Filed under book | Tags: · art, destruction, music
The Destructive Character by the Dutch composer, multimedia artist and theorist Dick Raaijmakers (1930) treats of a subject which, when considered from the aspect of the constant media coverage on destruction — whether ecological, military, or economical — should still be our very present and pressing concern.
The Destructive Character is a commentary on an essay from 1931 by Walter Benjamin bearing the same title and included in this publication. In his reaction, Raaijmakers focuses on the fact that the destructive character knows of only one activity: clearing away.
By means of a series of telling examples, from Fluxus and Glenn Gould to Laurel & Hardy, John Cage, and his own work, Raaijmakers discusses the characteristics and the peculiarities of the destructive character inside and outside the arts. Raaijmakers’s survey of this creative clearing, destructively discovering news paths, makes us understand that every destruction always implies a new beginning.
First published in Dutch in Raster #60, 1992
An expanded version of the 1992 article was edited and translated by Vincent W.J. van Gerven Oei
With the essay “The Destructive Character” by Walter Benjamin, translated by Edmund Jephcott
Publisher Onomatopee, Eindhoven, 2011
OMP54 / Cabinet project
ISBN 9789078454656 (NL), 9789078454663 (EN)
via Vincent W.J. van Gerven Oei
Het destructieve karakter (Dutch, 1992, HTML)
The Destructive Character / Het destructieve karakter (English/Dutch, the English part is to be read backwards starting at the end, 2011, PDF)
Redesigns of the book by Irina Kopytina, Charlotte van den Bosch and Robin Maatman