Camera Obscura: Feminism, Culture, and Media Studies: Race and/as Technology (2009)

Since its inception, Camera Obscura has devoted itself to providing innovative feminist perspectives on film, television, and visual media. It consistently combines excellence in scholarship with imaginative presentation and a willingness to lead media studies in new directions. The journal has developed a reputation for introducing emerging writers into the field. Its debates, essays, interviews, and summary pieces encompass a spectrum of media practices, including avant-garde, alternative, fringe, international, and mainstream.

Feminism, Culture, and Media Studies: Race and/as Technology
Volume 24, Number 1 70, 2009
Special Issue editors: Wendy Hui Kyong Chun and Lynne Joyrich
Duke University Press

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