Glória Ferreira (ed.): Crítica de Arte no Brasil: temáticas contemporâneas (2006) [BR-PT]

A collection of 91 texts by 80 authors that represent a multidisciplinary universe of ideas and opinions regarding the visual arts of Brazil from 1946-2006. The essays are divided into 7 main topics: Constructive Tradition; Avant-Garde / Experimentalism; Art Criticism; Circuits; Return / Permanence of Painting; Images and Media; and Transitive Situations.

The authors include Mário Pedrosa, Ferreira Gullar, Aracy Amaral, Décio Pignatari, Mario Schenberg, Frederico Morais, Paulo Sérgio Duarte, Hélio Oiticica, Reynaldo Roels Junior, Murilo Mendes, Fernando Cocchiarale, Cildo Meireles, Walmir Ayala, Ronaldo Brito, Antonio Dias, Jorge Guinle, Paulo Herkenhoff, Waldemar Cordeiro, Haroldo de Campos, Roberto Pontual, Arlindo Machado, Wilson Coutinho and Joaquim Ferreira dos Santos.

Publisher Funarte, Rio de Janeiro, 2006
Pensamento crítico series
ISBN 8575070797, 9798575070795
575 pages

Publisher
WorldCat

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Moscow Art Magazine: Digest 1993-2005 & 2005-2007 (2005, 2007)

Two volumes of texts from critical Russian journal for contemporary art and theory.

With texts by Keti Chukhrov, Ekaterina Degot, Eugeny Fiks, Boris Groys, Olga Kopenkina, Bojana Kunst, Viktor Misiano, Anatoly Osmolovsky, Dmitry Vilensky, a.o.

Edited by Viktor Misiano and David Riff
Publisher Moscow Art Magazine/Khudozhestvennyy zhurnal, Moscow, 2005 & 2007
155 & 141 pages

WorldCat (I)
WorldCat (II)

HTML (1993-2005)
HTML (2005-2007)
Issues in Russian

Robert Morris: Continuous Project Altered Daily: The Writings of Robert Morris (1993)

“Robert Morris is best known for his significant contributions to minimalist sculpture and antiform art, as well as for a number of widely influential theoretical writings on art. Illustrated throughout, this collection of his seminal essays from the 1960s to the 1980s addresses wide-ranging intellectual and philosophical problems of sculpture, raising issues of materiality, size and shape, anti-illusionism, and perceptual conditions.

Included are the influential ‘Notes on Sculpture’ which in four parts carefully articulates the shifting terrains of sculpture during the 1960s, tracing its movement from the gestalt-driven unitary forms of minimalism, through permutable pieces to the formally dispersed process-oriented antiform art that appeared later in the decade, and Morris’s landmark essay on ‘Anti Form’, which marked a departure from art as object. In ‘The Art of Existence’, Morris deftly and humorously invents three artists, who in their movement away from object-art and toward the extra-visual, reveal the limits and conditions of modern sculpture. Essays of the 1970s and 1980s reveal Morris’s preoccupation with the broad conditions of memory and space, which were explored in his experiments with land reclamation and land art, with labyrinthine environments and carceral imagery. In the later essays, Morris looks at modern art’s development in America, based on a framework of strategies produced by Duchamp, Pollock, and other key figures. And in a refiguration of an interview with Roger Denson, Morris acts out a subtle mockery of himself and his art, collapsing the high seriousness of the intended format into a playful scheme.”

Publisher MIT Press, 1993
An October Book
ISBN 026213294X, 9780262132947
xi+326 pages

Reviews: Gary Shapiro (Journal of Aesthetics and Art Criticism 1997), Tony Godfrey (Art Book 1994).

WorldCat

PDF (45 MB)