Tereza Stejskalová (ed.): Filmmakers of the World, Unite! Forgotten Internationalism, Czechoslovak Film and the Third World (2017) [Czech/English]
Filed under book | Tags: · cinema, cold war, czechoslovakia, film, film history, internationalism, postcolonialism
“The Algerian director Mohammed Lakhdar-Hamina (1934) and the recently deceased Syrian director Nabil Maleh (1936–2016) are considered founding fathers of their national cinematography and key figures in Arab cinematography. Due to their politically engaged and aesthetically unique work, they are also read and recognised on an international level. However, there is little acknowledgement of the fact that in the 1960s both studied at FAMU in Prague, a fact that definitely influenced their work. Other distinguished Asian and African directors who studied at FAMU include the Sri Lankan director Piyasiri Gunaratna (1939) and the Tunisian documentarist Hafed Bouassida (1947), as well as dozens of other directors, cameramen and scriptwriters from various countries in Asia, Africa and Latin America.
The bilingual publication includes interviews with some of the directors (Hafed Bouassida, Pyasiri Gunaratna) as well as studies on the work of Mohammed Lakhdar-Hamina (by Olivier Hadouchi) and Nabil Maleh (by Kay Dickinson). A more general cultural context is provided via an essay by the Czech researcher Daniela Hannová on Arab students in Czechoslovakia. Included is also a text by Alice Lovejoy mapping the trip of the Czech New Wave director František Vláčil to China.”
Publisher tranzit.cz, Prague, 2017
ISBN 9788087259412, 8087259416
Review: Miroslav Libicher (25fps, 2018, CZ).
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