Kenneth Anger: Hollywood Babylon, 2 Vols. (1959–)

Hollywood Babylon is a book by avant-garde filmmaker Kenneth Anger which details the sordid scandals of many famous and infamous Hollywood denizens from the 1900s to the 1950s. First published in the US in 1965, it was banned ten days later and would not be republished until 1975. Upon its second release, The New York Times said of it, “If a book such as this can be said to have charm, it lies in the fact that here is a book without one single redeeming merit.”

The book details the stories of Hollywood stars from the silent film era to stars of the 1960s including stories about Lupe Vélez, Rudolph Valentino, Olive Thomas, Thelma Todd, Frances Farmer, Juanita Hansen, Mae Murray, Alma Rubens, Barbara La Marr, and Marilyn Monroe. (from Wikipedia)

Originally published in French as Hollywood Babylone, J.J. Pauvert, Paris, 1959
First U.S. edition was published by Associated Professional Services of Phoenix, Arizona, 1965

Volume 1
Publisher Arrow Books, San Francisco, 1975
Reprinted 1986
ISBN 0099497808
306 pages

Volume 2
Publisher E.P. Dutton, New York
Reprint by New American Library, New York and Scarborough, Ontario, 1985
331 pages

Kenneth Anger’s Hollywood Babylon (documentary, dir. Nigel Finch, 57 min, 1991, low quality)
Interview with Anger (Rocco Castoro, Vice, 2012)

Volume 1 (239 MB, no OCR)
Volume 2 (34 MB)

Cahiers du Cinéma, vols. 1–4 (1951–78/1985–2000) & Special Issues in English (1966-67)

Cahiers du Cinéma [Notebooks on Cinema] is an influential French film magazine founded in 1951 by André Bazin, Jacques Doniol-Valcroze and Joseph-Marie Lo Duca. It developed from the earlier magazine Revue du Cinéma involving members of two Paris film clubs—Objectif 49 (Robert Bresson, Jean Cocteau and Alexandre Astruc, among others) and Ciné-Club du Quartier Latin. Initially edited by Éric Rohmer, it included amongst its writers Jacques Rivette, Jean-Luc Godard, Claude Chabrol and François Truffaut. (from Wikipedia)

This set of four volumes presents selected texts from the years 1951-1978 in English translation.

Cahiers du Cinéma: The 1950s: Neo-Realism, Hollywood, New Wave
An anthology from Cahiers du Cinéma, nos 1–102, April 1951 – December 1959
Edited by Jim Hillier
Publisher Harvard University Press, 1985
ISBN 0674090608
312 pages

Cahiers du Cinéma: 1960-1968: New Wave, New Cinema, Reevaluating Hollywood
An anthology from Cahiers du Cinéma, nos 103–207, January 1960 – December 1968
Edited by Jim Hillier
Publisher Harvard University Press, 1986
ISBN 0674090624
363 pages

Cahiers du Cinéma, Volume 3: 1969-1972: The Politics of Representation
An anthology from Cahiers du Cinéma, nos 210–239, March 1969 – June 1972
Edited by Nick Browne
Publisher Routledge, in association with the British Film Institute, 1990
ISBN 0415029872
352 pages

Cahiers du Cinema, Volume 4: 1973-1978: History, Ideology, Cultural Struggle
An anthology from Cahiers du Cinéma, nos 248–292, September 1973 – September 1978
Edited by David Wilson
With an Introduction by Bérénice Reynaud
Publisher Routledge, in association with the British Film Institute, 2000
ISBN 0415029880
323 pages

Publishers: Volume 1, Volume 2, Volume 3, Volume 4.

Volume 1 (1950s)
Volume 2 (1960-1968)
Volume 3 (1969-1972)
Volume 4 (1973-1978)

Cahiers du Cinema in English, ed. Andrew Sarris:
Number 1 (Jan 1966, 74 pp, 57 MB, via chef, added 2015-1-11),
Number 2 (Mar 1966, 82 pp, 65 MB, via chef, added 2015-1-12),
Number 3 (May 1966, 74 pp, 63 MB, via chef, added 2015-1-16),
Number 4 (Jul 1966, 66 pp, 57 MB, via chef, added 2015-1-16),
Number 5 (Sep 1966, 65 pp, 56 MB, via chef, added 2015-1-16),
Number 6 (Dec 1966, 66 pp, 57 MB, via chef, added 2015-1-16),
Number 7 (Jan 1967, 66 pp, 61 MB, via chef, added 2015-1-16),
Number 8 (Feb 1967, 68 pp, 44 MB, via LtJ),
Number 9 (Mar 1967, 65 pp, 59 MB, via chef, added 2015-1-17),
Number 10 (May 1967, 68 pp, 43 MB, via LtJ),
Number 11 (Sep 1967, 68 pp, 43 MB, via LtJ)
Number 12 (Dec 1967, 66 pp, 60 MB, via chef, added 2015-1-18)

See also: Daniel Fairfax: The Red Years of Cahiers du cinéma, 1968-1973 (2021).

Cinema Comparat/ive Cinema journal, Nos. 1–2: Programming/Montage & Forms in Revolution (2012–13) [EN/ES/CAT]

Cinema Comparat/ive Cinema is a biannual publication founded in 2012. It focuses on comparative cinema and the reception and interpretation of film in different social and political contexts. Each issue investigates the conceptual and formal relationships between films, material processes and production and exhibition practices, the history of ideas and film criticism.

Cinema Comparat/ive Cinema addresses an original area of research, developing a series of methodologies for a comparative study of cinema. With this aim, it also explores the relationship between cinema and comparative literature as well as other contemporary arts such as painting, photography, music or dance, and audio-visual media.

Edited by Colectivo de Investigación Estética de los Medios Audiovisuales (CINEMA) at the Universitat Pompeu Fabra (UPF), Barcelona
Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License
ISSN 2014-8933

Volume 1, Nº 1, «Programming/Montage», 2012
PDF (English), Spanish, Catalan.
View online (HTML articles, English), Spanish, Catalan.

Volume 1, Nº 2, «Forms in revolution», 2013
PDF (English), Spanish, Catalan.
View online (HTML articles, English), Spanish, Catalan.