October, 155: A Questionnaire on Materialisms (2016)

6 March 2016, dusan

“Recent philosophical tendencies of “Actor-Network Theory,” “Thing Theory,” “Object-Oriented Ontology,” “Speculative Realism,”and “Vibrant Materialism,” have profoundly challenged the centrality of subjectivity in the humanities and, arguably, the perspectives that theories of the subject from the psychoanalytic to the Foucauldian have afforded (on the operations of power, the production of difference, and the constitution of the social, for instance). At least four moves characterize these discourses:

• Attempting to think the reality of objects beyond human meanings and uses. This other reality is often rooted in “thingness” or an animate materiality.
• Asserting that humans and objects form networks or assemblages across which agency and even consciousness are distributed.
• Shifting from epistemology, in all of its relation to critique, to ontology, where the being of things is valued alongside that of persons.
• Situating modernity in geological time with the concept of the “Anthropocene,” an era defined by the destructive ecological effects of human industry.

Many artists and curators, particularly in the UK, Germany, and the United States, appear deeply influenced by this shift. Is it possible, or desirable, to decenter the human in discourse on art in particular? What is gained in the attempt, and what—or who—disappears from view? Is human difference—gender, race, power of all kinds—elided? What are the risks in assigning agency to objects; does it absolve us of responsibility, or offer a new platform for politics?” (from the introduction)

Responses by Emily Apter, Ed Atkins, Armen Avanessian, Bill Brown, Giuliana Bruno, Julia Bryan-Wilson, D. Graham Burnett, Mel Y. Chen, Andrew Cole, Christoph Cox, Suhail Malik, T. J. Demos, Jeff Dolven, David T. Doris, Helmut Draxler, Patricia Falguières, Peter Galison, Alexander R. Galloway, Rachel Haidu, Graham Harman, Camille Henrot, Brooke Holmes, Tim Ingold, Caroline A. Jones, Alex Kitnick, Sam Lewitt, Helen Molesworth, Alexander Nemerov, Michael Newman, Spyros Papapetros, Susanne Pfeffer, Gregor Quack, Charles Ray, Matthew Ritchie, André Rottmann, Amie Siegel, Kerstin Stakemeier, Artie Vierkant, McKenzie Wark, Eyal Weizman, Christopher S. Wood, and Zhang Ga.

Edited by David Joselit, Carrie Lambert-Beatty, and Hal Foster
Publisher MIT Press, Winter 2016
ISSN 0162-2870
108 pages

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Speculations V: Aesthetics in the 21st Century (2014)

16 May 2014, dusan

“Ever since the turn of the century aesthetics has steadily gained momentum as a central field of study across the disciplines. No longer sidelined, aesthetics has grown in confidence. While this recent development brings with it a return to the work of the canonical authors (most notably Baumgarten and Kant), some contemporary scholars reject the traditional focus on epistemology and theorize aesthetics in its ontological connotations. It is according to this shift that speculative realists have proclaimed aesthetics as “first philosophy” and as speculative in nature. With speculative realism aesthetics no longer necessarily implies human agents. This is in alignment with the general speculative realist framework for thinking all kinds of processes, entities, and objects as free from our allpervasive anthropocentrism which states, always, that everything is “for us.”

This special issue of Speculations: A Journal of Speculative Realism explores the ramifications of what could be termed the new speculative aesthetics. In doing so, it stages a three-fold encounter: between aesthetics and speculation, between speculative realism and its (possible) precursors, and between speculative realism and art and literature.”

With contributions by Steven Shaviro, Theodor Leiber and Kirsten Voigt Sellars, Matija Jelača, Claire Colebrook, N. Katherine Hayles, Jon Cogburn and Mark Allan Ohm, Miguel Penas López, Graham Harman, Bettina Funcke, Thomas Gokey, Robert Jackson, Roberto Simanowski, Francis Halsall, Magdalena Wisniowska Disegno, and Sjoerd van Tuinen.

Edited by Ridvan Askin, Paul J Ennis, Andreas Hägler, and Philip Schweighauser
Publisher punctum books, Brooklyn, NY, May 2014
Creative Commons License BY-NC-SA
ISBN 0692203168, 9780692203163
ISSN 2327-803X
474 pages

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Speculations: A Journal of Speculative Realism, Issue IV (2013)

6 June 2013, dusan

With this special issue of Speculations, the editors wanted to challenge the contested term “speculative realism,”offering scholars who have some involvement with it a space to voice their opinions of the network of ideas commonly associated with the name. Whilst undoubtedly born under speculative realist auspices, Speculations has never tried to be the gospel of a dogmatic speculative realist church, but rather instead to cultivate the best theoretical lines sprouting from the resurgence, in the last few years, of those speculative and realist concerns attempting to break free from some of the most stringent constraints of critique. Sociologist Randall Collins observed that, unlike other fields of intellectual inquiry, “[p]hilosophy has the peculiarity of periodically shifting its own grounds, but always in the direction of claiming or at least seeking the standpoint of greatest generality and importance.” If this is the case, to deny that a shift of grounds has indeed become manifest in these early decades of the twenty-first century would be, at best, a sign of a severe lack of philosophical sensitivity. On the other hand, whether or not this shift has been towards greater importance (and in respect to what?) is not only a legitimate but a necessary question to ask.

Whatever the intrinsic value in the name, the contributors to this volume have all engaged, more or less directly, with a critical analysis of the vices and virtues of “speculative realism”: from the extent to which its adversarial stance towards previous philosophical stances is justified to whether it succeeds (or fails) to address satisfactorily the concerns that ostensibly motivate it, through to an assessment of the methods of dissemination of its core ideas. The contributions are divided in two sections, titled “Reflections” and “Proposals,” describing, with some inevitable overlap, two kinds of approach to the question of speculative realism: one geared towards its retrospective and its critical appraisal, and the other concerned with the positive proposition of alternative or parallel approaches to it. It is believed that the final result, in its heterogeneity, will be of better service to the philosophical community than a dubiously univocal descriptive recapitulation of “speculative realist tenets.”

Edited by Michael Austin, Paul John Ennis, Fabio Gironi, Thomas Gokey, and Robert Jackson
Publisher Punctum Books, Brooklyn/NY, June 2013
Open Access
ISBN 9780615758282
ISSN 2327-803X
121 pages

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