Difference between revisions of "Photography"

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===Historisation===
 
===Historisation===
* Henry Hunt Snelling, ''The History and Practice of the Art of Photography'', New York: G.P. PUTNAM, 1849, [https://archive.org/details/ost-art-the_history_and_practice_of_the_art_of_p IA], [http://aaaaarg.fail/ref/21650948a3cead057d7056390f719790 ARG]. {{en}}  
+
* Henry Hunt Snelling, ''[https://archive.org/details/ost-art-the_history_and_practice_of_the_art_of_p  The History and Practice of the Art of Photography]'', New York: G.P. Putnam, 1849, [http://aaaaarg.fail/ref/21650948a3cead057d7056390f719790 ARG]. {{en}}  
  
* Georges Potonniée, ''Histoire de la découverte de la Photographie'', Paris: Paul Montel, 1925, [http://gallica.bnf.fr/ark:/12148/bpt6k6117287h.r=Histoire%20de%20la%20d%C3%A9couverte%20de%20la%20photographie PDF], [https://archive.org/details/HistoireDeLaDecouverteDeLaPhotographieParGeorgesPotonniee1925 IA], [http://aaaaarg.fail/ref/ee5e6b58748364691f012450574a1d92 ARG]. {{fr}}
+
* Georges Potonniée, ''[http://gallica.bnf.fr/ark:/12148/bpt6k6117287h.r=Histoire%20de%20la%20d%C3%A9couverte%20de%20la%20photographie Histoire de la découverte de la photographie]'', Paris: Paul Montel, 1925, [https://archive.org/details/HistoireDeLaDecouverteDeLaPhotographieParGeorgesPotonniee1925 IA], [http://aaaaarg.fail/ref/ee5e6b58748364691f012450574a1d92 ARG]. {{fr}}
 
** ''The History of the Discovery of Photography'', trans. Edward Epstean, New York: Arno Press, 1973. {{en}}
 
** ''The History of the Discovery of Photography'', trans. Edward Epstean, New York: Arno Press, 1973. {{en}}
  
* Josef Maria Eder, ''Geschichte der Photographie'', 4th edition, vol. 1, [http://digi.ub.uni-heidelberg.de/diglit/eder1932bd1 PDF], and vol. 2, [http://digi.ub.uni-heidelberg.de/diglit/eder1932bd2 PDF], Halle (Saale): Verlag von Wilhelm Knapp, 1932. {{de}}
+
* Josef Maria Eder, ''Geschichte der Photographie'', [http://digi.ub.uni-heidelberg.de/diglit/eder1932bd1 vol. 1] & [http://digi.ub.uni-heidelberg.de/diglit/eder1932bd2 vol. 2], 4th ed., Halle (Saale): Wilhelm Knapp, 1932. {{de}}
** ''History of Photography'', trans. Edward Epstean, New York: Dover Publications, Inc., 1945; 1972, [https://archive.org/details/EderHistoryPhotography IA]. {{en}}
+
** ''[https://archive.org/details/EderHistoryPhotography History of Photography]'', trans. Edward Epstean, New York: Dover, 1945; 1972. {{en}}
  
* Lucia Moholy, ''A Hundred Years of Photography, 1839-1939'', Middlesex, England: Harmondsworth, 1939. {{en}}
+
* Lucia Moholy, ''A Hundred Years of Photography, 1839-1939'', Middlesex: Harmondsworth, 1939. {{en}}
  
* Joseph Solomon Friedman, ''History of Color Photography'', Boston: The American Photographic Publishing Company, 1944; 1945, [https://archive.org/details/ost-art-historyofcolorph00frierich IA]. {{en}}
+
* Joseph Solomon Friedman, ''[https://archive.org/details/ost-art-historyofcolorph00frierich History of Color Photography]'', Boston: American Photographic Publishing Company, 1944. {{en}}
  
* Beaumont Newhall, ''[http://monoskop.org/log/?p=11179 The History of Photography: From 1839 to the Present Day]'', New York: The Museum of Modern Art, 1949, 256 pp; 5th ed., 1982. {{en}}
+
* Beaumont Newhall, ''[http://monoskop.org/log/?p=11179 The History of Photography: From 1839 to the Present Day]'', New York: The Museum of Modern Art, 1949, 256 pp; 5th ed., 1982. Catalogue. {{en}}
 
** [http://monoskop.org/log/?p=11179 ''Historia de la fotografia''], trans. Homero Alsina Thevenet, 2002. {{es}}
 
** [http://monoskop.org/log/?p=11179 ''Historia de la fotografia''], trans. Homero Alsina Thevenet, 2002. {{es}}
  
 
* Helmut Gernsheim with Alison Gernsheim, ''L.J.M. Daguerre: The History of the Diorama and the Daguerreotype'', New York: Dover, 1968. {{en}}
 
* Helmut Gernsheim with Alison Gernsheim, ''L.J.M. Daguerre: The History of the Diorama and the Daguerreotype'', New York: Dover, 1968. {{en}}
  
* Helmut Gernsheim with Alison Gernsheim, ''The History of Photography From the Earliest Use of the Camera Obscura in the Eleventh Century up to 1914'', Oxford: Oxford University Press, 1955, [https://archive.org/details/aa052-TheHistoryOfPhotography IA]; rev. ed., Thames & Hudson, 1969. {{en}}
+
* Helmut Gernsheim with Alison Gernsheim, ''[https://archive.org/details/aa052-TheHistoryOfPhotography The History of Photography From the Earliest Use of the Camera Obscura in the Eleventh Century up to 1914]'', Oxford University Press, 1955; rev.ed., Thames & Hudson, 1969. {{en}}
 
 
* Helmut Gernsheim, ''Creative photography. Aesthetic Trends. 1839-1960'', New York: Bonanza Books, 1962, [https://archive.org/details/creativePhotography IA]. {{en}}
 
  
 
* Aleksander Maciesza, ''[http://monoskop.org/log/?p=7950 Historia fotografii polskiej w latach 1839–1889]'', Plock: Towarzystwo Naukowe Płockie, 1972, 83 pp. {{pl}}
 
* Aleksander Maciesza, ''[http://monoskop.org/log/?p=7950 Historia fotografii polskiej w latach 1839–1889]'', Plock: Towarzystwo Naukowe Płockie, 1972, 83 pp. {{pl}}
  
* Robert M. Doty and Minor White, ''Photography in America'', New York: Published for the Whitney Museum of American Art [by] Random House, 1974. {{en}}
+
* Robert M. Doty, Minor White, ''Photography in America'', New York: Random House, 1974. Catalogue. {{en}}
  
* Aaron Scharf, ''Pioneers of Photography: An Album of Pictures and Words'', New York: Harry N. Abrams, 1976, [[Media:Scharf_Aaron_Pioneers_of_Photography_1976.pdf|PDF]]. {{en}}
+
* Aaron Scharf, ''[[Media:Scharf_Aaron_Pioneers_of_Photography_1976.pdf|Pioneers of Photography: An Album of Pictures and Words]]'', New York: Harry N. Abrams, 1976. {{en}}
  
* Bruce Bernard and Margaret Donovan, ''Photodiscovery: masterworks of photography, 1840-1940'', New York: H.N. Abrams, 1980. {{en}}
+
* John H. Hammond, ''The Camera Obscura: A Chronicle'', Bristol: Adam Hilger, 1981. {{en}}
  
* John H. Hammond, ''The Camera Obscura: A Chronicle''; Bristol: Adam Hilger, Ltd., 1981. {{en}}
+
* Ian Jeffrey, ''Photography: A Concise History'', New York: Thames and Hudson, 1981. {{en}}
  
* Ian Jeffrey, ''Photography: a concise history'', New York: Thames and Hudson, 1981. {{en}}
+
* Peter Galassi, ''[[Media:Galassi_Peter_Before_Photography_Painting_and_the_Invention_of_Photography_1981.pdf|Before Photography: Painting and the Invention of Photography]]'', New York: Museum of Modern Art, 1981. Catalogue. {{en}}
  
* Peter Galassi, ''Before Photography: Painting and the Invention of Photography'', New York: Museum of Modern Art, 1981, [[Media:Galassi_Peter_Before_Photography_Painting_and_the_Invention_of_Photography_1981.pdf|PDF]]. {{en}}
+
* Jean-Luc Daval, ''Histoire d'un art: la photographie'', Genève: Skira, 1982, 268 pp. [https://www.erudit.org/culture/liberte1026896/liberte1032573/30505ac.pdf Review]. {{fr}}
 
+
** ''Photography: History of an Art'', trans. R.F.M. Dexter, New York: Skira/Rizzoli, 1982. {{en}}
* Jean-Luc Daval, ''Histoire d’un art: la photographie'', Genève: Éditions d’art Albert Skira, 1982, 268 p. [https://www.erudit.org/culture/liberte1026896/liberte1032573/30505ac.pdf Review] {{fr}}
 
** ''Photography, history of an art'', trans. R.F.M. Dexter, New York: Skira/Rizzoli, 1982. {{en}}
 
  
 
* Jonathan Green, ''American Photography: A Critical History 1945 to the Present'', New York: Harry N. Abrams, 1984. {{en}}
 
* Jonathan Green, ''American Photography: A Critical History 1945 to the Present'', New York: Harry N. Abrams, 1984. {{en}}
  
* Naomi Rosenblum, ''A World History of Photography'', New York: Abbeville, 1984; rev.ed., 1989; 3rd edition, 1997, [[Media:Rosenblum_Naomi_A_World_History_of_Photography_3rd_ed_1997.pdf|PDF]]. {{en}}
+
* Naomi Rosenblum, ''[[Media:Rosenblum_Naomi_A_World_History_of_Photography_3rd_ed_1997.pdf|A World History of Photography]]'', New York: Abbeville, 1984; rev.ed., 1989; 3rd ed., 1997. {{en}}
  
* John Pultz, ''The Body and the Lens: Photography 1839 to the Present'', New York: Harry N. Abrams, 1995, [[Media:Pultz_John_Body_and_the_Lens_Photography_1839_to_the_Present_1995.pdf|PDF]]. {{en}}
+
* John Pultz, ''[[Media:Pultz_John_Body_and_the_Lens_Photography_1839_to_the_Present_1995.pdf|The Body and the Lens: Photography 1839 to the Present]]'', New York: Harry N. Abrams, 1995. {{en}}
  
* C. Săvulescu, ''Cronologia ilustrată a Fotografiei din Romania. Perioada 1834-1916'', Bucarest: Asociaţia Artiştilor Fotografi, 1985. {{ro}}
+
* C. Săvulescu, ''Cronologia ilustrată a fotografiei din Romania. Perioada 1834-1916'', Bucharest: Asociaţia Artiştilor Fotografi, 1985. {{ro}}
  
* Mike Weaver, Daniel Wolf, ''The Art of photography, 1839-1989'', New Haven: Yale University Press, 1989. {{en}}
+
* Mike Weaver, Daniel Wolf, ''The Art of Photography, 1839-1989'', Yale University Press, 1989. {{en}}
  
 
* Richard Bolton (ed.), ''Contest of Meaning: Critical Histories of Photography'', MIT Press, 1989, 432 pp. [http://mitpress.mit.edu/books/contest-meaning] {{en}}
 
* Richard Bolton (ed.), ''Contest of Meaning: Critical Histories of Photography'', MIT Press, 1989, 432 pp. [http://mitpress.mit.edu/books/contest-meaning] {{en}}
  
* Pierre-Jean Amar, ''La photographie, histoire d’un art'', Paris: Edisud, 1993. {{fr}}
+
* Pierre-Jean Amar, ''La photographie: histoire d'un art'', Paris: Edisud, 1993. {{fr}}
  
* Eva Weber, ''Pioneers of photography'', New York: Smithmark, 1995. {{en}}
+
* Eva Weber, ''Pioneers of Photography'', New York: Smithmark, 1995. {{en}}
  
 
* Heinz K. Henisch, Bridget A. Henisch, ''The Painted Photograph, 1839-1914: Origins, Techniques, Aspirations'', Pennsylvania State University, 1996. {{en}}
 
* Heinz K. Henisch, Bridget A. Henisch, ''The Painted Photograph, 1839-1914: Origins, Techniques, Aspirations'', Pennsylvania State University, 1996. {{en}}
  
* Pierre-Jean Amar, ''Histoire de la photographie'', Paris: P.U.F., 1997. {{fr}}
+
* Pierre-Jean Amar, ''Histoire de la photographie'', Paris: PUF, 1997. {{fr}}
  
* Christian A. Peterson, ''After the photo-secession: American pictorial photography, 1910-1955'', [Minneapolis, Minn.]: Minneapolis Institute of Arts in association with W.W. Norton (New York), 1997. {{en}}
+
* Pierre-Jean Amar, ''Le photojournalisme'', Paris: Nathan-Université, 2000. {{fr}}
  
* Peter Stepan, ''Icons of photography: the 20th century'', Munich/ New York: Prestel, 1999. {{en}}
+
* Quentin Bajac, ''L'Image révélée: l'invention de la photographie'', Paris: Gallimard, 2001, 160 pp. [http://www.gallimard.fr/Catalogue/GALLIMARD/Decouvertes-Gallimard/Decouvertes-Gallimard/Arts/L-Image-revelee] {{fr}}
  
* Robert Hirsch, ''Seizing the Light: A History of Photography'', New York: McGraw Hill, 2000. {{en}}
+
* Michael Gray, Arthur Ollman, Carol McCusker, ''First Photographs: William Henry Fox Talbot and the Birth of Photography'', New York: powerHouse Books, 2002. {{en}}
  
* Pierre-Jean Amar, ''Le photojournalisme'', Paris: Nathan-Université, 2000. {{fr}}
+
* Mary Warner Marien, ''Photography: A Cultural History'', Upper River Saddle, N.J.: Prentice Hall, 2002. {{en}}
 
 
* Michael Gray, Arthur Ollman, and Carol McCusker, ''First Photographs: William Henry Fox Talbot and the Birth of Photography'', New York: powerHouse Books, 2002. {{en}}
 
 
 
* Mary Warner Marien, ''Photography: a cultural history'', Upper River Saddle, N.J.: Prentice Hall, 2002. {{en}}
 
  
 
* Clément Chéroux, ''[http://monoskop.org/log/?p=8682 Fautographie. Petite histoire de l'erreur photographique]'', Crisnée: Yellow Now, 2003, 183 pp. {{fr}}
 
* Clément Chéroux, ''[http://monoskop.org/log/?p=8682 Fautographie. Petite histoire de l'erreur photographique]'', Crisnée: Yellow Now, 2003, 183 pp. {{fr}}
  
* Martin Parr and Gerry Badger, ''The photobook: a history, vol. I'', London/New York: Phaidon, 2004. {{en}}
+
* Martin Parr, Gerry Badger, ''The Photobook: A history'', 2 vols., London/New York: Phaidon, 2004 & 2006. {{en}}
  
* Quentin Bajac, ''La photographie: l'époque moderne 1880-1960'', Paris: Gallimard-découvertes, 2005. {{fr}}
+
* Quentin Bajac, ''La photographie: l'époque moderne 1880-1960'', Paris: Gallimard, 2005. {{fr}}
  
* William Johnson, Mark Rice, Carla Williams, Therese Mulligan and David Wooters, ''A history of photography: from 1839 to the present'', Köln/ London: Taschen, 2005. {{en}}
+
* William Johnson, Mark Rice, Carla Williams, Therese Mulligan, David Wooters, ''A History of Photography: From 1839 to the Present'', Cologne/London: Taschen, 2005. {{en}}
  
 
* P.C. Bunnell, ''Inside the Photograph: Writings on Twentieth-Century Photography'', Aperture, 2006. [http://artandarchaeology.princeton.edu/research/faculty-bookshelf/inside-the-photograph] {{en}}
 
* P.C. Bunnell, ''Inside the Photograph: Writings on Twentieth-Century Photography'', Aperture, 2006. [http://artandarchaeology.princeton.edu/research/faculty-bookshelf/inside-the-photograph] {{en}}
 
* Martin Parr and Gerry Badger, ''The photobook: a history, vol. II'', London/New York: Phaidon, 2006. {{en}}
 
  
 
* Aurora Király (ed.), ''Fotografia în arta românească contemporană: tendinţe în România după 1989'',  Bucharest: Unarte, 2006, [http://gen.lib.rus.ec/book/index.php?md5=23BD677ADC2A4332EC69888B78BDE01A PDF], [https://archive.org/details/PhotographyInContemporaryArtTrendsInRomaniaAfter1989 IA]. {{ro}}
 
* Aurora Király (ed.), ''Fotografia în arta românească contemporană: tendinţe în România după 1989'',  Bucharest: Unarte, 2006, [http://gen.lib.rus.ec/book/index.php?md5=23BD677ADC2A4332EC69888B78BDE01A PDF], [https://archive.org/details/PhotographyInContemporaryArtTrendsInRomaniaAfter1989 IA]. {{ro}}
  
* Quentin Bajac and Clément Chéroux, ''Collection photographs: a history of photography through the collections of the Centre Pompidou, Musée National d'Art Moderne'', Göttingen: Steidl / [Paris]: Centre Pompidou, 2007. {{en}}/{{fr}}
+
* Quentin Bajac, Clément Chéroux, ''Collection Photographs: A History of Photography Through the Collections of the Centre Pompidou, Musée National d'Art Moderne'', Göttingen: Steidl / Paris: Centre Pompidou, 2007. Catalogue. {{en}}/{{fr}}
 
 
* Matthew S. Witkovsky, ''Foto: Modernity in Central Europe, 1918-1945'', intro. Peter Demetz, Washington, DC: National Gallery of Art, and London: Thames & Hudson, 2007, xxix+278 pp. {{en}}
 
 
 
* Ute Eskildsen, Florian Ebner and Bettina Kaufmann, ''Street & studio: an urban history of photography'', London: Tate Pub.; New York: Harry N. Abrams, 2008. {{en}}
 
 
 
* Dominique de Font-Reaulx, ''The Daguerreotype'', Paris: Musee d'Orsay, 2008, [https://archive.org/details/aa106-TheDaguerreotype IA]. Based on the exhibition "Le daguerreotype francais, collection du musee d'Orsay at Musee d'Orsay", 27th May - 7th September 2008, curated by Dominique de Font-Reaulx. {{en}}
 
  
* Françoise Heilbrun, ''A history of photography: the Musée d'Orsay collection, 1839-1925'', Paris: Flammarion, 2009. {{fr}}/{{en}}
+
* Matthew S. Witkovsky, ''Foto: Modernity in Central Europe, 1918-1945'', intro. Peter Demetz, Washington, DC: National Gallery of Art, and London: Thames & Hudson, 2007, xxix+278 pp. Catalogue. {{en}}
  
* Todd Gustavson, ''Camera: A History of Photography from Daguerreotype to Digital'', New York: Sterling Publishing Co., 2009. {{en}}
+
* Ute Eskildsen, Florian Ebner and Bettina Kaufmann, ''Street & Studio: An Urban History of Photography'', London: Tate, and New York: Harry N. Abrams, 2008. {{en}}
  
* Václav Macek, ''The history of European photography, 1900-1938'', Bratislava: Central European House of Photography, 2010. {{en}}
+
* Dominique de Font-Reaulx, ''The Daguerreotype'', Paris: Musee d'Orsay, 2008, [https://archive.org/details/aa106-TheDaguerreotype IA]. Catalogue. {{en}}
  
* Hilde van Gelder and Helen Westgeest, ''Photography theory in historical perspective: case studies from contemporary art'', Chichester, West Sussex/ Malden, MA: Wiley-Blackwell, 2011. {{en}}
+
* Françoise Heilbrun, ''A History of Photography: The Musée d'Orsay Collection, 1839-1925'', Paris: Flammarion, 2009. {{fr}}/{{en}}
  
* Jae Emerling, ''Photography: history and theory'', Abingdon, Oxon/ New York: Routledge, 2012. {{en}}
+
* Jorge Ribalta, ''[https://monoskop.org/log/?p=17317 Universal Archive: The Condition of the Document and the Modern Photographic Utopia]'', Barcelona: MACBA, 2008, 99 pp. Catalogue. {{en}},{{ca}},{{es}}
  
* Daniel Girardin, Christian Pirker and Yaniv Benhamou, ''Controversies: a legal and ethical history of photography'', Arles, France: Actes Sud/ [Lausanne]: Musée de l'Élysée, 2012. {{en}}
+
* Václav Macek, ''The History of European Photography, 1900-1938'', Bratislava: Central European House of Photography, 2010. {{en}}
  
* Tanya Sheehan, ''Photography, History, Difference'', University Press of New England, 2014. {{en}}
+
* Daniel Girardin, Christian Pirker, Yaniv Benhamou, ''Controversies: A Legal and Ethical History of Photography'', Arles: Actes Sud, and Lausanne: Musée de l'Élysée, 2012. {{en}}
  
 
* Kaja Silverman, ''[http://monoskop.org/log/?p=16627 The Miracle of Analogy or The History of Photography, Part 1]'', Stanford University Press, 2015, 203 pp. {{en}}
 
* Kaja Silverman, ''[http://monoskop.org/log/?p=16627 The Miracle of Analogy or The History of Photography, Part 1]'', Stanford University Press, 2015, 203 pp. {{en}}
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** [[Flusser#Flusser1985|more translations]]
 
** [[Flusser#Flusser1985|more translations]]
  
* Mark Haworth-Booth, ''Photography now'', London: Dirk Nishen Publishing in association with the Victoria & Albert Museum, [1989]. {{en}}
+
* Eduardo Cadava, ''Words of Light: Theses on the Photography of History'', Princeton University Press, 1997. {{en}}
 
 
* S.B. Burns, ''Sleeping beauty: Memorial photography in America'', Altadena, CA: Twelvetrees Press, 1990. {{en}}
 
 
 
* J. Ruby, ''Secure the shadow: Death and photography in America'', Cambridge, MA: MIT Press, 1995. {{en}}
 
 
 
* Eduardo Cadava, ''Words of Light: Theses on the Photography of History'', Princeton: Princeton University Press, 1997. {{en}}
 
  
 
* Quentin Bajac, ''Tableaux vivants. Fantaisies photographiques victoriennes, 1840-1880'', Réunion des Musées Nationaux, 1999. {{fr}}
 
* Quentin Bajac, ''Tableaux vivants. Fantaisies photographiques victoriennes, 1840-1880'', Réunion des Musées Nationaux, 1999. {{fr}}
 
* Quentin Bajac, ''L’Image révélée, l’invention de la photographie'', Paris: Gallimard-découvertes,  2001. {{fr}}
 
  
 
* David Green, Joanna Lowry (eds.), ''[http://monoskop.org/log/?p=6354 Stillness and Time: Photography and the Moving Image]'', Photoworks / Photoforum, 2005, 183 pp. {{en}}
 
* David Green, Joanna Lowry (eds.), ''[http://monoskop.org/log/?p=6354 Stillness and Time: Photography and the Moving Image]'', Photoworks / Photoforum, 2005, 183 pp. {{en}}
 
* Quentin Bajac and C. Chéroux, ''La subversion des images: surréalisme, photographie, film'', Paris: Éd. du Centre Pompidou, 2009. {{fr}}
 
  
 
* Jacques Derrida, [http://archive.org/details/JacquesDerridaCopyArchiveSignatureAConversationOnPhotography2010 ''Copy, Archive, Signature: A Conversation on Photography''], ed. Gerhard Richter, trans. Jeff Fort, Stanford University Press, 2010, 67 pp. {{en}}
 
* Jacques Derrida, [http://archive.org/details/JacquesDerridaCopyArchiveSignatureAConversationOnPhotography2010 ''Copy, Archive, Signature: A Conversation on Photography''], ed. Gerhard Richter, trans. Jeff Fort, Stanford University Press, 2010, 67 pp. {{en}}
Line 191: Line 165:
 
* François Laruelle, ''[http://monoskop.org/log/?p=6835 Photo-Fiction, a Non-Standard Aesthetics]'', trans. Drew S. Burk, Minneapolis, MN: Univocal, 2012, 85 pp. {{en}}
 
* François Laruelle, ''[http://monoskop.org/log/?p=6835 Photo-Fiction, a Non-Standard Aesthetics]'', trans. Drew S. Burk, Minneapolis, MN: Univocal, 2012, 85 pp. {{en}}
  
* Katja Haustein, ''Regarding Lost Time: Photography, Identity, and Affect in Proust, Benjamin, and Barthes'', London: Modern Humanities Research Association and Maney Publishing, 2012. {{en}}
+
* Shawn Michelle Smith, ''At the Edge of Sight: Photography and the Unseen'', Duke University Press, 2013, 312 pp. {{en}}
 
 
* Eleanor Jones Harvey, ''The Civil War and American Art'', New Haven: Yale University Press, 2012. {{en}}
 
 
 
* Eduardo Cadava and Gabriela Nouzeilles (eds.), ''The Itinerant Languages of Photography'', Princeton: Princeton University Art Museum, 2013. {{en}}
 
 
 
* Shawn Michelle Smith, ''At the edge of sight: photography and the unseen'', Durham: Duke University Press, 2013. {{en}}
 
  
* John Berger, ''Understanding a Photograph'', ed. & intro. Geoff Dyer, Aperture, 2013, 256 pp. {{en}}
+
* John Berger, ''Understanding a Photograph'', ed. & intro. Geoff Dyer, Aperture, 2013, 256 pp. Previously uncollected writings on photography. {{en}}
  
* Lisa Saltzman, ''Daguerreotypes: Fugitive Subjects, Contemporary Objects'', Chicago: University of Chicago Press, 2015, [http://gen.lib.rus.ec/book/index.php?md5=17905da4d80dbd58d187109a4f8285ce PDF]. {{en}}
+
* Lisa Saltzman, ''[http://gen.lib.rus.ec/book/index.php?md5=17905da4d80dbd58d187109a4f8285ce Daguerreotypes: Fugitive Subjects, Contemporary Objects]'', University of Chicago Press, 2015. {{en}}
  
 
===Other===
 
===Other===

Revision as of 10:27, 19 August 2016

View from the Window at Le Gras is the oldest surviving camera photograph. Created by Nicéphore Niépce in 1826 or 1827 at Saint-Loup-de-Varennes, it shows parts of the buildings and surrounding countryside of his estate, Le Gras, seen from a high window, made using a camera obscura. It was the result of an 8-hour exposure.
An inverted photograph from F. W. Dyson, A. S. Eddington, and C. Davidson, "A Determination of the Deflection of Light by the Sun's Gravitational Field, from Observations Made at the Total Eclipse of May 29, 1919", Phil. Trans. of the Royal Society of London (1920), p 332.
Portrait of Nahui Olin by Edward Weston, 1924.
Dorothea Lange, Migrant Mother, Nipomo, California, Mar 1936. Gelatin silver print. LOC. LOC (series). MoMA. MoMA (version). Met. SI. Artic. Getty. DIA. SFMOMA. SLAM. MiA. Brooklyn M. Tate.

Pages

Selected publications

William Henry Fox Talbot, The Pencil of Nature, 1844, PDF. First photographic book, with 24 calotypes.
Beaumont Newhall, Photography 1839–1937, 1937.
László Moholy-Nagy, Malerei, Fotografie, Film, 1925/27, Log.
Franz Roh, Jan Tschichold, Foto-Auge, 1929.
Werner Gräff, Es kommt der neue Fotograf!, 1929.
László Moholy-Nagy, Von Material zu Architektur, 1929, Log.
Gyorgy Kepes, Language of Vision: Painting, Photography, Advertising-Design, 1944/69, Log.

Chronophotography

Eadweard Muybridge, Animal Locomotion, 11 vols., 1887, JPGs.
  • Eadweard Muybridge, Animal Locomotion, 11 vols., Philadelphia: University of Pennsylvania, 1887, 781 plates. (English)

Avant-garde, Modernism

  • László Moholy-Nagy, Malerei, Fotografie, Film, Munich: Albert Langen, 1925, 115 pp; 2nd ed., 1927, 140 pp. Incl. "Dynamik der Gross-Stadt", pp 116-129. (German)
  • Albert Renger-Patzsch, Die Welt ist schön. Einhundert photographische Aufnahmen, Munich: Kurt Wolff, 1928; other ed., Munich: Einhorn, 1928. Photo book. [1] Reception.
  • August Sander, Antlitz der Zeit. Sechzig Aufnahmen Deutscher Menschen Des 20. Jahrhunderts, Munich: Transmare, 1929. Photo book. [2] [3]
  • Franz Roh, Jan Tschichold, Foto-Auge: 76 Fotos der Zeit / Œil et photo: 76 photographies de notre temps / Photo-Eye: 76 Photos of the Period, Stuttgart: Wedekind, 1929, 18+[76] pp. [4] [5] [6] [7] (German)/(French)/(English)
  • Werner Gräff, Es kommt der neue Fotograf!, Berlin: H. Reckendorf, 1929. [8] (German)
  • László Moholy-Nagy, Von Material zur Architektur, Munich: Albert Langen, Bauhausbücher 14, 1929, 241 pp; facsimile repr., Mainz and Berlin: Florian Kupferberg, 1968, 251 pp. (German)
  • Gyorgy Kepes, Language of Vision: Painting, Photography, Advertising-Design, intro. Siegfried Giedion and Samuel Ichiye Hayakawa, Chicago: Paul Theobald, 1944; rev.ed., Chicago: Paul Theobald, 1964. (English)

Historisation

  • Josef Maria Eder, Geschichte der Photographie, vol. 1 & vol. 2, 4th ed., Halle (Saale): Wilhelm Knapp, 1932. (German)
  • Lucia Moholy, A Hundred Years of Photography, 1839-1939, Middlesex: Harmondsworth, 1939. (English)
  • Helmut Gernsheim with Alison Gernsheim, L.J.M. Daguerre: The History of the Diorama and the Daguerreotype, New York: Dover, 1968. (English)
  • Robert M. Doty, Minor White, Photography in America, New York: Random House, 1974. Catalogue. (English)
  • John H. Hammond, The Camera Obscura: A Chronicle, Bristol: Adam Hilger, 1981. (English)
  • Ian Jeffrey, Photography: A Concise History, New York: Thames and Hudson, 1981. (English)
  • Jean-Luc Daval, Histoire d'un art: la photographie, Genève: Skira, 1982, 268 pp. Review. (French)
    • Photography: History of an Art, trans. R.F.M. Dexter, New York: Skira/Rizzoli, 1982. (English)
  • Jonathan Green, American Photography: A Critical History 1945 to the Present, New York: Harry N. Abrams, 1984. (English)
  • C. Săvulescu, Cronologia ilustrată a fotografiei din Romania. Perioada 1834-1916, Bucharest: Asociaţia Artiştilor Fotografi, 1985. (Romanian)
  • Mike Weaver, Daniel Wolf, The Art of Photography, 1839-1989, Yale University Press, 1989. (English)
  • Richard Bolton (ed.), Contest of Meaning: Critical Histories of Photography, MIT Press, 1989, 432 pp. [9] (English)
  • Pierre-Jean Amar, La photographie: histoire d'un art, Paris: Edisud, 1993. (French)
  • Eva Weber, Pioneers of Photography, New York: Smithmark, 1995. (English)
  • Heinz K. Henisch, Bridget A. Henisch, The Painted Photograph, 1839-1914: Origins, Techniques, Aspirations, Pennsylvania State University, 1996. (English)
  • Pierre-Jean Amar, Histoire de la photographie, Paris: PUF, 1997. (French)
  • Pierre-Jean Amar, Le photojournalisme, Paris: Nathan-Université, 2000. (French)
  • Quentin Bajac, L'Image révélée: l'invention de la photographie, Paris: Gallimard, 2001, 160 pp. [10] (French)
  • Michael Gray, Arthur Ollman, Carol McCusker, First Photographs: William Henry Fox Talbot and the Birth of Photography, New York: powerHouse Books, 2002. (English)
  • Mary Warner Marien, Photography: A Cultural History, Upper River Saddle, N.J.: Prentice Hall, 2002. (English)
  • Martin Parr, Gerry Badger, The Photobook: A history, 2 vols., London/New York: Phaidon, 2004 & 2006. (English)
  • Quentin Bajac, La photographie: l'époque moderne 1880-1960, Paris: Gallimard, 2005. (French)
  • William Johnson, Mark Rice, Carla Williams, Therese Mulligan, David Wooters, A History of Photography: From 1839 to the Present, Cologne/London: Taschen, 2005. (English)
  • P.C. Bunnell, Inside the Photograph: Writings on Twentieth-Century Photography, Aperture, 2006. [11] (English)
  • Aurora Király (ed.), Fotografia în arta românească contemporană: tendinţe în România după 1989, Bucharest: Unarte, 2006, PDF, IA. (Romanian)
  • Quentin Bajac, Clément Chéroux, Collection Photographs: A History of Photography Through the Collections of the Centre Pompidou, Musée National d'Art Moderne, Göttingen: Steidl / Paris: Centre Pompidou, 2007. Catalogue. (English)/(French)
  • Matthew S. Witkovsky, Foto: Modernity in Central Europe, 1918-1945, intro. Peter Demetz, Washington, DC: National Gallery of Art, and London: Thames & Hudson, 2007, xxix+278 pp. Catalogue. (English)
  • Ute Eskildsen, Florian Ebner and Bettina Kaufmann, Street & Studio: An Urban History of Photography, London: Tate, and New York: Harry N. Abrams, 2008. (English)
  • Dominique de Font-Reaulx, The Daguerreotype, Paris: Musee d'Orsay, 2008, IA. Catalogue. (English)
  • Françoise Heilbrun, A History of Photography: The Musée d'Orsay Collection, 1839-1925, Paris: Flammarion, 2009. (French)/(English)
  • Václav Macek, The History of European Photography, 1900-1938, Bratislava: Central European House of Photography, 2010. (English)
  • Daniel Girardin, Christian Pirker, Yaniv Benhamou, Controversies: A Legal and Ethical History of Photography, Arles: Actes Sud, and Lausanne: Musée de l'Élysée, 2012. (English)

Theory and philosophy

  • Pierre Bourdieu, Un art moyen. Essais sur les usages sociaux de la photographie, 1965. (French)
La chambre claire: note sur la photographie, 1980, PDF, Log.
  • Eduardo Cadava, Words of Light: Theses on the Photography of History, Princeton University Press, 1997. (English)
  • Quentin Bajac, Tableaux vivants. Fantaisies photographiques victoriennes, 1840-1880, Réunion des Musées Nationaux, 1999. (French)
  • François Laruelle, The Concept of Non-Photography, Urbanomic/Sequence Press, 2011. (English)
  • Shawn Michelle Smith, At the Edge of Sight: Photography and the Unseen, Duke University Press, 2013, 312 pp. (English)
  • John Berger, Understanding a Photograph, ed. & intro. Geoff Dyer, Aperture, 2013, 256 pp. Previously uncollected writings on photography. (English)

Other

  • John Szarkowski, The Photographer's Eye, New Yor: MoMA, 1966; 1980; 2007; 2009, PDF. (English)
  • Pierre Bonhomme, La Photographie à la croisée des chemins, Paris: de la Manufacture, 1990. (French)
  • George M. Craven, Object and Image, An Introduction to Photography New Jersey: Prentice Hall, Englewood Cliffs, 1990. (English)
  • Carol Armstrong, Scenes in a Library: Reading the Photograph in the Book, 1843–1875, Cambridge: MIT Press, 1998. (English)
  • Pierre Bonhomme, L'art de la mer: anthologie de la photographie maritime depuis 1843, Arthaud, 2009. (French)
  • Mark Durden, Fifty Key Writers on Photography, London: Routledge, 2013. (English)
Bibliographies

Exhibitions online

Links