Difference between revisions of "Photography"

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==Selected literature==
 
==Selected literature==
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[[Image:Moholy-Nagy_L_Malerei_Fotografie_Film.jpg|thumb|258px|László Moholy-Nagy, ''Malerei, Fotografie, Film'', 1925/27. [http://monoskop.org/log/?p=8914 Log].]]
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[[Image:Moholy-Nagy_L_Malerei_Fotografie_Film.jpg|thumb|258px|László Moholy-Nagy, ''Malerei, Fotografie, Film'', 1925/27. [http://{{SERVERNAME}}/log/?p=8914 Log].]]
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[[Image:Kepes_Gyorgy_Language_of_Vision.jpg|thumb|258px|Gyorgy Kepes, ''Language of Vision: Painting, Photography, Advertising-Design'', 1944/1969, [http://monoskop.org/log/?p=11143 Log].]]
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[[Image:Kepes_Gyorgy_Language_of_Vision.jpg|thumb|258px|Gyorgy Kepes, ''Language of Vision: Painting, Photography, Advertising-Design'', 1944/1969, [http://{{SERVERNAME}}/log/?p=11143 Log].]]
 
(in English unless noted)
 
(in English unless noted)
  
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; Avant-garde
 
; Avant-garde
 
* László Moholy-Nagy, ''[http://bibliothequekandinsky.centrepompidou.fr/imagesbk/RLPF727/M5050_X0031_LIV_RLPF0727.pdf Malerei, Fotografie, Film]'', Munich: Albert Langen, 1925, 115 pp; 2nd ed., 1927, 140 pp. Incl. [[Media:Moholy-Nagy_Laszlo_1927_Dynamik_der_Gross-Stadt.pdf|"Dynamik der Gross-Stadt"]], pp 116-129. {{de}}
 
* László Moholy-Nagy, ''[http://bibliothequekandinsky.centrepompidou.fr/imagesbk/RLPF727/M5050_X0031_LIV_RLPF0727.pdf Malerei, Fotografie, Film]'', Munich: Albert Langen, 1925, 115 pp; 2nd ed., 1927, 140 pp. Incl. [[Media:Moholy-Nagy_Laszlo_1927_Dynamik_der_Gross-Stadt.pdf|"Dynamik der Gross-Stadt"]], pp 116-129. {{de}}
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** ''[http://monoskop.org/log/?p=8914 Painting Photography Film]'', trans. Janet Seligman, London: Lund Humphries, 1969.  
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** ''[http://{{SERVERNAME}}/log/?p=8914 Painting Photography Film]'', trans. Janet Seligman, London: Lund Humphries, 1969.  
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* Gyorgy Kepes, ''[http://monoskop.org/log/?p=11143 Language of Vision: Painting, Photography, Advertising-Design]'', intro. Siegfried Giedion and Samuel Ichiye Hayakawa, Chicago: Paul Theobald, 1944; rev.ed., Chicago: Paul Theobald, 1964.
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* Gyorgy Kepes, ''[http://{{SERVERNAME}}/log/?p=11143 Language of Vision: Painting, Photography, Advertising-Design]'', intro. Siegfried Giedion and Samuel Ichiye Hayakawa, Chicago: Paul Theobald, 1944; rev.ed., Chicago: Paul Theobald, 1964.
 
** [[Kepes#Kepes1944|translations]]
 
** [[Kepes#Kepes1944|translations]]
  
 
; Historisation
 
; Historisation
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* Beaumont Newhall, ''[http://monoskop.org/log/?p=11179 The History of Photography: From 1839 to the Present Day]'', New York: The Museum of Modern Art, 1949, 256 pp; 5th ed., 1982.
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* Beaumont Newhall, ''[http://{{SERVERNAME}}/log/?p=11179 The History of Photography: From 1839 to the Present Day]'', New York: The Museum of Modern Art, 1949, 256 pp; 5th ed., 1982.
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** [http://monoskop.org/log/?p=11179 ''Historia de la fotografia''], trans. Homero Alsina Thevenet, 2002. {{es}}
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** [http://{{SERVERNAME}}/log/?p=11179 ''Historia de la fotografia''], trans. Homero Alsina Thevenet, 2002. {{es}}
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* Aleksander Maciesza, ''[http://monoskop.org/log/?p=7950 Historia fotografii polskiej w latach 1839–1889]'', Plock: Towarzystwo Naukowe Płockie, 1972, 83 pp. {{pl}}
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* Aleksander Maciesza, ''[http://{{SERVERNAME}}/log/?p=7950 Historia fotografii polskiej w latach 1839–1889]'', Plock: Towarzystwo Naukowe Płockie, 1972, 83 pp. {{pl}}
 
* Peter Galassi, ''Before Photography. Painting and the Invention of Photography'', New York: Museum of Modern Art, 1981.
 
* Peter Galassi, ''Before Photography. Painting and the Invention of Photography'', New York: Museum of Modern Art, 1981.
 
* Heinz K. Henisch and Bridget A. Henisch, ''The Painted Photograph, 1839-1914: Origins, Techniques, Aspirations'', Pennsylvania State University, 1996.
 
* Heinz K. Henisch and Bridget A. Henisch, ''The Painted Photograph, 1839-1914: Origins, Techniques, Aspirations'', Pennsylvania State University, 1996.
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* Clément Chéroux, ''[http://monoskop.org/log/?p=8682 Fautographie. Petite histoire de l’erreur photographique]'', Crisnée: Yellow Now, 2003, 183 pp. {{fr}}
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* Clément Chéroux, ''[http://{{SERVERNAME}}/log/?p=8682 Fautographie. Petite histoire de l’erreur photographique]'', Crisnée: Yellow Now, 2003, 183 pp. {{fr}}
 
* Kaja Silverman, ''The Miracle of Analogy or The History of Photography'', Part 1, Stanford: Stanford University Press, 2015. [https://kaja-silverman.squarespace.com/publications-archive/]
 
* Kaja Silverman, ''The Miracle of Analogy or The History of Photography'', Part 1, Stanford: Stanford University Press, 2015. [https://kaja-silverman.squarespace.com/publications-archive/]
  
 
; Theory and philosophy
 
; Theory and philosophy
−
[[Image:Barthes_Roland_La_chambre_claire.jpg|thumb|258px|''La chambre claire: note sur la photographie'', 1980, [[Media:Barthes_Roland_La_chambre_claire_Note_sur_la_photographie.pdf|PDF]], [http://monoskop.org/log/?p=6868 Log].]]
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[[Image:Barthes_Roland_La_chambre_claire.jpg|thumb|258px|''La chambre claire: note sur la photographie'', 1980, [[Media:Barthes_Roland_La_chambre_claire_Note_sur_la_photographie.pdf|PDF]], [http://{{SERVERNAME}}/log/?p=6868 Log].]]
 
* Pierre Bourdieu, ''Un art moyen. Essais sur les usages sociaux de la photographie'', 1965. {{fr}}
 
* Pierre Bourdieu, ''Un art moyen. Essais sur les usages sociaux de la photographie'', 1965. {{fr}}
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** ''[http://monoskop.org/log/?p=5901 Photography: A Middle-brow Art]'', trans. Shaun Whiteside, 1990.  
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** ''[http://{{SERVERNAME}}/log/?p=5901 Photography: A Middle-brow Art]'', trans. Shaun Whiteside, 1990.  
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* Susan Sontag, ''[http://monoskop.org/log/?p=698 On Photography]'', New York: Farrar, Straus & Giroux, 1977, 207 pp; RosettaBooks, 2005.
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* Susan Sontag, ''[http://{{SERVERNAME}}/log/?p=698 On Photography]'', New York: Farrar, Straus & Giroux, 1977, 207 pp; RosettaBooks, 2005.
 
** [[Sontag#Sontag1977|translations]]
 
** [[Sontag#Sontag1977|translations]]
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* Roland Barthes, ''[http://monoskop.org/log/?p=6868 La chambre claire: note sur la photographie]'', Paris: Gallimard/Seuil, 1980, 194 pp. {{fr}}
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* Roland Barthes, ''[http://{{SERVERNAME}}/log/?p=6868 La chambre claire: note sur la photographie]'', Paris: Gallimard/Seuil, 1980, 194 pp. {{fr}}
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** ''[http://monoskop.org/log/?p=6868 Camera Lucida: Reflections on Photography]'', trans. Richard Howard, Farrar, Straus and Giroux, 1982, 119 pp.  
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** ''[http://{{SERVERNAME}}/log/?p=6868 Camera Lucida: Reflections on Photography]'', trans. Richard Howard, Farrar, Straus and Giroux, 1982, 119 pp.  
 
** [[Barthes#Barthes1980|other translations]]
 
** [[Barthes#Barthes1980|other translations]]
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* Victor Burgin (ed.), ''[http://monoskop.org/log/?p=1045 Thinking Photography]'', 2nd ed., Macmillan, 1982.
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* Victor Burgin (ed.), ''[http://{{SERVERNAME}}/log/?p=1045 Thinking Photography]'', 2nd ed., Macmillan, 1982.
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* Vilém Flusser, ''[http://monoskop.org/log/?p=77 Für eine Philosophie der Fotografie]'', European Photography, 1983, 58 pp; 1989; 1997; 2006. {{de}}
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* Vilém Flusser, ''[http://{{SERVERNAME}}/log/?p=77 Für eine Philosophie der Fotografie]'', European Photography, 1983, 58 pp; 1989; 1997; 2006. {{de}}
 
** ''[[Media:Flusser_Vilem_Towards_a_Philosophy_of_Photography_1984.pdf|Towards A Philosophy of Photography]]'', ed. Derek Bennett, Göttingen: European Photography, 1984, 62 pp.
 
** ''[[Media:Flusser_Vilem_Towards_a_Philosophy_of_Photography_1984.pdf|Towards A Philosophy of Photography]]'', ed. Derek Bennett, Göttingen: European Photography, 1984, 62 pp.
 
** [[Flusser#Flusser1983|other translations]]
 
** [[Flusser#Flusser1983|other translations]]
 
* Vilém Flusser, ''Ins Universum der technischen Bilder'', Göttingen: European Photography, 1985; 1992; 1996. {{de}}
 
* Vilém Flusser, ''Ins Universum der technischen Bilder'', Göttingen: European Photography, 1985; 1992; 1996. {{de}}
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** ''[http://monoskop.org/log/?p=2876 Into the Universe of Technical Images]'', trans. Nancy Ann Roth, University of Minnesota Press, 2011, 224 pp.
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** ''[http://{{SERVERNAME}}/log/?p=2876 Into the Universe of Technical Images]'', trans. Nancy Ann Roth, University of Minnesota Press, 2011, 224 pp.
 
** [[Flusser#Flusser1985|other translations]]
 
** [[Flusser#Flusser1985|other translations]]
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* David Green, Joanna Lowry (eds.), ''[http://monoskop.org/log/?p=6354 Stillness and Time: Photography and the Moving Image]'', Photoworks / Photoforum, 2005, 183 pp.
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* David Green, Joanna Lowry (eds.), ''[http://{{SERVERNAME}}/log/?p=6354 Stillness and Time: Photography and the Moving Image]'', Photoworks / Photoforum, 2005, 183 pp.
 
* Jacques Derrida, [https://archive.org/details/JacquesDerridaCopyArchiveSignatureAConversationOnPhotography2010 ''Copy, Archive, Signature: A Conversation on Photography''], edited by Gerhard Richter, trans. Jeff Fort, Stanford University Press, 2010, 67 pp.
 
* Jacques Derrida, [https://archive.org/details/JacquesDerridaCopyArchiveSignatureAConversationOnPhotography2010 ''Copy, Archive, Signature: A Conversation on Photography''], edited by Gerhard Richter, trans. Jeff Fort, Stanford University Press, 2010, 67 pp.
 
* François Laruelle, ''The Concept of Non-Photography'', Urbanomic/Sequence Press, 2011.
 
* François Laruelle, ''The Concept of Non-Photography'', Urbanomic/Sequence Press, 2011.
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* François Laruelle, ''[http://monoskop.org/log/?p=6835 Photo-Fiction, a Non-Standard Aesthetics]'', trans. Drew S. Burk, Minneapolis, MN: Univocal, 2012, 85 pp.
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* François Laruelle, ''[http://{{SERVERNAME}}/log/?p=6835 Photo-Fiction, a Non-Standard Aesthetics]'', trans. Drew S. Burk, Minneapolis, MN: Univocal, 2012, 85 pp.
 
* James Elkins, ''What Photography Is'', Routledge, 2012.
 
* James Elkins, ''What Photography Is'', Routledge, 2012.
 
* John Berger, ''Understanding a Photograph'', ed. & intro. Geoff Dyer, Aperture, 2013, 256 pp.
 
* John Berger, ''Understanding a Photograph'', ed. & intro. Geoff Dyer, Aperture, 2013, 256 pp.
  
 
; Other
 
; Other
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* Georges Didi-Huberman, ''[http://monoskop.org/log/?p=2998 Invention of Hysteria: Charcot and the Photographic Iconography of the Salpetriere]'' [1982], trans. Alisa Hartz, MIT Press, 2003, 373 pp.
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* Georges Didi-Huberman, ''[http://{{SERVERNAME}}/log/?p=2998 Invention of Hysteria: Charcot and the Photographic Iconography of the Salpetriere]'' [1982], trans. Alisa Hartz, MIT Press, 2003, 373 pp.
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* ''[http://monoskop.org/log/?p=13384 Antiquity and Photography: Early Views of Ancient Mediterranean Sites]'', Los Angeles: Getty, 2005, 226 pp.
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* ''[http://{{SERVERNAME}}/log/?p=13384 Antiquity and Photography: Early Views of Ancient Mediterranean Sites]'', Los Angeles: Getty, 2005, 226 pp.
 
* [http://www.jeudepaume.org/pdf/Photographisme_GB.pdf Photo / Graphics], Paris: Jeu de Paume, 2008, 45 pp.
 
* [http://www.jeudepaume.org/pdf/Photographisme_GB.pdf Photo / Graphics], Paris: Jeu de Paume, 2008, 45 pp.
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* Louis Kaplan, ''[http://monoskop.org/log/?p=5673 The Strange Case of William Mumler, Spirit Photographer]'', University of Minnesota Press, 2008, 288 pp.
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* Louis Kaplan, ''[http://{{SERVERNAME}}/log/?p=5673 The Strange Case of William Mumler, Spirit Photographer]'', University of Minnesota Press, 2008, 288 pp.
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* [http://monoskop.org/log/?tag=photography Publications on photography at Monoskop Log]
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* [http://{{SERVERNAME}}/log/?tag=photography Publications on photography at Monoskop Log]
  
 
; Bibliographies
 
; Bibliographies

Revision as of 00:00, 24 July 2015

View from the Window at Le Gras is the oldest surviving camera photograph. Created by Nicéphore Niépce in 1826 or 1827 at Saint-Loup-de-Varennes, it shows parts of the buildings and surrounding countryside of his estate, Le Gras, seen from a high window, made using a camera obscura. It was the result of an 8-hour exposure.
William Henry Fox Talbot, The Pencil of Nature, 1844, PDF. First photographic book, with 24 calotypes.
Eadweard Muybridge, Animal Locomotion, 11 vols., 1887, JPGs.
An inverted photograph from F. W. Dyson, A. S. Eddington, and C. Davidson, "A Determination of the Deflection of Light by the Sun's Gravitational Field, from Observations Made at the Total Eclipse of May 29, 1919", Phil. Trans. of the Royal Society of London (1920), p 332.
Portrait of Nahui Olin by Edward Weston, 1924.

Pages

Selected literature

László Moholy-Nagy, Malerei, Fotografie, Film, 1925/27. Log.
Gyorgy Kepes, Language of Vision: Painting, Photography, Advertising-Design, 1944/1969, Log.

(in English unless noted)

Chronophotography
  • Eadweard Muybridge, Animal Locomotion, 11 vols., Philadelphia: University of Pennsylvania, 1887, 781 plates.
Avant-garde
Historisation
Theory and philosophy
La chambre claire: note sur la photographie, 1980, PDF, Log.
Other
Bibliographies


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