Alain Badiou: The Century (2005–)

“Everywhere, the twentieth century has been judged and condemned: the century of totalitarian terror, of utopian and criminal ideologies, of empty illusions, of genocides, of false avant-gardes, of democratic realism everywhere replaced by abstraction.

It is not Badiou’s wish to plead for an accused that is perfectly capable of defending itself without the authors aid. Nor does he seek to proclaim, like Frantz, the hero of Sartre’s Prisoners of Altona, ‘I have taken the century on my shoulders and I have said: I will answer for it!’ The Century simply aims to examine what this accursed century, from within its own unfolding, said that it was. Badiou’s proposal is to reopen the dossier on the century – not from the angle of those wise and sated judges we too often claim to be, but from the standpoint of the century itself.”

First published as Le Siècle, 2005.

Translated, with a Commentary and Notes by Alberto Toscano
Publisher Polity, 2007
ISBN 0745636314, 9780745636313
233 pages

Publisher

PDF (updated on 2020-7-5)

Noël Carroll: Theorizing the Moving Image (1996)

“Theorizing the Moving Image brings together a selection of essays written by one of the leading critics of film over the past two decades. In this volume, Noël Carroll examines theoretical aspects of film and television through penetrating analyses of such genres as soap opera, documentary, and comedy, and such topics as sight gags, film metaphor, point-of-view editing, and movie music. Throughout, individual films are considered in depth. Carroll’s essays, moreover, represent the cognitivist turn in film studies, containing in-depth criticism of existing approaches to film theory, and heralding a new approach to film theory.”

Publisher Cambridge University Press, 1996
Cambridge Studies in Film
ISBN 0521460492, 9780521460491
426 pages

Publisher

PDF (updated on 2012-7-14)

Stephen C. Foster (ed.): Hans Richter. Activism, Modernism, and the Avant-Garde (1998)

Few artists spanned the movements of early twentieth-century art as completely as did Hans Richter. Richter was a major force in the developments of expressionism, Dada, De Stijl, constructivism, and Surrealism, and the creator, with Viking Eggeling, of the abstract cinema. Along with Theo van Doesburg, László Moholy-Nagy, El Lissitzky, and a few others, he is one of the artists crucial to an understanding of the role of the arts in the reconstruction era following World War I.

Most American scholars have focused on Richter’s film work and have favored a strictly formalist approach that separates art and politics. The contributors to this book rewrite Richter’s history to include his pivotal role in the development of the early twentieth-century avant-garde and his political activism. When Richter’s work, particularly that of his earlier, European career, is viewed in its historical and political context, he emerges as an artist committed to the power of art to change the fabric of social, political, and cultural affairs.

Publisher The MIT Press, 1998
in collaboration with the University of Iowa Museum of Art, Iowa City
ISBN: 0262561298, 9780262561297

publisher
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PDF (updated on 2012-7-31)