Difference between revisions of "Photography"

From Monoskop
Jump to navigation Jump to search
Line 13: Line 13:
 
</div>
 
</div>
  
−
==Selected writings==
+
==Selected publications==
−
[[Image:Moma_1937.jpg|thumb|258px|Cover of Beaumont Newhall, ''Photography 1839–1937'', New York: The Museum of Modern Art, 1937.]]
+
[[Image:Moma_1937.jpg|thumb|258px|Beaumont Newhall, ''Photography 1839–1937'', 1937.]]
−
[[Image:Moholy-Nagy_L_Malerei_Fotografie_Film.jpg|thumb|258px|László Moholy-Nagy, ''Malerei, Fotografie, Film'', 1925/27. [http://monoskop.org/log/?p=8914 Log].]]
+
[[Image:Moholy-Nagy_L_Malerei_Fotografie_Film.jpg|thumb|258px|László Moholy-Nagy, ''Malerei, Fotografie, Film'', 1925/27, [http://monoskop.org/log/?p=8914 Log].]]
−
[[Image:Kepes_Gyorgy_Language_of_Vision.jpg|thumb|258px|Gyorgy Kepes, ''Language of Vision: Painting, Photography, Advertising-Design'', 1944/1969, [http://monoskop.org/log/?p=11143 Log].]]
+
[[Image:Roh_Franz_Tschichold_Jan_Foto-Auge_1929.jpg|thumb|258px|Franz Roh, Jan Tschichold, ''Foto-Auge'', 1929.]]
−
; Chronophotography
+
[[Image:Graeff_Werner_Es_kommt_der_neue_Fotograf_1929.jpg|thumb|258px|Werner Gräff, ''Es kommt der neue Fotograf!'', 1929.]]
 +
[[Image:Moholy-Nagy_Laszlo_Von_Material_zu_Architektur.jpg|thumb|258px|László Moholy-Nagy, ''Von Material zu Architektur'', 1929, [http://monoskop.org/log/?p=8788 Log].]]
 +
[[Image:Kepes_Gyorgy_Language_of_Vision.jpg|thumb|258px|Gyorgy Kepes, ''Language of Vision: Painting, Photography, Advertising-Design'', 1944/69, [http://monoskop.org/log/?p=11143 Log].]]
 +
===Chronophotography===
 
* Eadweard Muybridge, ''[http://www.muybridge.org Animal Locomotion]'', 11 vols., Philadelphia: University of Pennsylvania, 1887, 781 plates. {{en}}
 
* Eadweard Muybridge, ''[http://www.muybridge.org Animal Locomotion]'', 11 vols., Philadelphia: University of Pennsylvania, 1887, 781 plates. {{en}}
  
−
; Avant-garde
+
===Avant-garde, Modernism===
 
* László Moholy-Nagy, ''[http://bibliothequekandinsky.centrepompidou.fr/imagesbk/RLPF727/M5050_X0031_LIV_RLPF0727.pdf Malerei, Fotografie, Film]'', Munich: Albert Langen, 1925, 115 pp; 2nd ed., 1927, 140 pp. Incl. [[Media:Moholy-Nagy_Laszlo_1927_Dynamik_der_Gross-Stadt.pdf|"Dynamik der Gross-Stadt"]], pp 116-129. {{de}}
 
* László Moholy-Nagy, ''[http://bibliothequekandinsky.centrepompidou.fr/imagesbk/RLPF727/M5050_X0031_LIV_RLPF0727.pdf Malerei, Fotografie, Film]'', Munich: Albert Langen, 1925, 115 pp; 2nd ed., 1927, 140 pp. Incl. [[Media:Moholy-Nagy_Laszlo_1927_Dynamik_der_Gross-Stadt.pdf|"Dynamik der Gross-Stadt"]], pp 116-129. {{de}}
−
** ''[http://monoskop.org/log/?p=8914 Painting Photography Film]'', trans. Janet Seligman, London: Lund Humphries, 1969. {{en}}
+
** ''[http://monoskop.org/log/?p=8914 Painting Photography Film]'', trans. Janet Seligman, London: Lund Humphries, 1969. {{en}}
 
** [[Moholy-Nagy#Moholy1925|more translations]]
 
** [[Moholy-Nagy#Moholy1925|more translations]]
 +
* Franz Roh, Jan Tschichold, ''Foto-Auge: 76 Fotos der Zeit / Oeil et Photo: 76 photographies de notre temps / Photo-Eye: 76 Photos of the Period'', Stuttgart: Wedekind, 1929, 18+[76] pp. [http://www.moma.org/interactives/objectphoto/publications/767.html] [http://www.moma.org/interactives/objectphoto/assets/essays/GraeveIngelmann.pdf] {{de}}/{{fr}}/{{en}}
 +
* Werner Gräff, ''Es kommt der neue Fotograf!'', Berlin: H. Reckendorf, 1929. [http://www.moma.org/interactives/objectphoto/publications/769.html] {{de}}
 +
* László Moholy-Nagy, ''[http://monoskop.org/log/?p=8788 Von Material zur Architektur]'', Munich: Albert Langen, Bauhausbücher 14, 1929, 241 pp; facsimile repr., Mainz and Berlin: Florian Kupferberg, 1968, 251 pp.  {{de}}
 +
** ''The New Vision: From Material to Architecture'', trans. Daphne M. Hoffman, New York: Breuer Warren and Putnam, 1930; exp.rev.ed. as ''[http://monoskop.org/log/?p=8788 The New Vision and Abstract of an Artist]'', New York: George Wittenborn, 1947, 92 pp. {{en}}
 +
** [[Moholy-Nagy#Moholy1929|more translations]]
 
* Gyorgy Kepes, ''[http://monoskop.org/log/?p=11143 Language of Vision: Painting, Photography, Advertising-Design]'', intro. Siegfried Giedion and Samuel Ichiye Hayakawa, Chicago: Paul Theobald, 1944; rev.ed., Chicago: Paul Theobald, 1964. {{en}}
 
* Gyorgy Kepes, ''[http://monoskop.org/log/?p=11143 Language of Vision: Painting, Photography, Advertising-Design]'', intro. Siegfried Giedion and Samuel Ichiye Hayakawa, Chicago: Paul Theobald, 1944; rev.ed., Chicago: Paul Theobald, 1964. {{en}}
 
** [[Kepes#Kepes1944|translations]]
 
** [[Kepes#Kepes1944|translations]]
  
−
; Historisation
+
===Historisation===
 
* Beaumont Newhall, ''[http://monoskop.org/log/?p=11179 The History of Photography: From 1839 to the Present Day]'', New York: The Museum of Modern Art, 1949, 256 pp; 5th ed., 1982. {{en}}
 
* Beaumont Newhall, ''[http://monoskop.org/log/?p=11179 The History of Photography: From 1839 to the Present Day]'', New York: The Museum of Modern Art, 1949, 256 pp; 5th ed., 1982. {{en}}
 
** [http://monoskop.org/log/?p=11179 ''Historia de la fotografia''], trans. Homero Alsina Thevenet, 2002. {{es}}
 
** [http://monoskop.org/log/?p=11179 ''Historia de la fotografia''], trans. Homero Alsina Thevenet, 2002. {{es}}
Line 39: Line 47:
 
* Clément Chéroux, ''[http://monoskop.org/log/?p=8682 Fautographie. Petite histoire de l'erreur photographique]'', Crisnée: Yellow Now, 2003, 183 pp. {{fr}}
 
* Clément Chéroux, ''[http://monoskop.org/log/?p=8682 Fautographie. Petite histoire de l'erreur photographique]'', Crisnée: Yellow Now, 2003, 183 pp. {{fr}}
 
* P.C. Bunnell, ''Inside the Photograph: Writings on Twentieth-Century Photography'', Aperture, 2006. [http://artandarchaeology.princeton.edu/research/faculty-bookshelf/inside-the-photograph] {{en}}
 
* P.C. Bunnell, ''Inside the Photograph: Writings on Twentieth-Century Photography'', Aperture, 2006. [http://artandarchaeology.princeton.edu/research/faculty-bookshelf/inside-the-photograph] {{en}}
 +
* Matthew S. Witkovsky, ''Foto: Modernity in Central Europe, 1918-1945'', intro. Peter Demetz, Washington, DC: National Gallery of Art, and London: Thames & Hudson, 2007, xxix+278 pp.
 
* Kaja Silverman, ''The Miracle of Analogy or The History of Photography'', Part 1, Stanford University Press, 2015, [http://gen.lib.rus.ec/book/index.php?md5=F2CBBFFF277FF8B4F0429F42D4515FD8 EPUB]. [http://kaja-silverman.squarespace.com/publications-archive/] {{en}}
 
* Kaja Silverman, ''The Miracle of Analogy or The History of Photography'', Part 1, Stanford University Press, 2015, [http://gen.lib.rus.ec/book/index.php?md5=F2CBBFFF277FF8B4F0429F42D4515FD8 EPUB]. [http://kaja-silverman.squarespace.com/publications-archive/] {{en}}
  
−
; Theory and philosophy
+
===Theory and philosophy===
 
[[Image:Barthes_Roland_La_chambre_claire.jpg|thumb|258px|''La chambre claire: note sur la photographie'', 1980, [[Media:Barthes_Roland_La_chambre_claire_Note_sur_la_photographie.pdf|PDF]], [http://monoskop.org/log/?p=6868 Log].]]
 
[[Image:Barthes_Roland_La_chambre_claire.jpg|thumb|258px|''La chambre claire: note sur la photographie'', 1980, [[Media:Barthes_Roland_La_chambre_claire_Note_sur_la_photographie.pdf|PDF]], [http://monoskop.org/log/?p=6868 Log].]]
 
* Pierre Bourdieu, ''Un art moyen. Essais sur les usages sociaux de la photographie'', 1965. {{fr}}
 
* Pierre Bourdieu, ''Un art moyen. Essais sur les usages sociaux de la photographie'', 1965. {{fr}}
Line 64: Line 73:
 
* Lisa Saltzman, ''Daguerreotypes: Fugitive Subjects, Contemporary Objects'', Chicago: University of Chicago Press, 2015, [http://libgen.io/book/index.php?md5=17905da4d80dbd58d187109a4f8285ce PDF]. {{en}}
 
* Lisa Saltzman, ''Daguerreotypes: Fugitive Subjects, Contemporary Objects'', Chicago: University of Chicago Press, 2015, [http://libgen.io/book/index.php?md5=17905da4d80dbd58d187109a4f8285ce PDF]. {{en}}
  
−
; Other
+
===Other===
 
* John Szarkowski, ''The Photographer's Eye'', New Yor: MoMA, 1966. {{en}}
 
* John Szarkowski, ''The Photographer's Eye'', New Yor: MoMA, 1966. {{en}}
 
* Georges Didi-Huberman, ''[http://monoskop.org/log/?p=2998 Invention of Hysteria: Charcot and the Photographic Iconography of the Salpetriere]'' [1982], trans. Alisa Hartz, MIT Press, 2003, 373 pp. {{en}}
 
* Georges Didi-Huberman, ''[http://monoskop.org/log/?p=2998 Invention of Hysteria: Charcot and the Photographic Iconography of the Salpetriere]'' [1982], trans. Alisa Hartz, MIT Press, 2003, 373 pp. {{en}}
Line 76: Line 85:
 
* Kelley Wilder, [http://www.oxfordbibliographies.com/view/document/obo-9780199920105/obo-9780199920105-0041.xml "History of Photography"], ''Oxford Bibliographies'', 2014. {{en}}
 
* Kelley Wilder, [http://www.oxfordbibliographies.com/view/document/obo-9780199920105/obo-9780199920105-0041.xml "History of Photography"], ''Oxford Bibliographies'', 2014. {{en}}
  
−
==Resources==
+
==Exhibitions online==
 +
* [http://www.nga.gov/exhibitions/2007/foto/ Foto: Modernity in Central Europe, 1918-1945], NGA, 2007.
 
* [http://www.moma.org/interactives/objectphoto/#home Object:Photo], MoMA's 1920s-30s photography collection, 2014.
 
* [http://www.moma.org/interactives/objectphoto/#home Object:Photo], MoMA's 1920s-30s photography collection, 2014.
  
  
 
{{Artists cultures}}
 
{{Artists cultures}}

Revision as of 09:01, 3 April 2016

View from the Window at Le Gras is the oldest surviving camera photograph. Created by Nicéphore Niépce in 1826 or 1827 at Saint-Loup-de-Varennes, it shows parts of the buildings and surrounding countryside of his estate, Le Gras, seen from a high window, made using a camera obscura. It was the result of an 8-hour exposure.
William Henry Fox Talbot, The Pencil of Nature, 1844, PDF. First photographic book, with 24 calotypes.
Eadweard Muybridge, Animal Locomotion, 11 vols., 1887, JPGs.
An inverted photograph from F. W. Dyson, A. S. Eddington, and C. Davidson, "A Determination of the Deflection of Light by the Sun's Gravitational Field, from Observations Made at the Total Eclipse of May 29, 1919", Phil. Trans. of the Royal Society of London (1920), p 332.
Portrait of Nahui Olin by Edward Weston, 1924.

Pages

Selected publications

Beaumont Newhall, Photography 1839–1937, 1937.
László Moholy-Nagy, Malerei, Fotografie, Film, 1925/27, Log.
Franz Roh, Jan Tschichold, Foto-Auge, 1929.
Werner Gräff, Es kommt der neue Fotograf!, 1929.
László Moholy-Nagy, Von Material zu Architektur, 1929, Log.
Gyorgy Kepes, Language of Vision: Painting, Photography, Advertising-Design, 1944/69, Log.

Chronophotography

  • Eadweard Muybridge, Animal Locomotion, 11 vols., Philadelphia: University of Pennsylvania, 1887, 781 plates. (English)

Avant-garde, Modernism

Historisation

  • Beaumont Newhall, The History of Photography: From 1839 to the Present Day, New York: The Museum of Modern Art, 1949, 256 pp; 5th ed., 1982. (English)
  • Helmut Gernsheim with Alison Gernsheim, The History of Photography From the Earliest Use of the Camera Obscura in the Eleventh Century up to 1914, Oxford University Press, 1955; rev.ed., Thames & Hudson, 1969. (English)
  • Aleksander Maciesza, Historia fotografii polskiej w latach 1839–1889, Plock: Towarzystwo Naukowe Płockie, 1972, 83 pp. (Polish)
  • Aaron Scharf, Pioneers of Photography: An Album of Pictures and Words, New York: Harry N. Abrams, 1976, PDF. (English)
  • Peter Galassi, Before Photography: Painting and the Invention of Photography, New York: Museum of Modern Art, 1981, PDF. (English)
  • Naomi Rosenblum, A World History of Photography, New York: Abbeville, 1984; rev.ed., 1989; 3rd edition, 1997, PDF. (English)
  • John Pultz, The Body and the Lens: Photography 1839 to the Present, New York: Harry N. Abrams, 1995, PDF. (English)
  • Heinz K. Henisch, Bridget A. Henisch, The Painted Photograph, 1839-1914: Origins, Techniques, Aspirations, Pennsylvania State University, 1996. (English)
  • Clément Chéroux, Fautographie. Petite histoire de l'erreur photographique, Crisnée: Yellow Now, 2003, 183 pp. (French)
  • P.C. Bunnell, Inside the Photograph: Writings on Twentieth-Century Photography, Aperture, 2006. [4] (English)
  • Matthew S. Witkovsky, Foto: Modernity in Central Europe, 1918-1945, intro. Peter Demetz, Washington, DC: National Gallery of Art, and London: Thames & Hudson, 2007, xxix+278 pp.
  • Kaja Silverman, The Miracle of Analogy or The History of Photography, Part 1, Stanford University Press, 2015, EPUB. [5] (English)

Theory and philosophy

La chambre claire: note sur la photographie, 1980, PDF, Log.

Other

Bibliographies

Exhibitions online


Retrieved from "https://monoskop.org/index.php?title=Photography&oldid=68484"