Film Technique and Film Acting: The Cinema Writings of V.I. Pudovkin (1949–)

“Vsevolod Pudovkin was one of the leading Soviet film directors in the ‘golden age’ of silent cinema in the 1920s. His films – especially The Mother, The End of St Petersburg and Storm over Asia – are classics of silent cinema. Like Eisenstein, Pudovkin was also a major theorist of film. This translation of Pudovkin´s seminal writings brings together his two key books, Film Technique and Film Acting. The essays highlight the development of Pudovkin´s revolutionary thinking on scripts, directing, time, sound, and acting.”

Stanley Kubrick in a 1969 interview: “The most instructive book on film aesthetics I came across was Pudovkin’s Film Technique, which simply explained that editing was the aspect of film art form which was completely unique, and which separated it from all other art forms. The ability to show a simple action like a man cutting wheat from a number of angles in a brief moment, to be able to see it in a special way not possible except through film — that this is what it was all about. This is obvious, of course, but it’s so important it cannot be too strongly stressed. Pudovkin gives many clear examples of how good film editing enhances a scene, and I would recommend his book to anyone seriously interested in film technique.”

Translated by Ivor Montagu
Introduction by Lewis Jacobs
English edition first published in 1949
Publisher Vision Press, London, 1954
xviii+204+153 pages
via FC

WorldCat

JPGs, PDF, multiple formats (Internet Archive)