Filed under book | Tags: · art history, design, design history, history of architecture, machine, technology
“Although the work of Pierre Francastel (1900-1970) has long carried the label “sociology of art,” it bears little resemblance to anything conventionally sociological. Unlike the followers of the dominant schools of Anglo-American and German art history, Francastel was never obsessed with establishing a quasi-scientific methodology as the basis for his studies. But as art history itself is being reconfigured amid the technological culture of the twenty-first century, his nuanced meditations from the 1950s on the intricate intersection of technology and art gain heightened value.
The concrete objects Francastel examines are for the most part from the architecture and design of the late nineteenth to mid-twentieth century. Through them, he engages his central problem: the abrupt historical collision between traditional symbol activities of human society and the appearance in the nineteenth century of unprecedented technological and industrial capabilities and forms.”
First published as Art et technique aux XIXe et XXe siècles, Paris, 1956.
With a Foreword by Yve-Alain Bois
Translated by Randall Cherry
Publisher Zone Books, New York, 2000
ISBN 1890951021, 9781890951023
Review: Sean Cubitt (Leonardo, 2001).
Arte y técnica en los siglos XIX y XX (Spanish, trans. Maria Jose Garcia Ripoll, 1990, 22 MB, via)
Art & Technology in the Nineteenth and Twentieth Centuries (English, trans. Randall Cherry, 2000, 25 MB)