Difference between revisions of "Photography"

From Monoskop
Jump to navigation Jump to search
Line 15: Line 15:
 
(in English unless noted)
 
(in English unless noted)
  
 +
; Avant-garde
 
* László Moholy-Nagy, ''[http://bibliothequekandinsky.centrepompidou.fr/imagesbk/RLPF727/M5050_X0031_LIV_RLPF0727.pdf Malerei, Fotografie, Film]'', Munich: Albert Langen, 1925, 115 pp; 2nd ed., 1927, 140 pp. Incl. [[Media:Moholy-Nagy_Laszlo_1927_Dynamik_der_Gross-Stadt.pdf|"Dynamik der Gross-Stadt"]], pp 116-129. {{de}}
 
* László Moholy-Nagy, ''[http://bibliothequekandinsky.centrepompidou.fr/imagesbk/RLPF727/M5050_X0031_LIV_RLPF0727.pdf Malerei, Fotografie, Film]'', Munich: Albert Langen, 1925, 115 pp; 2nd ed., 1927, 140 pp. Incl. [[Media:Moholy-Nagy_Laszlo_1927_Dynamik_der_Gross-Stadt.pdf|"Dynamik der Gross-Stadt"]], pp 116-129. {{de}}
 
** ''[http://monoskop.org/log/?p=8914 Painting Photography Film]'', trans. Janet Seligman, London: Lund Humphries, 1969.  
 
** ''[http://monoskop.org/log/?p=8914 Painting Photography Film]'', trans. Janet Seligman, London: Lund Humphries, 1969.  
 
* Gyorgy Kepes, ''[http://monoskop.org/log/?p=11143 Language of Vision: Painting, Photography, Advertising-Design]'', 1944; Chicago: Paul Theobald, 1969.
 
* Gyorgy Kepes, ''[http://monoskop.org/log/?p=11143 Language of Vision: Painting, Photography, Advertising-Design]'', 1944; Chicago: Paul Theobald, 1969.
 +
 +
; Historisation
 
* Beaumont Newhall, ''[http://monoskop.org/log/?p=11179 The History of Photography: From 1839 to the Present Day]'', New York: The Museum of Modern Art, 1949, 256 pp; 5th ed., 1982.
 
* Beaumont Newhall, ''[http://monoskop.org/log/?p=11179 The History of Photography: From 1839 to the Present Day]'', New York: The Museum of Modern Art, 1949, 256 pp; 5th ed., 1982.
 
** [http://monoskop.org/log/?p=11179 ''Historia de la fotografia''], trans. Homero Alsina Thevenet, 2002. {{es}}
 
** [http://monoskop.org/log/?p=11179 ''Historia de la fotografia''], trans. Homero Alsina Thevenet, 2002. {{es}}
 +
* Aleksander Maciesza, ''[http://monoskop.org/log/?p=7950 Historia fotografii polskiej w latach 1839–1889]'', Plock: Towarzystwo Naukowe Płockie, 1972, 83 pp. {{pl}}
 +
* Peter Galassi, ''Before Photography. Painting and the Invention of Photography'', New York: Museum of Modern Art, 1981.
 +
* Heinz K. Henisch and Bridget A. Henisch, ''The Painted Photograph, 1839-1914: Origins, Techniques, Aspirations'', Pennsylvania State University, 1996.
 +
* Clément Chéroux, ''[http://monoskop.org/log/?p=8682 Fautographie. Petite histoire de l’erreur photographique]'', Crisnée: Yellow Now, 2003, 183 pp. {{fr}}
 +
 +
; Theory and philosophy
 
* Pierre Bourdieu, ''Un art moyen. Essais sur les usages sociaux de la photographie'', 1965. {{fr}}
 
* Pierre Bourdieu, ''Un art moyen. Essais sur les usages sociaux de la photographie'', 1965. {{fr}}
 
** ''[http://monoskop.org/log/?p=5901 Photography: A Middle-brow Art]'', trans. Shaun Whiteside, 1990.  
 
** ''[http://monoskop.org/log/?p=5901 Photography: A Middle-brow Art]'', trans. Shaun Whiteside, 1990.  
−
* Aleksander Maciesza, ''[http://monoskop.org/log/?p=7950 Historia fotografii polskiej w latach 1839–1889]'', Plock: Towarzystwo Naukowe Płockie, 1972, 83 pp. {{pl}}
 
 
* Susan Sontag, ''[http://monoskop.org/log/?p=698 On Photography]'', New York: Farrar, Straus & Giroux, 1977, 207 pp; RosettaBooks, 2005.
 
* Susan Sontag, ''[http://monoskop.org/log/?p=698 On Photography]'', New York: Farrar, Straus & Giroux, 1977, 207 pp; RosettaBooks, 2005.
 
** [[Sontag#Sontag1977|translations]]
 
** [[Sontag#Sontag1977|translations]]
Line 28: Line 36:
 
** ''[http://monoskop.org/log/?p=6868 Camera Lucida: Reflections on Photography]'', trans. Richard Howard, Farrar, Straus and Giroux, 1982, 119 pp.  
 
** ''[http://monoskop.org/log/?p=6868 Camera Lucida: Reflections on Photography]'', trans. Richard Howard, Farrar, Straus and Giroux, 1982, 119 pp.  
 
** [[Barthes#Barthes1980|other translations]]
 
** [[Barthes#Barthes1980|other translations]]
−
* Peter Galassi, ''Before Photography. Painting and the Invention of Photography'', New York: Museum of Modern Art, 1981.
 
−
* Georges Didi-Huberman, ''[http://monoskop.org/log/?p=2998 Invention of Hysteria: Charcot and the Photographic Iconography of the Salpetriere]'' [1982], trans. Alisa Hartz, MIT Press, 2003, 373 pp.
 
 
* Victor Burgin (ed.), ''[http://monoskop.org/log/?p=1045 Thinking Photography]'', 2nd ed., Macmillan, 1982.
 
* Victor Burgin (ed.), ''[http://monoskop.org/log/?p=1045 Thinking Photography]'', 2nd ed., Macmillan, 1982.
 
* Vilém Flusser, ''[http://monoskop.org/log/?p=77 Für eine Philosophie der Fotografie]'', European Photography, 1983, 58 pp; 1989; 1997; 2006. {{de}}
 
* Vilém Flusser, ''[http://monoskop.org/log/?p=77 Für eine Philosophie der Fotografie]'', European Photography, 1983, 58 pp; 1989; 1997; 2006. {{de}}
Line 37: Line 43:
 
** ''[http://monoskop.org/log/?p=2876 Into the Universe of Technical Images]'', trans. Nancy Ann Roth, University of Minnesota Press, 2011, 224 pp.
 
** ''[http://monoskop.org/log/?p=2876 Into the Universe of Technical Images]'', trans. Nancy Ann Roth, University of Minnesota Press, 2011, 224 pp.
 
** [[Flusser#Flusser1985|other translations]]
 
** [[Flusser#Flusser1985|other translations]]
−
* Heinz K. Henisch and Bridget A. Henisch, ''The Painted Photograph, 1839-1914: Origins, Techniques, Aspirations'', Pennsylvania State University, 1996.
 
−
* Clément Chéroux, ''[http://monoskop.org/log/?p=8682 Fautographie. Petite histoire de l’erreur photographique]'', Crisnée: Yellow Now, 2003, 183 pp. {{fr}}
 
 
* David Green, Joanna Lowry (eds.), ''[http://monoskop.org/log/?p=6354 Stillness and Time: Photography and the Moving Image]'', Photoworks / Photoforum, 2005, 183 pp.
 
* David Green, Joanna Lowry (eds.), ''[http://monoskop.org/log/?p=6354 Stillness and Time: Photography and the Moving Image]'', Photoworks / Photoforum, 2005, 183 pp.
 +
* François Laruelle, ''[http://monoskop.org/log/?p=6835 Photo-Fiction, a Non-Standard Aesthetics]'', trans. Drew S. Burk, Minneapolis, MN: Univocal, 2012, 85 pp.
 +
 +
; Other
 +
* Georges Didi-Huberman, ''[http://monoskop.org/log/?p=2998 Invention of Hysteria: Charcot and the Photographic Iconography of the Salpetriere]'' [1982], trans. Alisa Hartz, MIT Press, 2003, 373 pp.
 
* [http://www.jeudepaume.org/pdf/Photographisme_GB.pdf Photo / Graphics], Paris: Jeu de Paume, 2008, 45 pp.
 
* [http://www.jeudepaume.org/pdf/Photographisme_GB.pdf Photo / Graphics], Paris: Jeu de Paume, 2008, 45 pp.
 
* Louis Kaplan, ''[http://monoskop.org/log/?p=5673 The Strange Case of William Mumler, Spirit Photographer]'', University of Minnesota Press, 2008, 288 pp.
 
* Louis Kaplan, ''[http://monoskop.org/log/?p=5673 The Strange Case of William Mumler, Spirit Photographer]'', University of Minnesota Press, 2008, 288 pp.
−
* François Laruelle, ''[http://monoskop.org/log/?p=6835 Photo-Fiction, a Non-Standard Aesthetics]'', trans. Drew S. Burk, Minneapolis, MN: Univocal, 2012, 85 pp.
 
 
* [http://monoskop.org/log/?tag=photography Publications on photography at Monoskop Log]
 
* [http://monoskop.org/log/?tag=photography Publications on photography at Monoskop Log]
  
  
 
{{Artists cultures}}
 
{{Artists cultures}}

Revision as of 11:09, 23 February 2015

View from the Window at Le Gras is the oldest surviving camera photograph. Created by Nicéphore Niépce in 1826 or 1827 at Saint-Loup-de-Varennes, it shows parts of the buildings and surrounding countryside of his estate, Le Gras, seen from a high window, made using a camera obscura. It was the result of an 8-hour exposure.
Cover of The Pencil of Nature by William Henry Fox Talbot, the first photographic book, with 24 calotypes, London, 1844, PDF.

Pages

Selected literature

László Moholy-Nagy, Malerei, Fotografie, Film, 1925/27. Log.
Gyorgy Kepes, Language of Vision: Painting, Photography, Advertising-Design, 1944/1969, Log.

(in English unless noted)

Avant-garde
Historisation
Theory and philosophy
Other


Retrieved from "https://monoskop.org/index.php?title=Photography&oldid=52780"