Filed under book | Tags: · art, art education, bauhaus, colour, design, drawing, painting, theory
“Paul Klee occupies a unique position among the creators of modern art. Although he shed all ties with conventional presentation, he developed a closer and deeper relationship to reality than did most painters of his time. Without any attempt at imitation or idealization, he recorded proportion, motion, and depth in space as the fundamental attributes of the visual world.
Klee collected his observations in his Pedagogical Sketchbook intended as the basis for the course in design theory at the famous Bauhaus art school in Germany. From the simple phenomenon of interweaving lines, his work leads to the comprehension of defined planes-of structure, dimension, equilibrium, and motion. But he employs no abstract formulas. The student remains in the familiar world-a world that acquires new significance through the straight forward approach of Klee’s simple, lucid drawings and his precise captions. Chessboard, bone, muscle, heart, a water wheel, a plant, railroad ties, a tightrope walker-these serve as examples for the forty-three design lessons.
Pedagogical Sketchbook is a vital contribution toward a more human, more universal goal in design education the work of a visionary painter who dedicated himself to the practical task of making people see.” (from the Back cover)
Publisher Albert Langen, Munich, 1925
Volume 2 of Bauhausbücher series
Introduction and Translation by Sibyl Moholy-Nagy
Publisher Frederick A. Praeger, New York, 1953
The original layout by L. Moholy-Nagy has been retained
Pädagogisches Skizzenbuch (German, added on 2014-8-17)
Pedagogical Sketchbook (English, 1953 edition, no OCR)
Pedagogical Sketchbook (English, 1960 edition, 7th printing from 1972)
Παιδαγωγικό Σημειωματάριο (Greek, trans. Β. Λαγοπούλου, 1976)
Pedagogikheskie eskizy (Russian, trans. N. Druzhkovoy, 2005, added on 2014-3-6)