Difference between revisions of "Photography"
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− | ==Selected | + | ==Selected publications== |
− | [[Image:Moma_1937.jpg|thumb|258px| | + | [[Image:Moma_1937.jpg|thumb|258px|Beaumont Newhall, ''Photography 1839–1937'', 1937.]] |
− | [[Image:Moholy-Nagy_L_Malerei_Fotografie_Film.jpg|thumb|258px|László Moholy-Nagy, ''Malerei, Fotografie, Film'', 1925/27. [http://monoskop.org/log/?p= | + | [[Image:Moholy-Nagy_L_Malerei_Fotografie_Film.jpg|thumb|258px|László Moholy-Nagy, ''Malerei, Fotografie, Film'', 1925/27, [http://monoskop.org/log/?p=8914 Log].]] |
− | [[Image:Kepes_Gyorgy_Language_of_Vision.jpg|thumb|258px|Gyorgy Kepes, ''Language of Vision: Painting, Photography, Advertising-Design'', 1944/ | + | [[Image:Roh_Franz_Tschichold_Jan_Foto-Auge_1929.jpg|thumb|258px|Franz Roh, Jan Tschichold, ''Foto-Auge'', 1929.]] |
− | + | [[Image:Graeff_Werner_Es_kommt_der_neue_Fotograf_1929.jpg|thumb|258px|Werner Gräff, ''Es kommt der neue Fotograf!'', 1929.]] | |
+ | [[Image:Moholy-Nagy_Laszlo_Von_Material_zu_Architektur.jpg|thumb|258px|László Moholy-Nagy, ''Von Material zu Architektur'', 1929, [http://monoskop.org/log/?p=8788 Log].]] | ||
+ | [[Image:Kepes_Gyorgy_Language_of_Vision.jpg|thumb|258px|Gyorgy Kepes, ''Language of Vision: Painting, Photography, Advertising-Design'', 1944/69, [http://monoskop.org/log/?p=11143 Log].]] | ||
+ | ===Chronophotography=== | ||
* Eadweard Muybridge, ''[http://www.muybridge.org Animal Locomotion]'', 11 vols., Philadelphia: University of Pennsylvania, 1887, 781 plates. {{en}} | * Eadweard Muybridge, ''[http://www.muybridge.org Animal Locomotion]'', 11 vols., Philadelphia: University of Pennsylvania, 1887, 781 plates. {{en}} | ||
− | + | ===Avant-garde, Modernism=== | |
* László Moholy-Nagy, ''[http://bibliothequekandinsky.centrepompidou.fr/imagesbk/RLPF727/M5050_X0031_LIV_RLPF0727.pdf Malerei, Fotografie, Film]'', Munich: Albert Langen, 1925, 115 pp; 2nd ed., 1927, 140 pp. Incl. [[Media:Moholy-Nagy_Laszlo_1927_Dynamik_der_Gross-Stadt.pdf|"Dynamik der Gross-Stadt"]], pp 116-129. {{de}} | * László Moholy-Nagy, ''[http://bibliothequekandinsky.centrepompidou.fr/imagesbk/RLPF727/M5050_X0031_LIV_RLPF0727.pdf Malerei, Fotografie, Film]'', Munich: Albert Langen, 1925, 115 pp; 2nd ed., 1927, 140 pp. Incl. [[Media:Moholy-Nagy_Laszlo_1927_Dynamik_der_Gross-Stadt.pdf|"Dynamik der Gross-Stadt"]], pp 116-129. {{de}} | ||
− | ** ''[http://monoskop.org/log/?p=8914 Painting Photography Film]'', trans. Janet Seligman, London: Lund Humphries, 1969. | + | ** ''[http://monoskop.org/log/?p=8914 Painting Photography Film]'', trans. Janet Seligman, London: Lund Humphries, 1969. {{en}} |
** [[Moholy-Nagy#Moholy1925|more translations]] | ** [[Moholy-Nagy#Moholy1925|more translations]] | ||
+ | * Franz Roh, Jan Tschichold, ''Foto-Auge: 76 Fotos der Zeit / Oeil et Photo: 76 photographies de notre temps / Photo-Eye: 76 Photos of the Period'', Stuttgart: Wedekind, 1929, 18+[76] pp. [http://www.moma.org/interactives/objectphoto/publications/767.html] [http://www.moma.org/interactives/objectphoto/assets/essays/GraeveIngelmann.pdf] {{de}}/{{fr}}/{{en}} | ||
+ | * Werner Gräff, ''Es kommt der neue Fotograf!'', Berlin: H. Reckendorf, 1929. [http://www.moma.org/interactives/objectphoto/publications/769.html] {{de}} | ||
+ | * László Moholy-Nagy, ''[http://monoskop.org/log/?p=8788 Von Material zur Architektur]'', Munich: Albert Langen, Bauhausbücher 14, 1929, 241 pp; facsimile repr., Mainz and Berlin: Florian Kupferberg, 1968, 251 pp. {{de}} | ||
+ | ** ''The New Vision: From Material to Architecture'', trans. Daphne M. Hoffman, New York: Breuer Warren and Putnam, 1930; exp.rev.ed. as ''[http://monoskop.org/log/?p=8788 The New Vision and Abstract of an Artist]'', New York: George Wittenborn, 1947, 92 pp. {{en}} | ||
+ | ** [[Moholy-Nagy#Moholy1929|more translations]] | ||
* Gyorgy Kepes, ''[http://monoskop.org/log/?p=11143 Language of Vision: Painting, Photography, Advertising-Design]'', intro. Siegfried Giedion and Samuel Ichiye Hayakawa, Chicago: Paul Theobald, 1944; rev.ed., Chicago: Paul Theobald, 1964. {{en}} | * Gyorgy Kepes, ''[http://monoskop.org/log/?p=11143 Language of Vision: Painting, Photography, Advertising-Design]'', intro. Siegfried Giedion and Samuel Ichiye Hayakawa, Chicago: Paul Theobald, 1944; rev.ed., Chicago: Paul Theobald, 1964. {{en}} | ||
** [[Kepes#Kepes1944|translations]] | ** [[Kepes#Kepes1944|translations]] | ||
− | + | ===Historisation=== | |
* Beaumont Newhall, ''[http://monoskop.org/log/?p=11179 The History of Photography: From 1839 to the Present Day]'', New York: The Museum of Modern Art, 1949, 256 pp; 5th ed., 1982. {{en}} | * Beaumont Newhall, ''[http://monoskop.org/log/?p=11179 The History of Photography: From 1839 to the Present Day]'', New York: The Museum of Modern Art, 1949, 256 pp; 5th ed., 1982. {{en}} | ||
** [http://monoskop.org/log/?p=11179 ''Historia de la fotografia''], trans. Homero Alsina Thevenet, 2002. {{es}} | ** [http://monoskop.org/log/?p=11179 ''Historia de la fotografia''], trans. Homero Alsina Thevenet, 2002. {{es}} | ||
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* Clément Chéroux, ''[http://monoskop.org/log/?p=8682 Fautographie. Petite histoire de l'erreur photographique]'', Crisnée: Yellow Now, 2003, 183 pp. {{fr}} | * Clément Chéroux, ''[http://monoskop.org/log/?p=8682 Fautographie. Petite histoire de l'erreur photographique]'', Crisnée: Yellow Now, 2003, 183 pp. {{fr}} | ||
* P.C. Bunnell, ''Inside the Photograph: Writings on Twentieth-Century Photography'', Aperture, 2006. [http://artandarchaeology.princeton.edu/research/faculty-bookshelf/inside-the-photograph] {{en}} | * P.C. Bunnell, ''Inside the Photograph: Writings on Twentieth-Century Photography'', Aperture, 2006. [http://artandarchaeology.princeton.edu/research/faculty-bookshelf/inside-the-photograph] {{en}} | ||
+ | * Matthew S. Witkovsky, ''Foto: Modernity in Central Europe, 1918-1945'', intro. Peter Demetz, Washington, DC: National Gallery of Art, and London: Thames & Hudson, 2007, xxix+278 pp. | ||
* Kaja Silverman, ''The Miracle of Analogy or The History of Photography'', Part 1, Stanford University Press, 2015, [http://gen.lib.rus.ec/book/index.php?md5=F2CBBFFF277FF8B4F0429F42D4515FD8 EPUB]. [http://kaja-silverman.squarespace.com/publications-archive/] {{en}} | * Kaja Silverman, ''The Miracle of Analogy or The History of Photography'', Part 1, Stanford University Press, 2015, [http://gen.lib.rus.ec/book/index.php?md5=F2CBBFFF277FF8B4F0429F42D4515FD8 EPUB]. [http://kaja-silverman.squarespace.com/publications-archive/] {{en}} | ||
− | + | ===Theory and philosophy=== | |
[[Image:Barthes_Roland_La_chambre_claire.jpg|thumb|258px|''La chambre claire: note sur la photographie'', 1980, [[Media:Barthes_Roland_La_chambre_claire_Note_sur_la_photographie.pdf|PDF]], [http://monoskop.org/log/?p=6868 Log].]] | [[Image:Barthes_Roland_La_chambre_claire.jpg|thumb|258px|''La chambre claire: note sur la photographie'', 1980, [[Media:Barthes_Roland_La_chambre_claire_Note_sur_la_photographie.pdf|PDF]], [http://monoskop.org/log/?p=6868 Log].]] | ||
* Pierre Bourdieu, ''Un art moyen. Essais sur les usages sociaux de la photographie'', 1965. {{fr}} | * Pierre Bourdieu, ''Un art moyen. Essais sur les usages sociaux de la photographie'', 1965. {{fr}} | ||
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* Lisa Saltzman, ''Daguerreotypes: Fugitive Subjects, Contemporary Objects'', Chicago: University of Chicago Press, 2015, [http://libgen.io/book/index.php?md5=17905da4d80dbd58d187109a4f8285ce PDF]. {{en}} | * Lisa Saltzman, ''Daguerreotypes: Fugitive Subjects, Contemporary Objects'', Chicago: University of Chicago Press, 2015, [http://libgen.io/book/index.php?md5=17905da4d80dbd58d187109a4f8285ce PDF]. {{en}} | ||
− | + | ===Other=== | |
* John Szarkowski, ''The Photographer's Eye'', New Yor: MoMA, 1966. {{en}} | * John Szarkowski, ''The Photographer's Eye'', New Yor: MoMA, 1966. {{en}} | ||
* Georges Didi-Huberman, ''[http://monoskop.org/log/?p=2998 Invention of Hysteria: Charcot and the Photographic Iconography of the Salpetriere]'' [1982], trans. Alisa Hartz, MIT Press, 2003, 373 pp. {{en}} | * Georges Didi-Huberman, ''[http://monoskop.org/log/?p=2998 Invention of Hysteria: Charcot and the Photographic Iconography of the Salpetriere]'' [1982], trans. Alisa Hartz, MIT Press, 2003, 373 pp. {{en}} | ||
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* Kelley Wilder, [http://www.oxfordbibliographies.com/view/document/obo-9780199920105/obo-9780199920105-0041.xml "History of Photography"], ''Oxford Bibliographies'', 2014. {{en}} | * Kelley Wilder, [http://www.oxfordbibliographies.com/view/document/obo-9780199920105/obo-9780199920105-0041.xml "History of Photography"], ''Oxford Bibliographies'', 2014. {{en}} | ||
− | == | + | ==Exhibitions online== |
+ | * [http://www.nga.gov/exhibitions/2007/foto/ Foto: Modernity in Central Europe, 1918-1945], NGA, 2007. | ||
* [http://www.moma.org/interactives/objectphoto/#home Object:Photo], MoMA's 1920s-30s photography collection, 2014. | * [http://www.moma.org/interactives/objectphoto/#home Object:Photo], MoMA's 1920s-30s photography collection, 2014. | ||
{{Artists cultures}} | {{Artists cultures}} |
Revision as of 09:01, 3 April 2016
Contents
Pages
- 291
- Berenice Abbott
- František Abrahamovič
- Yuri Abramochkin
- William Ackland
- Sarah Angelina Acland
- Costică Acsinte
- Antoine Samuel Adam-Salomon
- Ansel Adams
- Robert Adamson
- Olympe Aguado
- Sofia Ahlbom
- Joseph Albert
- Pavel Albieri
- Casiano Alguacil
- Fratelli Alinari
- Giuseppe Allegri
- Edward L. Allen
- Timothy Allen
- Darogha Ubbas Alli
- Marie-Alexandre Alophe
- Mads Alstrup
- Jane Fulton Alt
- Robert Altman
- Gioacchino Altobelli
- Pierre-Jean Amar
- Antoni Amatller
- Hubertus von Amelunxen
- Cornelis Hendrik van Amerom
- Georges Ancely
- Domenico Anderson
- James Anderson
- Thomas Andrew
- Bert Andrews
- Ludwig Angerer
- Thomas Annan
- Ottomar Anschütz
- Edward Anthony
- Eugène Appert
- Frederick Scott Archer
- Félix Arnaudin
- Hippolyte Arnoux
- Eduard Isaac Asser
- Eugène Atget
- Anna Atkins
- Pau Audouard
- James Aurig
- Richard Avedon
- George Barnard
- Catharine Weed Barnes
- Geoffrey Batchen
- David Bate
- Antonio Beato
- Felice Beato
- Bernd and Hilla Becher
- Alexandru Bellu
- John Berger
- Iosif Berman
- Ilse Bing
- Werner Bischof
- Karl Blossfeldt
- Irena Blühová
- Jean-François Bonhomme
- Vane Bor
- Mathew Brady
- Anton Giulio Bragaglia
- James Bragge
- Brian Brake
- Brassaï
- Francis Bruguière
- Peter Bunnell
- Burton Brothers
- Michal Burza
- Julia Margaret Cameron
- Robert Capa
- Henri Cartier-Bresson
- Jack Cato
- Graham Clarke
- Gregory Colbert
- George S. Cook
- Charles Cros
- Edward Curtis
- Louis Daguerre
- Branibor Debeljković
- František Drtikol
- Josef Maria Eder
- Alfred Eisenstaedt
- Peter Henry Emerson
- Elliott Erwitt
- Walker Evans
- Constant Alexandre Famin
- Andreas Feininger
- Roger Fenton
- Joan Fontcuberta
- Hollis Frampton
- Gisèle Freund
- Jaromír Funke
- Peter Galassi
- Alexander Gardner
- Carl Christoph Friedrich Geiger
- Helmut Gernsheim
- James F. Gibson
- Andreas Groll
- Hervé Guibert
- Philip Haas
- Alexandr Hackenschmied
- Anneliese Hager
- Philippe Halsman
- Florence Henri
- Tim Hetherington
- David Octavius Hill
- Karol Hiller
- Lewis Hine
- Kati Horna
- Horst P. Horst
- Nicolae Ionescu
- William Henry Jackson
- Pierre Janssen
- Libuše Jarcovjáková
- Gertrude Kaesebier
- Andrey Osipovich Karelin
- Basile Kargopoulo
- André Kertész
- Fernand Khnopff
- Kouzlo staré fotografie
- Ede Kozics
- Germaine Krull
- James Lafayette
- Jean Lauzon
- Jiří Lehovec
- Annie Leibovitz
- Alexander Liberman
- El Lissitzky
- John Loengard
- Lumière brothers
- Father Mackey
- Yanaki and Milton Manaki
- Roxana Marcoci
- Étienne-Jules Marey
- Samoilă Mârza
- James McDonald
- Lajos Mezey
- Gjon Mili
- Tina Modotti
- Lucia Moholy
- László Moholy-Nagy
- Eadweard Muybridge
- Nadar
- Paul Nadar
- James Nasmyth
- Beaumont Newhall
- Nicéphore Niépce
- Sonya Noskowiak
- Carl Gustav Oehme
- Ogawa Kazumasa
- Jacob Olie
- Timothy O'Sullivan
- Joaquim Insley Pacheco
- David Prakel
- John Pultz
- Achille Quinet
- Jean Raoul
- Man Ray
- John Reekie
- Oscar Gustave Rejlander
- Jaroslav Rössler
- Naomi Rosenblum
- Martha Rosler
- Ed Ruscha
- Andrew J. Russell
- Jean Baptiste Sabatier-Blot
- Alfred Sache
- John Edward Sache
- August Sander
- Steven Sasson
- Aaron Scharf
- Allan Sekula
- Joaquim Possidónio Narciso da Silva
- Slit-scan
- Katrina Sluis
- Ré Soupault
- Jo Spence
- Julian Stallabrass
- Edward Steichen
- Harvey Stein
- Alfred Stieglitz
- Dennis Stock
- Paul Strand
- John Szarkowski
- Carol Szathmari
- Isaac West Taber
- William Henry Fox Talbot
- Gerda Taro
- Karel Teige
- Franciszka and Stefan Themerson
- John Thomson
- Théodore Tiffereau
- Louis Tinayre
- Tomishige Rihei
- Eugène Trutat
- Pierre Trémaux
- Ludovico Tuminello
- Peter Turner
- Uchida Kuichi
- Ueno Hikoma
- Zsuzsi Ujj
- Ukai Gyokusen
- Ulay
- Auguste Vacquerie
- George Valentine
- Bertha Valerius
- Carl Van Vechten
- Ferenc Veress
- Louis Vert
- Louis Vignes
- Jean-Marie Villard
- Joseph Villard
- Julien Vallou de Villeneuve
- Eugène Villette
- Hermann Wilhelm Vogel
- Samuel Walker
- Alfred Henry Wall
- Jeff Wall
- Charles Walter
- Andy Warhol
- Augustus Washington
- Carleton Watkins
- Alex Webb
- Liz Wells
- Brett Weston
- Edward Weston
- Nicoline Weywadt
- John Adams Whipple
- Jesse Harrison Whitehurst
- George Washington Wilson
- Charles David Winter
- Eugen Wiškovský
- Joel-Peter Witkin
- William de Wiveleslie Abney
- Yokoyama Matsusaburo
- Zangaki brothers
- Jules Ziegler
- Heinrich Zille
Selected publications
Chronophotography
- Eadweard Muybridge, Animal Locomotion, 11 vols., Philadelphia: University of Pennsylvania, 1887, 781 plates. (English)
Avant-garde, Modernism
- László Moholy-Nagy, Malerei, Fotografie, Film, Munich: Albert Langen, 1925, 115 pp; 2nd ed., 1927, 140 pp. Incl. "Dynamik der Gross-Stadt", pp 116-129. (German)
- Painting Photography Film, trans. Janet Seligman, London: Lund Humphries, 1969. (English)
- more translations
- Franz Roh, Jan Tschichold, Foto-Auge: 76 Fotos der Zeit / Oeil et Photo: 76 photographies de notre temps / Photo-Eye: 76 Photos of the Period, Stuttgart: Wedekind, 1929, 18+[76] pp. [1] [2] (German)/(French)/(English)
- Werner Gräff, Es kommt der neue Fotograf!, Berlin: H. Reckendorf, 1929. [3] (German)
- László Moholy-Nagy, Von Material zur Architektur, Munich: Albert Langen, Bauhausbücher 14, 1929, 241 pp; facsimile repr., Mainz and Berlin: Florian Kupferberg, 1968, 251 pp. (German)
- The New Vision: From Material to Architecture, trans. Daphne M. Hoffman, New York: Breuer Warren and Putnam, 1930; exp.rev.ed. as The New Vision and Abstract of an Artist, New York: George Wittenborn, 1947, 92 pp. (English)
- more translations
- Gyorgy Kepes, Language of Vision: Painting, Photography, Advertising-Design, intro. Siegfried Giedion and Samuel Ichiye Hayakawa, Chicago: Paul Theobald, 1944; rev.ed., Chicago: Paul Theobald, 1964. (English)
Historisation
- Beaumont Newhall, The History of Photography: From 1839 to the Present Day, New York: The Museum of Modern Art, 1949, 256 pp; 5th ed., 1982. (English)
- Historia de la fotografia, trans. Homero Alsina Thevenet, 2002. (Spanish)
- Helmut Gernsheim with Alison Gernsheim, The History of Photography From the Earliest Use of the Camera Obscura in the Eleventh Century up to 1914, Oxford University Press, 1955; rev.ed., Thames & Hudson, 1969. (English)
- Aleksander Maciesza, Historia fotografii polskiej w latach 1839–1889, Plock: Towarzystwo Naukowe Płockie, 1972, 83 pp. (Polish)
- Aaron Scharf, Pioneers of Photography: An Album of Pictures and Words, New York: Harry N. Abrams, 1976, PDF. (English)
- Peter Galassi, Before Photography: Painting and the Invention of Photography, New York: Museum of Modern Art, 1981, PDF. (English)
- Naomi Rosenblum, A World History of Photography, New York: Abbeville, 1984; rev.ed., 1989; 3rd edition, 1997, PDF. (English)
- John Pultz, The Body and the Lens: Photography 1839 to the Present, New York: Harry N. Abrams, 1995, PDF. (English)
- Heinz K. Henisch, Bridget A. Henisch, The Painted Photograph, 1839-1914: Origins, Techniques, Aspirations, Pennsylvania State University, 1996. (English)
- Clément Chéroux, Fautographie. Petite histoire de l'erreur photographique, Crisnée: Yellow Now, 2003, 183 pp. (French)
- P.C. Bunnell, Inside the Photograph: Writings on Twentieth-Century Photography, Aperture, 2006. [4] (English)
- Matthew S. Witkovsky, Foto: Modernity in Central Europe, 1918-1945, intro. Peter Demetz, Washington, DC: National Gallery of Art, and London: Thames & Hudson, 2007, xxix+278 pp.
- Kaja Silverman, The Miracle of Analogy or The History of Photography, Part 1, Stanford University Press, 2015, EPUB. [5] (English)
Theory and philosophy
- Pierre Bourdieu, Un art moyen. Essais sur les usages sociaux de la photographie, 1965. (French)
- Photography: A Middle-brow Art, trans. Shaun Whiteside, 1990. (English)
- Susan Sontag, On Photography, New York: Farrar, Straus & Giroux, 1977, 207 pp; RosettaBooks, 2005. (English)
- Roland Barthes, La chambre claire: note sur la photographie, Paris: Gallimard/Seuil, 1980, 194 pp. (French)
- Camera Lucida: Reflections on Photography, trans. Richard Howard, Farrar, Straus and Giroux, 1982, 119 pp. (English)
- more translations
- Victor Burgin (ed.), Thinking Photography, 2nd ed., Macmillan, 1982. (English)
- Vilém Flusser, Für eine Philosophie der Fotografie, European Photography, 1983, 58 pp; 1989; 1997; 2006. (German)
- Towards A Philosophy of Photography, ed. Derek Bennett, Göttingen: European Photography, 1984, 62 pp. (English)
- more translations
- Vilém Flusser, Ins Universum der technischen Bilder, Göttingen: European Photography, 1985; 1992; 1996. (German)
- Into the Universe of Technical Images, trans. Nancy Ann Roth, University of Minnesota Press, 2011, 224 pp. (English)
- more translations
- David Green, Joanna Lowry (eds.), Stillness and Time: Photography and the Moving Image, Photoworks / Photoforum, 2005, 183 pp. (English)
- Jacques Derrida, Copy, Archive, Signature: A Conversation on Photography, ed. Gerhard Richter, trans. Jeff Fort, Stanford University Press, 2010, 67 pp. (English)
- François Laruelle, The Concept of Non-Photography, Urbanomic/Sequence Press, 2011. (English)
- François Laruelle, Photo-Fiction, a Non-Standard Aesthetics, trans. Drew S. Burk, Minneapolis, MN: Univocal, 2012, 85 pp. (English)
- John Berger, Understanding a Photograph, ed. & intro. Geoff Dyer, Aperture, 2013, 256 pp. (English)
- Lisa Saltzman, Daguerreotypes: Fugitive Subjects, Contemporary Objects, Chicago: University of Chicago Press, 2015, PDF. (English)
Other
- John Szarkowski, The Photographer's Eye, New Yor: MoMA, 1966. (English)
- Georges Didi-Huberman, Invention of Hysteria: Charcot and the Photographic Iconography of the Salpetriere [1982], trans. Alisa Hartz, MIT Press, 2003, 373 pp. (English)
- Antiquity and Photography: Early Views of Ancient Mediterranean Sites, Los Angeles: Getty, 2005, 226 pp. (English)
- George M. Craven, Object and Image, An Introduction to Photography New Jersey: Prentice Hall, Englewood Cliffs, 1990. (English)
- Photo / Graphics, Paris: Jeu de Paume, 2008, 45 pp. (English)
- Louis Kaplan, The Strange Case of William Mumler, Spirit Photographer, University of Minnesota Press, 2008, 288 pp. (English)
- Publications on photography at Monoskop Log
- Bibliographies
- Kelley Wilder, "History of Photography", Oxford Bibliographies, 2014. (English)
Exhibitions online
- Foto: Modernity in Central Europe, 1918-1945, NGA, 2007.
- Object:Photo, MoMA's 1920s-30s photography collection, 2014.