLV002.pdf Excerpt]. [https://rewind.ac.uk/rewind/wp-content/uploads/sites/146/2021/03/ITPC002.pdf Excerpt]. [https://rewind.ac.uk/assets/catalogue-iv-susret-u-motovunu-iv-incontro-a-motovun-edizioni-del-cavallino-venezia-1977-2/] [https://www.academia.edu/33258980/] {{sc}}/{{it}}
@@ Line 223: / Line 285: @@
 * ''[http://www.documenta.de/en/retrospective/documenta_6 documenta 6]'', Kassel, 1977. Video art section curated by Wulf Herzogenrath.
+* ''[[Media:Artists_Video_1977.pdf|Artists Video: An Alternative Use of the Medium]]'', eds. [[Brian Hoey]] and Wendy Brown, Washington, Tyne and Wear: Biddick Farm Arts Centre, 1977, [28] pp. Exh. held 17-29 Oct 1977. {{en}}
 * ''Videotapes by Women. From the Los Angeles Women’s Video Centre'', Melbourne: George Paton Gallery, 1977. Exh. held 26 Oct-3 Nov 1977. {{en}}
-* ''[[Media:Japan Video Art Festival CAYC 1978.pdf|Japan Video Art Festival: 33 Artists at CAYC]]'', Buenos Aires: Center of Art and Communication (CAYC), 1978, [20] pp. Exh. held Apr 1978.
+* ''[[Media:Japan Video Art Festival CAYC 1978.pdf|Japan Video Art Festival: 33 Artists at CAYC]]'', Buenos Aires: Center of Art and Communication (CAYC), 1978, [20] pp. Exh. held Apr 1978. About: [https://islaa.org/explore/two-women-at-the-japan-video-art-festival-cayc aliwen] (ISLAA).
 * ''[[Media:Video_Art_78_Coventry_1978.pdf|Video Art 78: An International Festival of Video Art]]'', Coventry: Herbert Art Gallery and Museum, 1978, 32 pp. Exh. held 6-12 May 1978. {{en}}
@@ Line 233: / Line 297: @@
 * ''[[Media:Swiss_Video_1978.pdf|Swiss Video Repères]]'', Lausanne: Musée des Beaux-arts de Lausanne, 1978. Exh. held in Sep 1978. {{fr}}
+* ''[[Media:Artists_Video_1978.pdf|Artists Video: An Alternative Use of the Medium]]'', eds. [[Brian Hoey]] and Wendy Brown, Washington, Tyne and Wear: Biddick Farm Arts Centre, 1978, [24] pp. Exh. held 23 Oct-4 Nov 1978. {{en}}
 * Joanne Kelly, ''[[Media:Kelly Joanne Video Free America Presents 1978.pdf|Video Free America Presents]]'', San Francisco, 1978/1979, 87 pp. [https://archive.org/details/video-free-america_13550_pm0047519] [http://www.vasulka.org/archive/ExhFest7/VideoFreeAmerica/VideoFreeAmericaPoster.pdf]
@@ Line 242: / Line 308: @@
 * ''[[Media:Video_Weeks_Essen_1979.pdf|Videowochen Essen '79 / Videoweeks Essen '79]]'', ed. Zdenek Felix, Essen: Museum Folkwang Essen, 1979. Held 28 Oct-16 Dec 1979. {{de}}
+* ''[[Media:Artists_Video_1979.pdf|Artists Video: An Alternative Use of the Medium]]'', eds. [[Brian Hoey]] and Wendy Brown, Washington, Tyne and Wear: Biddick Farm Arts Centre, 1979, [28] pp. Exh. held 29 Oct-11 Nov 1979. {{en}}
 * ''[[Media:CAYC_Five_Swiss_Artists_1980.pdf|Cinco artistas suizos / Five Swiss Artists]]'', Buenos Aires: CAYC (Center of Art and Communication), 1980. Held 25 Feb-Mar 1980. {{fr}},{{en}}
 * ''Art and Artists from the Video Data Bank'', Chicago: Video Data Bank, 1980, [18] pp. Catalogue of programs. [https://e-artexte.ca/id/eprint/9013/] {{en}}
+* ''[[Media:Artists_Video_1980.pdf|Artists Video]]'', eds. [[Brian Hoey]] and Wendy Brown, Washington, Tyne and Wear: Biddick Farm Arts Centre, 1980, [28] pp. Exh. held 27 Oct-9 Nov 1980. {{en}}
 * ''[[Media:Installation_Video_Hallwalls_1981.pdf|Installation: Video, an Exhibition of Diagrams, Documentation and Video Installations]]'', intro. G. Roger Denson and Kathy High, Buffalo, NY: Hallwalls, 1981. Exh. held 9-30 May 1980. [http://www.hallwalls.org/pubs/7.html] {{en}}
@@ Line 254: / Line 324: @@
 * ''[[Media:XVI_Sao_Paulo_Biennial_Video_from_Yugoslavia_1981.pdf|XVI Sao Paulo Biennial: Video from Yugoslavia]]'', ed. Davor Maticevic, Zagreb: Gallery of Contemporary Art Zagreb, 1981, 8 pp. {{en}}
+* ''[[Media:From_the_Academy_to_the_Avantgarde_1981.pdf|From the Academy to the Avantgarde]]'', ed. Richard Simmons, Rochester, NY: Visual Studies Workshop, 1981, [20] pp. {{en}}
 * ''Cinema off e videoarte a New York'', eds. Ester de Miro and Germano Celant, Genova: Bonini, 1981, 223 pp. {{it}}
@@ Line 273: / Line 345: @@
 * ''Videokunst: video installaties en videotapes uit Nederland'', ed. Ingrid Haan, Middelburg: De Vleeshal, 1983, [8] pp. {{nl}}
+* ''Video C.D. 83: delaunica, instalacije, projekcije, performance'', Ljubljana: Cankarjev Dom, 1983, 114 pp. Exh. held 1-9 Oct 1983 at Cankarjev Dom in televizija Ljubljana. {{sl}}
 * ''[[Media:Women and the Media New Video 1984.pdf|Women & the Media: New Video]]'', ed. William Olander, Allen Memorial Art Museum, Oberlin College, 1984, 20 pp, [https://cdm15963.contentdm.oclc.org/digital/collection/p15963coll41/id/4445 JPG]. Artists: Max Almy, Anna-Marie Arnold, Judith Barry, Dara Birnbaum, Lyn Blumenthal, Nancy Buchanan, Cecilia Condit, Margia Kramer, Martha Rosler, Ilene Segalove, Lisa Steele, Janice Tanaka, Erika Rothenberg. Exh. held 18 Apr-27 May 1984. {{en}}
@@ Line 289: / Line 363: @@
 * ''Video Data Bank: Video Tape Review, 84'', Chicago: Video Data Bank, 1985, [12] pp. Catalogue of programs. [https://e-artexte.ca/id/eprint/9015/] {{en}}
 * ''Video Data Bank: On Art and Artists, 85'', Chicago: Video Data Bank, 1985, 64 pp. Catalogue of programs. [https://e-artexte.ca/id/eprint/9016/] {{en}}
@@ Line 296: / Line 370: @@
 * ''AVÉ experimenteel: internationaal audiovisueel festival'' catalogues, Arnhem: Stichting AVÉ, 1986-1995. [http://www.worldcat.org/identities/viaf-313507325/]
-* ''Vidéo'', ed. René Payant, Montreal: Artexte, 1986, 263 pp. Published in conjunction with video installations held in various museums and galleries in Montréal in the fall of 1986. Incl. essay with historical survey of video in 9 countries, and texts of 18 lectures given during the ''Video 84'' symposium. {{fr}}/{{en}}
+* ''Vidéo'', ed. René Payant, Montréal: Artexte, 1986, 263 pp. Published in conjunction with video installations held in various museums and galleries in Montréal in the fall of 1986. Incl. historical surveys of video in 9 countries, and texts of 18 lectures given during the ''Video 84'' symposium held in Montreal in October 1984. [https://artexte.ca/en/editions/video/ Publisher]. [https://e-artexte.ca/id/eprint/29582/1/1986_n5_cataloguesCatalogues.pdf#page=48] {{fr}}/{{en}}
 * ''[[Media:Video_and_Language_Video_as_Language_1986.pdf|Video and Language. Video as Language]]'', 1986, [6] pp. Curated by Scott Rankin at VideoLace, 4 Dec 1986-18 Jan 1987. {{en}}
@@ Line 340: / Line 414: @@
 * ''[[Media:Videografias invisibles una seleccion de videoarte latinoamericano 2000-2005 2005.pdf|Videografías invisibles: una selección de videoarte latinoamericano 2000-2005]]'', eds. Jorge Villacorta and José Carlos Mariátegui, Museo Patio Herreriano, 2005, 140 pp. [https://arcavideoargentino.com.ar/exposicion/videograf%c3%adas-invisibles/ Exhibition]. [https://arcavideoargentino.com.ar/publicacion/videograf%c3%adas-invisibles/] {{es}}
-====Notable exhibitions without catalogues====
+====Exhibitions without catalogues====
 * ''[http://www.eai.org/webpages/1174 Women's Video Festival]'', The Kitchen, New York, 1972-1980.
-===Monographs===
-* Dan Graham, ''[[Media:Graham_Dan_Video_Architecture_Television_1979.pdf|Video-Architecture-Television: Writings on Video and Video Works 1970-1978]]'', ed. Benjamin H.D. Buchloh, Halifax: The Press of the Nova Scotia College of Art and Design, and New York: New York University Press, 1979, 89 pp; repr., Lars Müller Publishers, 2013. With two contributions by Michael Asher and Dara Birnbaum. [http://beausievers.com/bhqfu/computer_art/readings/graham-video_architecture_television.pdf Lead essay]. [https://www.lars-mueller-publishers.com/dan-graham-video-%E2%80%93-architecture-%E2%80%93-television]
-* Hollis Frampton, ''[http://monoskop.org/log/?p=766 Circles of Confusion: Film/Photography/Video Texts 1968-1981]'', forew. Annette Michelson, Visual Studies Workshop Press, 1983, 200 pp.
-* ''[http://monoskop.org/log/?p=11024 On the Camera Arts and Consecutive Matters: The Writings of Hollis Frampton]'', ed. Bruce Jenkins, MIT Press, 2009, 360 pp.
 ===Anthologies===
@@ Line 356: / Line 423: @@
 * ''Video by Artists'', ed. Peggy Gale, Toronto: Art Metropole, 1976, 223 pp. [https://specificobject.com/objects/info.cfm?object_id=9973&inventory_id=10439]
+* Hollis Frampton, ''[http://monoskop.org/log/?p=766 Circles of Confusion: Film/Photography/Video Texts 1968-1981]'', forew. Annette Michelson, Visual Studies Workshop Press, 1983, 200 pp.
 * ''Video by Artists 2'', ed. Elke Town, Toronto: Art Metropole, 1986, 151 pp. [https://artmetropole.com/shop/1830]
+* ''Videosfera: video/društvo/umetnost'' [Videosphere: Video/Society/Art], ed. Mihailo Ristić, Belgrade: Studentski izdavački centar, 1986, 219 pp. Anthology of theoretical texts about video, including contributions from video-makers. [https://www.kupindo.com/Umetnost/73687765_Videosfera-video-drustvo-umetnost TOC]. Review: [https://polja.rs/wp-content/uploads/2016/02/selection18-2.pdf Radoslav Radić]. {{sc}}
 * [https://www.ubu.com/sound/tellus_17.html ''Tellus'' 17: "Video Arts Music"], eds. Claudia Gould, Joseph Nechvatal, and Carol Parkinson, New York, 1987. Special issue of audio cassette magazine.
@@ Line 366: / Line 437: @@
 * ''[http://libgen.is/book/index.php?md5=54D044BEBE99764F6DF6366DA2EDD90F Experimental Film and Video: An Anthology]'', ed. Jackie Hatfield, forew. Sean Cubitt and Al Rees, Eastleigh: John Libbey, 2006, 302 pp. Forty artists have contributed images, and 25 artists reflect on the diverse critical agendas, contexts, and communities that have affected their practice across the period from the late 1960s to date. [https://iupress.org/9780861969067/experimental-film-and-video/] [https://www.jstor.org/stable/j.ctt16gz6vq]
+* ''[http://monoskop.org/log/?p=11024 On the Camera Arts and Consecutive Matters: The Writings of Hollis Frampton]'', ed. Bruce Jenkins, MIT Press, 2009, 360 pp.
+* Dan Graham, ''[[Media:Graham_Dan_Video_Architecture_Television_1979.pdf|Video-Architecture-Television: Writings on Video and Video Works 1970-1978]]'', ed. Benjamin H.D. Buchloh, Halifax: The Press of the Nova Scotia College of Art and Design, and New York: New York University Press, 1979, 89 pp; repr., Lars Müller Publishers, 2013. With two contributions by Michael Asher and Dara Birnbaum. [http://beausievers.com/bhqfu/computer_art/readings/graham-video_architecture_television.pdf Lead essay]. [https://www.lars-mueller-publishers.com/dan-graham-video-%E2%80%93-architecture-%E2%80%93-television]
 * ''Video Writings by Artists (1970-1990)'', ed. Eugeni Bonet, Milan: Mousse, 2017, 309 pp. [https://www.moussepublishing.com/products-page/product/video-writings-artists-1970-1990/?status=moreinfo]
@@ Line 391: / Line 466: @@
 [[Image:Mediascape_1996.jpg|thumb|300px|''Mediascape'', New York, 1996, [https://archive.org/details/mediascape00klot IA].]]
-* ''Video '79. Video, the First Decade / Dieci anni di videotape'', Rome: Kane, 1979, 252 pp. {{en}}/{{it}}
+* ''Video '79. Video, the First Decade / Dieci anni di videotape'', Rome: Kane, 1979, 252 pp. Exh. review: [https://doi.org/10.1515/9781988111308-023 Jon Davies] (Centerfold). {{en}}/{{it}}
 * ''[[Media:Videoarte_a_Palazzo_dei_Diamanti_1973-1979_1980.pdf|Videoarte a Palazzo dei Diamanti 1973/1979]]'', ed. Janus, Torino: Provincia di Torino, 1980, 159 pp. Exh. held at the Foyer della Camera di commercio, Torino, Apr 1980. {{it}}
-* ''Videokunst in Deutschland 1963-1982'', ed. Wulf Herzogenrath, Stuttgart: Gerd Hatje, 1982, 319 pp. [https://journals.ub.uni-heidelberg.de/index.php/ma/article/view/22026/15786 Excerpt]. Includes chapters on “Videotapes,” “Videoinstallation,” “Video-Objects,” and “Videoperformances” covers some one hundred artists, and includes biographies, videographies, and many black-and-white photographs. Essays by Wulf Herzogenrath, Helmut Friedel, Nam June Paik, Ulrike Rosenbach, Friederike Pezold, and Kaus von Bruch; a rare 1969 letter from Gerry Schum to Gene Youngblood; and an interview with Joseph Beuys. Exh. held at Kölnischer Kunstverein, Cologne, 6 Jun-18 Jul 1982, also shown at [https://assets.moma.org/momaorg/shared/pdfs/docs/press_archives/5991/releases/MOMA_1982_0047_47.pdf MoMA] (1982). {{de}}
+* ''[[Media:Videokunst in Deutschland 1963-1982 1982.pdf|Videokunst in Deutschland 1963-1982. Videobänder, Installationen, Objekte, Performances]]'', ed. Wulf Herzogenrath, Stuttgart: Gerd Hatje, 1982, 319 pp. [https://journals.ub.uni-heidelberg.de/index.php/ma/article/view/22026/15786 Excerpt]. Includes chapters on “Videotapes,” “Videoinstallation,” “Video-Objects,” and “Videoperformances” covers some one hundred artists, and includes biographies, videographies, and many black-and-white photographs. Essays by Wulf Herzogenrath, Helmut Friedel, Nam June Paik, Ulrike Rosenbach, Friederike Pezold, and Kaus von Bruch; a rare 1969 letter from Gerry Schum to Gene Youngblood; and an interview with Joseph Beuys. Exh. held at Kölnischer Kunstverein, Cologne, 6 Jun-18 Jul 1982, also shown at [https://assets.moma.org/momaorg/shared/pdfs/docs/press_archives/5991/releases/MOMA_1982_0047_47.pdf MoMA] (1982). {{de}}
 * ''Inovacije u Hrvatskoj umjetnosti sedamdesetih godina'', ed. Boris Kelemen, Zagreb: Gallery of Contemporary Art Zagreb, 1982. [[Media:Inovacije_u_Hrvatskoj_umjetnosti_sedamdesetih_godina_1982.pdf|Excerpt]]. {{sc}},{{en}}
@@ Line 429: / Line 504: @@
 * ''Passages de l'image'', eds. Raymond Bellour, Catherine David and Christine van Assche, Paris: Centre Pompidou, 1990, 191 pp. Exh. curated by Bellour, David and Assche; held at Musée national d'art moderne, Galeries contemporaines, 19 Sep-18 Nov 1990; salle Garance, 12 Sep-15 Oct 1990. {{fr}}
 ** ''Passages de l'image'', Barcelona: Centre Cultural de la Fundació Caixa de Pensions, 1991, 280 pp. Exh. held at Fundació Caixa de Pensions, Barcelona, 12 Feb-28 Mar 1991; Wexner Center for the Arts, Columbus/OH, 1 Jun-27 Oct 1991; San Francisco Museum of Modern Art, 6 Feb-12 Apr 1992. {{en}}/{{ca}}
+* ''Środek Europy. Awangardowe kino i sztuka video z Austrii, Czecho-Słowacji, Polski i Węgier'', ed. [[Ryszard W. Kluszczynski]], Warsaw: Centre for Contemporary Art, Ujazdowski Castle, 1991, 80 pp. Exh. cat. Texts: Ryszard W. Kluszczyński, Peter Tscherkassky, Gerda Lampalzer, Jozef Macko, Miklós Peternák. Exh. held at CSW Warsaw, 15-21 Apr 1991. [https://mediateka.u-jazdowski.pl/zasoby/srodek-europy-dokumenty Documents]. {{pl}}
 * ''[https://monoskop.org/log/?p=43 Eigenwelt der Apparate-Welt. Pioniere der Elektronischen Kunst / Pioneers of Electronic Art]'', ed. David Dunn, Santa Fe: The Vasulkas, 1992, 240 pp, [[Media:Dunn_David_ed_Pioneers_of_Electronic_Art.pdf|PDF]], [http://web.archive.org/web/20041225211352/http://www.aec.at/de/archives/festival_archive/festival_catalogs/festival_catalog.asp?iProjectID=8893 HTML]. Exh. curated by Woody Vasulka and Steina Vasulka, held on 22 Jun-5 Jul 1992, Oberösterreichisches Landmuseum, Linz, as part of the ''Ars Electronica'' festival. {{en}}
@@ Line 442: / Line 519: @@
 * '' '2' the Second: Time Based Art from the Netherlands'', Amsterdam: Netherlands Media Art Institute / MonteVideo TBA, 1997, 60 pp. With CD. [http://www.nimk.nl/second/library.html] {{en}}
-* ''La coscienza luccicante: dalla videoarte all'arte interattiva'', eds.  Paola Sega Serra Zanetti and Maria Grazia Tolomeo, Rome: Gangemi, 1998, 272 pp. Exh. held at the Palazzo delle Esposizioni, Rome, 16 Sep-10 Oct 1998. {{it}}/{{en}}
+* ''La coscienza luccicante: dalla videoarte all'arte interattiva'', eds. Paola Sega Serra Zanetti and Maria Grazia Tolomeo, Rome: Gangemi, 1998, 272 pp. Exh. held at the Palazzo delle Esposizioni, Rome, 16 Sep-10 Oct 1998. {{it}}/{{en}}
+* ''Video Cult/ures. Multimediale Installationen der 90er Jahre'', ed. Ursula Frohne, Cologne: DuMont, 1999, 279 pp. [https://zkm.de/de/ausstellung/1999/05/video-cultures Exhibition]. [https://zkm.de/de/publikation/video-cultures] {{de}},{{en}}
 * ''L'art vidéo 1980-1999: vingt ans du VideoArt Festival, Locarno: recherches, théories, perspectives'', ed. Vittorio Fagone, Milan: Mazzotta, 1999, 430 pp. {{fr}}
 * ''Seeing Time: Selections from the Pamela and Richard Kramlich Collection of Media Art'', ed. Karen Jacobson, forew. David A. Ross, San Francisco: SFMOMA, 1999, 179 pp. Exh. held 15 Oct 1999-9 Jan 2000. [https://www.sfmoma.org/exhibition/seeing-time/ Exhibition]. [https://www.sfmoma.org/publication/seeing-time-selections-pamela-and-richard-kramlich/ Publisher]. [http://www.appetiteengineers.com/project/seeing-time-selections-from-the-pamela-and-richard-kramlich-collection-of-media-art/] [http://zkm.de/en/publication/seeing-time-selection-from-the-pamela-and-richard-kramlich-collection-of-media-art]
+* ''Videodokument: video umetnost v Slovenskem prostoru, 1969-1998. Dokumentacija / Video Art in Slovenia, 1969-1998. Documentation'', ed. [[Barbara Borčić]], Ljubljana: Open Society Institute-Slovenia, 1999, 212 pp. With CD-ROM. Exh. cat. [http://www.videodokument.org/ Project website]. [https://www.scca-ljubljana.si/arhiv/videodokumentengl.htm#Catalogue] {{sl}}/{{en}}
+* ''Video umetnost u Srbiji / Video Art in Serbia'', ed. [[Dejan Sretenović]] and [[Branislav Dimitrijević]], Belgrade: Centre for Contemporary Art, 1999, 152 pp. Exh. cat. {{sr}}/{{en}}
 * ''[[Media:Making Time Considering Time as a Material in Contemporary Video and Film 2000.pdf|Making Time: Considering Time as a Material in Contemporary Video and Film]]'', Lake Worth, FL: Palm Beach Institute of Contemporary Art, 2000, 97 pp, [https://archive.org/details/makingtimeconsid0000unse/ IA].
 * ''Elettroshock: 30 anni di video in Italia 1971-2001'', eds. Bruno Di Marino and Lara Nicoli, Rome: Castelvecchi, 2001, 158 pp. Exh. held 21-27 May 2001. {{it}}
-* ''Videodokument. Video Art in Slovenia 1969-1998'', ed. Barbara Borčić, Ljubljana: SCCA Ljubljana, 2001. With CD. [http://www.videodokument.org/order.htm]
 * ''[[Media:Antologiya rossiyskogo videoarta 2002.pdf|Antologiya rossiyskogo videoarta]]'' [Антология российского видеоарта], ed. Aleksei Isaev, Moscow, 2002, 208 pp. [https://www.mediaartlab.ru/books/?item=6?lang=en Publisher]. {{ru}}
@@ Line 480: / Line 561: @@
 * ''California Video: Artists and Histories'', ed. Glenn Phillips, Los Angeles: Getty Research Institute, 2008, 312 pp. Exh. held at J. Paul Getty Museum, Los Angeles, 15 Mar-8 Jun 2008. Comprehensive exhibition catalogue with an introduction by the editor, followed by some 230 pages devoted to artists’ historic videos with short introductions by leading figures in the field of video. Scholarly essays by Meg Cranston, Robert R. Riley, Kathy Rae Huffman, Bruce Yonemoto, Steve Seid, and Rita Gonzalez. Hundreds of illustrations. [https://shop.getty.edu/products/california-video-artists-and-histories-978-0892369225 Publisher]. [https://books.google.com/books?id=Ww9f3TGMGM8C&printsec=frontcover] [https://www.getty.edu/research/exhibitions_events/events/california_video.pdf]. {{en}}
-* ''Insert: retrospektiva hrvatske video umjetnosti / Retrospective of Croatian Video Art'', ed. Tihomir Milovac, Zagreb: MSU, 2008, 360 pp. Exh. held at MSU Zagreb, Sep-Oct 2005, and MMSU Rijeka, Mar-Apr 2006. Texts by Tihomir Milovac, Silva Kalčić, Antonija Majača, Branko Franceschi. [[Insert_-_Retrospective_of_Croatian_Video_Art|Exhibition]]. [http://www.msu.hr/#/en/18057/] {{cr}}/{{en}}
+* ''Insert: retrospektiva hrvatske video umjetnosti / Retrospective of Croatian Video Art'', ed. Tihomir Milovac, Zagreb: MSU, 2008, 360 pp. [[Insert_-_Retrospective_of_Croatian_Video_Art|Exh.]] held at MSU Zagreb, Sep-Oct 2005, and MMSU Rijeka, Mar-Apr 2006. Texts by [https://www.academia.edu/41544091/ Tihomir Milovac], Silva Kalčić, Antonija Majača, Branko Franceschi. [http://www.msu.hr/#/en/18057/] {{cr}}/{{en}}
+* ''[[Media:Andras_Edit_ed_Transitland_Video_Art_from_Central_and_Eastern_Europe_1989-2009.pdf|Transitland: Video Art from Central and Eastern Europe 1989–2009]]'', ed. Edit András, Budapest: Ludwig Museum--Museum of Contemporary Art, 2009, 319 pp. [https://artmargins.com/transitland-video-art-central-eastern-europe-1989-2009-interview/ Interview] (ARTMargins). [[Transitland|Project]]. {{en}}
 * ''Record again! 40JahreVideokunst.de Teil 2'', eds. Christoph Blase and Peter Weibel, Ostfildern: Hatje Cantz, 2010, 535 pp. With DVD. [https://www.hatjecantz.de/record-again-2424-1.html Publisher]. [http://www.record-again.de/publikationen.html] [https://zkm.de/de/publikation/record-again] {{de}}/{{en}}
@@ Line 489: / Line 572: @@
 ** ''Changing Channels: Art and Television 1963-1987'', ed. Matthias Michalka, Cologne: Verlag der Buchhandlung Walther König, and Vienna: mumok, 2010, 293 pp. [https://www.mumok.at/en/changing-channels]
-* ''[http://monoskop.org/log/?p=2493 Transitland: Video Art from Central and Eastern Europe After the Fall of the Berlin Wall, 1989–2009 / Видеоарт Центральной и Восточной Европы после падения Берлинской стены, 1989–2009]'', Moscow: MediaArtLab, 2010, 137 pp. {{en}}/{{ru}}
+* ''[https://monoskop.org/log/?p=2493 Transitland: Video Art from Central and Eastern Europe After the Fall of the Berlin Wall, 1989–2009 / Видеоарт Центральной и Восточной Европы после падения Берлинской стены, 1989–2009]'', Moscow: MediaArtLab, 2010, 137 pp. {{en}}/{{ru}}
+* ''[https://wrocenter.pl/en/ukryta-dekada-publikacja/ Ukryta dekada. Polska sztuka wideo 1985-1995 / The Hidden Decade. Polish Video Art 1985-1995]'', eds. Piotr Krajewski and Violetta Kutlubasis-Krajewska, Wroclaw: WRO Art Center, 2010, 336 pp. With 4 DVDs. [[The Hidden Decade|Project]]. {{pl}}/{{en}}
 * ''[[Media:VideoStudio_Playback_2011.pdf|VideoStudio: Playback]]'', ed. Thomas J. Lax, New York: Studio Museum in Harlem, 2011, 17 pp. Exh. held on 31 Mar-26 Jun 2011. First exhibition in a series of programs dedicated to work made in the late 20th century that reflect the influence of dance and avant-garde theater as well as contemporaneous social concerns on early uses of video by artists. Emphasizing improvisation, collaboration and innovative uses of technology, the artists in the exhibition include Houston Conwill, Maren Hassinger, Fred Holland, Ishmael Houston-Jones, Ulysses Jenkins, Senga Nengudi and Howardena Pindell. {{en}}
@@ Line 503: / Line 588: @@
 * ''Videoarte a Palazzo dei Diamanti 1973-1979: reenactment'', Ferrara: Fondazione Ferrara arte, 2015, 119 pp. {{it}}
-* ''[[Media:Huldisch_Henriette_Before_Projection_Video_Sculpture_1974-1995_2018.pdf|Before Projection: Video Sculpture 1974-1995]]'', ed. Henriette Huldisch, Cambridge, MA: MIT List Visual Arts Center, and Munich: Hirmer Verlag, 2018, 143 pp. Texts by Henriette Huldisch, Emily Watlington, and Edith Decker-Phillips. Exh. held at [https://listart.mit.edu/exhibitions/projection-video-sculpture-1974-1995 MIT List Visual Arts Center], Cambridge, MA, 8 Feb-15 Apr 2018. {{en}}
+* ''Tehnologija narodu! Filmske i video prakse u Vojvodini / Technology to the People! Film and Video in Vojvodina'', eds. Gordana Nikolić and Aleksandar Davić, Novi Sad: Muzej savremene umetnosti Vojvodine, 2017, 119 pp. Exh. cat. [https://www.academia.edu/93920935/ Excerpt], [https://www.academia.edu/93920724/]. [https://msuv.org/en/tehnologija-narodu-film-i-video-u-vojvodini-technology-to-the-people-film-and-video-in-vojvodina/ Publisher]. {{sr}}/{{en}}
+* ''[[Media:Huldisch_Henriette_Before_Projection_Video_Sculpture_1974-1995_2018.pdf|Before Projection: Video Sculpture 1974-1995]]'', ed. Henriette Huldisch, Cambridge, MA: MIT List Visual Arts Center, and Munich: Hirmer, 2018, 143 pp. Texts by Henriette Huldisch, Emily Watlington, and Edith Decker-Phillips. [https://www.hirmerverlag.de/uk/titel-0-0/before_projection-1702/ Publisher]. Exh. held at [https://listart.mit.edu/exhibitions/projection-video-sculpture-1974-1995 MIT List Visual Arts Center], Cambridge, MA, 8 Feb-15 Apr 2018. {{en}}
 * ''Mémoires vives: From Nam June Paik to Sliders_Lab'', ed. Jean-Marie Dallet, Tielt: Lannoo, 2019, 256 pp. [https://www.lannoo.be/sites/default/files/books/issuu/9789401458535.pdf Excerpt]. [https://www.lannoo.be/nl/m%C3%A9moires-vives] {{en}},{{nl}},{{fr}}
@@ Line 510: / Line 597: @@
 ** ''[https://monoskop.org/log/?p=22021 Musas insumisas: Delphine Seyrig y los colectivos de vídeo feminista en Francia en los 70 y 80]'', Madrid: Museo Reina Sofía, 2019, 231 pp. {{es}}
-* [https://zacheta.art.pl/public/upload/mediateka/pdf/5e5e53839bb13.pdf#page=36 "Wideotaśmy. Wczesna sztuka wideo (1965–1976) / Videotapes: Early video art (1965-1976)"], ''Zachęta'', Warsaw: Zachęta – National Gallery of Art, Feb-Apr 2020, pp 36-43. Exh. held at [https://zacheta.art.pl/en/wystawy/wideotasmy Zachęta, Warsaw], 15 Feb-14 Jun 2020. Curated by Michał Jachuła. [https://wnetrza3d.pl/realizacje/zacheta/wideotasmy-wczesna-sztuka-wideo-1965-1976-3533/ 3D exhibition]. [https://zacheta.art.pl/en/mediateka-i-publikacje/wideotasmy-2 Video documentation]. Review: [https://blokmagazine.com/videotapes-early-video-art-1965-1976-at-zacheta-national-gallery-of-art/ Jachuła] (Blok). {{pl}}/{{en}}
+* ''Korean Video Art From 1970s to 1990s: Time Image Apparatus'', Seoul: National Museum of Modern and Contemporary Art, Korea (MMCA), 2019. [https://www.mmcaresearch.kr/ebook/ecatalog5.jsp?Dir=44 Excerpt], [https://www.academia.edu/45016085/]. [https://www.mmca.go.kr/eng/exhibitions/exhibitionsDetail.do?exhId=201911200001208 Exhibition]. Exh. reviews: [https://www.theartro.kr/eng/features/features_view.asp?idx=3026&b_code=10 Yi Won-Kon] (Art In Culture), [https://www.academia.edu/110699629/ Andy St. Louis] (ArtAsiaPacific).
+* [https://zacheta.art.pl/public/upload/mediateka/pdf/5e5e53839bb13.pdf#page=36 "Wideotaśmy. Wczesna sztuka wideo (1965–1976)" / "Videotapes: Early video art (1965-1976)"], ''Zachęta'', Warsaw: Zachęta – National Gallery of Art, Feb-Apr 2020, pp 36-43. Exh. held at [https://zacheta.art.pl/en/wystawy/wideotasmy Zachęta, Warsaw], 15 Feb-14 Jun 2020. Curated by Michał Jachuła. [https://wnetrza3d.pl/realizacje/zacheta/wideotasmy-wczesna-sztuka-wideo-1965-1976-3533/ 3D exhibition]. [https://zacheta.art.pl/en/mediateka-i-publikacje/wideotasmy-2 Video documentation]. Review: [https://blokmagazine.com/videotapes-early-video-art-1965-1976-at-zacheta-national-gallery-of-art/ Jachuła] (Blok). {{pl}}/{{en}}
 * ''Signals: How Video Transformed the World'', eds. Stuart Comer and Michelle Kuo, New York: Museum of Modern Art, 2023, 188 pp. With contributions by Aria Dean and Erika Balsom. [https://www.moma.org/calendar/exhibitions/5224 Exhibition]. [https://store.moma.org/en-cz/products/signals-how-video-transformed-the-world-paperback Publisher]. Exh. review: [https://www.artforum.com/print/202305/tina-rivers-ryan-on-signals-how-video-transformed-the-world-90436 Ryan] (Artforum). {{en}}
-* ''[[Media:Red White Yellow and Black 1972-73 2023.pdf|Red, White, Yellow, and Black: 1972–73]]'', New York: The Kitchen, 2023, [26] pp. In 1971, [[Cecilia Sandoval]], [[Mary Lucier]], [[Shigeko Kubota]], and [[Charlotte Warren]] formed the coalition Red, White, Yellow, and Black. The group staged three multimedia concerts at [[The Kitchen]] on 16 December 1972 and 20-21 April 1973, housed at the time in the Mercer Arts Center, The Kitchen’s first home. [https://thekitchen.org/on-view/red-white-yellow-and-black-1972-73/ Exhibition]. [https://gagosian.com/quarterly/2023/02/10/interview-red-white-yellow-and-black-1972-73/ Interview with curator] (Gagosian Quarterly). Reviews: [https://www.artforum.com/events/red-white-yellow-and-black-1972-73-251341/ Kaegan Sparks] (Artforum), [https://brooklynrail.org/2023/04/artseen/Red-White-Yellow-and-Black-197273/ Cassie Packard] (Brooklyn Rail).
+* ''[[Media:Red White Yellow and Black 1972-73 2023.pdf|Red, White, Yellow, and Black: 1972–73]]'', New York: The Kitchen, 2023, [26] pp. In 1971, [[Cecilia Sandoval]], [[Mary Lucier]], [[Shigeko Kubota]], and [[Charlotte Warren]] formed the coalition Red, White, Yellow, and Black. The group staged three multimedia concerts at [[The Kitchen]] on 16 December 1972 and 20-21 April 1973, housed at the time in the Mercer Arts Center, The Kitchen’s first home. [https://thekitchen.org/on-view/red-white-yellow-and-black-1972-73/ Exhibition]. [https://gagosian.com/quarterly/2023/02/10/interview-red-white-yellow-and-black-1972-73/ Interview with curator] (Gagosian Quarterly). Reviews: [https://www.artforum.com/events/red-white-yellow-and-black-1972-73-251341/ Kaegan Sparks] (Artforum), [https://brooklynrail.org/2023/04/artseen/Red-White-Yellow-and-Black-197273/ Cassie Packard] (Brooklyn Rail), [https://www.anothergaze.com/red-white-yellow-black-multiracial-feminist-video-collective-1972-73/ Emily Watlington] (Another Gaze). {{en}}
+* ''Radical Software: Women, Art & Computing 1960–1991'', ed. Michelle Cotton, Luxembourg: Mudam Luxembourg, Vienna: Kunsthalle Wien, and Cologne: Walther und Franz König, 2024, 224 pp. [https://kunsthallewien.at/en/exhibition/radical-software-women-art-computing-1960-1991 Exhibition]. [https://kunsthallewien.at/en/publication-radical-software/ Publisher]. {{en}}
+** ''Radical Software: Women, Art & Computing 1960–1991'', Luxembourg: Mudam Luxembourg, Vienna: Kunsthalle Wien, and Cologne: Walther und Franz König, 2024, 224 pp. {{de}}
 ===Books, journal issues, proceedings, theses===
@@ Line 548: / Line 640: @@
 * Jonathan Price, ''Video Visions: A Medium Discovers Itself'', New York: New American Library, 1977. Based on interviews with people involved in early video: broadcasters at WGBH and other PBS stations, numerous artists, a.o. Review: [https://muse.jhu.edu/article/599478/pdf Kaiser] (Leonardo).
-* ''The New Television: A Public/Private Art: Essays, Statements, and Videotapes: Based on "Open Circuits: An International Conference on the Future of Television" Organized by Fred Barzyk, Douglas Davis, Gerald O'Grady, and Willard Van Dyke for the Museum of Modern Art, New York City'', eds. Douglas Davis and Allison Simmons, MIT Press, 1977, 289 pp. [[Media:Davis_Simmons_eds_The_New_Television_A_Public_Private_Art_1977_excerpts.pdf|Excerpts]], [https://archive.org/details/ETC2790/ Herzogenrath's essay]. Based on conference held 23-25 Jan 1974, gathering some 40 video artists, filmmakers, curators, arts administrators, and critics among others to discuss the problems and prospects of artists' television and video. [http://www.eai.org/user_files/supporting_documents/schedule.pdf Conf. schedule]. Review: [http://muse.jhu.edu/article/599098/ Knight] (Leonardo). [https://features.eai.org/video-features/the-new-television-video-after-television-introduction-by-tyler-maxin-and-rebecca-cleman Expanded reprint] (2024). [http://www.eai.org/webpages/1244] [https://www.eai.org/webpages/1176]
+* ''The New Television: A Public/Private Art: Essays, Statements, and Videotapes: Based on "Open Circuits: An International Conference on the Future of Television" Organized by Fred Barzyk, Douglas Davis, Gerald O'Grady, and Willard Van Dyke for the Museum of Modern Art, New York City'', eds. Douglas Davis and Allison Simmons, MIT Press, 1977, 289 pp; repr. in ''The New Television: Video After Television'', eds. Rachel Churner, Rebecca Cleman, and Tyler Maxin, no place press, 2024.  [[Media:Davis_Simmons_eds_The_New_Television_A_Public_Private_Art_1977_excerpts.pdf|Excerpts]], [https://archive.org/details/ETC2790/ Herzogenrath's essay]. Based on conference held 23-25 Jan 1974, gathering some 40 video artists, filmmakers, curators, arts administrators, and critics among others to discuss the problems and prospects of artists' television and video. [http://www.eai.org/user_files/supporting_documents/schedule.pdf Conf. schedule]. Review: [http://muse.jhu.edu/article/599098/ Knight] (Leonardo). [https://features.eai.org/video-features/the-new-television-video-after-television-introduction-by-tyler-maxin-and-rebecca-cleman Expanded reprint] (2024). [https://www.noplacepress.com/products/test-book-with-multiple-pictures Publisher]. [http://www.eai.org/webpages/1244] [https://www.eai.org/webpages/1176]
 * Gregory Battcock (ed.), ''[[Media:Battcock Gregory ed New Artists Video A Critical Anthology 1978.pdf|New Artists' Video: A Critical Anthology]]'', New York: E.P. Dutton, 1978, xxii+198 pp, [https://archive.org/details/newartistsvideoc0000unse IA]. [http://vufind-devel.carli.illinois.edu/all/vf-hrt/Record/265229/TOC]. Some of the articles are reprints, but eleven of them were previously unpublished. Writers included Douglas Davis, Richard Kostelanetz, Richard Lorber, David Ross, Nam June Paik and Charlotte Moorman, Robert Stefanotty, Les Levine, Rosalind Kraus, Stuart Marshall, Ingrid Wiegand, a.o.
@@ Line 563: / Line 655: @@
 * Dominique Belloir, ''[[Media:Belloir Dominique Video art explorations 1981.pdf|Vidéo art explorations]]'', Paris: Cahiers du Cinema, 1981, 90 pp. {{fr}}
+* Dany Bloch, ''[[Media:Bloch Dany Art et video 1960-1980 82 1982.pdf|Art et vidéo, 1960-1980/82]]'', Locarno: Flaviana, 1982, 123 pp. {{fr}}
 * Bettina Gruber, Maria Vedder (eds.), ''Kunst und Video: Internationale Entwicklung und Künstler'', Cologne: DuMont, 1983, 264 pp. Incl. 7 essays on communications theory and video history, color plates (8 pp), statements, photographs, biographies, videographies, and bibliographies for 61 artists. Review: [http://sci-hub.se/10.1080/00043249.1985.10792307 Zippay] (Art J 1985). {{de}}
@@ Line 573: / Line 667: @@
 * [http://monoskop.org/log/?p=14445 ''Art Journal'' 45(3): "Video: The Reflexive Medium"], ed. Sara Hornbacher, Fall 1985, 93 pp.
-* Mihailo Ristić (ed.), ''Videosfera: video/društvo/umetnost'' [Videosphere: Video/Society/Art], Belgrade: Studentski izdavački centar, 1986. Anthology of theoretical texts about video, including contributions from video-makers. Review: [https://polja.rs/wp-content/uploads/2016/02/selection18-2.pdf Radić]. {{sc}}
 * John Hanhardt (ed.), ''[[Media:Hanhardt_John_ed_Video_Culture_A_Critical_Investigation.pdf|Video Culture: A Critical Investigation]]'', Layton, UT: Peregrine Smith Books, and Rochester, NY: Visual Studies Workshop Press, 1986, 296 pp. Introduction by Hanhardt, with chapters on “Theory and Practice,” “Video and Television,” and “Film and Video.” Essays by Walter Benjamin, Bertolt Brecht, Louis Althusser, Hans Mgnus Enzensberger, Jean Baudrillard, David Antin, David Ross, Stanley Cavell, Nam June Paik, Gene Youngblood, Jack Burnham, John Ellis, and Douglas Davis, as well as Rosalind Krauss’s essay "Video: The Aesthetics of Narcissism".
@@ Line 721: / Line 813: @@
 * Stan Douglas, Christopher Eamon (eds.), ''[https://aaaaarg.fail/thing/5546ab82334fe022df7de25d Art of Projection]'', Ostfildern: Hatje Cantz, 2009, 192 pp. [https://www.hatjecantz.de/art-of-projection-2278-1.html]
+* Aleksandra Sekulić (ed.), ''[[Media:Sekulic Aleksandra Videography of the Region 2009.pdf|Videografija regiona / Videography of the Region]]'', Belgrade: Dom kulture “Studentski grad”, 2009, 245 pp. [https://www.academia.edu/806814/] {{sr}}/{{en}}
+* Lorella Scacco, ''Northwave: A Survey of Video Art in Nordic Countries / Una ricognizione sulla videoarte dei Paesi Nordici'', Milan: Silvana, 2009, 256 pp. With DVD. [http://www.lorellascacco.it/2011/03/01/new-york-american-scandinavian-foundation-book-launch-northwave-a-survey-of-video-art-in-the-nordic-countries/ Author]. [https://videoartvideo.ecal.ch:9443/download/north%201.pdf Excerpt]. [https://en.silvanaeditoriale.it/libro/9788836614097 Publisher]. [https://www.scandinaviahouse.org/sh/lectures-literary/northwave-a-survey-of-video-art-in-the-nordic-countries-talk-by-lorella-scacco-with-performance-by-lilibeth-cuenca-rasmussen/] {{en}}/{{it}}
 * Edit András (ed.), ''[[Media:Andras_Edit_ed_Transitland_Video_Art_from_Central_and_Eastern_Europe_1989-2009.pdf|Transitland: Video Art from Central and Eastern Europe 1989–2009]]'', Budapest: Ludwig Museum--Museum of Contemporary Art, 2009, 319 pp. {{en}}
@@ Line 762: / Line 858: @@
 * Alessandro Amaducci, ''[https://books.openedition.org/edizionikaplan/838 Videoarte. Storia, autori, linguaggi]'', Torino: Kaplan, 2014, 212 pp, [https://iris.unito.it/retrieve/handle/2318/149457/25983/Alessandro%20Amaducci%20Videoarte.pdf PDF]. {{it}}
-* Kathy High, Sherry Miller Hocking, Mona Jimenez (eds.), ''[http://libgen.is/book/index.php?md5=D0BAA55B5457F463142BE2F5AB73CF9F The Emergence of Video Processing Tools]'', 2 vols., Intellect, 2014, [http://library.memoryoftheworld.org/#/book/094da87b-4069-40ca-bd60-169926288fcb EPUB]. Review: [http://leonardo.info/reviews/jun2015/high-pearlman.php Pearlman] (Leonardo).
+* Kathy High, Sherry Miller Hocking, Mona Jimenez (eds.), ''[http://libgen.is/book/index.php?md5=D0BAA55B5457F463142BE2F5AB73CF9F The Emergence of Video Processing Tools]'', 2 vols., Intellect, 2014, 638+21+16 pp, [http://library.memoryoftheworld.org/#/book/094da87b-4069-40ca-bd60-169926288fcb EPUB]. [https://www.intellectbooks.com/the-emergence-of-video-processing-tools Publisher]. Review: [https://sci-hub.st/10.1162/LEON_r_01171 Ellen Pearlman] (Leonardo), [https://cdm.link/how-video-signal-processing-emerged-as-real-time-art/ Peter Kirn] (cdm).
 * Helen Westgeest, ''[http://libgen.is/book/index.php?md5=5DEF2EFE9006688D224844DBA0333FEF Video Art Theory: A Comparative Approach]'', Wiley-Blackwell, 2015.
@@ Line 800: / Line 896: @@
 * Ryszard W. Kluszczyński, Tomasz Załuski (eds.), ''Wideo w sztukach wizualnych'', Łódź: Wydawnictwo UŁ, and Lubin: Galeria Labirynt, 2018. [https://ebookpoint.pl/pobierz-fragment/wideo-w-sztukach-wizualnych-ryszard-w-kluszczynski-tomasz-zaluski,e_11ce/pdf TOC, Introduction], [https://www.academia.edu/93885347/]. {{pl}}
-* Laura Leuzzi, Elaine Shemilt, Stephen Partridge (eds.), ''[https://pearl.plymouth.ac.uk/bitstream/handle/10026.1/16391/EWVA%204th%20full%20proofXX.pdf EWVA: European Women's Video Art in the 70s and 80s]'', John Libbey, 2019, 250 pp. [http://www.ewva.ac.uk/publications.html]
+* Laura Leuzzi, Elaine Shemilt, Stephen Partridge (eds.), ''[http://web.archive.org/web/20230803191629/https://pearl.plymouth.ac.uk/bitstream/handle/10026.1/16391/EWVA%204th%20full%20proofXX.pdf EWVA: European Women's Video Art in the 70s and 80s]'', John Libbey, 2019, 250 pp. [http://www.ewva.ac.uk/publications.html]
 * Sandra Lischi, ''[http://libgen.is/book/index.php?md5=2811F2C60F24458A4D3FD3DE6303C7BC La lezione della videoarte: sguardi e percorsi]'', Rome: Carocci, 2019, 115 pp. {{it}}
@@ Line 807: / Line 903: @@
 * Erika Balsom, Lucy Reynolds, Sarah Perks (eds.), ''Artists’ Moving Image in Britain Since 1989'', Yale University Press, 2019, 544 pp. [https://yalebooks.yale.edu/book/9781913107017/artists-moving-image-britain-1989 Publisher]. [https://www.paul-mellon-centre.ac.uk/whats-on/forthcoming/artists-moving-image-in-britain-since-1989]
+* [https://videoartvideo.ecal.ch:9443/download/Spampinato.ArteVideo.Italia80.Sciami6.pdf ''Sciami/ricerche'' 6: "Per una ricognizione della storia della video arte in Italia"], eds. Cosetta Saba and Lisa Parolo, Oct 2019. [https://webzine.sciami.com/per-una-ricognizione-della-storia-della-video-arte-in-italia/] {{it}}
 </div>
@@ Line 816: / Line 914: @@
 * Milo Adami, ''La forma video. Tra cinema e arti visive dopo il digitale'', Milan: Postmedia, 2020, 240 pp. [https://sciami.com/scm-content/uploads/sites/6/2020/05/Milo-Adami-Forma-Video-Postmediabook-2020-introduzione.pdfe_arti_visive.pdf Excerpt]. [http://www.postmediabooks.it/2020/261formavideo/9788874902613.htm Publisher]. {{it}}
-* Renate Buschmann, Jessica Nitsche (eds.), ''[http://libgen.is/book/index.php?md5=EC78E431D1310D1B84FBECBF83618594 Video Visionen. Die Medienkunstagentur 235 Media als Alternative im Kunstmarkt]'', Bielefeld: Transcript, 2020, 366 pp. [https://www.transcript-verlag.de/media/pdf/8d/76/02/ts4706_1ij7Kf55a9aJdR.pdf TOC, Introduction]. [https://www.transcript-verlag.de/978-3-8376-4706-8/video-visionen/ Publisher]. [https://235media.de/2020/05/video-visionen/?lang=de] {{de}}
+* Renate Buschmann, Jessica Nitsche (eds.), ''[https://libgen.is/book/index.php?md5=EC78E431D1310D1B84FBECBF83618594 Video Visionen. Die Medienkunstagentur 235 Media als Alternative im Kunstmarkt]'', Bielefeld: Transcript, 2020, 366 pp. [https://www.transcript-verlag.de/media/pdf/8d/76/02/ts4706_1ij7Kf55a9aJdR.pdf TOC, Introduction]. [https://www.transcript-verlag.de/978-3-8376-4706-8/video-visionen/ Publisher]. [https://235media.de/2020/05/video-visionen/?lang=de] {{de}}
+* [[Derek Holzer]], ''[https://aaltodoc.aalto.fi/items/05a7467b-ac5e-4ab7-bb1e-da0298ee9eef Vector Synthesis: a Media Archaeological Investigation into Sound-Modulated Light]'', Helsinki: Aalto University, 2020, 121 pp. MA thesis. [https://github.com/macumbista/vectorsynthesis Project website]. [https://macumbista.net/?page_id=5711 Author].
-* Francesco Spampinato, ''[http://libgen.is/book/index.php?md5=0A74DBFACEC12A3292639EB9912EB3E9 Art vs. TV: A Brief History of Contemporary Artists' Responses to Television]'', Bloomsbury, 2021, 368 pp. [https://www.bloomsbury.com/us/art-vs-tv-9781501370571/ Publisher]. Review: [https://doi.org/10.1111/1467-8365.12740 Day] (Art Hist).
+* Francesco Spampinato, ''[https://libgen.is/book/index.php?md5=0A74DBFACEC12A3292639EB9912EB3E9 Art vs. TV: A Brief History of Contemporary Artists' Responses to Television]'', Bloomsbury, 2021, 368 pp. [https://www.bloomsbury.com/us/art-vs-tv-9781501370571/ Publisher]. Review: [https://doi.org/10.1111/1467-8365.12740 Day] (Art Hist).
-* Barbara London, ''Video/Art: The First Fifty Years'', London: Phaidon, 2021, 280 pp. [https://www.phaidon.com/store/art/videoart-the-first-fifty-years-9780714877594/ Publisher].
+* [[Barbara London]], ''Video/Art: The First Fifty Years'', London: Phaidon, 2021, 280 pp. [https://www.phaidon.com/store/art/videoart-the-first-fifty-years-9780714877594/ Publisher].
-* Charlotte Klink, ''[http://libgen.is/book/index.php?md5=2077F3335F90CFC355ED78EAB302B1CA Electric Seeing: Positions in Contemporary Video Art]'', Bielefeld: transcript, Jul 2022, 350 pp. [https://www.transcript-publishing.com/978-3-8376-5700-5/electric-seeing/ Publisher]. Review: [https://neural.it/2024/05/charlotte-klink-electric-seeing-positions-in-contemporary-video-art/ Ludovico] (Neural).
+* Charlotte Klink, ''[https://libgen.is/book/index.php?md5=2077F3335F90CFC355ED78EAB302B1CA Electric Seeing: Positions in Contemporary Video Art]'', Bielefeld: transcript, Jul 2022, 350 pp. [https://www.transcript-publishing.com/978-3-8376-5700-5/electric-seeing/ Publisher]. Review: [https://neural.it/2024/05/charlotte-klink-electric-seeing-positions-in-contemporary-video-art/ Ludovico] (Neural).
-* Erika Balsom, Hila Peleg (eds.), ''Feminist Worldmaking and the Moving Image'', MIT Press, Sep 2022, 320 pp. [https://mitpress.mit.edu/books/feminist-worldmaking-and-moving-image Publisher]. [https://www.hkw.de/en/programm/projekte/2022/no_master_territories/start.php Exhibition].
+* Giuliana Bruno, ''[https://libgen.is/book/index.php?md5=E319966042E0269D0FAB6ED43EE5C2BE Atmospheres of Projection: Environmentality in Art and Screen Media]'', University of Chicago Press, Oct 2022, 360 pp. [https://press.uchicago.edu/ucp/books/book/chicago/A/bo128474496.html Publisher].
+* [[Erika Balsom]], Hila Peleg (eds.), ''Feminist Worldmaking and the Moving Image'', MIT Press, Sep 2022, 512 pp. Offers intersectional, intergenerational, and international perspectives on nonfiction film- and videomaking by and about women, examining practices that range from activist documentaries to avant-garde experiments; concentrating on the period between the 1970s and 1990s. [https://mitpress.mit.edu/books/feminist-worldmaking-and-moving-image Publisher]. Exhibition: [https://archiv.hkw.de/en/programm/projekte/2022/no_master_territories/start.php HKW Berlin], [https://archiwum.artmuseum.pl/en/wystawy/bez-mistrza-bez-pana MoMA Warsaw]. Exh. review: [https://www.academia.edu/103003903/ Mimi Michael Howard] (Art Monthly). Review: [https://doi.org/10.1525/fq.2023.76.4.108 Hoor Elshafei] (Film Quarterly). Editor's reflection: [https://newleftreview.org/issues/ii139/articles/erika-balsom-reflections-on-an-exhibition New Left Review].
 * Elena Shtromberg, Glenn Phillips (eds.), ''Encounters in Video Art in Latin America'', Los Angeles: Getty Research Institute, Feb 2023, 288 pp. [https://www.getty.edu/projects/video-art-latin-america/ Research project]. [https://shop.getty.edu/products/encounters-in-video-art-in-latin-america-978-1606067918 Publisher]. Review: [https://hcommons.org/deposits/item/hc:51763/ Le] (ARLIS/NA). [https://www.getty.edu/visit/cal/events/ev_3779.html]
-* Sylva Poláková, Martin Mazanec (eds.), ''Mapování pohyblivého obrazu. Média, aktéři a místa v českém prostředí'', Prague: Národní filmový archiv, 2023, 311 pp. [https://videoarchiv-nfa.cz/kniha/ Research project]. [https://www.eshop.nfa.cz/mapovani-pohybliveho-obrazu-media-akteri-a-mista-v-ceskem-prostredi Publisher]. {{cz}}
+* [[Sylva Poláková]], [[Martin Mazanec]] (eds.), ''Mapování pohyblivého obrazu. Média, aktéři a místa v českém prostředí'', Prague: Národní filmový archiv, 2023, 311 pp. [https://videoarchiv-nfa.cz/kniha/ Research project]. [https://www.eshop.nfa.cz/mapovani-pohybliveho-obrazu-media-akteri-a-mista-v-ceskem-prostredi Publisher]. {{cz}}
 ** ''Mapping the Moving Image: Media, Agents, and Sites in the Czech Context'', Prague: Národní filmový archiv, 2024. [https://videoarchiv-nfa.cz/en/book/ Research project].
 * ''Leonardo'' 57(6): "Histories, Legacies, and Futures of Image-Processing", eds. Helena Shaskevich and Adam Hart, Dec 2024. [https://direct.mit.edu/leon/issue/57/6]
+* Rachel Churner, Rebecca Cleman, Tyler Maxin (eds.), ''The New Television: Video After Television'', no place press, 2024, 520 pp. [https://www.noplacepress.com/products/test-book-with-multiple-pictures Publisher]. [https://mitpress.mit.edu/9781949484113/the-new-television/ Distributor].
+* ''Vitamin V: Video and the Moving Image in Contemporary Art'', intro. Erika Balsom, Phaidon, 2025, 288 pp. [https://www.phaidon.com/store/art/vitamin-v-video-and-the-moving-image-in-contemporary-art-9781838668730/ Publisher].
 </div>
@@ Line 903: / Line 1,009: @@
 * Anna Orrghen, [https://doi.org/10.1080/20004214.2020.1729539 "Art criticism and the newness of video art: the reception of video art in the Swedish daily press, 1985–1991"], ''Journal of Aesthetics & Culture'' 12:1, 2020.
+* Laura Leuzzi, [https://doi.org/10.11588/arthistoricum.1148.c16188 "“She became my teacher and mentor”: Uncovering the Legacy of Women Video Pioneers in Art Schools and Academies in Europe"], in ''Transmission and Gender: Women Artists as Teachers in the XXth Century'', eds. Déborah Laks and Natalia Sassu Suarez Ferri, Heidelberg: arthistoricum.net, 2023.
 ; Miscellaneous
@@ Line 915: / Line 1,023: @@
 [[Image:London_Barbara_1985_Video_A_Selected_Chronology_1963-1983.jpg|thumb|300px|Barbara London, "Video: A Selected Chronology, 1963-1983", 1985, [[Media:London_Barbara_1985_Video_A_Selected_Chronology_1963-1983.pdf|PDF]], in ''Art Journal'' 45(3): "Video: The Reflexive Medium", 1985, [http://monoskop.org/log/?p=14445 Log], [[Media:Art_Journal_45_3_Video_The_Reflexive_Medium.pdf|PDF]].]]
+* Wulf Herzogenrath, [https://videoartvideo.ecal.ch:9443/download/Herzogenrath_Projekt_74.pdf "Video. Chronologie für die USA und Europa"], in ''Project 74'', Bern: Kunsthalle Berne, 1974, pp 44-46. {{de}}
 * Barbara London with Lorraine Zippay, [[Media:London Barbara 1980 A Chronology of Video Activity in the United States 1965-1980.pdf|"A Chronology of Video Activity in the United States 1965-1980"]], ''Artforum'', Sep 1980, [https://www.artforum.com/print/198007/a-chronology-of-video-activity-in-the-united-states-1965-1980-37724 HTML].
@@ Line 923: / Line 1,033: @@
 * Barbara London, [[Media:London_Barbara 1985_Video_A_Selected_Chronology_1963-1983.pdf|"Video: A Selected Chronology, 1963-1983"]], ''Art Journal'' 45(3): "Video: The Reflexive Medium" (Autumn 1985), pp 249-262.
+* Davidson Gigliotti, [https://www.davidsonsfiles.org/Exhibitions.html Annotated list of video exhibitions, 1963-1975], The Early Video Project, 2000.
+* [[Central_and_Eastern_Europe_Bibliography#Video|Video in Central and Eastern Europe: Bibliography]], Monoskop.
 ===More===
@@ Line 931: / Line 1,045: @@
 ==See also==
-* [[Video activism]], [[Live video]]
+[[Video activism]], [[Central and Eastern Europe#Video|Video in Central and Eastern Europe]], [[Live video]], [[Experimental film]]
-* Video in [[Central_and_Eastern_Europe#Video|CEE]] ([[Central and Eastern Europe Bibliography#Video|bibliography]]), [[Hungary#Video_art|Hungary]], [[Poland#Video_art|Poland]], [[Czech_Republic#Video_art|Czech Republic]], [[Slovakia#Video_art_.281960s-80s.29|Slovakia]] [[Slovakia#Video_art_(1990s-2000s)|(2)]], [[Croatia#Video_art|Croatia]], [[Serbia#Video_art|Serbia]], [[Slovenia#Video_art|Slovenia]], [[Romania#Video_art|Romania]], [[Bulgaria#Video_art|Bulgaria]], [[Estonia#Video_art|Estonia]], [[Lithuania#Video_art|Lithuania]].
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