Lisa Gitelman: Always Already New. Media, History, and the Data of Culture (2006)

“In Always Already New, Lisa Gitelman explores the newness of new media while she asks what it means to do media history. Using the examples of early recorded sound and digital networks, Gitelman challenges readers to think about the ways that media work as the simultaneous subjects and instruments of historical inquiry. Presenting original case studies of Edison’s first phonographs and the Pentagon’s first distributed digital network, the ARPANET, Gitelman points suggestively toward similarities that underlie the cultural definition of records (phonographic and not) at the end of the nineteenth century and the definition of documents (digital and not) at the end of the twentieth. As a result, Always Already New speaks to present concerns about the humanities as much as to the emergent field of new media studies. Records and documents are kernels of humanistic thought, after all—part of and party to the cultural impulse to preserve and interpret. Gitelman’s argument suggests inventive contexts for “humanities computing” while also offering a new perspective on such traditional humanities disciplines as literary history.

Making extensive use of archival sources, Gitelman describes the ways in which recorded sound and digitally networked text each emerged as local anomalies that were yet deeply embedded within the reigning logic of public life and public memory. In the end Gitelman turns to the World Wide Web and asks how the history of the Web is already being told, how the Web might also resist history, and how using the Web might be producing the conditions of its own historicity.”

Publisher: MIT Press, September 2006
ISBN 0262072718, 9780262072717
xiii+205 pages

Review: Jussi Parikka (Mute).

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Laszlo Solymar: Getting the Message: A History of Communications (1999)

The past century has seen developments in communications technology that rival those in any other field of human activity. Significant advances are made every year, and the impact on our day-to-day lives has been tremendous. Getting the message explores the fascinating history of communications, starting with ancient civilizations, the Greeks and Romans, then leading through the development of the electric telegraph, and up to the present day with e-mail and cellular phones. In clear, non-technical language the book explains the details of each new development while interweaving ideas from politics, economics, and cultural history. The book concludes with a look at the possible future developments and how they may further transform how we live. Lavishly illustrated and including many original illustrations, the book is an informative and highly entertaining guide to this lively field.

Published by Oxford University Press, 1999
ISBN 0198503334, 9780198503330
311 pages

Key terms: optical fibres, waveguide, carrier wave, AT&T, field effect transistor, integrated circuits, Morse Code, capacitor, Minitel, Second Industrial Revolution, personal computers, electromagnetic waves, p-n junction, Bell Laboratories, Robert Noyce, Poldhu, Claude Chappe, pulse code modulation, teleprinter, semaphore

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google books

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Wendy Hui Kyong Chun, Thomas Keenan: New Media, Old Media: A History and Theory Reader (2006)

The term “new media” rose to prominence in the 1990s, superseding “multi-media” in business, art, and culture. The phrase obstinately portrays other media as old or dead. But what, if anything, is truly unique or revolutionary about new media?

New Media, Old Media is a comprehensive anthology of original and classic essays that explore the tensions of old and new in digital culture. Leading international media scholars and cultural theorists interrogate new media like the Internet, digital video, and MP3s against the backdrop of earlier media such as television, film, photography, and print. The essays provide new benchmarks for evaluating all those claims–political, social, ethical–made about the digital age. Committed to historical research and to theoretical innovation, they suggest that in the light of digital programmability, seemingly forgotten moments in the history of the media we glibly call old can be rediscovered and transformed. The many topics explored in provocative volume include websites, webcams, the rise and fall of dotcom mania, Internet journalism, the open source movement, and computer viruses.

New Media, Old Media is a foundational text for general readers, students, and scholars of new media across the disciplines. It is essential reading for anyone interested in understanding the cultural impact of new media.

Published by Routledge, 2006
ISBN 0415942241, 9780415942249
418 pages

publisher
google books

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