Rebecca Solnit: Wanderlust: A History of Walking (2000)

“Drawing together many histories — of anatomical evolution and city design, of treadmills and labyrinths, of walking clubs and sexual mores — Rebecca Solnit creates a fascinating portrait of the range of possibilities presented by walking. Arguing that the history of walking includes walking for pleasure as well as for political, aesthetic, and social meaning, Solnit focuses on the walkers whose everyday and extreme acts have shaped our culture, from philosophers to poets to mountaineers. She profiles some of the most significant walkers in history and fiction — from Wordsworth to Gary Snyder, from Jane Austen’s Elizabeth Bennet to Andre Breton’s Nadja — finding a profound relationship between walking and thinking and walking and culture. Solnit argues for the necessity of preserving the time and space in which to walk in our ever more car-dependent and accelerated world.”

Publisher Penguin, 2000
ISBN 0670882097, 9780670882090
326 pages

Reviews: Andrew O’Hehir (Salon), Joseph Anthony Amato (Journal of Social History).

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Geoff Waite: Nietzsche’s Corps/e: Aesthetics, Politics, Prophecy, or, the Spectacular Technoculture of Everyday Life (1996)

“Appearing in 1996 between two historical touchstones—the alleged end of communism and the 100th anniversary of Nietzsche’s death—this book offers a provocative hypothesis about the philosopher’s afterlife and the fate of leftist thought and culture. At issue is the relation of the dead Nietzsche (corpse) and his written work (corpus) to subsequent living Nietzscheanism across the political spectrum, but primarily among a leftist corps that has been programmed and manipulated by concealed dimensions of the philosopher’s thought. If anyone is responsible for what Geoff Waite maintains is the illusory death of communism, it is Nietzsche, the man and concept.

Waite advances his argument by bringing Marxist—especially Gramscian and Althusserian—theories to bear on the concept of Nietzsche/anism. But he also goes beyond ideological convictions to explore the vast Nietzschean influence that proliferates throughout the marketplace of contemporary philosophy, political and literary theory, and cultural and technocultural criticism. In light of a philological reconstruction of Nietzsche’s published and unpublished texts, Nietzsche’s Corps/e shuttles between philosophy and everyday popular culture and shows them to be equally significant in their having been influenced by Nietzsche—in however distorted a form and in a way that compromises all of our best interests.

Controversial in its “decelebration” of Nietzsche, this remarkable study asks whether the postcontemporary age already upon us will continue to be dominated and oriented by the haunting spectre of Nietzsche’s corps/e. Philosophers, intellectual historians, literary theorists, and those interested in western Marxism, popular culture, Friedrich Nietzsche, and the intersection of French and German thought will find this book both appealing and challenging.”

Publisher Duke University Press, 1996
ISBN 0822317192, 9780822317197
xii+564 pages

Review: Douglas Kellner (Illuminations, (2)), Ricardo Dominguez (Thing, 1996), Carl Pletsch and James A. Winders (Modernism/modernity, 1998), Tracy B. Strong (New Nietzsche Studies, 1998), Paul Bishop (Modern Language Rev, 1999), Richard E. Joines (Rethinking Marxism, 2001, (2)).

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See also Pierre Klossowski’s Nietzsche and the Vicious Circle (1969–)

Joan Retallack: The Poethical Wager (2003)

In these highly inventive essays, Joan Retallack, acclaimed poet and essayist, conveys her unique post-utopian vision as she explores the relationship between art and life in today’s chaotic world. In the tradition of the essay as complex humanist exploration, she engages ideas from across history: Aristotle’s definition of happiness, Epicurus’s swerve into unpredictable possibility, Montaigne’s essays as an instrument of self-invention, John Cage’s redefinition of Silence. Within her unifying rubric of poethics, Retallack gives the reader plenty of surprises with a wonderful range of examples, situations, and texts through which she conducts her exploration. A computer glitch, a passage from Gertrude Stein’s favorite detective novelist, the idea of the experimental feminine, a John Cage performance—all serve as occasions for inquiry and speculation on the way to her poethics of a “complex realism.”

Publisher University of California Press, 2003
ISBN 0520218418, 9780520218413
279 pages

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