AltArt Foundation: Bare Share. Culture of File Sharing in Romania (2007)
Filed under catalogue | Tags: · filesharing, network culture, p2p, romania, software

“The exhibition contained the works of largely anonymous artists and some of the best known – active in the digital space. The territory researched is the DC++-based neighborhood networks – providers of an endemic culture where the act of sharing is the prototypical contract of participating in this culture. Sharing while not expecting immediate gratification make neighborhood networks complex gift economies – where the community becomes an entity, the real gifting partner – playing the role of the donor and recipient in the same time.
This ideology of exchange – regardless of legal issues or moral concerns – builds a subculture of consumption that is maintained through giving. Gifting becomes a tool for the collapse of the permission-culture-based capitalist market hegemony while it is serving as an alternative consumption activity at the electronic frontier.”
Curators: Istvan Szakáts, Stefan Tiron
Project by AltArt Foundation
PDF (updated on 2023-9-27)
Comment (0)AltArt Foundation: E-Tribal Art (2009)
Filed under catalogue | Tags: · art, e-tribes, global village, media

The project brings together 12 international artists to test new ways of reaching electronic tribes with their work.
Editors: Alina Suatean, Corina Bucea
Curators: István Szakáts, Thomas Dumke
Project manager: Rarita Zbranca
Project by AltArt Foundation, Cluj, and British Council
Partners: c6.org, European Alternatives, GMT+2 Foundation, InterSpace
Funded by Romanian Cultural Institute through Cantemir Programme.
Robert Adrian X (2001) [German/English]
Filed under catalogue | Tags: · art, media art, network art, radio art

Robert Adrian X is an artist making installations, music and radio projects as well as works in public space since 1950s; since early 1980s he is the pioneer in the field of telecommunication.
A fragile sculpture made of cigar packages, painted in the style of De Stijl, a canvas that radiates in the subdued hues of Yves Klein’s “patented” blue, and a faded Amiga monitor with colourfully gleaming computer graphics, all lined up on a red shelf. Modern Art IV (1990), thus runs the title of this work, finds a common denominator for the art of the 20th Century, including that of the sampling brand.
Published on the occasion of the exhibition Robert Adrian X, Kunsthalle, Vienna, 7 Dec 2001 – 10 Feb 2002. With essays by Timothy Druckrey, Georg Schöllhammer and Reinhard Braun.
Edited by Kunsthalle Wien, Lucas Gehrmann, and Gerald Matt
Publisher Kunsthalle Wien, 2001
ISBN 3852470285
152 pages
via Kunsthalle Wien
PDF (updated on 2017-3-19)
Comments (2)