Difference between revisions of "Photography"

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[[Image:Dyson_Eddington_Davidson_1919_A_Determination_of_the_Deflection_of_Light_by_the_Sun's_Gravitational_Field_inverted.jpg|thumb|258px|An inverted photograph from F. W. Dyson, A. S. Eddington, and C. Davidson, "A Determination of the Deflection of Light by the Sun's Gravitational Field, from Observations Made at the Total Eclipse of May 29, 1919", ''Philosophical Transactions of the Royal Society of London'' (1920): 291-333, p 332.]]
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[[Image:View_from_the_Window_at_Le_Gras,_Joseph_Nicéphore_Niépce.jpg|thumb|350px|''View from the Window at Le Gras'' is the oldest surviving camera photograph. Created by [[Nicéphore Niépce]] in 1826 or 1827 at Saint-Loup-de-Varennes, it shows parts of the buildings and surrounding countryside of his estate, Le Gras, seen from a high window, made using a camera obscura. It was the result of an 8-hour exposure.]]
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[[Image:View_from_the_Window_at_Le_Gras,_Joseph_Nicéphore_Niépce.jpg|thumb|258px|''View from the Window at Le Gras'' is the oldest surviving camera photograph. It was created by [[Nicéphore Niépce]] in 1826 or 1827 at Saint-Loup-de-Varennes and shows parts of the buildings and surrounding countryside of his estate, Le Gras, seen from a high window, made using a camera obscura. It was the result of an eight-hour exposure.]]
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[[Image:Dyson_Eddington_Davidson_1919_A_Determination_of_the_Deflection_of_Light_by_the_Sun's_Gravitational_Field_inverted.jpg|thumb|350px|An inverted photograph from F. W. Dyson, A. S. Eddington, and C. Davidson, "A Determination of the Deflection of Light by the Sun's Gravitational Field, from Observations Made at the Total Eclipse of May 29, 1919", ''Phil. Trans. of the Royal Society of London'' (1920), p 332.]]
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[[Image:Yanaki_and_Milton_Manaki.jpg|thumb|258px|[[Yanaki_and_Milton_Manaki|The brothers Ianachia (1878–1954) and Milton Manachia (1882–1964)]] were pioneers of photography and cinema in the Balkans''.]]
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[[Image:Nahui_Olin_by_Edward_Weston_1924.jpg|thumb|350px|Portrait of [[Nahui Olin]] by Edward Weston, 1924.]]
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[[Image:Cover_the_Pencil_of_Nature_1844.jpg|thumb|258px|cover of ''The Pencil of Nature'' by William Henry Fox Talbot, the first photographic book, with 24 calotypes, London, 1844'', [[Media:Talbot_H_Fox_The_Pencil_of_Nature.pdf|PDF]]]].
+
[[Image:Lange_Dorothea_1936_Migrant_Mother_Nipomo_California.jpg|thumb|350px|Dorothea Lange, ''Migrant Mother, Nipomo, California'', Mar 1936. Gelatin silver print. [http://hdl.loc.gov/loc.pnp/fsa.8b29516 LOC]. [http://www.loc.gov/rr/print/list/128_migm.html LOC] (series). [http://www.moma.org/collection/works/50989 MoMA]. [http://www.moma.org/collection/works/58627 MoMA] (version). [http://www.metmuseum.org/art/collection/search/284152 Met]. [http://americanhistory.si.edu/collections/search/object/nmah_1313354 SI]. [http://www.artic.edu/aic/collections/artwork-search/results/%22migrant+mother%22 Artic]. [http://www.getty.edu/art/collection/objects/125690 Getty]. [http://www.dia.org/object-info/f8ab5ff8-6615-428d-90a6-1e1ab17ff26e.aspx?position=52 DIA]. [http://www.sfmoma.org/artwork/71.71.10 SFMOMA]. [http://slam.org:8080/emuseum/view/objects/asitem/items$0040:57571 SLAM]. [http://collections.artsmia.org/art/4383/migrant-mother-nipomo-california-photographer-dorothea-lange MiA]. [https://www.brooklynmuseum.org/opencollection/objects/127819/ Brooklyn M]. [http://www.tate.org.uk/art/artworks/lange-migrant-mother-nipomo-california-p13115 Tate].]]
 
==Pages==
 
==Pages==
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category            = Photography
 
category            = Photography
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==Literature==
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==Selected publications==
 +
[[Image:Cover_the_Pencil_of_Nature_1844.jpg|thumb|350px|William Henry Fox Talbot, ''The Pencil of Nature'', 1844, [[Media:Talbot_H_Fox_The_Pencil_of_Nature.pdf|PDF]]. First photographic book, with 24 calotypes.]]
 +
[[Image:Muybridge_Eadweard_Animal_Locomotion_1.jpg|thumb|350px|Eadweard Muybridge, ''Animal Locomotion'', 11 vols., 1887, [http://www.muybridge.org JPGs].]]
 +
[[Image:Moholy-Nagy_L_Malerei_Fotografie_Film.jpg|thumb|350px|László Moholy-Nagy, ''Malerei, Fotografie, Film'', 1925/27, [http://monoskop.org/log/?p=8914 Log].]]
 +
[[Image:Roh_Franz_Tschichold_Jan_Foto-Auge_1929.jpg|thumb|350px|Franz Roh, Jan Tschichold (eds.), ''Foto-Auge'', 1929, [https://monoskop.org/log/?p=21357 Log].]]
 +
[[Image:Graeff_Werner_Es_kommt_der_neue_Fotograf_1929.jpg|thumb|350px|Werner Gräff, ''Es kommt der neue Fotograf!'', 1929.]]
 +
[[Image:Moholy-Nagy_Laszlo_Von_Material_zu_Architektur.jpg|thumb|350px|László Moholy-Nagy, ''Von Material zu Architektur'', 1929, [http://monoskop.org/log/?p=8788 Log].]]
 +
[[Image:Photography_1839-1937_MoMA_1937.jpg|thumb|350px|''Photography 1839–1937'', MoMA, 1937, [[Media:Photography_1839-1937_MoMA_1937.pdf|PDF]].]]
 +
[[Image:Kepes_Gyorgy_Language_of_Vision.jpg|thumb|350px|Gyorgy Kepes, ''Language of Vision: Painting, Photography, Advertising-Design'', 1944/69, [http://monoskop.org/log/?p=11143 Log].]]
 +
===Chronophotography===
 +
* Eadweard Muybridge, ''[http://www.muybridge.org Animal Locomotion]'', 11 vols., Philadelphia: University of Pennsylvania, 1887, 781 plates. {{en}}
 +
 
 +
===Avant-garde, Modernism===
 +
* László Moholy-Nagy, ''[http://bibliothequekandinsky.centrepompidou.fr/imagesbk/RLPF727/M5050_X0031_LIV_RLPF0727.pdf Malerei, Fotografie, Film]'', Munich: Albert Langen (Bauhausbücher 8), 1925, 115 pp; 2nd ed., 1927, 140 pp. Incl. [[Media:Moholy-Nagy_Laszlo_1927_Dynamik_der_Gross-Stadt.pdf|"Dynamik der Gross-Stadt"]], pp 116-129. {{de}}
 +
** ''[http://monoskop.org/log/?p=8914 Painting Photography Film]'', trans. Janet Seligman, London: Lund Humphries, 1969. {{en}}
 +
** [[Moholy-Nagy#Moholy1925|more translations]]
 +
* Germaine Krull, ''[[Media:Krull_Germaine_Metal_1928_2003.pdf|Métal]]'', intro. Florent Fels, Paris: Librairie des Arts Décoratifs, 1928, [64] pp; new ed., Cologne: Ann und Jürgen Wilde, 2003. Photo book. {{fr}}
 +
* Albert Renger-Patzsch, ''Die Welt ist schön. Einhundert photographische Aufnahmen'', Munich: Kurt Wolff, 1928; other ed., Munich: Einhorn, 1928. Photo book. [http://www.moma.org/interactives/objectphoto/publications/780.html] [http://www.tandfonline.com.sci-hub.st/doi/abs/10.1080/03087298.1997.10443828 Reception].
 +
* August Sander, Alfred Döblin, ''Antlitz der Zeit. Sechzig Aufnahmen Deutscher Menschen Des 20. Jahrhunderts'', Munich: Transmare, 1929. Photo book. [http://www.moma.org/interactives/objectphoto/publications/776.html] [http://josefchladek.com/book/august_sander_-_antlitz_der_zeit]
 +
* Gustaf Stotz, et al., ''Internationale Ausstellung des Deutschen Werkbunds Film und Foto'', Stuttgart: Deutscher Werkbund, 1929. {{de}}
 +
* Franz Roh, Jan Tschichold (eds.), ''[https://monoskop.org/log/?p=21357 Foto-Auge: 76 Fotos der Zeit / Œil et photo: 76 photographies de notre temps / Photo-Eye: 76 Photos of the Period]'', Stuttgart: Wedekind, 1929, 18+[76] pp; repr., Tübingen: Ernst Wasmuth, 1973. Published in conjunction with the ''Film und Foto'' exhibition. {{de}}/{{fr}}/{{en}}
 +
* Werner Gräff, ''Es kommt der neue Fotograf!'', Berlin: H. Reckendorf, 1929. Published in conjunction with the ''Film und Foto'' exhibition. [http://www.moma.org/interactives/objectphoto/publications/769.html] {{de}}
 +
* Hans Richter, Werner Gräff. ''Filmgegner von Heute—Filmfreunde von Morgen'', Berlin: Hermann Reckendorf, 1929. Published in conjunction with the ''Film und Foto'' exhibition. {{de}}
 +
* László Moholy-Nagy, ''[http://monoskop.org/log/?p=8788 Von Material zur Architektur]'', Munich: Albert Langen (Bauhausbücher 14), 1929, 241 pp; facsimile repr., Mainz and Berlin: Florian Kupferberg, 1968, 251 pp.  {{de}}
 +
** ''The New Vision: From Material to Architecture'', trans. Daphne M. Hoffman, New York: Breuer Warren and Putnam, 1930; exp.rev.ed. as ''[http://monoskop.org/log/?p=8788 The New Vision and Abstract of an Artist]'', New York: George Wittenborn, 1947, 92 pp. {{en}}
 +
** [[Moholy-Nagy#Moholy1929|more translations]]
 +
* ''Aenne Biermann: 60 Fotos'', ed. & intro. Franz Roh, Berlin: Klinkhardt & Biermann, 1930. {{de}}
 +
* Gyorgy Kepes, ''[http://monoskop.org/log/?p=11143 Language of Vision: Painting, Photography, Advertising-Design]'', intro. Siegfried Giedion and Samuel Ichiye Hayakawa, Chicago: Paul Theobald, 1944; rev.ed., Chicago: Paul Theobald, 1964. {{en}}
 +
** [[Kepes#Kepes1944|translations]]
 +
* Jindřich Heisler, Jindřich Štyrský, ''Na jehlách techto dní'', Prague: Fr. Borový, 1945. {{cz}}
 +
 
 +
===Historisation===
 +
* Henry Hunt Snelling, ''[https://archive.org/details/ost-art-the_history_and_practice_of_the_art_of_p  The History and Practice of the Art of Photography]'', New York: G.P. Putnam, 1849, [http://aaaaarg.fail/ref/21650948a3cead057d7056390f719790 ARG]. {{en}}
 +
 
 +
* Georges Potonniée, ''[http://gallica.bnf.fr/ark:/12148/bpt6k6117287h.r=Histoire%20de%20la%20d%C3%A9couverte%20de%20la%20photographie Histoire de la découverte de la photographie]'', Paris: Paul Montel, 1925, [https://archive.org/details/HistoireDeLaDecouverteDeLaPhotographieParGeorgesPotonniee1925 IA], [http://aaaaarg.fail/ref/ee5e6b58748364691f012450574a1d92 ARG]. {{fr}}
 +
** ''The History of the Discovery of Photography'', trans. Edward Epstean, New York: Arno Press, 1973. {{en}}
 +
 
 +
* Josef Maria Eder, ''Geschichte der Photographie'', [http://digi.ub.uni-heidelberg.de/diglit/eder1932bd1 vol. 1] & [http://digi.ub.uni-heidelberg.de/diglit/eder1932bd2 vol. 2], 4th ed., Halle (Saale): Wilhelm Knapp, 1932. {{de}}
 +
** ''[https://archive.org/details/EderHistoryPhotography History of Photography]'', trans. Edward Epstean, New York: Dover, 1945; 1972. {{en}}
 +
 
 +
* ''[[Media:Photography_1839-1937_MoMA_1937.pdf|Photography 1839-1937]]'', intro. Beaumont Newhall, New York: Museum of Modern Art, 1937. Catalogue for the [http://moma.org/calendar/exhibitions/2088?locale=en 1937 exhibition]. [http://www.moma.org/interactives/objectphoto/publications/777.html] {{en}}
 +
 
 +
* Lucia Moholy, ''A Hundred Years of Photography, 1839-1939'', Middlesex: Harmondsworth, 1939. {{en}}
 +
 
 +
* Joseph Solomon Friedman, ''[https://archive.org/details/ost-art-historyofcolorph00frierich History of Color Photography]'', Boston: American Photographic Publishing Company, 1944. {{en}}
 +
 
 +
* Beaumont Newhall, ''[http://monoskop.org/log/?p=11179 The History of Photography: From 1839 to the Present Day]'', New York: Museum of Modern Art, 1949, 256 pp; 5th ed., 1982. {{en}}
 +
** [http://monoskop.org/log/?p=11179 ''Historia de la fotografia''], trans. Homero Alsina Thevenet, 2002. {{es}}
 +
 
 +
* Helmut Gernsheim with Alison Gernsheim, ''[https://archive.org/details/aa052-TheHistoryOfPhotography The History of Photography From the Earliest Use of the Camera Obscura in the Eleventh Century up to 1914]'', Oxford University Press, 1955; rev.ed., Thames & Hudson, 1969. {{en}}
 +
 
 +
* Helmut Gernsheim with Alison Gernsheim, ''L.J.M. Daguerre: The History of the Diorama and the Daguerreotype'', New York: Dover, 1968. {{en}}
 +
 
 +
* Dawn Ades, ''Photomontage'', London: Thames & Hudson, 1976. {{en}}
 +
** ''[[Media:Ades_Dawn_Fotomontaje_2002.pdf|Fotomontaje]]'', Barcelona: Gustavo Gili, 2002. {{es}}
 +
 
 +
* Aaron Scharf, ''[[Media:Scharf_Aaron_Pioneers_of_Photography_1976.pdf|Pioneers of Photography: An Album of Pictures and Words]]'', New York: Harry N. Abrams, 1976. {{en}}
 +
 
 +
* John H. Hammond, ''The Camera Obscura: A Chronicle'', Bristol: Adam Hilger, 1981. {{en}}
 +
 
 +
* Ian Jeffrey, ''Photography: A Concise History'', New York: Thames and Hudson, 1981. {{en}}
 +
 
 +
* Peter Galassi, ''[[Media:Galassi_Peter_Before_Photography_Painting_and_the_Invention_of_Photography_1981.pdf|Before Photography: Painting and the Invention of Photography]]'', New York: Museum of Modern Art, 1981, 151 pp. Catalogue for the [http://moma.org/calendar/exhibitions/2267?locale=en 1981 exhibition]. {{en}}
 +
 
 +
* Jean-Luc Daval, ''Histoire d'un art: la photographie'', Genève: Skira, 1982, 268 pp. [https://www.erudit.org/culture/liberte1026896/liberte1032573/30505ac.pdf Review]. {{fr}}
 +
** ''Photography: History of an Art'', trans. R.F.M. Dexter, New York: Skira/Rizzoli, 1982. {{en}}
 +
 
 +
* Su Braden, ''[[Media:Braden_Su_Committing_Photography_1983.pdf|Committing Photography]]'', Pluto Press, 1983, 121 pp. {{en}}
 +
 
 +
* Naomi Rosenblum, ''[[Media:Rosenblum_Naomi_A_World_History_of_Photography_3rd_ed_1997.pdf|A World History of Photography]]'', New York: Abbeville, 1984; rev.ed., 1989; 3rd ed., 1997. {{en}}
 +
 
 +
* John Pultz, ''[[Media:Pultz_John_Body_and_the_Lens_Photography_1839_to_the_Present_1995.pdf|The Body and the Lens: Photography 1839 to the Present]]'', New York: Harry N. Abrams, 1995. {{en}}
 +
 
 +
* Mike Weaver, Daniel Wolf, ''The Art of Photography, 1839-1989'', Yale University Press, 1989. {{en}}
 +
 
 +
* Richard Bolton (ed.), ''Contest of Meaning: Critical Histories of Photography'', MIT Press, 1989, 432 pp. [http://mitpress.mit.edu/books/contest-meaning] {{en}}
 +
 
 +
* Pierre-Jean Amar, ''La photographie: histoire d'un art'', Paris: Edisud, 1993. {{fr}}
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* Eva Weber, ''Pioneers of Photography'', New York: Smithmark, 1995. {{en}}
 +
 
 +
* Jeff Wall, "Marks of Indifference: Aspects of Photography in, or as, Conceptual Art", in ''Reconsidering the Object of Art'', eds. Ann Goldstein and Anne Rorimer, Los Angeles: Museum of Contemporary Art, 1995, pp 247-267; [[Media:Wall_Jeff_1995_2003_Marks_of_Indifference_Aspects_of_Photography_in_or_as_Conceptual_Art.pdf|repr. in]] ''The Last Picture Show: Artists Using Photography, 1960-1982'', Minneapolis: Walker Art Center, 2003, 32-44.
 +
 
 +
* Heinz K. Henisch, Bridget A. Henisch, ''The Painted Photograph, 1839-1914: Origins, Techniques, Aspirations'', Pennsylvania State University, 1996. {{en}}
 +
 
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* Pierre-Jean Amar, ''Histoire de la photographie'', Paris: PUF, 1997. {{fr}}
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* Michel Frizot (ed.), ''A New History of Photography'', Cologne: Könemann, 1998. {{en}}
 +
 
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* Quentin Bajac, ''Tableaux vivants. Fantaisies photographiques victoriennes, 1840-1880'', Réunion des Musées Nationaux, 1999. Catalogue. {{fr}}
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* Pierre-Jean Amar, ''Le photojournalisme'', Paris: Nathan-Université, 2000. {{fr}}
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* Quentin Bajac, ''L'Image révélée: l'invention de la photographie'', Paris: Gallimard, 2001, 160 pp. [http://www.gallimard.fr/Catalogue/GALLIMARD/Decouvertes-Gallimard/Decouvertes-Gallimard/Arts/L-Image-revelee] {{fr}}
 +
 
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* Michael Gray, Arthur Ollman, Carol McCusker, ''First Photographs: William Henry Fox Talbot and the Birth of Photography'', New York: powerHouse Books, 2002. {{en}}
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* Mary Warner Marien, ''Photography: A Cultural History'', Upper River Saddle, N.J.: Prentice Hall, 2002. {{en}}
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* Clément Chéroux, ''[http://monoskop.org/log/?p=8682 Fautographie. Petite histoire de l'erreur photographique]'', Crisnée: Yellow Now, 2003, 183 pp. {{fr}}
 +
 
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* Martin Parr, Gerry Badger, ''The Photobook: A History'', 2 vols., London/New York: Phaidon, 2004 & 2006. {{en}}
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* Quentin Bajac, ''La photographie: l'époque moderne 1880-1960'', Paris: Gallimard, 2005. {{fr}}
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* William Johnson, Mark Rice, Carla Williams, Therese Mulligan, David Wooters, ''A History of Photography: From 1839 to the Present'', Cologne/London: Taschen, 2005. {{en}}
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* P.C. Bunnell, ''Inside the Photograph: Writings on Twentieth-Century Photography'', Aperture, 2006. [http://artandarchaeology.princeton.edu/research/faculty-bookshelf/inside-the-photograph] {{en}}
 +
 
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* Ute Eskildsen, Florian Ebner and Bettina Kaufmann, ''Street & Studio: An Urban History of Photography'', London: Tate, and New York: Harry N. Abrams, 2008. {{en}}
 +
 
 +
* Dominique de Font-Reaulx, ''[https://archive.org/details/aa106-TheDaguerreotype The Daguerreotype]'', Paris: Musee d'Orsay, 2008. Catalogue. {{en}}
 +
 
 +
* Jorge Ribalta, ''[https://monoskop.org/log/?p=17317 Universal Archive: The Condition of the Document and the Modern Photographic Utopia]'', Barcelona: MACBA, 2008, 99 pp. Catalogue. {{en}},{{ca}},{{es}}
 +
 
 +
* ''[[Media:The_Original_Copy_Photography_of_Sculpture_1839_to_Today_2010.pdf|The Original Copy: Photography of Sculpture, 1839 to Today]]'', ed. David Frankel, New York: Museum of Modern Art, 2010, 255 pp. Catalogue. {{en}}
 +
 
 +
* Daniel Girardin, Christian Pirker, Yaniv Benhamou, ''Controversies: A Legal and Ethical History of Photography'', Arles: Actes Sud, and Lausanne: Musée de l'Élysée, 2012. {{en}}
 +
 
 +
* Kaja Silverman, ''[http://monoskop.org/log/?p=16627 The Miracle of Analogy or The History of Photography, Part 1]'', Stanford University Press, 2015, 203 pp. {{en}}
 +
 
 +
* Owen Clayton, ''[http://library.memoryoftheworld.org/#/book/0599173c-884f-421d-8008-4f78b4dd9531 Literature and Photography in Transition, 1850-1915]'', Palgrave, 2015, [http://aaaaarg.fail/thing/586698c39ff37c253cb67a4c ARG]. {{en}}
 +
 
 +
* Mary Statzer (ed.), ''[http://library.memoryoftheworld.org/#/book/2a3ba3cb-7914-4466-9298-0416195672d9 The Photographic Object 1970]'', University of California Press, 2016, 256 pp, [http://aaaaarg.fail/thing/5ae5a4d79ff37c09d9622bd0 ARG]. [https://www.ucpress.edu/book.php?isbn=9780520281479] {{en}}
 +
 
 +
* Nicoletta Leonardi, Simone Natale (eds.), ''[http://library.memoryoftheworld.org/#/book/3625378c-3495-4d6b-9df3-20c2a11e2301 Photography and Other Media in the Nineteenth Century]'', Pennsylvania State University Press, 2018, [https://aaaaarg.fail/thing/5c2cb6529ff37c7901622bc7 ARG]. {{en}}
 +
 
 +
* [[Media:October_172_Weimar_Photography_2020.pdf|''October'' 172: "Weimar Photography: Bauhaus, Cultural Difference, Exile: Part 1"]], MIT Press, Spring 2020. [https://www.mitpressjournals.org/toc/octo/-/172] {{en}}
 +
 
 +
====Collection-based histories====
 +
* Quentin Bajac, Clément Chéroux, ''Collection Photographs: A History of Photography Through the Collections of the Centre Pompidou, Musée National d'Art Moderne'', Göttingen: Steidl / Paris: Centre Pompidou, 2007. Catalogue. {{en}}/{{fr}}
 +
* Françoise Heilbrun, ''A History of Photography: The Musée d'Orsay Collection, 1839-1925'', Paris: Flammarion, 2009. {{fr}}/{{en}}
 +
* ''[[Media:On_ne_se_souvient_que_des_photographies_2013.pdf|On ne se sou­vient que des pho­to­gra­phies]]'', Paris: Bétonsalon, 2013, [148] pp. [http://www.betonsalon.net/spip.php?article465] {{fr}}
 +
 
 +
====Regional and national histories====
 +
* Aleksander Maciesza, ''[http://monoskop.org/log/?p=7950 Historia fotografii polskiej w latach 1839–1889]'', Plock: Towarzystwo Naukowe Płockie, 1972, 83 pp. {{pl}}
 +
* Robert M. Doty, Minor White, ''Photography in America'', New York: Random House, 1974. Catalogue. {{en}}
 +
* Jonathan Green, ''American Photography: A Critical History 1945 to the Present'', New York: Harry N. Abrams, 1984. {{en}}
 +
* C. Săvulescu, ''Cronologia ilustrată a fotografiei din Romania. Perioada 1834-1916'', Bucharest: Asociaţia Artiştilor Fotografi, 1985. {{ro}}
 +
* Vicki Goldberg, Robert Silberman, ''[[Media:Goldberg_Vicki_Silberman_Robert_American_Photography_A_Century_of_Images_1999.pdf|American Photography: A Century of Images]]'', Chronicle, 1999, [http://libgen.is/book/index.php?md5=B16F6B82DB0D45AB9E569114FAB1722D PDF], [https://archive.org/details/GoldbergVickiSilbermanRobertAmericanPhotographyACenturyOfImages1999 IA], [http://aaaaarg.fail/static/reader.htm?0=b16f6b82db0d45ab9e569114fab1722d-0 ARG]. {{en}}
 +
* Aurora Király (ed.), ''[https://archive.org/details/PhotographyInContemporaryArtTrendsInRomaniaAfter1989 Fotografia în arta românească contemporană: tendinţe în România după 1989]'', Bucharest: Unarte, 2006, [http://libgen.is/book/index.php?md5=23BD677ADC2A4332EC69888B78BDE01A PDF]. {{ro}}
 +
* Matthew S. Witkovsky, ''Foto: Modernity in Central Europe, 1918-1945'', intro. Peter Demetz, Washington, DC: National Gallery of Art, and London: Thames & Hudson, 2007, xxix+278 pp. Catalogue. {{en}}
 +
* Václav Macek, ''The History of European Photography, 1900-1938'', Bratislava: Central European House of Photography, 2010. {{en}}
 +
* Andrea Cuarterolo, ''[[Media:Cuarterolo_Andrea_De_la_foto_al_fotograma_Relaciones_entre_cine_y_fotografia_en_la_Argentina_1840-1933.pdf|De la foto al fotograma. Relaciones entre cine y fotografía en la Argentina, 1840-1933]]'', Montevideo: CDF, 2013, 260 pp. [http://academia.edu/2559302]. Review: [http://caiana.caia.org.ar/template/caiana.php?pag=books/book.php&obj=146&vol=4 Marrone] (2014). {{es}}
 +
* Walter Benn Michaels, ''[https://aaaaarg.fail/thing/56bfc75c9ff37c05f9f46ef0 The Beauty of a Social Problem: Photography, Autonomy, Economy]'', University of Chicago Press, 2015.
 +
* William Schaefer, ''[http://library.memoryoftheworld.org/#/book/ff26fffe-63f7-4c0a-9439-ec3e56663eb5 Shadow Modernism: Photography, Writing, and Space in Shanghai, 1925-1937]'', Duke University Press, 2017, 292 pp. {{en}}
 +
* Cristian Graure, ''Istoria Artei Fotografice din Banat între 1839 și 1918. Identități vizuale în era modernității'', Timișoara: Eurostampa, 2018, 436 pp. [https://www.academia.edu/36081932/Cristian_Graure_Istoria_Artei_Fotografice_din_Banat_intre_1839_si_1918_Identitati_vizuale_in_era_modernitatii_3] {{ro}}
 +
 
 +
===Theory and philosophy===
 +
* Pierre Bourdieu, ''Un art moyen. Essais sur les usages sociaux de la photographie'', 1965. {{fr}}
 +
** ''[http://monoskop.org/log/?p=5901 Photography: A Middle-brow Art]'', trans. Shaun Whiteside, 1990.  {{en}}
 +
 
 +
* Susan Sontag, ''[http://monoskop.org/log/?p=698 On Photography]'', New York: Farrar, Straus & Giroux, 1977, 207 pp; RosettaBooks, 2005. {{en}}
 +
** [[Sontag#Sontag1977|translations]]
 +
 
 +
[[Image:Barthes_Roland_La_chambre_claire.jpg|thumb|350px|''La chambre claire: note sur la photographie'', 1980, [[Media:Barthes_Roland_La_chambre_claire_Note_sur_la_photographie.pdf|PDF]], [http://monoskop.org/log/?p=6868 Log].]]
 +
* Roland Barthes, ''[http://monoskop.org/log/?p=6868 La chambre claire: note sur la photographie]'', Paris: Gallimard/Seuil, 1980, 194 pp. {{fr}}
 +
** ''[http://monoskop.org/log/?p=6868 Camera Lucida: Reflections on Photography]'', trans. Richard Howard, Farrar, Straus and Giroux, 1982, 119 pp.  {{en}}
 +
** [[Barthes#Barthes1980|more translations]]
 +
 
 +
* Victor Burgin (ed.), ''[http://monoskop.org/log/?p=1045 Thinking Photography]'', 2nd ed., Macmillan, 1982. {{en}}
 +
 
 +
* Vilém Flusser, ''[http://monoskop.org/log/?p=77 Für eine Philosophie der Fotografie]'', European Photography, 1983, 58 pp; 1989; 1997; 2006. {{de}}
 +
** ''[http://monoskop.org/log/?p=77 Towards A Philosophy of Photography]'', ed. Derek Bennett, Göttingen: European Photography, 1984, 62 pp. {{en}}
 +
** [[Flusser#Flusser1983|more translations]]
 +
 
 +
* Vilém Flusser, ''Ins Universum der technischen Bilder'', Göttingen: European Photography, 1985; 1992; 1996. {{de}}
 +
** ''[http://monoskop.org/log/?p=2876 Into the Universe of Technical Images]'', trans. Nancy Ann Roth, University of Minnesota Press, 2011, 224 pp. {{en}}
 +
** [[Flusser#Flusser1985|more translations]]
 +
 
 +
* [http://aaaaarg.fail/static/reader.htm?0=62054d040f878c7143efac368d7f4ac2-0 ''October'' 5: "Photography: A Special Issue"], New York: MIT Press, Summer 1978, 125 pp. With essays by Nadar, Rosalind Krauss, Hollis Frampton, Hubert Damisch, Craig Owens, Douglas Crimp, Jean Clair, and Thierry de Duve. {{en}}
 +
 
 +
* Eduardo Cadava, ''[[Media:Cadava_Eduardo_Words_of_Light_Theses_on_the_Photography_of_History_1997.pdf|Words of Light: Theses on the Photography of History]]'', Princeton University Press, 1997. {{en}}
 +
 
 +
* David Green, Joanna Lowry (eds.), ''[http://monoskop.org/log/?p=6354 Stillness and Time: Photography and the Moving Image]'', Photoworks / Photoforum, 2005, 183 pp. {{en}}
 +
 
 +
* Jacques Derrida, [http://archive.org/details/JacquesDerridaCopyArchiveSignatureAConversationOnPhotography2010 ''Copy, Archive, Signature: A Conversation on Photography''], ed. Gerhard Richter, trans. Jeff Fort, Stanford University Press, 2010, 67 pp. {{en}}
 +
 
 +
* François Laruelle, ''The Concept of Non-Photography'', Urbanomic/Sequence Press, 2011. {{en}}
 +
 
 +
* François Laruelle, ''[http://monoskop.org/log/?p=6835 Photo-Fiction, a Non-Standard Aesthetics]'', trans. Drew S. Burk, Minneapolis, MN: Univocal, 2012, 85 pp. {{en}}
 +
 
 +
* Shawn Michelle Smith, ''At the Edge of Sight: Photography and the Unseen'',  Duke University Press, 2013, 312 pp. {{en}}
 +
 
 +
* John Berger, ''Understanding a Photograph'', ed. & intro. Geoff Dyer, Aperture, 2013, 256 pp. Previously uncollected writings on photography. {{en}}
 +
 
 +
* Lisa Saltzman, ''[http://libgen.is/book/index.php?md5=17905da4d80dbd58d187109a4f8285ce Daguerreotypes: Fugitive Subjects, Contemporary Objects]'', University of Chicago Press, 2015. {{en}}
 +
 
 +
* [https://app.koofr.net/content/links/022151a1-6cec-4303-9b0e-2736f4fe3fca/files/get/October%20158%202016.pdf?path=&force ''October'' 158], MIT Press, Fall 2016, 168 pp. {{en}}
 +
 
 +
* Cecilia Grönberg, ''Händelsehorisont || Event Horizon. Distribuerad fotografi'', Stockholm: OEI, 2016, 1012 pp. [https://gupea.ub.gu.se/handle/2077/47215 Introduction]. Dissertation from Valand Academy. [http://konst.gu.se/english/ArtMonitor/dissertations/cecilia-gronberg] {{sw}}
 +
 
 +
* Diarmuid Costello, ''[http://library.memoryoftheworld.org/#/book/ac5f5e03-02e2-4184-872a-ca202a7c64c5 On Photography: A Philosophical Inquiry]'', New York: Routledge, 2018, 166 pp. Review: [http://dx.doi.org/10.3202/caa.reviews.2018.206 Shobeiri] (CAA). {{en}}
 +
 
 +
* Robert Desjarlais, ''[http://library.memoryoftheworld.org/#/book/14fc5e3d-baaf-43ab-9db1-53529e19c017 The Blind Man: A Phantasmography]'', New York: Fordham University Press, 2018, 232 pp. {{en}}
 +
 
 +
* Florian Cramer, [https://doi.org/10.7238/artnodes.v0i34.424946 "speculative photography: an attempt (essay) of making visible (manifesto)"], ''Artnodes: Journal of Art, Science and Technology'' 34: "Materiology and Variantology: Invitation to Dialogue", eds. Siegfried Zielinski & Daniel Irrgang, Barcelona: Universitat Oberta de Catalunya, Jul 2024, 9 pp, [[Media:Cramer_Florian 2024_speculative photography an attempt essay of making visible manifesto.pdf|PDF]], [http://cramer.pleintekst.nl/essays/speculative_photography/ HTML]. [https://post.lurk.org/@fcr/112832239722616818 Toot]. {{en}}
 +
 
 +
===Other===
 +
* John Szarkowski, ''[http://libgen.is/book/index.php?md5=48FB56E80656FF6A732FDDDC69E56A52 The Photographer's Eye]'', New York: Museum of Modern Art, 1966; 1980; 2007. Based on the [http://moma.org/calendar/exhibitions/2567?locale=en 1964 exhibition]. {{en}}
 +
 
 +
* ''[[Media:Deconstruction_Reconstruction_The_Transformation_of_Photographic_Information_into_Metaphor_1980.pdf|Deconstruction/Reconstruction: The Transformation of Photographic Information into Metaphor]]'', ed. Shelley Rice, New York: The New Museum, 1980, 43 pp. Catalogue. [https://archive.newmuseum.org/exhibitions/28 Exhibition]. {{en}}
 +
 
 +
* Pierre Bonhomme, ''La Photographie à la croisée des chemins'', Paris: de la Manufacture, 1990. {{fr}}
 +
 
 +
* Georges Didi-Huberman, ''[http://monoskop.org/log/?p=2998 Invention of Hysteria: Charcot and the Photographic Iconography of the Salpetriere]'' [1982], trans. Alisa Hartz, MIT Press, 2003, 373 pp. {{en}}
 +
 
 +
* ''[http://monoskop.org/log/?p=13384 Antiquity and Photography: Early Views of Ancient Mediterranean Sites]'', Los Angeles: Getty, 2005, 226 pp. {{en}}
 +
 
 +
* George M. Craven, ''Object and Image, An Introduction to Photography'' New Jersey: Prentice Hall, Englewood Cliffs, 1990. {{en}}
 +
 
 +
* Carol Armstrong, ''Scenes in a Library: Reading the Photograph in the Book, 1843–1875'', Cambridge: MIT Press, 1998. {{en}}
 +
 
 +
* [http://www.jeudepaume.org/pdf/Photographisme_GB.pdf Photo / Graphics], Paris: Jeu de Paume, 2008, 45 pp. {{en}}
 +
 
 +
* Louis Kaplan, ''[http://monoskop.org/log/?p=5673 The Strange Case of William Mumler, Spirit Photographer]'', University of Minnesota Press, 2008, 288 pp. {{en}}
 +
 
 +
* ''[[Media:Words Without Pictures LACMA 2009.pdf|Words Without Pictures]]'', ed. Alex Klein, Los Angeles: Los Angeles County Museum of Art (LACMA), 2009, 501 pp, [https://archive.org/details/alex-klein-and-charlotte-cotton-words-without-pictures-2009 IA]. {{en}}
 +
 
 +
* Pierre Bonhomme, ''L'art de la mer: anthologie de la photographie maritime depuis 1843'', Arthaud, 2009. {{fr}}
 +
 
 +
* Mark Durden, ''Fifty Key Writers on Photography'', London: Routledge, 2013, [http://aaaaarg.fail/static/reader.htm?0=e29671d3f15dab6716e7fe7b6490383c-0 ARG]. {{en}}
 +
 
 
* [http://monoskop.org/log/?tag=photography Publications on photography at Monoskop Log]
 
* [http://monoskop.org/log/?tag=photography Publications on photography at Monoskop Log]
−
* http://www.jeudepaume.org/pdf/Photographisme_GB.pdf
+
 
 +
; Bibliographies
 +
* Kelley Wilder, [http://www.oxfordbibliographies.com/view/document/obo-9780199920105/obo-9780199920105-0041.xml "History of Photography"], ''Oxford Bibliographies'', 2014. {{en}}
 +
 
 +
==Exhibitions online==
 +
* [https://www.moma.org/interactives/exhibitions/1999/fameafterphotography/ Fame After Photography], MoMA, 1999.
 +
* [http://www.nga.gov/exhibitions/2007/foto/ Foto: Modernity in Central Europe, 1918-1945], NGA, 2007.
 +
* [https://www.moma.org/interactives/exhibitions/2010/originalcopy/ The Original Copy: Photography of Sculpture, 1839 to Today], MoMA, 2010.
 +
* [http://www.moma.org/interactives/objectphoto/ Object:Photo], resource on MoMA's Thomas Walther Collection of 341 photographs from 1909-1949, 2014.
 +
 
 +
==Links==
 +
* [http://www.travislovell.com/History History in Images] by Travis Lovell, 2010.
  
  
 
{{Artists cultures}}
 
{{Artists cultures}}

Latest revision as of 09:27, 1 November 2024

View from the Window at Le Gras is the oldest surviving camera photograph. Created by Nicéphore Niépce in 1826 or 1827 at Saint-Loup-de-Varennes, it shows parts of the buildings and surrounding countryside of his estate, Le Gras, seen from a high window, made using a camera obscura. It was the result of an 8-hour exposure.
An inverted photograph from F. W. Dyson, A. S. Eddington, and C. Davidson, "A Determination of the Deflection of Light by the Sun's Gravitational Field, from Observations Made at the Total Eclipse of May 29, 1919", Phil. Trans. of the Royal Society of London (1920), p 332.
Portrait of Nahui Olin by Edward Weston, 1924.
Dorothea Lange, Migrant Mother, Nipomo, California, Mar 1936. Gelatin silver print. LOC. LOC (series). MoMA. MoMA (version). Met. SI. Artic. Getty. DIA. SFMOMA. SLAM. MiA. Brooklyn M. Tate.

Pages[edit]

Selected publications[edit]

William Henry Fox Talbot, The Pencil of Nature, 1844, PDF. First photographic book, with 24 calotypes.
Eadweard Muybridge, Animal Locomotion, 11 vols., 1887, JPGs.
László Moholy-Nagy, Malerei, Fotografie, Film, 1925/27, Log.
Franz Roh, Jan Tschichold (eds.), Foto-Auge, 1929, Log.
Werner Gräff, Es kommt der neue Fotograf!, 1929.
László Moholy-Nagy, Von Material zu Architektur, 1929, Log.
Photography 1839–1937, MoMA, 1937, PDF.
Gyorgy Kepes, Language of Vision: Painting, Photography, Advertising-Design, 1944/69, Log.

Chronophotography[edit]

  • Eadweard Muybridge, Animal Locomotion, 11 vols., Philadelphia: University of Pennsylvania, 1887, 781 plates. (English)

Avant-garde, Modernism[edit]

  • László Moholy-Nagy, Malerei, Fotografie, Film, Munich: Albert Langen (Bauhausbücher 8), 1925, 115 pp; 2nd ed., 1927, 140 pp. Incl. "Dynamik der Gross-Stadt", pp 116-129. (German)
  • Germaine Krull, Métal, intro. Florent Fels, Paris: Librairie des Arts Décoratifs, 1928, [64] pp; new ed., Cologne: Ann und Jürgen Wilde, 2003. Photo book. (French)
  • Albert Renger-Patzsch, Die Welt ist schön. Einhundert photographische Aufnahmen, Munich: Kurt Wolff, 1928; other ed., Munich: Einhorn, 1928. Photo book. [1] Reception.
  • August Sander, Alfred Döblin, Antlitz der Zeit. Sechzig Aufnahmen Deutscher Menschen Des 20. Jahrhunderts, Munich: Transmare, 1929. Photo book. [2] [3]
  • Gustaf Stotz, et al., Internationale Ausstellung des Deutschen Werkbunds Film und Foto, Stuttgart: Deutscher Werkbund, 1929. (German)
  • Franz Roh, Jan Tschichold (eds.), Foto-Auge: 76 Fotos der Zeit / Œil et photo: 76 photographies de notre temps / Photo-Eye: 76 Photos of the Period, Stuttgart: Wedekind, 1929, 18+[76] pp; repr., Tübingen: Ernst Wasmuth, 1973. Published in conjunction with the Film und Foto exhibition. (German)/(French)/(English)
  • Werner Gräff, Es kommt der neue Fotograf!, Berlin: H. Reckendorf, 1929. Published in conjunction with the Film und Foto exhibition. [4] (German)
  • Hans Richter, Werner Gräff. Filmgegner von Heute—Filmfreunde von Morgen, Berlin: Hermann Reckendorf, 1929. Published in conjunction with the Film und Foto exhibition. (German)
  • László Moholy-Nagy, Von Material zur Architektur, Munich: Albert Langen (Bauhausbücher 14), 1929, 241 pp; facsimile repr., Mainz and Berlin: Florian Kupferberg, 1968, 251 pp. (German)
  • Aenne Biermann: 60 Fotos, ed. & intro. Franz Roh, Berlin: Klinkhardt & Biermann, 1930. (German)
  • Gyorgy Kepes, Language of Vision: Painting, Photography, Advertising-Design, intro. Siegfried Giedion and Samuel Ichiye Hayakawa, Chicago: Paul Theobald, 1944; rev.ed., Chicago: Paul Theobald, 1964. (English)
  • Jindřich Heisler, Jindřich Štyrský, Na jehlách techto dní, Prague: Fr. Borový, 1945. (Czech)

Historisation[edit]

  • Josef Maria Eder, Geschichte der Photographie, vol. 1 & vol. 2, 4th ed., Halle (Saale): Wilhelm Knapp, 1932. (German)
  • Lucia Moholy, A Hundred Years of Photography, 1839-1939, Middlesex: Harmondsworth, 1939. (English)
  • Helmut Gernsheim with Alison Gernsheim, L.J.M. Daguerre: The History of the Diorama and the Daguerreotype, New York: Dover, 1968. (English)
  • Dawn Ades, Photomontage, London: Thames & Hudson, 1976. (English)
  • John H. Hammond, The Camera Obscura: A Chronicle, Bristol: Adam Hilger, 1981. (English)
  • Ian Jeffrey, Photography: A Concise History, New York: Thames and Hudson, 1981. (English)
  • Jean-Luc Daval, Histoire d'un art: la photographie, Genève: Skira, 1982, 268 pp. Review. (French)
    • Photography: History of an Art, trans. R.F.M. Dexter, New York: Skira/Rizzoli, 1982. (English)
  • Mike Weaver, Daniel Wolf, The Art of Photography, 1839-1989, Yale University Press, 1989. (English)
  • Richard Bolton (ed.), Contest of Meaning: Critical Histories of Photography, MIT Press, 1989, 432 pp. [6] (English)
  • Pierre-Jean Amar, La photographie: histoire d'un art, Paris: Edisud, 1993. (French)
  • Eva Weber, Pioneers of Photography, New York: Smithmark, 1995. (English)
  • Jeff Wall, "Marks of Indifference: Aspects of Photography in, or as, Conceptual Art", in Reconsidering the Object of Art, eds. Ann Goldstein and Anne Rorimer, Los Angeles: Museum of Contemporary Art, 1995, pp 247-267; repr. in The Last Picture Show: Artists Using Photography, 1960-1982, Minneapolis: Walker Art Center, 2003, 32-44.
  • Heinz K. Henisch, Bridget A. Henisch, The Painted Photograph, 1839-1914: Origins, Techniques, Aspirations, Pennsylvania State University, 1996. (English)
  • Pierre-Jean Amar, Histoire de la photographie, Paris: PUF, 1997. (French)
  • Michel Frizot (ed.), A New History of Photography, Cologne: Könemann, 1998. (English)
  • Quentin Bajac, Tableaux vivants. Fantaisies photographiques victoriennes, 1840-1880, Réunion des Musées Nationaux, 1999. Catalogue. (French)
  • Pierre-Jean Amar, Le photojournalisme, Paris: Nathan-Université, 2000. (French)
  • Quentin Bajac, L'Image révélée: l'invention de la photographie, Paris: Gallimard, 2001, 160 pp. [7] (French)
  • Michael Gray, Arthur Ollman, Carol McCusker, First Photographs: William Henry Fox Talbot and the Birth of Photography, New York: powerHouse Books, 2002. (English)
  • Mary Warner Marien, Photography: A Cultural History, Upper River Saddle, N.J.: Prentice Hall, 2002. (English)
  • Martin Parr, Gerry Badger, The Photobook: A History, 2 vols., London/New York: Phaidon, 2004 & 2006. (English)
  • Quentin Bajac, La photographie: l'époque moderne 1880-1960, Paris: Gallimard, 2005. (French)
  • William Johnson, Mark Rice, Carla Williams, Therese Mulligan, David Wooters, A History of Photography: From 1839 to the Present, Cologne/London: Taschen, 2005. (English)
  • P.C. Bunnell, Inside the Photograph: Writings on Twentieth-Century Photography, Aperture, 2006. [8] (English)
  • Ute Eskildsen, Florian Ebner and Bettina Kaufmann, Street & Studio: An Urban History of Photography, London: Tate, and New York: Harry N. Abrams, 2008. (English)
  • Dominique de Font-Reaulx, The Daguerreotype, Paris: Musee d'Orsay, 2008. Catalogue. (English)
  • Daniel Girardin, Christian Pirker, Yaniv Benhamou, Controversies: A Legal and Ethical History of Photography, Arles: Actes Sud, and Lausanne: Musée de l'Élysée, 2012. (English)

Collection-based histories[edit]

  • Quentin Bajac, Clément Chéroux, Collection Photographs: A History of Photography Through the Collections of the Centre Pompidou, Musée National d'Art Moderne, Göttingen: Steidl / Paris: Centre Pompidou, 2007. Catalogue. (English)/(French)
  • Françoise Heilbrun, A History of Photography: The Musée d'Orsay Collection, 1839-1925, Paris: Flammarion, 2009. (French)/(English)
  • On ne se sou­vient que des pho­to­gra­phies, Paris: Bétonsalon, 2013, [148] pp. [11] (French)

Regional and national histories[edit]

Theory and philosophy[edit]

  • Pierre Bourdieu, Un art moyen. Essais sur les usages sociaux de la photographie, 1965. (French)
La chambre claire: note sur la photographie, 1980, PDF, Log.
  • October 5: "Photography: A Special Issue", New York: MIT Press, Summer 1978, 125 pp. With essays by Nadar, Rosalind Krauss, Hollis Frampton, Hubert Damisch, Craig Owens, Douglas Crimp, Jean Clair, and Thierry de Duve. (English)
  • François Laruelle, The Concept of Non-Photography, Urbanomic/Sequence Press, 2011. (English)
  • Shawn Michelle Smith, At the Edge of Sight: Photography and the Unseen, Duke University Press, 2013, 312 pp. (English)
  • John Berger, Understanding a Photograph, ed. & intro. Geoff Dyer, Aperture, 2013, 256 pp. Previously uncollected writings on photography. (English)
  • Cecilia Grönberg, Händelsehorisont || Event Horizon. Distribuerad fotografi, Stockholm: OEI, 2016, 1012 pp. Introduction. Dissertation from Valand Academy. [14] (Swedish)

Other[edit]

  • Pierre Bonhomme, La Photographie à la croisée des chemins, Paris: de la Manufacture, 1990. (French)
  • George M. Craven, Object and Image, An Introduction to Photography New Jersey: Prentice Hall, Englewood Cliffs, 1990. (English)
  • Carol Armstrong, Scenes in a Library: Reading the Photograph in the Book, 1843–1875, Cambridge: MIT Press, 1998. (English)
  • Words Without Pictures, ed. Alex Klein, Los Angeles: Los Angeles County Museum of Art (LACMA), 2009, 501 pp, IA. (English)
  • Pierre Bonhomme, L'art de la mer: anthologie de la photographie maritime depuis 1843, Arthaud, 2009. (French)
  • Mark Durden, Fifty Key Writers on Photography, London: Routledge, 2013, ARG. (English)
Bibliographies

Exhibitions online[edit]

Links[edit]


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