Filed under artists publishing, poetry | Tags: · avant-garde, dada, poetry, sound poetry, visual poetry
An early anthology of experimental visual and sound poetry featuring poems by 21 avant-garde authors and illustrated with seven woodcuts, six etchings, two engravings, three drypoints, two aquatints, and six lithographs.
“Iliazd was well acquainted with the work of James Joyce, of Christian Morgenstern, and other writers who had played with the phonetic and graphical potential of language in the 19th and 20th century. But he chose to focus on the work of his peers, those figures within the modern movement of the first decades of the 20th century with whom he had been acquainted, and whose experiments he wished to bring to light and into a formal platform for recognition. He had good reason, in the late 1940s in Paris, to want to do this, as a gauntlet thrown down by the newly arrived upstart poet-theorist of Lettrism, Isidore Isou, challenged the emerging history of avant-garde literature with claims about the originality of his inventions.” (Source)
Poems by Ibronke Akinsemoyin, Pierre Albert-Birot, Hans Arp, Artaud, Jacques Audiberti, Hugo Ball, Nicolas Beaudin, Camille Bryen, Paul Dermée, Raoul Hausmann, Vincente Huidobro, Iliazd, Eugène Jolas, Velimir Khlebnikov, Alexei Krutchonykh, Pablo Picasso, Boris Poplavsky, Kurt Schwitters, Michel Seuphor, Igor Terentiev, Tristan Tzara.
Images by Arp, Georges Braque, Bryen, Marc Chagall, Oscar Dominguez, Serge Férat, Alberto Giacometti, Albert Gleizes, Hausmann, Henri Laurens, Alberto Magnelli, André Masson, Henri Matisse, Jean Metzinger, Joan Miró, Picasso, Léopold Survage, Sophie Taueber-Arp, Edgard Tytgatt, Wols, Ribemont-Dessaignes.
Publisher Le Degré Quarante et Un (Iliazd), Paris, 1949
26 folded sheets, 32 x 25 cm
Edition of 157
Commentary: Johanna Drucker (Amodern, 2016).Comment (0)