Filed under book | Tags: · cinema, essay film, film, film criticism, film theory, image, montage, painting, photography, theory
“There is a tension between the requirements of theoretical abstraction and the capacities of the film medium, where everything that we see on screen is concrete: A train arriving at a station, a tree, bodies, faces. Since the complex theories of montage in Soviet cinema, however, there have continuously been attempts to express theoretical issues by combining shots, thus creating a visual form of thinking.
This book brings together two major filmmakers-French New Wave master Jean-Luc Godard and German avant-gardist Harun Farocki to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything seen onscreen is necessarily concrete. Volker Pantenburg shows how these two filmmakers explored the potential of combined shots and montage to create ‘film as theory’.”
First published as Film als Theorie. Bildforschung bei Harun Farocki und Jean-Luc Godard, transcript, Bielefeld, 2006.
Translated by Michael Turnbull
Publisher Amsterdam University Press, 2015
Film Culture in Transition series
Creative Commons BY-NC-ND 3.0 License