Difference between revisions of "Photography"
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==Selected writings== | ==Selected writings== | ||
[[Image:Moma_1937.jpg|thumb|258px|Cover of Beaumont Newhall, ''Photography 1839–1937'', New York: The Museum of Modern Art, 1937.]] | [[Image:Moma_1937.jpg|thumb|258px|Cover of Beaumont Newhall, ''Photography 1839–1937'', New York: The Museum of Modern Art, 1937.]] | ||
| − | [[Image:Moholy-Nagy_L_Malerei_Fotografie_Film.jpg|thumb|258px|László Moholy-Nagy, ''Malerei, Fotografie, Film'', 1925/27. [http://monoskop | + | [[Image:Moholy-Nagy_L_Malerei_Fotografie_Film.jpg|thumb|258px|László Moholy-Nagy, ''Malerei, Fotografie, Film'', 1925/27. [http://monoskop.org/log/?p=8914 Log].]] |
| − | [[Image:Kepes_Gyorgy_Language_of_Vision.jpg|thumb|258px|Gyorgy Kepes, ''Language of Vision: Painting, Photography, Advertising-Design'', 1944/1969, [http://monoskop | + | [[Image:Kepes_Gyorgy_Language_of_Vision.jpg|thumb|258px|Gyorgy Kepes, ''Language of Vision: Painting, Photography, Advertising-Design'', 1944/1969, [http://monoskop.org/log/?p=11143 Log].]] |
(in English unless noted) | (in English unless noted) | ||
| Line 24: | Line 24: | ||
; Avant-garde | ; Avant-garde | ||
* László Moholy-Nagy, ''[http://bibliothequekandinsky.centrepompidou.fr/imagesbk/RLPF727/M5050_X0031_LIV_RLPF0727.pdf Malerei, Fotografie, Film]'', Munich: Albert Langen, 1925, 115 pp; 2nd ed., 1927, 140 pp. Incl. [[Media:Moholy-Nagy_Laszlo_1927_Dynamik_der_Gross-Stadt.pdf|"Dynamik der Gross-Stadt"]], pp 116-129. {{de}} | * László Moholy-Nagy, ''[http://bibliothequekandinsky.centrepompidou.fr/imagesbk/RLPF727/M5050_X0031_LIV_RLPF0727.pdf Malerei, Fotografie, Film]'', Munich: Albert Langen, 1925, 115 pp; 2nd ed., 1927, 140 pp. Incl. [[Media:Moholy-Nagy_Laszlo_1927_Dynamik_der_Gross-Stadt.pdf|"Dynamik der Gross-Stadt"]], pp 116-129. {{de}} | ||
| − | ** ''[http://monoskop | + | ** ''[http://monoskop.org/log/?p=8914 Painting Photography Film]'', trans. Janet Seligman, London: Lund Humphries, 1969. |
| − | * Gyorgy Kepes, ''[http://monoskop | + | * Gyorgy Kepes, ''[http://monoskop.org/log/?p=11143 Language of Vision: Painting, Photography, Advertising-Design]'', intro. Siegfried Giedion and Samuel Ichiye Hayakawa, Chicago: Paul Theobald, 1944; rev.ed., Chicago: Paul Theobald, 1964. |
** [[Kepes#Kepes1944|translations]] | ** [[Kepes#Kepes1944|translations]] | ||
; Historisation | ; Historisation | ||
| − | * Beaumont Newhall, ''[http://monoskop | + | * Beaumont Newhall, ''[http://monoskop.org/log/?p=11179 The History of Photography: From 1839 to the Present Day]'', New York: The Museum of Modern Art, 1949, 256 pp; 5th ed., 1982. |
| − | ** [http://monoskop | + | ** [http://monoskop.org/log/?p=11179 ''Historia de la fotografia''], trans. Homero Alsina Thevenet, 2002. {{es}} |
* J. Cato, ''The story of the camera in Australia'', Melbourne: Georgian House, 1955. | * J. Cato, ''The story of the camera in Australia'', Melbourne: Georgian House, 1955. | ||
| − | * Aleksander Maciesza, ''[http://monoskop | + | * Aleksander Maciesza, ''[http://monoskop.org/log/?p=7950 Historia fotografii polskiej w latach 1839–1889]'', Plock: Towarzystwo Naukowe Płockie, 1972, 83 pp. {{pl}} |
* A. Scharf, ''Pioneers of photography: An album of pictures and words'', New York: Harry N. Abrams, 1976, [[Media:Scharf_Aaron_Pioneers_of_Photography_1976.pdf|PDF]]. | * A. Scharf, ''Pioneers of photography: An album of pictures and words'', New York: Harry N. Abrams, 1976, [[Media:Scharf_Aaron_Pioneers_of_Photography_1976.pdf|PDF]]. | ||
* Peter Galassi, ''Before Photography. Painting and the Invention of Photography'', New York: Museum of Modern Art, 1981. | * Peter Galassi, ''Before Photography. Painting and the Invention of Photography'', New York: Museum of Modern Art, 1981. | ||
* Heinz K. Henisch and Bridget A. Henisch, ''The Painted Photograph, 1839-1914: Origins, Techniques, Aspirations'', Pennsylvania State University, 1996. | * Heinz K. Henisch and Bridget A. Henisch, ''The Painted Photograph, 1839-1914: Origins, Techniques, Aspirations'', Pennsylvania State University, 1996. | ||
| − | * Clément Chéroux, ''[http://monoskop | + | * Clément Chéroux, ''[http://monoskop.org/log/?p=8682 Fautographie. Petite histoire de l’erreur photographique]'', Crisnée: Yellow Now, 2003, 183 pp. {{fr}} |
* P.C. Bunnell, ''Inside the Photograph: Writings on Twentieth-Century Photography'', Aperture Foundation, 2006. [http://artandarchaeology.princeton.edu/research/faculty-bookshelf/inside-the-photograph] | * P.C. Bunnell, ''Inside the Photograph: Writings on Twentieth-Century Photography'', Aperture Foundation, 2006. [http://artandarchaeology.princeton.edu/research/faculty-bookshelf/inside-the-photograph] | ||
* Kaja Silverman, ''The Miracle of Analogy or The History of Photography'', Part 1, Stanford: Stanford University Press, 2015. [https://kaja-silverman.squarespace.com/publications-archive/] | * Kaja Silverman, ''The Miracle of Analogy or The History of Photography'', Part 1, Stanford: Stanford University Press, 2015. [https://kaja-silverman.squarespace.com/publications-archive/] | ||
; Theory and philosophy | ; Theory and philosophy | ||
| − | [[Image:Barthes_Roland_La_chambre_claire.jpg|thumb|258px|''La chambre claire: note sur la photographie'', 1980, [[Media:Barthes_Roland_La_chambre_claire_Note_sur_la_photographie.pdf|PDF]], [http://monoskop | + | [[Image:Barthes_Roland_La_chambre_claire.jpg|thumb|258px|''La chambre claire: note sur la photographie'', 1980, [[Media:Barthes_Roland_La_chambre_claire_Note_sur_la_photographie.pdf|PDF]], [http://monoskop.org/log/?p=6868 Log].]] |
* Pierre Bourdieu, ''Un art moyen. Essais sur les usages sociaux de la photographie'', 1965. {{fr}} | * Pierre Bourdieu, ''Un art moyen. Essais sur les usages sociaux de la photographie'', 1965. {{fr}} | ||
| − | ** ''[http://monoskop | + | ** ''[http://monoskop.org/log/?p=5901 Photography: A Middle-brow Art]'', trans. Shaun Whiteside, 1990. |
| − | * Susan Sontag, ''[http://monoskop | + | * Susan Sontag, ''[http://monoskop.org/log/?p=698 On Photography]'', New York: Farrar, Straus & Giroux, 1977, 207 pp; RosettaBooks, 2005. |
** [[Sontag#Sontag1977|translations]] | ** [[Sontag#Sontag1977|translations]] | ||
| − | * Roland Barthes, ''[http://monoskop | + | * Roland Barthes, ''[http://monoskop.org/log/?p=6868 La chambre claire: note sur la photographie]'', Paris: Gallimard/Seuil, 1980, 194 pp. {{fr}} |
| − | ** ''[http://monoskop | + | ** ''[http://monoskop.org/log/?p=6868 Camera Lucida: Reflections on Photography]'', trans. Richard Howard, Farrar, Straus and Giroux, 1982, 119 pp. |
** [[Barthes#Barthes1980|other translations]] | ** [[Barthes#Barthes1980|other translations]] | ||
| − | * Victor Burgin (ed.), ''[http://monoskop | + | * Victor Burgin (ed.), ''[http://monoskop.org/log/?p=1045 Thinking Photography]'', 2nd ed., Macmillan, 1982. |
| − | * Vilém Flusser, ''[http://monoskop | + | * Vilém Flusser, ''[http://monoskop.org/log/?p=77 Für eine Philosophie der Fotografie]'', European Photography, 1983, 58 pp; 1989; 1997; 2006. {{de}} |
** ''[[Media:Flusser_Vilem_Towards_a_Philosophy_of_Photography_1984.pdf|Towards A Philosophy of Photography]]'', ed. Derek Bennett, Göttingen: European Photography, 1984, 62 pp. | ** ''[[Media:Flusser_Vilem_Towards_a_Philosophy_of_Photography_1984.pdf|Towards A Philosophy of Photography]]'', ed. Derek Bennett, Göttingen: European Photography, 1984, 62 pp. | ||
** [[Flusser#Flusser1983|other translations]] | ** [[Flusser#Flusser1983|other translations]] | ||
* Vilém Flusser, ''Ins Universum der technischen Bilder'', Göttingen: European Photography, 1985; 1992; 1996. {{de}} | * Vilém Flusser, ''Ins Universum der technischen Bilder'', Göttingen: European Photography, 1985; 1992; 1996. {{de}} | ||
| − | ** ''[http://monoskop | + | ** ''[http://monoskop.org/log/?p=2876 Into the Universe of Technical Images]'', trans. Nancy Ann Roth, University of Minnesota Press, 2011, 224 pp. |
** [[Flusser#Flusser1985|other translations]] | ** [[Flusser#Flusser1985|other translations]] | ||
| − | * David Green, Joanna Lowry (eds.), ''[http://monoskop | + | * David Green, Joanna Lowry (eds.), ''[http://monoskop.org/log/?p=6354 Stillness and Time: Photography and the Moving Image]'', Photoworks / Photoforum, 2005, 183 pp. |
* Jacques Derrida, [https://archive.org/details/JacquesDerridaCopyArchiveSignatureAConversationOnPhotography2010 ''Copy, Archive, Signature: A Conversation on Photography''], edited by Gerhard Richter, trans. Jeff Fort, Stanford University Press, 2010, 67 pp. | * Jacques Derrida, [https://archive.org/details/JacquesDerridaCopyArchiveSignatureAConversationOnPhotography2010 ''Copy, Archive, Signature: A Conversation on Photography''], edited by Gerhard Richter, trans. Jeff Fort, Stanford University Press, 2010, 67 pp. | ||
* François Laruelle, ''The Concept of Non-Photography'', Urbanomic/Sequence Press, 2011. | * François Laruelle, ''The Concept of Non-Photography'', Urbanomic/Sequence Press, 2011. | ||
| − | * François Laruelle, ''[http://monoskop | + | * François Laruelle, ''[http://monoskop.org/log/?p=6835 Photo-Fiction, a Non-Standard Aesthetics]'', trans. Drew S. Burk, Minneapolis, MN: Univocal, 2012, 85 pp. |
* James Elkins, ''What Photography Is'', Routledge, 2012. | * James Elkins, ''What Photography Is'', Routledge, 2012. | ||
* John Berger, ''Understanding a Photograph'', ed. & intro. Geoff Dyer, Aperture, 2013, 256 pp. | * John Berger, ''Understanding a Photograph'', ed. & intro. Geoff Dyer, Aperture, 2013, 256 pp. | ||
; Other | ; Other | ||
| − | * Georges Didi-Huberman, ''[http://monoskop | + | * Georges Didi-Huberman, ''[http://monoskop.org/log/?p=2998 Invention of Hysteria: Charcot and the Photographic Iconography of the Salpetriere]'' [1982], trans. Alisa Hartz, MIT Press, 2003, 373 pp. |
| − | * ''[http://monoskop | + | * ''[http://monoskop.org/log/?p=13384 Antiquity and Photography: Early Views of Ancient Mediterranean Sites]'', Los Angeles: Getty, 2005, 226 pp. |
* [http://www.jeudepaume.org/pdf/Photographisme_GB.pdf Photo / Graphics], Paris: Jeu de Paume, 2008, 45 pp. | * [http://www.jeudepaume.org/pdf/Photographisme_GB.pdf Photo / Graphics], Paris: Jeu de Paume, 2008, 45 pp. | ||
| − | * Louis Kaplan, ''[http://monoskop | + | * Louis Kaplan, ''[http://monoskop.org/log/?p=5673 The Strange Case of William Mumler, Spirit Photographer]'', University of Minnesota Press, 2008, 288 pp. |
| − | * [http://monoskop | + | * [http://monoskop.org/log/?tag=photography Publications on photography at Monoskop Log] |
; Bibliographies | ; Bibliographies | ||
Revision as of 20:10, 2 August 2015
View from the Window at Le Gras is the oldest surviving camera photograph. Created by Nicéphore Niépce in 1826 or 1827 at Saint-Loup-de-Varennes, it shows parts of the buildings and surrounding countryside of his estate, Le Gras, seen from a high window, made using a camera obscura. It was the result of an 8-hour exposure.
William Henry Fox Talbot, The Pencil of Nature, 1844, PDF. First photographic book, with 24 calotypes.
Eadweard Muybridge, Animal Locomotion, 11 vols., 1887, JPGs.
Portrait of Nahui Olin by Edward Weston, 1924.
Pages
- 291
- Berenice Abbott
- František Abrahamovič
- Yuri Abramochkin
- William Ackland
- Sarah Angelina Acland
- Costică Acsinte
- Antoine Samuel Adam-Salomon
- Ansel Adams
- Robert Adamson
- Olympe Aguado
- Sofia Ahlbom
- Joseph Albert
- Pavel Albieri
- Casiano Alguacil
- Fratelli Alinari
- Giuseppe Allegri
- Edward L. Allen
- Timothy Allen
- Darogha Ubbas Alli
- Marie-Alexandre Alophe
- Mads Alstrup
- Jane Fulton Alt
- Robert Altman
- Gioacchino Altobelli
- Pierre-Jean Amar
- Antoni Amatller
- Hubertus von Amelunxen
- Cornelis Hendrik van Amerom
- Georges Ancely
- Domenico Anderson
- James Anderson
- Thomas Andrew
- Bert Andrews
- Ludwig Angerer
- Thomas Annan
- Ottomar Anschütz
- Edward Anthony
- Eugène Appert
- Frederick Scott Archer
- Félix Arnaudin
- Hippolyte Arnoux
- Eduard Isaac Asser
- Eugène Atget
- Anna Atkins
- Pau Audouard
- James Aurig
- Richard Avedon
- George Barnard
- Catharine Weed Barnes
- Geoffrey Batchen
- David Bate
- Antonio Beato
- Felice Beato
- Bernd and Hilla Becher
- Alexandru Bellu
- John Berger
- Iosif Berman
- Ilse Bing
- Werner Bischof
- Karl Blossfeldt
- Irena Blühová
- Jean-François Bonhomme
- Vane Bor
- Mathew Brady
- Anton Giulio Bragaglia
- James Bragge
- Brian Brake
- Brassaï
- Francis Bruguière
- Peter Bunnell
- Burton Brothers
- Michal Burza
- Julia Margaret Cameron
- Robert Capa
- Henri Cartier-Bresson
- Jack Cato
- Graham Clarke
- Gregory Colbert
- George S. Cook
- Charles Cros
- Edward Curtis
- Louis Daguerre
- Branibor Debeljković
- František Drtikol
- Josef Maria Eder
- Alfred Eisenstaedt
- Peter Henry Emerson
- Elliott Erwitt
- Walker Evans
- Constant Alexandre Famin
- Andreas Feininger
- Roger Fenton
- Joan Fontcuberta
- Hollis Frampton
- Gisèle Freund
- Jaromír Funke
- Peter Galassi
- Alexander Gardner
- Carl Christoph Friedrich Geiger
- Helmut Gernsheim
- James F. Gibson
- Andreas Groll
- Hervé Guibert
- Philip Haas
- Alexandr Hackenschmied
- Anneliese Hager
- Philippe Halsman
- Florence Henri
- Tim Hetherington
- David Octavius Hill
- Karol Hiller
- Lewis Hine
- Kati Horna
- Horst P. Horst
- Nicolae Ionescu
- William Henry Jackson
- Pierre Janssen
- Libuše Jarcovjáková
- Gertrude Kaesebier
- Andrey Osipovich Karelin
- Basile Kargopoulo
- André Kertész
- Fernand Khnopff
- Kouzlo staré fotografie
- Ede Kozics
- Germaine Krull
- James Lafayette
- Jean Lauzon
- Jiří Lehovec
- Annie Leibovitz
- Alexander Liberman
- El Lissitzky
- John Loengard
- Lumière brothers
- Father Mackey
- Yanaki and Milton Manaki
- Roxana Marcoci
- Étienne-Jules Marey
- Samoilă Mârza
- James McDonald
- Lajos Mezey
- Gjon Mili
- Tina Modotti
- Lucia Moholy
- László Moholy-Nagy
- Eadweard Muybridge
- Nadar
- Paul Nadar
- James Nasmyth
- Beaumont Newhall
- Nicéphore Niépce
- Sonya Noskowiak
- Carl Gustav Oehme
- Ogawa Kazumasa
- Jacob Olie
- Timothy O'Sullivan
- Joaquim Insley Pacheco
- David Prakel
- John Pultz
- Achille Quinet
- Jean Raoul
- Man Ray
- John Reekie
- Oscar Gustave Rejlander
- Jaroslav Rössler
- Naomi Rosenblum
- Martha Rosler
- Ed Ruscha
- Andrew J. Russell
- Jean Baptiste Sabatier-Blot
- Alfred Sache
- John Edward Sache
- August Sander
- Steven Sasson
- Aaron Scharf
- Allan Sekula
- Joaquim Possidónio Narciso da Silva
- Slit-scan
- Ré Soupault
- Jo Spence
- Julian Stallabrass
- Edward Steichen
- Harvey Stein
- Alfred Stieglitz
- Dennis Stock
- Paul Strand
- John Szarkowski
- Carol Szathmari
- Isaac West Taber
- William Henry Fox Talbot
- Gerda Taro
- Karel Teige
- Franciszka and Stefan Themerson
- John Thomson
- Théodore Tiffereau
- Louis Tinayre
- Tomishige Rihei
- Eugène Trutat
- Pierre Trémaux
- Ludovico Tuminello
- Peter Turner
- Uchida Kuichi
- Ueno Hikoma
- Ukai Gyokusen
- Auguste Vacquerie
- George Valentine
- Bertha Valerius
- Carl Van Vechten
- Ferenc Veress
- Louis Vert
- Louis Vignes
- Jean-Marie Villard
- Joseph Villard
- Julien Vallou de Villeneuve
- Eugène Villette
- Hermann Wilhelm Vogel
- Samuel Walker
- Alfred Henry Wall
- Jeff Wall
- Charles Walter
- Andy Warhol
- Augustus Washington
- Carleton Watkins
- Alex Webb
- Liz Wells
- Brett Weston
- Edward Weston
- Nicoline Weywadt
- John Adams Whipple
- Jesse Harrison Whitehurst
- George Washington Wilson
- Charles David Winter
- Eugen Wiškovský
- Joel-Peter Witkin
- William de Wiveleslie Abney
- Yokoyama Matsusaburo
- Zangaki brothers
- Jules Ziegler
- Heinrich Zille
Selected writings
László Moholy-Nagy, Malerei, Fotografie, Film, 1925/27. Log.
Gyorgy Kepes, Language of Vision: Painting, Photography, Advertising-Design, 1944/1969, Log.
(in English unless noted)
- Chronophotography
- Eadweard Muybridge, Animal Locomotion, 11 vols., Philadelphia: University of Pennsylvania, 1887, 781 plates.
- Avant-garde
- László Moholy-Nagy, Malerei, Fotografie, Film, Munich: Albert Langen, 1925, 115 pp; 2nd ed., 1927, 140 pp. Incl. "Dynamik der Gross-Stadt", pp 116-129. (German)
- Painting Photography Film, trans. Janet Seligman, London: Lund Humphries, 1969.
- Gyorgy Kepes, Language of Vision: Painting, Photography, Advertising-Design, intro. Siegfried Giedion and Samuel Ichiye Hayakawa, Chicago: Paul Theobald, 1944; rev.ed., Chicago: Paul Theobald, 1964.
- Historisation
- Beaumont Newhall, The History of Photography: From 1839 to the Present Day, New York: The Museum of Modern Art, 1949, 256 pp; 5th ed., 1982.
- Historia de la fotografia, trans. Homero Alsina Thevenet, 2002. (Spanish)
- J. Cato, The story of the camera in Australia, Melbourne: Georgian House, 1955.
- Aleksander Maciesza, Historia fotografii polskiej w latach 1839–1889, Plock: Towarzystwo Naukowe Płockie, 1972, 83 pp. (Polish)
- A. Scharf, Pioneers of photography: An album of pictures and words, New York: Harry N. Abrams, 1976, PDF.
- Peter Galassi, Before Photography. Painting and the Invention of Photography, New York: Museum of Modern Art, 1981.
- Heinz K. Henisch and Bridget A. Henisch, The Painted Photograph, 1839-1914: Origins, Techniques, Aspirations, Pennsylvania State University, 1996.
- Clément Chéroux, Fautographie. Petite histoire de l’erreur photographique, Crisnée: Yellow Now, 2003, 183 pp. (French)
- P.C. Bunnell, Inside the Photograph: Writings on Twentieth-Century Photography, Aperture Foundation, 2006. [1]
- Kaja Silverman, The Miracle of Analogy or The History of Photography, Part 1, Stanford: Stanford University Press, 2015. [2]
- Theory and philosophy
- Pierre Bourdieu, Un art moyen. Essais sur les usages sociaux de la photographie, 1965. (French)
- Photography: A Middle-brow Art, trans. Shaun Whiteside, 1990.
- Susan Sontag, On Photography, New York: Farrar, Straus & Giroux, 1977, 207 pp; RosettaBooks, 2005.
- Roland Barthes, La chambre claire: note sur la photographie, Paris: Gallimard/Seuil, 1980, 194 pp. (French)
- Camera Lucida: Reflections on Photography, trans. Richard Howard, Farrar, Straus and Giroux, 1982, 119 pp.
- other translations
- Victor Burgin (ed.), Thinking Photography, 2nd ed., Macmillan, 1982.
- Vilém Flusser, Für eine Philosophie der Fotografie, European Photography, 1983, 58 pp; 1989; 1997; 2006. (German)
- Towards A Philosophy of Photography, ed. Derek Bennett, Göttingen: European Photography, 1984, 62 pp.
- other translations
- Vilém Flusser, Ins Universum der technischen Bilder, Göttingen: European Photography, 1985; 1992; 1996. (German)
- Into the Universe of Technical Images, trans. Nancy Ann Roth, University of Minnesota Press, 2011, 224 pp.
- other translations
- David Green, Joanna Lowry (eds.), Stillness and Time: Photography and the Moving Image, Photoworks / Photoforum, 2005, 183 pp.
- Jacques Derrida, Copy, Archive, Signature: A Conversation on Photography, edited by Gerhard Richter, trans. Jeff Fort, Stanford University Press, 2010, 67 pp.
- François Laruelle, The Concept of Non-Photography, Urbanomic/Sequence Press, 2011.
- François Laruelle, Photo-Fiction, a Non-Standard Aesthetics, trans. Drew S. Burk, Minneapolis, MN: Univocal, 2012, 85 pp.
- James Elkins, What Photography Is, Routledge, 2012.
- John Berger, Understanding a Photograph, ed. & intro. Geoff Dyer, Aperture, 2013, 256 pp.
- Other
- Georges Didi-Huberman, Invention of Hysteria: Charcot and the Photographic Iconography of the Salpetriere [1982], trans. Alisa Hartz, MIT Press, 2003, 373 pp.
- Antiquity and Photography: Early Views of Ancient Mediterranean Sites, Los Angeles: Getty, 2005, 226 pp.
- Photo / Graphics, Paris: Jeu de Paume, 2008, 45 pp.
- Louis Kaplan, The Strange Case of William Mumler, Spirit Photographer, University of Minnesota Press, 2008, 288 pp.
- Publications on photography at Monoskop Log
- Bibliographies
- Kelley Wilder, "History of Photography", Oxford Bibliographies, 2014.
Resources
- Object:Photo, MoMA's 1920s-30s photography collection, 2014.
