Difference between revisions of "Photography"

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[[Image:View_from_the_Window_at_Le_Gras,_Joseph_Nicéphore_Niépce.jpg|thumb|258px|''View from the Window at Le Gras'' is the oldest surviving camera photograph. It was created by [[Nicéphore Niépce]] in 1826 or 1827 at Saint-Loup-de-Varennes and shows parts of the buildings and surrounding countryside of his estate, Le Gras, seen from a high window, made using a camera obscura. It was the result of an eight-hour exposure.]]
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[[Image:View_from_the_Window_at_Le_Gras,_Joseph_Nicéphore_Niépce.jpg|thumb|258px|''View from the Window at Le Gras'' is the oldest surviving camera photograph. Created by [[Nicéphore Niépce]] in 1826 or 1827 at Saint-Loup-de-Varennes, it shows parts of the buildings and surrounding countryside of his estate, Le Gras, seen from a high window, made using a camera obscura. It was the result of an 8-hour exposure.]]
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[[Image:Cover_the_Pencil_of_Nature_1844.jpg|thumb|258px|cover of ''The Pencil of Nature'' by [[William Henry Fox Talbot]], the first photographic book, with 24 calotypes, London, 1844'',  [[Media:Talbot_H_Fox_The_Pencil_of_Nature.pdf|PDF]]]]
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[[Image:Cover_the_Pencil_of_Nature_1844.jpg|thumb|258px|Cover of ''The Pencil of Nature'' by [[William Henry Fox Talbot]], the first photographic book, with 24 calotypes, London, 1844,  [[Media:Talbot_H_Fox_The_Pencil_of_Nature.pdf|PDF]].]]
 
==Pages==
 
==Pages==
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category            = Photography
 
category            = Photography
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==Literature==
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==Selected literature==
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[[Image:Moholy-Nagy_L_Malerei_Fotografie_Film.jpg|thumb|258px|László Moholy-Nagy, ''Malerei, Fotografie, Film'', 1925/27. [http://monoskop.org/log/?p=8914 Log].]]
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[[Image:Kepes_Gyorgy_Language_of_Vision.jpg|thumb|258px|Gyorgy Kepes, ''Language of Vision: Painting, Photography, Advertising-Design'', 1944/1969, [http://monoskop.org/log/?p=11143 Log].]]
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(in English unless noted)
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* László Moholy-Nagy, ''[http://bibliothequekandinsky.centrepompidou.fr/imagesbk/RLPF727/M5050_X0031_LIV_RLPF0727.pdf Malerei, Fotografie, Film]'', Munich: Albert Langen, 1925, 115 pp; 2nd ed., 1927, 140 pp. Incl. [[Media:Moholy-Nagy_Laszlo_1927_Dynamik_der_Gross-Stadt.pdf|"Dynamik der Gross-Stadt"]], pp 116-129. {{de}}
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** ''[http://monoskop.org/log/?p=8914 Painting Photography Film]'', trans. Janet Seligman, London: Lund Humphries, 1969.
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* Gyorgy Kepes, ''[http://monoskop.org/log/?p=11143 Language of Vision: Painting, Photography, Advertising-Design]'', 1944; Chicago: Paul Theobald, 1969.
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* Beaumont Newhall, ''[http://monoskop.org/log/?p=11179 The History of Photography: From 1839 to the Present Day]'', New York: The Museum of Modern Art, 1949, 256 pp; 5th ed., 1982.
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** [http://monoskop.org/log/?p=11179 ''Historia de la fotografia''], trans. Homero Alsina Thevenet, 2002. {{es}}
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* Pierre Bourdieu, ''Un art moyen. Essais sur les usages sociaux de la photographie'', 1965. {{fr}}
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** ''[http://monoskop.org/log/?p=5901 Photography: A Middle-brow Art]'', trans. Shaun Whiteside, 1990.
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* Aleksander Maciesza, ''[http://monoskop.org/log/?p=7950 Historia fotografii polskiej w latach 1839–1889]'', Plock: Towarzystwo Naukowe Płockie, 1972, 83 pp. {{pl}}
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* Susan Sontag, ''[http://monoskop.org/log/?p=698 On Photography]'', New York: Farrar, Straus & Giroux, 1977, 207 pp; RosettaBooks, 2005.
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** [[Sontag#Sontag1977|translations]]
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* Roland Barthes, ''[http://monoskop.org/log/?p=6868 La chambre claire: note sur la photographie]'', Paris: Gallimard/Seuil, 1980, 194 pp. {{fr}}
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** ''[http://monoskop.org/log/?p=6868 Camera Lucida: Reflections on Photography]'', trans. Richard Howard, Farrar, Straus and Giroux, 1982, 119 pp.
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** [[Barthes#Barthes1980|other translations]]
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* Peter Galassi, ''Before Photography. Painting and the Invention of Photography'', New York: Museum of Modern Art, 1981.
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* Georges Didi-Huberman, ''[http://monoskop.org/log/?p=2998 Invention of Hysteria: Charcot and the Photographic Iconography of the Salpetriere]'' [1982], trans. Alisa Hartz, MIT Press, 2003, 373 pp.
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* Victor Burgin (ed.), ''[http://monoskop.org/log/?p=1045 Thinking Photography]'', 2nd ed., Macmillan, 1982.
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* Vilém Flusser, ''[http://monoskop.org/log/?p=77 Für eine Philosophie der Fotografie]'', European Photography, 1983, 58 pp; 1989; 1997; 2006. {{de}}
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** ''[[Media:Flusser_Vilem_Towards_a_Philosophy_of_Photography_1984.pdf|Towards A Philosophy of Photography]]'', ed. Derek Bennett, Göttingen: European Photography, 1984, 62 pp.
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** [[Flusser#Flusser1983|other translations]]
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* Vilém Flusser, ''Ins Universum der technischen Bilder'', Göttingen: European Photography, 1985; 1992; 1996. {{de}}
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** ''[http://monoskop.org/log/?p=2876 Into the Universe of Technical Images]'', trans. Nancy Ann Roth, University of Minnesota Press, 2011, 224 pp.
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** [[Flusser#Flusser1985|other translations]]
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* Heinz K. Henisch and Bridget A. Henisch, ''The Painted Photograph, 1839-1914: Origins, Techniques, Aspirations'', Pennsylvania State University, 1996.
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* Clément Chéroux, ''[http://monoskop.org/log/?p=8682 Fautographie. Petite histoire de l’erreur photographique]'', Crisnée: Yellow Now, 2003, 183 pp. {{fr}}
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* David Green, Joanna Lowry (eds.), ''[http://monoskop.org/log/?p=6354 Stillness and Time: Photography and the Moving Image]'', Photoworks / Photoforum, 2005, 183 pp.
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* [http://www.jeudepaume.org/pdf/Photographisme_GB.pdf Photo / Graphics], Paris: Jeu de Paume, 2008, 45 pp.
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* Louis Kaplan, ''[http://monoskop.org/log/?p=5673 The Strange Case of William Mumler, Spirit Photographer]'', University of Minnesota Press, 2008, 288 pp.
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* François Laruelle, ''[http://monoskop.org/log/?p=6835 Photo-Fiction, a Non-Standard Aesthetics]'', trans. Drew S. Burk, Minneapolis, MN: Univocal, 2012, 85 pp.
 
* [http://monoskop.org/log/?tag=photography Publications on photography at Monoskop Log]
 
* [http://monoskop.org/log/?tag=photography Publications on photography at Monoskop Log]
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* http://www.jeudepaume.org/pdf/Photographisme_GB.pdf
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* Peter Galassi, ''Before Photography. Painting and the Invention of Photography'', New York: Museum of Modern Art, 1981.
 
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* Heinz K. Henisch and Bridget A. Henisch, ''The painted photograph, 1839-1914: origins, techniques, aspirations'', The Pennsylvania State University, 1996.
 
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* Charlotte Cotton, ''The Photograph as Contemporary Art'', London: Thames and Hudson, 2004.
 
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* Mary Warner Marien, ''Photography: A Cultural History'', London: Laurence King, 2006.
 
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* Lynne Warren (ed.), ''Encyclopedia of Twentieth-Century Photography'', 3 vols., New York & London: Routledge, 2006.
 
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* John Hannavy (ed.), ''Encyclopedia of Nineteenth-Century Photography'', 2 vols., New York & London: Routledge, 2008.
 
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* David Bate, ''Photography: The Key Concepts'', London: Berg, 2009.
 
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* Stephen Bull, ''Photography'', New York & London: Routledge, 2010.
 
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* Liz Wells (ed.), ''Photography: A Critical Introduction'', 4th edition, London: Routledge, 2010; 5th edition, 2015.
 
  
 
{{Artists cultures}}
 
{{Artists cultures}}

Revision as of 11:06, 23 February 2015

View from the Window at Le Gras is the oldest surviving camera photograph. Created by Nicéphore Niépce in 1826 or 1827 at Saint-Loup-de-Varennes, it shows parts of the buildings and surrounding countryside of his estate, Le Gras, seen from a high window, made using a camera obscura. It was the result of an 8-hour exposure.
Cover of The Pencil of Nature by William Henry Fox Talbot, the first photographic book, with 24 calotypes, London, 1844, PDF.

Pages

Selected literature

László Moholy-Nagy, Malerei, Fotografie, Film, 1925/27. Log.
Gyorgy Kepes, Language of Vision: Painting, Photography, Advertising-Design, 1944/1969, Log.

(in English unless noted)


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