Difference between revisions of "Photography"
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[[Image:View_from_the_Window_at_Le_Gras,_Joseph_Nicéphore_Niépce.jpg|thumb|258px|''View from the Window at Le Gras'' is the oldest surviving camera photograph. Created by [[Nicéphore Niépce]] in 1826 or 1827 at Saint-Loup-de-Varennes, it shows parts of the buildings and surrounding countryside of his estate, Le Gras, seen from a high window, made using a camera obscura. It was the result of an 8-hour exposure.]] | [[Image:View_from_the_Window_at_Le_Gras,_Joseph_Nicéphore_Niépce.jpg|thumb|258px|''View from the Window at Le Gras'' is the oldest surviving camera photograph. Created by [[Nicéphore Niépce]] in 1826 or 1827 at Saint-Loup-de-Varennes, it shows parts of the buildings and surrounding countryside of his estate, Le Gras, seen from a high window, made using a camera obscura. It was the result of an 8-hour exposure.]] | ||
[[Image:Cover_the_Pencil_of_Nature_1844.jpg|thumb|258px|William Henry Fox Talbot, ''The Pencil of Nature'', 1844, [[Media:Talbot_H_Fox_The_Pencil_of_Nature.pdf|PDF]]. First photographic book, with 24 calotypes.]] | [[Image:Cover_the_Pencil_of_Nature_1844.jpg|thumb|258px|William Henry Fox Talbot, ''The Pencil of Nature'', 1844, [[Media:Talbot_H_Fox_The_Pencil_of_Nature.pdf|PDF]]. First photographic book, with 24 calotypes.]] | ||
− | |||
[[Image:Dyson_Eddington_Davidson_1919_A_Determination_of_the_Deflection_of_Light_by_the_Sun's_Gravitational_Field_inverted.jpg|thumb|258px|An inverted photograph from F. W. Dyson, A. S. Eddington, and C. Davidson, "A Determination of the Deflection of Light by the Sun's Gravitational Field, from Observations Made at the Total Eclipse of May 29, 1919", ''Phil. Trans. of the Royal Society of London'' (1920), p 332.]] | [[Image:Dyson_Eddington_Davidson_1919_A_Determination_of_the_Deflection_of_Light_by_the_Sun's_Gravitational_Field_inverted.jpg|thumb|258px|An inverted photograph from F. W. Dyson, A. S. Eddington, and C. Davidson, "A Determination of the Deflection of Light by the Sun's Gravitational Field, from Observations Made at the Total Eclipse of May 29, 1919", ''Phil. Trans. of the Royal Society of London'' (1920), p 332.]] | ||
[[Image:Nahui_Olin_by_Edward_Weston_1924.jpg|thumb|258px|Portrait of [[Nahui Olin]] by Edward Weston, 1924.]] | [[Image:Nahui_Olin_by_Edward_Weston_1924.jpg|thumb|258px|Portrait of [[Nahui Olin]] by Edward Weston, 1924.]] | ||
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[[Image:Kepes_Gyorgy_Language_of_Vision.jpg|thumb|258px|Gyorgy Kepes, ''Language of Vision: Painting, Photography, Advertising-Design'', 1944/69, [http://monoskop.org/log/?p=11143 Log].]] | [[Image:Kepes_Gyorgy_Language_of_Vision.jpg|thumb|258px|Gyorgy Kepes, ''Language of Vision: Painting, Photography, Advertising-Design'', 1944/69, [http://monoskop.org/log/?p=11143 Log].]] | ||
===Chronophotography=== | ===Chronophotography=== | ||
+ | [[Image:Muybridge_Eadweard_Animal_Locomotion_1.jpg|thumb|258px|Eadweard Muybridge, ''Animal Locomotion'', 11 vols., 1887, [http://www.muybridge.org JPGs].]] | ||
* Eadweard Muybridge, ''[http://www.muybridge.org Animal Locomotion]'', 11 vols., Philadelphia: University of Pennsylvania, 1887, 781 plates. {{en}} | * Eadweard Muybridge, ''[http://www.muybridge.org Animal Locomotion]'', 11 vols., Philadelphia: University of Pennsylvania, 1887, 781 plates. {{en}} | ||
Revision as of 19:56, 13 April 2016
![](/images/thumb/5/5c/View_from_the_Window_at_Le_Gras%2C_Joseph_Nic%C3%A9phore_Ni%C3%A9pce.jpg/258px-View_from_the_Window_at_Le_Gras%2C_Joseph_Nic%C3%A9phore_Ni%C3%A9pce.jpg)
View from the Window at Le Gras is the oldest surviving camera photograph. Created by Nicéphore Niépce in 1826 or 1827 at Saint-Loup-de-Varennes, it shows parts of the buildings and surrounding countryside of his estate, Le Gras, seen from a high window, made using a camera obscura. It was the result of an 8-hour exposure.
![](/images/thumb/9/95/Cover_the_Pencil_of_Nature_1844.jpg/258px-Cover_the_Pencil_of_Nature_1844.jpg)
William Henry Fox Talbot, The Pencil of Nature, 1844, PDF. First photographic book, with 24 calotypes.
![](/images/thumb/1/18/Nahui_Olin_by_Edward_Weston_1924.jpg/258px-Nahui_Olin_by_Edward_Weston_1924.jpg)
Portrait of Nahui Olin by Edward Weston, 1924.
Contents
Pages
- 291
- Berenice Abbott
- František Abrahamovič
- Yuri Abramochkin
- William Ackland
- Sarah Angelina Acland
- Costică Acsinte
- Antoine Samuel Adam-Salomon
- Ansel Adams
- Robert Adamson
- Olympe Aguado
- Sofia Ahlbom
- Joseph Albert
- Pavel Albieri
- Casiano Alguacil
- Fratelli Alinari
- Giuseppe Allegri
- Edward L. Allen
- Timothy Allen
- Darogha Ubbas Alli
- Marie-Alexandre Alophe
- Mads Alstrup
- Jane Fulton Alt
- Robert Altman
- Gioacchino Altobelli
- Pierre-Jean Amar
- Antoni Amatller
- Hubertus von Amelunxen
- Cornelis Hendrik van Amerom
- Georges Ancely
- Domenico Anderson
- James Anderson
- Thomas Andrew
- Bert Andrews
- Ludwig Angerer
- Thomas Annan
- Ottomar Anschütz
- Edward Anthony
- Eugène Appert
- Frederick Scott Archer
- Félix Arnaudin
- Hippolyte Arnoux
- Eduard Isaac Asser
- Eugène Atget
- Anna Atkins
- Pau Audouard
- James Aurig
- Richard Avedon
- George Barnard
- Catharine Weed Barnes
- Geoffrey Batchen
- David Bate
- Antonio Beato
- Felice Beato
- Bernd and Hilla Becher
- Alexandru Bellu
- John Berger
- Iosif Berman
- Ilse Bing
- Werner Bischof
- Karl Blossfeldt
- Irena Blühová
- Jean-François Bonhomme
- Vane Bor
- Mathew Brady
- Anton Giulio Bragaglia
- James Bragge
- Brian Brake
- Brassaï
- Francis Bruguière
- Peter Bunnell
- Burton Brothers
- Michal Burza
- Julia Margaret Cameron
- Robert Capa
- Henri Cartier-Bresson
- Jack Cato
- Graham Clarke
- Gregory Colbert
- George S. Cook
- Charles Cros
- Edward Curtis
- Louis Daguerre
- Branibor Debeljković
- František Drtikol
- Josef Maria Eder
- Alfred Eisenstaedt
- Peter Henry Emerson
- Elliott Erwitt
- Walker Evans
- Constant Alexandre Famin
- Andreas Feininger
- Roger Fenton
- Joan Fontcuberta
- Hollis Frampton
- Gisèle Freund
- Jaromír Funke
- Peter Galassi
- Alexander Gardner
- Carl Christoph Friedrich Geiger
- Helmut Gernsheim
- James F. Gibson
- Andreas Groll
- Hervé Guibert
- Philip Haas
- Alexandr Hackenschmied
- Anneliese Hager
- Philippe Halsman
- Florence Henri
- Tim Hetherington
- David Octavius Hill
- Karol Hiller
- Lewis Hine
- Kati Horna
- Horst P. Horst
- Nicolae Ionescu
- William Henry Jackson
- Pierre Janssen
- Libuše Jarcovjáková
- Gertrude Kaesebier
- Andrey Osipovich Karelin
- Basile Kargopoulo
- André Kertész
- Fernand Khnopff
- Kouzlo staré fotografie
- Ede Kozics
- Germaine Krull
- James Lafayette
- Jean Lauzon
- Jiří Lehovec
- Annie Leibovitz
- Alexander Liberman
- El Lissitzky
- John Loengard
- Lumière brothers
- Father Mackey
- Yanaki and Milton Manaki
- Roxana Marcoci
- Étienne-Jules Marey
- Samoilă Mârza
- James McDonald
- Lajos Mezey
- Gjon Mili
- Tina Modotti
- Lucia Moholy
- László Moholy-Nagy
- Eadweard Muybridge
- Nadar
- Paul Nadar
- James Nasmyth
- Beaumont Newhall
- Nicéphore Niépce
- Sonya Noskowiak
- Carl Gustav Oehme
- Ogawa Kazumasa
- Jacob Olie
- Timothy O'Sullivan
- Joaquim Insley Pacheco
- David Prakel
- John Pultz
- Achille Quinet
- Jean Raoul
- Man Ray
- John Reekie
- Oscar Gustave Rejlander
- Jaroslav Rössler
- Naomi Rosenblum
- Martha Rosler
- Ed Ruscha
- Andrew J. Russell
- Jean Baptiste Sabatier-Blot
- Alfred Sache
- John Edward Sache
- August Sander
- Steven Sasson
- Aaron Scharf
- Allan Sekula
- Joaquim Possidónio Narciso da Silva
- Slit-scan
- Katrina Sluis
- Ré Soupault
- Jo Spence
- Julian Stallabrass
- Edward Steichen
- Harvey Stein
- Alfred Stieglitz
- Dennis Stock
- Paul Strand
- John Szarkowski
- Carol Szathmari
- Isaac West Taber
- William Henry Fox Talbot
- Gerda Taro
- Karel Teige
- Franciszka and Stefan Themerson
- John Thomson
- Théodore Tiffereau
- Louis Tinayre
- Tomishige Rihei
- Eugène Trutat
- Pierre Trémaux
- Ludovico Tuminello
- Peter Turner
- Uchida Kuichi
- Ueno Hikoma
- Zsuzsi Ujj
- Ukai Gyokusen
- Ulay
- Auguste Vacquerie
- George Valentine
- Bertha Valerius
- Carl Van Vechten
- Ferenc Veress
- Louis Vert
- Louis Vignes
- Jean-Marie Villard
- Joseph Villard
- Julien Vallou de Villeneuve
- Eugène Villette
- Hermann Wilhelm Vogel
- Samuel Walker
- Alfred Henry Wall
- Jeff Wall
- Charles Walter
- Andy Warhol
- Augustus Washington
- Carleton Watkins
- Alex Webb
- Liz Wells
- Brett Weston
- Edward Weston
- Nicoline Weywadt
- John Adams Whipple
- Jesse Harrison Whitehurst
- George Washington Wilson
- Charles David Winter
- Eugen Wiškovský
- Joel-Peter Witkin
- William de Wiveleslie Abney
- Yokoyama Matsusaburo
- Zangaki brothers
- Jules Ziegler
- Heinrich Zille
Selected publications
![](/images/thumb/f/f2/Moholy-Nagy_L_Malerei_Fotografie_Film.jpg/258px-Moholy-Nagy_L_Malerei_Fotografie_Film.jpg)
László Moholy-Nagy, Malerei, Fotografie, Film, 1925/27, Log.
![](/images/thumb/6/63/Moholy-Nagy_Laszlo_Von_Material_zu_Architektur.jpg/258px-Moholy-Nagy_Laszlo_Von_Material_zu_Architektur.jpg)
László Moholy-Nagy, Von Material zu Architektur, 1929, Log.
![](/images/thumb/2/28/Kepes_Gyorgy_Language_of_Vision.jpg/258px-Kepes_Gyorgy_Language_of_Vision.jpg)
Gyorgy Kepes, Language of Vision: Painting, Photography, Advertising-Design, 1944/69, Log.
Chronophotography
![](/images/thumb/a/a1/Muybridge_Eadweard_Animal_Locomotion_1.jpg/258px-Muybridge_Eadweard_Animal_Locomotion_1.jpg)
Eadweard Muybridge, Animal Locomotion, 11 vols., 1887, JPGs.
- Eadweard Muybridge, Animal Locomotion, 11 vols., Philadelphia: University of Pennsylvania, 1887, 781 plates. (English)
Avant-garde, Modernism
- László Moholy-Nagy, Malerei, Fotografie, Film, Munich: Albert Langen, 1925, 115 pp; 2nd ed., 1927, 140 pp. Incl. "Dynamik der Gross-Stadt", pp 116-129. (German)
- Painting Photography Film, trans. Janet Seligman, London: Lund Humphries, 1969. (English)
- more translations
- Albert Renger-Patzsch, Die Welt ist schön. Einhundert photographische Aufnahmen, Munich: Kurt Wolff, 1928; other ed., Munich: Einhorn, 1928. Photo book. [1] Reception.
- August Sander, Antlitz der Zeit. Sechzig Aufnahmen Deutscher Menschen Des 20. Jahrhunderts, Munich: Transmare, 1929. Photo book. [2] [3]
- Franz Roh, Jan Tschichold, Foto-Auge: 76 Fotos der Zeit / Œil et photo: 76 photographies de notre temps / Photo-Eye: 76 Photos of the Period, Stuttgart: Wedekind, 1929, 18+[76] pp. [4] [5] [6] [7] (German)/(French)/(English)
- Werner Gräff, Es kommt der neue Fotograf!, Berlin: H. Reckendorf, 1929. [8] (German)
- László Moholy-Nagy, Von Material zur Architektur, Munich: Albert Langen, Bauhausbücher 14, 1929, 241 pp; facsimile repr., Mainz and Berlin: Florian Kupferberg, 1968, 251 pp. (German)
- The New Vision: From Material to Architecture, trans. Daphne M. Hoffman, New York: Breuer Warren and Putnam, 1930; exp.rev.ed. as The New Vision and Abstract of an Artist, New York: George Wittenborn, 1947, 92 pp. (English)
- more translations
- Gyorgy Kepes, Language of Vision: Painting, Photography, Advertising-Design, intro. Siegfried Giedion and Samuel Ichiye Hayakawa, Chicago: Paul Theobald, 1944; rev.ed., Chicago: Paul Theobald, 1964. (English)
Historisation
- Georges Potonniée, Histoire de la découverte de la Photographie, Paris: Paul Montel, 1925, PDF, IA. (French)
- The History of the Discovery of Photography, trans. Edward Epstean, New York: Arno Press, 1973. (English)
- Josef Maria Eder, Geschichte der Photographie, 4th edition, vol. 1, PDF, and vol. 2, PDF, Halle (Saale): Verlag von Wilhelm Knapp, 1932. (German)
- History of Photography, trans. Edward Epstean, New York: Dover Publications, Inc., 1945; 1972, IA. (English)
- Lucia Moholy, A Hundred Years of Photography, 1839-1939, Middlesex, England: Harmondsworth, 1939. (English)
- Beaumont Newhall, The History of Photography: From 1839 to the Present Day, New York: The Museum of Modern Art, 1949, 256 pp; 5th ed., 1982. (English)
- Historia de la fotografia, trans. Homero Alsina Thevenet, 2002. (Spanish)
- Helmut Gernsheim with Alison Gernsheim, L.J.M. Daguerre: The History of the Diorama and the Daguerreotype, New York: Dover, 1968. (English)
- Helmut Gernsheim with Alison Gernsheim, The History of Photography From the Earliest Use of the Camera Obscura in the Eleventh Century up to 1914, Oxford: Oxford University Press, 1955, IA; rev. ed., Thames & Hudson, 1969. (English)
- Helmut Gernsheim, Creative photography. Aesthetic Trends. 1839-1960, New York: Bonanza Books, 1962, IA. (English)
- Aleksander Maciesza, Historia fotografii polskiej w latach 1839–1889, Plock: Towarzystwo Naukowe Płockie, 1972, 83 pp. (Polish)
- Robert M. Doty and Minor White, Photography in America, New York: Published for the Whitney Museum of American Art [by] Random House, 1974. (English)
- Aaron Scharf, Pioneers of Photography: An Album of Pictures and Words, New York: Harry N. Abrams, 1976, PDF. (English)
- Bruce Bernard and Margaret Donovan, Photodiscovery: masterworks of photography, 1840-1940, New York: H.N. Abrams, 1980. (English)
- John H. Hammond, The Camera Obscura: A Chronicle;; Bristol: Adam Hilger, Ltd., 1981. (English)
- Ian Jeffrey, Photography: a concise history, New York: Thames and Hudson, 1981. (English)
- Peter Galassi, Before Photography: Painting and the Invention of Photography, New York: Museum of Modern Art, 1981, PDF. (English)
- Jean-Luc Daval, Histoire d’un art: la photographie, Genève: Éditions d’art Albert Skira, 1982, 268 p. Review (French)
- Photography, history of an art, trans. R.F.M. Dexter, New York: Skira/Rizzoli, 1982. (English)
- Naomi Rosenblum, A World History of Photography, New York: Abbeville, 1984; rev.ed., 1989; 3rd edition, 1997, PDF. (English)
- John Pultz, The Body and the Lens: Photography 1839 to the Present, New York: Harry N. Abrams, 1995, PDF. (English)
- C. Săvulescu, Cronologia ilustrată a Fotografiei din Romania. Perioada 1834-1916, Bucarest: Asociaţia Artiştilor Fotografi, 1985. (Romanian)
- Mike Weaver and Daniel Wolf, The Art of photography, 1839-1989, New Haven: Yale University Press, 1989. (English)
- Richard Bolton, The Contest of meaning: critical histories of photography, Cambridge, Mass.: MIT Press, 1989. (English)
- Pierre-Jean Amar, La photographie, histoire d’un art, Paris: Edisud, 1993. (French)
- Eva Weber, Pioneers of photography, New York: Smithmark, 1995. (English)
- Heinz K. Henisch, Bridget A. Henisch, The Painted Photograph, 1839-1914: Origins, Techniques, Aspirations, Pennsylvania State University, 1996. (English)
- Pierre-Jean Amar, Histoire de la photographie, Paris: P.U.F., 1997. (French)
- Christian A. Peterson, After the photo-secession: American pictorial photography, 1910-1955, [Minneapolis, Minn.]: Minneapolis Institute of Arts in association with W.W. Norton (New York), 1997. (English)
- Peter Stepan, Icons of photography: the 20th century, Munich/ New York: Prestel, 1999. (English)
- Pierre-Jean Amar, Le photojournalisme, Paris: Nathan-Université, 2000. (French)
- Gray, Michael, Arthur Ollman, and Carol McCusker, First Photographs: William Henry Fox Talbot and the Birth of Photography, New York: powerHouse Books, 2002. (English)
- Mary Warner Marien, Photography: a cultural history, Upper River Saddle, N.J.: Prentice Hall, 2002. (English)
- Clément Chéroux, Fautographie. Petite histoire de l'erreur photographique, Crisnée: Yellow Now, 2003, 183 pp. (French)
- Martin Parr and Gerry Badger, The photobook: a history, vol. I, London/New York: Phaidon, 2004. (English)
- Quentin Bajac, La photographie: l'époque moderne 1880-1960, Paris: Gallimard-découvertes, 2005. (French)
- William Johnson, Mark Rice, Carla Williams, Therese Mulligan and David Wooters, A history of photography: from 1839 to the present, Köln/ London: Taschen, 2005. (English)
- P.C. Bunnell, Inside the Photograph: Writings on Twentieth-Century Photography, Aperture, 2006. [9] (English)
- Martin Parr and Gerry Badger, The photobook: a history, vol. II, London/New York: Phaidon, 2006. (English)
- Aurora Király (ed.), Fotografia în arta românească contemporană: tendinţe în România după 1989, Bucharest: Unarte, 2006, PDF, IA. (Romanian)
- Quentin Bajac and Clément Chéroux, Collection photographs: a history of photography through the collections of the Centre Pompidou, Musée National d'Art Moderne, Göttingen: Steidl / [Paris]: Centre Pompidou, 2007. (English)/(French)
- Matthew S. Witkovsky, Foto: Modernity in Central Europe, 1918-1945, intro. Peter Demetz, Washington, DC: National Gallery of Art, and London: Thames & Hudson, 2007, xxix+278 pp. (English)
- Ute Eskildsen, Florian Ebner and Bettina Kaufmann, Street & studio: an urban history of photography, London: Tate Pub.; New York: Harry N. Abrams, 2008. (English)
- Dominique de Font-Reaulx, The Daguerreotype, Paris: Musee d'Orsay, 2008, IA. Based on the exhibition "Le daguerreotype francais, collection du musee d'Orsay at Musee d'Orsay", 27th May - 7th September 2008, curated by Dominique de Font-Reaulx. (English)
- Françoise Heilbrun, A history of photography: the Musée d'Orsay collection, 1839-1925, Paris: Flammarion, 2009. (French)/(English)
- Todd Gustavson, Camera: A History of Photography from Daguerreotype to Digital, New York: Sterling Publishing Co., 2009. (English)
- Václav Macek, The history of European photography, 1900-1938, Bratislava: Central European House of Photography, 2010. (English)
- Hilde van Gelder and Helen Westgeest, Photography theory in historical perspective: case studies from contemporary art, Chichester, West Sussex/ Malden, MA: Wiley-Blackwell, 2011. (English)
- Jae Emerling, Photography: history and theory, Abingdon, Oxon/ New York: Routledge, 2012. (English)
- Daniel Girardin, Christian Pirker and Yaniv Benhamou, Controversies: a legal and ethical history of photography, Arles, France: Actes Sud/ [Lausanne]: Musée de l'Élysée, 2012. (English)
- Tanya Sheehan, Photography, History, Difference, University Press of New England, 2014. (English)
- Kaja Silverman, The Miracle of Analogy or The History of Photography, Part 1, Stanford University Press, 2015, 203 pp. (English)
Theory and philosophy
- Pierre Bourdieu, Un art moyen. Essais sur les usages sociaux de la photographie, 1965. (French)
- Photography: A Middle-brow Art, trans. Shaun Whiteside, 1990. (English)
- Susan Sontag, On Photography, New York: Farrar, Straus & Giroux, 1977, 207 pp; RosettaBooks, 2005. (English)
- Roland Barthes, La chambre claire: note sur la photographie, Paris: Gallimard/Seuil, 1980, 194 pp. (French)
- Camera Lucida: Reflections on Photography, trans. Richard Howard, Farrar, Straus and Giroux, 1982, 119 pp. (English)
- more translations
- Victor Burgin (ed.), Thinking Photography, 2nd ed., Macmillan, 1982. (English)
- Vilém Flusser, Für eine Philosophie der Fotografie, European Photography, 1983, 58 pp; 1989; 1997; 2006. (German)
- Towards A Philosophy of Photography, ed. Derek Bennett, Göttingen: European Photography, 1984, 62 pp. (English)
- more translations
- Vilém Flusser, Ins Universum der technischen Bilder, Göttingen: European Photography, 1985; 1992; 1996. (German)
- Into the Universe of Technical Images, trans. Nancy Ann Roth, University of Minnesota Press, 2011, 224 pp. (English)
- more translations
- Mark Haworth-Booth, Photography now, London: Dirk Nishen Publishing in association with the Victoria & Albert Museum, [1989]. (English)
- Eduardo Cadava, Words of Light: Theses on the Photography of History, Princeton: Princeton University Press, 1997. (English)
- Quentin Bajac, Tableaux vivants. Fantaisies photographiques victoriennes, 1840-1880, Réunion des Musées Nationaux, 1999. (French)
- Quentin Bajac, L’Image révélée, l’invention de la photographie, Paris: Gallimard-découvertes, 2001. (French)
- David Green, Joanna Lowry (eds.), Stillness and Time: Photography and the Moving Image, Photoworks / Photoforum, 2005, 183 pp. (English)
- Quentin Bajac and C. Chéroux, La subversion des images: surréalisme, photographie, film, Paris: Éd. du Centre Pompidou, 2009. (French)
- Jacques Derrida, Copy, Archive, Signature: A Conversation on Photography, ed. Gerhard Richter, trans. Jeff Fort, Stanford University Press, 2010, 67 pp. (English)
- François Laruelle, The Concept of Non-Photography, Urbanomic/Sequence Press, 2011. (English)
- François Laruelle, Photo-Fiction, a Non-Standard Aesthetics, trans. Drew S. Burk, Minneapolis, MN: Univocal, 2012, 85 pp. (English)
- Eduardo Cadava and Gabriela Nouzeilles (eds.), The Itinerant Languages of Photography, Princeton: Princeton University Art Museum, 2013. (English)
- Shawn Michelle Smith, At the edge of sight: photography and the unseen, Durham: Duke University Press, 2013. (English)
- John Berger, Understanding a Photograph, ed. & intro. Geoff Dyer, Aperture, 2013, 256 pp. (English)
- Lisa Saltzman, Daguerreotypes: Fugitive Subjects, Contemporary Objects, Chicago: University of Chicago Press, 2015, PDF. (English)
Other
- John Szarkowski, The Photographer's Eye, New Yor: MoMA, 1966. (English)
- Pierre Bonhomme, La Photographie à la croisée des chemins, Paris: de la Manufacture, 1990. (French)
- Georges Didi-Huberman, Invention of Hysteria: Charcot and the Photographic Iconography of the Salpetriere [1982], trans. Alisa Hartz, MIT Press, 2003, 373 pp. (English)
- Antiquity and Photography: Early Views of Ancient Mediterranean Sites, Los Angeles: Getty, 2005, 226 pp. (English)
- George M. Craven, Object and Image, An Introduction to Photography New Jersey: Prentice Hall, Englewood Cliffs, 1990. (English)
- Carol Armstrong, Scenes in a Library: Reading the Photograph in the Book, 1843–1875, Cambridge: MIT Press, 1998. (English)
- Photo / Graphics, Paris: Jeu de Paume, 2008, 45 pp. (English)
- Louis Kaplan, The Strange Case of William Mumler, Spirit Photographer, University of Minnesota Press, 2008, 288 pp. (English)
- Pierre Bonhomme, L'art de la mer: anthologie de la photographie maritime depuis 1843, Arthaud, 2009. (French)
- Mark Durden, Fifty Key Writers on Photography, London: Routledge, 2013. (English)
- Bibliographies
- Kelley Wilder, "History of Photography", Oxford Bibliographies, 2014. (English)
Exhibitions online
- Foto: Modernity in Central Europe, 1918-1945, NGA, 2007.
- Object:Photo, MoMA's 1920s-30s photography collection, 2014.