Jacques Barzun: Darwin, Marx, Wagner: Critique of a Heritage, 2nd ed (1941–)

The nomination of Wagner rather than Freud in the trinity of emblematic modern minds is a sign of Barzun’s profound interest in music and the arts. He argued that these men achieved their reputations by catching the spirit of the age, like surfers on a wave, backed by the formidable public relations exercises mounted by their followers . This earned them the status of intellectual icons despite their lack of originality and the significant flaws in their systems. He described in some detail how all the leading ideas of evolutionary theory, socialism and the leading role of the artist were commonplace for decades before the big three started work.

Barzun was especially critical of the way that their adherents promoted determinism and scientism, with truly disastrous political consequences in the twentieth century. In addition to the shortcomings of their systems, two of the three titans were monstrously egocentric and unprincipled exploiters of their friends and denigrators of their enemies. These personal characteristics became prominent in the modus operandi of their followers, setting the tone for bad manners in transactions between intellectuals that have persisted to the present time.

Reprint of the revised 2nd edition, 1958, with a new Preface, 1981
Publisher University of Chicago Press
ISBN 0226038599
373 pages

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