Difference between revisions of "Video art"

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==Artists, collectives, events==
 
==Artists, collectives, events==
 
''Only those with pages on Monoskop wiki are listed.''
 
''Only those with pages on Monoskop wiki are listed.''
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category            = Video
 
category            = Video
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==Artists (cont.)==
 
==Artists (cont.)==
[[Peggy Ahwesh]], [[Francis Alÿs]], [[Atlas Group]], [[Yael Bartana]], [[Guy Ben Ner]], [[Sadie Benning]], [[Dara Birnbaum]], [[Colin Campbell]], [[Peter Campus]], [[Aleesa Cohene]], [[Phil Collins]], [[Omer Fast]], [[Fischli & Weiss]], [[General Idea]], [[Douglas Gordon]], [[Dan Graham]], [[Halflifers]], [[Mike Kelley]], [[Michael Klier]], [[Sharon Lockhart]], [[Deirdre Logue]], [[Paul McCarthy]], [[Karen Mirza]] & [[Brad Butler]], [[Muntadas]], [[Annabel Nicholson]], [[Dennis Oppenheim]], [[Charlemagne Palestine]], [[Lis Rhodes]], [[Christoph Schlingensief]], [[John Smith]], [[Lisa Steele]], [[Surveillance Camera Players]], [[Sam Taylor-Wood]], [[Ryan Trecartin]], [[Hannah Wilke]], [[Artur Żmijewski]].
+
[[Peggy Ahwesh]], [[Francis Alÿs]], [[Atlas Group]], [[Yael Bartana]], [[Guy Ben Ner]], [[Sadie Benning]], [[Dara Birnbaum]], [[Colin Campbell]], [[Peter Campus]], [[Aleesa Cohene]], [[Phil Collins]], [[Omer Fast]], [[Fischli & Weiss]], [[Douglas Gordon]], [[Dan Graham]], [[Halflifers]], [[Mike Kelley]], [[Michael Klier]], [[Sharon Lockhart]], [[Deirdre Logue]], [[Paul McCarthy]], [[Karen Mirza]] & [[Brad Butler]], [[Muntadas]], [[Annabel Nicholson]], [[Dennis Oppenheim]], [[Charlemagne Palestine]], [[Lis Rhodes]], [[Christoph Schlingensief]], [[John Smith]], [[Lisa Steele]], [[Surveillance Camera Players]], [[Sam Taylor-Wood]], [[Ryan Trecartin]], [[Hannah Wilke]], [[Artur Żmijewski]], [[Isabel Pérez del Pulgar]], [[Nestor Rodríguez]], [[Lisi Prada]], [[Luis Carlos Rodríguez]], [[Mikel Otxoteko]]
  
 
==Works==
 
==Works==
 
; Online platforms for video art
 
; Online platforms for video art
* [http://www.ubu.com/film/  UbuWeb: Film & Video], an online archive of the avant-garde. Edited by Kenneth Goldsmith.
+
* [http://www.ubu.com/film/  UbuWeb: Film & Video], an online archive of the avant-garde. Edited by [[Kenneth Goldsmith]].
* [http://mediakunst.net Mediakunst.net], an online catalogue bringing together the media art collections of Frans Hals Museum, Stedelijk Museum Amsterdam, Van Abbemuseum, the Cultural Heritage Agency of the Netherlands (RCE) and LIMA. Launched 2018, operated by [[LIMA]].
+
* [http://mediakunst.net Mediakunst.net], an online catalogue bringing together the media art collections of Frans Hals Museum, Stedelijk Museum Amsterdam, Van Abbemuseum, the Cultural Heritage Agency of the Netherlands (RCE) and LIMA. Launched 2018, operated by [[LIMA]]. Contact: [[Gaby Wijers]].
 +
* [http://www.videokunstarkivet.org/ Videokunstarkivet] (The Video Art Archive, Norway) is a reference archive for video works produced in Norway or with a connection to Norway from the 1960s and up to today. The online platform records 2500+ registered works of more than 500 artists and artist groups, of which  800 is available for online viewing (after free registration). Contact: [[Per Platou]].
 
* [https://www.d-est.com D'Est: A Multi-Curatorial Online Platform for Video Art from the former “East” and “West”], Apr 2018-Dec 2020. Curated by Xandra Popescu, Kathrin Becker, Jana Seehusen, Creative Association of Curators TOK (Anna Bitkina & Maria Veits), Inga Lāce, Miona Bogović, Suza Husse, Suzana Milevska, Eva Birkenstock, Ulrike Gerhardt, Naomi Hennig, Nataša Ilić, Jelena Vesić, Katja Kobolt, and Bettina Knaup.
 
* [https://www.d-est.com D'Est: A Multi-Curatorial Online Platform for Video Art from the former “East” and “West”], Apr 2018-Dec 2020. Curated by Xandra Popescu, Kathrin Becker, Jana Seehusen, Creative Association of Curators TOK (Anna Bitkina & Maria Veits), Inga Lāce, Miona Bogović, Suza Husse, Suzana Milevska, Eva Birkenstock, Ulrike Gerhardt, Naomi Hennig, Nataša Ilić, Jelena Vesić, Katja Kobolt, and Bettina Knaup.
  
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* [http://www.eai.org/artistsMain.htm Electronic Arts Intermix] (EAI), New York, est 1971.
 
* [http://www.eai.org/artistsMain.htm Electronic Arts Intermix] (EAI), New York, est 1971.
 
* [http://www.experimentaltvcenter.org/artists Experimental Television Center] (ETC), Owego/NY, est 1971.
 
* [http://www.experimentaltvcenter.org/artists Experimental Television Center] (ETC), Owego/NY, est 1971.
 +
* [https://www.nbk.org/en/video-forum/allgemein.html n.b.k. Video-Forum], Berlin, est 1971
 
* [http://films.arsenal-berlin.de/index.php/Browse/clearCriteria/lang/en_US Arsenal – Institute for Film and Video Art], Berlin, est c1971.
 
* [http://films.arsenal-berlin.de/index.php/Browse/clearCriteria/lang/en_US Arsenal – Institute for Film and Video Art], Berlin, est c1971.
* [http://www.cjcinema.org/pages/catalogue_auteurs.php Collectif Jeune Cinéma], Arcueil/FR, est 1971.
+
* [http://www.cjcinema.org/pages/catalogue_auteurs.php?langue=en Collectif Jeune Cinéma], Arcueil/FR, est 1971.
 
* [http://www.exquise.org/recherche_avancee.php?l=uk Heure Exquise! Centre international pour les arts vidéo], Mons en Baroeul/FR, est 1975.
 
* [http://www.exquise.org/recherche_avancee.php?l=uk Heure Exquise! Centre international pour les arts vidéo], Mons en Baroeul/FR, est 1975.
 
* [http://www.vdb.org/collection/browser-artist-list Video Data Bank] (VDB), Chicago, est 1976.
 
* [http://www.vdb.org/collection/browser-artist-list Video Data Bank] (VDB), Chicago, est 1976.
 
* [http://www.imageforum.co.jp/daguerreo/index.html Image Forum], Tokyo, est 1977.
 
* [http://www.imageforum.co.jp/daguerreo/index.html Image Forum], Tokyo, est 1977.
 
* [http://www.hallwalls.org/archive.php#video Hallwalls video collection], Buffalo/NY, since 1977.
 
* [http://www.hallwalls.org/archive.php#video Hallwalls video collection], Buffalo/NY, since 1977.
 +
* [http://web.archive.org/web/19970116032749/http://www.montevideo.nl/distributie.html Montevideo], Amsterdam, est. 1978; from 1993 [[NIMk]]; since 2013 [https://li-ma.nl/lima/catalogue LIMA].
 +
* [https://bildwechsel.org/info/en/video_collection.html Bildwechsel Video collection], Hamburg, est 1979
 
* [http://www.vtape.org/artist-index Vtape], Toronto, est 1980.
 
* [http://www.vtape.org/artist-index Vtape], Toronto, est 1980.
 
* [https://www.mediamatic.net/en/page/196980/japan-video SCAN], Tokyo, est 1980.
 
* [https://www.mediamatic.net/en/page/196980/japan-video SCAN], Tokyo, est 1980.
 
* [http://www.videoout.ca/catalog Video Out Distribution], Vancouver, est 1980.
 
* [http://www.videoout.ca/catalog Video Out Distribution], Vancouver, est 1980.
 
* [https://lightcone.org/en/filmmakers-in-distribution Light Cone], Paris, est 1982.
 
* [https://lightcone.org/en/filmmakers-in-distribution Light Cone], Paris, est 1982.
* [https://235media.de/ueber-uns/fakten/?lang=en 235 Media], Cologne, est 1982.
+
* [https://235media.de/ueber-uns/fakten/?lang=en 235 Media], Cologne, est 1982. Archive transferred to imai in 2006.
 
* [http://www.videopool.org/catalogue/artists/ Video Pool Media Arts Centre], Winnipeg, est 1983.
 
* [http://www.videopool.org/catalogue/artists/ Video Pool Media Arts Centre], Winnipeg, est 1983.
 
* [http://www.av-arkki.fi/en/artists-and-works/ AV-arkki. Distribution Centre for Finnish Media Art], Helsinki, est 1989.
 
* [http://www.av-arkki.fi/en/artists-and-works/ AV-arkki. Distribution Centre for Finnish Media Art], Helsinki, est 1989.
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* [http://re-voir.com/shop/en/content/8-catalog Re:Voir], Paris, est 1994.
 
* [http://re-voir.com/shop/en/content/8-catalog Re:Voir], Paris, est 1994.
 
* [http://www.fondation-langlois.org/html/e/page.php?NumPage=147 Daniel Langlois Foundation], Montréal, est 1997.
 
* [http://www.fondation-langlois.org/html/e/page.php?NumPage=147 Daniel Langlois Foundation], Montréal, est 1997.
 +
* [http://www.videoarchiv-ludwigforum.de Ludwig Forum für internationale Kunst Video Archive], Aachen, est 1991. [http://ludwigforum.de/museum/forschung/videoarchiv/]
 
* [http://www.lux.org.uk/ LUX artists' moving image], London, est 2002.
 
* [http://www.lux.org.uk/ LUX artists' moving image], London, est 2002.
 
* [http://www.centerforvisualmusic.org/CVMDistribution.htm Center for Visual Music], Los Angeles, est 2003. Dir. Cindy Keefer.
 
* [http://www.centerforvisualmusic.org/CVMDistribution.htm Center for Visual Music], Los Angeles, est 2003. Dir. Cindy Keefer.
 
* [http://www.hamacaonline.net/autores.php Hamaca], Barcelona, est 2005.
 
* [http://www.hamacaonline.net/autores.php Hamaca], Barcelona, est 2005.
* [http://www.stiftung-imai.de/b_katalog imai – inter media art institute], Düsseldorf, est 2006.
+
* [https://www.stiftung-imai.de/videos/online-archiv imai – inter media art institute], Düsseldorf, est 2006 (archive transferred from 235 Media).
 
* [http://www.videoartchive.org.au Australian Video Art Archive] (AVAA), est 2006.
 
* [http://www.videoartchive.org.au Australian Video Art Archive] (AVAA), est 2006.
* [http://li-ma.nl/site/catalogue/agent/index LIMA], Amsterdam, est 2013. Formerly NIMk. Dir. [[Gaby Wijers]].
 
 
* [http://www.dinamo-distributors.org/ Dinamo] distribution network of artists' moving image organizations.
 
* [http://www.dinamo-distributors.org/ Dinamo] distribution network of artists' moving image organizations.
 
[http://www.experimentaltvcenter.org/collection-distribution-links more]
 
[http://www.experimentaltvcenter.org/collection-distribution-links more]
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* ''[[Radical Software]]'', 11 issues, eds. Beryl Korot, Phyllis Gershuny, and Ira Schneider, New York: Raindance, 1970-74, [http://monoskop.org/log/?p=269 Log], [http://www.radicalsoftware.org/e/browse.html PDFs]. {{en}}
 
* ''[[Radical Software]]'', 11 issues, eds. Beryl Korot, Phyllis Gershuny, and Ira Schneider, New York: Raindance, 1970-74, [http://monoskop.org/log/?p=269 Log], [http://www.radicalsoftware.org/e/browse.html PDFs]. {{en}}
 
* ''Avalanche'' 9: "Video Performance", ed. Liza Bear, New York: Kineticism Press, May-Jun 1974, 29 pp. [http://books.bibliopolis.com/main/find/3082838/] {{en}}
 
* ''Avalanche'' 9: "Video Performance", ed. Liza Bear, New York: Kineticism Press, May-Jun 1974, 29 pp. [http://books.bibliopolis.com/main/find/3082838/] {{en}}
 +
* ''[https://archive.org/search.php?query=creator%3A%22Foundation+for+Independent+Video+and+Film+%28U.S.%29%22 The Independent: Film & Video Monthly]'', New York: Foundation for Independent Video and Film, 1978-2006. [http://scua.library.umass.edu/umarmot/independent-film-video-monthly/] {{en}}
 
* ''[https://www.mediamatic.net/en/page/80129/ Mediamatic]'', quarterly, 39 numbers, eds. Willem Velthoven and Jans Possel, Groningen (1985-Jan 1987) & Amsterdam (Apr 1987-1999): Mediamatic, Dec 1985-1999. {{en}}
 
* ''[https://www.mediamatic.net/en/page/80129/ Mediamatic]'', quarterly, 39 numbers, eds. Willem Velthoven and Jans Possel, Groningen (1985-Jan 1987) & Amsterdam (Apr 1987-1999): Mediamatic, Dec 1985-1999. {{en}}
  
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===Exhibition catalogues===
 
===Exhibition catalogues===
 
''For historical surveys and retrospectives see [[#Retrospectives|section below]].''
 
''For historical surveys and retrospectives see [[#Retrospectives|section below]].''
* ''[[Media:TV_as_a_Creative_Medium_1969.pdf|TV as a Creative Medium]]'', New York: Howard Wise Gallery, 1969, [8] pp. Commentary: [http://www.vasulka.org/archive/Publications/FormattedPublications/HowardAll.pdf Sturken] (Afterimage 1984). [http://www.eai.org/webpages/1001 EAI resource].
+
 
 +
* ''[[Media:TV_as_a_Creative_Medium_1969.pdf|TV as a Creative Medium]]'', New York: Howard Wise Gallery, 1969, [8] pp. Reviews: [https://www.eai.org/supporting-documents/183/w.1164.0 Yalkut] (Arts), [https://www.eai.org/supporting-documents/186/w.1164.0 Time], [[Media:Skidmore Richard 1969 TV as Art.pdf|Skidmore]], [https://www.eai.org/supporting-documents/185/w.1164.0 Harrington] (Village Voice). Commentaries: [[#Margolies1969|Margolies]] (Arts in America 1969), [[#Sturken1984|Sturken]] (Afterimage 1984). [http://www.eai.org/webpages/1001 EAI resource].
 +
 
 
* ''[[Media:Video_Circuits_1973.pdf|Video Circuits]]'', McLaughlin Library, University of Guelph, 1973, 21 pp.
 
* ''[[Media:Video_Circuits_1973.pdf|Video Circuits]]'', McLaughlin Library, University of Guelph, 1973, 21 pp.
 +
 
* ''Videoperformance'', ed. Willoughby Sharp, New York, 1974. Works by Vito Acconci, Joseph Beuys, Chris Burden, Dennis Oppenheim, Ulrike Rosenbach, Richard Serra, Willoughby Sharp, Keith Sonnier, William Wegman. Special issue of ''Avalanche'' magazine, number 9. Exh. held at 112 Greene Street, Gallery, NY. {{en}}
 
* ''Videoperformance'', ed. Willoughby Sharp, New York, 1974. Works by Vito Acconci, Joseph Beuys, Chris Burden, Dennis Oppenheim, Ulrike Rosenbach, Richard Serra, Willoughby Sharp, Keith Sonnier, William Wegman. Special issue of ''Avalanche'' magazine, number 9. Exh. held at 112 Greene Street, Gallery, NY. {{en}}
 +
 
* ''[[Media:Video_Art_ICA_Philadelphia_1975.pdf|Video Art]]'', ed. David Antin, Philadelphia: Institute of Contemporary Art, 1975. [[Media:Antin_David_1975_Video_the_Distinctive_Features_of_the_Medium.pdf|Antin's essay]]. Exh. held in Philadelphia, Cincinnati, Chicago, and Hartford/CT. [http://excursus.icaphila.org/iv/saturday-june-15-2pm/]
 
* ''[[Media:Video_Art_ICA_Philadelphia_1975.pdf|Video Art]]'', ed. David Antin, Philadelphia: Institute of Contemporary Art, 1975. [[Media:Antin_David_1975_Video_the_Distinctive_Features_of_the_Medium.pdf|Antin's essay]]. Exh. held in Philadelphia, Cincinnati, Chicago, and Hartford/CT. [http://excursus.icaphila.org/iv/saturday-june-15-2pm/]
 +
 
* ''[[Media:The_Video_Show_Festival_of_Independent_Video_1975.pdf|The Video Show: Festival of Independent Video]]'', London: Serpentine Gallery, 1975. [http://www.rewind.ac.uk/database/searchrewind.php?table_name=REWINDArtistDetails&function=details&where_field=Artist_Name&where_value=The%20Video%20Show%201975&Section=Documents&Name=The%20Video%20Show%201975 Related documents]. [http://www.rewind.ac.uk/documents/David%20Hall/DH101.pdf Hall's review]. [http://www.luxonline.org.uk/histories/1970-1979/the_video_show.html]
 
* ''[[Media:The_Video_Show_Festival_of_Independent_Video_1975.pdf|The Video Show: Festival of Independent Video]]'', London: Serpentine Gallery, 1975. [http://www.rewind.ac.uk/database/searchrewind.php?table_name=REWINDArtistDetails&function=details&where_field=Artist_Name&where_value=The%20Video%20Show%201975&Section=Documents&Name=The%20Video%20Show%201975 Related documents]. [http://www.rewind.ac.uk/documents/David%20Hall/DH101.pdf Hall's review]. [http://www.luxonline.org.uk/histories/1970-1979/the_video_show.html]
* ''[http://www.documenta.de/en/retrospective/documenta_6 documenta 6]'', Kassel, 1977.
+
 
 +
* ''Video Art: An Overview'', San Francisco: SFMOMA, 1976. Exh. curated by David Ross; held 23 Mar-4 May 1976. Exh. of 33 videotapes by 29 artists. Installations by Peter Campus, Paul and Marlene Kos, Nam June Paik.
 +
 
 +
* ''[http://www.documenta.de/en/retrospective/documenta_6 documenta 6]'', Kassel, 1977. Video art section curated by Wulf Herzogenrath.
 +
 
 
* ''Video & Film Manifestatie: kijken en doen'', eds. Alexander van Grevenstein and Ton Quik, Maastricht: Bonnefantenmuseum, 1977, [77] pp. Catalogue in 6 parts; exh. held 11 Feb-20 Mar 1977. {{nl}},{{en}},{{fr}}  
 
* ''Video & Film Manifestatie: kijken en doen'', eds. Alexander van Grevenstein and Ton Quik, Maastricht: Bonnefantenmuseum, 1977, [77] pp. Catalogue in 6 parts; exh. held 11 Feb-20 Mar 1977. {{nl}},{{en}},{{fr}}  
 +
 
* ''[[Media:Japan Video Art Festival CAYC 1978.pdf|Japan Video Art Festival: 33 Artists at CAYC]]'', Buenos Aires: Center of Art and Communication (CAYC), 1978, [20] pp. Exh. held Apr 1978.
 
* ''[[Media:Japan Video Art Festival CAYC 1978.pdf|Japan Video Art Festival: 33 Artists at CAYC]]'', Buenos Aires: Center of Art and Communication (CAYC), 1978, [20] pp. Exh. held Apr 1978.
 +
 
* ''[http://moma.org/d/c/exhibition_catalogues/W1siZiIsIjMwMDA2MjU5MyJdLFsicCIsImVuY292ZXIiLCJ3d3cubW9tYS5vcmcvY2FsZW5kYXIvZXhoaWJpdGlvbnMvMjMwMCIsImh0dHA6Ly9tb21hLm9yZy9jYWxlbmRhci9leGhpYml0aW9ucy8yMzAwP2xvY2FsZT1wdCJdXQ.pdf?sha=b837777da2dad257 Video from Tokyo to Fukui and Kyoto]'', ed. Barbara J. London, New York: MoMA, 1979, 32 pp.
 
* ''[http://moma.org/d/c/exhibition_catalogues/W1siZiIsIjMwMDA2MjU5MyJdLFsicCIsImVuY292ZXIiLCJ3d3cubW9tYS5vcmcvY2FsZW5kYXIvZXhoaWJpdGlvbnMvMjMwMCIsImh0dHA6Ly9tb21hLm9yZy9jYWxlbmRhci9leGhpYml0aW9ucy8yMzAwP2xvY2FsZT1wdCJdXQ.pdf?sha=b837777da2dad257 Video from Tokyo to Fukui and Kyoto]'', ed. Barbara J. London, New York: MoMA, 1979, 32 pp.
 +
 
* ''Video im Abendland. Videoworkshop'', Stuttgart: Künstlerhaus, 1979, 28 pp. Workshop held 23 Sep-7 Oct 1979. [https://artmetropole.com/shop/6391] {{de}}
 
* ''Video im Abendland. Videoworkshop'', Stuttgart: Künstlerhaus, 1979, 28 pp. Workshop held 23 Sep-7 Oct 1979. [https://artmetropole.com/shop/6391] {{de}}
 
* ''Cine graphia, la linea in movimento: la fotografia di movimento, il cinema sperimentale, l'arte video: 1° Festival videoart, Locarno / The Line in Movement / La Ligne en mouvement'', Locarno: Flaviana, 1980, 117 pp. Festival held 1-10 Aug 1980. {{it}},{{en}},{{fr}}
 
* ''Cine graphia, la linea in movimento: la fotografia di movimento, il cinema sperimentale, l'arte video: 1° Festival videoart, Locarno / The Line in Movement / La Ligne en mouvement'', Locarno: Flaviana, 1980, 117 pp. Festival held 1-10 Aug 1980. {{it}},{{en}},{{fr}}
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* ''documenta 8'', 3 vols., Kassel: Weber & Weidemeyer, 1987. Exh. held 12 Jun-20 Sep 1987. {{de}}/{{en}} [https://www.mediamatic.net/en/page/23607/ Issue of ''Mediamatic'' dedicated to the exhibition].
 
* ''documenta 8'', 3 vols., Kassel: Weber & Weidemeyer, 1987. Exh. held 12 Jun-20 Sep 1987. {{de}}/{{en}} [https://www.mediamatic.net/en/page/23607/ Issue of ''Mediamatic'' dedicated to the exhibition].
 
* ''Het magnetische beeld'', eds. Anke van der Laan and Elsa Stansfield, Maastricht: Jan van Eyck Academie, and Heerlen: Heerlen, 1988. Exh. held at Stadsgalerij Heerlen, 9 Oct-20 Nov 1988, 48 pp. [http://worldcat.org/oclc/968264033] {{nl}}/{{en}}
 
* ''Het magnetische beeld'', eds. Anke van der Laan and Elsa Stansfield, Maastricht: Jan van Eyck Academie, and Heerlen: Heerlen, 1988. Exh. held at Stadsgalerij Heerlen, 9 Oct-20 Nov 1988, 48 pp. [http://worldcat.org/oclc/968264033] {{nl}}/{{en}}
 +
* ''[[Media:Imago fin de siecle in Dutch contemporary art 1990.pdf|Imago: fin de siècle in Dutch contemporary art]]'', eds. Rene Coelho, et al., 's-Gravenhage: Netherlands Office for Fine Arts, and Amsterdam: Mediamatic, 1990, 100+xxiv, [https://www.mediamatic.net/en/page/80609/mediamatic-magazine-5-1-2 HTML]. Published as a special issue of ''Mediamatic'', 5(1/2). {{en}},{{nl}}
 +
* ''[[Media:Sub Voce Contemporary Hungarian Video Installation 1991.pdf|Sub Voce: Contemporary Hungarian Video Installation]]'', ed. Suzanne Mészöly, Budapest: Soros Foundation Fine Art Documentation Center - Mucsarnok, 1991, 75 pp. [[Sub Voce|Exhibition]]. [http://mek.oszk.hu/21200/21238/] {{en}}/{{hu}}
 
* ''Video Positive'', Liverpool, 1991. Review: [http://www.rewind.ac.uk/documents/Pictorial%20Heroes/PH160.pdf Partridge] (Variant 1991).
 
* ''Video Positive'', Liverpool, 1991. Review: [http://www.rewind.ac.uk/documents/Pictorial%20Heroes/PH160.pdf Partridge] (Variant 1991).
 
* ''[[Media:Video_Spaces_Eight_Installations_1995_MoMA.pdf|Video Spaces: Eight Installations]]'', ed. Barbara London, New York: MoMA, 1995. [https://www.moma.org/calendar/exhibitions/462?locale=en Exh. held at MoMA], 22 Jul-12 Sep 1995. [https://www.moma.org/interactives/exhibitions/1995/videospaces/videospaces.html Online companion]. {{en}}
 
* ''[[Media:Video_Spaces_Eight_Installations_1995_MoMA.pdf|Video Spaces: Eight Installations]]'', ed. Barbara London, New York: MoMA, 1995. [https://www.moma.org/calendar/exhibitions/462?locale=en Exh. held at MoMA], 22 Jul-12 Sep 1995. [https://www.moma.org/interactives/exhibitions/1995/videospaces/videospaces.html Online companion]. {{en}}
 
* ''[[Media:Projected_Allegories_1998.pdf|Projected Allegories]]'', Houston: Contemporary Arts Museum, 1998, 20 pp. {{en}}
 
* ''[[Media:Projected_Allegories_1998.pdf|Projected Allegories]]'', Houston: Contemporary Arts Museum, 1998, 20 pp. {{en}}
 
* ''[[Media:Balkan_Video_Federation 2000.pdf|Balkan Video Federation]]'', ed. Branislav Dimitrijević, Belgrade: Center for Contemporary Art - Belgrade, 2000, [55] pp. {{en}}
 
* ''[[Media:Balkan_Video_Federation 2000.pdf|Balkan Video Federation]]'', ed. Branislav Dimitrijević, Belgrade: Center for Contemporary Art - Belgrade, 2000, [55] pp. {{en}}
 +
* ''Point of View: A Contemporary Anthology of the Moving Image'', New York: New Museum, 2003. 11 DVDs. [https://archive.newmuseum.org/exhibitions/415] [https://worldcat.org/oclc/794668747] {{en}}
  
 
====Notable exhibitions without catalogues====
 
====Notable exhibitions without catalogues====
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===Monographs===
 
===Monographs===
* Dan Graham, ''Video-Architecture-Television: Writings on Video and Video Works 1970-1978'', Halifax: Press of the Nova Scotia College of Art & Design, 1979. [http://beausievers.com/bhqfu/computer_art/readings/graham-video_architecture_television.pdf Lead essay].
+
* Dan Graham, ''[[Media:Graham_Dan_Video_Architecture_Television_1979.pdf|Video-Architecture-Television: Writings on Video and Video Works 1970-1978]]'', ed. Benjamin H.D. Buchloh, Halifax: The Press of the Nova Scotia College of Art and Design, and New York: New York University Press, 1979, 89 pp; repr., Lars Müller Publishers, 2013. With two contributions by Michael Asher and Dara Birnbaum. [http://beausievers.com/bhqfu/computer_art/readings/graham-video_architecture_television.pdf Lead essay]. [https://www.lars-mueller-publishers.com/dan-graham-video-%E2%80%93-architecture-%E2%80%93-television]
* Hollis Frampton, ''[http://monoskop.org/log/?p=766 Circles of Confusion: Film/Photography/Video Texts 1968-1981]'', foreword Annette Michelson, Visual Studies Workshop Press, 1983, 200 pp.  
+
* Hollis Frampton, ''[http://monoskop.org/log/?p=766 Circles of Confusion: Film/Photography/Video Texts 1968-1981]'', forew. Annette Michelson, Visual Studies Workshop Press, 1983, 200 pp.  
 
* ''[http://monoskop.org/log/?p=11024 On the Camera Arts and Consecutive Matters: The Writings of Hollis Frampton]'', ed. Bruce Jenkins, MIT Press, 2009, 360 pp.
 
* ''[http://monoskop.org/log/?p=11024 On the Camera Arts and Consecutive Matters: The Writings of Hollis Frampton]'', ed. Bruce Jenkins, MIT Press, 2009, 360 pp.
  
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[[Image:The_Second_Link_Viewpoints_on_Video_in_the_Eighties_1983.jpg|thumb|200px|''The Second Link: Viewpoints on Video in the Eighties'', Banff, New York, Amsterdam, Toronto, Long Beach, London, 1983, [[Media:The_Second_Link_Viewpoints_on_Video_in_the_Eighties_1983.pdf|PDF]].]]
 
[[Image:The_Second_Link_Viewpoints_on_Video_in_the_Eighties_1983.jpg|thumb|200px|''The Second Link: Viewpoints on Video in the Eighties'', Banff, New York, Amsterdam, Toronto, Long Beach, London, 1983, [[Media:The_Second_Link_Viewpoints_on_Video_in_the_Eighties_1983.pdf|PDF]].]]
 
[[Image:Imago_fin_de_siecle_in_Dutch_Contemporary_Art_1990.jpg|thumb|200px|''Imago, fin de siècle in Dutch Contemporary Art'', 1990, [http://nimk.nl/eng/exhibition/imago-fin-de-siecle-in-dutch-contemporary-art#5 PDFs].]]
 
[[Image:Imago_fin_de_siecle_in_Dutch_Contemporary_Art_1990.jpg|thumb|200px|''Imago, fin de siècle in Dutch Contemporary Art'', 1990, [http://nimk.nl/eng/exhibition/imago-fin-de-siecle-in-dutch-contemporary-art#5 PDFs].]]
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[[Image:Dunn_David_ed_Pioneers_of_Electronic_Art.jpg|thumb|200px|''Eigenwelt Der Apparate-Welt: Pioneers of Electronic Art'', 1992, [http://monoskop.org/log/?p=43 Log].]]
 
[[Image:Mediascape_1996.jpg|thumb|200px|''Mediascape'', New York, 1996, [https://archive.org/details/mediascape00klot IA].]]
 
[[Image:Mediascape_1996.jpg|thumb|200px|''Mediascape'', New York, 1996, [https://archive.org/details/mediascape00klot IA].]]
 
==={{a|Retrospectives}} Exhibition catalogues===
 
==={{a|Retrospectives}} Exhibition catalogues===
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* ''Videokunst in Deutschland 1963-1982'', ed. Wulf Herzogenrath, Stuttgart: Gerd Hatje, 1982. Includes chapters on “Videotapes,” “Videoinstallation,” “Video-Objects,” and “Videoperformances” covers some one hundred artists, and includes biographies, videographies, and many black-and-white photographs. Essays by Wulf Herzogenrath, Helmut Friedel, Nam June Paik, Ulrike Rosenbach, Friederike Pezold, and Kaus von Bruch; a rare 1969 letter from Gerry Schum to Gene Youngblood; and an interview with Joseph Beuys. Exh. held at Kölnischer Kunstverein, 1982, also shown at [https://assets.moma.org/momaorg/shared/pdfs/docs/press_archives/5991/releases/MOMA_1982_0047_47.pdf MoMA] (1982). {{de}}
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* ''[[Media:The_Second_Link_Viewpoints_on_Video_in_the_Eighties_1983.pdf|The Second Link: Viewpoints on Video in the Eighties]]'', ed. Lorne Falk, Banff, CA: Walter Phillips Gallery, Banff Centre School of Fine Arts, 1983, 111 pp. Exh. of 30 works by artists from CA, US, UK, BE, NL, West Germany and PL; curated by Peggy Gale (A Space Toronto), Kathy Huffman (Long Beach), Barbara London (MoMA), Brian MacNevin (Banff), Dorine Mignot (Stedelijk), and Sandy Nairne (ICA London); held at Banff Centre, 8-21 Jul 1983; [https://www.moma.org/calendar/exhibitions/2227 MoMA, New York], 18 Aug-27 Sep 1983; Stedelijk M, Amsterdam, 9 Sep-16 Oct 1983; A Space, Toronto, 1-29 Oct 1983; Long Beach M of Art, Long Beach, 20 Nov 1983-15 Jan 1984; ICA, London, 16 Dec 1983-15 Jan 1984. Review: [http://sci-hub.tw/10.1080/00043249.1985.10792307 Zippay] (Art J 1985).
 
* ''[[Media:The_Second_Link_Viewpoints_on_Video_in_the_Eighties_1983.pdf|The Second Link: Viewpoints on Video in the Eighties]]'', ed. Lorne Falk, Banff, CA: Walter Phillips Gallery, Banff Centre School of Fine Arts, 1983, 111 pp. Exh. of 30 works by artists from CA, US, UK, BE, NL, West Germany and PL; curated by Peggy Gale (A Space Toronto), Kathy Huffman (Long Beach), Barbara London (MoMA), Brian MacNevin (Banff), Dorine Mignot (Stedelijk), and Sandy Nairne (ICA London); held at Banff Centre, 8-21 Jul 1983; [https://www.moma.org/calendar/exhibitions/2227 MoMA, New York], 18 Aug-27 Sep 1983; Stedelijk M, Amsterdam, 9 Sep-16 Oct 1983; A Space, Toronto, 1-29 Oct 1983; Long Beach M of Art, Long Beach, 20 Nov 1983-15 Jan 1984; ICA, London, 16 Dec 1983-15 Jan 1984. Review: [http://sci-hub.tw/10.1080/00043249.1985.10792307 Zippay] (Art J 1985).
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* ''[[Media:New_American_Video_Art_A_Historical_Survey_1967-1980.pdf|New American Video Art: A Historical Survey, 1967-1980]]'', ed. John G. Hanhardt, New York: Whitney Museum, 1984, 8 pp.​ Exh. held 13 Jun-1 Jul 1984. [http://www.vasulka.org/archive/ExhFest6/Whitney/WHIT011.pdf]
 
* ''[[Media:New_American_Video_Art_A_Historical_Survey_1967-1980.pdf|New American Video Art: A Historical Survey, 1967-1980]]'', ed. John G. Hanhardt, New York: Whitney Museum, 1984, 8 pp.​ Exh. held 13 Jun-1 Jul 1984. [http://www.vasulka.org/archive/ExhFest6/Whitney/WHIT011.pdf]
 +
 
* ''Video: A Retrospective 1974-1984'', ed. Kathy Rae Huffman, Long Beach, CA: Long Beach Museum of Art, 135 pp. Two-part exh. held 9 Sep-4 Nov 1984 and 25 Nov 1984-20 Jan 1985. [http://www.specificobject.com/objects/info.cfm?inventory_id=10440&object_id=9974]
 
* ''Video: A Retrospective 1974-1984'', ed. Kathy Rae Huffman, Long Beach, CA: Long Beach Museum of Art, 135 pp. Two-part exh. held 9 Sep-4 Nov 1984 and 25 Nov 1984-20 Jan 1985. [http://www.specificobject.com/objects/info.cfm?inventory_id=10440&object_id=9974]
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* ''Resolutions: A Critique of Video Art'', ed. Patti Podesta, Los Angeles: LACE, 1986. Survey of video works made in the US from 1980-85. [http://welcometolace.org/lace/resolutions-a-critique-of-video-art/]
 
* ''Resolutions: A Critique of Video Art'', ed. Patti Podesta, Los Angeles: LACE, 1986. Survey of video works made in the US from 1980-85. [http://welcometolace.org/lace/resolutions-a-critique-of-video-art/]
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 +
* ''Social Engagement: Women's Video in the Eighties'', ed. Lucinda Furlong, New York: Whitney Museum, 1987. Exh. held at Whitney, 3-20 Mar 1987. Exh. review: [https://www.nytimes.com/1987/03/01/arts/video-series-blends-art-and-politics.html NYT]. [https://books.google.com/books?id=dOQCAAAAMBAJ&pg=PA85]
 +
 
* ''Revision: Art Programmes of European Television Stations'', ed. Dorine Mignot, pref. Wim A.L. Beeren, Amsterdam: Stedelijk Museum, 1987, 100 pp. Curated by Dorine Mignot. {{en}}
 
* ''Revision: Art Programmes of European Television Stations'', ed. Dorine Mignot, pref. Wim A.L. Beeren, Amsterdam: Stedelijk Museum, 1987, 100 pp. Curated by Dorine Mignot. {{en}}
 +
 
* ''The Arts for Television'', eds. Kathy Rae Huffman and Dorine Mignot, Los Angeles: Museum of Contemporary Art, and Amsterdam: Stedelijk Museum, 1987, 104 pp. Historical survey of arts programmes arranged in 6 thematic sections: image, theatre, literature, dance, music, television. Works from 1966-87 by 102 artists from AT, BE, FR, DE, IT, JP, NL, UK, US, YU. Curated by Dorine Mignot (Stedelijk) and Kathy Rae Huffman (Contemporary Art Television Fund Boston), with participation of Julie Lazar (MOCA LA). Exh. held at Stedelijk Amsterdam, 4 Sep-18 Oct 1987; [http://www.vasulka.org/archive/ExhFest12/'m'/MOCALAposter.pdf Museum of Contemporary Art Los Angeles], 6 Oct-15 Nov 1987; [https://www.moma.org/calendar/exhibitions/2131 MoMA New York], 20 Apr-30 May 1989; [http://camh.org/exhibitions/arts-television Contemporary Arts Museum Houston], 10 Jun-16 Jul 1989.
 
* ''The Arts for Television'', eds. Kathy Rae Huffman and Dorine Mignot, Los Angeles: Museum of Contemporary Art, and Amsterdam: Stedelijk Museum, 1987, 104 pp. Historical survey of arts programmes arranged in 6 thematic sections: image, theatre, literature, dance, music, television. Works from 1966-87 by 102 artists from AT, BE, FR, DE, IT, JP, NL, UK, US, YU. Curated by Dorine Mignot (Stedelijk) and Kathy Rae Huffman (Contemporary Art Television Fund Boston), with participation of Julie Lazar (MOCA LA). Exh. held at Stedelijk Amsterdam, 4 Sep-18 Oct 1987; [http://www.vasulka.org/archive/ExhFest12/'m'/MOCALAposter.pdf Museum of Contemporary Art Los Angeles], 6 Oct-15 Nov 1987; [https://www.moma.org/calendar/exhibitions/2131 MoMA New York], 20 Apr-30 May 1989; [http://camh.org/exhibitions/arts-television Contemporary Arts Museum Houston], 10 Jun-16 Jul 1989.
 +
 
* ''American Landscape Video: The Electronic Grove'', ed. William D. Judson, Pittsburgh: Carnegie Museum of Art, 1988, 128 pp. Exh. curated by William D. Judson; held at Carnegie Museum of Art, Pittsburgh, 7 May-10 Jul 1988; and in two parts at SFMOMA, San Francisco, 10 Nov 1988-1 Jan 1989 & 17 Jan-19 Feb 1989. [http://www.vasulka.org/archive/ExhFest10/SFmoma/SFmom.pdf Brochure]. [http://worldcat.org/oclc/17767997]
 
* ''American Landscape Video: The Electronic Grove'', ed. William D. Judson, Pittsburgh: Carnegie Museum of Art, 1988, 128 pp. Exh. curated by William D. Judson; held at Carnegie Museum of Art, Pittsburgh, 7 May-10 Jul 1988; and in two parts at SFMOMA, San Francisco, 10 Nov 1988-1 Jan 1989 & 17 Jan-19 Feb 1989. [http://www.vasulka.org/archive/ExhFest10/SFmoma/SFmom.pdf Brochure]. [http://worldcat.org/oclc/17767997]
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* ''[http://archive.org/details/videoartexpanded00whit Video Art: Expanded Forms]'', ed. John G. Hanhardt, New York: Whitney Museum of American Art at Equitable Center, 1988, [8] pp. [http://sci-hub.tw/10.2307/1575348 Curator's essay in ''Leonardo''] (1990).
 
* ''[http://archive.org/details/videoartexpanded00whit Video Art: Expanded Forms]'', ed. John G. Hanhardt, New York: Whitney Museum of American Art at Equitable Center, 1988, [8] pp. [http://sci-hub.tw/10.2307/1575348 Curator's essay in ''Leonardo''] (1990).
* ''Video-Skulptur: retrospektiv und aktuell 1963-1989'', eds. Wolf von Herzogenrath and Edith Decker, Cologne: DuMont, 1989, 326 pp. Exh. held at Kölnischer Kunstverein, Kunststation St. Peter, Belgisches Haus and DuMont Kunsthalle Cologne, 18 Mar-23 Apr 1989; Berlin; Kunsthaus Zürich, 13 Oct-12 Nov 1989. {{de}}
+
 
 +
* ''Video-Skulptur: retrospektiv und aktuell 1963-1989'', eds. Wolf Herzogenrath and Edith Decker, Cologne: DuMont, 1989, 326 pp. Exh. held at Kölnischer Kunstverein, Kunststation St. Peter, Belgisches Haus and DuMont Kunsthalle Cologne, 18 Mar-23 Apr 1989; Berlin; Kunsthaus Zürich, 13 Oct-12 Nov 1989. {{de}}
 +
 
 
* ''[http://nimk.nl/eng/exhibition/imago-fin-de-siecle-in-dutch-contemporary-art#5 Imago, fin de siècle in Dutch Contemporary Art]'', ed. & intro. René Coelho, 's Gravenhague: Rijksdienst beeldende kunst, and Amsterdam: Mediamatic Foundation, 1990, 100 pp. Special issue of ''Mediamatic'', 5(1/2). {{en}}/{{nl}}
 
* ''[http://nimk.nl/eng/exhibition/imago-fin-de-siecle-in-dutch-contemporary-art#5 Imago, fin de siècle in Dutch Contemporary Art]'', ed. & intro. René Coelho, 's Gravenhague: Rijksdienst beeldende kunst, and Amsterdam: Mediamatic Foundation, 1990, 100 pp. Special issue of ''Mediamatic'', 5(1/2). {{en}}/{{nl}}
 +
 
* ''Signs of the Times: A Decade of Video, Film and Slide-Tape Installation in Britain, 1980-1990'', ed. Chrissie Iles, Oxford: Museum of Modern Art Oxford, 1990, 87 pp. Exh. held 7 Oct-9 Dec 1990. Exh. review: [https://sci-hub.tw/10.1093/screen/32.2.222 Cubitt] (Screen).
 
* ''Signs of the Times: A Decade of Video, Film and Slide-Tape Installation in Britain, 1980-1990'', ed. Chrissie Iles, Oxford: Museum of Modern Art Oxford, 1990, 87 pp. Exh. held 7 Oct-9 Dec 1990. Exh. review: [https://sci-hub.tw/10.1093/screen/32.2.222 Cubitt] (Screen).
 +
 
* ''Passages de l'image'', eds. Raymond Bellour, Catherine David and Christine van Assche, Paris: Centre Pompidou, 1990, 191 pp. Exh. curated by Bellour, David and Assche; held at Musée national d'art moderne, Galeries contemporaines, 19 Sep-18 Nov 1990; salle Garance, 12 Sep-15 Oct 1990. {{fr}}
 
* ''Passages de l'image'', eds. Raymond Bellour, Catherine David and Christine van Assche, Paris: Centre Pompidou, 1990, 191 pp. Exh. curated by Bellour, David and Assche; held at Musée national d'art moderne, Galeries contemporaines, 19 Sep-18 Nov 1990; salle Garance, 12 Sep-15 Oct 1990. {{fr}}
 
** ''Passages de l'image'', Barcelona: Centre Cultural de la Fundació Caixa de Pensions, 1991, 280 pp. Exh. held at Fundació Caixa de Pensions, Barcelona, 12 Feb-28 Mar 1991; Wexner Center for the Arts, Columbus/OH, 1 Jun-27 Oct 1991; San Francisco Museum of Modern Art, 6 Feb-12 Apr 1992. {{en}}/{{ca}}
 
** ''Passages de l'image'', Barcelona: Centre Cultural de la Fundació Caixa de Pensions, 1991, 280 pp. Exh. held at Fundació Caixa de Pensions, Barcelona, 12 Feb-28 Mar 1991; Wexner Center for the Arts, Columbus/OH, 1 Jun-27 Oct 1991; San Francisco Museum of Modern Art, 6 Feb-12 Apr 1992. {{en}}/{{ca}}
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 +
* ''[https://monoskop.org/log/?p=43 Eigenwelt der Apparate-Welt. Pioniere der Elektronischen Kunst / Pioneers of Electronic Art]'', ed. David Dunn, Santa Fe: The Vasulkas, 1992, 240 pp, [[Media:Dunn_David_ed_Pioneers_of_Electronic_Art.pdf|PDF]], [http://web.archive.org/web/20041225211352/http://www.aec.at/de/archives/festival_archive/festival_catalogs/festival_catalog.asp?iProjectID=8893 HTML]. Exh. curated by Woody Vasulka and Steina Vasulka, held on 22 Jun-5 Jul 1992, Oberösterreichisches Landmuseum, Linz, as part of the ''Ars Electronica'' festival. {{en}}
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 +
* ''Vidéo et après: la collection vidéo du Musée national d'art moderne'', ed. Christine Van Assche, Paris: Centre Georges Pompidou, 1992, 295 pp. {{fr}}
 +
 +
* ''Video‐Skulptur in Deutschland seit 1963'', ed. Wolf Herzogenrath, Stuttgart: ifa, 1995. {{de}}
 +
 
* ''[https://archive.org/details/mediascape00klot Mediascape]'', New York: Guggenheim Museum, and Karlsruhe: ZKM, 1996. Exh. held at Guggenheim Museum SoHo, 14 June-15 Sep 1996.
 
* ''[https://archive.org/details/mediascape00klot Mediascape]'', New York: Guggenheim Museum, and Karlsruhe: ZKM, 1996. Exh. held at Guggenheim Museum SoHo, 14 June-15 Sep 1996.
 +
 
* '' '2' the Second: Time Based Art from the Netherlands'', Amsterdam: Netherlands Media Art Institute / MonteVideo TBA, 1997, 60 pp. With CD. {{en}}
 
* '' '2' the Second: Time Based Art from the Netherlands'', Amsterdam: Netherlands Media Art Institute / MonteVideo TBA, 1997, 60 pp. With CD. {{en}}
 +
 
* ''L'art vidéo 1980-1999: vingt ans du VideoArt Festival, Locarno: recherches, théories, perspectives'', ed. Vittorio Fagone, Milan: Mazzotta, 1999, 430 pp. {{fr}}
 
* ''L'art vidéo 1980-1999: vingt ans du VideoArt Festival, Locarno: recherches, théories, perspectives'', ed. Vittorio Fagone, Milan: Mazzotta, 1999, 430 pp. {{fr}}
 +
 
* ''Seeing Time: Selections from the Pamela and Richard Kramlich Collection of Media Art'', ed. Karen Jacobson, San Francisco: SFMOMA, 1999, 179 pp. Exh. held 15 Oct 1999-9 Jan 2000. [https://www.sfmoma.org/exhibition/seeing-time/] [http://www.appetiteengineers.com/project/seeing-time-selections-from-the-pamela-and-richard-kramlich-collection-of-media-art/] [http://zkm.de/en/publication/seeing-time-selection-from-the-pamela-and-richard-kramlich-collection-of-media-art]
 
* ''Seeing Time: Selections from the Pamela and Richard Kramlich Collection of Media Art'', ed. Karen Jacobson, San Francisco: SFMOMA, 1999, 179 pp. Exh. held 15 Oct 1999-9 Jan 2000. [https://www.sfmoma.org/exhibition/seeing-time/] [http://www.appetiteengineers.com/project/seeing-time-selections-from-the-pamela-and-richard-kramlich-collection-of-media-art/] [http://zkm.de/en/publication/seeing-time-selection-from-the-pamela-and-richard-kramlich-collection-of-media-art]
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* ''[[Media:Antologiya rossiyskogo videoarta 2002.pdf|Antologiya rossiyskogo videoarta]]'' [Антология российского видеоарта], ed. Aleksei Isaev, Moscow, 2002, 208 pp. [https://www.mediaartlab.ru/books/?item=6?lang=en Publisher]. {{ru}}
 +
 
* ''Video Acts: Single Channel Works from the Collections of Pamela and Richard Kramlich and New Art Trust'', eds. Klaus Biesenbach with Barbara London and Christopher Eamon, New York: PS1 Contemporary Art Center, 2002, 311 pp. Exh. held 10 Nov 2002-Apr 2003. [http://worldcat.org/oclc/52033076]
 
* ''Video Acts: Single Channel Works from the Collections of Pamela and Richard Kramlich and New Art Trust'', eds. Klaus Biesenbach with Barbara London and Christopher Eamon, New York: PS1 Contemporary Art Center, 2002, 311 pp. Exh. held 10 Nov 2002-Apr 2003. [http://worldcat.org/oclc/52033076]
 +
 
* ''30 jaar Nederlandse videokunst / Thirty Years of Dutch Video Art'', Amsterdam: Nederlands Instituut voor Mediakunst, MonteVideo/Time Based Arts, 2003. Exh. held 11 Jan-8 Mar 2003. {{nl}},{{en}}
 
* ''30 jaar Nederlandse videokunst / Thirty Years of Dutch Video Art'', Amsterdam: Nederlands Instituut voor Mediakunst, MonteVideo/Time Based Arts, 2003. Exh. held 11 Jan-8 Mar 2003. {{nl}},{{en}}
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* ''Arte del video: il viaggio dell'uomo immobile: videoinstallazioni, videoproiezioni'', eds. Vittorio Fagone, Sandra Solimano and Lorenzo Bianda, Lucca: Fondazione Ragghianti Studi sull'Arte, 2004. Exh. held at Fondazione Ragghianti, Lucca, 21 Mar-23 May 2004. {{it}}/{{en}}
 
* ''Arte del video: il viaggio dell'uomo immobile: videoinstallazioni, videoproiezioni'', eds. Vittorio Fagone, Sandra Solimano and Lorenzo Bianda, Lucca: Fondazione Ragghianti Studi sull'Arte, 2004. Exh. held at Fondazione Ragghianti, Lucca, 21 Mar-23 May 2004. {{it}}/{{en}}
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* ''Ready to Shoot: Fernsehgalerie Gerry Schum—Videogalerie Schum'', ed. Snoeck Ghent, Heule/Belgium: Snoeck, 2004. Exh. held at Kunsthalle Dusseldorf, 27 Mar-6 Jun 2004, curated by Ulrike Groos, Barbara Hess, and Ursula Wevers, with a chronology of the development of the Television Gallery, which the German artist Gerry Schum launched in 1968 to transform television into an artistic medium by screening avant-garde art to a mass audience.
 
* ''Ready to Shoot: Fernsehgalerie Gerry Schum—Videogalerie Schum'', ed. Snoeck Ghent, Heule/Belgium: Snoeck, 2004. Exh. held at Kunsthalle Dusseldorf, 27 Mar-6 Jun 2004, curated by Ulrike Groos, Barbara Hess, and Ursula Wevers, with a chronology of the development of the Television Gallery, which the German artist Gerry Schum launched in 1968 to transform television into an artistic medium by screening avant-garde art to a mass audience.
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* ''Centre Pompidou Video Art: 1965-2005'', 2005. Curated by Christine van Assche. Exh. held at Barcelona Caixa Forum; 28 Sep 2005-8 Jan 2006; Taipei Fine Arts Museum, 28 Apr-23 Jul 2006; Miami Art Central, 19 Sep-10 Dec 2006; [https://www.mca.com.au/artists-works/exhibitions/centre-pompidou-video-art-1965-2005/ Museum of Contemporary Art Australia (MCA)], Sydney, 13 Dec 2006-25 Feb 2007; [https://2015.acmi.net.au/exhibitions/past-exhibitions/2007/centre-pompidou-video-art/ Australian Centre for the Moving Image (ACMI)], Melbourne, 15 Mar-27 May 2007; Museo de Chada, Lisbon, 18 Oct 2007-6 Jan 2008, [https://www.centrepompidou.fr/cpv/agenda/event.action?param.id=FR_R-cfe0f6e384e732d5241d42a609eb49e&param.idSource=FR_E-cfe0f6e384e732d5241d42a609eb49e]; The Nicosia Municipal Arts Centre, Cyprus, Mar-May 2008; Honolulu Academy of Arts, Jun-Sep 2008; Musée Fabre, Montpellier, 25 Oct 2008-18 Jan 2009 [https://www.centrepompidou.fr/cpv/agenda/event.action?param.id=FR_R-30dae22b667e9ff35a46f894cb9a0b8&param.idSource=FR_E-8fdf537a6d891f88e917bfb08f12].
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* ''40jahrevideokunst.de – Teil 1. Digitales Erbe: Videokunst in Deutschland von 1963 bis heute'', eds. Rudolf Frieling and Wulf Herzogenrath, Ostfildern: Hatje Cantz, 2006, 399 pp. With DVD. [https://www.hatjecantz.de/40jahrevideokunstde---teil-1-1667-0.html Publisher]. [http://www.40jahrevideokunst.de/main.php?p=2&n1=7] [https://zkm.de/de/publikation/40jahrevideokunstde-teil-1] [https://zkm.de/de/publikation/40jahrevideokunstde-teil-1-40yearsvideoartde-part-1] {{de}}
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* ''Videokunst der 60er Jahre in Deutschland'', ed. Wulf Herzogenrath, Bremen: Kunsthalle Bremen, 2006, 80 pp. {{de}}
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* ''India: Public Places, Private Spaces: Contemporary Photography and Video Art'', eds. Sinha Gayatri and Paul Sternberger, Gaithersburg, MD: Marg Foundation, 2007. Contains essays surveying contemporary Indian photographers and video artists. Works by 28 artists exploring the landscape of Indian identity, experience, history, and politics. {{en}}
 
* ''India: Public Places, Private Spaces: Contemporary Photography and Video Art'', eds. Sinha Gayatri and Paul Sternberger, Gaithersburg, MD: Marg Foundation, 2007. Contains essays surveying contemporary Indian photographers and video artists. Works by 28 artists exploring the landscape of Indian identity, experience, history, and politics. {{en}}
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* ''Buffalo Heads: Media Study, Media Practice, Media Pioneers, 1973-1990'', eds. Woody Vasulka and Peter Weibel, Karlsruhe: ZKM, and MIT Press, 2008, 837 pp. Exh. held at ZKM, 16 Dec 2006-25 Mar 2007. [http://web.archive.org/web/20101106014041/http://hosting.zkm.de/mindframes_e/ Exhibition]. [https://zkm.de/en/event/2006/12/mindframes-media-study-at-buffalo Exhibition]. [https://zkm.de/en/chronology Chronology]. [https://d-nb.info/991455819/04 TOC]. [https://mitpress.mit.edu/books/buffalo-heads Publisher]. [https://zkm.de/en/publication/buffalo-heads-media-study-media-practice-media-pioneers Publisher]. Reviews: [https://www.academia.edu/7754670/ Zics] (Leonardo), [https://online.ucpress.edu/afterimage/article/36/5/30/19322/ Yu] (Afterimage), [https://sci-hub.tw/10.1111/j.1542-734X.2009.00699_3.x Browne] (J Am Cult). Exh. review: [https://online.ucpress.edu/fq/article/61/2/56/93167/ Minkowsky] (Film Quarterly). {{en}}
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* ''California Video: Artists and Histories'', ed. Glenn Phillips, Los Angeles: Getty Research Institute, 2008, 312 pp. Exh. held at J. Paul Getty Museum, Los Angeles, 15 Mar-8 Jun 2008. [https://books.google.com/books?id=Ww9f3TGMGM8C&printsec=frontcover] [https://www.getty.edu/research/exhibitions_events/events/california_video.pdf]. Comprehensive exhibition catalogue with an introduction by the editor, followed by some 230 pages devoted to artists’ historic videos with short introductions by leading figures in the field of video. Scholarly essays by Meg Cranston, Robert R. Riley, Kathy Rae Huffman, Bruce Yonemoto, Steve Seid, and Rita Gonzalez. Hundreds of illustrations. {{en}}
 
* ''California Video: Artists and Histories'', ed. Glenn Phillips, Los Angeles: Getty Research Institute, 2008, 312 pp. Exh. held at J. Paul Getty Museum, Los Angeles, 15 Mar-8 Jun 2008. [https://books.google.com/books?id=Ww9f3TGMGM8C&printsec=frontcover] [https://www.getty.edu/research/exhibitions_events/events/california_video.pdf]. Comprehensive exhibition catalogue with an introduction by the editor, followed by some 230 pages devoted to artists’ historic videos with short introductions by leading figures in the field of video. Scholarly essays by Meg Cranston, Robert R. Riley, Kathy Rae Huffman, Bruce Yonemoto, Steve Seid, and Rita Gonzalez. Hundreds of illustrations. {{en}}
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* ''Record again! 40JahreVideokunst.de Teil 2'', eds. Christoph Blase and Peter Weibel, Ostfildern: Hatje Cantz, 2010, 535 pp. With DVD. [https://www.hatjecantz.de/record-again-2424-1.html Publisher]. [http://www.record-again.de/publikationen.html] [https://zkm.de/de/publikation/record-again] {{de}}/{{en}}
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* ''[http://monoskop.org/log/?p=16463 TV ARTS TV: The Television Shot by Artists]'', ed. Valentina Valentini, Madrid: La Fábrica, and Barcelona: Arts Santa Mònica, 2010, 160 pp.
 
* ''[http://monoskop.org/log/?p=16463 TV ARTS TV: The Television Shot by Artists]'', ed. Valentina Valentini, Madrid: La Fábrica, and Barcelona: Arts Santa Mònica, 2010, 160 pp.
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* ''Changing Channels. Kunst und Fernsehen 1963-1987'', ed. Matthias Michalka, Cologne: Verlag der Buchhandlung Walther König, and Vienna: mumok, 2010, 293 pp. [https://www.mumok.at/en/events/changing-channels Exh.] curated by Matthias Michalka with Manuela Ammer; held at mumok, Vienna, 5 Mar-6 Jun 2010. [https://www.mumok.at/de/changing-channels] {{de}}
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** ''Changing Channels: Art and Television 1963-1987'', ed. Matthias Michalka, Cologne: Verlag der Buchhandlung Walther König, and Vienna: mumok, 2010, 293 pp. [https://www.mumok.at/en/changing-channels]
 +
 
* ''[[Media:VideoStudio_Playback_2011.pdf|VideoStudio: Playback]]'', ed. Thomas J. Lax, New York: Studio Museum in Harlem, 2011, 17 pp. Exh. held on 31 Mar-26 Jun 2011. First exhibition in a series of programs dedicated to work made in the late 20th century that reflect the influence of dance and avant-garde theater as well as contemporaneous social concerns on early uses of video by artists. Emphasizing improvisation, collaboration and innovative uses of technology, the artists in the exhibition include Houston Conwill, Maren Hassinger, Fred Holland, Ishmael Houston-Jones, Ulysses Jenkins, Senga Nengudi and Howardena Pindell. {{en}}
 
* ''[[Media:VideoStudio_Playback_2011.pdf|VideoStudio: Playback]]'', ed. Thomas J. Lax, New York: Studio Museum in Harlem, 2011, 17 pp. Exh. held on 31 Mar-26 Jun 2011. First exhibition in a series of programs dedicated to work made in the late 20th century that reflect the influence of dance and avant-garde theater as well as contemporaneous social concerns on early uses of video by artists. Emphasizing improvisation, collaboration and innovative uses of technology, the artists in the exhibition include Houston Conwill, Maren Hassinger, Fred Holland, Ishmael Houston-Jones, Ulysses Jenkins, Senga Nengudi and Howardena Pindell. {{en}}
* ''Vidéo Vintage 1963–1983: une sélection de vidéos fondatrices des collections nouveaux médias du Musée National d'Art Moderne Centre Pompidou'', ed. Christine Van Assche, Paris: Centre Pompidou, 2012, 64 pp. Retrospective presenting the first two decades of video art production held in the collection of Centre Pompidou. [https://boutique.centrepompidou.fr/en/books/video-vintage-1963-1983-une-selection-de-videos-fondatrices-des-collections-nouveaux-medias-du-musee-national-dart-moderne-centre-pompidou/123.html]. Exh. held at Centre Pompidou, 8 Feb-7 May 2012; [http://on1.zkm.de/zkm/stories/storyReader$8105 ZKM Karlsruhe]; [http://www.beirutartcenter.org/exhibitions.php?exhibid=349&statusid=3 Beirut Art Center]; [http://www.mmca.go.kr/upload/m/data/board/2013/10/17/20131017092147.pdf MMCA Seoul]. {{fr}}
+
 
 +
* ''Vidéo Vintage 1963-1983: une sélection de vidéos fondatrices des collections nouveaux médias du Musée National d'Art Moderne Centre Pompidou'', ed. Christine Van Assche, Paris: Centre Pompidou, 2012, 64 pp. Retrospective presenting the first two decades of video art production held in the collection of Centre Pompidou. Curated by Christine van Assche with Florence Parot. [https://www.centrepompidou.fr/media/document/48/ed/48eda379aa5c861da6dd9901e2e582a3/normal.pdf Press release]. [https://boutique.centrepompidou.fr/en/books/video-vintage-1963-1983-une-selection-de-videos-fondatrices-des-collections-nouveaux-medias-du-musee-national-dart-moderne-centre-pompidou/123.html Publisher]. Exh. held at [https://www.centrepompidou.fr/cpv/resource/c7p4bkA/r4bRdxj Centre Pompidou], 8 Feb-7 May 2012; [https://zkm.de/en/event/2012/09/video-vintage-1963-1983 ZKM Media Museum Karlsruhe], 22 Sep 2012-10 Feb 2013; [http://www.beirutartcenter.org/exhibitions.php?exhibid=349&statusid=3 Beirut Art Center]; [http://www.mmca.go.kr/upload/m/data/board/2013/10/17/20131017092147.pdf MMCA Seoul]. {{fr}}
 +
 
 
* ''TeleGen: Kunst und Fernsehen / Art and Television'', eds. Dieter Daniels and Stephan Berg, Munich: Hirmer, 2015, 352 pp. Exh. held at [http://www.kunstmuseum-bonn.de/nocache/en/exhibitions/preview/info/ex/tele-gen-2526/ Kunstmuseum Bonn], 1 Oct 2015-17 Jan 2016; [http://www.kunstmuseum.li/?page=2108&aid=427&jahr=&monat=&art=future&lan=en Kunstmuseum Liechtenstein], Vaduz, 19 Feb-16 May 2016. {{de}}/{{en}}
 
* ''TeleGen: Kunst und Fernsehen / Art and Television'', eds. Dieter Daniels and Stephan Berg, Munich: Hirmer, 2015, 352 pp. Exh. held at [http://www.kunstmuseum-bonn.de/nocache/en/exhibitions/preview/info/ex/tele-gen-2526/ Kunstmuseum Bonn], 1 Oct 2015-17 Jan 2016; [http://www.kunstmuseum.li/?page=2108&aid=427&jahr=&monat=&art=future&lan=en Kunstmuseum Liechtenstein], Vaduz, 19 Feb-16 May 2016. {{de}}/{{en}}
 +
 
* ''[[Media:Huldisch_Henriette_Before_Projection_Video_Sculpture_1974-1995_2018.pdf|Before Projection: Video Sculpture 1974-1995]]'', ed. Henriette Huldisch, Cambridge, MA: MIT List Visual Arts Center, and Munich: Hirmer Verlag, 2018, 143 pp. Texts by Henriette Huldisch, Emily Watlington, and Edith Decker-Phillips. Exh. held at [https://listart.mit.edu/exhibitions/projection-video-sculpture-1974-1995 MIT List Visual Arts Center], Cambridge, MA, 8 Feb-15 Apr 2018. {{en}}
 
* ''[[Media:Huldisch_Henriette_Before_Projection_Video_Sculpture_1974-1995_2018.pdf|Before Projection: Video Sculpture 1974-1995]]'', ed. Henriette Huldisch, Cambridge, MA: MIT List Visual Arts Center, and Munich: Hirmer Verlag, 2018, 143 pp. Texts by Henriette Huldisch, Emily Watlington, and Edith Decker-Phillips. Exh. held at [https://listart.mit.edu/exhibitions/projection-video-sculpture-1974-1995 MIT List Visual Arts Center], Cambridge, MA, 8 Feb-15 Apr 2018. {{en}}
* ''Defiant Muses: Delphine Seyrig and the Feminist Video Collectives in France, 1970s-1980s'', Madrid: Museo Reina Sofía, 2019, 235 pp. [https://www.museoreinasofia.es/en/publicaciones/musas-insumisas]. [https://www.museoreinasofia.es/en/exhibitions/defiant-muses Exhibition]. {{en}}
+
 
** ''Musas insumisas: Delphine Seyrig y los colectivos de vídeo feminista en Francia en los 70 y 80'', Madrid: Museo Reina Sofía, 2019, 235 pp. [https://www.museoreinasofia.es/publicaciones/musas-insumisas] {{es}}
+
* ''Mémoires vives: From Nam June Paik to Sliders_Lab'', ed. Jean-Marie Dallet, Tielt: Lannoo, 2019, 256 pp. [https://www.lannoo.be/sites/default/files/books/issuu/9789401458535.pdf Excerpt]. [https://www.lannoo.be/nl/m%C3%A9moires-vives] {{en}},{{nl}},{{fr}}
 +
 
 +
* ''[https://monoskop.org/log/?p=22021 Defiant Muses: Delphine Seyrig and the Feminist Video Collectives in France, 1970s-1980s]'', Madrid: Museo Reina Sofía, 2019, 231 pp. {{en}}
 +
** ''[https://monoskop.org/log/?p=22021 Musas insumisas: Delphine Seyrig y los colectivos de vídeo feminista en Francia en los 70 y 80]'', Madrid: Museo Reina Sofía, 2019, 231 pp. {{es}}
  
 
[[Image:Youngblood_Gene_Expanded_Cinema.jpg|thumb|200px|Gene Youngblood, ''Expanded Cinema'', 1970, [http://monoskop.org/log/?p=218 Log], [[Media:Youngblood_Gene_Expanded_Cinema.pdf|PDF]].]]
 
[[Image:Youngblood_Gene_Expanded_Cinema.jpg|thumb|200px|Gene Youngblood, ''Expanded Cinema'', 1970, [http://monoskop.org/log/?p=218 Log], [[Media:Youngblood_Gene_Expanded_Cinema.pdf|PDF]].]]
[[Image:Dunn_David_ed_Pioneers_of_Electronic_Art.jpg|thumb|200px|''Eigenwelt Der Apparatewelt: Pioneers of Electronic Art'', Linz, 1992, [http://monoskop.org/log/?p=43 Log].]]
 
  
 
===Monographs===
 
===Monographs===
Line 163: Line 237:
 
* Paul Ryan, ''Birth And Death And Cybernation: Cybernetics of the Sacred'', New York: Gordon & Breach, 1973.
 
* Paul Ryan, ''Birth And Death And Cybernation: Cybernetics of the Sacred'', New York: Gordon & Breach, 1973.
 
* Peggy Gale (ed.), ''Video by Artists'', intro. Tom Sherman, Toronto: Art Metropole, 1976, 223 pp. [http://www.leftmatrix.com/videobyartists1.html] [https://www.arcanabooks.com/catalog/book/022253/]
 
* Peggy Gale (ed.), ''Video by Artists'', intro. Tom Sherman, Toronto: Art Metropole, 1976, 223 pp. [http://www.leftmatrix.com/videobyartists1.html] [https://www.arcanabooks.com/catalog/book/022253/]
* Johanna Gill, ''[http://www.vasulka.org/archive/4-30b/Rockefeller(1041).pdf Video: State of the Art]'', Rockefeller Foundation, 1976, 56 pp, [http://web.archive.org/web/20151024165615/http://experimentaltvcenter.org/video-state-art HTML].
+
* Johanna Gill, ''[http://www.vasulka.org/archive/4-30b/Rockefeller(1041).pdf Video: State of the Art]'', Rockefeller Foundation, 1976, 56 pp, [http://web.archive.org/web/20151024165615/http://experimentaltvcenter.org/video-state-art HTML]; repr. as [https://monoskop.org/images/1/11/Dunn_David_ed_Pioneers_of_Electronic_Art.pdf#page=63 "Video: State of the Art"], in ''[https://monoskop.org/log/?p=43 Eigenwelt der Apparate-Welt. Pioniere der Elektronischen Kunst / Pioneers of Electronic Art]'', ed. David Dunn, Santa Fe, NM: The Vasulkas, 1992, pp 63-88.
* Jonathan Price, ''Video Visions: A Medium Discovers Itself'', New York: New American Library, 1977. Based on interviews with people involved in early video: broadcasters at WGBH and other PBS stations, numerous artists, a.o.
+
* Jonathan Price, ''Video Visions: A Medium Discovers Itself'', New York: New American Library, 1977. Based on interviews with people involved in early video: broadcasters at WGBH and other PBS stations, numerous artists, a.o. Review: [https://muse.jhu.edu/article/599478/pdf Kaiser] (Leonardo).
 
* Gregory Battcock (ed.), ''New Artists' Video: A Critical Anthology'', New York: E.P.Dutton, 1978, xxii+198 pp. [http://vufind-devel.carli.illinois.edu/all/vf-hrt/Record/265229/TOC]. Some of the articles are reprints, but eleven of them were previously unpublished. Writers included Douglas Davis, Richard Kostelanetz, Richard Lorber, David Ross, Nam June Paik and Charlotte Moorman, Robert Stefanotty, Les Levine, Rosalind Kraus, Stuart Marshall, Ingrid Wiegand, a.o.
 
* Gregory Battcock (ed.), ''New Artists' Video: A Critical Anthology'', New York: E.P.Dutton, 1978, xxii+198 pp. [http://vufind-devel.carli.illinois.edu/all/vf-hrt/Record/265229/TOC]. Some of the articles are reprints, but eleven of them were previously unpublished. Writers included Douglas Davis, Richard Kostelanetz, Richard Lorber, David Ross, Nam June Paik and Charlotte Moorman, Robert Stefanotty, Les Levine, Rosalind Kraus, Stuart Marshall, Ingrid Wiegand, a.o.
* Wulf Herzogenrath (ed.), ''Videokunst in Deutschland 1963-1982'', Stuttgart: Gerd Hatje, 1982. Includes chapters on “Videotapes,” “Videoinstallation,” “Video-Objects,” and “Videoperformances” covers some one hundred artists, and includes biographies, videographies, and many black-and-white photographs. Essays by Wulf Herzogenrath, Helmut Friedel, Nam June Paik, Ulrike Rosenbach, Friederike Pezold, and Kaus von Bruch; a rare 1969 letter from Gerry Schum to Gene Youngblood; and an interview with Joseph Beuys. {{de}}
+
* Dominique Belloir, ''[[Media:Belloir Dominique Video art explorations 1981.pdf|Vidéo art explorations]]'', Paris: Cahiers du Cinema, 1981, 90 pp. {{fr}}
 
* Bettina Gruber, Maria Vedder (eds.), ''Kunst und Video: Internationale Entwicklung und Künstler'', Cologne: DuMont, 1983, 264 pp. Incl. 7 essays on communications theory and video history, color plates (8 pp), statements, photographs, biographies, videographies, and bibliographies for 61 artists. Review: [http://sci-hub.tw/10.1080/00043249.1985.10792307 Zippay] (Art J 1985). {{de}}
 
* Bettina Gruber, Maria Vedder (eds.), ''Kunst und Video: Internationale Entwicklung und Künstler'', Cologne: DuMont, 1983, 264 pp. Incl. 7 essays on communications theory and video history, color plates (8 pp), statements, photographs, biographies, videographies, and bibliographies for 61 artists. Review: [http://sci-hub.tw/10.1080/00043249.1985.10792307 Zippay] (Art J 1985). {{de}}
 
* John Hanhardt (ed.), ''[[Media:Hanhardt_John_ed_Video_Culture_A_Critical_Investigation.pdf|Video Culture: A Critical Investigation]]'', Layton, UT: Peregrine Smith Books, and Rochester, NY: Visual Studies Workshop Press, 1986, 296 pp. Introduction by Hanhardt, with chapters on “Theory and Practice,” “Video and Television,” and “Film and Video.” Essays by Walter Benjamin, Bertolt Brecht, Louis Althusser, Hans Mgnus Enzensberger, Jean Baudrillard, David Antin, David Ross, Stanley Cavell, Nam June Paik, Gene Youngblood, Jack Burnham, John Ellis, and Douglas Davis, as well as Rosalind Krauss’s essay "Video: The Aesthetics of Narcissism".
 
* John Hanhardt (ed.), ''[[Media:Hanhardt_John_ed_Video_Culture_A_Critical_Investigation.pdf|Video Culture: A Critical Investigation]]'', Layton, UT: Peregrine Smith Books, and Rochester, NY: Visual Studies Workshop Press, 1986, 296 pp. Introduction by Hanhardt, with chapters on “Theory and Practice,” “Video and Television,” and “Film and Video.” Essays by Walter Benjamin, Bertolt Brecht, Louis Althusser, Hans Mgnus Enzensberger, Jean Baudrillard, David Antin, David Ross, Stanley Cavell, Nam June Paik, Gene Youngblood, Jack Burnham, John Ellis, and Douglas Davis, as well as Rosalind Krauss’s essay "Video: The Aesthetics of Narcissism".
Line 173: Line 247:
 
* Wolfgang Preikschat, ''Video. Die Poesie der Neuen Medien'', Weinheim: Beltz, 1987, 188 pp. Review: [http://archiv.ub.uni-marburg.de/ep/0002/article/view/6411 Hoffman] (MW). {{de}}
 
* Wolfgang Preikschat, ''Video. Die Poesie der Neuen Medien'', Weinheim: Beltz, 1987, 188 pp. Review: [http://archiv.ub.uni-marburg.de/ep/0002/article/view/6411 Hoffman] (MW). {{de}}
 
* Lori Zippay (ed.), ''Artists' Video: An International Guide'', New York: Cross River Press, 1991, 272 pp. Introductory essay by the editor on major topics and technical developments in video, from the 1960s to the 1990s, including 120 artists and 1,500 illustrations, with chapters organized alphabetically by artist, each with an annotated biography, videography, and bibliography.
 
* Lori Zippay (ed.), ''Artists' Video: An International Guide'', New York: Cross River Press, 1991, 272 pp. Introductory essay by the editor on major topics and technical developments in video, from the 1960s to the 1990s, including 120 artists and 1,500 illustrations, with chapters organized alphabetically by artist, each with an annotated biography, videography, and bibliography.
* Doug Hall, Sally Jo Fifer (eds.), ''Illuminating Video: An Essential Guide to Video Art'', New York: Aperture Press, 1991. [[Media:Rosler_Martha_1986_1991_Video_Shedding_the_Utopian_Moment.pdf|Rosler's essay]], [[Media:Morse Margaret 1991 Video Installation Art The Body The Image and the Space-in-Between.pdf|Morse's essay]], [http://web.archive.org/web/20050301235116/http://bavc.org/preservation/dvd/resources/extras/sturken.pdf Sturken's essay]. Essays by Kathy Rae Huffman, Marita Sturken, Christine Tamblyn, Martha Rosler, Chip Lord, Judith Barry, Juan Downey, Mary Lucier, Woody Vasulka, Bill Viola, and Kathy O’Dell, a.o. Bibliography and videography.
+
* Doug Hall, Sally Jo Fifer (eds.), ''Illuminating Video: An Essential Guide to Video Art'', New York: Aperture Press, 1991, [https://openlibrary.org/books/OL1641153M/ OL]. [[Media:Rosler_Martha_1986_1991_Video_Shedding_the_Utopian_Moment.pdf|Rosler's essay]], [[Media:Morse Margaret 1991 Video Installation Art The Body The Image and the Space-in-Between.pdf|Morse's essay]], [http://web.archive.org/web/20050301235116/http://bavc.org/preservation/dvd/resources/extras/sturken.pdf Sturken's essay]. Essays by Kathy Rae Huffman, Marita Sturken, Christine Tamblyn, Martha Rosler, Chip Lord, Judith Barry, Juan Downey, Mary Lucier, Woody Vasulka, Bill Viola, and Kathy O’Dell, a.o. Bibliography and videography.
* David Dunn (ed.), ''[http://monoskop.org/log/?p=43 Eigenwelt Der Apparatewelt: Pioneers of Electronic Art]'', Santa Fe: The Vasulkas, 1992, 240 pp.
 
 
* Sean Cubitt, ''[https://monoskop.org/log/?p=644 Videography: Video Media as Art and Culture]'', Palgrave Macmillan, 1993, 239 pp.
 
* Sean Cubitt, ''[https://monoskop.org/log/?p=644 Videography: Video Media as Art and Culture]'', Palgrave Macmillan, 1993, 239 pp.
* ''Rewind: Surveying the First Decade: Video Art and Alternative Media in the U.S., 1968-1980'', ed. Gary Hill, Chicago: Video Data Bank, 1995, [http://www.vasulka.org/archive/Artists2/Hill,Chris/Rewind.pdf Excerpt]; [[Media:Rewind_Surveying_the_First_Decade_Video_Art_and_Alternative_Media_in_the_US_1968-1980_2008.pdf|new ed.]], eds. Abina Manning and Brigid Reagan, Chicago: Video Data Bank, 2008, 150 pp. [http://www.vasulka.org/archive/ExhFest10/SFmoma/SFMoMA.pdf Brochure, SFMOMA], 1997.
+
* ''Rewind: Surveying the First Decade: Video Art and Alternative Media in the U.S., 1968-1980'', ed. Gary Hill, Chicago: Video Data Bank, 1995, [http://www.vasulka.org/archive/Artists2/Hill,Chris/Rewind.pdf Excerpt]; [[Media:Rewind_Surveying_the_First_Decade_Video_Art_and_Alternative_Media_in_the_US_1968-1980_2008.pdf|new ed.]], eds. Abina Manning and Brigid Reagan, Chicago: Video Data Bank, 2008, 150 pp. [http://www.vasulka.org/archive/ExhFest10/SFmoma/SFMoMA.pdf Brochure, SFMOMA], 1997. [http://www.vdb.org/titles/surveying-first-decade-video-art-and-alternative-media-us-1968-1980]
 +
* Michael Renov, Erika Suderburg (eds.), ''Resolutions: Contemporary Video Practices'', University of Minnesota Press, 1995, 448 pp. [https://www.upress.umn.edu/book-division/books/resolutions]
 
* Julia Knight (ed.), ''Diverse Practices: a Critical Reader on British Video Art'', Luton: University of Luton Press, 1996, 384 pp. Review: [https://sci-hub.tw/10.1093/screen/39.1.100 Eleftheriotis] (Screen).
 
* Julia Knight (ed.), ''Diverse Practices: a Critical Reader on British Video Art'', Luton: University of Luton Press, 1996, 384 pp. Review: [https://sci-hub.tw/10.1093/screen/39.1.100 Eleftheriotis] (Screen).
 
* Christine Ross, ''Images de surface: l'art vidéo reconsidéré'', Montréal: Artexte, 1996, 142 pp. Based on dissertation from Université Paris I. {{fr}}
 
* Christine Ross, ''Images de surface: l'art vidéo reconsidéré'', Montréal: Artexte, 1996, 142 pp. Based on dissertation from Université Paris I. {{fr}}
 
* ''The Kitchen Video Collection: Two Decades of the Video Vanguard'', ed. David Azarch, New York: Kitchen Center for Video, Music, Dance, Performance, Film, and Literature, 1996. Founded as a collective for experimental artists and composers, The Kitchen began as an alternative space and became a renowned institution for cross-disciplinary art and performance. Volume consists of archival documents, brief descriptions of art works, and black-and-white photographs of video art and video performances, many of which have become classic works in the history of art.
 
* ''The Kitchen Video Collection: Two Decades of the Video Vanguard'', ed. David Azarch, New York: Kitchen Center for Video, Music, Dance, Performance, Film, and Literature, 1996. Founded as a collective for experimental artists and composers, The Kitchen began as an alternative space and became a renowned institution for cross-disciplinary art and performance. Volume consists of archival documents, brief descriptions of art works, and black-and-white photographs of video art and video performances, many of which have become classic works in the history of art.
* Michael Renov, Erika Suderburg (eds.), ''Resolutions: Contemporary Video Practices'', University of Minnesota Press, 1996, 448 pp. [https://www.upress.umn.edu/book-division/books/resolutions]
 
 
* Deidre Boyle, ''[http://monoskop.org/log/?p=406 Subject to Change: Guerrilla Television Revisited]'', Oxford University Press, 1997.  
 
* Deidre Boyle, ''[http://monoskop.org/log/?p=406 Subject to Change: Guerrilla Television Revisited]'', Oxford University Press, 1997.  
 
* François Parfait, ''Video, un art contemporain'', Paris: Regard, 2001. Twelve illustrated chapters focus on the relation between electronic images and the development of contemporary art; the affiliations between banal video productions and the hybrid history of technology; and interconnections among sculpture, photography, cinema, and television in relation to popular culture and live, performed art in the second half of the 20th century. {{fr}}
 
* François Parfait, ''Video, un art contemporain'', Paris: Regard, 2001. Twelve illustrated chapters focus on the relation between electronic images and the development of contemporary art; the affiliations between banal video productions and the hybrid history of technology; and interconnections among sculpture, photography, cinema, and television in relation to popular culture and live, performed art in the second half of the 20th century. {{fr}}
Line 189: Line 262:
 
* Yvonne Speilmann, ''Video: das reflexive Medium'', Frankfurt am Main: Suhrkamp, 2005. This scholarly study of the history and practices of video contains a section devoted to the experimental phase of video, guerilla television, artistic video, and video culture. Another section explores the aesthetics of video by many artists working in video performance, from Vito Acconci, Dennis Oppenheim, and Ulrike Rosenbach to Valie Export, Lynn Hersham, and Raphael Montañez Ortiz. {{de}}
 
* Yvonne Speilmann, ''Video: das reflexive Medium'', Frankfurt am Main: Suhrkamp, 2005. This scholarly study of the history and practices of video contains a section devoted to the experimental phase of video, guerilla television, artistic video, and video culture. Another section explores the aesthetics of video by many artists working in video performance, from Vito Acconci, Dennis Oppenheim, and Ulrike Rosenbach to Valie Export, Lynn Hersham, and Raphael Montañez Ortiz. {{de}}
 
** ''Video: The Reflexive Medium'', trans. Anja Welle and Stan Jones, MIT Press, 2007, 384 pp. [http://www.yvonne-spielmann.com/pdf/video_mit.pdf TOC], [http://mitpress.mit.edu/sites/default/files/titles/content/9780262195669_ind_0001.pdf Index], [http://mitpress.mit.edu/books/video].
 
** ''Video: The Reflexive Medium'', trans. Anja Welle and Stan Jones, MIT Press, 2007, 384 pp. [http://www.yvonne-spielmann.com/pdf/video_mit.pdf TOC], [http://mitpress.mit.edu/sites/default/files/titles/content/9780262195669_ind_0001.pdf Index], [http://mitpress.mit.edu/books/video].
 +
* Slavko Kacunko, ''[https://cdn.website-editor.net/fc4456fd00ed4a42a1a8f3c7da66c11f/files/uploaded/004.%2520Slavko%2520Kacunko%25202004%252C%2520Closed%2520Circuit%2520.pdf Closed Circuit Videoinstallationen. Ein Leitfaden zur Geschichte und Theorie der Medienkunst mit Bausteinen eines Künstlerlexikons]'', Berlin: Logos, 2005, 1062 pp. {{de}}
 +
* Sylvia Martin, ''Video Art'', Taschen, 2006, 95 pp. [https://alejandroquinteros.files.wordpress.com/2012/02/moving-pictures_video-art.pdf Excerpt].
 
* Chris Meigh-Andrews, ''A History of Video Art'', Berg, 2006; [http://gen.lib.rus.ec/book/index.php?md5=AD3F25797F8FF079C6A6041F0DF99DAC 2nd ed.], Bloomsbury, 2014, 387 pp.
 
* Chris Meigh-Andrews, ''A History of Video Art'', Berg, 2006; [http://gen.lib.rus.ec/book/index.php?md5=AD3F25797F8FF079C6A6041F0DF99DAC 2nd ed.], Bloomsbury, 2014, 387 pp.
 +
* Marlene Angermeyer-Deubner, Peter Weibel (eds.), ''Syntax des Sehens. Die Videosammlung des ZKM'', Heidelberg: Kehrer, 2006, 206 pp. [https://zkm.de/en/publication/syntax-des-sehens-die-videosammlung-des-zkm] {{de}}
 
* Joachim Jäger, Gabriele Knapstein, Anette Hüsch (eds.), ''Beyond Cinema: The Art of Projection: Films, Videos and Installations from 1963 to 2005'', Ostfildern: Hatje Cantz, 2006, 152 pp. [https://www.hatjecantz.de/beyond-cinema-the-art-of-projection-1813-1.html]
 
* Joachim Jäger, Gabriele Knapstein, Anette Hüsch (eds.), ''Beyond Cinema: The Art of Projection: Films, Videos and Installations from 1963 to 2005'', Ostfildern: Hatje Cantz, 2006, 152 pp. [https://www.hatjecantz.de/beyond-cinema-the-art-of-projection-1813-1.html]
 
* Laura Baigorri (ed.), ''[http://videoarde.net/video-en-latinoamerica/textos.html Vídeo en Latinoamérica: una historia crítica]'', Madrid: Brumaria, 2008. {{es}}
 
* Laura Baigorri (ed.), ''[http://videoarde.net/video-en-latinoamerica/textos.html Vídeo en Latinoamérica: una historia crítica]'', Madrid: Brumaria, 2008. {{es}}
* Stan Douglas, Christopher Eamon (eds.), ''[https://aaaaarg.fail/thing/5546ab82334fe022df7de25d Art of Projection]'', Ostfildern: Hatje Cantz, 2009, 192 pp. [https://www.hatjecantz.de/art-of-projection-2278-1.html]  
+
* Stan Douglas, Christopher Eamon (eds.), ''[https://aaaaarg.fail/thing/5546ab82334fe022df7de25d Art of Projection]'', Ostfildern: Hatje Cantz, 2009, 192 pp. [https://www.hatjecantz.de/art-of-projection-2278-1.html]
 +
* Kate Mondloch, ''[http://library.memoryoftheworld.org/#/book/f2c97eb9-9c39-4d19-8135-5d68bd17fc12 Screens: Viewing Media Installation Art]'', University of Minnesota Press, 2010.
 +
* ''[[Media:Are You Ready for TV 2010.pdf|Are You Ready for TV?]]'', Barcelona: MACBA, 2010, 116 pp. [https://www.macba.cat/en/learn-explore/publications/are-you-ready-tv]
 +
** ''[[Media:Estais listos para la television 2010.pdf|¿Estáis listos para la televisión?]]'', Barcelona: MACBA, 2010, 127 pp. [https://www.macba.cat/es/aprender-investigar/publicaciones/estais-listos-television]
 +
** ''[[Media:Esteu a punt per a la televisio 2010.pdf|Esteu a punt per a la televisió?]]'', Barcelona: MACBA, 2010, 121 pp. [https://www.macba.cat/ca/aprendre-investigar/publicacions/esteu-punt-televisio] {{ca}}
 
* Nancy Cain, ''Video Days and What We Saw Through the Viewfinder'', Palm Springs: Event Horizon Press, 2011.
 
* Nancy Cain, ''Video Days and What We Saw Through the Viewfinder'', Palm Springs: Event Horizon Press, 2011.
 
* Tamara Trodd (ed.), ''Screen/Space: the Projected Image in Contemporary Art'', Manchester: Manchester University Press, 2011, 214 pp. Review: [https://sci-hub.tw/10.1093/screen/hjr047 Butler] (Screen).
 
* Tamara Trodd (ed.), ''Screen/Space: the Projected Image in Contemporary Art'', Manchester: Manchester University Press, 2011, 214 pp. Review: [https://sci-hub.tw/10.1093/screen/hjr047 Butler] (Screen).
Line 198: Line 278:
 
* Erika Suderburg, Ming-Yuen S. Ma (eds.), ''Resolutions 3: Global Networks of Video'', University of Minnesota Press, 2012, 408 pp.  [https://www.upress.umn.edu/book-division/books/resolutions-3]
 
* Erika Suderburg, Ming-Yuen S. Ma (eds.), ''Resolutions 3: Global Networks of Video'', University of Minnesota Press, 2012, 408 pp.  [https://www.upress.umn.edu/book-division/books/resolutions-3]
 
* Holly Rogers, ''[http://library.memoryoftheworld.org/#/book/c52d40ab-2ea2-4cae-aa0a-9abf0282cfba Sounding the Gallery: Video and the Rise of Art-Music]'', Oxford University Press, 2013.
 
* Holly Rogers, ''[http://library.memoryoftheworld.org/#/book/c52d40ab-2ea2-4cae-aa0a-9abf0282cfba Sounding the Gallery: Video and the Rise of Art-Music]'', Oxford University Press, 2013.
* Paul Hegarty, ''[http://aaaaarg.fail/ref/1745394ca117c0a9b18b137dcc518b14#0.01 Rumour and Radiation: Sound in Video Art]'', Bloomsbury Academic, 2014.
+
* Renato Rezende, Katia Maciel, ''[[Media:Rezende Renato Maciel Katia Poesia e videoarte 2013.pdf|Poesia e videoarte]]'', Rio de Janeiro: CIrcuito: funarte, 2013, 159 pp. [https://www.academia.edu/43760811/] {{br-pt}}
* Kathy High, Sherry Miller Hocking, Mona Jimenez (eds.), ''The Emergence of Video Processing Tools'', 2 vols., Intellect, 2014. [https://books.google.com/books?id=MYdiAwAAQBAJ&printsec=frontcover]. Review: [http://leonardo.info/reviews/jun2015/high-pearlman.php Pearlman] (Leonardo).
+
* Paul Hegarty, ''[http://library.memoryoftheworld.org/#/book/3047c20c-70a2-4cd2-ba78-3fa4452c239c Rumour and Radiation: Sound in Video Art]'', Bloomsbury Academic, 2014.
 +
* Melissa Rérat, ''L'art vidéo au féminin: Emmanuelle Antille, Elodie Pong, Pipilotti Rist'', Lausanne: PPUR, 2014. {{fr}}
 +
* Kathy High, Sherry Miller Hocking, Mona Jimenez (eds.), ''[https://1lib.eu/book/3404565/632f0a The Emergence of Video Processing Tools]'', 2 vols., Intellect, 2014, [http://library.memoryoftheworld.org/#/book/094da87b-4069-40ca-bd60-169926288fcb EPUB]. Review: [http://leonardo.info/reviews/jun2015/high-pearlman.php Pearlman] (Leonardo).
 
* Helen Westgeest, ''[http://gen.lib.rus.ec/book/index.php?md5=5DEF2EFE9006688D224844DBA0333FEF Video Art Theory: A Comparative Approach]'', Wiley-Blackwell, 2015.
 
* Helen Westgeest, ''[http://gen.lib.rus.ec/book/index.php?md5=5DEF2EFE9006688D224844DBA0333FEF Video Art Theory: A Comparative Approach]'', Wiley-Blackwell, 2015.
* Malin Hedlin Hayden, ''Video Art Historicized: Traditions and Negotiations'', Ashgate, 2015. [http://books.google.com/books?id=a1EhCgAAQBAJ&printsec=frontcover]
+
* Malin Hedlin Hayden, ''[http://library.memoryoftheworld.org/#/book/b58ee26c-5ce5-4659-9f51-b79e8fe41b1b Video Art Historicized: Traditions and Negotiations]'', Ashgate, 2015.  
* Gabrielle Jennings (ed.), ''[http://aaaaarg.fail/thing/561f66fe334fe03b381bead8 Abstract Video: The Moving Image in Contemporary Art]'', forew. Kate Mondloch, University of California Press, 2015.
+
* Gabrielle Jennings (ed.), ''[http://library.memoryoftheworld.org/#/book/943579d6-8dfe-4764-b152-fd16553c3e87 Abstract Video: The Moving Image in Contemporary Art]'', forew. Kate Mondloch, University of California Press, 2015, [http://aaaaarg.fail/thing/561f66fe334fe03b381bead8 ARG].
 
* Omar Kholeif (ed.), ''Moving Image'', London: Whitechapel Gallery, 2015, 239 pp.
 
* Omar Kholeif (ed.), ''Moving Image'', London: Whitechapel Gallery, 2015, 239 pp.
 +
* Andreas Treske, ''[https://aaaaarg.fail/thing/5a8f9da79ff37c39fb622bd2 Video Theory: Online Video Aesthetics or the Afterlife of Video]'', Bielefeld: transcript, 2015, 208 pp.
 +
* Anke Hervol, Wulf Herzogenrath, Johannes Odenthal (eds.), ''Schwindel der Wirklichkeit. Closed-Circuit-Videoinstallationen und Partizipation. Ein Reader / The Vertigo of Reality: Closed-Circuits and Participation: A Reader'', Berlin: Akademie der Künste, and Walther König, 2015, 336 pp. [https://cdn.website-editor.net/fc4456fd00ed4a42a1a8f3c7da66c11f/files/uploaded/46.%2520Slavko%2520Kacunko%25202015%252C%2520Bill%2520Viola.pdf TOC]. {{de}}/{{en}}
 +
* Ilaria Bombelli (ed.), ''I Have a Friend Who Knows Someone Who Bought a Video, Once: On Collecting Video Art. A project by LOOP Barcelona'', Milan: Mousse Publishing, 2016, 160 pp. [https://www.barbaralondon.net/wp-content/uploads/2019/11/2016_I-Have-a-Friend_Buying-Time_barbara_london.pdf London's essay]. [https://www.moussepublishing.com/?product=/i-have-a-friend-who-knows-someone-who-bought-a-video-once-on-collecting-video-art/ Publisher]. [https://loop-barcelona.com/publication/i-have-a-friend-who-knows-someone-who-bought-a-video-once/]
 
* Erika Balsom, ''[http://aaaaarg.fail/thing/58daa4869ff37c4e16cb0a29 After Uniqueness: A History of Film and Video Art in Circulation]'', Columbia University Press, 2017, 312 pp.
 
* Erika Balsom, ''[http://aaaaarg.fail/thing/58daa4869ff37c4e16cb0a29 After Uniqueness: A History of Film and Video Art in Circulation]'', Columbia University Press, 2017, 312 pp.
 
* François Bovier (ed.), ''Early Video and Experimental Film Networks: French-Speaking Switzerland in 1974: A Case for "Minor History"'', Lausanne: ECAL/University of Art and Design Lausanne, 2017, 252 pp. [http://www.lespressesdureel.com/EN/ouvrage.php?id=5884] [http://worldcat.org/oclc/1019616425]
 
* François Bovier (ed.), ''Early Video and Experimental Film Networks: French-Speaking Switzerland in 1974: A Case for "Minor History"'', Lausanne: ECAL/University of Art and Design Lausanne, 2017, 252 pp. [http://www.lespressesdureel.com/EN/ouvrage.php?id=5884] [http://worldcat.org/oclc/1019616425]
 
* Michael Goddard, ''[http://library.memoryoftheworld.org/#/book/e6873b0f-14e7-4e65-8e07-6e108f40cfda Guerrilla Networks: An Anarchaeology of 1970s Radical Media Ecologies]'', Amsterdam University Press, 2018, 358 pp. [https://en.aup.nl/download/9789048527533%20ToC%20+%20Intro.pdf TOC & Introduction]. [http://en.aup.nl/books/9789089648891-guerrilla-networks.html]. Review: [https://www.hsozkult.de/publicationreview/id/rezbuecher-29283 Gloor] (H-Soz-Kult).
 
* Michael Goddard, ''[http://library.memoryoftheworld.org/#/book/e6873b0f-14e7-4e65-8e07-6e108f40cfda Guerrilla Networks: An Anarchaeology of 1970s Radical Media Ecologies]'', Amsterdam University Press, 2018, 358 pp. [https://en.aup.nl/download/9789048527533%20ToC%20+%20Intro.pdf TOC & Introduction]. [http://en.aup.nl/books/9789089648891-guerrilla-networks.html]. Review: [https://www.hsozkult.de/publicationreview/id/rezbuecher-29283 Gloor] (H-Soz-Kult).
* Slavko Kacunko (ed.), ''Theorien der Videokunst. Theoretikerinnen 1988-2003 & 2004-2018'', 2 vols., Berlin: Logos, 2018, 582 & 406 pp. [https://www.logos-verlag.de/cgi-bin/engbuchmid?isbn=4605&lng=deu&id=] [https://www.logos-verlag.de/cgi-bin/engbuchmid?isbn=4606&lng=deu&id=] {{de}}
+
* Slavko Kacunko (ed.), ''[https://cdn.website-editor.net/fc4456fd00ed4a42a1a8f3c7da66c11f/files/uploaded/016.%2520Slavko%2520Kacunko%2520%2528Hg.%2529%25202018%252C%2520Theorien%2520der%2520Videokunst.pdf Theorien der Videokunst. Theoretikerinnen 1988-2003] & [https://cdn.website-editor.net/fc4456fd00ed4a42a1a8f3c7da66c11f/files/uploaded/017.%2520Slavko%2520Kacunko%2520%2528Hg.%2529%25202018%252C%2520Theorien%2520der%2520Videokunst.pdf 2004-2018]'', 2 vols., Berlin: Logos, 2018, 582 & 406 pp. [https://www.logos-verlag.de/cgi-bin/engbuchmid?isbn=4605&lng=deu&id=] [https://www.logos-verlag.de/cgi-bin/engbuchmid?isbn=4606&lng=deu&id=] {{de}}
 +
* Laura Leuzzi, Elaine Shemilt, Stephen Partridge (eds.), ''EWVA: European Women's Video Art in the 70s and 80s'', John Libbey, 2019, 250 pp. [http://www.ewva.ac.uk/publications.html]
 +
* Renate Buschmann, Jessica Nitsche (eds.), ''Video Visionen. Die Medienkunstagentur 235 Media als Alternative im Kunstmarkt'', Bielefeld: Transcript, 2020, 366 pp. [https://www.transcript-verlag.de/media/pdf/8d/76/02/ts4706_1ij7Kf55a9aJdR.pdf TOC, Introduction]. [https://www.transcript-verlag.de/978-3-8376-4706-8/video-visionen/ Publisher]. [https://235media.de/2020/05/video-visionen/?lang=de] {{de}}
  
 
===Journal issues===
 
===Journal issues===
 +
* ''Performance'' 3: "Television", Jul-Aug 1972.
 
* ''Studio International'': "Video Art", ed. David Hall, London, May-Jun 1976. Essays: [[Media:Hall_David_1976_British_Video_Art_Towards_an_Autonomous_Practice.pdf|D Hall]], [http://www.rewind.ac.uk/documents/Stephen%20Partridge/SP195-01.pdf Krikorian], [http://www.rewind.ac.uk/documents/Stephen%20Partridge/SP192krikorian.pdf Krikorian], [http://www.rewind.ac.uk/documents/Stephen%20Partridge/SP194.pdf S Hall & Hopkins], [http://www.rewind.ac.uk/documents/Stephen%20Partridge/SP192leggett.pdf Leggett], [http://www.rewind.ac.uk/documents/Mike%20Leggett/ML034.pdf Leggett], [http://www.rewind.ac.uk/documents/Stephen%20Partridge/SP195.pdf Chaimowitz], [http://www.rewind.ac.uk/documents/Stephen%20Partridge/SP192hoey.pdf Hoey], [http://www.rewind.ac.uk/documents/Stephen%20Partridge/S189.pdf Kidel].
 
* ''Studio International'': "Video Art", ed. David Hall, London, May-Jun 1976. Essays: [[Media:Hall_David_1976_British_Video_Art_Towards_an_Autonomous_Practice.pdf|D Hall]], [http://www.rewind.ac.uk/documents/Stephen%20Partridge/SP195-01.pdf Krikorian], [http://www.rewind.ac.uk/documents/Stephen%20Partridge/SP192krikorian.pdf Krikorian], [http://www.rewind.ac.uk/documents/Stephen%20Partridge/SP194.pdf S Hall & Hopkins], [http://www.rewind.ac.uk/documents/Stephen%20Partridge/SP192leggett.pdf Leggett], [http://www.rewind.ac.uk/documents/Mike%20Leggett/ML034.pdf Leggett], [http://www.rewind.ac.uk/documents/Stephen%20Partridge/SP195.pdf Chaimowitz], [http://www.rewind.ac.uk/documents/Stephen%20Partridge/SP192hoey.pdf Hoey], [http://www.rewind.ac.uk/documents/Stephen%20Partridge/S189.pdf Kidel].
 
* [http://monoskop.org/log/?p=14445 ''Art Journal'' 45(3): "Video: The Reflexive Medium"], ed. Sara Hornbacher, Fall 1985, 93 pp.
 
* [http://monoskop.org/log/?p=14445 ''Art Journal'' 45(3): "Video: The Reflexive Medium"], ed. Sara Hornbacher, Fall 1985, 93 pp.
* ''Art Journal'' 65(3): "Forty Years of Video Art", ed. Yvonne Spielmann, Fall 2006.
+
* [https://www.persee.fr/issue/comm_0588-8018_1988_num_48_1 ''Communications'' 48: "Vidéo"], eds. Raymond Bellour and Anne-Marie Duguet, Paris, 1988. {{fr}}
 +
* ''Art Journal'' 54(4): "Video Art", eds. John G. Hanhardt and Maria Christina Villaseñor, Winter 1995. [https://www.jstor.org/stable/i231716]
 +
* ''PAJ: A Journal of Performance and Art'' 71: "Studio as Study: A Selection of Drawings by American Video Artists", ed. Melinda M. Barlow, May 2002. [https://muse.jhu.edu/issue/1499]
 +
* ''Art Journal'' 65(3): "Forty Years of Video Art", ed. Yvonne Spielmann, Fall 2006. [https://www.tandfonline.com/toc/rcaj20/65/3]
  
 
===Proceedings from conferences and symposia===
 
===Proceedings from conferences and symposia===
 
* ''[[Media:Whitney_Video_Conference_1974_transcript.pdf|Transcript of the Whitney Video Conference sponsored by NYSCA on April 1 & 2, 1974]]'', New York State Council on the Arts, [1975], n.p.
 
* ''[[Media:Whitney_Video_Conference_1974_transcript.pdf|Transcript of the Whitney Video Conference sponsored by NYSCA on April 1 & 2, 1974]]'', New York State Council on the Arts, [1975], n.p.
* ''The New Television: A Public/Private Art: Essays, Statements, and Videotapes'', eds. Douglas Davis and Allison Simmons, MIT Press, 1977, 289 pp. [[Media:Davis_Simmons_eds_The_New_Television_A_Public_Private_Art_1977_excerpts.pdf|Excerpts]]. Based on ''Open Circuits: An International Conference on the Future of Television'' organized by Fred Barzyk, Douglas Davis, Gerald O'Grady, and Willard Van Dyke for the Museum of Modern Art, NYC, 23-25 Jan 1974, gathering some 40 video artists, filmmakers, curators, arts administrators, and critics among others to discuss the problems and prospects of artists' television and video. Review: [http://muse.jhu.edu/article/599098/ Knight] (Leonardo). [http://www.eai.org/webpages/1244] [https://www.eai.org/webpages/1176]
+
* ''The New Television: A Public/Private Art: Essays, Statements, and Videotapes: Based on "Open Circuits: An International Conference on the Future of Television" Organized by Fred Barzyk, Douglas Davis, Gerald O'Grady, and Willard Van Dyke for the Museum of Modern Art, New York City'', eds. Douglas Davis and Allison Simmons, MIT Press, 1977, 289 pp. [[Media:Davis_Simmons_eds_The_New_Television_A_Public_Private_Art_1977_excerpts.pdf|Excerpts]]. Based on conference held 23-25 Jan 1974, gathering some 40 video artists, filmmakers, curators, arts administrators, and critics among others to discuss the problems and prospects of artists' television and video. [http://www.eai.org/user_files/supporting_documents/schedule.pdf Conf. schedule]. Review: [http://muse.jhu.edu/article/599098/ Knight] (Leonardo). [http://www.eai.org/webpages/1244] [https://www.eai.org/webpages/1176]
 
* ''[[Media:International_Video_Art_Symposium_1979_Transcript.pdf|Transcript from The International Video Art Symposium, 5-7 March 1979]]'', Kingston, Ontario: Queen's University, 1979, 69 pp.
 
* ''[[Media:International_Video_Art_Symposium_1979_Transcript.pdf|Transcript from The International Video Art Symposium, 5-7 March 1979]]'', Kingston, Ontario: Queen's University, 1979, 69 pp.
 
* ''The Media Arts in Transition'', ed. Bill Horrigan, Minneapolis: Walker Art Center, 1983, 63 pp. Conference held 8-11 Jun 1983. [http://www.vasulka.org/archive/ExhFest6/Walker/WalkerPstrMedArtTrans.pdf Programme]. [http://www.vasulka.org/archive/ExhFest6/Walker/MediaArtsInTransition.pdf Part on preservation]. [http://www.vasulka.org/archive/ExhFest6/Walker/WAC004.pdf Speakers and registrants].
 
* ''The Media Arts in Transition'', ed. Bill Horrigan, Minneapolis: Walker Art Center, 1983, 63 pp. Conference held 8-11 Jun 1983. [http://www.vasulka.org/archive/ExhFest6/Walker/WalkerPstrMedArtTrans.pdf Programme]. [http://www.vasulka.org/archive/ExhFest6/Walker/MediaArtsInTransition.pdf Part on preservation]. [http://www.vasulka.org/archive/ExhFest6/Walker/WAC004.pdf Speakers and registrants].
  
 
===Book chapters, papers, articles===
 
===Book chapters, papers, articles===
 +
*{{a|Margolies1969}}John S. Margolies, [[Media:Margolies_John_S_1969_TV_The_Next_Medium.pdf|"TV: The Next Medium"]], ''Art in America'' 57:5, Sep-Oct 1969, pp 48-55, [https://www.artnews.com/art-in-america/features/from-the-archives-tvthe-next-medium-63050/ HTML]. [https://www.eai.org/supporting-documents/182/]
 +
 
* Douglas Davis, "The New Audience: Television and Videotape", in Davis, ''Art and the Future'', New York and Washington: Praeger, 1973, pp 84-91.  
 
* Douglas Davis, "The New Audience: Television and Videotape", in Davis, ''Art and the Future'', New York and Washington: Praeger, 1973, pp 84-91.  
* Rosalind Krauss, [http://jonahsusskind.com/essays/Krauss_VideoNarcissism.pdf "Video: The Aesthetics of Narcissism"], ''October'' 1, Spring 1976, pp 50-64.
+
 
 +
* Rosalind Krauss, [[Media:Krauss_Rosalind_1976_Video_The_Aesthetics_of_Narcissism.pdf|"Video: The Aesthetics of Narcissism"]], ''October'' 1, Spring 1976, pp 50-64.
 +
 
 
* Stuart Marshall, [http://sci-hub.tw/10.1093/screen/20.1.109 "Video: Technology and Practice"], ''Screen'' 20:1, Mar 1979, pp 109-119.
 
* Stuart Marshall, [http://sci-hub.tw/10.1093/screen/20.1.109 "Video: Technology and Practice"], ''Screen'' 20:1, Mar 1979, pp 109-119.
 +
 +
* Lucinda Furlong, [[Media:Furlong Lucinda 1983 Notes Towards a History of Image-processed Video Eric Siegel Stephen Beck Dan Sandin Steve Rutt Bill and Louise Etra.pdf|"Notes Towards a History of Image-processed Video: Eric Siegel, Stephen Beck, Dan Sandin, Steve Rutt, Bill and Louise Etra"]], ''Afterimage'', Summer 1983, pp 35-38.
 +
 +
* Lucinda Furlong, [[Media:Furlong_Lucinda_1983_Notes Towards a History of Image-processed Video Steina and Woody Vasulka.pdf|"Notes Towards a History of Image-processed Video: Steina and Woody Vasulka"]], ''Afterimage'', Dec 1983, pp 12-17, [http://vasulka.org/Kitchen/essays_furlong/K_Furlong_01.html HTML]; repr. in ''Mémoires vives: From Nam June Paik to Sliders_Lab'', ed. Jean-Marie Dallet, Tielt: Lannoo, 2019, pp 56-73.
 +
** "Du signal video au traitement d'images digitales", trans. Isabelle Delord and Dominique Willoughby, in ''[http://www.vasulka.org/Catalogues/PDFs/Cat_Videastes.pdf Steina et Woody Vasulka: Vidéastes: 1969-1984]'', 2nd ed., rev. & corr., ed. Dominique Willoughby, Paris: Ciné-MBXA/Cinédoc, 1984, pp 33-47. {{fr}}
 +
 +
*{{a|Sturken1984}}Marita Sturken, [[Media:Sturken Marita 1984 TV as a Creative Medium Howard Wise and Video Art.pdf|"TV as a Creative Medium: Howard Wise and Video Art"]], ''Afterimage'' 11:10, May 1984, pp 5-9, [http://vasulka.org/Kitchen/essays_sturken/K_SturkenWise_01.html HTML].
 +
 
* Stuart Marshall, [http://sci-hub.tw/10.1093/screen/26.2.66 "Video: From Art to Independence"], ''Screen'' 26:2, Mar-Apr 1985, pp 66-72.
 
* Stuart Marshall, [http://sci-hub.tw/10.1093/screen/26.2.66 "Video: From Art to Independence"], ''Screen'' 26:2, Mar-Apr 1985, pp 66-72.
 +
 +
* Lucinda Furlong, [[Media:Furlong Lucinda 1985 Tracking Video Art Image Processing as a Genre.pdf|"Tracking Video Art: ‘Image Processing’ as a Genre"]], ''Art Journal'' 45, Fall 1985, pp 233-237.
 +
 
* Martha Rosler, "Video: Shedding the Utopian Moment", in ''Vidéo'', ed. René Payant, Montréal: Artexte, 1986; repr. in ''Block'' 11, London, 1985-86; [[Media:Rosler_Martha_1986_1991_Video_Shedding_the_Utopian_Moment.pdf|repr. in]] ''Illuminating Video: An Essential Guide to Video Art'', eds. Doug Hall and Sally Jo Fifer, New York: Aperture Press, 1991, pp 30-50. Originally delivered as a talk, "Shedding the Utopian Moment: The Museumization of Video", at the conference ''Vidéo '84'' at the Université de Québec à Montréal.
 
* Martha Rosler, "Video: Shedding the Utopian Moment", in ''Vidéo'', ed. René Payant, Montréal: Artexte, 1986; repr. in ''Block'' 11, London, 1985-86; [[Media:Rosler_Martha_1986_1991_Video_Shedding_the_Utopian_Moment.pdf|repr. in]] ''Illuminating Video: An Essential Guide to Video Art'', eds. Doug Hall and Sally Jo Fifer, New York: Aperture Press, 1991, pp 30-50. Originally delivered as a talk, "Shedding the Utopian Moment: The Museumization of Video", at the conference ''Vidéo '84'' at the Université de Québec à Montréal.
 +
 +
* Marita Sturken, [http://vasulka.org/Kitchen/essays_sturken/K_SturkenRockefeller_01.html "Private Money and Personal Influence: Howard Klein and the Rockefeller Foundation's Funding of the Media Arts"], ''Afterimage'' 14:6, Jan 1987.
 +
 
* Paul Ryan, [[Media:Ryan_Paul_1988_Genealogy_of_Video.pdf|"A Genealogy of Video"]], ''Leonardo'' 21:1, 1988, pp 39-44.
 
* Paul Ryan, [[Media:Ryan_Paul_1988_Genealogy_of_Video.pdf|"A Genealogy of Video"]], ''Leonardo'' 21:1, 1988, pp 39-44.
* Sean Cubitt, [https://sci-hub.tw/10.1093/screen/30.4.66 "Video Art and Colonialism: An Other and Its Others", ''Screen'' 30:4, Oct 1989, pp 66-79. Review of retrospectives of Bill Viola and Nam June Paik.
+
 
 +
* Lucinda Furlong, [[Media:Furlong Lucinda 1988 Electronic Backtalk The Art of Interactive Video.pdf|"Electronic Backtalk: The Art of Interactive Video"]], ''The Independent'' 11:4, May 1988, pp 14-20, [https://archive.org/details/independent11foun/page/n165/mode/2up IA].
 +
 
 +
* Sean Cubitt, [https://sci-hub.tw/10.1093/screen/30.4.66 "Video Art and Colonialism: An Other and Its Others"], ''Screen'' 30:4, Oct 1989, pp 66-79. Review of retrospectives of Bill Viola and Nam June Paik.
 +
 
 
* Margaret Morse, [[Media:Morse Margaret 1991 Video Installation Art The Body The Image and the Space-in-Between.pdf|"Video Installation Art: The Body, The Image, and the Space-in-Between"]], in ''Illuminating Video: An Essential Guide to Video Art'', eds. Doug Hall and Sally Jo Fifer, New York: Aperture Press, 1991, pp 152-167.
 
* Margaret Morse, [[Media:Morse Margaret 1991 Video Installation Art The Body The Image and the Space-in-Between.pdf|"Video Installation Art: The Body, The Image, and the Space-in-Between"]], in ''Illuminating Video: An Essential Guide to Video Art'', eds. Doug Hall and Sally Jo Fifer, New York: Aperture Press, 1991, pp 152-167.
 +
 
* Chris Hill, [http://web.archive.org/web/20050404044100/http://www.bavc.org/preservation/dvd/resources/extras/hill.pdf "Attention! Production! Audience! —Performing Video in its First Decade, 1968-1980"], ''vdb.org'', 1996; [http://www.vdb.org/sites/default/files/Chris%20Hill%20-%20Attention_Production_Audience_Performing%20Video%20in%20its%20First%20Decade,%201968-1980.pdf revised version], in ''Surveying the First Decade'' DVD, 2008.  
 
* Chris Hill, [http://web.archive.org/web/20050404044100/http://www.bavc.org/preservation/dvd/resources/extras/hill.pdf "Attention! Production! Audience! —Performing Video in its First Decade, 1968-1980"], ''vdb.org'', 1996; [http://www.vdb.org/sites/default/files/Chris%20Hill%20-%20Attention_Production_Audience_Performing%20Video%20in%20its%20First%20Decade,%201968-1980.pdf revised version], in ''Surveying the First Decade'' DVD, 2008.  
 +
 
* Dieter Daniels, [http://www.medienkunstnetz.de/themes/overview_of_media_art/massmedia/scroll/ "Television-Art or Anti-Art? Conflict and Cooperation between the Avant-Garde and the Mass Media in the 1960s and 1970s"], in ''Media Art Net'', eds. Rudolf Frieling and Dieter Daniels, 2004.  
 
* Dieter Daniels, [http://www.medienkunstnetz.de/themes/overview_of_media_art/massmedia/scroll/ "Television-Art or Anti-Art? Conflict and Cooperation between the Avant-Garde and the Mass Media in the 1960s and 1970s"], in ''Media Art Net'', eds. Rudolf Frieling and Dieter Daniels, 2004.  
 
** [http://www.medienkunstnetz.de/themen/medienkunst_im_ueberblick/massenmedien/scroll/ "Fernsehen – Kunst oder Antikunst? Konflikte und Kooperationen zwischen Avantgarde und Massenmedium in den 1960er / 1970er Jahren"], in ''Media Kunst Netz'', eds. Rudolf Frieling and Dieter Daniels, 2004. {{de}}
 
** [http://www.medienkunstnetz.de/themen/medienkunst_im_ueberblick/massenmedien/scroll/ "Fernsehen – Kunst oder Antikunst? Konflikte und Kooperationen zwischen Avantgarde und Massenmedium in den 1960er / 1970er Jahren"], in ''Media Kunst Netz'', eds. Rudolf Frieling and Dieter Daniels, 2004. {{de}}
 +
 
* Kate Horsfield, [http://www.temple.edu/tempress/chapters_1400/1669_ch1.pdf#page=5 "Busting the Tube: A Brief History of Video Art"], ch 1 in ''Feedback: The Video Data Bank Catalog of Video Art and Artist Interviews'', eds. Kate Horsfield and Lucas Hilderbrand, Temple University Press, 2006, pp 7-16. [http://www.vdb.org/sites/default/files/Kate%20Horsfield%20-%20Busting%20the%20Tube;%20A%20Brief%20History%20of%20Video%20Art.pdf]
 
* Kate Horsfield, [http://www.temple.edu/tempress/chapters_1400/1669_ch1.pdf#page=5 "Busting the Tube: A Brief History of Video Art"], ch 1 in ''Feedback: The Video Data Bank Catalog of Video Art and Artist Interviews'', eds. Kate Horsfield and Lucas Hilderbrand, Temple University Press, 2006, pp 7-16. [http://www.vdb.org/sites/default/files/Kate%20Horsfield%20-%20Busting%20the%20Tube;%20A%20Brief%20History%20of%20Video%20Art.pdf]
 +
 
* Christine Mehring, [http://heavysideindustries.com/wp-content/uploads/2011/10/Television-Art’s-Abstract-Starts-Europe-circa-1944–1969.pdf "Television Art's Abstract Starts: Europe circa 1944-1969"], ''October'' 125, Summer 2008, pp 29-64.
 
* Christine Mehring, [http://heavysideindustries.com/wp-content/uploads/2011/10/Television-Art’s-Abstract-Starts-Europe-circa-1944–1969.pdf "Television Art's Abstract Starts: Europe circa 1944-1969"], ''October'' 125, Summer 2008, pp 29-64.
 +
 
* Kris Paulsen, [[Media:Paulsen_Kris_2008_California_Video.pdf|"California Video"]], ''X-TRA'' 11:1, Sep 2008, pp 32-38.
 
* Kris Paulsen, [[Media:Paulsen_Kris_2008_California_Video.pdf|"California Video"]], ''X-TRA'' 11:1, Sep 2008, pp 32-38.
 +
 
* Ege Berensel, [https://web.archive.org/web/20150530084733/http://www.goethe.de:80/ins/tr/lp/prj/art/med/str/en9834692.htm  "Video Art from ’Monitor-Sculpture‘ to ’Video-Sculpture"], ''Goethe.de'', 2012.
 
* Ege Berensel, [https://web.archive.org/web/20150530084733/http://www.goethe.de:80/ins/tr/lp/prj/art/med/str/en9834692.htm  "Video Art from ’Monitor-Sculpture‘ to ’Video-Sculpture"], ''Goethe.de'', 2012.
 +
 
* Erika Balsom, [[Media:Balsom_Erika_2013_Original_Copies_How_Film_and_Video_Became_Art_Objects.pdf|"Original Copies: How Film and Video Became Art Objects"]], ''Cinema Journal'' 53:1 (Fall 2013), pp. 97-118.
 
* Erika Balsom, [[Media:Balsom_Erika_2013_Original_Copies_How_Film_and_Video_Became_Art_Objects.pdf|"Original Copies: How Film and Video Became Art Objects"]], ''Cinema Journal'' 53:1 (Fall 2013), pp. 97-118.
 +
 
* Peter Oleksik, [http://journal.voca.network/rewind/ "Rewind: A Brief History of Caring for Video Art in the United States"], ''VoCA Journal'', Spring 2018.
 
* Peter Oleksik, [http://journal.voca.network/rewind/ "Rewind: A Brief History of Caring for Video Art in the United States"], ''VoCA Journal'', Spring 2018.
  
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===Bibliography and chronology===
 
===Bibliography and chronology===
 +
* Barbara London, [[Media:London Barbara 1980 A Chronology of Video Activity in the United States 1965-1980.pdf|"A Chronology of Video Activity in the United States 1965-1980"]], ''Artforum'', Sep 1980.
 
* Barbara London, [https://monoskop.org/images/4/4c/Circulating_Video_Library_MOMA_1983.pdf#page=21 "Selected U.S. Chronology"], in ''Circulating Video Library'', ed. Barbara London, New York: MoMA, 1983, pp 41-48.
 
* Barbara London, [https://monoskop.org/images/4/4c/Circulating_Video_Library_MOMA_1983.pdf#page=21 "Selected U.S. Chronology"], in ''Circulating Video Library'', ed. Barbara London, New York: MoMA, 1983, pp 41-48.
 
* [http://www.vasulka.org/archive/Writings/video_rewind.pdf "Selected Bibliography for Early Video"], in ''Video Rewind: A Seminar on Early Video History'', c1983, [2] pp.  
 
* [http://www.vasulka.org/archive/Writings/video_rewind.pdf "Selected Bibliography for Early Video"], in ''Video Rewind: A Seminar on Early Video History'', c1983, [2] pp.  
Line 253: Line 375:
 
===Dissertations===
 
===Dissertations===
 
* James A. Nadeau, ''[http://dspace.mit.edu/bitstream/handle/1721.1/39146/123349020.pdf The Medium is the Medium: The Convergence of Video, Art and Television at WGBH (1969)]'', Massachusetts Institute of Technology, Dept. of Comparative Media Studies, 2006. [http://cmsw.mit.edu/the-medium-is-the-medium/]
 
* James A. Nadeau, ''[http://dspace.mit.edu/bitstream/handle/1721.1/39146/123349020.pdf The Medium is the Medium: The Convergence of Video, Art and Television at WGBH (1969)]'', Massachusetts Institute of Technology, Dept. of Comparative Media Studies, 2006. [http://cmsw.mit.edu/the-medium-is-the-medium/]
 +
* Ariane Noël de Tilly, ''[https://hdl.handle.net/11245/1.352519 Scripting Artworks: Studying the Socialization of Editioned Video and Film Installations]'', Amsterdam: University of Amsterdam, 2011, 239 pp.
  
 
===More===
 
===More===

Latest revision as of 12:38, 24 November 2020

A resource on video art.

Artists, collectives, events[edit]

Only those with pages on Monoskop wiki are listed.

Artists (cont.)[edit]

Peggy Ahwesh, Francis Alÿs, Atlas Group, Yael Bartana, Guy Ben Ner, Sadie Benning, Dara Birnbaum, Colin Campbell, Peter Campus, Aleesa Cohene, Phil Collins, Omer Fast, Fischli & Weiss, Douglas Gordon, Dan Graham, Halflifers, Mike Kelley, Michael Klier, Sharon Lockhart, Deirdre Logue, Paul McCarthy, Karen Mirza & Brad Butler, Muntadas, Annabel Nicholson, Dennis Oppenheim, Charlemagne Palestine, Lis Rhodes, Christoph Schlingensief, John Smith, Lisa Steele, Surveillance Camera Players, Sam Taylor-Wood, Ryan Trecartin, Hannah Wilke, Artur Żmijewski, Isabel Pérez del Pulgar, Nestor Rodríguez, Lisi Prada, Luis Carlos Rodríguez, Mikel Otxoteko

Works[edit]

Online platforms for video art
  • UbuWeb: Film & Video, an online archive of the avant-garde. Edited by Kenneth Goldsmith.
  • Mediakunst.net, an online catalogue bringing together the media art collections of Frans Hals Museum, Stedelijk Museum Amsterdam, Van Abbemuseum, the Cultural Heritage Agency of the Netherlands (RCE) and LIMA. Launched 2018, operated by LIMA. Contact: Gaby Wijers.
  • Videokunstarkivet (The Video Art Archive, Norway) is a reference archive for video works produced in Norway or with a connection to Norway from the 1960s and up to today. The online platform records 2500+ registered works of more than 500 artists and artist groups, of which 800 is available for online viewing (after free registration). Contact: Per Platou.
  • D'Est: A Multi-Curatorial Online Platform for Video Art from the former “East” and “West”, Apr 2018-Dec 2020. Curated by Xandra Popescu, Kathrin Becker, Jana Seehusen, Creative Association of Curators TOK (Anna Bitkina & Maria Veits), Inga Lāce, Miona Bogović, Suza Husse, Suzana Milevska, Eva Birkenstock, Ulrike Gerhardt, Naomi Hennig, Nataša Ilić, Jelena Vesić, Katja Kobolt, and Bettina Knaup.

Archives and distributors[edit]

Links point to online catalogues.

more

See also

Artists' writings, catalogues[edit]

Radical Software magazine, 1970-74, Log, PDFs.

Magazines[edit]

  • Radical Software, 11 issues, eds. Beryl Korot, Phyllis Gershuny, and Ira Schneider, New York: Raindance, 1970-74, Log, PDFs. (English)
  • Avalanche 9: "Video Performance", ed. Liza Bear, New York: Kineticism Press, May-Jun 1974, 29 pp. [2] (English)
  • The Independent: Film & Video Monthly, New York: Foundation for Independent Video and Film, 1978-2006. [3] (English)
  • Mediamatic, quarterly, 39 numbers, eds. Willem Velthoven and Jans Possel, Groningen (1985-Jan 1987) & Amsterdam (Apr 1987-1999): Mediamatic, Dec 1985-1999. (English)
TV as a Creative Medium, New York, 1969, PDF.
Video Art, Philadelphia, 1975, PDF.
The Video Show, London, 1975, PDF.
Video Spaces: Eight Installations, New York, 1995, PDF.

Exhibition catalogues[edit]

For historical surveys and retrospectives see section below.

  • Video Circuits, McLaughlin Library, University of Guelph, 1973, 21 pp.
  • Videoperformance, ed. Willoughby Sharp, New York, 1974. Works by Vito Acconci, Joseph Beuys, Chris Burden, Dennis Oppenheim, Ulrike Rosenbach, Richard Serra, Willoughby Sharp, Keith Sonnier, William Wegman. Special issue of Avalanche magazine, number 9. Exh. held at 112 Greene Street, Gallery, NY. (English)
  • Video Art, ed. David Antin, Philadelphia: Institute of Contemporary Art, 1975. Antin's essay. Exh. held in Philadelphia, Cincinnati, Chicago, and Hartford/CT. [4]
  • Video Art: An Overview, San Francisco: SFMOMA, 1976. Exh. curated by David Ross; held 23 Mar-4 May 1976. Exh. of 33 videotapes by 29 artists. Installations by Peter Campus, Paul and Marlene Kos, Nam June Paik.
  • documenta 6, Kassel, 1977. Video art section curated by Wulf Herzogenrath.
  • Video & Film Manifestatie: kijken en doen, eds. Alexander van Grevenstein and Ton Quik, Maastricht: Bonnefantenmuseum, 1977, [77] pp. Catalogue in 6 parts; exh. held 11 Feb-20 Mar 1977. (Dutch),(English),(French)
  • Video im Abendland. Videoworkshop, Stuttgart: Künstlerhaus, 1979, 28 pp. Workshop held 23 Sep-7 Oct 1979. [6] (German)
  • Cine graphia, la linea in movimento: la fotografia di movimento, il cinema sperimentale, l'arte video: 1° Festival videoart, Locarno / The Line in Movement / La Ligne en mouvement, Locarno: Flaviana, 1980, 117 pp. Festival held 1-10 Aug 1980. (Italian),(English),(French)
  • Installation: Video, an Exhibition of Diagrams, Documentation and Video Installations, intro. G. Roger Denson and Kathy High, Buffalo, NY: Hallwalls, 1981. Exh. held 9-30 May 1980. [7] (English)
  • Plan K: Festival international de musique électronique, video et computer art / International Festival voor Elektronische Muziek, Video en Computer Art, Brussels, 1981, 142 pp. [8] (French)/(Dutch)
  • Video Maart. Video Studio Jan van Eyck, ed. Elsa Stansfield, Maastricht: Jan van Eyck Academie, 1981, 93 pp. David Hall's essay. (Dutch),(English),(French),(German)
  • World Wide Video Festival catalogues, The Hague/Amsterdam, 1982ff.
  • Het Lumineuze beeld / Luminous Image, ed. Gary Schwartz, Amsterdam: Stedelijk Museum, 1984, viii+194 pp. Exh. curated by Dorine Mignot; symposium organised by Elsa Stansfield. Exh. of 22 video-installations (17 of them commissioned for the show) by European and American artists; held 14 Sep-28 Oct 1984. Poster. [9]. Video documentation (60 min). Reviews: Zippay (Art J 1985), Duguet & Andrews (Camera Obscura, 1985).
  • New Video Japan, New York: American Federation of Arts, 1985, 37 pp. Exh. held at MoMA, 16 Jan-2 Mar 1985; curated by Barbara London. (English)
  • Vidéo, ed. René Payant, Montreal: Artexte, 1986, 263 pp. Published in conjunction with video installations held in various museums and galleries in Montréal in the fall of 1986. Incl. essay with historical survey of video in 9 countries, and texts of 18 lectures given during the Video 84 symposium. (French)/(English)
  • Video and Language. Video as Language, 1986, [6] pp. Curated by Scott Rankin at VideoLace, 4 Dec 1986-18 Jan 1987.
  • documenta 8, 3 vols., Kassel: Weber & Weidemeyer, 1987. Exh. held 12 Jun-20 Sep 1987. (German)/(English) Issue of Mediamatic dedicated to the exhibition.
  • Het magnetische beeld, eds. Anke van der Laan and Elsa Stansfield, Maastricht: Jan van Eyck Academie, and Heerlen: Heerlen, 1988. Exh. held at Stadsgalerij Heerlen, 9 Oct-20 Nov 1988, 48 pp. [10] (Dutch)/(English)
  • Imago: fin de siècle in Dutch contemporary art, eds. Rene Coelho, et al., 's-Gravenhage: Netherlands Office for Fine Arts, and Amsterdam: Mediamatic, 1990, 100+xxiv, HTML. Published as a special issue of Mediamatic, 5(1/2). (English),(Dutch)
  • Sub Voce: Contemporary Hungarian Video Installation, ed. Suzanne Mészöly, Budapest: Soros Foundation Fine Art Documentation Center - Mucsarnok, 1991, 75 pp. Exhibition. [11] (English)/(Hungarian)
  • Video Positive, Liverpool, 1991. Review: Partridge (Variant 1991).
  • Video Spaces: Eight Installations, ed. Barbara London, New York: MoMA, 1995. Exh. held at MoMA, 22 Jul-12 Sep 1995. Online companion. (English)
  • Projected Allegories, Houston: Contemporary Arts Museum, 1998, 20 pp. (English)
  • Balkan Video Federation, ed. Branislav Dimitrijević, Belgrade: Center for Contemporary Art - Belgrade, 2000, [55] pp. (English)
  • Point of View: A Contemporary Anthology of the Moving Image, New York: New Museum, 2003. 11 DVDs. [12] [13] (English)

Notable exhibitions without catalogues[edit]

Monographs[edit]

Anthologies[edit]

  • Video Art: An Anthology, eds. Ira Schneider and Beryl Korot, New York: Harcourt Brace Jovanovich, 1976. Seventy video artists were each given two pages to present information about their work in any form they chose. Also contains documents such as Shigeko Kubota’s “Anthology Film Archives Video Program,” and essays by David Antin, Stephen Beck, Eric Cameron, Douglas Davis, Anne Focke, Peter Frank, Hermine Freed, Davidson Gigliotti, Frank Gillette, John Hanhardt, Wulf Herzogenrath, Bruce Kurtz, David Ross, Bill Viola, Ingrid Weigand, and Willoughby Sharp.
  • Video by Artists, ed. Peggy Gale, Toronto: Art Metropole, 1976, 223 pp. [15]
  • Video by Artists 2, ed. Elke Town, Toronto: Art Metropole, 1986, 151 pp. [16]
  • Video Re/View: The (best) Source for Critical Writings on Canadian Artist's Video, eds. Peggy Gale and Lisa Steele, Toronto: Art Metropole, and V-tape, 1996, 492 pp. [17]
  • Source texts on video art, in Media Art Net, eds. Rudolf Frieling and Dieter Daniels, 2004.
  • Video Writings by Artists (1970-1990), ed. Eugeni Bonet, Mousse, 2017, 309 pp. [18]

Reception, art historical studies[edit]

For publications on individual artists and collectives see their respective pages.

The Second Link: Viewpoints on Video in the Eighties, Banff, New York, Amsterdam, Toronto, Long Beach, London, 1983, PDF.
Imago, fin de siècle in Dutch Contemporary Art, 1990, PDFs.
Eigenwelt Der Apparate-Welt: Pioneers of Electronic Art, 1992, Log.
Mediascape, New York, 1996, IA.

Exhibition catalogues[edit]

  • Videokunst in Deutschland 1963-1982, ed. Wulf Herzogenrath, Stuttgart: Gerd Hatje, 1982. Includes chapters on “Videotapes,” “Videoinstallation,” “Video-Objects,” and “Videoperformances” covers some one hundred artists, and includes biographies, videographies, and many black-and-white photographs. Essays by Wulf Herzogenrath, Helmut Friedel, Nam June Paik, Ulrike Rosenbach, Friederike Pezold, and Kaus von Bruch; a rare 1969 letter from Gerry Schum to Gene Youngblood; and an interview with Joseph Beuys. Exh. held at Kölnischer Kunstverein, 1982, also shown at MoMA (1982). (German)
  • The Second Link: Viewpoints on Video in the Eighties, ed. Lorne Falk, Banff, CA: Walter Phillips Gallery, Banff Centre School of Fine Arts, 1983, 111 pp. Exh. of 30 works by artists from CA, US, UK, BE, NL, West Germany and PL; curated by Peggy Gale (A Space Toronto), Kathy Huffman (Long Beach), Barbara London (MoMA), Brian MacNevin (Banff), Dorine Mignot (Stedelijk), and Sandy Nairne (ICA London); held at Banff Centre, 8-21 Jul 1983; MoMA, New York, 18 Aug-27 Sep 1983; Stedelijk M, Amsterdam, 9 Sep-16 Oct 1983; A Space, Toronto, 1-29 Oct 1983; Long Beach M of Art, Long Beach, 20 Nov 1983-15 Jan 1984; ICA, London, 16 Dec 1983-15 Jan 1984. Review: Zippay (Art J 1985).
  • Video: A Retrospective 1974-1984, ed. Kathy Rae Huffman, Long Beach, CA: Long Beach Museum of Art, 135 pp. Two-part exh. held 9 Sep-4 Nov 1984 and 25 Nov 1984-20 Jan 1985. [20]
  • Resolutions: A Critique of Video Art, ed. Patti Podesta, Los Angeles: LACE, 1986. Survey of video works made in the US from 1980-85. [21]
  • Social Engagement: Women's Video in the Eighties, ed. Lucinda Furlong, New York: Whitney Museum, 1987. Exh. held at Whitney, 3-20 Mar 1987. Exh. review: NYT. [22]
  • Revision: Art Programmes of European Television Stations, ed. Dorine Mignot, pref. Wim A.L. Beeren, Amsterdam: Stedelijk Museum, 1987, 100 pp. Curated by Dorine Mignot. (English)
  • The Arts for Television, eds. Kathy Rae Huffman and Dorine Mignot, Los Angeles: Museum of Contemporary Art, and Amsterdam: Stedelijk Museum, 1987, 104 pp. Historical survey of arts programmes arranged in 6 thematic sections: image, theatre, literature, dance, music, television. Works from 1966-87 by 102 artists from AT, BE, FR, DE, IT, JP, NL, UK, US, YU. Curated by Dorine Mignot (Stedelijk) and Kathy Rae Huffman (Contemporary Art Television Fund Boston), with participation of Julie Lazar (MOCA LA). Exh. held at Stedelijk Amsterdam, 4 Sep-18 Oct 1987; Museum of Contemporary Art Los Angeles, 6 Oct-15 Nov 1987; MoMA New York, 20 Apr-30 May 1989; Contemporary Arts Museum Houston, 10 Jun-16 Jul 1989.
  • American Landscape Video: The Electronic Grove, ed. William D. Judson, Pittsburgh: Carnegie Museum of Art, 1988, 128 pp. Exh. curated by William D. Judson; held at Carnegie Museum of Art, Pittsburgh, 7 May-10 Jul 1988; and in two parts at SFMOMA, San Francisco, 10 Nov 1988-1 Jan 1989 & 17 Jan-19 Feb 1989. Brochure. [23]
  • Video-Skulptur: retrospektiv und aktuell 1963-1989, eds. Wolf Herzogenrath and Edith Decker, Cologne: DuMont, 1989, 326 pp. Exh. held at Kölnischer Kunstverein, Kunststation St. Peter, Belgisches Haus and DuMont Kunsthalle Cologne, 18 Mar-23 Apr 1989; Berlin; Kunsthaus Zürich, 13 Oct-12 Nov 1989. (German)
  • Signs of the Times: A Decade of Video, Film and Slide-Tape Installation in Britain, 1980-1990, ed. Chrissie Iles, Oxford: Museum of Modern Art Oxford, 1990, 87 pp. Exh. held 7 Oct-9 Dec 1990. Exh. review: Cubitt (Screen).
  • Passages de l'image, eds. Raymond Bellour, Catherine David and Christine van Assche, Paris: Centre Pompidou, 1990, 191 pp. Exh. curated by Bellour, David and Assche; held at Musée national d'art moderne, Galeries contemporaines, 19 Sep-18 Nov 1990; salle Garance, 12 Sep-15 Oct 1990. (French)
    • Passages de l'image, Barcelona: Centre Cultural de la Fundació Caixa de Pensions, 1991, 280 pp. Exh. held at Fundació Caixa de Pensions, Barcelona, 12 Feb-28 Mar 1991; Wexner Center for the Arts, Columbus/OH, 1 Jun-27 Oct 1991; San Francisco Museum of Modern Art, 6 Feb-12 Apr 1992. (English)/(Catalan)
  • Vidéo et après: la collection vidéo du Musée national d'art moderne, ed. Christine Van Assche, Paris: Centre Georges Pompidou, 1992, 295 pp. (French)
  • Video‐Skulptur in Deutschland seit 1963, ed. Wolf Herzogenrath, Stuttgart: ifa, 1995. (German)
  • Mediascape, New York: Guggenheim Museum, and Karlsruhe: ZKM, 1996. Exh. held at Guggenheim Museum SoHo, 14 June-15 Sep 1996.
  • '2' the Second: Time Based Art from the Netherlands, Amsterdam: Netherlands Media Art Institute / MonteVideo TBA, 1997, 60 pp. With CD. (English)
  • L'art vidéo 1980-1999: vingt ans du VideoArt Festival, Locarno: recherches, théories, perspectives, ed. Vittorio Fagone, Milan: Mazzotta, 1999, 430 pp. (French)
  • Seeing Time: Selections from the Pamela and Richard Kramlich Collection of Media Art, ed. Karen Jacobson, San Francisco: SFMOMA, 1999, 179 pp. Exh. held 15 Oct 1999-9 Jan 2000. [24] [25] [26]
  • Video Acts: Single Channel Works from the Collections of Pamela and Richard Kramlich and New Art Trust, eds. Klaus Biesenbach with Barbara London and Christopher Eamon, New York: PS1 Contemporary Art Center, 2002, 311 pp. Exh. held 10 Nov 2002-Apr 2003. [27]
  • 30 jaar Nederlandse videokunst / Thirty Years of Dutch Video Art, Amsterdam: Nederlands Instituut voor Mediakunst, MonteVideo/Time Based Arts, 2003. Exh. held 11 Jan-8 Mar 2003. (Dutch),(English)
  • Arte del video: il viaggio dell'uomo immobile: videoinstallazioni, videoproiezioni, eds. Vittorio Fagone, Sandra Solimano and Lorenzo Bianda, Lucca: Fondazione Ragghianti Studi sull'Arte, 2004. Exh. held at Fondazione Ragghianti, Lucca, 21 Mar-23 May 2004. (Italian)/(English)
  • Ready to Shoot: Fernsehgalerie Gerry Schum—Videogalerie Schum, ed. Snoeck Ghent, Heule/Belgium: Snoeck, 2004. Exh. held at Kunsthalle Dusseldorf, 27 Mar-6 Jun 2004, curated by Ulrike Groos, Barbara Hess, and Ursula Wevers, with a chronology of the development of the Television Gallery, which the German artist Gerry Schum launched in 1968 to transform television into an artistic medium by screening avant-garde art to a mass audience.
  • Centre Pompidou Video Art: 1965-2005, 2005. Curated by Christine van Assche. Exh. held at Barcelona Caixa Forum; 28 Sep 2005-8 Jan 2006; Taipei Fine Arts Museum, 28 Apr-23 Jul 2006; Miami Art Central, 19 Sep-10 Dec 2006; Museum of Contemporary Art Australia (MCA), Sydney, 13 Dec 2006-25 Feb 2007; Australian Centre for the Moving Image (ACMI), Melbourne, 15 Mar-27 May 2007; Museo de Chada, Lisbon, 18 Oct 2007-6 Jan 2008, [28]; The Nicosia Municipal Arts Centre, Cyprus, Mar-May 2008; Honolulu Academy of Arts, Jun-Sep 2008; Musée Fabre, Montpellier, 25 Oct 2008-18 Jan 2009 [29].
  • 40jahrevideokunst.de – Teil 1. Digitales Erbe: Videokunst in Deutschland von 1963 bis heute, eds. Rudolf Frieling and Wulf Herzogenrath, Ostfildern: Hatje Cantz, 2006, 399 pp. With DVD. Publisher. [30] [31] [32] (German)
  • Videokunst der 60er Jahre in Deutschland, ed. Wulf Herzogenrath, Bremen: Kunsthalle Bremen, 2006, 80 pp. (German)
  • India: Public Places, Private Spaces: Contemporary Photography and Video Art, eds. Sinha Gayatri and Paul Sternberger, Gaithersburg, MD: Marg Foundation, 2007. Contains essays surveying contemporary Indian photographers and video artists. Works by 28 artists exploring the landscape of Indian identity, experience, history, and politics. (English)
  • Buffalo Heads: Media Study, Media Practice, Media Pioneers, 1973-1990, eds. Woody Vasulka and Peter Weibel, Karlsruhe: ZKM, and MIT Press, 2008, 837 pp. Exh. held at ZKM, 16 Dec 2006-25 Mar 2007. Exhibition. Exhibition. Chronology. TOC. Publisher. Publisher. Reviews: Zics (Leonardo), Yu (Afterimage), Browne (J Am Cult). Exh. review: Minkowsky (Film Quarterly). (English)
  • California Video: Artists and Histories, ed. Glenn Phillips, Los Angeles: Getty Research Institute, 2008, 312 pp. Exh. held at J. Paul Getty Museum, Los Angeles, 15 Mar-8 Jun 2008. [33] [34]. Comprehensive exhibition catalogue with an introduction by the editor, followed by some 230 pages devoted to artists’ historic videos with short introductions by leading figures in the field of video. Scholarly essays by Meg Cranston, Robert R. Riley, Kathy Rae Huffman, Bruce Yonemoto, Steve Seid, and Rita Gonzalez. Hundreds of illustrations. (English)
  • Record again! 40JahreVideokunst.de Teil 2, eds. Christoph Blase and Peter Weibel, Ostfildern: Hatje Cantz, 2010, 535 pp. With DVD. Publisher. [35] [36] (German)/(English)
  • Changing Channels. Kunst und Fernsehen 1963-1987, ed. Matthias Michalka, Cologne: Verlag der Buchhandlung Walther König, and Vienna: mumok, 2010, 293 pp. Exh. curated by Matthias Michalka with Manuela Ammer; held at mumok, Vienna, 5 Mar-6 Jun 2010. [37] (German)
    • Changing Channels: Art and Television 1963-1987, ed. Matthias Michalka, Cologne: Verlag der Buchhandlung Walther König, and Vienna: mumok, 2010, 293 pp. [38]
  • VideoStudio: Playback, ed. Thomas J. Lax, New York: Studio Museum in Harlem, 2011, 17 pp. Exh. held on 31 Mar-26 Jun 2011. First exhibition in a series of programs dedicated to work made in the late 20th century that reflect the influence of dance and avant-garde theater as well as contemporaneous social concerns on early uses of video by artists. Emphasizing improvisation, collaboration and innovative uses of technology, the artists in the exhibition include Houston Conwill, Maren Hassinger, Fred Holland, Ishmael Houston-Jones, Ulysses Jenkins, Senga Nengudi and Howardena Pindell. (English)
  • Vidéo Vintage 1963-1983: une sélection de vidéos fondatrices des collections nouveaux médias du Musée National d'Art Moderne Centre Pompidou, ed. Christine Van Assche, Paris: Centre Pompidou, 2012, 64 pp. Retrospective presenting the first two decades of video art production held in the collection of Centre Pompidou. Curated by Christine van Assche with Florence Parot. Press release. Publisher. Exh. held at Centre Pompidou, 8 Feb-7 May 2012; ZKM Media Museum Karlsruhe, 22 Sep 2012-10 Feb 2013; Beirut Art Center; MMCA Seoul. (French)
  • TeleGen: Kunst und Fernsehen / Art and Television, eds. Dieter Daniels and Stephan Berg, Munich: Hirmer, 2015, 352 pp. Exh. held at Kunstmuseum Bonn, 1 Oct 2015-17 Jan 2016; Kunstmuseum Liechtenstein, Vaduz, 19 Feb-16 May 2016. (German)/(English)
  • Mémoires vives: From Nam June Paik to Sliders_Lab, ed. Jean-Marie Dallet, Tielt: Lannoo, 2019, 256 pp. Excerpt. [39] (English),(Dutch),(French)
Gene Youngblood, Expanded Cinema, 1970, Log, PDF.

Monographs[edit]

  • Gene Youngblood, Expanded Cinema, intro. R. Buckminster Fuller, New York: Dutton, 1970, 432 pp.
    • Cine expandido, Buenos Aires: Eduntref, 2012, 456 pp. [40] (Spanish)
    • Expanded cinema, trans. Pier Luigi Capucci and Simonetta Fadda, Bologna: CLUEB, 2013, xvi+388 pp. (Italian)
  • Michael Shamberg, Raindance Corporation, Guerrilla Television, New York, Chicago, San Francisco: Holt Rinehart and Winstin, 1971. [41]
  • Paul Ryan, Birth And Death And Cybernation: Cybernetics of the Sacred, New York: Gordon & Breach, 1973.
  • Peggy Gale (ed.), Video by Artists, intro. Tom Sherman, Toronto: Art Metropole, 1976, 223 pp. [42] [43]
  • Johanna Gill, Video: State of the Art, Rockefeller Foundation, 1976, 56 pp, HTML; repr. as "Video: State of the Art", in Eigenwelt der Apparate-Welt. Pioniere der Elektronischen Kunst / Pioneers of Electronic Art, ed. David Dunn, Santa Fe, NM: The Vasulkas, 1992, pp 63-88.
  • Jonathan Price, Video Visions: A Medium Discovers Itself, New York: New American Library, 1977. Based on interviews with people involved in early video: broadcasters at WGBH and other PBS stations, numerous artists, a.o. Review: Kaiser (Leonardo).
  • Gregory Battcock (ed.), New Artists' Video: A Critical Anthology, New York: E.P.Dutton, 1978, xxii+198 pp. [44]. Some of the articles are reprints, but eleven of them were previously unpublished. Writers included Douglas Davis, Richard Kostelanetz, Richard Lorber, David Ross, Nam June Paik and Charlotte Moorman, Robert Stefanotty, Les Levine, Rosalind Kraus, Stuart Marshall, Ingrid Wiegand, a.o.
  • Dominique Belloir, Vidéo art explorations, Paris: Cahiers du Cinema, 1981, 90 pp. (French)
  • Bettina Gruber, Maria Vedder (eds.), Kunst und Video: Internationale Entwicklung und Künstler, Cologne: DuMont, 1983, 264 pp. Incl. 7 essays on communications theory and video history, color plates (8 pp), statements, photographs, biographies, videographies, and bibliographies for 61 artists. Review: Zippay (Art J 1985). (German)
  • John Hanhardt (ed.), Video Culture: A Critical Investigation, Layton, UT: Peregrine Smith Books, and Rochester, NY: Visual Studies Workshop Press, 1986, 296 pp. Introduction by Hanhardt, with chapters on “Theory and Practice,” “Video and Television,” and “Film and Video.” Essays by Walter Benjamin, Bertolt Brecht, Louis Althusser, Hans Mgnus Enzensberger, Jean Baudrillard, David Antin, David Ross, Stanley Cavell, Nam June Paik, Gene Youngblood, Jack Burnham, John Ellis, and Douglas Davis, as well as Rosalind Krauss’s essay "Video: The Aesthetics of Narcissism".
  • Deidre Boyle, Video Classics: A Guide to Video Art and Documentary Tapes, Phoenix, AZ: Oryx Press, 1986, xxii+160 pp.
  • Elke Town (ed.), Video by Artists, 2, Toronto: Art Metropole, 1986, 151 pp. A companion to the 1976 book publication. [45]
  • Wolfgang Preikschat, Video. Die Poesie der Neuen Medien, Weinheim: Beltz, 1987, 188 pp. Review: Hoffman (MW). (German)
  • Lori Zippay (ed.), Artists' Video: An International Guide, New York: Cross River Press, 1991, 272 pp. Introductory essay by the editor on major topics and technical developments in video, from the 1960s to the 1990s, including 120 artists and 1,500 illustrations, with chapters organized alphabetically by artist, each with an annotated biography, videography, and bibliography.
  • Doug Hall, Sally Jo Fifer (eds.), Illuminating Video: An Essential Guide to Video Art, New York: Aperture Press, 1991, OL. Rosler's essay, Morse's essay, Sturken's essay. Essays by Kathy Rae Huffman, Marita Sturken, Christine Tamblyn, Martha Rosler, Chip Lord, Judith Barry, Juan Downey, Mary Lucier, Woody Vasulka, Bill Viola, and Kathy O’Dell, a.o. Bibliography and videography.
  • Sean Cubitt, Videography: Video Media as Art and Culture, Palgrave Macmillan, 1993, 239 pp.
  • Rewind: Surveying the First Decade: Video Art and Alternative Media in the U.S., 1968-1980, ed. Gary Hill, Chicago: Video Data Bank, 1995, Excerpt; new ed., eds. Abina Manning and Brigid Reagan, Chicago: Video Data Bank, 2008, 150 pp. Brochure, SFMOMA, 1997. [46]
  • Michael Renov, Erika Suderburg (eds.), Resolutions: Contemporary Video Practices, University of Minnesota Press, 1995, 448 pp. [47]
  • Julia Knight (ed.), Diverse Practices: a Critical Reader on British Video Art, Luton: University of Luton Press, 1996, 384 pp. Review: Eleftheriotis (Screen).
  • Christine Ross, Images de surface: l'art vidéo reconsidéré, Montréal: Artexte, 1996, 142 pp. Based on dissertation from Université Paris I. (French)
  • The Kitchen Video Collection: Two Decades of the Video Vanguard, ed. David Azarch, New York: Kitchen Center for Video, Music, Dance, Performance, Film, and Literature, 1996. Founded as a collective for experimental artists and composers, The Kitchen began as an alternative space and became a renowned institution for cross-disciplinary art and performance. Volume consists of archival documents, brief descriptions of art works, and black-and-white photographs of video art and video performances, many of which have become classic works in the history of art.
  • Deidre Boyle, Subject to Change: Guerrilla Television Revisited, Oxford University Press, 1997.
  • François Parfait, Video, un art contemporain, Paris: Regard, 2001. Twelve illustrated chapters focus on the relation between electronic images and the development of contemporary art; the affiliations between banal video productions and the hybrid history of technology; and interconnections among sculpture, photography, cinema, and television in relation to popular culture and live, performed art in the second half of the 20th century. (French)
  • Nina Danino, Michael Maziere (eds), The Undercut Reader: Critical Writings on Artists' Film and Video, London: Wallflower Press, 2002, 292 pp. Review: Rees (Screen).
  • Ursula Biemann (ed.), In Stuff It: The Video Essay in the Digital Age, Zurich: Voldemeer, and Vienna: Springer, 2003. (English)
  • The Undercut Reader: Critical Writings on Artists' Film and Video, eds. Nina Danino and Michael Mazière, London: Wallflower Press, 2003. [48]
  • Michael Rush, Video Art, London: Thames & Hudson, 2003; rev.ed., 2007. Introduction + Chapter 1, Chapter 2.
  • Yvonne Speilmann, Video: das reflexive Medium, Frankfurt am Main: Suhrkamp, 2005. This scholarly study of the history and practices of video contains a section devoted to the experimental phase of video, guerilla television, artistic video, and video culture. Another section explores the aesthetics of video by many artists working in video performance, from Vito Acconci, Dennis Oppenheim, and Ulrike Rosenbach to Valie Export, Lynn Hersham, and Raphael Montañez Ortiz. (German)
    • Video: The Reflexive Medium, trans. Anja Welle and Stan Jones, MIT Press, 2007, 384 pp. TOC, Index, [49].
  • Slavko Kacunko, Closed Circuit Videoinstallationen. Ein Leitfaden zur Geschichte und Theorie der Medienkunst mit Bausteinen eines Künstlerlexikons, Berlin: Logos, 2005, 1062 pp. (German)
  • Sylvia Martin, Video Art, Taschen, 2006, 95 pp. Excerpt.
  • Chris Meigh-Andrews, A History of Video Art, Berg, 2006; 2nd ed., Bloomsbury, 2014, 387 pp.
  • Marlene Angermeyer-Deubner, Peter Weibel (eds.), Syntax des Sehens. Die Videosammlung des ZKM, Heidelberg: Kehrer, 2006, 206 pp. [50] (German)
  • Joachim Jäger, Gabriele Knapstein, Anette Hüsch (eds.), Beyond Cinema: The Art of Projection: Films, Videos and Installations from 1963 to 2005, Ostfildern: Hatje Cantz, 2006, 152 pp. [51]
  • Laura Baigorri (ed.), Vídeo en Latinoamérica: una historia crítica, Madrid: Brumaria, 2008. (Spanish)
  • Stan Douglas, Christopher Eamon (eds.), Art of Projection, Ostfildern: Hatje Cantz, 2009, 192 pp. [52]
  • Kate Mondloch, Screens: Viewing Media Installation Art, University of Minnesota Press, 2010.
  • Are You Ready for TV?, Barcelona: MACBA, 2010, 116 pp. [53]
  • Nancy Cain, Video Days and What We Saw Through the Viewfinder, Palm Springs: Event Horizon Press, 2011.
  • Tamara Trodd (ed.), Screen/Space: the Projected Image in Contemporary Art, Manchester: Manchester University Press, 2011, 214 pp. Review: Butler (Screen).
  • Sean Cubitt, Stephen Partridge (eds.), Rewind: British Artists' Video of the 1970s and 1980s, John Libbey, 2012, 234 pp. A history and analysis of the first years of video art in England and Scotland based on extensive archiving and oral history. Review: Piccini (Screen). [56]
  • Erika Suderburg, Ming-Yuen S. Ma (eds.), Resolutions 3: Global Networks of Video, University of Minnesota Press, 2012, 408 pp. [57]
  • Holly Rogers, Sounding the Gallery: Video and the Rise of Art-Music, Oxford University Press, 2013.
  • Renato Rezende, Katia Maciel, Poesia e videoarte, Rio de Janeiro: CIrcuito: funarte, 2013, 159 pp. [58] (Brazilian Portuguese)
  • Paul Hegarty, Rumour and Radiation: Sound in Video Art, Bloomsbury Academic, 2014.
  • Melissa Rérat, L'art vidéo au féminin: Emmanuelle Antille, Elodie Pong, Pipilotti Rist, Lausanne: PPUR, 2014. (French)
  • Kathy High, Sherry Miller Hocking, Mona Jimenez (eds.), The Emergence of Video Processing Tools, 2 vols., Intellect, 2014, EPUB. Review: Pearlman (Leonardo).
  • Helen Westgeest, Video Art Theory: A Comparative Approach, Wiley-Blackwell, 2015.
  • Malin Hedlin Hayden, Video Art Historicized: Traditions and Negotiations, Ashgate, 2015.
  • Gabrielle Jennings (ed.), Abstract Video: The Moving Image in Contemporary Art, forew. Kate Mondloch, University of California Press, 2015, ARG.
  • Omar Kholeif (ed.), Moving Image, London: Whitechapel Gallery, 2015, 239 pp.
  • Andreas Treske, Video Theory: Online Video Aesthetics or the Afterlife of Video, Bielefeld: transcript, 2015, 208 pp.
  • Anke Hervol, Wulf Herzogenrath, Johannes Odenthal (eds.), Schwindel der Wirklichkeit. Closed-Circuit-Videoinstallationen und Partizipation. Ein Reader / The Vertigo of Reality: Closed-Circuits and Participation: A Reader, Berlin: Akademie der Künste, and Walther König, 2015, 336 pp. TOC. (German)/(English)
  • Ilaria Bombelli (ed.), I Have a Friend Who Knows Someone Who Bought a Video, Once: On Collecting Video Art. A project by LOOP Barcelona, Milan: Mousse Publishing, 2016, 160 pp. London's essay. Publisher. [59]
  • Erika Balsom, After Uniqueness: A History of Film and Video Art in Circulation, Columbia University Press, 2017, 312 pp.
  • François Bovier (ed.), Early Video and Experimental Film Networks: French-Speaking Switzerland in 1974: A Case for "Minor History", Lausanne: ECAL/University of Art and Design Lausanne, 2017, 252 pp. [60] [61]
  • Michael Goddard, Guerrilla Networks: An Anarchaeology of 1970s Radical Media Ecologies, Amsterdam University Press, 2018, 358 pp. TOC & Introduction. [62]. Review: Gloor (H-Soz-Kult).
  • Slavko Kacunko (ed.), Theorien der Videokunst. Theoretikerinnen 1988-2003 & 2004-2018, 2 vols., Berlin: Logos, 2018, 582 & 406 pp. [63] [64] (German)
  • Laura Leuzzi, Elaine Shemilt, Stephen Partridge (eds.), EWVA: European Women's Video Art in the 70s and 80s, John Libbey, 2019, 250 pp. [65]
  • Renate Buschmann, Jessica Nitsche (eds.), Video Visionen. Die Medienkunstagentur 235 Media als Alternative im Kunstmarkt, Bielefeld: Transcript, 2020, 366 pp. TOC, Introduction. Publisher. [66] (German)

Journal issues[edit]

Proceedings from conferences and symposia[edit]

Book chapters, papers, articles[edit]

  • Douglas Davis, "The New Audience: Television and Videotape", in Davis, Art and the Future, New York and Washington: Praeger, 1973, pp 84-91.
  • Martha Rosler, "Video: Shedding the Utopian Moment", in Vidéo, ed. René Payant, Montréal: Artexte, 1986; repr. in Block 11, London, 1985-86; repr. in Illuminating Video: An Essential Guide to Video Art, eds. Doug Hall and Sally Jo Fifer, New York: Aperture Press, 1991, pp 30-50. Originally delivered as a talk, "Shedding the Utopian Moment: The Museumization of Video", at the conference Vidéo '84 at the Université de Québec à Montréal.

Miscellaneous[edit]

Barbara London, "Video: A Selected Chronology, 1963-1983", 1985, PDF, in Art Journal 45(3): "Video: The Reflexive Medium", 1985, Log, PDF.

Bibliography and chronology[edit]

Dissertations[edit]

More[edit]

Resources[edit]

See also[edit]

Links[edit]

  • Émergence de l’art vidéo en Europe: historiographie, théorie, sources et archives, seminar series organised by INHA and BnF, Paris: 2016, 2017, 2018.


Art

Styles and movementsCollectionsHistorians and criticsPreservation and conservationReference works

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communities of practice in film and video

Early cinema, Experimental film, Expanded cinema, Video art, Live cinema, Film labs, Media archives, Community television, Demoscene, VJing, VVVV, Live coding .
See also Artists' cultures.