Claire Huot: China’s New Cultural Scene: A Handbook of Changes (2000)

The Cultural Revolution of China’s Maoist era has come and gone, yet another cultural revolution of a different sort has been sweeping through China in the 1990s. Although recently much interest has been focused on China’s economy, few Westerners are aware of the remarkable transformations occurring in the culture of ordinary people’s daily lives. In China’s New Cultural Scene Claire Huot surveys the wide spectrum of art produced by Chinese musicians, painters, writers, performers, and filmmakers today, portraying an ongoing cultural revolution that has significantly altered life in the People’s Republic.

Western observers who were impressed by the bravery of the demonstrators in Tiananmen Square—and stunned at the harshness of their suppression—will learn from this book how that political movement led to changes in cultural conditions and production. Attending to all the major elements of this vast nation’s high and low culture at the end of a landmark decade, Huot’s discussion ranges from the cinematic works of Zhang Yimou, Chen Kaige, and others to emerging musical forms such as rock, punk, and rap. Other topics include television, theater, and avant-garde art, the new electronic media, and subversive trends in both literature and the visual arts.

With a comprehensive index of artists and works, as well as a glossary of Chinese words, China’s New Cultural Scene will enlighten students of Chinese culture and general readers interested in contemporary Asia.

Publisher Duke University Press, 2000
ISBN 0822324458, 9780822324454
258 pages

publisher
google books

PDF (no OCR; updated on 2012-7-14)

Joel Andreas: Rise of the Red Engineers: The Cultural Revolution and the Origins of China’s New Class (2009)

Rise of the Red Engineers explains the tumultuous origins of the class of technocratic officials who rule China today. In a fascinating account, author Joel Andreas chronicles how two mutually hostile groups—the poorly educated peasant revolutionaries who seized power in 1949 and China’s old educated elite—coalesced to form a new dominant class. After dispossessing the country’s propertied classes, Mao and the Communist Party took radical measures to eliminate class distinctions based on education, aggravating antagonisms between the new political and old cultural elites. Ultimately, however, Mao’s attacks on both groups during the Cultural Revolution spurred inter-elite unity, paving the way—after his death—for the consolidation of a new class that combined their political and cultural resources. This story is told through a case study of Tsinghua University, which—as China’s premier school of technology—was at the epicenter of these conflicts and became the party’s preferred training ground for technocrats, including many of China’s current leaders.

Publisher Stanford University Press, 2009
Contemporary issues in Asia and the Pacific series
ISBN 0804760780, 9780804760782
344 pages

publisher
google books

PDF (no OCR)